Goodman Theatre Archive. Production History Files

Dates: 1925-2001
Size: 163 linear feet in 227 boxes and 47 oversize folders, includes 27 linear feet of photographic materials
Repository: Chicago Public Library, Harold Washington Library Center, Special Collections, 400 S. State Street, Chicago, IL 60605
Collection Number: spe-ctc-gta-phf
Immediate Source of Acquisition: Donated by the Art Institute of Chicago/Goodman Theatre in 1973. Materials are continually added to the collection. Please consult with the archivist for more information.
Conditions Governing Access: Materials are open without restrictions.
Conditions Governing Use: Please consult staff to determine ability to reuse materials from collection. Scripts, prompt books and musical scores can be read and viewed in person, but not copied without written permission of the creator or their assigns.
Preferred Citation: When quoting material from this collection the preferred citation is: Goodman Theatre Archive, Production History Files, [Box #, Folder #], Special Collections, Chicago Public Library
Finding Aid Author: Original author unknown. Updated in 2024 by Michelle McCoy. Ingested into ArchivesSpace, 2024.

Abstract

Established in 1922, the Goodman Theatre has continuously mounted performances for decades in Chicago. The Production History Files document the theater’s mainstage, studio and children’s stage productions primarily through programs, press releases, promotional materials, reviews, news clippings and photographs. From the 1960s onward, correspondence, notes, prompt books, scripts, stage management materials, technical plans and videotapes are also included for various productions.

Biographical/Historical

The Goodman Theatre, winner of the Special Tony Award for Outstanding Regional Theatre, is known and respected internationally. It was established in July 1922 as a memorial to the late playwright Kenneth Sawyer Goodman by his parents William and Erna Goodman. The Goodmans donated $250,000 to the Art Institute of Chicago, which built the theater on its northeast corner, at Monroe Street and S. Columbus Drive that combined a professional company and drama school. The theater opened on October 20, 1925, with three plays by Kenneth Sawyer Goodman performed at the dedication ceremony. The first artistic director, Thomas Woods Stevens, filled the first seasons with a mix of classics, contemporary hits and new plays.

Due to financial burden, the professional acting company was disbanded in 1930, but the drama school remained open. Over the next several decades, the Goodman School cultivated an impressive reputation and graduated many well-regarded theater artists including Maurice Gnesin and David Itkin in the drama school and Charlotte Chorpenning who headed the Children’s Theatre. Notable drama school graduates include Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.

In 1957, the Goodman began to re-establish its professional acting company under a new artistic director, John Reich. By the 1969 season, the shows were performed by the Goodman’s own acting company. The expense of this was prohibitive, though, and two years later, the theater began hiring actors by the productions.

In 1976, the Goodman separated from the Art Institute, and in 1978, it split from the Goodman School, which was acquired by DePaul University. Artistic director William Woodman had other visions for expanding production opportunities and began Stage 2, a platform for up-and-coming Chicago actors, directors and writers, one of whom was David Mamet, whose play American Buffalo premiered in 1975.

In the 1980s, Robert Falls took over the artistic direction of the theater and led in this capacity for the next 35 years. The Goodman also began looking for a new facility. An area that was the former site of two commercial theaters on North Dearborn Street was available, and the Goodman began raising money for a building in the 1990s. A gift from distant family members of Kenneth Sawyer Goodman helped construction begin. The New Goodman Theatre opened in December 2000 at 170 N. Dearborn Street.

Scope and Contents

The Goodman Theatre Archive, Production History Files document mainstage, studio, and children’s theater productions at the Goodman Theatre from 1925 to 2001. The Production History Files document the theater’s mainstage, studio and children’s stage productions primarily through programs, press releases, promotional materials, reviews, news clippings and photographs. In 1957, John Reich took the helm of the Goodman Theatre with a mandate to reorganize it and transform it into a professional theater company with semi-permanent members. From 1957 onward, the production documentation also includes various correspondence, notes, prompt books, scripts, stage management materials, technical plans and videotapes.

Items of note in the collection include scripts by David Mamet and information about performances by such notable actors who attended the Goodman School of Drama as Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.

Appraisal

The original finding aid was reviewed in 2023-2024. The collection box numbers were made sequential. Previous box numbering started over with each series. The collection contents were reviewed for sensitive information, dates were inserted for file descriptions, and photographs and posters were integrated into the collection guide. The bulk of the original collection processing was retained. Materials with sensitive personal or financial identifiers were discarded or redacted.

Arrangement

The Goodman Theatre Archive, Production History Files are arranged into two series by producing group.

  • Series 1: Art Institute Members/Repertory Company, 1925-1957
  • Series 2: Goodman Theatre Productions, 1928-2001, undated

Subject Headings

  • Aldredge, Theoni V.
  • Children’s theater -- Illinois -- Chicago
  • Chorpenning, Charlotte B. (Charlotte Barrows)
  • Creamer, Tom
  • Falls, Robert
  • Galati, Frank
  • Gnesin, Maurice, 1896-1957
  • Goodman, Kenneth Sawyer, 1883-1918
  • Goodman Theatre (Chicago, Ill.)
  • Griswold, Mary
  • Henry, Patrick (1936-1989)
  • Itkin, Bella
  • Itkin, David
  • Johnson, Virgil C.
  • Maggio, Michael, 1951-2000
  • Malden, Karl
  • Nieminski, Joseph
  • Page, Geraldine
  • Petrarca, David
  • Reich, John
  • Slowik, Joseph
  • Smith, Chuck, 1938-
  • Theater -- Illinois -- Chicago -- 20th century -- Sources
  • Theater -- History -- Sources
  • Theater production and direction
  • Theater programs -- Illinois -- Chicago
  • Zimmerman, Mary

Related Materials

  • Goodman Theatre Archive. Goodman/Art Institute of Chicago
  • Goodman Theatre Archive. Goodman Family Papers
  • Goodman Theatre Archive. Goodman School of Drama
  • Goodman Theatre Archive. John Reich Papers
  • Goodman Theatre Archive. Producing and Artistic Director’s Files
  • Goodman Theatre Archive. Tom Creamer Dramaturgy Papers
  • Joseph Nieminski Papers
  • Virgil C. Johnson Papers

Collection Inventory

Series 1: Art Institute Members/Repertory Company, 1925-1957

Scope and Contents

Series 1 includes news clippings, photographs, programs, reviews and scripts for productions created by the Goodman Repertory Company at the Art Institute from 1925 to 1957. The main season production list is followed by lists of studio and other special productions.

Main season productions include:
  • Accent on Youth by Samson Raphaelson, directed by David Itkin, sets by Spencer Davies, lighting by James Webster, with Sam Wanamaker, 1937 October 4-12
  • Accent on Youth by Samson Raphaelson, directed by Maurice Gnesin, sets designed by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, 1944 October 5-21
  • The Adding Machine by Elmer Rice, directed by Maurice Gnesin, sets designed by Spencer Davies, lights by James Webster, costumes by Kathryn Triplett, with Sam Wanamaker, 1937 November 8-17
  • The Admirable Crichton by Sir James Barrie, directed by Maurice Gnesin, sets by Mary Blair, costumes by Angelynn Berry, 1941 January 9-25
  • Ah, Wilderness! by Eugene O'Neill, directed by Eunice Osborne, set by Barbara Scott, costumes by Blair von Albrecht, 1944 February 10-March 4
  • All My Sons by Arthur Miller, directed by Bella Itkin, sets by Mary Lou Denton, costumes by Ballou, with Harvey Korman, 1950 April 13-30
  • Anathema by Leonid Andreyev, directed by Maurice Gnesin, sets designed by Spencer Davis, lights by Robert Brower and Otto Sheer, 1934 March 6-10
  • The Animal Kingdom by Phillip Barry, directed by Eunice Osborne, sets designed by Norman Grant, lighting by James Diehl, featuring Karl Malden, 1936 April 20-26
  • Anna Christie by Eugene O'Neill, directed by David Itkin, settings by Norman Grant, costumes by Virginia Opsvig, 1939 March 20-April 1
  • Anna Christie by Eugene O'Neill, directed by David Itkin, Sidney Kraus as assistant director, sets by Mary Lou Denton, costumes by Charles Muth, 1954 January 8-23
  • Another Language by Rose Franken, directed by Charlotte Chorpenning, sets by Alice Harmer, costumes by Rita Dhu Wray, with Geraldine Page and Shelley Berman, 1945 May 10-26
  • Another Part of the Forest by Lillian Hellman, directed by W.R. Martini, sets by Sheldon Haber, costumes by Paul Leonard, 1957 March 8-24
  • Arsenic and Old Lace by Joseph Kesselring, directed by W.R. Martini, sets designed by Bill Ritman, costumes by Elizabeth Birbari, with Harvey Korman, 1948 October 7-24
  • As You Like It by William Shakespeare, directed by Alexandra Carlisle and Whitford Kane, costumes by Helen Forrest, incidental music by Hamilton Forrest and Dorothy James, chorus singing directed by Julia LeVine, 1927 May [?]-21
  • As You Like It by William Shakespeare, directed by Bella Itkin, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis, 1955 February 11-27
  • Back of the Yards, The Green Scarf and The Game of Chess by Kenneth Sawyer Goodman, directed by Thomas Wood Stevens and Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1925 October 20-[?]
  • Bees on the Boat Deck by J.B. Priestley, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 December 5-15
  • Bell, Book and Candle by John Van Druten, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Theoni Vachlioti, 1953 March 13-29
  • The Black Eye by James Bridie, directed by Eunice Osborne, sets by Barbara Scott, costumes by Andrew Woods, 1942 November 5-21
  • Blithe Spirit by Noel Coward, directed by Eunice Osborne, sets by the von Albrechts, costumes by Rita Dhu Wray, 1945 November 29-December 15
  • Blood Wedding by Federico Garcia Lorca, directed by Maurice Gnesin, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, choreography by Frances Allis, folk music by Louise Dale Spoor, 1953 April 17-May 2
  • Born Yesterday by Garson Kanin, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Joseph Holcombe, 1952 May 8-25
  • Bustop by William Inge, directed by Bella Itkin, sets by Jack Million, costumes by Sheldon Haber, 1957 February 8-24
  • Camille in Roaring Camp by Bret Hart, translated by Matilda Heron, directed by Thomas Wood Stevens, 1928 March 8-17
  • Candida by George Bernard Shaw, directed by David Itkin, Terrell Everett as assistant director, sets designed by Floyd Allan, costumes by Ballou, oil paintings executed by James Coil, 1949 December 1-28
  • The Cassilis Engagement by St. John Hankin, directed by Howard Southgate, sets by Marie Wecker, lighting by Gordon Ray, [1933 June 3]
  • The Cherry Orchard by Anton Chekhov, translated by Maurice Gnesin, directed by David Itkin, sets by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, 1956 November 2-18
  • The Chief Thing by Nicholas Evreinov, directed by Maurice Gnesin, sets designed and executed by Jean Sutherland, lighting by Robert Brower, featuring Karl Malden, 1936 May 18-23
  • The Chief Thing by Nicholas Evreinov, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Jack Cornwell, costumes by Rita Dhu Wray, 1948 April 8-25
  • The Circle by W. Somerset Maugham, directed by Maurice Gnesin, sets by Spencer Davies, costumes by Virginia Opsvig, starring Sam Wanamaker, 1939 January 9-19
  • The Circle by W. Somerset Maugham, directed by Bella Itkin, sets by Stanley Rames, costumes by Jack Cornwell, 1949 January 6-22
  • Claudia by Rose Franken, directed by Mary Elizabeth Aurelius, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 March 7-24
  • The Corn is Green by Emlyn Williams, directed by David Itkin, Barbara Keyes as assistant director, sets by Mary Lou Williams Denton, costumes by Ballou, 1951 November 8-25
  • The Cradle Song by G. Martinez Sierra, directed by David Itkin, sets by Spencer Davies, lighting by James Webster, 1937 February 8-15
  • Craig's Wife by George Kelly, directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Rita Dhu Wray, 1945 January 4-20
  • The Critic by Richard Brinsley Sheridan, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, music arranged by Julia LeVine, [1928-1929]
  • The Crucible by Arthur Miller, directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1955 January 7-23
  • The Day of the Diamond Pin by Hubbard Kirkpatrick, The Bear by Anton Chekhov, and The Man of Destiny by George Bernard Shaw, directed by Thomas Wood Stevens and Howard Southgate, lights by Arvid Crandall, costumes by Helen Forrest, 1925 April 4, 11, 18
  • Dear Brutus by James Barrie, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1928 December 4-[?]
  • Devil on Stilts by Ryerson and Clements and directed by Esther Snowden, Never Too Old by Ryerson and Clements and directed by Mary Evelyn Kootz, The First White Woman by Babette Hughes and directed by Henry Kurth, and Aria Da Capo by Edna St. Vincent Millay and directed by Charline Osgood, sets by Joel Simon, 1938 May 12
  • Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens, and The Dark Lady of the Sonnets by George Bernard Shaw, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 April 26-May 1
  • Dark of the Moon by Howard Richardson and William Berney, directed by William Stigall, sets and lights by Paul Haney, costumes by Ballou, choreography by Frances Allis, 1950 January 5-22
  • Dear Brutus by Sir James Barrie, directed by Maurice Gnesin, sets designed by Norman Grant, lighting by James Webster with Karl Malden, 1937 May 24-29
  • Dear Brutus by Sir James Barrie, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1950 November 30-December 16
  • Dear Ruth by Norman Krasna, directed by Bella Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1947 October 2-18
  • Death of a Salesman by Arthur Miller, directed by David Itkin, Herman Fell as assistant director, sets, costumes and lights by Gerald Ritholz, 1953 November 6-21
  • Desire Under the Elms by Eugene O'Neill, directed by David Itkin, sets by Alice Harmer Martini, costumes by Gerald Ritholz, choreography by Frances Allis, 1953 January 9-25
  • Don Juan by Moliere, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1927 November
  • The Dover Road by A.A. Milne, directed by David Itkin, sets by Blair von Albrecht, costumes by Andrew Woods, 1943 May 13-26
  • The Enchanted April by Kane Campbell, directed by Robert Hopkins, sets by Bill Ritman, costumes by Stanley Rames, Larry Gentile as technician, 1948 May 6-22
  • End of Summer by S.N. Behrman, directed by Maurice Gnesin, William Stigall as associate director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, 1947 February 6-23
  • Electra by Euripides, directed by Maurice Gnesin, settings by Spencer Davies, choral movements by Harriette Louise, costumes by Beryl Spinney and Spencer Davies, lighting by James Webster, with Sam Wanamaker, 1938 April 25-May 3
  • Electra by Euripides, directed by Maurice Gnesin, Bella Itkin as associate director, Louise Dale Spoor as associate director for chorus, choreography by Frances Allis, production designed by Ballou, 1952 April 10-27
  • Elizabeth the Queen by Maxwell Anderson, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1939 April 13-26
  • Escape by John Galsworthy, directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 May 14-[?]
  • Everyman, directed by Redmond Flood and Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1926 March 4-21
  • Everyman, directed by Redmond Flood and Thomas Wood Stevens, 1927 April 13-14
  • Family Portrait by Lenore Coffee and William Joyce Cowen, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1939 December 4-17
  • The Far-Off Hills by Lennox Robinson, directed by David Itkin, sets by Blair von Albrecht, costumes by Leonor Travis, 1946 December 5-21
  • The Farmer's Wife by Eden Phillpotts, directed by Charlotte Chorpenning, lights by Leonard Safier, 1934 May 22-25
  • The Farmer's Wife by Eden Philpotts, directed by David Itkin, sets designed by Donald Frances Hermes, costumes by Barbara Scott, 1942 May 14-27
  • Fashion, or Life in New York by Anna Cora Mowett, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes designed by Helen Forrest, lights by Arvid Crandall, 1926 December
  • The Father by August Strindberg, directed by David Itkin, sets designed by Jean Sutherland, lights by Robert Brower, starring Sam Wanamaker, 1936 March 16-21
  • The Father by August Strindberg, directed by David Itkin, Mary Laura Collins as assistant director, sets by Jack Cornwell, costumes by Elizabeth Birbari, 1948 November 4-20
  • The Field God by Paul Green, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 January 28-[?]
  • The Firebrand by Edward Justus Mayer, directed by Hubert Osborne, sets designed by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky, [1930-1931]
  • First Lady by Katherine Dayton and George S. Kaufman, directed by Charlotte Chorpenning, sets by John Nicholson, costumes by Mary Blair, 1939 May 22-31
  • First Lady by Katherine Dayton and George S. Kaufman, directed by W.R. Martini, sets designed by Paul Haney, costumes by Ballou, with Harvey Korman, 1949 September 29-October 16
  • The First Mrs. Fraser by St. John Ervine, directed by Maurice Gnesin, sets by Mildred Sutherland, lighting by Robert Brower, featuring Karl Malden, 1935 February 11-15
  • For Services Rendered by W. Somerset Maugham, directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Spencer Davies and William Boyer, 1934 December 10-14
  • The Forest by John Galsworthy, directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1925 October 22-November 14
  • French Without Tears by Terence Rattigan, directed by Maurice Gnesin, sets by Joe Carner, costumes by Mary Gross, 1947 January 9-25
  • Fresh Fields by Ivor Novello, directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Virginia Opsvig, 1941 October 2-18
  • Fresh Fields by Ivor Novello, directed by W.R. Martini, sets by John Peters, costumes by Jeannette Coffman, 1954 December 3-19
  • The Game of Love and Death by Romain Rolland, directed by Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1926 November 10-[?]
  • Gas by George Kaiser, translated by George Hexter, directed by Marion Gering, sets by Louis Lozowick, costumes by Ruth Goodkind, lights by Arvid Crandall, 1926 January 28-February 27
  • George and Margaret by Gerald Savory, directed by David Itkin, sets designed by John Nicholson, costumes by Richard von Albrecht, 1940 January 15-[?]
  • George and Margaret by Gerald Savory, directed by William Stigall, sets by Paul Haney, costumes by Bill Ritman, 1949 April 7-24
  • George Washington Slept Here by George S. Kaufman and Moss Hart, directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies, 1942 October 1-17
  • The Golem by H. Leivick, translated by J.C. Augenlicht, directed by Thomas Wood Stevens and David Itkin, 1927 May 7-June 8
  • Goodbye Again by Allan Scott and George Haight, directed by Maurice Gnesin, sets by John Nicholson, costumes by Mary Blair, 1940 May 13-26
  • Goodbye Again by Allan Scott and George Haight, directed by Maurice Gnesin, W.R. Martini as associate director, sets by William Moore, costumes by Paul Haney, 1950 March 9-26
  • Goodbye, My Fancy by Fay Kanin, directed by William Stigall, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, Joseph Lantzy as technician, 1951 May 10-27
  • The Great Catherine and Augustus Does His Bit by George Bernard Shaw, directed by Maurice Gnesin, settings and costumes designed by Virginia More Roediger, 1934 April 3-7
  • Hamlet by William Shakespeare, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by Ballou, lighting by Ade-Rolfe Floreen, with Harvey Korman, 1950 February 9-March 3
  • Hans Brinker, or The Silver Skates by Mary Mapes Dodge, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Kathryn Triplett, lighting by James Webster, 1938 January 8
  • Harvey by Mary Chase, directed by Bella Itkin, sets by Oliver Allyn, costumes by Molly Kunning, 1954 May 14-29
  • Hay Fever by Noel Coward, directed by Maurice Gnesin, sets by Donald Hermes, costumes by Virginia Opsvig, 1941 November 25-28
  • Hay Fever by Noel Coward, directed by W.R. Martini, sets designed by Alice Harmer Martini, costumes by Ballou, 1951 October 4-21
  • He Who Gets Slapped by Leonid Andreyev, translated by Maurice Gnesin, directed by Maurice Gnesin, sets by Mary Blair, costumes by John Nicholson, 1940 March 18-31
  • The Head of the Family by Katherine Clugston, American Premiere directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Robert Brower, 1935 March 11-15
  • Heartbreak House by George Bernard Shaw, directed by Maurice Gnesin, sets designed by the von Albrechts, costumes by Rita Dhu Wray, with Shelley Berman, 1946 January 3-19
  • Hedda Gabler by Henrik Ibsen, directed by David Itkin, sets designed by Barbara Scott, costumes by Shirley Seidel, with Shelley Berman, 1945 April 12-28
  • An Heir at Large by Mary Aldis, dramatized from the cartoon story by John McCutcheon, directed by Thomas Wood Stevens, sets designed by John McCutcheon, costumes by Helen Forrest, lights by Arvid Crandall, 1925 December 17-1926 January 16
  • Henry IV, Part I by William Shakespeare, directed by David Itkin, William H. Bielfeldt as assistant director, sets designed by Bill Ritman, costumes by David Ballou, with Harvey Korman, 1949 February 10-March 4
  • Holiday by Philip Barry, directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 February 18-[?]
  • Holiday by Phillip Barry, directed by Mary Elizabeth Aurelius, sets by Spencer Davies, costumes by Virginia Opsvig, 1939 October 2-14
  • Hotel Universe by Philip Barry, [1930]
  • Hotel Universe by Phillip Barry, directed by Eunice Osborne, sets designed by Spencer Davies, lights by James Webster, 1937 April 19-26
  • The House of Bernarda Alba by Federico Garcia Lorca, directed by David Itkin, Ruth Schechtman as assistant director, sets by Mary Lou Denton, costumes by Ballou, 1951 March 8-24
  • Icebound by Owen Davis, directed by David Itkin, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1940 November 26-28
  • Idiot's Delight by Herbert Sherwood, directed by W.R. Martini, sets by Sheldon Haber, costumes by Stanley Kloth, 1956 May 11-27
  • The Importance of Being Earnest by Oscar Wilde, 1942-1943
  • The Importance of Being Earnest by Oscar Wilde, directed by Bella Itkin, sets by James Maronek, costumes by Theoni Vachlioti Aldredge, music by Frank Roach, 1957 May 10-26
  • In a Garden by Philip Barry, 1942 February
  • Indian Captive, [1937-1938]
  • The Inspector General by Nikolai Gogol, translated by Constance Garnett, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1928 November 6-[?]
  • Jason by Samson Rafaelson, directed by David Itkin, Jeanne Jerrems as assistant director, sets by Jack Cornwell, costumes by David Ballou, with Harvey Korman, 1950 May 11-28
  • Joan of Lorraine by Maxwell Anderson, directed by David B. Itkin, Betty Churchill as assistant director, sets by Jack Cornwell, costumes by William Moore, with Harvey Korman, 1949 November 3-20
  • John Ferguson by St. John Ervine, [1945-1946?]
  • John Loves Mary by Norman Krasna, directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Leonor Travis, 1953 October 2-17
  • The Joyous Season by Phillip Barry, directed by David Itkin, sets by Norman Grant, lights by James Webster, costumes by Beryl Spinney, with Sam Wanamaker, 1937 December 6-14
  • Juno and the Paycock by Sean O'Casey; and Dust of the Road by Kenneth Sawyer Goodman, directed by Whitford Kane, 1926 December 29-1927 January 22
  • Kind Lady by Edward Chodorov, directed by Sidney Breese, sets by John MacMahon, lights by Michael Taylor, 1938 June 10
  • King Lear by William Shakespeare, directed by David Itkin, sets by Spencer Davies, lights by James Webster, costumes by Beryl Spinney and Kathryn Triplett, with Sam Wanamaker, 1938 February 14-23
  • King Lear by William Shakespeare, directed by Maurice Gnesin, sets by Blair von Albrecht, costumes by John Nicholson, 1944 April 13-May 6
  • King Lear by William Shakespeare, directed by Maurice Gnesin, sets designed by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, lighting by G.E. Naselius, 1956 March 9-25
  • The Kingdom of God by G. Martinez Sierra, directed by David Itkin, sets by Spencer Davies, costumes executed by Lillian Wenzel, lighting by Leonard Safier, 1934 October 8-12
  • Kolpak Must Dance by Hellmuth Unger, translated by Derek Wulff, directed by Hubert Osborne, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lights by Arvid Crandall, 1930 April 8-[?]
  • Laburnum Grove by J.B. Priestley, directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1940 April 15-28
  • Ladies in Waiting by Cyril Campion, directed by Doris Foley, sets by Henry Kurth, lighting by Mary Monahan, 1937 November 17-18
  • Lady Windermere's Fan by Oscar Wilde, directed by Maurice Gnesin, sets and costumes designed by Virginia Roediger, 1932 May 23-27
  • Lady Windermere's Fan by Oscar Wilde, directed by Maurice Gnesin, sets by Charles Muth, costumes by Leonor Travis, 1955 May 13-29
  • The Lady's Not for Burning by Christopher Fry, directed by David Itkin, Louise Dale Spoor as associate director, sets by Charles Muth, costumes by Leonor Travis, 1954 April 16, May 1
  • The Last Trump by James Bridie, directed by W.R. Martini, sets by Bill Hargate, costumes by Leonor Travis, 1956 November 30-December 16
  • The Late Christopher Bean by Sidney Howard, directed by Sidney Breese, sets by Spencer Davies, lighting by Robert Brower, with Karl Malden, 1936 October 5-10
  • The Late Christopher Bean by Sidney Howard, directed by Maurice Gnesin, sets by Angelynn Davies, costumes by Blair von Albrecht, 1943 January 7-23
  • Lazzaro by Luigi Pirandello, [1930-1931?]
  • Leonardo Da Vinci by Maurice Gnesin, directed by David Itkin, scenic designs by Sam Russell and John Friedmann, Jr., costumes by Ardys Belisch, 1933 April 22-28
  • Let Us Be Gay by Rachel Crothers, directed by Eunice Osborne, sets and costumes by R. Llewellyn Hughes, lighting by Leonard Safier, 1935 May 20-24
  • Let Us Be Gay by Rachel Cruthers, directed by David Itkin, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 May 9-25
  • Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies, 1943 March 11-27
  • Liliom by Ferenc Molnar, directed by Maurice Gnesin, sets by Jean Sutherland, lighting and technical direction by Robert Brower, featuring Karl Malden, 1936 January 20-25
  • Liliom by Ferenc Molnar, directed by Maurice Gnesin, sets by James Maronek, costumes by Bill Hargate, lighting by G.E. Naselius, 1957 January 4-20
  • The Little Clay Cart, attributed to King Shudraka and translated by Arthur William Ryder, directed by Cloyd Head, sets by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, musical setting arranged by Julia LeVine, 1928 May 29-[?]
  • The Little Foxes by Lillian Hellman, directed by David Itkin, sets by Barbara Scott, costumes by Andrew Woods, 1943 November 4-28
  • The Living Corpse by Leyf Tolstoy, American Premiere, directed by David Itkin, sets designed by Jean Sutherland, lighting by Robert Broward, featuring Karl Malden, 1935 April 22-26
  • Lizard Gap by Harry Lacy Hamilton, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1929 February 11-[?]
  • The Lower Depths by Maxim Gorki, 1937 January 11-19
  • Macbeth by William Shakespeare, directed by Maurice Gnesin, sets and costumes designed by Virginia More Roediger, 1933 December 12-16
  • Macbeth by William Shakespeare, directed by Maurice Gnesin, Bella Itkin as associate director, sets by the von Albrechts, costumes by Rita Dhu Wray, lights by Ade-Rolfe Floreen, with Harvey Korman, 1948 January 8-24
  • Major Barbara by George Bernard Shaw, directed by Maurice Gnesin, Bella Itkin as associate director, sets by Norman Grant, costumes by Elizabeth Birbari, with Harvey Korman, 1948 December 2-19
  • The Makropoulos Secret by Karel Capek, directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1929 November 19-December 7
  • The Male Animal by James Thurber and Elliott Nugent, directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Elizabeth Birbari, 1946 October 3-19
  • The Man of Destiny by George Bernard Shaw and, Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 April 15-May 1
  • The Man Who Came to Dinner by George S. Kaufman and Moss Hart, directed by David Itkin, E. Allyn Warren as assistant director, sets by Blair von Albrecht, costumes by Elizabeth Birbari, 1948 February 5-22
  • Mary of Scotland by Maxwell Anderson, directed by Maurice Gnesin, sets by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, 1952 November 7-23
  • The Mask and the Face by Luigi Chiarelli, [1927-1928]
  • The Mask and the Face by Luigi Chiarelli, translated by C.B. Fernald, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine, 1929 November 4-[?]
  • The Master Builder by Henrik Ibsen, [1933-1934]
  • The Master Builder by Henrik Ibsen, directed by David Itkin, sets designed by Spencer Davies, lighting by Leonard Safier, 1935 May 8-12
  • The Master Builder by Henrik Ibsen, sets by David Itkin, Ward Ohrman as assistant director, sets by Alice Harmer Martini, costumes by Leonor Travis, lighting by David Zierk, 1951 December 6-22
  • Merry Wives of Windsor by William Shakespeare, directed by David Itkin, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 February 12-25
  • Merry Wives of Windsor by William Shakespeare, directed by David Itkin, sets by Mary Lou Denton, costumes by Leonor Travis, choreography by Frances Allis, 1953 February 13-28
  • A Midsummer Night'sDream by William Shakespeare, directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Helen Forrest and Marie Wecker, lighting designed by Arvid Crandall, 1926 May 6-22
  • A Midsummer Night's Dream by William Shakespeare, directed by Whitford Kane, sets by Leslie Marzolf, lights by Gordon Ray, 1927 May 23-28
  • A Midsummer Night's Dream by William Shakespeare and directed by Whitford Kane and The Masque of the Red Death by Edgar Allen Poe, adapted and directed by Neal Caldwell, costumes by Betty Parsons and Lurene Kingsbury, masks executed by Don Ament, sets by Leslie Marzolf and Don Ament, lighting by Arvid Crandall, music by Hamilton Forrest, [1928]
  • Mixed Doubles by Louis Laflin, directed by Thomas Wood Stevens, 1928 May 21
  • The Moon Besieged by Seyril Schochen, directed by David Itkin, Vernon Schwartz as assistant director, sets designed by Alice Harmer Martini, costumes by Ballou, 1950 November 2-18
  • Mourning Becomes Electra: The Hunted by Eugene O'Neill, directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1955 April 15-May 1
  • Pim Passes By by A.A. Milne, directed by Sidney Breese, sets designed by Jean Sutherland, lights by Robert Brower, featuring Karl Malden, 1935 September 30-October 4
  • Pim Passes By by A.A. Milne, directed by Eunice Osborne, set by Wallis Smith, costumes by Barbara Scott, 1944 March 9-April 1
  • Much Ado About Nothing by William Shakespeare, directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1939 February 13-24
  • My Three Angels by Sam and Bella Spewak, directed by Bella Itkin, sets by John Peters, costumes by Oliver Allyn, 1956 February 3-19
  • Old Acquaintance by John Van Druten, directed by Eunice Osborne, sets by Blair von Albrecht, costumes by Angelynn Davies, 1943 February 11-27
  • Othello by William Shakespeare, directed by David Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1947 February 6-23
  • Othello by William Shakespeare, directed by David Itkin, sets by Jack Cornwell, costumes by Leonor Travis, 1957 April 12-27
  • Our American Cousin by Tom Taylor, directed by Maurice Gnesin in association with Sidney Breese, sets designed by Spencer Davies, lights by James Webster, with Sam Wanamaker, 1938 January 10-18
  • Our American Cousin by Tom Taylor, directed by Bella Itkin, H. Fell as assistant director, sets designed by Mary Lou Denton, costumes by Leonor Travis, [1953-1954]
  • Our Town by Thornton Wilder, directed by David Itkin, costumes by Mary Blair, 1939 November 6-[?]
  • Outbreak by L.W. Vedrenne, directed by Whitford Kane, scenic design by Leslie Marzolf, costumes by Elizabeth Parsons, lighting designed by Arvid Crandall, [1927]
  • Outward Bound by Sutton Vane, directed by David Itkin, sets by Mary Blair von Albrecht, costumes by Angelynn Berry Davies, 1941 November 6-22
  • Night Must Fall by Emlyn Williams, directed by Eunice Osborne, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 December 5-21
  • The Nightingale by Julian F. Thompson, directed by Maurice Gnesin, sets and costumes by Virginia More Roediger, 1933 January 9-12
  • Paris Bound, [1932-1933]
  • Penelope by W. Somerset Maugham, directed by Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1927 February 9-19
  • Peter, Peter Pumpkin Eater by Martha King, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett, lights by James Webster, 1938 January 15-February 26
  • The Philadelphia Story by Philip Barry, directed by David Itkin, sets designed by Alice Harmer, costumes by Shirley Seidel, with Shelley Berman, 1945 October 4-20
  • The Philadelphia Story by Philip Barry, directed by W.R. Martini, Richard Woosley as assistant director, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge, 1953 December 4-19
  • The Pigeon by John Galsworthy; and Lonesome-Like by Harold Brighouse, directed by Whitford Kane, scenic design by Leslie Marzolf, costumes designed by Helen Forrest, lighting by Gordon Ray, 1927 April
  • Pillars of Society by Henrik Ibsen, directed by David Itkin, sets designed by Virginia More Roediger, 1932 December 5-8
  • The Poem of David by Kenneth Sawyer Goodman, Idyll of the Shop by Ben Hecht and Kenneth Sawyer Goodman and The Home Coming by Ben Hecht and Kenneth Sawyer Goodman, directed by David Itkin, 1930 June 9-10
  • Pygmalion by George Bernard Shaw, directed by David Itkin, sets designed by Virginia More Roediger, 1933 March 13-17
  • Pygmalion by George Bernard Shaw, directed by Maurice Gnesin, Bella Itkin as associate director, sets by Alice Harmer Martini, costumes by Adah Sorensen, Bill Winters as technician, 1951 April 12-29
  • The Rainmaker by N. Richard Nash, directed by W.R. Martini, sets by Bill Ritman, costumes by Theoni Vachlioti Aldredge, 1955 December 2-18
  • Rebound by Donald Ogden Stewart, [1930-1931?]
  • Reclining Figure by Harry Kurnitz, directed by Bella Itkin, sets by James Royce, costumes by Leonor Travis, 1956 September 29-October [?]
  • Redemption by Leo Tolstoy, directed by David and Bella Itkin, sets by Jack Cornwell, costumes by Leonor Travis, 1956 January 6-22
  • The Return to Earth by Miguel Lira, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by David Ballou, choreography by Frances Allis, folk song direction by Louise Dale Spoor, lighting by Ade-Rolfe Floreen, 1949 May 5-22
  • Richard III by Williams Shakespeare, directed by David Itkin, Sidney Kraus as assistant director, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 February 12-28
  • Right You Are! by Luigi Pirandello, directed by Maurice Gnesin, sets and costumes by Barbara Scott, 1942 January 8-24
  • Right You Are! by Luigi Pirandello, directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Leonor Travis, 1955 March 11-28
  • Ring Round the Moon by Jean Anouilh, translated by Christopher Fry, directed by David Itkin, Don Gunderson as assistant director, sets by Jack Cornwell, costumes by Leonor Travis, 1956 January 13-29
  • The Rivals by Richard Brinsley Sheridan, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 March 11-[?]
  • The Romantic Young Lady by G. Martinez Sierra, English version by Granville-Barker, directed by Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid, 1925 November 19-December 12
  • The Romantic Young Lady by G. Martinez Sierra, directed by David Itkin, scenic design by Spencer Davis, costumes by Beatrice Norton, lights by Robert Brower, 1933 October 31-November 4
  • The Romantic Young Lady by G. Martinez Sierra, 1941-1942
  • Romeo and Juliet by William Shakespeare, directed by B. Iden Payne, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine, 1929 October 8-[?]
  • Romeo and Juliet by William Shakespeare, directed by Maurice Gnesin, sets by Mary Blair von Albrecht, costumes by Virginia Opsvig, dances directed by Ruth Hatfield, 1942 April 16-May 2
  • Romeo and Juliet by William Shakespeare, directed by Bella Itkin, sets by Mary Lou Denton, costumes by David Ballou, choreography by Frances Allis, 1952 February 7-24
  • The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets and costumes by Virginia Roediger, 1934 January 23-27
  • The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets by Shirley Seidel, costumes by Donnie Zizzof, 1947 May 8-24
  • The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets designed by Mary Louise Denton, costumes by Leonor Travis, 1952 October 3-19
  • Sabrina Fair by Samuel Taylor, directed by Bella Itkin, sets by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, 1955 September 30-October 16
  • Saint Joan by George Bernard Shaw, directed by Maurice Gnesin (assistant director William Stigall), sets by Richard von Albrecht, costumes by Rita Dhu Wray, with Shelley Berman, 1946 November 7-23
  • The Sea Gull by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, scenic design by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky, [1930-1931]
  • The Sea Gull by Anton Chekhov, directed by David Itkin, sets by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, 1944 November 2-18
  • The Second Man by S.N. Berman, directed by David Itkin, sets designed by Friedrich von Dachenhausen, lights by Leonard Safier, 1934 November 5-9
  • The Second Man by S.N. Berman, directed by W.R. Martini, sets by Charles Muth, costumes by Mr. Clare, 1953 May 8-24
  • Shadow and Substance by Paul Vincent Carroll, directed by David Itkin, sets designed by Blair von Albrecht, costumes by Rita Dhu Wray, 1947 November 6-22
  • The Shadow of a Gunman by Sean O’Casey and The Island of the Saints by St. John Ervine, directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, music by Julia LeVine, 1929 April 10-[?]
  • She Stoops to Conquer by Oliver Goldsmith, [1927-1928]
  • The Shining Hour by Keith Winter, directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Angelynn Davies, 1943 April 15-May 1
  • The Show Off by George Kelly, directed by Eunice Osborne, sets designed by Norman Grant, lights by James Webster, featuring Karl Malden, 1936 December 7-15
  • The Show-Off by George Kelly, directed by William Stigall, sets by Shirley Seidel, costumes by Elizabeth Birbari, 1947 December 4-20
  • The Silver Cord by Sidney Howard, directed by Mary Elizabeth Aurelius, sets Spencer by Davies, costumes by Angelynn Berry, 1941 March 20-April 5
  • Six Characters in Search of an Author by Luigi Pirandello and Barbara by Kenneth Sawyer Goodman, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine, 1929 January 7-[?]
  • The Skin of Our Teeth by Thornton Wilder, directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, with Shelley Berman, 1945 November 1-17
  • A Sound of Hunting by Harry Brown, directed by David Itkin, costumes and sets by Jack Cornwell, with Harvey Korman, 1949 March 10-26
  • Storm Over Patsy by James Bridie, directed by Sidney Breese, sets designed by Norman Grant, costumes by Kathryn Triplett, lighting by James Webster, 1938 March 21-29
  • Street Scene by Elmer Rice, directed by David Itkin, sets by David Itkin, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 November 7-16
  • Street Scene by Elmer Rice, directed by Bella Itkin, sets designed by Alice Harmer Martini, costumes by Ann Keeley, 1951 January 4-20
  • The Swan by Ferenc Molnar, directed by David Itkin, sets by Barbara Scott, costumes by Virginia Opsvig, 1941 February 13-March 1
  • The Taming of the Shrew by William Shakespeare, directed by David Itkin, sets by Alice Harmer, costumes by Shirley Seidel, with Shelley Berman, 1946 February 7-24
  • There's Always Juliet by John Van Druten, directed by Eunice Osborne, sets designed by Wallis C. Smith, costumes by Angelynn Davies, 1943 January 24-February 3
  • This Fine Pretty World by Percy MacKaye, directed by David Itkin, sets designed by Virginia Roediger, costumes by Marie MacKenzie, lights by Thelma Ham, 1931 November 2-5
  • Three One-Act Plays: Brothers by Lewis Beach and directed by Gene Yell, On the High Road by Anton Chekhov and directed by Robin League and Autumn Fires by Gustav Weid and directed by R. Schmitt, [1947-1948]
  • Three One-Act Plays: Cloey by Loretto Carroll Bailey and directed by E. Van Cleave, Quare Medicine by Paul Green and directed by Marilynn Harper Ile, by Eugene O'Neill and directed by Thomas Boyd, sets by Jack Cornwell, lights by Larry Gentile, [1947-1948]
  • The Three Sisters by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, sets designed by Virginia Roediger, 1933 February 6-10
  • Three Sisters by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, sets and costumes by Mary Blair, 1941 April 17-May 1
  • This Fine Pretty World by Percy MacKaye, directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1940 October 3-16
  • Three-Cornered Moon by Gertrude Tonkonogy, directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods, programs, 1943 October 7-23
  • Three-Cornered Moon by Gertrude Tonkonogy, directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods, 1943 October 7-23
  • Thunder Rock by Robert Ardrey, directed by David Itkin, sets designed by Charles Muth, costumes by William Earl Lautenbach, 1954 November 5-21
  • The Tidings Brought to Mary by Paul Claudel, directed by Maurice Gnesin, scenery by Jack Whitney, costumes by Ardys Belisch, 1931 December 7-10
  • The Tidings Brought to Mary by Paul Claudel, directed by Maurice Gnesin, sets and costumes by Blair von Albrecht, 1943 December 2-19
  • Time and the Conways by J.B. Priestley, directed by Frank Callender, sets by Spencer Davies, costumes by Angelynn Berry, 1940 November 7-23
  • Too True to be Good by George Bernard Shaw, directed by Maurice Gnesin, sets and lighting designed by Oliver Allyn, costumes by Leonor Travis, 1955 November 4-20
  • The Torch-Bearers by George Kelly, directed by Bradford Crocker, 1933 November 8, 9, 19
  • Tour du Monde, or Around the World in 80 Days by Jules Verne and Alphonse d’Ennery, translated by Alden B. Stevens, stage version by Thomas Wood Stevens, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting and light projections by Arvid Crandall, music by Julia LeVine, 1929 December 17-[?]
  • The Tower of Nesle by Alexandre Dumas, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1927 October 17-[?]
  • Trifles by Susan Glaspell and directed by Westley Johnson (sets by Robert Sailor); Feast of the Holy Innocents by Samuel Ilsley and directed by J. Colson Webster, sets by Joel Simon), "Op-o"-Me Thumb by Fenn and Pryce and directed by Esther Snowden (sets by Robert Sailor) and Not Smart by Wilbur Steele and directed by Sam Wanamaker (sets by Joel Simon, lights by Byron Taggert), 1938 June 7
  • The Trojan Women by Euripides, [1928-1929?]
  • Twelfth Night by William Shakespeare, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Gordon Ray, music arranged by Julia LeVine, 1927 March 9-[?]
  • Twelfth Night by William Shakespeare, directed by David Itkin, sets by Spencer Davies, costumes by Mildred Sutherland, lights by Robert Brower, 1935 January 14-18
  • Twelfth Night by William Shakespeare, directed by David Itkin, Phil Lawrence as assistant director, sets and costumes designed by Ballou, 1951 February 8-March 2
  • The Tragedy of Nan by John Masefield, directed by Mrs. J. Elliott Jenkins Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 March 25-April 10
  • Two Blind Mice by Samuel Spewak, directed by Bella Itkin, sets by James Maronek, costumes by Joseph Holcombe, 1952 January 10-27
  • The Vikings at Helgeland by Henrik Ibsen, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Leslie Marzolf and Elizabeth Parsons, lighting by Thomas Wilfred, 1928 March 20-[?]
  • The Voice of the Turtle by John Van Druten, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Ballou, 1950 September 28-October 15
  • Wappin' Wharf by Charles Stephen Brooks, directed by Maurice Gnesin, sets designed by William Steger, costumes by Rita Dhu Wray, with Geraldine Page, 1945 February 8-24
  • What a Life by Clifford Goldsmith, directed by Eunice Osborne, sets by William Steger, costumes by Barbara Scott, 1944 May 11-27
  • When We Are Married by J.B. Preistley, directed by W.R. Martini, sets by Gerald Ritholz, costumes by Leonor Travis, 1952 December 5-20
  • When We Dead Awaken by Henrik Ibsen, translated by William Archer, directed by B. Iden Payne, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine, 1929 February 26-[?]
  • The Whiteheaded Boy by Lennox Boy, directed by David Itkin, set designed by Blair von Albrecht, costumes by Andrew Woods, 1944 January 13-February 5
  • Why Not? by Jesse Lynch Williams, directed by Sydney Breese, sets by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 October 3-12
  • The Wild Duck by Henrik Ibsen, directed by Whitford Kane, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, 1928 February
  • The Wild Duck by Henrik Ibsen, directed by David Itkin, Robert Hopkins as associate director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1948 March 4-20
  • The Winter's Tale by William Shakespeare, directed by David Itkin, sets by Spencer Davies, dances by Harriette Louise, lights by James Webster, with Karl Malden, 1937 March 15-22
  • Winterset by Maxwell Anderson, directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, Shelley Berman, David Itkin, and Maurice Gnesin, 1945 March 8-24
  • Yerma by Federico Garcia Lorca, directed by Maurice Gnesin, William Stigall as associate director, lighting by Ade-Rolfe Floreen, sets designed by the von Albrechts, costumes by Rita Dhu Wray, choreography by Frances Allis, folk song direction by Louise Dale Spoor, 1947 April 10-27
  • Yes, My Darling Daughter by Mark Reed, directed by Eunice Osborne, sets by Mary von Albrecht, costumes by Angelynn Davies, 1941 December 4-20
  • Yes, My Darling Daughter by Mark Reed, directed by Bella Itkin, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 October 1-17
  • You Can't Take It with You by Moss Hart and George S. Kaufman, directed by Eunice Osborne, sets by William Steger, costumes by Rita Dhu Wray, with Geraldine Page, Shelley Berman, and Jose Quintero, 1944 November 30-December 17
  • You Never Can Tell by George Bernard Shaw, directed by David Itkin, sets by Norman Grant, costumes by Kathryn Triplett, lights by James Webster, with Sam Wanamaker, 1938 May 23-31
  • You Never Can Tell by George Bernard Shaw, directed by David Itkin, James Paul as assistant director, sets and lights by Walter Steinbrenner, 1952 March 6-23
  • The Youngest by Philip Barry, directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1941 May 15-28
Studio productions include:
  • The Adding Machine by Elmer Rice, directed by Burt Liebert (as an MFA requirement), sets by Adah Sorensen, costumes by Theoni Vachlioti Aldredge, lights by Joseph Lantzy, 1951 February 28
  • All My Sons by Arthur Miller, directed by Bella Itkin, sets by William Moore, costumes by William Fosser, 1949 March 8
  • All My Sons by Arthur Miller, directed by Jassim M. Al-Oboudi, sets by William Earl Lautenbach, costumes by Mr. Clare, 1952 November 15
  • Another Language by Rose Franken, directed by Charles H. Gullickson, sets by Joel Simon, sculpture by Jay Norris, 1936 April 7-8
  • Another Part of the Forest by Lillian Hellman, directed by Henry Biedinger (as an MFA requirement), sets by C.J. Bailey, costumes by Adah Sorensen, 1950 February 28
  • Antigone by Jean Anouilh, directed by Joy Coghill (as an MFA requirement), sets and costumes by designed by Adah Sorensen, 1950 May 4
  • Antigone adapted by Lewis Galantiere from the play by Jean Anouilh, directed by W.R. Martini, sets and lights by Oliver Allyn, costumes by Jim Boyce, 1956 March 13
  • Arms and the Man by George Bernard Shaw, directed by Louise Dale Spoor, sets by Robert Hebbard, costumes by Bert Bliss, 1949 June 7
  • As You Like It by William Shakespeare, directed by William Stigall, sets by Alice Harmer, costumes by Elizabeth Birbari, 1946 June 6
  • At Mrs. Beam's directed by Charlotte Chorpenning, 1933 April 17
  • The Autumn Garden by Lillian Hellman, directed by Elizabeth Capwell, sets and lights by Robert Hamlin, costumes by Bill Hargate, 1957 April 17
  • Awake and Sing by Clifford Odets, [1953/1954?]
  • Beyond the Horizon by Eugene O'Neill, directed by Eunice Osborne, sets by Donald Hermes, lighting by John Sorich, costumes by Cordelia Williams, 1942 May 6
  • Beyond the Horizon by Eugene O'Neill, a Sub-Studio Production directed by Hani Snobar,
  • 1957 April 16
  • A Bill of Divorcement by Clemence Dane, directed by Eunice Osborne, sets by David Waters, lights and costumes by Donnie Zizzof and Mary Gross, 1946 December 7
  • A Bill of Divorcement by Clemence Dane, directed by Elizabeth Capwell (as an MFA requirement), sets and lighting by Didi Jacobs, costumes by Williams E. Lautenbach, 1954 May 12
  • A Bill of One-Acts: A Phoenix Too Frequent by Christopher Fry and directed by Barbara Keyes; and Ten Blocks on the Camino Real by Tennessee Williams and directed by Joseph Slowik, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe, [1951-1952]
  • A Bill of One-Acts: The Hungerers by William Saroyan and directed by Dorothy Konkowski; Hello from Bertha by Tennessee Williams and directed by Patricia Washburn; Queens of France by Thornton Wilder and directed by Dorothy Konkowski; The Long Voyage Home by Eugene O'Neill and directed by Joseph Slowik, sets and lighting designed by Roger Hamilton, costumes by Stanley Kloth, 1956 January 31
  • A Bill of Three One-Acts: The Kingdom of God by G. Martinez Sierra and directed by Shauneille Perry; The Long Goodbye by Tennessee Williams and directed by Elizabeth Capwell; Family Album by Noel Coward and directed by Don Gunderson, sets and lights by Bill Loomer, costumes by Aaron Yusko, [1956-1957]
  • Biography by S.N. Behrman, directed by Walter Beakel, sets and costumes by Joseph Holcombe, 1951 February 1
  • Blithe Spirit by Noel Coward, directed by William Robertson, costumes by Adah Sorensen, sets by C.J. Bailey, 1950 November 4
  • Blithe Spirit by Noel Coward, directed by Douglas Winn, sets designed by Maxey Powell, lights by William Weingart, costumes by Marsha Farley, 1957 February 4
  • Brief Music by Emmet Lavery, directed by Helen Johnston, sets designed by Gloria White, costumes by Jac Venza, 1945 March 15
  • Candida by Gorge Bernard Shaw, directed by Judith Jeffrey, sets by Tom Jewitt, costumes by Marion Barton, 1940 June 7
  • Candle-Light by Siegfried Geyer, directed by Ward Ohrman (as an MFA requirement), sets and lights by William Earl Lautenbach, costumes by John Peters, 1953 March 31
  • Cradle Song by G. Martinez Sierra, directed by Bella Itkin, sets by Karsen Faye, costumes by Blair von Albrecht, 1943 June 3-4
  • The Cradle Song by G. Martinez Sierra, [1953-1954?]
  • The Circle by W. Somerset Maugham, directed by Patricia Kennell (as an MFA requirement), sets by Leonor Travis, costumes by Michael, 1947 May 10
  • The Circle by W. Somerset Maugham, directed by J. Barton Hill (as an MFA requirement), sets by John Peters, costumes by Molly Kunning, 1953 May 19
  • Claudia by Rose Franken, directed by Eunice Osborne, sets by William Steger, costumes by Blair von Albrecht, 1943 May 15
  • Claudia by Rose Franken, directed by Sidney Kraus, sets by James Boyce, costumes by Carol Davis, 1954 November 23
  • The Corn is Green by Emlyn Williams, directed by William Stigall, sets by Jack Cornwell, costumes by William Fosser, 1949 May 27
  • The Corn is Green by Emlyn Williams, directed by Patricia Washburn (as an MFA requirement), sets and lights by Jack Million, costumes by Moxey Powell, 1956 April 4
  • Cradle Song by G. Martinez Sierra, directed by Eunice Osborne, lighting by Leonard Safier, 1934-1935]
  • Craig's Wife by George Kelly, directed by Eunice Osborne, sets by Robert Newman, lighting by Leonard Safier, 1935 April 1-2
  • Craig's Wife by George Kelly, directed by Helen Johnston (as an MFA requirement), sets by Gloria Senge, costumes by Dale Newton, 1944 May 19
  • Craig's Wife by George Kelly, directed by W.R. Martini, sets by Joseph Holcombe, costumes by Jack Bates, [1951]
  • Cry Havoc by Allan R. Kenward, directed by David Itkin, sets by William Steger, costumes by Karsen Faye, 1944 February 16
  • Cry Havoc by Allan R. Kenward, directed by Elsie Kupka, sets by Bill Hargate, costumes by Jeannette Coffman, 1954 March 16
  • Dear Brutus by James M. Barrie, directed by Rea Warg, sets by Oliver Allyn, costumes by Irene Harris, 1949 January 28
  • Death of a Salesman by Arthur Miller, directed by Shauneille Perry (as an MFA requirement), sets and lights by Alice Harmer Martini, costumes by Paul Winston, 1952 March 8
  • Deep are the Roots by Arnaud d’Usseau and Earl James Gow, directed by Donald Peggins, sets by William Lauterbach, costumes by Charles Muth, 1952 June 3
  • The Devil Obliges by Louis E. Laflin, Jr., directed by Louis Laflin, Jr. and Thomas Wood Stevens, 1927 February 7, 8, 14
  • Desire Under the Elms by Eugene O'Neill, directed by Bella Itkin, sets and lights designed by Gerald Ritholz, costumes by Marge Liebert, 1951 May 23
  • Detective Story by Sidney Kingsley, directed by Bella Itkin, sets and lighting by John Braden, costumes by C. Murawski, 1957 March 13
  • The Distaff Side by John Van Druten, directed by Gene D. Blumberg, 1935 April 4-5
  • The Distaff Side by John Van Druten, directed by Mary Elizabeth Aurelius, scenery by Richard von Albrecht, costumes by Angelynn Berry, 1940 May 24
  • The Distaff Side by John Van Druten, directed by Donald Davies, sets by Angelynn Davies, costumes by Joseph Carner, 1942 February 14
  • The Distaff Side by John Van Druten, directed by Mary Elizabeth Aurelius, sets by Frances McVey, costumes by Shirley Seidel, 1944 December 2
  • The Distaff Side by John Van Druten, directed by Bella Itkin, sets by Leonor Travis, costumes by Sam Feder, 1946 May 9
  • The Distaff Side by John Van Druten, directed by Betty Churchill, sets designed by Paul Haney, costumes by Theoni Vachlioti Aldredge, 1949 December 3
  • The Distaff Side by John Van Druten, directed by Joseph Slowik, sets by Gerald Ritholz, costumes by Oliver Allyn, 1954 December 7
  • Double Door by Elizabeth McFadden, directed by Allan S. Hancock, sets by Patricia Mack, costumes by Robert Katzman, 1941 May 29
  • The Dover Road by A.A. Milne, directed by Lloyd T. Bethune, sets by Bob Hebbard, costumes by Oliver Allyn, 1948 April 23
  • Drawing Room by Thomas Browne, directed by Mary Elizabeth Aurelius, sets by Joseph Carner, costumes by Virginia Opsvig, [1941]
  • East Lynne, from the novel by Mrs. Henry Wood, directed by Joy Coghill, sets by lights by Barta Hapgood, costumes by Theoni Vachlioti Aldredge, 1952 December 10
  • Electra, directed by Maurice Gnesin and Theodore Werner, sets by Bill Hargate, costumes by Kert Lundell, lighting by William Weingart, 1956 November 6
  • The Enchanted April by Kane Campbell, directed by Eunice Osborne, sets by Esther Snowden, lights by Marge Ferris, 1935 November 12-14
  • Evil Doers of Good by Jacinto Benavente, 1927 December 15, 1928 January 12, February 28
  • The Far Off Hills by Lennox Robinson, directed by Frank Callender, sets by Robert Katzman, costumes by Patricia Mack, 1941 May 17
  • The Farmer's Wife by Eden Philpotts, directed by Joseph Slowik, sets and lights by William Earl Lautenbach, costumes by Oliver Allyn, 1954 March 9
  • The Father by August Strindberg, directed by Bella Itkin, sets by Shirley Seidel, costumes by Bill Ritman, [1946-1947]
  • The Father by August Strindberg, directed by Jassim M. Al-Oboudi, sets and lights by Walter Steinbrenner, costumes by Ann Keeley, 1951 October 26
  • Finished by Katharine Clugson, directed by Roger Tracy, sets by Barbara Scott, costumes by Angelynn Berry, 1940 November 29
  • The First Mrs. Fraser by St. John Ervine, directed by Judith Jeffrey (as an MFA requirement), sets by Mac Kinander, costumes by Charlotte Tulchin, 1944 June 1
  • For Services Rendered by W. Somerset Maugham, directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters, 1955 March 8
  • Forced Landing by Wilfred Massey, directed by Doris Foley, sets by Patricia Mack, costumes by Bill Southwood, 1941 April 26
  • For Services Rendered by W. Somerset Maugham, directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters, 1955 March 8
  • Four One-Act Plays: Quare Medicine by Paul Green and directed by Terrell O. Everett, The Dark Lady of the Sonnets by George Bernard Shaw and The Rehearsal by Christopher Morley, directed by Betty Churchill and The Flattering Word by George Kelly and directed by Monroe Werthman, sets designed by Stanley Rames, costumes by William Noffke, [1948-1949]
  • Fresh Fields by Ivor Novello, directed by Sidney Breese, lights by Mary Monahan, 1936 June 2-3
  • Fresh Fields by Ivor Novello, directed by Robert Thompson, sets by Russell Lotterhos, costumes by Mary Blair, 1940 June 5
  • Fresh Fields by Ivor Novello, directed by Marita Oppenheim (as an MFA requirement), sets by Jac Venza, costumes by Louise Evans, 1945 April 28
  • Fresh Fields by Ivor Novello, directed by James Zernecke, sets by Oliver Allyn, costumes by Robert Hebbard, 1949 April 5
  • Ghosts by Henrik Ibsen, directed by John Kerr, sets and costumes by Barbara Scott, 1941 June 6
  • Ghosts by Henrik Ibsen, directed by Michael Krause (as an MFA requirement), sets by Donnie Zizzof, costumes by Shirley Seidel, [1946-1947]
  • Ghosts by Henrik Ibsen, directed by Westley Johnson, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe, 1952 February 5
  • Girls in Uniform by Christa Winsloe, directed by Maurice Gnesin, sets by Russell Lotterhos, costumes by Richard von Albrecht, 1939 October 26
  • Girls in Uniform by Christa Winsloe, directed by Suzanne Zimmerman (as an MFA requirement), sets by Karsen Faye, costumes by Jinx Junkin, with Geraldine Page, 1944 May 2
  • The Glass Menagerie by Tennessee Williams, directed by E. Alyn Warren, sets by Paul Haney, costumes by Adah Sorensen, 1949 February 25
  • The Glass Menagerie by Tennessee Williams, a Sub-Studio Production directed by Richard Bailey, 1957 April 24
  • Golden Boy by Clifford Odets, directed by William Stigall, sets and lights by Walter Steinbrenner, costumes by Theoni Vachlioti Aldredge, 1950 November 18
  • The Good Hope by Herman Heijermans, directed by David Itkin, sets by Richard von Albrecht, costumes by Angelynn Berry, 1940 April 19
  • The Good Hope by Herman Heijermans, directed by William Stigall, sets by Shirley Seidel, costumes by Bob Beck, 1946 April 16
  • The Good Hope by Herman Heijermans, directed by Joseph Slowik, sets designed by Jeannette Coffman, costumes by Bill Hargate, 1954 June 8
  • The Grass Harp by Truman Capote, directed by Dorothy Konkowski, sets and lighting by Sheldon Haber, costumes by Leonard Boles, 1956 March 20
  • Guest in the House by Hagar Wilde and Dale Eunson, directed by David Itkin, sets by David Reppa, costumes by Bob Beck, 1945 November 17
  • Guest in the House by Hagar Wilde and Dale Eunson, directed by Doug Winn, sets and lights by William Hargate, costumes by Sheldon Haber, 1956 February 7
  • Hat Full of Rain by Michael Gazzo, a Sub-Studio Production directed by Roger Hamilton, 1957 June 4
  • Hay Fever by Noel Coward, directed by Joe Callaway, scenery by William Southwood, costumes by Angelynn Berry, 1941 June 13
  • Hay Fever by Noel Coward, directed by Rea Warg, costumes by Bert Bliss, 1949 April 14
  • He Who Gets Slapped by Leonid Andreyev, directed by Maxwell Kelly (as an MFA requirement), sets by Joseph Holcombe, costumes by Ann Keeley, 1951 June 4
  • Hedda Gabler by Henrik Ibsen, directed by James Zernecke, sets and lights by Walt Steinbrenner, costumes by Delbert Bliss, 1949 May 13
  • Hedda Gabler by Henrik Ibsen, directed by James Paul (as an MFA requirement), costumes by Joseph Holcombe, sets by James Maronek, 1952 May 3
  • Hindle Wakes by Stanley Houghton, directed by Whitford Kane, 1928 January 26
  • Holiday by Philip Barry, directed by Robert Hopkins, sets by Donnie Zizzof, costumes by Bill Ritman, 1947 February 8
  • Home is Tomorrow by J.B. Priestley, directed by William Stigall, sets by Joseph Holcombe, costumes by Ann Keeley, 1950 March 11
  • The House of Bernarda Alba by Federico Garcia Lorca., directed by Maurice Gnesin, Elizabeth Copwell as assistant director, sets and lights by Charles Muth, costumes by Clarence Wilson, 1953 December 9
  • Hotel Universe by Philip Barry, directed by Emily Upton, sets and lights by David Reppa, costumes by William Steger, 1945 May 29
  • Hotel Universe by Philip Barry, directed by Monroe Werthman (as an MFA requirement), sets by Robert Hebbard, costumes by Theoni Vachlioti Aldredge, 1950 March 25
  • Hotel Universe by Philip Barry, directed by Elizabeth Capwell, sets by Aaron Whisk, costumes by Paul Leonard, lighting by Jim Cavanaugh, 1956 May 3
  • I Have Been Here Before by J.B. Priestley, directed by W.R. Martini, sets and lights designed by Walter Steinbrenner, costumes by Theoni Vachlioti Aldredge, 1951 February 13
  • Ile, directed by W.R. Martini; In the Zone, directed by Frank Callender; Bound East for Cardiff, directed by Frank Callender; and Long Voyage Home, directed by Samuel Wanamaker, sets by Mary Blair, 1939 March 17
  • The Importance of Being Earnest by Oscar Wilde, directed by Elsie Kupka (as an MFA requirement), sets and lights by William Lautenbach, costumes by Charles Muth, 1954 June 2
  • The Infernal Machine by Jean Cocteau. Directed by Philip Lawrence (as an MFA requirement), sets and lighting by Ballou, costumes by Adah Sorensen, [1951]
  • The Innocents by William Archibald, directed by Norman Shucart (as an MFA requirement, sets by Barta Hapgood, costumes by Paul Winston, 1952 May 20
  • An Inspector Calls by J.B. Priestley, directed by Judith Jeffrey, sets designed by Adah Sorensen, costumes by George Fuller, 1949 November 2
  • An Inspector Calls by J.B. Priestley, directed by Dorothy Konkowski, sets and lights by Bill Hargate, costumes by Aden Rolnick, 1955 November 15
  • John Ferguson by St. John Ervine, directed by Judith Jeffrey, sets and lights by William Monroe, costumes by Roberta West, 1949 May 20
  • John Ferguson by St. John Ervine, directed by Barbara Haas (as an MFA requirement), sets and lights by Leonard Boles, costumes by Robert Hamlin, 1956 May 29
  • Kind Lady by Edward Chodorov, directed by Doug Winn, sets and lights designed by Hubert Braden, costumes by Jack Million, 1957 March 27
  • The Kingdom of God by G. Martinez Sierra, directed by David Itkin, 1933 December 6-8
  • Ladies in Retirement by Edward Percy and Reginald Denham, directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by Virginia Opsvig, 1942 February 24-28
  • Laburnum Grove by J.B. Priestley, directed by Bella Itkin, sets by Tom Steger, costumes by Leonor Travis, 1946 November 13
  • Ladies in Retirement by Edward Percy and Reginald Denham, directed by Terrell Everett, sets by William Moore, costumes by Ann Keeley, 1950 January 19
  • Ladies in Waiting by Cyril Campion, directed by Sidney Breese, 1935 November 26-27
  • Ladies in Waiting by Cyril Campion, directed by Roger Tracy, scenery by Donald Powell, costumes by Russell Lotterhos, 1940 May 10
  • Ladies in Waiting by Cyril Campion, directed by Helen Johnston, sets by Alice Harmer, costumes by William Steger, 1944 December 12
  • Ladies in Waiting by Cyril Campion, directed by William Shankweiler, sets and lights by Didi Jacobs, costumes by John Peters, 1953 November 3
  • The Ladies of the Corridor by Dorothy Parker and Arnaud d'Usseau, a Sub-Studio Production directed by Shauneille Perry, 1957 May 27
  • Ladies of the Jury by Fred Ballard, directed by Mary Elizabeth Aurelius, sets by Angelynn Davies, costumes by Virginia Opsvig, 1942 May 13-17
  • The Lady Who Came to Stay by Kenneth White, directed by David Itkin, sets by William Steger, costumes by Karsen Faye, 1943 February 16
  • The Lark by Jean Anouilh, directed by Joseph Slowik, [1955-1956]
  • The Late Christopher Bean by Sidney Howard, directed by Mary Elizabeth Aurelius, sets and costumes by Mary Blair, 1939 October 18
  • The Late Christopher Bean by Sidney Howard, directed by Meg Haege, sets by Oliver Allyn, costumes by Kiffi Wolcott, 1954 December 14
  • Lavender and the Red Pepper by Ruth Giorloff and directed by Bradford Crocker, Riders to the Sea by J.M. Synge and directed by Bradford Crocker and Twelve Pound Look by James M. Barrie and directed by Eunice Osborne, [1933-1934]
  • Les Femmes Savantes (The Learned Ladies) by Moliere, translated by Curtis Hidden Page, directed by Lawrence Paquin, costumes by Marie Mackenzie, [1929?]
  • Let Us Be Gay by Rachel Crothers, directed by Mary Elizabeth Aurelius, sets by Don Hermes, costumes by Angelynn Berry, 1941 May 23
  • Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by David Itkin, sets by Harry Delipsy, costumes by Nat Rollins, 1942 December 4
  • Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Jack Hollander (as an MFA requirement), sets by Didi Jacobs, costumes by Barta Hapgood, 1953 April 28
  • Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Don Gunderson, 1956 June 1
  • The Lilies of the Field by John Hastings Turner, directed by Peter MacFarlane, [1927-1928]
  • Liliom by Ferenc Molnar, directed by L.T. Bethune (as an MFA requirement), sets by Jack Cornwell, costumes by William Moore, 1948 June 4
  • Liliom by Ferenc Molnar, English text by Benjamin Glazer, directed by W.R. Martini, sets by Alice Harmer Martini, lighting by Frank Nattrass, costumes by William Earl Lautenbach, 1953 February 12
  • The Linden Tree by J.B. Priestley, directed by Judith Jeffrey, sets by Bob Hebbard, costumes by Bert Bliss, 1949 March 18
  • The Little Foxes by Lillian Hellman, directed by Mary Laura Collins (as an MFA requirement), sets designed by James Maronek, costumes by Adah Sorensen, 1950 May 16
  • The Little Foxes by Lillian Hellman, directed by Martin Kosofsky, sets and lights by Jack Bates, costumes by Joseph Holcombe, 1952 March 31
  • The Little Foxes by Lillian Hellman, directed by Meg Haege (as an MFA requirement), sets by Jim Boyce, costumes by Oliver Allyn, 1955 May 18
  • Love and How to Cure It, directed by Barbara Haas; The Happy Journey to Trenton and Camden, directed by Gunderson; Long Xmas Dinner, directed by Ted Werner; and The Clod, directed by Roger Hamilton, [1954-1955]
  • The Lower Depths by Maxim Gorki, directed by Joseph Slowik, sets and lights by Charles Muth, costumes by Gerald Ritholz, 1952 April 15
  • The Madwoman of Chaillot by Jean Giraudoux, adapted by Maurice Valency, directed by Bella Itkin, dances arranged by Frances Allis, sets by Jim Boyce, lights by Sheldon Haber, costumes by Kert Lundell, [1956]
  • The Male Animal by James Thurber and Elliott Nugent, directed by Eunice Osborne, sets by Harry Delipsy, costumes by Sarah Herman, 1946 March 16
  • The Male Animal by James Thurber and Elliott Nugent., directed by Monroe Werthman, sets by James Maronek, 1950 January 31
  • The Male Animal by James Thurber and Elliott Nugent, directed by Joseph Slowik, sets designed by Kiffi Wolcott, lights by Jim Cavanaugh, costumes by Helen Rolnick, 1955 June 7
  • The Master Builder by Henrik Ibsen, directed by William Stigall, sets by Jack Cornwell, costumes by Adah Sorensen, 1949 November 22
  • Medea by Robinson Jeffers, directed by Sidney Kraus (as an MFA requirement), sets and lights by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 April 13
  • Medea by Robinson Jeffers, directed by Bella Itkin, sets by Paul Leonard, lights by Sheldon Haber, costumes by Robert Hamlin, 1956 December 10-12
  • The Misanthrope by Moliere, directed by Jeanne Jerrems (as an MFA requirement), sets and lights by Gerald Ritholz, costumes by Barta Hapgood, 1953 May 26
  • The Miser by Moliere, directed by Jassim Al-Oboudi, sets and lights designed by Charles Muth, costumes by Mr. Clare, 1953 April 14
  • Miss Civilization by Richard Harding Davis; A Privy Council by Major W.P. Drury and Richard Pryce; and The Monkey's Paw by W.W. Jacobs, dramatized by Louis N. Parker, directed by Alexandra Carlisle Jenkins, 1927 January 10-11
  • Mister Roberts by Thomas Heggen and Joshua Logan, a Sub-Studio Production directed by Roger Hamilton, 1956 December 13
  • Gillie by James Bridie, directed by Robert Quinn, sets and lights by Gerald Ritholz, costumes by Didi Jacobs, 1953 March 12
  • Pim Passes By by A.A. Milne, directed by Robert Hopkins, sets by Leonor Travis, costumes by Jack Cornwell, [1946-1947]
  • Murder in the Cathedral by T.S. Eliot, directed by Barbara Keyes, sets by Ann Kelley, costumes by Jack Bates, 1952 May 13
  • My Heart's in the Highlands by William Saroyan, directed by Rea Warg and Hank DiRoma, sets by Jack Cornwell, costumes by Dave Ballou, 1947 December 12
  • My Lady's Dress by Edward Knoblock, directed by Peter MacFarlane, 1928 April 5
  • Mystery at Greenfingers by J.B. Priestley, directed by Frank Callender, sets by Mary Blair, costumes by Joseph N. Carner, 1940 April 30
  • Night Must Fall by Emlyn Williams, directed by Marie Sikorska (as an MFA requirement), sets and lights by William McDowell Meade, costumes by Jac Venza, 1945 June 7
  • Nine Till Six by Aimee and Philip Stuart, directed by Doris Anne Foley, sets by Mary Blair von Albrecht, costumes by Jack Martin, 1942 June 9
  • Nine Till Six by Aimee and Philip Stewart, directed by Bella Itkin and Catherine Denny Phelps, sets by Karsen Faye, costumes by Blair von Albrecht, 1943 May 5
  • Nine Till Six by Aimee and Philip Stuart, directed by Bella Itkin, sets by Frances McVey, costumes by Shirley Seidel, 1945 May 9
  • Nine Till Six by Aimee and Philip Stuart, directed by Vernon Schwartz, sets by Barta Hapgood, costumes by Charles Ritholz, 1952 October 30
  • The Nursery Maid of Heaven adapted and directed by Thomas Wood Stevens from a story by Vernon Lee; and Caleb Stone's Death Watch by Martin Flavin and directed by Peter MacFarlane, 1928 February 9
  • The Nursery Maid of Heaven by Thomas Wood Stevens and directed by Gene D. Blumberg; Motherly Love by August Strindberg and directed by Warren Reid; Trifles by Susan Glaspell and directed by Frank Callender; and The First White Woman by Babette Hughes and directed by Frank Callender, lighting by James Diehl, 1935 June 3-4
  • Oedipus, King of Thebes by Sophocles, translated by Gilbert Murray, directed by Walter Beakel (as an M.A. requirement), sets and lights by Bill Winters, costumes by Theoni Vachlioti Aldredge, music by Adah Sorensen, 1951 April 17
  • Of Mice and Men by John Steinbeck, directed by H. James Ritter, sets and lights by Ann Keeley, costumes by James Maronek, 1951 March 10
  • O'Flaherty V.C. by George Bernard Shaw and directed by Donald Davies; Riders to the Sea by John Millington Synge and directed by Judith Jeffrey; and The Twelve-Pound Look by Sir James Barrie and directed by John Taylor, sets by Barbara Scott, costumes by Don Hermes, 1941 May 9
  • Old Acquaintance by John Van Druten, directed by Eunice Osborne, sets by Donald Hermes, costumes by Joseph Carner, 1941 October 24
  • The Old Ladies by Rodney Ackland, directed by Bernie Enslin, sets by Bernie Enslin, costumes by Cordelia Williams, [1942]
  • The Old Ladies by Rodney Ackland, directed by William Bielfeldt (as an MFA requirement), sets by C.J. Bailey, costumes by Adah Sorensen, 1950 March 31
  • Our Town by Thornton Wilder, directed by W.R. Martini, sets and lights by James Maronek, costumes by Ann Keeley, 1950 December 8
  • Our Town by Thornton Wilder, directed by Maurice Gnesin, Barbara Haas as assistant director, costumes by Theoni Vachlioti Aldredge, 1954 October 30
  • Outward Bound by Sutton Vane, directed by W.R. Martini, sets by William Moore, costumes by Catherine Luce, 1948 April 13
  • Pan and the Young Shepherd by Maurice Hewlett, directed by B. Iden Payne, 1929 June 5-6
  • Paolo and Francesca by Steven Phillips, 1927 May 16-17
  • Patty by Muriel Brown, scenery by Richard Steele, lighting by Roman Bohnen, 1927 March 21-22
  • Petticoat Fever by Mark Reed, directed by W.R. Martini, sets by William Casazza, costumes by William Banka, 1949 April 23
  • Phaedra by Jean Racine, directed by Jassim Al-Oboudi (as an MFA requirement), sets and lights designed by James Maronek, costumes by Barta Hapgood, 1952 February 21
  • The Philadelphia Story by Philip Barry, directed by Mary Laura Collins, sets by Robert Hebbard, costumes by George Fuller, 1949 October 25
  • Pillars of Society by Henrik Ibsen, directed by David Itkin, sets by Joseph Carner, costumes by Donald Hermes, 1941 December 11
  • The Playboy of the Western World by John Synge, directed by John Walker, 1957 May 16
  • Plots and Playwrights by Edward Massey, directed by Lawrence Paquin, costumes by Helen Ray, 1929 March 28
  • Pygmalion by George Bernard Shaw, directed by Terrell Everett (as an MFA requirement), sets, lights and costumes by Jack Cornwell, 1950 June 2
  • Rain by John Colton and Clemence Randolph, directed by Vernon Schwartz (as an MFA requirement), sets by Joseph Holcombe, lights by James Maronek, costumes by Ann Keeley, 1951 May 9
  • Rebecca by Daphne du Maurier, directed by Millard Mack (as an MFA requirement), sets by Ann Keeley, costumes by Adah Sorensen, lighting by David Zierk, 1951 May 29
  • The Remarkable Incident at Carson Corners by Kristin Sergel, adapted from TV by Reginald Rose, a Sub-Studio Production directed by Hani Snobar, 1957 May 21
  • Riders to the Sea by John Millington Synge and directed by Charles Lewis Paetow (sets by Karsen Faye); The Violet by Ferenc Molnar and directed by Mary Elizabeth Aurelius (sets by William Steger); These Small Things by Marian Johnson and directed by Eunice Osborne (sets by Karsen Faye), costumes by Blair von Albrecht, 1943 May 28
  • The Road to Rome by Robert E. Sherwood, a Sub-Studio Production directed by G.C. Forest, lights by Francis White, 1957 February 11
  • Rocket to the Moon by Clifford Odets, directed by W.R. Martini, sets by Bob Hebbard, 1950 April 15
  • A Room in the Tower by Hugh Stewart and directed by Samuel Wanamaker; Corn Shock by John Taylor and directed by Walter R. Martini; Roses and Rue by Winifred Fraser and directed by Walter R. Martini; The Twelve-Pound Look by Sir James Barrie and directed by Samuel Wanamaker, sets by James Israel, costumes by Russell Lotterhos, [1938-1939]
  • Russet Mantle by Lynn Riggs, directed by Eunice Osborne, sets by Karsen Faye, costumes by William Steger, 1943 December 14
  • Seven Women by J.M. Barrie and directed by Lila Underwood; King Arthur's Socks by Floyd Dell and directed by Phillip Wayne; The Widdy's Mite by Dan Totheroh and directed by Helen Rezabek; and Dark Lady of the Sonnets by George Bernard Shaw and directed by Gene Yell, 1935 June 11
  • Shadow and Substance by Paul Vincent Carroll, directed by Betty Churchill (as an MFA requirement), sets by William Moore, costumes by C.J. Bailey, 1950 May 25
  • Shadow and Substance by Paul Vincent Carroll, directed by Richard Woosley, sets and lights by James Boyce, costumes by John Peters, 1954 May 26
  • The Shining Hour by Keith Winter, directed by Robert Quinn (as an MFA requirement), sets by Francis Schriber, costumes by William Earl Lautenbach, 1953 June 2
  • The Show Off by George Kelley, directed by Carl Johnson, sets by Spencer Davis, costumes by Shirley Zak, lighting by Dave Edwards, 1933 March 7-9
  • The Show Off by George Kelly, directed by Dorothy Konkowski, sets by Helen Rolnide, costumes by Sheldon Haber, 1955 May 24
  • The Silver Cord by Sidney Howard, directed by Irene Fojut, lighting by James Diehl, 1935 May 27-28
  • The Silver Cord by Sidney Howard, directed by Margaret Davies Carner, sets designed by Dave Ballou, costumes by Irene Harris, [1948-1949]
  • Six Characters in Search of an Author by Luigi Pirandello, directed by Bella Itkin, costumes by Adah Sorensen, sets and lights by William Moore, 1950 June 7
  • Sixteen by Aimee and Phillip Stewart, directed by Dorothy Dixon, lighting by Frank Minatel, 1936 December 2
  • The Skin of Our Teeth by Thornton Wilder, directed by Fred Finkl, costumes by Barta Hapgood, sets and lights by Jack Bates, 1952 May 27
  • The Skin of Our Teeth by Thornton Wilder, directed by Joseph Slowik, lighting by Kert Lundell, costumes by John Braden, 1957 June 3
  • Smokescreen directed by Adelaide Clyman, Riders to the Sea directed by Rosa Alexandra Knuuti and King Arthur's Socks directed by Sidney Breese, 1933 April 13-14
  • Spring Dance by Phillip Barry, directed by Mary Elizabeth Aurelius, scenery by Donald Powell, costumes by Russell Lotterhos, 1940 March 22
  • Summer and Smoke by Tennessee Williams, directed by Bella Itkin, sets and lights designed by Oliver Allyn, costumes by Carol Davis, 1955 June 1
  • Sweet Aloes by Jay Mallory, directed by Eunice Osborne, lights by Warren Pattinson, 1937 February 4-5
  • Sweet Aloes by Joy Mallory, directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by William Steger, 1942 December 11
  • The Taming of the Shrew by William Shakespeare, directed by Doug Winn (as an MFA requirement), sets by Robert Hamlin, costumes by Bill Hargate, lights by William Weingart, 1956 April 21
  • Tartuffe, or The Imposter by Moliere, directed by Margor Dayan Bernson, sets by Robert Hebbard, 1949 December 13
  • They Knew What They Wanted by Sidney Howard, directed by Jeanne Hubbard (as an MFA requirement), sets and lights by C. Murawski, costumes by Dina Harris, 1957 May 27
  • A Thief Tomorrow by Josephine Ardrey, directed by Eunice Osborne, lights by James Webster, 1936 February 24-25
  • Three Cornered Moon by Gertrude Tonkonogy, directed by Gene Yell, sets by C. Carleton Luce, costumes by Donald Crawford, lighting by Gatti-Casazza, 1948 March 12
  • Three Irish One-Act Plays: In the Shadow of the Glen by J.M. Synge and directed by Fred Finkl; The Pot of Broth by W.B. Yeats and directed by Walter Beakel; Spreading the Word by Lady Gregory and directed by Josef Hunley, sets by William Moore, costumes by C.J. Bailey, 1949 October 18
  • Three One-Act Plays: The Happy Journey by Thornton Wilder and directed by Ruth Shectman; Hello Out There by William Saroyan and directed by William H. Bielfeldt; The Boor by Anton Tchekoff and directed by James Ritter, sets and lights by Paul Haney, costumes by Theoni Vachlioti Aldredge, 1950 February 18
  • Three One-Act Plays: The Talkative Barber by Ludwig Holberg and directed by M.F. Robel; Parade at Devil's Bridge by Henri Gheon and directed by Lee Richard; Aria Da Capo by Edna St. Vincent Millay and directed by Jeanne Jerrems, sets by John Holabird, costumes by Joseph Holcombe, 1950 December 2
  • Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, directed by Walter Beakel; The Shewing Up of Blanco Posnet, directed by Betty Churchill; O'Flaherty V.C., directed by Fred Finkl, sets by Robert Hebbard, 1950 February 8
  • Three One-Act Plays by Eugene O'Neill: In the Zone, directed by M.J. Rotter; The Long Voyage Home, directed by Paul S. Haney; The Moon of the Caribbees, directed by Maxwell Kelly, sets by C.J. Bailey, costumes by Robert Hebbard, 1949 November 12
  • Three One-Act Plays by Anton Chekhov: Swan-Song, directed by Martin Kosofsky; The Proposal, directed by Julie Fitzgerald; and The Boor directed by Shauneille Perry, sets and lights designed by Walter Steinbrenner, costumes by Ann Keeley, [1951-1952]
  • Three One-Act Plays by Noel Coward: Still Life (sets by Bella Edindin, costumes by Francis Schriber) and Fumed Oak (sets and costumes by Barta Hapgood), directed by Vernon Schwartz; and Red Peppers (sets and costumes by Gerald Ritholz), directed by Joy Coghill, [1952-1953]
  • Three Plays of the Sea by Eugene O'Neill: Bound East for Cardiff, directed by Edward Fielding Nicholls, In the Zone, directed by L.T. Bethune and The Long Voyage Home, directed by Robin M. League, dets by Catherine Luce, lighting by H. Townsend Velie, costumes by George Fuller, [1946-1947]
  • Thunder Rock by Robert Ardrey, directed by William Robertson (as an MFA requirement), sets and lights by Joseph Lantzy, costumes by Jack Bates, 1951 April 5
  • Time and the Conways by J.B. Priestley, directed by Frank Callender, scenery by Ade-Rolfe Floreen, costumes by Angelynn Berry, 1940 February 16
  • Time and the Conways by J.B. Priestley, directed by Rea Warg, sets Stanley Ranes, costumes by Jack Hakman, with Harvey Korman, 1948 April 6
  • Time and the Conways by J.B. Priestley, directed by W.R. Martini, sets by Jim Boyce, costumes by John Peters, 1955 February 22
  • The Time of the Cuckoo by Arthur Laurents, directed by Patricia Washburn, sets by Jack Million, costumes by Kiffi Wolcott, 1955 December 13
  • Tomorrow the World by James Gow and Arnaud d'Usseau, directed by William Shankweiler (as an MFA requirement), sets and lights by Didi Jacobs, costumes by Clare, 1953 January 31
  • Tonight at 8:30 by Noel Coward: Ways and Means (featuring Bella Itkin), Still Life and Fumed Oak, directed by Frank Callender, sets by Don Hermes, costumes by Patricia Mack, 1941 March 22
  • The Topaz Amulet: A Christmas Masque, arranged by Roberta Louden from the play by Thomas Wood Stevens and Wallace Rice, 1927 December
  • The Torch-Bearers by George Kelly, directed by William Bielfeldt, sets by Ann Keeley, costumes by James Maronek, 1950 April 26
  • Tovarich by Jacques Deval, a Sub-Studio Production directed by Charles Applegate, 1957 April 5
  • The Trial of Mary Dugan by Bayard Veiller, directed by William Stigall, sets by Louise Evans, costumes by Joyce Burlingame, 1945 December 14
  • Trifles by Susan Glaspell and directed by Robert Hoffman; Constant Lover by St. John Hankin and directed by Ernest Graves, Time Out for Matrimony by A.A. O'Keefe and directed Don L. Hammer; and Sham by Frank G. Tompkins and directed by Marion Barton. Sets by Ade-Rolfe Floreen, costumes by Richard von Albrecht, [1940]
  • The Trojan Women by Euripides, translated by Edith Hamilton, directed by Don Gunderson (as an MFA requirement), sets by James Harrington, costumes by Bill Hargate, 1957 May 20
  • The Trysting Place by Booth Tarkington and directed by Mary Elizabeth Aurelius; Good Vintage by Dan Totheroh and directed by Elizabeth E. Wolcott, "Op-o"-Me-Thumb by Frederick Fenn and Richard Price and directed by Nona Greenberg; and Bread by Fred Eastman and directed by Dorothy Konkowski, 1937 April 27
  • Twelfth Night by William Shakespeare, directed by Gene Yell (as an MFA requirement), sets by C. Carleton Luce, costumes by David Ballou, with Harvey Korman, 1948 May 25
  • The Velvet Glove by Rosemary Casey, directed by Elizabeth Capwell, sets and lights by Sheldon Haber, costumes by Kiffi Wolcott, 1955 November 29
  • Venus Observed by Christopher Fry, directed by William Stigall, sets and lights by Jack Bates, costumes by Joseph Holcombe, 1951 March 21
  • Watch on the Rhine by Lillian Hellman, directed by Ruth Schectman (as an MFA requirement), sets designed by James Maronek, costumes by Jack Brown, 1951 April 28
  • When We Are Married by J.B. Priestley, directed by Norman Shucart, sets by James Maronek, costumes by Leonor Travis, 1951 November 6
  • The Whiteheaded Boy by Lennox Robinson, directed by Roger Tracy, sets by Richard von Albrecht, costumes by Mary Blair, 1939 December 8
  • The Whiteheaded Boy by Lennox Robinson, [1953-1954?]
  • The Women Have Their Way by the Quintero Brothers, directed by Joseph Slowik, sets by Kert Lundell, costumes by Jack Million, 1956 June 5
  • Yes, My Darling Daughter by Mark Reed, directed by Margaret Cameron Davies, sets by Stanley Rames, costumes by Jack Hakman, 1948 October 30
Children’s Theatre productions include:
  • Abe Lincoln: New Salem Days, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1941 February 1-March 8
  • Abe Lincoln: New Salem Days, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Lee Richard as assistant director, sets by James Maronek, costumes by Theoni Vachlioti Aldredge, 1951 February 3-March 24
  • An Afternoon with Christopher Robin, adapted by Muriel Brown and Frances Preeve from A.A. Milne characters, directed by Muriel Brown, music by Julia LeVine, costumes and sets by Donald Ament, lighting by A.H. Feder, 1928 November 17-[?]
  • Aladdin and His Wonderful Lamp by James Norris, directed by Charlotte Chorpenning; sets and costumes by Spencer Davies, dances arranged by Harriette Louis, lights by Robert Brower, featuring Karl Malden, 1934 October 27-November 24
  • Aladdin and His Wonderful Lamp, dramatized by James Norris and Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 October 26-[?]
  • Aladdin and His Wonderful Lamp, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Joy Coghill as assistant director, sets designed by Floyd Allan, costumes by Ballou, choreography by Frances Allis, 1950 April 1-May 28
  • Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Virginia Opsvig, dances by Frank Callender, 1939 February 4-[?]
  • Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, Thomas Jackson as technician, sets by Norman Grant, masks and costumes by Rita Dhu Ray, 1948 October 16-1949 January 8
  • Alice's New Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Angelynn Davies, 1942 October24-December 12
  • The Arkansas Bear by Albert Bigelow Paine, dramatized by Alderilla Beistle and Harriet Grover, directed by Charlotte Chorpenning, sets designed by John Friedman, Jr., 1934 February 24-[?]
  • Beauty and the Beast, dramatized by Nora Tully and Charlotte Chorpenning, directed by Eunice Osborne, sets designed by Blair von Albrecht, dances arranged by Dorothy Davies Miller, puppets by Tom H. Marge, music arranged by Frances Benson, costumes by Andrew Woods, starring Geraldine Page, 1943 October 30-December 11
  • Beauty and the Beast, dramatized by Nora MacAlvay, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by William Earl Lautenbach, costumes by Charles Muth, 1954 December 23-1955 February 13
  • The Blue Bird by Maurice Maeterlinck, directed by Muriel Brown, sets by Leslie Marzolf, lights by Thomas Ireland, costumes by Thomas Russell and Elizabeth Parsons, [1926-1927]
  • The Blue Bird by Maurice Maeterlinck, directed by Muriel Brown, lighting by Arvid Crandall, sets by Leslie Marzolf, costumes by Laurene Kingsbury and Marjorie Miller, [1927-1928]
  • The Boy Who Grew Up – Without Knowing It by Louis E. Laflin, Jr., directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets by Leslie Marzolf, Peter Martin and Donald Ament, [1927-1928]
  • The Captive Princess by Muriel Brown, costumes by Clara Baron and Hebilly West, sets by Leslie Marzolf, Marie Wecker and Charles Schlesinger, lighting by Gordon Ray, [1926 April]
  • Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davis, costumes by Beatrice Norton, 1933 December 2-1934 January 6
  • Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Mary Blair, costumes by Virginia Opsvig, 1939 December 23-[?]
  • Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by William Steger, dances arranged by Dorothy Davies Miller, 1945 March 24-May 5
  • Cinderella, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by Charles Muth, costumes by Theoni Vachlioti Aldredge, 1954 October 24-December 19
  • Daniel Boone by Leona Baptist, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1939 November 4-[?]
  • Davy Crockett and His Coonskin Cap by Margery Evernden, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets designed by Bill Hargate, costumes by Kiffi Wolcott, 1956 March 31-May 27
  • The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully, directed by Charlotte Chorpenning, sets by Blair von Albrecht, dances directed by Dorothy Davies Miller, costumes by Andrew Woods, 1943 March 27-May 8
  • The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully, directed by Louise Dale Spoor, sets by Floyd Allan, costumes by Stanley Rames, Heckla's dance arranged by Frances Allis, 1949 March 19-June 5
  • The Emperor's New Clothes by Charlotte Chorpenning, directed by Maurice Gnesin, costumes by Virginia Roediger, sets by Rosalie Encell, 1932 April
  • The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, lights by Robert Brower, 1935 October 19-November 16
  • The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, 1944 December 16-1945 January 14
  • The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets designed by Mary Lou Denton, costumes by Barta Hapgood, Sheldon Janacek as technical director, Emperor's Dance by Frances Allis, 1953 April 4-May 24
  • Flibbertygibbet, dramatized by Charlotte Chorpenning and Nora Tully, directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Shirley Seidel, costumes by David Ballou, choreography by Francis Allis, 1948 March 27-May 22
  • Flibbertygibbet by Charlotte Chorpenning and Nora Tully MacAlvay, directed by Louise Dale Spoor, sets by Gerald Ritholz, costumes by Leonor Travis, dances by Frances Allis, 1953 December 23-1954 January 31
  • The Golden Apple by Lady Gregory, sets designed by Leslie Marzolf and Margaret Mitchell, 1925 December [?]
  • The Gondoliers, or The King of Barataria by Sir William Gilbert, sponsored by the Chicago Comic Opera Company, directed by Ralph J. Helperin, composed by Sir Arthur Sullivan, choreography by Betty Joyce Kupfer, [1934-1935]
  • Greensleeves' Magic by Marian Johnson, directed by Louise Dale Spoor, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis, 1952 December 23-1953 January 25
  • Hans Brinker, or The Silver Skates by Louis E. Laflin, Jr., from the story by Mary Mapes Dodge, directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lighting by Gordon Ray, [1928-1929]
  • Hans Brinker and the Silver Skates, by Mary Mapes Dodge and dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by William Ritman, costumes by William Moore, 1949 January 15-March 13
  • Hansel and Gretel, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Mary von Albrecht, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig, 1941 October 25-December 13
  • Hansel and Gretel, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Martin Kosofsky as assistant director, sets designed by Joseph Holcombe, costumes by Ann Keeley, 1952 December 27, 1951-February 24
  • Heidi by Lucille Miller, directed by Charlotte Chorpenning, sets designed by Ralph Alswang and Frances Lewis, lights by James Diehl, 1936 January 11-February 29
  • Heidi, dramatized by Lucille Miller from the book by Johanna Spyri, directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by Leonor Travis, 1954 October 23-December 19
  • Hiawatha by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, animal puppets by Tom Margo, dances arranged by Dorothy Davies Miller, costumes by Rita Dhu Wray, with Shelley Berman, 1944 October 21-December 10
  • Huckleberry Finn by Mark Twain and dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Jean Sutherland, lights by Leonard Safier, 1935 March 30-May 11
  • Huckleberry Finn by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Donald Hermes, 1942 January 31-March 7
  • Huckleberry Finn by Samuel Clemens, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets by Barta Hapgood, costumes by Charles Muth, 1953 January 31-March 29
  • The Indian Captive by Charlotte Chorpenning, directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by C.J. Bailey, dance movement by Frances Allis, 1949 December 22-1950 January 29
  • Ivanhoe, dramatized by Muriel Brown from the book by Sir Walter Scott, directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Luarene Kingsbury, lights by Gordon Ray, 1929 November 23
  • Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Beatrice Norton, costumes by Mary Ross, lighting by Joanne Meyers, 1932 December 24-1933 January 14
  • Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Frances Lewis, lights by Robert Brower, featuring Karl Malden as the Giant, 1935 November 30-1936 January 4
  • Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Barbara Berger, sets by Blair von Albrecht, dances by Barbara Berger, costumes by Barbara Berger, 1944 April 1-May 13
  • Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, dances arranged by Frances Allis, 1950 October 21-December 17
  • Jolly Robin Hood, dramatized by Charlotte Chorpenning., directed by Charlotte Chorpenning, sets designed by Friedrich von Dachenhausen, lighting by Esther Snowden, costumes executed by Millicent Kovalinka, featuring Karl Malden, 1934 December 1-1935 January 5
  • King Midas and the Golden Touch, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Frances McVey, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, Aithra's dance by Pat Kennell, with Shelley Berman and Jose Quintero, 1945 January 27-March 17
  • King Midas and the Golden Touch, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets by Jack Cornwell, costumes by Adah Sorensen, dances arranged by Frances Allis, 1950 February 4-March 26
  • The King of the Golden River by John Ruskin, dramatized by Margery Evernden, directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Helen Rolnick, 1956 February 25-March 25
  • A Kiss for Cinderella by James Barrie, directed by Muriel Brown, costumes by Ardys Belisch, sets by Rosalie Encell, lights by John Walley, 1932 January 16-[?]
  • Lincoln's Secret Messenger by Charlotte Chorpenning, directed by Charlotte Chorpenning, Danny Witt as assistant director, sets by Joseph Holcombe, costumes by Ann Keeley, 1952 March 1-March 23
  • Little Black Sambo by Helen Bannerman, directed by Charlotte Chorpenning, choreography by Harriette Louise, sets by Norman Grant, lights by Robert Brower, costumes by Beryl Spinney, 1936 December 19-1937 January 23
  • Little Black Sambo, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Angelynn Davies, 1943 January 30-March 20
  • Little Lee Bobo by Rose Hum Lee and Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 March 30-May 25
  • Little Women, adapted by Marion De Forest from the book by Louisa Mae Alcott, directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray, [1929-1930?]
  • Little Women by Louisa Mae Alcott, adapted by Marian DeForest, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Russell Lotterhos, 1940 February 3-March 9
  • The Magic Horn by Anne Nicholson and Charlotte Chorpenning, directed by Charlotte Chorpenning, set designed by Blair von Albrecht, costumes by Angelynn Davies, 1942 December19-1943 January 23
  • The Magic Horn by Anne Nicholson and Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge, 1955 February 19-March 27
  • Marco Polo and the Drum of Ahmad, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, sets by Floyd Allan, costumes by Ballou, dances arranged by Frances Allis, 1949 October 22-December 18
  • A Midsummer Night's Dream by William Shakespeare, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett and Jane Coolidge, “Nocturne and Snapdragon's” dance by Harriette Louise, with Sam Wanamaker, 1937 March 27-May 8
  • Dooley, Jr. by Rose Franken and Jane Lewin, directed by Charlotte Barrows Chorpenning, sets designed by John Friedman, Jr., 1934 January 13-February 24
  • Paul Bunyan's First Christmas, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Alice Harmer, costumes by Shirley Seidel, dances arranged by Dorothy Davies Miller, 1945 December 22-1946 January 20
  • Pedro and the Fighting Cocks, adapted by Dorothy Davies Miller, ballet arranged and directed by Dorothy Davies Miller, sets by William Steger, costumes by Rita Dhu Wray, puppets by Tom Sanders, 1945 May 6-June 3
  • Penrod by Booth Tarkington, dramatized by Edward E. Rose, directed by Charlotte B. Chorpenning, sets by Spencer Davies, costumes by Beryl Spinney, lights by Robert Brower, 1936 November 14-December 5
  • Peter, Peter Pumpkin Eater by Martha B. King, directed by Louise Dale Spoor, Florence Mishkin as assistant director, sets by John Peters, costumes by William Earl Lautenbach, 1954 February 6-March 14
  • The Pied Piper of Hamelin, adapted from a poem by Robert Browning, directed by Charlotte Chorpenning, scenic and costume designs by Virginia Roediger, 1933 October 21-November 18
  • The Poor Little Rich Girl by Eleanor Gates, directed by Muriel Brown, sets by Robert Van Deventer, costumes by Laurene Kingsbury, lighting by Gordon Ray, [1929-1930?]
  • The Prince and the Pauper by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Norman Grant, lights by James Webster, costumes by Kathryn Triplett with Karl Malden and Sam Wanamaker, 1937 February 6-March 6
  • The Prince and the Pauper, dramatized by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Donnie Zizzof, [1946-1947]
  • The Prince and the Pauper, dramatized by Charlotte Chorpenning from the book by Mark Twain., 1955. Directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Kiffi Wolcott, 1955 October 22-December 18
  • Puss in Boots by Rowena Bennett, directed by Charlotte Chorpenning, Edward Udovich as assistant director, sets and lights by James Maronek, costumes by Ann Keeley, David Zierk as technical director, 1952 March 29-May 25
  • Radio Rescue by Charlotte Chorpenning, directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Andrew Woods, 1943 December 18-1944 January 30
  • Rama and the Tigers, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, 1951 October 27-November 22
  • Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes designed by R. Llewellyn Hughes, lights by Leonard Safier, featuring Karl Malden, 1935 February 23-March 23
  • Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, featuring Bella Itkin, 1940 December 21-1941 February 15
  • Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Shirley Seidel, dances arranged by Frances Allis, 1947 February 1-March 23
  • The Return of Rip Van Winkle, dramatized by Charlotte Chorpenning from the story by Washington Irving, directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, lighting by Ade-Rolfe Floreen, choreography by Frances Allis, with Harvey Korman, 1947 October 25-December 13
  • Rip Van Winkle, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Norman Grant, lighting by Robert Brower, featuring Karl Malden, 1936 March 7-April 4
  • Rip Van Winkle by Washington Irving, dramatized by Charlotte Chorpenning, directed by W.R. Martini, Westley Johnson as assistant director, sets by Gerald Ritholz, costumes by Molly Kunning, Don Owen as technical director, 1954 March 20-May 23
  • Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell, [1926-1927]
  • Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell, [1926-1927]
  • Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, sets by Don Ament, costumes by Elizabeth Parsons, lights by Gordon Ray, [1928-1929?]
  • Robin Hood, dramatized by James Norris, directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Robert Hamlin, 1957 February 2-March 24
  • Robinson Crusoe by Daniel Defoe, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, Costumes by Virginia Opsvig, 1940 March 16-[?]
  • Robinson Crusoe by Daniel Dafoe, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Walter Steinbrenner, costumes by Adah Sorensen, 1950 December 23-1951 January 28
  • Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger, 1934 April 14-May 12
  • Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Class in Costume Design, 1938 December 31-1939 January 28
  • Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, lullaby music and lyrics by Faith Locke Langley, 1945 October 27-December 15
  • Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, dances arranged by Frances Allis, 1952 October 25-December 20
  • Scotch Twins by Lucy Fitch Perkins, directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray, [1929-1930?]
  • The Shining Island by Mary Austin, sets by Leslie Marzolf, lighting by George Stauch, costumes by Elizabeth Parsons, [1927-1928]
  • Six Cherry Tarts written and produced by Muriel Brown, directed by Muriel Brown, sets by Charles Schlesinger, lights by Roman Bohnen, costumes by Helen Forrest, Knaves’ songs by Hamilton Forrest, [1926-1927]
  • Sleeping Beauty, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Spencer Davies, lighting by Leonard Safier, costumes by Lila Underwood, 1935 January 5-February 2
  • Sleeping Beauty, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1941 March 15-April 26
  • Sleeping Beauty, dramatized by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Elizabeth Birbari, dances arranged by Frances Allis, 1946 December 12-1947 January 27
  • Sleeping Beauty (Sing Ho for a Prince!), based on the fairy tale by the Brothers Grimm, book and lyrics by Joe Grezeback, music by Haakon Bergh, directed by Louise Dale Spoor, choreography by Francis Allis, costumes by Kert Lundell, sets by Bill Hargate, 1957 March 30-May 26
  • The Snow Maiden by Anne Nicholson and Charlotte Chorpenning, directed by Mary Elizabeth Aurelius, sets by Blair von Albrecht, dances by Dorothy Davies Miller, costumes by Andrew Woods, with Geraldine Page, 1944 February 5-March 26
  • The Snow Queen and the Goblin, dramatized by Martha Bennett King from the story by Hans Christian Anderson, directed by Louise Dale Spoor, choreography by Frances Allis, sets designed by James Boyce, costumes by Maxey Powell, 1956 December 22-1957 January 27
  • Snow White and the Seven Dwarfs by H.M. Richardson, directed by Muriel Brown, [1928-1929?]
  • Snow White and the Seven Dwarfs, adapted by Jessie Graham White from the story by the Brothers Grimm, directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger, 1933 March 4-[?]
  • Snow White and the Seven Dwarfs by Jessie Graham White, directed by Charlotte Chorpenning, sets and lights by Walter Steinbrenner, costumes by Ballou, dances arranged by Frances Allis, 1951 March 31-May 27
  • The Squire's Bride, dramatized by Viola Van Zee and Charlotte Chorpenning. Directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Angelynn Davies, choreography by Barbara Berger, [1942]
  • The Squire's Bride by Viola Van Zee and Charlotte Chorpenning, directed by Aristides Copulos, sets designed by Richard von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, 1948 January 31-March 21
  • The Teller of Tales by Muriel Brown, directed by Muriel Brown, sets by Peter Lundberg, costumes by Mary Elizabeth Evans and Elizabeth Parsons, lighting by Arvid Crandall, the “Song of Freedom” by Isaac Van Grove, the dance in Act II arranged by Bertha Ochsner, [1927-1928]
  • The Three Bears, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig, 1941 December 20-1942 February 7
  • The Three Bears, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Aristides Copulos as assistant director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, with Harvey Korman, 1947 December 20-1948 January 25
  • The Three Bears, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by John Peters, costumes by William Hargate, 1955 December 23-1956 February 19
  • Titian, the Boy Artist of Cadore by Nora B. Tully, directed by Charlotte Chorpenning, sets by Signe Midelfort and Noel Barker, lighting by Marge Ferris, 1936 April 11-May 9
  • Tom Sawyer, adapted by Charlotte Chorpenning from the book by Mark Twain, directed by Charlotte Chorpenning, costumes by Mary Ross, lights by Howard Nelson, 1933 January 28-[?]
  • Tom Sawyer by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1938 November 12-December 24
  • Tom Sawyer by Mark Twain, arranged by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Bob Beck, [1946]
  • Tom Sawyer by Samuel Clemens, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by John Peters, costumes by Jim Boyce, 1955 April 2-May 29
  • Treasure Island, dramatized by Jules Eckert Goodman from the book by Robert Louis Stevenson, directed by Muriel Brown, 1931 November 14-[?]
  • Treasure Island by Robert Louis Stevenson, dramatized by Dorothy Drew, directed by Louise Dale Spoor, sets by Sheldon Haber, costumes by Paul Leonard, 1956 October 20-December 16
  • The Twelve Dancing Princesses by Nelson James, directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, dances by Frances Allis, 1946 October 26-December 14
  • Wappin' Wharf by Charles S. Brooks, costumes by Helen Forrest, lights by Gordon Ray, [1926]
  • Why Not? by Jesse Lynch Williams, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 October 13-[?]
Arrangement

Series 1 is arranged into 32 subseries chronologically by season:

  • Subseries A: 1925-1926 Season, 1925-1926
  • Subseries B: 1926-1927 Season, 1926-1927
  • Subseries C: 1927-1928 Season, 1927-1928
  • Subseries D: 1928-1929 Season, 1928-1929
  • Subseries E: 1929-1930 Season, 1929-1930
  • Subseries F: 1930-1931 Season, 1930-1931
  • Subseries G: 1931-1932 Season, 1931-1932
  • Subseries H: 1932-1933 Season, 1932-1933
  • Subseries I: 1933-1934 Season, 1933-1934
  • Subseries J: 1934-1935 Season, 1934-1935
  • Subseries K: 1935-1936 Season, 1935-1936
  • Subseries L: 1936-1937 Season, 1936-1937
  • Subseries M: 1937-1938 Season, 1937-1938
  • Subseries N: 1938-1939 Season, 1938-1939
  • Subseries O: 1939-1940 Season, 1939-1940
  • Subseries P: 1940-1941 Season, 1940-1941
  • Subseries Q: 1941-1942 Season, 1941-1942
  • Subseries R: 1942-1943 Season, 1942-1943
  • Subseries S: 1943-1944 Season, 1943-1944
  • Subseries T: 1944-1945 Season, 1944-1945
  • Subseries U: 1945-1946 Season, 1945-1946
  • Subseries V: 1946-1947 Season, 1946-1947
  • Subseries W: 1947-1948 Season, 1947-1948
  • Subseries X: 1948-1949 Season, 1948-1949
  • Subseries Y: 1949-1950 Season, 1949-1950
  • Subseries Z: 1950-1951 Season, 1950-1951
  • Subseries AA: 1951-1952 Season, 1951-1952
  • Subseries BB: 1952-1953 Season, 1952-1953
  • Subseries CC: 1953-1954 Season, 1953-1954
  • Subseries DD: 1954-1955 Season, 1954-1955
  • Subseries EE: 1955-1956 Season, 1955-1956
  • Subseries FF: 1956-1957 Season, 1956-1957

Subseries A: 1925-1926 Season, 1925-1926

Arrangement

Subseries A is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 1 Folder 2 Goodman Theatre, announcement to the members of the Art Institute, [1925]
Box 138 Folder 1 The Fountain, photographs (8), 1925
Box 1 Folder 1 The Day of the Diamond Pin, The Bear and The Man of Destiny, programs, 1925 April
Box 1 Folder 3 Back of the Yards, The Green Scarf and The Game of Chess, by Kenneth Sawyer Goodman, programs, 1925 October
Box 1 Folder 5 The Forest, news clippings, 1925 October-November
Box 138 Folder 2 The Forest, photographs (4), negatives (2), 1925 October-November
Box 1 Folder 4 The Forest, programs, 1925 October-November
Box 1 Folder 6 The Romantic Young Lady, programs, 1925 November-December
Box 1 Folder 7 An Heir at Large, promotional materials, 1925 December-1926 January
Box 138 Folder 3 An Heir at Large, photographs (3), negative (1), 1925 December-1926 January
Box 1 Folder 9 An Heir at Large, programs, 1925 December-1926 January
Box 1 Folder 8 An Heir at Large, reviews, 1925-1926
Box 1 Folder 10 Gas, patrons and guarantor, 1926 January-February
Box 1 Folder 12 Gas, programs, 1926 January-February
Box 1 Folder 11 Gas, reviews and news clippings, 1926
Box 138 Folder 4 Everyman, photographs (10), negative (1), 1926 March
Box 1 Folder 14 Everyman, programs, 1926 March
Box 1 Folder 13 Everyman, promotional material, 1926 March
Box 1 Folder 15 The Tragedy of Nan, programs, reviews, 1926 March-April
Box 138 Folder 5 The Man of Destiny, photographs (2), 1926 April-May
Box 1 Folder 17 The Man of Destiny, programs, 1926 April-May
Box 1 Folder 16 The Man of Destiny, review, 1926 April-May
Box 138 Folder 6 Don Juan, or The Stone Guest, photographs (5), negative (1), 1926 April-May
Box 1 Folder 18 Don Juan, or The Stone Guest, programs, 1926 April-May
Box 138 Folder 7 The Dark Lady of the Sonnets, photographs (2), [1926]
Box 138 Folder 8 A Midsummer Night’s Dream, photographs (32), negative (1), 1926 May
Box 1 Folder 19 A Midsummer Night'sDream, programs, 1926 May
Box 1 Folder 20 Children’s Theatre - promotional material, 1925-1926
Box 138 Folder 9 Children’s Theatre - The Golden Apple, photographs (3), 1925 December
Box 1 Folder 21 Children’s Theatre - The Golden Apple, programs, news clippings, 1925 December
Box 1 Folder 22 Children’s Theatre - Wappin' Wharf, programs, [1926]
Box 138 Folder 10 Children’s Theatre - The Captive Princess, photographs (2), negative (1), [1926 April]
Box 1 Folder 23 Children’s Theatre - The Captive Princess, programs, [1926 April]
Box 1 Folder 24 Special Events - “Chicago Allied Artists, Inc. present a Programme of Ballet and Music,” program, [1925]
Box 1 Folder 25 Special Events - The Friday Club presents: La Illinoisa, book by L.E. Laflin, Jr., libretto and program, 1925 November 4
Box 138 Folder 11 Special Events - Kanellos: Festival of Hellenic Arts, photographs (5), 1926 April 11-13
Box 1 Folder 25a Special Events - Kanellos: Festival of Hellenic Arts, programs and promotional material, 1926 April 11-13

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries B: 1926-1927 Season, 1926-1927

Arrangement

Subseries B is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 1 Folder 26 Promotional material, 1926-1927
Box 1 Folder 26a Why Not? programs, 1926 October
Box 138 Folder 12 The Game of Love and Death, photographs (6), includes Jack Daniels and Helen Forrest, 1926 November
Box 1 Folder 27 The Game of Love and Death, programs, news clippings, 1926 November
Box 1 Folder 28 Don Juan, programs, 1927 November
Box 138 Folder 13 Fashion, or Life in New York, photographs (3), includes Neal Caldwell, Jack Daniels, Mary Agnes Doyle, and Dorothy Schell, 1926 December
Box 1 Folder 31 Fashion, or Life in New York, programs, 1926 December
Oversize Folder 1   Fashion, or Life in New York, programs and advertisements, 1926 December
Box 1 Folder 30 Fashion, or Life in New York, reviews and news clippings, 1926 December
Box 139 Folder 1 Juno and the Paycock and Dust of the Road, photographs (20), negative (1), includes Neal Caldwell, Jack Daniels, Whitford Kane and Roberta Louden, 1926 December-1927 January
Box 1 Folder 34 Juno and the Paycock and Dust of the Road, program, 1926 December-1927 January
Box 1 Folder 32 Juno and the Paycock and Dust of the Road, promotional material, 1926 December-1927 January
Box 1 Folder 33 Juno and the Paycock and Dust of the Road, reviews and news clippings, 1926 December-1927 January
Box 139 Folder 2 Penelope, photograph (1), 1927 February
Box 1 Folder 36 Penelope, programs, 1927 February
Box 1 Folder 35 Penelope, promotional material, 1927 February
Box 139 Folder 3 Twelfth Night, photographs (15), includes Jack Daniels, Helen Forrest, Eula Guy, Whitford Kane, Hubbard Kirkpatrick, Ellen Lowe and Ellen Root, 1927 March
Box 191 Folder 1 Twelfth Night, photographs (1), 1927 March
Box 1 Folder 38 Twelfth Night, program, 1927 March 9
Box 1 Folder 37 Twelfth Night, promotional material, 1927 March 9
Box 1 Folder 39 Everyman, programs, 1927 April 13-14
Box 139 Folder 4 The Pigeon, photographs (10), negatives (11), includes Whitford Kane, Ron Mathews and Richard Steele, 1927 April
Box 1 Folder 41 The Pigeon and Lonesome-Like, programs, 1927 April
Box 1 Folder 40 The Pigeon and Lonesome-Like, promotional material, 1927 April
Box 1 Folder 43 As You Like It, programs, 1927 May
Box 1 Folder 42 As You Like It, reviews, 1927 May
Box 1 Folder 44 A Midsummer Night's Dream, program, 1927 May 23-28
Box 1 Folder 45 Studio - Miss Civilization, A Privy Council and The Monkey's Paw, programs, 1927 January 10-11
Box 1 Folder 46 Studio - The Devil Obliges, programs, 1927 February 7, 8, 14
Box 1 Folder 47 Studio - Patty, programs, 1927 March 21-22
Box 1 Folder 48 Studio - Paolo and Francesca, program, 1927 May 16-17
Box 1 Folder 49 Children’s Theatre - promotional material, 1926-1927
Box 139 Folder 5 Children’s Theatre - Robin Hood, photographs (8), includes Babette Bock, Gordon Ray and James Todd, [1926-1927]
Box 1 Folder 50 Children’s Theatre - Robin Hood, program, [1926-1927]
Box 1 Folder 51 Children’s Theatre - The Blue Bird, program, [1926-1927]
Box 139 Folder 6 Children’s Theatre - Six Cherry Tarts, photographs (3), includes James Todd, [1926-1927]
Box 1 Folder 51a Children’s Theatre - Six Cherry Tarts, program, promotional material, [1926-1927]

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries C: 1927-1928 Season, 1927-1928

Arrangement

Subseries C is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 1 Folder 52 Promotional material, 1927-1928
Box 139 Folder 7 The Tower of Nesle, photograph (1), negative (1), includes Neal Caldwell, 1927 October
Box 1 Folder 53 The Tower of Nesle, program, 1927 October
Oversize Folder 1   The Tower of Nesle, programs (2 copies), 1927 October
Box 139 Folder 8 Outbreak, photograph (1), includes Whitford Kane, [1927]
Box 1 Folder 55 Outbreak, program, [1927]
Box 1 Folder 54 Outbreak, promotional material, [1927]
Box 1 Folder 57 The Mask and the Face, programs, [1927-1928]
Box 1 Folder 56 The Mask and the Face, promotional material, [1927-1928]
Box 1 Folder 57a Camille in Roaring Camp, programs, reviews and news clippings, 1928 March
Oversize Folder 1   Camille in Roaring Camp, programs, reviews and news clippings, 1928 March
Box 1 Folder 58 The Wild Duck, programs, 1928 February
Box 191 Folder 1 The Vikings at Helgeland, illustrations (2), 1928 March
Box 139 Folder 9 The Vikings at Helgeland, photographs (8), 1928 March
Box 1 Folder 59 The Vikings at Helgeland, programs, 1928 March
Box 1 Folder 59a The Vikings at Helgeland, reviews and news clippings, 1928 March
Box 1 Folder 59b Mixed Doubles, review, 1928 May 21
Box 139 Folder 10 The Little Clay Cart, photographs (3), includes Neal Caldwell, 1928 May
Box 1 Folder 60 The Little Clay Cart, programs, 1928 May
Box 1 Folder 61 A Midsummer Night's Dream and The Masque of the Red Death, program, [1928]
Box 139 Folder 11 The Masque of the Red Death, photographs (2), [1928]
Oversize Folder 1   She Stoops to Conquer by Oliver Goldsmith, advertisements, [1927-1928]
Box 139 Folder 12 She Stoops to Conquer, photographs (9), negative (1), includes Roman Bohnen, Bess Kathryn Johnson, Whitford Kane and Katherine Krug, [1927-1928]
Box 139 Folder 13 Studio - The Topaz Amulet: A Christmas Masque, photographs (4), includes Sarah Hinde, Milton Klein, Rosalie Martin, Henriette Oberteukker, Gordon Ray and Helena Ray, 1927 December
Box 1 Folder 62 Studio - The Topaz Amulet: A Christmas Masque, programs, 1927 December
Box 139 Folder 14 Studio - Evil Doers of Good, photographs (5), includes Mary Elizabeth Evans and [first name illegible] Sherman, 1927 December-1928 February
Box 1 Folder 64 Studio - Evil Doers of Good, programs, 1927 December-1928 February
Box 1 Folder 63 Studio - Evil Doers of Good, promotional material, 1927 December-1928 February
Box 1 Folder 65 Studio - Hindle Wakes, programs, 1928 January 26
Box 139 Folder 15 Studio - The Nursery Maid of Heaven, photographs (6), 1928 February
Box 1 Folder 67 Studio - The Nursery Maid of Heaven, programs, 1928 February 9
Box 1 Folder 66 Studio - The Nursery Maid of Heaven, promotional material, 1928
Box 1 Folder 68 Studio - My Lady's Dress, programs, 1928 April 5
Box 1 Folder 69 Studio - The Lilies of the Field, program, [1927-1928]
Box 1 Folder 70 Children’s Theatre - promotional material, 1927-1928
Box 1 Folder 70a Children’s Theatre - The Shining Island, program, [1927-1928]
Box 1 Folder 71 Children’s Theatre - The Teller of Tales, programs, [1927-1928]
Box 139 Folder 16 Children’s Theatre - The Teller of Tales, photographs (3), negative (1), [1927-1928]
Box 1 Folder 72 Children’s Theatre - The Blue Bird, programs, [1927-1928]
Box 1 Folder 73 Children’s Theatre - The Boy Who Grew Up–Without Knowing It, programs, [1927-1928]
Box 1 Folder 74 Special Events - The Drama League of Chicago: Finals in the Play Contest, promotional material, 1928 May 13

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries D: 1928-1929 Season, 1928-1929

Arrangement

Subseries D is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 140 Folder 1 The Inspector General, photographs (7), includes Katherine Krug and B. Iden Payne, 1928 November
Box 2 Folder 1 The Inspector General, programs, promotional material, 1928 November
Box 140 Folder 2 Dear Brutus, photographs (8), includes Mary Agnes Doyle, Mary Elizabeth Evans, F. Leon Ford, Joan Madison, Bernard Ostertag, B. Iden Payne, Ellen Root and Art Smith, 1928 December
Box 2 Folder 1a Dear Brutus, program, 1928 December
Box 140 Folder 3 Six Characters in Search of an Author, photographs (3), 1929 January
Box 2 Folder 2 Six Characters in Search of an Author and Barbara, program, 1929 January
Box 2 Folder 3 Lizard Gap, programs, 1929 February
Box 140 Folder 4 When We Dead Awaken, photographs (8), includes Katherine Krug, Joan Madison, Bernard Ostertag, B. Iden Payne and Donald Willson, 1929 February
Box 2 Folder 4 When We Dead Awaken, program, 1929 February
Oversize Folder 1   The Critic, advertisements (2), 1929
Box 140 Folder 5 The Critic, photograph (1), includes Joan Madison, [1929]
Box 2 Folder 5 The Critic, program, [1929]
Box 2 Folder 6 The Shadow of a Gunman, programs, 1929 April
Box 2 Folder 7 The Golem, promotional material, 1927 May-June
Box 140 Folder 6 The Trojan Women, photographs (2), [1928-1929?]
Box 2 Folder 8 Studio - Plots and Playwrights, program, 1929 March 28
Box 2 Folder 9 Studio - Pan and the Young Shepherd, program, 1929 June 5-6
Box 2 Folder 10 Studio - Les Femmes Savantes (The Learned Ladies), programs, [1929?]
Box 140 Folder 7 Children’s Theatre - Hans Brinker, or The Silver Skates, photographs (6), [1928-1929]
Box 2 Folder 11 Children’s Theatre - Hans Brinker, or The Silver Skates, programs, [1928-1929]
Box 2 Folder 11a Children’s Theatre - An Afternoon with Christopher Robin, programs, promotional material, 1928 November
Box 2 Folder 12 Children’s Theatre - Robin Hood, programs, [1928-1929?]
Box 2 Folder 14 Children’s Theatre - Snow White and the Seven Dwarfs, program, [1928-1929?]
Box 2 Folder 13 Children’s Theatre - Snow White and the Seven Dwarfs, promotional material, [1928-1929?]

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries E: 1929-1930 Season, 1929-1930

Arrangement

Subseries E is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 2 Folder 15 Promotional material, 1929-1930
Box 2 Folder 16 Romeo and Juliet, programs, review, 1929 October
Box 2 Folder 17 The Mask and the Face, programs, 1929 November
Box 140 Folder 8 The Makropoulus Secret, photographs (7), 1929 November-December
Box 2 Folder 18 The Makropoulos Secret, programs, promotional material, 1929 November-December
Box 140 Folder 9 Tour du Monde, or Around the World in 80 Days, photograph (1), 1929 December
Box 2 Folder 19 Tour du Monde, or Around the World in 80 Days, programs, 1929 December
Box 2 Folder 20 The Field God, programs, 1930 January
Box 2 Folder 21 Holiday, programs, 1930 February
Box 2 Folder 22 The Rivals, programs, 1930 March
Box 2 Folder 23 Kolpak Must Dance, programs, 1930 April
Box 2 Folder 24 Escape, programs, 1930 May
Box 2 Folder 25 The Poem of David, Idyll of the Shop and The Home Coming, programs, 1930 June
Box 2 Folder 26 Children’s Theatre - Ivanhoe, promotional material, 1929 November 23
Box 2 Folder 27 Children’s Theatre - Scotch Twins, promotional material, [1929-1930?]
Box 2 Folder 28 Children’s Theatre - Little Women, programs, [1929-1930?]
Box 2 Folder 29 Children’s Theatre - The Poor Little Rich Girl, programs, [1929-1930?]
Box 2 Folder 30 Special Events - Whitford Kane presents: Cathleen Ni Houlihan by W.B. Yeats and Loggerheads by Ralph Cullinan, program, 1930 March 17
Box 2 Folder 30a Special Events - The 4th Annual Tournament of Plays, program, 1930 May 5-12

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries F: 1930-1931 Season, 1930-1931

Arrangement

Subseries F is arranged chronologically.

Box 2 Folder 31 Art Institute of Chicago, newsletter, 1931 May 2
Box 2 Folder 32 The Firebrand, programs, [1930-1931]
Box 2 Folder 32a Hotel Universe, reviews and news clippings, [1930]
Box 140 Folder 11 Rebecca of Sunnybrook Farm, photographs (2), includes Frances Carlson, 1931
Box 2 Folder 33 The Sea Gull, program, [1930-1931]
Box 2 Folder 33b Lazzaro, program, [1930-1931?]
Box 2 Folder 33a Rebound, program, [1930-1931?]
Box 140 Folder 10 Studio - Master Skylark, photograph (1), includes Frances Carlson, 1931
Box 2 Folder 34 Studio - Master Skylark, programs, 1931

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries G: 1931-1932 Season, 1931-1932

Arrangement

Subseries G is arranged chronologically beginning with mainstage productions followed by children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 2 Folder 35 This Fine Pretty World, programs, 1931 November
Box 140 Folders 12 Tidings Brought to Mary, photographs (2), 1931 December
Box 2 Folder 36 Tidings Brought to Mary, programs, 1931 December
Box 191 Folder 1 The Good Hope, photograph (1), 1931-1932
Box 191 Folder 1 Lady Windermere’s Fan, photograph (1), 1932 May
Box 2 Folder 37 Lady Windermere's Fan, programs, 1932 May
Box 191 Folder 2 Children’s Theatre - Treasure Island, photograph (1), 1931 November
Box 2 Folder 38 Children’s Theatre - Treasure Island, promotional material, 1931 November
Box 191 Folder 1 Children’s Theatre - A Kiss for Cinderella, photographs (4), 1932 January
Box 2 Folder 40 Children’s Theatre - A Kiss for Cinderella, programs, 1932 January
Box 2 Folder 39 Children’s Theatre - A Kiss for Cinderella, promotional material, 1932 January
Box 2 Folder 41 Children’s Theatre - The Emperor's New Clothes, programs, 1932 April

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries H: 1932-1933 Season, 1932-1933

Arrangement

Subseries H is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 191 Folder 2 The Cassilis Engagement, photographs (4), [1933 June]
Box 2 Folder 41a The Cassilis Engagement, program, [1933 June]
Box 140 Folder 13 Pillars of Society, photograph (1), negative (1), 1932 December
Box 191 Folder 2 Pillars of Society, photographs (3), 1932 December
Box 2 Folder 42 Pillars of Society, program, 1932 December
Box 191 Folder 2 The Nightingale, photograph (1), 1933 January
Box 2 Folder 43 The Nightingale, programs and contract between Thompson and the Goodman, 1933 January
Box 140 Folder 14 The Three Sisters, photographs (3), includes Frances Carlson, 1933 February
Box 191 Folder 3 The Three Sisters, photograph (1), 1933 February
Box 2 Folder 44 The Three Sisters, programs, 1933 February
Box 191 Folder 3 Pygmalion, photographs (3), 1933 March
Box 2 Folder 45 Pygmalion, programs, 1933 March
Box 140 Folder 15 Leonardo Da Vinci, photographs (2), includes Frances Carlson, 1933 April
Box 191 Folder 3 Leonardo Da Vinci, photographs (1), 1933 April
Box 2 Folder 46 Leonardo Da Vinci, programs, 1933 April
Box 191 Folder 3 Paris Bound, photographs (2), [1932-1933]
Box 2 Folder 47 Studio - The Show Off, programs, 1933 March
Box 2 Folder 48 Studio - Smokescreen, programs, 1933 April
Box 2 Folder 49 Studio - At Mrs. Beam's, programs, 1933 April 17
Box 2 Folder 50 Children’s Theatre - Jack and the Beanstalk, programs, 1932 December-1933 January
Box 191 Folder 3 Children’s Theatre - Tom Sawyer, photographs (4), 1933 January
Box 2 Folder 51 Children’s Theatre - Tom Sawyer, programs, 1933 January
Box 191 Folder 4 Children’s Theatre - Snow White and the Seven Dwarfs, photographs (4), 1933 March
Box 2 Folder 52 Children’s Theatre - Snow White and the Seven Dwarfs, programs, 1933 March
Box 2 Folder 52a Special Events - When Chicago Was Young by Alice Gerstenberg and Herma Clark, directed by Mary Alice Foley, program, 1932 November 7

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries I: 1933-1934 Season, 1933-1934

Arrangement

Subseries I is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 2 Folder 53 The Romantic Young Lady, programs, 1933 October-November
Box 2 Folder 54 The Torch-Bearers, programs, 1933 November 8, 9, 19
Box 191 Folder 4 Macbeth, photograph (1), 1933 December
Box 2 Folder 55 Macbeth, programs, 1933 December
Box 191 Folder 4 The Royal Family, photographs (3), 1934 January
Box 2 Folder 58 The Royal Family, programs, 1934 January
Box 191 Folder 4 Anathema, photographs (3), 1934 March
Box 2 Folder 56 Anathema, programs, 1934 March
Box 191 Folder 5 The Great Catherine, photographs (4), 1934 April
Box 2 Folder 57 The Great Catherine and Augustus Does His Bit, programs, 1934 April
Box 2 Folder 59 The Farmer's Wife, programs, 1934 May
Box 191 Folder 5 The Master Builder, photographs (4), negative (1), [1933-1934]
Box 2 Folder 60 Studio - The Kingdom of God, program, 1933 December
Box 2 Folder 61 Studio - Lavender and the Red Pepper, Riders to the Sea and Twelve Pound Look, programs, [1933-1934]
Box 191 Folder 5 Children’s Theatre - The Pied Piper of Hamelin, photographs (2), 1933 October-November
Box 2 Folder 62 Children’s Theatre - The Pied Piper of Hamelin, programs, 1933 October-November
Box 2 Folder 63 Children’s Theatre - Cinderella, programs, 1933 December-1934 January
Box 191 Folder 5 Children’s Theatre - Mr. Dooley, Jr., photographs (2), 1934 January-February
Box 2 Folder 64 Children’s Theatre - Mr. Dooley, Jr., programs, 1934 January-February
Box 191 Folder 6 Children’s Theatre - The Arkansas Bear, photographs (3), 1934 February
Box 2 Folder 65 Children’s Theatre - The Arkansas Bear, programs, 1934 February
Box 191 Folder 6 Children’s Theatre - Rumpelstiltskin, photographs (4), 1934 April-May
Box 2 Folder 67 Children’s Theatre - Rumpelstiltskin, programs, 1934 April-May
Box 2 Folder 66 Children’s Theatre - Rumpelstiltskin, scenic plans, 1934 April-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries J: 1934-1935 Season, 1934-1935

Arrangement

Subseries J is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 3 Folder 1 Promotional material, 1934-1935
Box 191 Folder 6 The Second Man, photographs (4), 1934 November
Box 3 Folder 2 The Second Man, programs, 1934 November
Box 191 Folder 6 For Services Rendered, photographs (4), 1934 December
Box 3 Folder 3 For Services Rendered, program, 1934 December
Box 191 Folder 7 Twelfth Night, photograph (1), 1935 January
Box 3 Folder 4 Twelfth Night, programs, 1935 January
Box 191 Folder 7 The First Mrs. Fraser, photographs (3), 1935 February
Box 3 Folder 5 The First Mrs. Fraser, program, 1935 February
Box 3 Folder 6 The Head of the Family, programs, 1935 March
Box 191 Folder 7 The Living Corpse, photograph (1), 1935 April
Box 3 Folder 7 The Living Corpse, program, 1935 April
Box 191 Folder 7 Let Us Be Gay, photographs (5), 1935 May
Box 3 Folder 8 Let Us Be Gay, programs, 1935 May
Box 3 Folder 10 The Master Builder, programs, 1935 May
Box 3 Folder 9 The Master Builder, scenic plans (2 pencil sketches), 1935
Box 191 Folder 7 The Kingdom of God, photographs (2), 1934 October
Box 3 Folder 11 The Kingdom of God, programs, 1934 October
Box 140 Folder 16 Studio - Craig’s Wife, photographs (10), 1935 April
Box 3 Folder 12 Studio - Craig's Wife, programs, 1935 April
Box 192 Folder 1 Studio - The Distaff Side, photographs (3), 1935 April
Box 141 Folder 2 Studio - The Distaff Side, negative (1), 1935 April
Box 3 Folder 13 Studio - The Distaff Side, programs, 1935 April
Box 3 Folder 14 Studio - The Silver Cord, programs, 1935 May
Box 3 Folder 15 Studio - The Nursery Maid of Heaven, Motherly Love, Trifles by and The First White Woman, programs, 1935 June
Box 3 Folder 16 Studio - Seven Women, King Arthur's Socks, The Widdy's Mite and Dark Lady of the Sonnets, programs, 1935 June 11
Box 3 Folder 17 Studio - Cradle Song, programs, [1934-1935]
Box 192 Folder 1 Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (2), 1934 October-November
Box 3 Folder 18 Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1934 October-November
Box 192 Folder 1 Children’s Theatre - Jolly Robin Hood, photographs (4), includes Karl Malden, 1934 December-1935 January
Box 3 Folder 19 Children’s Theatre - Jolly Robin Hood, programs, 1934 December-1935 January
Box 140 Folder 17 Children’s Theatre - Sleeping Beauty, photographs (9), negatives (2), 1935 January-February
Box 192 Folder 1 Children’s Theatre - Sleeping Beauty, photographs (2), 1935 January-February
Box 3 Folder 20 Children’s Theatre - Sleeping Beauty, lighting cue sheets, 1935 January-February
Box 3 Folder 22 Children’s Theatre - Sleeping Beauty, programs, 1935 January-February
Oversize Folder 2   Children’s Theatre - Sleeping Beauty, set designs, 1935 January-February
Box 3 Folder 23 Children’s Theatre - Red Riding Hood, program, 1935 February-March
Box 192 Folder 2 Children’s Theatre - Huckleberry Finn, photographs (4), 1935 March-May
Box 3 Folder 24 Children’s Theatre - Huckleberry Finn, programs, 1935 March-May
Box 3 Folder 25 Children’s Theatre - The Gondoliers, or The King of Barataria, program, [1934-1935]

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries K: 1935-1936 Season, 1935-1936

Arrangement

Subseries K is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 140 Folder 18 Mr. Pim Passes By, photograph (1), negative (1), 1935 September-October
Box 192 Folder 2 Mr. Pim Passes By, photograph (1), 1935 September-October
Box 3 Folder 26 Mr. Pim Passes By, programs, 1935 September-October
Box 3 Folder 27 Mr. Pim Passes By, program from a special alumni performance, 1935 October 29
Box 3 Folder 28 Liliom, program, 1936 January
Box 192 Folder 2 The Father, photographs (2), 1936 March
Box 140 Folder 19 The Father, negatives (2), 1936 March
Box 3 Folder 29 The Father, program, 1936 March
Box 192 Folder 2 The Animal Kingdom, photographs (4), 1936 April
Box 140 Folder 20 The Animal Kingdom, negative (1), 1936 April
Box 3 Folder 30 The Animal Kingdom, programs, 1936 April
Box 192 Folder 3 The Chief Thing, photographs (3), 1936 May
Box 141 Folder 1 The Chief Thing, negative (1), 1936 May
Box 3 Folder 32 The Chief Thing, programs, 1936 May
Box 3 Folder 31 The Chief Thing, scenic plans, 1936
Box 3 Folder 33 Studio - The Enchanted April, programs, 1935 November
Box 3 Folder 34 Studio - Ladies in Waiting, programs, 1935 November
Box 3 Folder 35 Studio - A Thief Tomorrow, programs, 1936 February
Box 141 Folder 3 Studio - Another Language, photographs (6), 1936 April
Box 3 Folder 36 Studio - Another Language, program, 1936 April
Box 3 Folder 37 Studio - Fresh Fields, programs, 1936 June
Box 3 Folder 38 Children’s Theatre - The Emperor's New Clothes, programs, 1935 October-November
Box 192 Folder 3 Children’s Theatre - Jack and the Beanstalk, photographs (4), negative (1), 1935 November-1936 January
Box 141 Folder 4 Children’s Theatre - Jack and the Beanstalk, negative (1), 1935 November-1936 January
Box 3 Folder 39 Children’s Theatre - Jack and the Beanstalk, program, 1935 November-1936 January
Box 192 Folder 3 Children’s Theatre - Heidi, photograph (1), 1936 January-February
Box 141 Folder 5 Children’s Theatre - Heidi, negative (1), 1936 January-February
Box 3 Folder 40 Children’s Theatre - Heidi, programs, 1936 January-February
Box 141 Folder 6 Children’s Theatre - Rip Van Winkle, photographs (2), 1936 March-April
Box 192 Folder 3 Children’s Theatre - Rip Van Winkle, photograph (1), 1936 March-April
Box 3 Folder 41 Children’s Theatre - Rip Van Winkle, programs, 1936 March-April
Box 3 Folder 42 Children’s Theatre - Titian, the Boy Artist of Cadore, programs, 1936 April-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries L: 1936-1937 Season, 1936-1937

Arrangement

Subseries L is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 3 Folder 44 The Late Christopher Bean, programs, 1936 October
Box 3 Folder 43 The Late Christopher Bean, scenic plan, 1936
Oversize Folder 2   The Late Christopher Bean, floor plan, 1936
Box 192 Folder 3 The Show Off, photographs (2), negative (1), 1936 December
Box 3 Folder 45 The Show Off, programs, 1936 December
Box 192 Folder 4 The Lower Depths by Maxim Gorki, photograph (1), 1937 January
Box 141 Folder 7 The Lower Depths by Maxim Gorki, negative (1), 1937 January
Box 141 Folder 8 The Cradle Song, photograph (1), 1937 February
Box 192 Folder 4 The Cradle Song, photographs (2), 1937 February
Box 3 Folder 46 The Cradle Song, programs, 1937 February
Box 3 Folder 47 The Winter's Tale, programs, 1937 March
Box 192 Folder 4 Hotel Universe, photograph (1), 1937 April
Box 3 Folder 48 Hotel Universe, programs, 1937 April
Box 3 Folder 49 Dear Brutus, programs, 1937 May
Box 3 Folder 50 Studio - Sixteen, program, 1936 December 2
Box 3 Folder 51 Studio - Sweet Aloes, programs, 1937 February
Box 3 Folder 52 Studio - The Trysting Place, Good Vintage, "Op-o"-Me-Thumb and Bread, programs, 1937 April 27
Box 192 Folder 4 Children’s Theatre - Penrod, photographs (2), 1936 November -December
Box 3 Folder 54 Children’s Theatre - Penrod, programs, 1936 November-December
Box 3 Folder 55 Children’s Theatre - Penrod, program from a benefit performance for Amity School Children's Aid, 1936 November-December
Box 3 Folder 53 Children’s Theatre - Penrod, scenic plan (floor plan), 1936
Box 192 Folder 4 Children’s Theatre - Little Black Sambo, photograph (1), 1936 December-1937 January
Box 3 Folder 56 Children’s Theatre - Little Black Sambo, programs, 1936 December-1937 January
Box 141 Folder 9 Children’s Theatre - The Prince and the Pauper, photographs (3), 1937 February-March
Box 3 Folder 57 Children’s Theatre - The Prince and the Pauper, program, 1937 February-March
Box 3 Folder 58 Children’s Theatre - A Midsummer Night's Dream, program, 1937 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries M: 1937-1938 Season, 1937-1938

Arrangement

Subseries M is arranged chronologically. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 192 Folder 4 Accent on Youth, photographs (3), 1937 October
Box 4 Folder 2 Accent on Youth, programs, 1937 October
Oversize Folder 2   Accent on Youth, set design, 1937 October
Box 141 Folder 10 The Adding Machine, photographs (22), negative (1), contact sheets (2), 1937 November
Box 192 Folder 5 The Adding Machine, photographs (3), 1937 November
Box 4 Folder 3 The Adding Machine, programs, 1937 November
Box 192 Folder 5 The Joyous Season, photographs (3), 1937 December
Box 4 Folder 4 The Joyous Season, program, 1937 December
Box 192 Folder 5 Our American Cousin, photographs (5), 1938 January
Box 141 Folder 11 Our American Cousin, photographs (5), 1938 January
Box 4 Folder 5 Our American Cousin, programs, 1938 January
Box 141 Folder 12 King Lear, photographs (12), 1938 February
Box 192 Folder 6 King Lear, photographs (1), 1938 February
Box 4 Folder 6 King Lear, programs, 1938 February
Box 141 Folder 13 Electra, photographs (7), 1938 April-May
Box 4 Folder 7 Electra, programs, 1938 April-May
Box 141 Folder 14 You Never Can Tell, photographs (2), 1938 May
Box 4 Folder 8 You Never Can Tell, program, 1938 May
Box 141 Folder 15 Storm Over Patsy, photographs (2), 1938 March
Box 4 Folder 9 Storm Over Patsy, program, 1938 March 21-29
Box 4 Folder 10 Ladies in Waiting, programs, 1937 November 17-18
Box 4 Folder 11 Devil on Stilts, Never Too Old,The First White Woman and Aria Da Capo, programs, 1938 May 12
Box 4 Folder 12 Trifles, Feast of the Holy Innocents, “Op-o”-Me Thumb and Not Smart, programs, 1938 June 7
Box 4 Folder 13 Kind Lady, programs, 1938 June 10
Box 4 Folder 14 The Second Man, programs, 1938 June 14
Box 192 Folder 6 Radio Rescue, photograph (1), 1937 October-November
Box 4 Folder 15 Radio Rescue, programs, 1937 October-November
Box 192 Folder 6 Hans Brinker, or The Silver Skates, photographs (2), 1938 January 8
Box 141 Folder 16 Hans Brinker, or The Silver Skates, negative (1), 1938 January 8
Box 4 Folder 16 Hans Brinker, or The Silver Skates, programs, 1938 January 8
Box 192 Folder 6 Peter, Peter Pumpkin Eater, photographs (4), 1938 January-February
Box 4 Folder 17 Peter, Peter Pumpkin Eater, programs, 1938 January-February
Box 141 Folder 17 Indian Captive, photographs (3), [1937-1938]

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries N: 1938-1939 Season, 1938-1939

Arrangement

Subseries N is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 4 Folder 18 Promotional material, [1938-1939]
Box 142 Folder 9 Why Not? photographs (18), negative (1) 1938 October
Box 4 Folder 19 Why Not? programs, 1938 October
Box 141 Folder 18 Street Scene, photographs (25), 1938 November
Box 192 Folder 6 Street Scene, photograph (1), negative (1), 1938 November
Box 4 Folder 20 Street Scene, programs, 1938 November
Box 141 Folder 19 Bees on the Boat Deck, photographs (13), negative (1), 1938 December
Box 4 Folder 22 Bees on the Boat Deck, programs, 1938 December
Box 4 Folder 21 Bees on the Boat Deck, prop list, 1938 December
Box 142 Folder 1 The Circle, photographs (5), 1939 January
Box 4 Folder 23 The Circle, programs, 1939 January
Box 4 Folder 24 The Circle, program for the Alumni House Performance, 1939 January
Box 142 Folder 2 Much Ado About Nothing, photographs (12), 1939 February
Box 4 Folder 25 Much Ado About Nothing, programs, 1939 February
Box 142 Folder 3 Anna Christie, photograph (1), 1939 March-April
Box 192 Folder 6 Anna Christie, photograph (1), 1939 March-April
Box 4 Folder 26 Anna Christie, programs, 1939 March-April
Box 142 Folder 4 Elizabeth, the Queen, photographs (7), 1939 April
Box 4 Folder 27 Elizabeth the Queen, programs, 1939 April
Box 142 Folder 5 First Lady, photographs (15), negatives (2), 1939 May
Box 4 Folder 28 First Lady, programs, 1939 May
Box 4 Folder 29 Studio - Eugene O'Neill's Sea Plays: Ile, In the Zone, Bound East for Cardiff and Long Voyage Home, programs, 1939 March 17
Box 4 Folder 30 Studio - “A Bill of One Acts”: A Room in the Tower, Corn Shock, Roses and Rue, The Twelve-Pound Look, programs, [1938-1939]
Box 142 Folder 6 Children’s Theatre - Tom Sawyer, photographs (13), 1938 November-December
Box 4 Folder 31 Children’s Theatre - Tom Sawyer, programs, 1938 November-December
Box 142 Folder 7 Children’s Theatre - Rumpelstiltskin, photographs (5), 1938 December-1939 January
Box 192 Folder 6 Children’s Theatre - Rumpelstiltskin, photograph (1), 1938 December-1939 January
Box 4 Folder 33 Children’s Theatre - Rumpelstiltskin, programs, 1938 December-1939 January
Box 4 Folder 32 Children’s Theatre - Rumpelstiltskin, promotional material, 1938 December-1939 January
Box 142 Folder 8 Children’s Theatre - Alice in Wonderland, photographs (32), includes Edith Hilston, 1939 February
Box 4 Folder 35 Children’s Theatre - Alice in Wonderland, programs, 1939 February
Oversize Folder 2   Children’s Theatre - Alice in Wonderland, scenic and set designs, 1939
Box 4 Folder 36 Special Events - The Graff Ballet, programs, 1939 January 26-28
Box 4 Folder 37 Special Events - Dances of Spain, with Clarita Martin, promotional material and program, 1939 May 10-13
Box 142 Folder 10 Special Events - Katherine Dunham dance group, Haitian Dance, photographs (2), includes Katherine Dunham, [1938]
Box 4 Folder 38 Special Events - Katherine Dunham, programs, 1938 October 27-29

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries O: 1939-1940 Season, 1939-1940

Arrangement

Subseries O is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 5 Folder 1 Promotional material, 1939-1940
Box 143 Folder 1 Holiday, photographs (10), 1939 October
Box 5 Folder 2 Holiday, programs, 1939 October
Box 5 Folder 3 Our Town, programs, 1939 November
Box 143 Folder 2 Family Portrait, photographs (7), negative (1), 1939 December
Box 5 Folder 4 Family Portrait, programs, 1939 December
Box 143 Folder 3 George and Margaret, photographs (14), 1940 January
Box 5 Folder 5 George and Margaret, programs, 1940 January
Box 143 Folder 4 Merry Wives of Windsor, photographs (24), negatives (3), 1940 February
Box 5 Folder 7 Merry Wives of Windsor, programs, 1940 February
Oversize Folder 2   Merry Wives of Windsor, set designs, 1940
Box 143 Folder 5 He Who Gets Slapped, photographs (5), 1940 March
Box 192 Folder 7 He Who Gets Slapped, photographs (15), 1940 March
Box 5 Folder 8 He Who Gets Slapped, programs, 1940 March
Box 143 Folder 6 Laburnum Grove, photographs (12), 1940 April
Box 5 Folder 9 Laburnum Grove, programs, 1940 April
Box 143 Folder 7 Goodbye Again, photographs (13), 1940 May
Box 5 Folder 11 Goodbye Again, programs, 1940 May
Box 5 Folder 10 Goodbye Again, rehearsal and performance schedule, 1940 May
Box 5 Folder 12 Studio - The Late Christopher Bean, programs, 1939 October 18
Box 5 Folder 13 Studio - Girls in Uniform, programs, 1939 October 26
Box 5 Folder 14 Studio - The Whiteheaded Boy, programs, 1939 December 8
Box 5 Folder 15 Studio - Time and the Conways, programs, 1940 February 16
Box 5 Folder 16 Studio - Spring Dance by Phillip Barry, programs, 1940 March 22
Box 5 Folder 17 Studio - The Good Hope, programs, 1940 April 19
Box 5 Folder 18 Studio - Mystery at Greenfingers, programs, 1940 April 30
Box 5 Folder 19 Studio - Ladies in Waiting, programs, 1940 May 10
Box 5 Folder 20 Studio - Four One-Act Plays: Trifles, Constant Lover, Time Out for Matrimony and Sham, programs, [1940]
Box 5 Folder 21 Studio - The Distaff Side, programs, 1940 May 24
Box 5 Folder 22 Studio - Fresh Fields, programs, 1940 June 5
Box 5 Folder 23 Studio - Candida, programs, 1940 June 7
Box 143 Folder 8 Children’s Theatre - Daniel Boone, photographs (10), 1939 November
Box 5 Folder 24 Children’s Theatre - Daniel Boone, programs, 1939 November
Box 143 Folder 9 Children’s Theatre - Cinderella, photographs (10), 1939 December
Box 5 Folder 25 Children’s Theatre - Cinderella, programs, 1939 December
Box 143 Folder 10 Children’s Theatre - Little Women, photographs (10), 1940 February-March
Box 5 Folder 26 Children’s Theatre - Little Women, director's memorandum on settings, 1940
Box 5 Folder 27 Children’s Theatre - Little Women, programs, 1940 February 3-March 9
Box 144 Folder 1 Children’s Theatre - Robinson Crusoe, photographs (13), 1940 March
Box 5 Folder 28 Children’s Theatre - Robinson Crusoe, programs, 1940 March
Box 144 Folder 2 Special Events - Agnes de Mille and Her Dance Ensemble, photograph (1), includes Agnes de Mille, 1939 October 30-November 2
Box 5 Folder 29 Special Events - Agnes de Mille and Her Dance Ensemble, program, 1939 October 30-November 2
Box 5 Folder 30 Special Events - Katherine Dunham, program, 1939 November 22-25
Box 5 Folder 31 Special Events - Hanya Holm and Company, program, 1940 January 10-13
Box 5 Folder 32 Special Events - Negro Singers, program, 1939 October 19-20
Box 5 Folder 33 Special Events - Saveli Walevitch: Songs of the Russian People, program, 1940 February 28-29
Box 5 Folder 34 Special Events - The Saidenberg Sinfonietta with Four Dancers, program, 1940 March 6-9
Box 5 Folder 35 Special Events - The Elizabethan Madrigal Singers, program, 1940 April 10-11
Oversize Folder 1   Special Events - Ten Years in the Dog House, a review in honor of Maurice Gnesin's tenth anniversary as Head of the Kenneth Sawyer Goodman Memorial Theatre, programs, 1940 May 31

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries P: 1940-1941 Season, 1940-1941

Arrangement

Subseries P is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 144 Folder 3 This Fine Pretty World, photographs (13), 1940 October
Box 5 Folder 37 This Fine Pretty World, programs, 1940 October
Box 144 Folder 4 Time and the Conways, photographs (5), 1940 November
Box 5 Folder 39 Time and the Conways, programs, 1940 November
Box 5 Folder 38 Time and the Conways, rehearsal and performance schedule, 1940
Box 193 Folder 1 Icebound, photographs (11), 1940 November
Box 5 Folder 40 Icebound, program, 1940 November
Box 144 Folder 5 Night Must Fall, photographs (10), 1940 December
Box 5 Folder 41 Night Must Fall, schedule, 1940 December
Box 5 Folder 42 Night Must Fall, programs, 1940 December
Box 144 Folder 6 The Admirable Crichton, photographs (12), 1941 January
Box 5 Folder 43 The Admirable Crichton, programs, 1941 January
Box 144 Folder 7 The Swan, photographs (14), 1941 February-March
Box 5 Folder 44 The Swan, programs, 1941 February-March
Box 144 Folder 8 The Silver Cord, photographs (11), 1941 March-April
Box 5 Folder 46 The Silver Cord, programs, 1941 March-April
Box 5 Folder 45 The Silver Cord, rehearsal and performance schedule, 1941
Box 144 Folder 9 Three Sisters, photographs (21), 1941 April-May
Box 193 Folder 1 Three Sisters, photographs (1), 1941 April-May
Box 5 Folder 47 Three Sisters, programs, 1941 April-May
Box 144 Folder 10 The Youngest, photographs (7), 1941 May
Box 5 Folder 48 The Youngest, programs, 1941 May
Box 5 Folder 49 Studio - Finished, programs, 1940 November 29
Box 5 Folder 50 Studio - Tonight at 8:30: Ways and Means, Still Life and Fumed Oak, costumes, 1941 March 22
Box 5 Folder 51 Studio - Forced Landing, program, 1941 April 26
Box 5 Folder 52 Studio - Three One-Act Plays: O'Flaherty,Riders to the Sea and The Twelve-Pound Look, programs, 1941 May 9
Box 5 Folder 53 Studio - The Far Off Hills, programs, 1941 May 17
Box 5 Folder 54 Studio - Let Us Be Gay, program, 1941 May 23
Box 5 Folder 55 Studio - Double Door, programs, 1941 May 29
Box 5 Folder 56 Studio - Ghosts, programs, 1941 June 6
Box 5 Folder 57 Studio - Hay Fever, programs, 1941 June 13
Box 145 Folder 1 Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (8), 1940 October
Box 193 Folder 1 Children’s Theatre - Aladdin and His Wonderful Lamp, negative (1), 1940 October
Box 5 Folder 58 Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1940 October
Box 5 Folder 59 Children’s Theatre - Red Riding Hood, programs, 1940 December-1941 February
Box 145 Folder 2 Children’s Theatre - Abe Lincoln: New Salem Days, photographs (3), 1941 February-March
Box 5 Folder 60 Children’s Theatre - Abe Lincoln: New Salem Days, programs, 1941 February-March
Box 145 Folder 3 Children’s Theatre - Sleeping Beauty, photographs (8), negatives (3), 1941 March-April
Box 5 Folder 62 Children’s Theatre - Sleeping Beauty, programs, 1941 March-April
Box 5 Folder 61 Children’s Theatre - Sleeping Beauty, rehearsal and performance schedule, 1941
Box 5 Folder 63 Special Events - Agnes de Mille and Her Ensemble, programs, 1940 October-November
Box 145 Folder 4 Special Events - The Graff Ballet, photographs (3), includes Grace and Kurt Graff, 1941 February

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries Q: 1941-1942 Season, 1941-1942

Arrangement

Subseries Q is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 145 Folder 5 Fresh Fields, photographs (11), negative (1), 1941 October
Box 6 Folder 1 Fresh Fields, programs, 1941 October
Box 145 Folder 6 Outward Bound, photographs (8), negative (1), 1941 November
Box 6 Folder 2 Outward Bound, programs, 1941 November
Box 145 Folder 7 Hay Fever, photographs (10), 1941 November
Box 193 Folder 1 Hay Fever, photograph (1), 1941 November
Box 6 Folder 3 Hay Fever, programs, 1941 November
Box 145 Folder 8 Yes, My Darling Daughter, photographs (5), 1941 December
Box 6 Folder 4 Yes, My Darling Daughter, programs, 1941 December
Box 145 Folder 9 Right You Are, photographs (6), 1942 January
Box 193 Folder 2 Right You Are, photographs (1), 1942 January
Box 6 Folder 5 Right You Are, programs, 1942 January
Box 145 Folder 10 In a Garden, photographs (9), 1942 February
Box 145 Folder 11 The Romantic Young Lady, photographs (6), 1941-1942
Box 193 Folder 2 The Romantic Young Lady, photograph (1), 1941-1942
Box 145 Folder 12 Romeo and Juliet, photographs (14), 1942 April-May
Box 193 Folder 2 Romeo and Juliet, photograph (1), 1942 April-May
Box 6 Folder 6 Romeo and Juliet, programs, 1942 April-May
Oversize Folder 2   Romeo and Juliet, set designs, watercolor rendering, 1942
Box 146 Folder 1 The Farmer’s Wife, photographs (10), 1942 May
Box 6 Folder 8 The Farmer's Wife, programs, 1942 May
Box 6 Folder 9 Studio - Old Acquaintance, programs, 1941 October 24
Box 6 Folder 10 Studio - Drawing Room, programs, [1941]
Box 6 Folder 11 Studio - Pillars of Society, programs, 1941 December 11
Box 6 Folder 12 Studio - The Distaff Side, programs, 1942 February 14
Box 6 Folder 13 Studio - Ladies in Retirement, programs, 1942 February
Box 6 Folder 14 Studio - The Old Ladies, programs, [1942]
Box 6 Folder 15 Studio - Beyond the Horizon, programs, 1942 May 6
Box 6 Folder 16 Studio - Ladies of the Jury, programs, 1942 May
Box 6 Folder 17 Studio - Nine Til Six, programs, 1942 June 9
Box 146 Folder 2 Children’s Theatre - Hansel and Gretel, photographs (5), 1941 October-December
Box 6 Folder 18 Children’s Theatre - Hansel and Gretel, programs, 1941 October 25-December 13
Box 6 Folder 19 Children’s Theatre - The Three Bears, programs, 1941 December-1942 February
Box 146 Folder 3 Children’s Theatre - Huckleberry Finn, photographs (10), 1942 January-March
Box 193 Folder 2 Children’s Theatre - Huckleberry Finn, photograph (1), 1942 January-March
Box 6 Folder 20 Children’s Theatre - Huckleberry Finn, programs, 1942 January-March
Box 146 Folder 4 Children’s Theatre - The Squire’s Bride, photographs (11), [1942]
Box 6 Folder 21 Children’s Theatre - The Squire's Bride, programs, [1942]
Box 6 Folder 22 Special Events - Hanya Holm and Dance Company, programs, 1941 October

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries R: 1942-1943 Season, 1942-1943

Arrangement

Subseries R is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 146 Folder 5 George Washington Slept Here, photographs (5), 1942 October
Box 6 Folder 23 George Washington Slept Here, programs, 1942 October
Box 146 Folder 6 The Black Eye, photographs (6), negative (1), 1942 November
Box 6 Folder 24 The Black Eye, programs, 1942 November
Box 146 Folder 7 The Late Christopher Bean, photographs (6), 1943 January
Box 6 Folder 25 The Late Christopher Bean, programs, 1943 January
Box 146 Folder 8 There’s Always Juliet, photographs (4), 1943 January-February
Box 6 Folder 26 There's Always Juliet, programs, 1943 January-February
Box 146 Folder 9 The Importance of Being Earnest by Oscar Wilde, photographs (6), 1942-1943
Box 146 Folder 10 Old Acquaintance, photographs (7), 1943 February
Box 6 Folder 27 Old Acquaintance, programs, 1943 February
Box 146 Folder 13 Letters to Lucerne, photographs (7), 1943 March
Box 6 Folder 28 Letters to Lucerne, programs, 1943 March
Box 146 Folder 11 The Shining Hour, photographs (6), 1943 April-May
Box 6 Folder 29 The Shining Hour, programs, 1943 April-May
Box 146 Folder 12 The Dover Road, photographs (10), 1943 May
Box 6 Folder 30 The Dover Road, programs, 1943 May 13-26
Box 6 Folder 31 Studio - Letters to Lucerne, programs, 1942 December 4
Box 6 Folder 32 Studio - Sweet Aloes, programs, 1942 December 11
Box 6 Folder 33 Studio - The Lady Who Came to Stay, programs, 1943 February 16
Box 6 Folder 34 Studio - Nine Till Six, programs, 1943 May 5
Box 6 Folder 35 Studio - Claudia, programs, 1943 May 15
Box 6 Folder 36 Studio - Three One­-Act Plays: Riders to the Sea, The Violet, These Small Things, programs, 1943 May 28
Box 6 Folder 37 Studio - Cradle Song, programs, 1943 June 3-4
Box 146 Folder 14 Children’s Theatre - Alice’s New Wonderland, photographs (6), 1942 October-December
Box 6 Folder 38 Children’s Theatre - Alice's New Wonderland, programs, 1942 October-December
Box 146 Folder 15 Children’s Theatre - The Magic Horn, photographs (5), negative (1), 1942 December-1943 January
Box 6 Folder 39 Children’s Theatre - The Magic Horn, programs, 1942 December-1943 January
Box 147 Folder 1 Children’s Theatre - Little Black Sambo, photographs (5), 1943 January-March
Box 6 Folder 40 Children’s Theatre - Little Black Sambo, programs, 1943 January-March
Box 147 Folder 2 Children’s Theatre - The Elves and the Shoemaker, photographs (7), 1943 March-May
Box 6 Folder 41 Children’s Theatre - The Elves and the Shoemaker, programs, 1943 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries S: 1943-1944 Season, 1943-1944

Arrangement

Subseries S is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 147 Folder 3 Three-Cornered Moon, photographs (6), 1943 October
Box 193 Folder 2 Three-Cornered Moon, photograph (1), 1943 October
Box 6 Folder 42 Three-Cornered Moon, programs, 1943 October
Box 147 Folder 4 The Little Foxes, photographs (2), negative (1), 1943 November
Box 193 Folder 2 The Little Foxes, photographs (3), 1943 November
Box 6 Folder 43 The Little Foxes, programs, 1943 November
Box 147 Folder 5 The Tiding Brought to Mary, photographs (5), 1943 December
Box 6 Folder 44 The Tidings Brought to Mary, programs, 1943 December
Box 147 Folders 6 The Whiteheaded Boy, photograph (1), 1944 January-February
Box 193 Folder 2 The Whiteheaded Boy, photographs (4), 1944 January-February
Box 6 Folder 45 The Whiteheaded Boy, programs, 1944 January-February
Box 6 Folder 46 Ah, Wilderness! programs, 1944 February-March
Box 193 Folder 3 Mr. Pim Passes By, photographs (6), 1944 March-April
Box 6 Folder 47 Mr. Pim Passes By, programs, 1944 March-April
Box 193 Folder 3 King Lear, photographs (3), includes David Itkin, 1944 April-May
Box 6 Folder 48 King Lear, programs, 1944 April-May
Box 193 Folder 3 What a Life, photographs (5), 1944 May
Box 6 Folder 49 What a Life, programs, 1944 May
Box 6 Folder 50 Studio - Russet Mantle, programs, 1943 December 14
Box 6 Folder 51 Studio - Cry Havoc, programs, 1944 February 16
Box 6 Folder 52 Studio - Girls in Uniform, programs, 1944 May 2
Box 6 Folder 53 Studio - Craig's Wife, programs, 1944 May 19
Box 6 Folder 54 Studio - The First Mrs. Fraser, programs, 1944 June 1
Box 6 Folder 55 Children’s Theatre - promotional material, 1943-1944
Box 147 Folder 7 Children’s Theatre - Beauty and the Beast, photograph (1), negatives (3), 1943 October-December
Box 193 Folder 4 Children’s Theatre - Beauty and the Beast, photographs (5), includes Shelley Berman and Geraldine Page, 1943 October-December
Box 6 Folder 56 Children’s Theatre - Beauty and the Beast, programs, 1943 October-December
Box 193 Folder 4 Children’s Theatre - Radio Rescue, photograph (1), 1943 December-1944 January
Box 6 Folder 57 Children’s Theatre - Radio Rescue, programs, 1943 December-1944 January
Box 147 Folder 8 Children’s Theatre - The Snow Maiden, negative (1), 1944 February-March
Box 193 Folder 4 Children’s Theatre - The Snow Maiden, photographs (5), 1944 February-March
Box 6 Folder 58 Children’s Theatre - The Snow Maiden, programs, 1944 February-March
Box 193 Folder 5 Children’s Theatre - Jack and the Beanstalk, photographs (3), 1944 April-May
Box 6 Folder 59 Children’s Theatre - Jack and the Beanstalk, program, 1944 April-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries T: 1944-1945 Season, 1944-1945

Arrangement

Subseries T is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 147 Folder 9 Accent on Youth, negative (1), 1944 October
Box 193 Folder 5 Accent on Youth, photograph (1), 1944 October
Box 7 Folder 1 Accent on Youth, programs, 1944 October
Box 147 Folder 10 The Sea Gull, photographs (2), negative (1), 1944 November
Box 193 Folder 5 The Sea Gull, photographs (3), 1944 November
Box 7 Folder 2 The Sea Gull, programs, 1944 November
Box 7 Folder 3 The Sea Gull, program from performance in memory of Mrs. William Owen Goodman, 1944 November 2
Box 147 Folder 11 You Can’t Take It with You, negatives (2), 1944 November-December
Box 193 Folder 5 You Can’t Take It with You, photographs (4), 1944 November-December
Box 7 Folder 4 You Can't Take It with You, programs, 1944 November-December
Box 147 Folder 12 Craig’s Wife, photographs (2), 1945 January
Box 193 Folder 6 Craig’s Wife, photographs (2), 1945 January
Box 7 Folder 5 Craig's Wife, programs, 1945 January
Box 147 Folder 13 Wappin’ Wharf, photograph (1), 1945 February
Box 193 Folder 6 Wappin’ Wharf, photograph (1), 1945 February
Box 7 Folder 6 Wappin' Wharf, programs, 1945 February
Box 7 Folder 7 Winterset, programs, 1945 March
Box 147 Folder 14 Hedda Gabler, photographs (7), 1945 April
Box 7 Folder 8 Hedda Gabler, programs, 1945 April
Box 7 Folder 9 Another Language, programs, 1945 May
Box 7 Folder 10 Studio - Ladies in Waiting, programs, 1944 December 12
Box 7 Folder 11 Studio - Hotel Universe, programs, 1945 May 29
Box 7 Folder 12 Studio - The Distaff Side, program, 1944 December 2
Box 7 Folder 13 Studio - Fresh Fields, program, 1945 April 28
Box 7 Folder 14 Studio - Brief Music, program, 1945 March 15
Box 7 Folder 15 Studio - Nine Till Six, program, 1945 May 9
Box 7 Folder 16 Studio - Night Must Fall, program, 1945 June 7
Box 193 Folder 6 Children’s Theatre - Hiawatha, photographs (2), 1944 October-December
Box 7 Folder 17 Children’s Theatre - Hiawatha, programs, 1944 October-December
Box 147 Folder 15 Children’s Theatre - The Emperor’s New Clothes, photograph (1), 1944 December-1945 January
Box 194 Folder 1 Children’s Theatre - The Emperor’s New Clothes, photograph (1), 1944 December-1945 January
Box 7 Folder 18 Children’s Theatre - The Emperor's New Clothes, programs, 1944 December-1945 January
Box 193 Folder 6 Children’s Theatre - King Midas and the Golden Touch, photographs (3), 1945 January-March
Box 7 Folder 19 Children’s Theatre - King Midas and the Golden Touch, programs, 1945 January-March
Box 7 Folder 20 Children’s Theatre - Cinderella, programs, 1945 March-May
Box 147 Folder 16 Children’s Theatre - Pedro and the Fighting Cocks, photographs (7), negative (1), 1945 May-June
Box 7 Folder 21 Children’s Theatre - Pedro and the Fighting Cocks, programs, 1945 May-June

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries U: 1945-1946 Season, 1945-1946

Arrangement

Subseries U is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 193 Folder 6 The Philadelphia Story, photographs (4), 1945 October
Box 7 Folder 22 The Philadelphia Story, programs, 1945 October
Box 194 Folder 1 The Skin of Our Teeth, photograph (1), 1945 November
Box 7 Folder 23 The Skin of Our Teeth, programs, 1945 November
Box 194 Folder 1 Blithe Spirit, photographs (2), 1945 November-December
Box 7 Folder 24 Blithe Spirit, programs, 1945 November-December
Box 147 Folder 17 Heartbreak House, photographs (9), negative (1), 1946 January
Box 7 Folder 25 Heartbreak House, programs, 1946 January
Box 147 Folder 18 The Taming of the Shrew, photographs (8), 1946 February
Box 7 Folder 26 The Taming of the Shrew, programs, 1946 February
Box 147 Folder 49 Claudia, photographs (5), 1946 March
Box 7 Folder 27 Claudia by Rose Franken, programs, 1946 March
Box 7 Folder 28 Let Us Be Gay, programs, 1946 May
Box 147 Folder 20 John Ferguson, photographs (4), 1946
Box 7 Folder 29 Studio - Guest in the House, programs, 1945 November 17
Box 7 Folder 30 Studio - The Trial of Mary Dugan, programs, 1945 December 14
Box 7 Folder 31 Studio - The Male Animal, programs, 1946 March 16
Box 7 Folder 32 Studio - The Good Hope, programs, 1946 April 16
Box 7 Folder 33 Studio - The Distaff Side, programs, 1946 May 9
Box 7 Folder 34 Studio - As You Like It, programs, 1946 June 6
Box 147 Folder 21 Children’s Theatre - Rumpelstiltskin, photographs (2), 1945 October-December
Box 194 Folder 1 Children’s Theatre - Rumpelstiltskin, photographs (2), 1945 October-December
Box 7 Folder 36 Children’s Theatre - Rumpelstiltskin,programs, 1945 October-December
Box 7 Folder 35 Children’s Theatre - Rumpelstiltskin, promotional material, 1945 October-December
Box 147 Folder 22 Children’s Theatre - Paul Bunyan’s First Christmas, photographs (2), 1945 December-1946 January
Box 7 Folder 37 Children’s Theatre - Paul Bunyan's First Christmas, programs, 1945 December-1946 January
Box 1547 Folder 23 Children’s Theatre - Tom Sawyer, photographs (3), negative (1) [1946]
Box 7 Folder 38 Children’s Theatre - Tom Sawyer, programs, [1946]
Box 147 Folder 24 Children’s Theatre - Little Lee Bobo, photographs (3), 1946 March-May
Box 7 Folder 40 Children’s Theatre - Little Lee Bobo, programs, 1946 March-May
Box 7 Folder 39 Children’s Theatre - Little Lee Bobo, promotional material, 1946 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries V: 1946-1947 Season, 1946-1947

Arrangement

Subseries V is arranged chronologically beginning with mainstage productions followed by children’s productions. The number of images with the same description is indicated in parentheses.

Box 148 Folder 1 The Male Animal, photographs (7), 1946 October
Box 8 Folder 1 The Male Animal, programs, 1946 October
Box 148 Folder 2 Saint Joan, photographs (4), 1946 November
Box 8 Folder 2 Saint Joan, programs, 1946 November
Box 8 Folder 3 The Far-Off Hills, programs, 1946 December
Box 148 Folder 3 French Without Tears, photographs (9), 1947 January
Box 8 Folder 4 French Without Tears, programs, 1947 January
Box 148 Folder 4 Othello, photograph (1), 1947 February
Box 8 Folder 5 Othello, program, 1947 February
Box 148 Folder 5 End of Summer, photographs (9), 1947 February
Box 8 Folder 6 End of Summer, programs, 1947 February
Box 8 Folder 7 Yerma, programs, 1947 April
Box 148 Folder 6 The Royal Family, photographs (4), 1947 May
Box 8 Folder 8 The Royal Family, programs, 1947 May
Box 8 Folder 9 Studio - Laburnum Grove, programs, 1946 November 13
Box 8 Folder 10 Studio - A Bill of Divorcement, programs, 1946 December 7
Box 8 Folder 11 Studio - Holiday, programs, 1947 February 8
Box 8 Folder 12 Studio - The Father, programs, [1946-1947]
Box 8 Folder 13 Studio - Mr. Pim Passes By, programs, [1946-1947]
Box 8 Folder 14 Studio - The Circle, programs, 1947 May 10
Box 8 Folder 15 Studio - Ghosts, programs, [1946-1947]
Box 8 Folder 16 Studio - Three Plays of the Sea by Eugene O'Neill: Bound East for Cardiff, In the Zone, and The Long Voyage Home, programs, [1946-1947]
Box 148 Folder 7 Children’s Theatre - The Twelve Dancing Princesses, photographs (2), 1946 October-December
Box 8 Folder 17 Children’s Theatre - The Twelve Dancing Princesses, programs, 1946 October-December
Box 8 Folder 18 Children’s Theatre - Sleeping Beauty, programs, 1946 December-1947 January
Box 148 Folder 8 Children’s Theatre - Red Riding Hood, photographs (2), negative (1), 1947 February-March
Box 8 Folder 19 Children’s Theatre - Red Riding Hood, programs, 1947 February-March
Box 148 Folder 9 Children’s Theatre - The Prince and the Pauper, photographs (6), [1946-1947]
Box 8 Folder 20 Children’s Theatre - The Prince and the Pauper, programs, [1946-1947]

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries W: 1947-1948 Season, 1947-1948

Arrangement

Subseries W is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 148 Folder 10 Dear Ruth, photographs (7), 1947 October
Box 8 Folder 21 Dear Ruth, programs, 1947 October
Box 148 Folder 11 Shadow and Substance, photographs (10), 1947 November
Box 8 Folder 22 Shadow and Substance, programs, 1947 November
Box 148 Folder 12 The Show-Off, photographs (9), 1947 December
Box 8 Folder 23 The Show-Off, programs, 1947 December
Box 148 Folder 13 Macbeth, photographs (5), 1948 January
Box 194 Folder 1 Macbeth, photographs (2), 1948 January
Box 8 Folder 24 Macbeth, program, 1948 January
Box 148 Folder 14 The Man Who Came to Dinner, photographs (9), 1948 February
Box 8 Folder 25 The Man Who Came to Dinner, programs, 1948 February
Box 148 Folder 15 The Wild Duck, photographs (8), 1948 March
Box 8 Folder 26 The Wild Duck, programs, 1948 March
Box 148 Folder 16 The Chief Thing, photographs (8), 1948 April
Box 8 Folder 27 The Chief Thing, programs, 1948 April
Box 149 Folder 1 The Enchanted April, photographs (10), negative (1), 1948 May
Box 8 Folder 28 The Enchanted April, programs, 1948 May
Box 8 Folder 29 Three One-Act Plays: Brothers, On the High Road and Autumn Fires, programs, [1947-1948]
Box 8 Folder 30 Three One-Act Plays: Cloey, Quare Medicine and Ile, programs, [1947-1948]
Box 8 Folder 31 Studio - My Heart's in the Highlands, programs, 1947 December 12
Box 8 Folder 32 Studio - Three Cornered Moon, programs, 1948 March 12
Box 8 Folder 33 Studio - Time and the Conways, program, 1948 April 6
Box 8 Folder 34 Studio - Outward Bound, program, 1948 April 13
Box 8 Folder 35 Studio - The Dover Road, program, 1948 April 23
Box 8 Folder 36 Studio - Twelfth Night, programs, 1948 May 25
Box 8 Folder 37 Studio - Liliom, programs, 1948 June 4
Box 149 Folder 2 Children’s Theatre - The Return of Rip Van Winkle, photographs (7), 1947 October-December
Box 8 Folder 38 Children’s Theatre - The Return of Rip Van Winkle, program, 1947 October-December
Box 8 Folder 39 Children’s Theatre - The Three Bears, program, 1947 December-1948 January
Box 149 Folder 3 Children’s Theatre - The Squire’s Bride, photographs (4), 1948 January-March
Box 8 Folder 40 Children’s Theatre - The Squire's Bride, program, 1948 January-March
Box 149 Folder 4 Children’s Theatre - Flibbertygibbet, photographs (14), 1948 March-May
Box 8 Folder 41 Children’s Theatre - Flibbertygibbet, programs, 1948 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries X: 1948-1949 Season, 1948-1949

Arrangement

Subseries X is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 149 Folder 5 Arsenic and Old Lace, photographs (5), 1948 October
Box 8 Folder 42 Arsenic and Old Lace, program, 1948 October
Box 8 Folder 43 The Father, programs, 1948 November
Box 149 Folder 6 Major Barbara, photographs (2), negative (1), 1948 December
Box 194 Folder 1 Major Barbara, photographs (4), 1948 December
Box 8 Folder 44 Major Barbara, programs, 1948 December
Box 194 Folder 2 The Circle, photographs (14), 1949 January
Box 8 Folder 45 The Circle, programs, 1949 January
Box 194 Folder 3 Henry IV, Part I, photographs (10), 1949 February-March
Box 8 Folder 46 Henry IV, Part I, programs, 1949 February-March
Box 194 Folder 3 A Sound of Hunting, photographs (5), includes Harvey Korman, 1949 March
Box 8 Folder 47 A Sound of Hunting, 1949 March
Box 194 Folder 4 George and Margaret, photographs (10), 1949 April
Box 8 Folder 48 George and Margaret, programs, 1949 April
Box 149 Folder 7 The Return to Earth, negative (1), 1949 May
Box 194 Folder 5 The Return to Earth, photographs (15), 1949 May
Box 8 Folder 49 The Return to Earth, program, 1949 May
Box 8 Folder 50 Studio -Yes, My Darling Daughter, program, 1948 October 30
Box 8 Folder 51 Studio -Dear Brutus, programs, 1949 January 28
Box 8 Folder 52 Studio -The Glass Menagerie, program, 1949 February 25
Box 8 Folder 53 Studio -All My Sons, program, 1949 March 8
Box 8 Folder 54 Studio -The Linden Tree, program, 1949 March 18
Box 8 Folder 55 Studio -The Silver Cord, program, [1948-1949]
Box 8 Folder 56 Studio -Fresh Fields, program, 1949 April 5
Box 8 Folder 57 Studio -Hay Fever, program, 1949 April 14
Box 8 Folder 58 Studio -Petticoat Fever, program, 1949 April 23
Box 8 Folder 59 Studio - Four One-Act Plays: Quare Medicine, The Dark Lady of the Sonnet,The Rehearsal and The Flattering Word, program, [1948-1949]
Box 8 Folder 60 Studio -Hedda Gabler, program, 1949 May 13
Box 8 Folder 61 Studio -John Ferguson, programs, 1949 May 20
Box 8 Folder 62 Studio -The Corn is Green, program, 1949 May 27
Box 8 Folder 63 Studio -Arms and the Man, programs, 1949 June 7
Box 194 Folder 6 Children’s Theatre -Alice in Wonderland, photographs (3), 1948 October-1949 January
Box 8 Folder 64 Children’s Theatre -Alice in Wonderland, programs, 1948 October-1949 January
Box 149 Folder 8 Children’s Theatre -Hans Brinker and the Silver Skates, photograph (1), 1949 January-March
Box 194 Folder 6 Children’s Theatre -Hans Brinker and the Silver Skates, photographs (3), 1949 January-March
Box 8 Folder 65 Children’s Theatre -Hans Brinker and the Silver Skates, program, 1949 January-March
Box 149 Folder 9 Children’s Theatre -The Elves and the Shoemaker, photograph (1), 1949 March-June
Box 194 Folder 6 Children’s Theatre -The Elves and the Shoemaker, photographs (7), 1949 March-June
Box 8 Folder 66 Children’s Theatre -The Elves and the Shoemaker, program, 1949 March-June

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries Y: 1949-1950 Season, 1949-1950

Arrangement

Subseries Y is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 9 Folder 1 Memos, reservations, 1949-1950
Box 149 Folder 10 The First Lady, negative (1), 1949 September-October
Box 194 Folder 7 The First Lady, photographs (9), includes Harvey Korman, 1949 September-October
Box 9 Folder 2 The First Lady, programs, 1949 September-October
Box 149 Folder 11 Joan of Lorraine, photographs (8), negative (1), 1949 November
Box 9 Folder 3 Joan of Lorraine, programs, 1949 November
Box 149 Folder 12 Candida, photographs (10), 1949 December
Box 9 Folder 4 Candida, programs, 1949 December
Box 149 Folders 13 Dark of the Moon, photographs (4), 1950 January
Box 9 Folder 5 Dark of the Moon, programs, 1950 January
Box 149 Folder 14 Hamlet, photographs (9), negatives (2), contact sheets (2) includes Harvey Korman, 1950 February-March
Box 194 Folder 7 Hamlet, photograph (1), 1950 February-March
Box 9 Folder 6 Hamlet, programs, 1950 February-March
Box 149 Folder 15 Goodbye Again, photographs (5), contact sheet (1), 1950 March
Box 195 Folder 1 Goodbye Again, photograph (1), 1950 March
Box 9 Folder 7 Goodbye Again, programs, 1950 March
Box 149 Folder 16 All My Sons, photographs (8), 1950 April
Box 194 Folder 7 All My Sons, photograph (1), 1950 April
Box 9 Folder 8 All My Sons, programs, 1950 April
Box 149 Folder 17 Jason, photographs (3), contact sheets (2), 1950 May
Box 195 Folder 1 Jason, photographs (2), 1950 May
Box 9 Folder 9 Jason, program, 1950 May
Box 150 Folder 1 Studio - Three Irish One-Act Plays: In the Shadow of the Glen, The Pot of Broth andSpreading the Word, photographs (3), 1949 October
Box 9 Folder 10 Studio - Three Irish One-Act Plays: In the Shadow of the Glen, The Pot of Broth andSpreading the Word, programs, 1949 October 18
Box 150 Folder 2 Studio - The Philadelphia Story, photograph (1), 1949 October
Box 9 Folder 11 Studio - The Philadelphia Story, programs, 1949 October 25
Box 9 Folder 12 Studio - An Inspector Calls, programs, 1949 November 2
Box 160 Folder 4 Studio - An Inspector Calls, photograph (1), contact sheets (2) 1949
Box 150 Folder 3 Studio - Three One-Act Plays by Eugene O'Neill: In the Zone, The Long Voyage Home and The Moon of the Caribbees, photographs (2), 1949 November 12
Box 9 Folder 13 Studio - Three One-Act Plays by Eugene O'Neill: In the Zone, The Long Voyage Home and The Moon of the Caribbees, programs, 1949 November 12
Box 150 Folder 4 Studio - The Master Builder, photographs (2), 1949 November 22
Box 9 Folder 14 Studio - The Master Builder, programs, 1949 November 22
Box 150 Folder 5 Studio - The Distaff Side, photographs (2), 1949 December 3
Box 9 Folder 15 Studio - The Distaff Side, programs, 1949 December 3
Box 150 Folder 6 Studio - Tartuffe or The Imposter, photographs (12), 1949 December 13
Box 9 Folder 16 Studio - Tartuffe, or The Imposter, programs, 1949 December 13
Box 9 Folder 17 Studio - Ladies in Retirement, programs, 1950 January 19
Box 150 Folder 7 Studio - The Male Animal, photographs (5), 1950 January 31
Box 9 Folder 18 Studio - The Male Animal, programs, 1950 January 31
Box 150 Folder 8 Studio - Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, The Shewing Up of Blanco Posnet andO'Flaherty V.C., photographs (6), contact sheet (1), 1950 February 8
Box 9 Folder 19 Studio - Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, The Shewing Up of Blanco Posnet andO'Flaherty V.C., programs, 1950 February 8
Box 150 Folder 9 Studio - Three One-Act Plays: The Happy Journey, Hello Out There and The Boor, photographs (5), 1950 February 18
Box 9 Folder 20 Studio - Three One-Act Plays: The Happy Journey, Hello Out There and The Boor, programs, 1950 February 18
Box 150 Folder 10 Studio - Another Part of the Forest, photograph (1), 1950 February 28
Box 9 Folder 21 Studio - Another Part of the Forest, programs, 1950 February 28
Box 150 Folder 11 Studio - Home is Tomorrow, photographs (2), contact sheets (4), 1950 March 11
Box 9 Folder 22 Studio - Home is Tomorrow, programs, 1950 March 11
Box 150 Folder 12 Studio - Hotel Universe, photographs (3), contact sheets (2), 1950 March 25
Box 9 Folder 23 Studio - Hotel Universe, programs, 1950 March 25
Box 150 Folder 13 Studio - The Old Ladies, photographs (2), contact sheet (1), 1950 March 31
Box 9 Folder 24 Studio - The Old Ladies, programs, 1950 March 31
Box 150 Folder 14 Studio - Rocket to the Moon, photographs (4), contact sheets (2), 1950 April 15
Box 9 Folder 25 Studio - Rocket to the Moon, programs, 1950 April 15
Box 150 Folder 15 Studio - The Torch-Bearers, photographs (3), 1950 April 26
Box 9 Folder 26 Studio - The Torch-Bearers, programs, 1950 April 26
Box 150 Folder 16 Studio - Antigone, photographs (6), contact sheets (3), 1950 May 4
Box 9 Folder 27 Studio - Antigone, programs, 1950 May 4
Box 9 Folder 28 Studio - The Little Foxes, programs, 1950 May 16
Box 150 Folder 17 Studio - Shadow and Substance, photographs (5), contact sheets (2), 1950 May 25
Box 9 Folder 29 Studio - Shadow and Substance, programs, 1950 May 25
Box 9 Folder 30 Studio - Pygmalion, programs, 1950 June 2
Box 150 Folder 18 Studio - Six Characters in Search of an Author, photographs (5), contact sheet (1), 1950 June 7
Box 9 Folder 31 Studio - Six Characters in Search of an Author, programs, 1950 June 7
Box 150 Folder 19 Children’s Theatre - Marco Polo and the Drum of Ahmad, photographs (8), 1949 October-December
Box 9 Folder 32 Children’s Theatre - Marco Polo and the Drum of Ahmad, programs, 1949 October-December
Box 150 Folder 20 Children’s Theatre - The Indian Captive, photographs (10), 1949 December-1950 January
Box 9 Folder 33 Children’s Theatre - The Indian Captive, programs, 1949 December-1950 January
Box 9 Folder 34 Children’s Theatre - King Midas and the Golden Touch, programs, 1950 February-March
Box 150 Folder 21 Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (3), contact sheets (2), 1950 April-May
Box 195 Folder 1 Children’s Theatre - Aladdin and His Wonderful Lamp, photograph (1), 1950 April-May
Box 9 Folder 35 Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1950 April-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries Z: 1950-1951 Season, 1950-1951

Arrangement

Subseries Z is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 9 Folder 36 Promotional material,1950-1951
Box 152 Folder 5 Unidentified rehearsals, photographs (6), 1950-1951
Box 151 Folder 1 The Voice of the Turtle, photographs (7), negative (1), contact sheets (2), 1950 September-October
Box 9 Folder 37 The Voice of the Turtle, programs, 1950 September-October
Box 151 Folder 2 The Moon Besieged, photographs (18), contact sheets (5), 1950 November
Box 195 Folder 1 The Moon Besieged, photographs (2), 1950 November
Box 151 Folder 3 The Moon Besieged, rehearsal photographs (41), contact sheets (2), 1950 November
Box 9 Folder 38 The Moon Besieged, programs, 1950 November
Box 151 Folder 4 Dear Brutus, photographs (10), contact sheets (2), 1950 November-December
Box 195 Folder 1 Dear Brutus, photographs (2), 1950 November-December
Box 9 Folder 39 Dear Brutus, programs, 1950 November-December
Box 152 Folder 1 Street Scene, photographs (10), contact sheets (3), 1951 January
Box 9 Folder 40 Street Scene, programs, 1951 January
Box 152 Folder 2 Twelfth Night, photographs (8), negative (1), contact sheets (2), includes Allen Burns, Bejay Clark, Edward Labuz, Phil Lawrence, Ward W. Ohrman, John Pesich and William Shankweiller, 1951 February-March
Box 195 Folder 2 Twelfth Night, photographs (4), 1951 February-March
Box 9 Folder 41 Twelfth Night, programs, 1951 February-March
Box 152 Folder 3 The House of Bernarda Alba, photographs (2), contact sheets (3), 1951 March
Box 195 Folder 2 The House of Bernarda Alba, photographs (5), 1951 March
Box 9 Folder 42 The House of Bernarda Alba, programs, 1951 March
Box 9 Folder 43 Pygmalion, programs, 1951 April
Box 152 Folder 4 Goodbye, My Fancy, photographs (8), contact sheets (3), 1951 May
Box 9 Folder 44 Goodbye, My Fancy, programs, 1951 May
Box 152 Folder 6 Studio - Blithe Spirit, photographs (4), contact sheets (2), 1950 November 4
Box 195 Folder 2 Studio - Blithe Spirit, photograph (1), 1950 November 4
Box 9 Folder 45 Studio - Blithe Spirit, programs, 1950 November 4
Box 152 Folder 7 Studio - Golden Boy, photographs (5), contact sheets (2), 1950 November 18
Box 9 Folder 46 Studio - Golden Boy, programs, 1950 November 18
Box 152 Folder 8 Studio - Three One-Act Plays: The Talkative Barber, Parade at Devil's Bridge, Aria Da Capo, photographs (3), contact sheets (4), 1950 December 2
Box 195 Folder 2 Studio - Three One-Act Plays: The Talkative Barber, Parade at Devil's Bridge, Aria Da Capo, photographs (1), 1950 December 2
Box 9 Folder 47 Studio - Three One-Act Plays: The Talkative Barber, Parade at Devil's Bridge, Aria Da Capo, programs, 1950 December 2
Box 152 Folder 9 Studio - Our Town, photographs (4), contact sheets (2), 1950 December 8
Box 9 Folder 48 Studio - Our Town, programs, 1950 December 8
Box 152 Folder 10 Studio - Thunder Rock, photographs (5), contact sheets (3), 1951 April 5
Box 9 Folder 49 Studio - Thunder Rock, programs, 1951 April 5
Box 152 Folder 11 Studio - Biography, photographs (5), contact sheets (2), includes Tim O’Connor, 1951 February 1
Box 9 Folder 50 Studio - Biography, programs, 1951 February 1
Box 152 Folder 12 Studio - I Have Been Here Before, photograph (1), contact sheet (1), includes Theoni Vachlioti Aldredge, 1951 February 13
Box 9 Folder 51 Studio - I Have Been Here Before, programs, 1951 February 13
Box 9 Folder 52 Studio - The Adding Machine, programs, 1951 February 28
Box 152 Folder 13 Studio - Of Mice and Men, photographs (6), contact sheets (2), 1951 March 10
Box 9 Folder 53 Studio - Of Mice and Men, programs, 1951 March 10
Box 152 Folder 14 Studio - Venus Observed, photographs (5), contact sheets (2), 1951 March 21
Box 9 Folder 54 Studio - Venus Observed, programs, 1951 March 21
Box 153 Folder 1 Studio - Oedipus, King of Thebes, photographs (4), contact sheets (2), 1951 April 17
Box 195 Folder 3 Studio - Oedipus, King of Thebes, photographs (1), 1951 April 17
Box 9 Folder 55 Studio - Oedipus, King of Thebes, programs, 1951 April 17
Box 153 Folder 2 Studio - Watch on the Rhine, photographs (3), contact sheet (1), 1951 April 28
Box 195 Folder 3 Studio - Watch on the Rhine, photograph (1), 1951 April 28
Box 9 Folder 56 Studio - Watch on the Rhine, programs, 1951 April 28
Box 153 Folder 3 Studio - Rain, photograph (1), 1951 May 9
Box 9 Folder 57 Studio - Rain, programs, 1951 May 9
Box 153 Folder 4 Studio - The Infernal Machine, photographs (2), contact sheets (3), [1951]
Box 195 Folder 3 Studio - The Infernal Machine, photographs (2), 1951
Box 9 Folder 58 Studio - The Infernal Machine, programs, [1951]
Box 9 Folder 59 Studio - Desire Under the Elms, programs, 1951 May 23
Box 153 Folder 5 Studio - Rebecca, photograph contact sheets (3), 1951 May 29
Box 9 Folder 60 Studio - Rebecca, programs, 1951 May 29
Box 153 Folder 6 Studio - He Who Gets Slapped, photograph contact sheets (2), 1951 June 4
Box 9 Folder 61 Studio - He Who Gets Slapped, programs, 1951 June 4
Box 9 Folder 62 Children’s Theatre - promotional material, 1950-1951
Box 153 Folder 7 Children’s Theatre - Jack and the Beanstalk, photographs (6), negative (1), contact sheets (3), 1950 October-December
Box 195 Folder 3 Children’s Theatre - Jack and the Beanstalk, photographs (2), 1950 October-December
Box 9 Folder 63 Children’s Theatre - Jack and the Beanstalk, programs, 1950 October-December
Box 153 Folder 8 Children’s Theatre - Robinson Crusoe, photographs/negatives (7), 1950 December-1951 January
Box 9 Folder 64 Children’s Theatre - Robinson Crusoe, programs, 1950 December-1951 January
Box 153 Folder 10 Children’s Theatre - Abe Lincoln: New Salem Days, photographs (5), contact sheets (2), 1951 February-March
Box 195 Folder 4 Children’s Theatre - Abe Lincoln: New Salem Days, photographs (2), 1951 February-March
Box 9 Folder 65 Children’s Theatre - Abe Lincoln: New Salem Days, programs, 1951 February-March
Box 153 Folder 9 Children’s Theatre - Snow White and the Seven Dwarfs, photographs (5), contact sheets (6), 1951 March-May
Box 195 Folder 4 Children’s Theatre - Snow White and the Seven Dwarfs, photograph (1), 1951 March-May
Box 9 Folder 66 Children’s Theatre - Snow White and the Seven Dwarfs, programs, 1951 March-May
Box 9 Folder 67 Special Events - L’Histoire du Soldat by Igor Stravinsky and Le Jeu de la Nativite by Alexander Tcherepnin, conductor Paul Stassevitch, programs, 1950 December-1951 January

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries AA: 1951-1952 Season, 1951-1952

Arrangement

Subseries AA is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 153 Folder 11 Hay Fever, photographs (4), contact sheets (2), 1951 October
Box 195 Folder 4 Hay Fever, photographs (4), 1951 October
Box 10 Folder 1 Hay Fever, programs, 1951 October
Box 153 Folder 12 The Corn is Green, photographs (5), contact sheets (2), 1951 November
Box 195 Folder 5 The Corn is Green, photographs (4), 1951 November
Box 10 Folder 2 The Corn is Green, programs, 1951 November
Box 153 Folder 13 The Master Builder, photographs (3), contact sheets (3), 1951 December
Box 195 Folder 5 The Master Builder, photographs (4), 1951 December
Box 10 Folder 3 The Master Builder, programs, 1951 December
Box 153 Folder 14 Two Blind Mice, photographs (6), 1952 January
Box 195 Folder 5 Two Blind Mice, photographs (4), 1952 January
Box 10 Folder 4 Two Blind Mice, programs, 1952 January
Box 153 Folder 15 Romeo and Juliet, photographs (8), contact sheets (4), includes Harriet Fine and Douglas Winn, 1952 February
Box 196 Folder 1 Romeo and Juliet, photographs (2), 1952 February
Box 10 Folder 5 Romeo and Juliet, programs, 1952 February
Box 153 Folder 16 You Never Can Tell, photograph contact sheets (2), 1952 March
Box 196 Folder 1 You Never Can Tell, photographs (3), 1952 March
Box 10 Folder 6 You Never Can Tell, programs, 1952 March
Box 153 Folder 17 Electra, photograph contact sheets (2), negative (1), 1952 April
Box 196 Folder 1 Electra, photographs (3), 1952 April
Box 10 Folder 7 Electra, programs, 1952 April
Box 154 Folder 1 Born Yesterday, photograph contact sheet (1), negative (1), 1952 May
Box 196 Folder 1 Born Yesterday, photographs (4), 1952 May
Box 10 Folder 8 Born Yesterday, programs, 1952 May
Box 154 Folder 2 Studio - The Father, photographs (3), contact sheet (1), 1951 October 26
Box 196 Folder 2 Studio - The Father, photographs (2), includes Ted Liss, 1951 October 26
Box 10 Folder 9 Studio - The Father, programs, 1951 October 26
Box 154 Folder 3 Studio - When We Are Married, photographs (4), contact sheets (2), 1951 November 6
Box 10 Folder 10 Studio - When We Are Married, programs, 1951 November 6
Box 154 Folder 4 Studio - Craig’s Wife, photographs (4), contact sheet (1), [1951]
Box 196 Folder 2 Studio - Craig’s Wife, photograph (1), 1951 November
Box 10 Folder 11 Studio - Craig's Wife, programs, [1951]
Box 154 Folder 5 Studio - A Bill of One-Acts: A Phoenix Too Frequent and Ten Blocks on the Camino Real, photograph (1), contact sheets (3), [1951-1952]
Box 10 Folder 12 Studio - A Bill of One-Acts: A Phoenix Too Frequent and Ten Blocks on the Camino Real, programs, [1951 December]
Box 196 Folder 2 Studio - A Bill of One-Acts: A Phoenix Too Frequent, photographs (2), 1951 December
Box 154 Folder 6 Studio - Three One-Act Plays by Anton Chekhov: Swan-Song, The Proposal, and The Boor, photographs (6), contact sheets (3), [1952 January]
Box 196 Folder 2 Studio - Three One-Act Plays by Anton Chekhov: Swan-Song, The Proposal, and The Boor, photographs (3), includes Bob Gibson, 1952 January
Box 10 Folder 13 Studio - Three One-Act Plays by Anton Chekhov: Swan-Song, The Proposal, and The Boor, programs, [1952 January]
Box 154 Folder 7 Studio - Ghosts, photographs (2), contact sheet (1), 1952 February 5
Box 196 Folder 3 Studio - Ghosts, photographs (2), 1952 February 5
Box 10 Folder 14 Studio - Ghosts, programs, 1952 February 5
Box 154 Folder 8 Studio - Phaedra, photograph (1), contact sheets (3), 1952 February 21
Box 10 Folder 15 Studio - Phaedra, programs, 1952 February 21
Box 154 Folder 9 Studio - Death of a Salesman, photographs (4), negative (1), contact sheets (3), 1952 March 8
Box 10 Folder 16 Studio - Death of a Salesman, programs, 1952 March 8
Box 154 Folder 10 Studio - The Little Foxes, photograph contact sheets (3), 1952 March 31
Box 10 Folder 17 Studio - The Little Foxes, programs, 1952 March 31
Box 54 Folder 11 Studio - The Lower Depths, photograph contact sheets (3), 1952 April 15
Box 10 Folder 18 Studio - The Lower Depths, programs, 1952 April 15
Box 154 Folder 12 Studio - Hedda Gabler, photographs (4), contact sheets (3), 1952 May 3
Box 196 Folder 3 Studio - Hedda Gabler, photograph (1), 1952 May 3
Box 10 Folder 19 Studio - Hedda Gabler, programs, 1952 May 3
Box 154 Folder 13 Studio - Murder in the Cathedral, photographs (2), contact sheet (1), 1952 May 13
Box 10 Folder 20 Studio - Murder in the Cathedral, programs, 1952 May 13
Box 154 Folder 14 Studio - The Innocents, photograph contact sheets (3), 1952 May 20
Box 196 Folder 3 Studio - The Innocents, photograph (1), 1952 May 20
Box 10 Folder 21 Studio - The Innocents, programs, 1952 May 20
Box 10 Folder 22 Studio - The Skin of Our Teeth, programs, 1952 May 27
Box 154 Folder 15 Studio - Deep are the Roots, photograph contact sheets (2), 1952 June 3
Box 10 Folder 23 Studio - Deep are the Roots, programs, 1952 June 3
Box 154 Folder 16 Children’s Theatre - Rama and the Tigers, photographs (2), contact sheets (2), 1951 October-November
Box 196 Folder 3 Children’s Theatre - Rama and the Tigers, photographs (5), 1951 October-November
Box 10 Folder 24 Children’s Theatre - Rama and the Tigers, programs, 1951 October-November
Box 154 Folder 17 Children’s Theatre - Hansel and Gretel, photographs (2), contact sheet (1) 1951 December-1952 February
Box 196 Folder 4 Children’s Theatre - Hansel and Gretel, photographs (3), 1951 December-1952 February
Box 10 Folder 25 Children’s Theatre - Hansel and Gretel, programs, 1951 December-1952 February
Box 154 Folder 18 Children’s Theatre - Lincoln’s Secret Messenger, photographs (4), contact sheets (3), 1952 March
Box 196 Folder 4 Children’s Theatre - Lincoln’s Secret Messenger, photographs (4), 1952 March
Box 10 Folder 26 Children’s Theatre - Lincoln's Secret Messenger, programs, 1952 March
Box 154 Folder 19 Children’s Theatre - Puss in Boots, photographs (2), contact sheets (4), 1952 March-May
Box 196 Folder 4 Children’s Theatre - Puss in Boots, photographs (2), 1952 March-May
Box 10 Folder 27 Children’s Theatre - Puss in Boots, programs, 1952 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries BB: 1952-1953 Season, 1952-1953

Arrangement

Subseries BB is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 154 Folder 20 The Royal Family, photographs (5), negative (1), contact sheets (2), 1952 October
Box 197 Folder 1 The Royal Family, photographs (4), 1952 October
Box 10 Folder 28 The Royal Family, programs, 1952 October
Box 155 Folder 1 Mary of Scotland, photographs (4), negative (1), contact sheets (4), 1952 November
Box 197 Folder 1 Mary of Scotland, photographs (4), 1952 November
Box 10 Folder 29 Mary of Scotland, programs, 1952 November
Box 155 Folder 2 When We Are Married, photographs (3), contact sheets (2), 1952 December
Box 197 Folder 1 When We Are Married, photographs (4), 1952 December
Box 10 Folder 30 When We Are Married, programs, 1952 December
Box 155 Folder 3 Desire Under the Elms, photographs (11), 1953 January
Box 197 Folder 1 Desire Under the Elms, photographs (4), 1953 January
Box 10 Folder 31 Desire Under the Elms, programs, 1953 January
Box 155 Folder 4 Merry Wives of Windsor, photographs (5), contact sheets (2), includes Carla Beyer, Jeannette Rose Ertelt and Ward W. Ohrman, 1953 February
Box 197 Folder 2 Merry Wives of Windsor, photographs (2), 1953 February
Box 10 Folder 32 Merry Wives of Windsor, programs, 1953 February
Box 155 Folder 5 Bell, Book and Candle, photographs (3), contact sheets (2), 1953 March
Box 197 Folder 2 Bell, Book and Candle, photographs (3), 1953 March
Box 10 Folder 33 Bell, Book and Candle, programs, 1953 March
Box 155 Folder 6 Blood Wedding, photographs (2), contact sheets (2), 1953 April-May
Box 197 Folder 2 Blood Wedding, photograph (1), 1953 April-May
Box 10 Folder 34 Blood Wedding, programs, 1953 April-May
Box 155 Folder 7 The Second Man, photographs (3), contact sheets (3), 1953 May
Box 197 Folder 2 The Second Man, photographs (4), 1953 May
Box 10 Folder 35 The Second Man, programs, 1953 May
Box 155 Folder 8 Studio - Nine to Six, photographs (5), 1952 October 30
Box 197 Folder 2 Studio - Nine to Six, photographs (2), 1952 October 30
Box 10 Folder 36 Studio - Nine to Six, programs, 1952 October 30
Box 155 Folder 9 Studio - All My Sons, photographs (4), contact sheets (2), 1952 November 15
Box 197 Folder 3 Studio - All My Sons, photographs (2), 1952 November 15
Box 10 Folder 37 Studio - All My Sons, programs, 1952 November 15
Box 155 Folder 10 Studio - East Lynne, photographs (3), contact sheets (2), 1952 December 10
Box 197 Folder 3 Studio - East Lynne, photograph (1), 1952 December 10
Box 10 Folder 38 Studio - East Lynne, programs, 1952 December 10
Box 155 Folder 11 Studio - Tomorrow the World, photographs (4), contact sheets (2), 1953 January 31
Box 10 Folder 39 Studio - Tomorrow the World, programs, 1953 January 31
Box 155 Folder 12 Studio - Liliom, photographs (4), contact sheets (2), 1953 February 12
Box 10 Folder 40 Studio - Liliom, programs, 1953 February 12
Box 155 Folder 13 Studio - Mr. Gillie, photographs (6), 1953 March 12
Box 197 Folder 3 Studio - Mr. Gillie, photograph (1), 1953 March 12
Box 10 Folder 41 Studio - Mr. Gillie, programs, 1953 March 12
Box 155 Folder 14 Studio - Candle-Light, photographs (4), contact sheets (2), 1953 March 31
Box 197 Folder 3 Studio - Candle-Light, photographs (2), 1953 March 31
Box 10 Folder 42 Studio - Candle-Light, programs, 1953 March 31
Box 155 Folder 15 Studio - The Miser, photographs (4), contact sheets (2), 1953 April 14
Box 197 Folder 4 Studio - The Miser, photographs (2), includes Ken Rota, 1953 April 14
Box 10 Folder 43 Studio - The Miser, programs, 1953 April 14
Box 155 Folder 16 Studio - Letters to Lucerne, photographs (8), contact sheets (4), 1953 April 28
Box 10 Folder 44 Studio - Letters to Lucerne, programs, 1953 April 28
Box 155 Folder 17 Studio - The Circle, photographs (4), contact sheets (2), 1953 May 19
Box 10 Folder 45 Studio - The Circle, programs, 1953 May 19
Box 156 Folder 1 Studio - The Misanthrope, photographs (3), contact sheets (2), 1953 May 26
Box 10 Folder 46 Studio - The Misanthrope, programs, 1953 May 26
Box 156 Folder 2 Studio - The Shining Hour, photographs (3), contact sheets (3), 1953 June 2
Box 10 Folder 47 Studio - The Shining Hour, programs, 1953 June 2
Box 156 Folder 3 Studio - Three One-Act Plays by Noel Coward: Fumed Oak and Red Peppers, photograph (1), contact sheets (2), [1952-1953]
Box 10 Folder 48 Studio - Three One-Act Plays by Noel Coward: Still Life, Fumed Oak and Red Peppers, programs, [1952-1953]
Box 156 Folder 4 Children’s Theatre - Rumpelstiltskin, photographs (4), contact sheets (2), 1952 October-December
Box 197 Folder 4 Children’s Theatre - Rumpelstiltskin, photographs (8), 1952 October-December
Box 10 Folder 49 Children’s Theatre - Rumpelstiltskin, programs, 1952 October-December
Box 156 Folder 5 Children’s Theatre - Greensleeves’ Magic, photograph (1), contact sheets (2), 1952 December-1953 January
Box 197 Folder 4 Children’s Theatre - Greensleeves’ Magic, photograph (1), 1952 December-1953 January
Box 10 Folder 50 Children’s Theatre - Greensleeves' Magic, programs, 1952 December-1953 January
Box 156 Folder 6 Children’s Theatre - Huckleberry Finn, photographs (4), contact sheets (2), 1953 January-March
Box 197 Folder 5 Children’s Theatre - Huckleberry Finn, photographs (4), 1953 January-March
Box 10 Folder 51 Children’s Theatre - Huckleberry Finn, programs, 1953 January-March
Box 156 Folder 7 Children’s Theatre - The Emperor’s New Clothes, photographs (4), contact sheets (3), 1953 April-May
Box 197 Folder 5 Children’s Theatre - The Emperor’s New Clothes, photographs (7), 1953 April-May
Box 10 Folder 52 Children’s Theatre - The Emperor's New Clothes, programs, 1953 April-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries CC: 1953-1954 Season, 1953-1954

Arrangement

Subseries CC arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 11 Folder 1 Promotional material, 1953-1954
Box 156 Folder 8 John Loves Mary, photograph contact sheets (2), 1953 October
Box 197 Folder 5 John Loves Mary, photographs (4), 1953 October
Box 11 Folder 2 John Loves Mary, programs, 1953 October
Box 156 Folder 9 Death of a Salesman, photograph contact sheets (4), 1953 November
Box 198 Folder 1 Death of a Salesman, photographs (4), 1953 November
Box 11 Folder 3 Death of a Salesman, programs, 1953 November
Box 156 Folder 10 The Philadelphia Story, photographs (5), 1953 December
Box 198 Folder 1 The Philadelphia Story, photographs (4), 1953 December
Box 11 Folder 4 The Philadelphia Story, programs, 1953 December
Box 156 Folder 11 Anna Christie, photograph contact sheets (5), 1954 January
Box 198 Folder 1 Anna Christie, photographs (4), 1954 January
Box 11 Folder 5 Anna Christie, programs, 1954 January
Box 156 Folder 12 Richard III, photograph (1), contact sheets (3), includes Carla Beyer, 1954 February
Box 198 Folder 2 Richard III, photographs (4), includes Richard Woosley, 1954 February
Box 11 Folder 6 Richard III, programs, 1954 February
Box 156 Folder 13 The Lady’s Not for Burning, photograph contact sheets (3), 1954 April-May
Box 198 Folder 2 The Lady’s Not for Burning, photographs (2), 1954 April-May
Box 11 Folder 7 The Lady's Not for Burning, programs, 1954 April-May
Box 198 Folder 2 Our American Cousin, photographs (3), [1953-1954]
Box 11 Folder 8 Our American Cousin, programs, [1953-1954]
Box 156 Folder 14 Harvey, photograph contact sheets (3), 1954 May
Box 198 Folder 3 Harvey, photographs (4), 1954 May
Box 11 Folder 9 Harvey, programs, 1954 May
Box 11 Folder 10 Studio - Ladies in Waiting, programs, 1953 November 3
Box 156 Folder 15 Studio - The House of Bernarda Alba, photographs (3), contact sheets (2), 1953 December 9
Box 11 Folder 11 Studio - The House of Bernarda Alba, programs, 1953 December 9
Box 156 Folder 16 Studio - The Farmer’s Wife, photograph contact sheets (3), 1954 March 9
Box 11 Folder 12 Studio - The Farmer's Wife, programs, 1954 March 9
Box 156 Folder 17 Studio - Cry Havoc, photographs (2), contact sheets (2), 1954 March 16
Box 11 Folder 13 Studio - Cry Havoc, programs, 1954 March 16
Box 156 Folder 18 Studio - Medea, photograph contact sheets (2), 1954 April 13
Box 11 Folder 14 Studio - Medea, programs, 1954 April 13
Box 156 Folder 19 Studio - A Bill of Divorcement, photograph contact sheet (1), 1954 May 12
Box 11 Folder 15 Studio - A Bill of Divorcement, programs, 1954 May 12
Box 156 Folder 20 Studio - Shadow and Substance, photograph contact sheets (2), 1954 May 26
Box 11 Folder 16 Studio - Shadow and Substance, programs, 1954 May 26
Box 156 Folder 21 Studio - The Importance of Being Earnest, photograph contact sheets (2), 1954 June 2
Box 11 Folder 17 Studio - The Importance of Being Earnest, programs, 1954 June 2
Box 11 Folder 18 Studio - The Good Hope, programs, 1954 June 8
Box 156 Folder 22 Studio - The Whiteheaded Boy, photograph contact sheet (1), [1953-1954?]
Box 198 Folder 3 Studio - The Whiteheaded Boy, photographs (4), [1953-1954?]
Box 156 Folder 23 Studio - The Cradle Song, photographs (3), contact sheets (2), [1953-1954?]
Box 198 Folder 3 Studio - The Cradle Song, photograph (1), [1953-1954?]
Box 156 Folder 24 Studio - Awake and Sing, photograph contact sheets (2), [1953-1954?]
Box 156 Folder 25 Children’s Theatre - Cinderella, photographs (4), negatives (3), contact sheets (2), 1954 October-December
Box 198 Folder 3 Children’s Theatre - Cinderella, photographs (3), 1954 October-December
Box 11 Folder 19 Children’s Theatre - Cinderella, programs, 1954 October-December
Box 156 Folder 26 Children’s Theatre - Flibbertygibbet, photographs (5), contact sheets (3), 1953 December-1954 January
Box 198 Folder 3 Children’s Theatre - Flibbertygibbet, photographs (3), includes William Davidson II, Mitzi Haggard and Ken Ruta,0 1953 December-1954 January
Box 11 Folder 20 Children’s Theatre - Flibbertygibbet, programs, 1953 December-1954 January
Box 157 Folder 1 Children’s Theatre - Peter, Peter Pumpkin Eater, photographs (6), contact sheets (2), 1954 February-March
Box 198 Folder 4 Children’s Theatre - Peter, Peter Pumpkin Eater, photographs (2), 1954 February-March
Box 11 Folder 21 Children’s Theatre - Peter, Peter Pumpkin Eater, programs, 1954 February-March
Box 157 Folder 2 Children’s Theatre - Rip Van Winkle, photograph contact sheets (2), 1954 March-May
Box 198 Folder 4 Children’s Theatre - Rip Van Winkle, photographs (4), 1954 March-May
Box 11 Folder 22 Children’s Theatre - Rip Van Winkle, programs, 1954 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries DD: 1954-1955 Season, 1954-1955

Arrangement

Subseries DD arranged chronologically beginning with mainstage productions followed by studio, sub-studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 157 Folder 3 Yes, My Darling Daughter, photograph contact sheets (3), 1954 October
Box 198 Folder 4 Yes, My Darling Daughter, photographs (5), 1954 October
Box 11 Folder 23 Yes, My Darling Daughter, programs, 1954 October
Box 157 Folder 4 Thunder Rock, photograph contact sheet (1), 1954 November
Box 198 Folder 4 Thunder Rock, photographs (3), 1954 November
Box 11 Folder 24 Thunder Rock, programs, 1954 November
Box 157 Folder 5 Fresh Fields, photograph contact sheets (3), 1954 December
Box 198 Folder 5 Fresh Fields, photographs (4), 1954 December
Box 11 Folder 25 Fresh Fields, programs, 1954 December
Box 198 Folder 5 The Crucible, photograph (1), 1955 January
Box 11 Folder 26 The Crucible, programs, 1955 January
Box 157 Folder 6 As You Like It, photograph contact sheets (3), 1955 February
Box 198 Folder 5 As You Like It, photograph (1), 1955 February
Box 11 Folder 27 As You Like It, programs, 1955 February
Box 157 Folder 7 Right You Are! photograph contact sheets (2), 1955 March
Box 198 Folder 5 Right You Are! photographs (4), 1955 March
Box 11 Folder 28 Right You Are! programs, 1955 March
Box 157 Folder 8 Mourning Becomes Electra: The Hunted, photographs (2), contact sheets (3), 1955 April-May
Box 199 Folder 1 Mourning Becomes Electra: The Hunted, photographs (3), 1955 April-May
Box 11 Folder 29 Mourning Becomes Electra: The Hunted by Eugene O'Neill, programs, 1955 April-May
Box 157 Folder 9 Lady Windermere’s Fan, photograph contact sheets (3), 1955 May
Box 199 Folder 1 Lady Windermere’s Fan, photographs (3), 1955 May
Box 11 Folder 30 Lady Windermere's Fan, programs, 1955 May
Box 11 Folder 31 Studio - Our Town, programs, 1954 October 30
Box 157 Folder 10 Studio - Claudia, photograph contact sheets (2), 1954 November 23
Box 199 Folder 1 Studio - Claudia, photograph (1), 1954 November 23
Box 11 Folder 32 Studio - Claudia, programs, 1954 November 23
Box 11 Folder 33 Studio - The Distaff Side, programs, 1954 December 7
Box 157 Folder 11 Studio - The Late Christopher Bean, photograph contact sheets (2), 1954 December 14
Box 11 Folder 34 Studio - The Late Christopher Bean, programs, 1954 December 14
Box 157 Folder 12 Studio - Time and the Conways, photograph contact sheets (2), 1955 February 22
Box 11 Folder 35 Studio - Time and the Conways, programs, 1955 February 22
Box 157 Folder 13 Studio - For Services Rendered, photograph contact sheets (2), 1955 March 8
Box 199 Folder 1 Studio - For Services Rendered, photograph (1), 1955 March 8
Box 11 Folder 36 Studio - For Services Rendered, programs, 1955 March 8
Box 157 Folder 14 Studio - The Little Foxes, photograph contact sheets (2), 1955 May 18
Box 199 Folder 1 Studio - The Little Foxes, photographs (2), 1955 May 18
Box 11 Folder 37 Studio - The Little Foxes, programs, 1955 May 18
Box 157 Folder 15 Studio - The Show Off, photograph contact sheet (1), 1955 May 24
Box 11 Folder 38 Studio - The Show Off, programs, 1955 May 24
Box 157 Folder 16 Studio - Summer and Smoke, photograph contact sheets (2), 1955 June 1
Box 11 Folder 39 Studio - Summer and Smoke, programs, 1955 June 1
Box 157 Folder 17 Studio - The Male Animal, photograph contact sheets (2) [1954-1955]
Box 11 Folder 40 Studio - The Male Animal, programs, 1955 June 7
Box 157 Folder 18 Studio - The Happy Breed, photograph contact sheets (2), [1954-1955?]
Box 157 Folder 19 Children’s Theatre - Heidi, photograph contact sheets (2), 1954 October-December
Box 199 Folder 2 Children’s Theatre - Heidi, photographs (4), 1954 October-December
Box 11 Folder 42 Children’s Theatre - Heidi, programs, 1954 October-December
Box 157 Folder 20 Children’s Theatre - Beauty and the Beast, photograph contact sheet (1), 1954 December-1955 February
Box 199 Folder 2 Children’s Theatre - Beauty and the Beast, photographs (4), 1954 December-1955 February
Box 11 Folder 43 Children’s Theatre - Beauty and the Beast, programs, 1954 December-1955 February
Box 157 Folder 21 Children’s Theatre - The Magic Horn, photograph contact sheets (2), 1955 February-March
Box 199 Folder 2 Children’s Theatre - The Magic Horn, photographs (5), 1955 February-March
Box 11 Folder 44 Children’s Theatre - The Magic Horn, programs, 1955 February-March
Box 157 Folder 22 Children’s Theatre - Tom Sawyer, photograph contact sheets (3), 1955 April-May
Box 199 Folder 3 Children’s Theatre - Tom Sawyer, photographs (4), 1955 April-May
Box 11 Folder 45 Children’s Theatre - Tom Sawyer, programs, 1955 April-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries EE: 1955-1956 Season, 1955-1956

Arrangement

Subseries EE arranged chronologically beginning with mainstage productions followed by studio and sub-studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 157 Folder 23 Sabrina Fair, photograph contact sheets (3), 1955 September-October
Box 199 Folder 3 Sabrina Fair, photographs (4), 1955 September-October
Box 11 Folder 46 Sabrina Fair, programs, 1955 September-October
Box 199 Folder 3 Too True to be Good, photographs (4), 1955 November
Box 11 Folder 47 Too True to be Good, programs, 1955 November
Box 157 Folder 24 The Rainmaker, photograph contact sheets (2), 1955 December
Box 199 Folder 3 The Rainmaker, photographs (4), 1955 December
Box 11 Folder 48 The Rainmaker, programs, 1955 December
Box 157 Folder 25 Redemption, photograph (1), contact sheets (5), 1956 January
Box 199 Folder 4 Redemption, photographs (3), 1956 January
Box 11 Folder 49 Redemption, programs, 1956 January
Box 157 Folder 26 My Three Angels, photograph (1), contact sheets (2), 1956 February
Box 199 Folder 4 My Three Angels, photographs (4), 1956 February
Box 11 Folder 50 My Three Angels by Bella Itkin, sets by John Peters, costumes by Oliver Allyn, programs, 1956 February
Box 157 Folder 27 King Lear, photograph contact sheets (3), 1956 March
Box 199 Folder 4 King Lear, photographs (2), 1956 March
Box 11 Folder 51 King Lear, programs, 1956 March
Box 157 Folder 28 Ring Round the Moon, photograph contact sheets (2), 1956 January
Box 199 Folder 4 Ring Round the Moon, photographs (3), 1956 January
Box 11 Folder 52 Ring Round the Moon, programs, 1956 January
Box 157 Folder 29 Idiot’s Delight, photographs (2), contact sheets (3), 1956 May
Box 199 Folder 5 Idiot’s Delight, photographs (3), 1956 May
Box 11 Folder 53 Idiot's Delight, programs, 1956 May
Box 11 Folder 54 Studio - An Inspector Calls, programs, 1955 November 15
Box 199 Folder 5 Studio - An Inspector Calls, photograph (1), 1955 November 15
Box 157 Folder 30 Studio - The Velvet Glove, photographs (2), contact sheets (2), 1955 November 29
Box 11 Folder 55 Studio - The Velvet Glove, programs, 1955 November 29
Box 158 Folder 1 Studio - The Time of the Cuckoo, photograph contact sheet (), 1955 December 13
Box 199 Folder 5 Studio - The Time of the Cuckoo, photograph (1), 1955 December 13
Box 11 Folder 56 Studio - The Time of the Cuckoo, programs, 1955 December 13
Box 11 Folder 57 Studio - A Bill of One-Acts: The Hungerers, Hello from Bertha, Queens of France, The Long Voyage Home, programs, 1956 January 31
Box 158 Folder 2 Studio - The Hungerers, photograph contact sheet (1), 1956 January 31
Box 158 Folder 3 Studio - Hello from Bertha, photograph contact sheet (1), 1956 January 31
Box 158 Folder 4 Studio - Queens of France, photograph contact sheet (1), 1956 January 31
Box 199 Folder 5 Studio - Queens of France, photograph (1), 1956 January 31
Box 158 Folder 5 Studio - Guest in the House, photograph contact sheets (2), 1956 February 7
Box 11 Folder 58 Studio - Guest in the House, programs, 1956 February 7
Box 158 Folder 6 Studio - Antigone, photographs (2), 1956 March 13
Box 199 Folder 5 Studio - Antigone, photographs (2), 1956 March 13
Box 11 Folder 59 Studio - Antigone, programs, 1956 March 13
Box 158 Folder 7 Studio - The Grass Harp, photograph contact sheets (3), 1956 March 20
Box 199 Folder 6 Studio - The Grass Harp, photograph (1), 1956 March 20
Box 11 Folder 60 Studio - The Grass Harp, programs, 1956 March 20
Box 158 Folder 8 Studio - The Corn is Green, photograph contact sheet (1), 1956 April 4
Box 11 Folder 61 Studio - The Corn is Green, programs, 1956 April 4
Box 158 Folder 9 Studio - The Taming of the Shrew, photograph contact sheets (3), 1956 April 21
Box 11 Folder 62 Studio - The Taming of the Shrew, programs, 1956 April 21
Box 11 Folder 63 Studio - Hotel Universe, programs, 1956 May 3
Box 158 Folder 10 Studio - The Madwoman of Chaillot, photograph contact sheets (2), [1956]
Box 11 Folder 64 Studio - The Madwoman of Chaillot, programs, [1956]
Box 158 Folder 11 Studio - John Ferguson, photograph contact sheets (2), 1956 May 29
Box 11 Folder 65 Studio - John Ferguson, programs, 1956 May 29
Box 11 Folder 66 Studio - The Women Have Their Way, programs, 1956 June 5
Box 11 Folder 67 Sub-Studio - The Lark by Jean Anouilh, directed by Joseph Slowik, program, [1955-1956]
Box 11 Folder 68 Sub-Studio - Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Don Gunderson, program, 1956 June 1
Box 158 Folder 12 Children’s Theatre - The Prince and the Pauper, photograph contact sheets (3), 1955 October-December
Box 199 Folder 6 Children’s Theatre - The Prince and the Pauper, photographs (4), 1955 October-December
Box 11 Folder 69 Children’s Theatre - The Prince and the Pauper, programs, 1955 October-December
Box 158 Folder 13 Children’s Theatre - The Three Bears, photograph (1), negative (1), 1955 December-1956 February
Box 11 Folder 70 Children’s Theatre - The Three Bears, programs, 1955 December-1956 February
Box 158 Folder 14 Children’s Theatre - The King of the Golden River, photograph contact sheets (2), 1956 February-March
Box 199 Folder 6 Children’s Theatre - The King of the Golden River, photographs (5), 1956 February-March
Box 11 Folder 71 Children’s Theatre - The King of the Golden River programs, 1956 February-March
Box 158 Folder 15 Children’s Theatre - Davy Crockett and His Coonskin Cap, photographs (4), 1956 March-May
Box 199 Folder 6 Children’s Theatre - Davy Crockett and His Coonskin Cap, photographs (3), 1956 March-May
Box 11 Folder 72 Children’s Theatre - Davy Crockett and His Coonskin Cap, programs, 1956 March-May

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries FF: 1956-1957 Season, 1956-1957

Arrangement

Subseries FF arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 158 Folder 22 Reclining Figure, photograph contact sheets (2), 1956 September-October
Box 200 Folder 1 Reclining Figure, photographs (2), 1956 September-October
Box 12 Folder 1 Reclining Figure, programs, 1956 September-October
Box 158 Folder 16 The Cherry Orchard, photograph contact sheets (3), 1956 November
Box 200 Folder 1 The Cherry Orchard, photographs (5), 1956 November
Box 12 Folder 2 The Cherry Orchard, programs, 1956 November
Box 158 Folder 17 The Last Trump, photographs (2), contact sheets (2), 1956 November-December
Box 200 Folder 1 The Last Trump, photographs (2) 1956 November-December
Box 12 Folder 4 The Last Trump, programs, 1956 November-December
Oversize Folder 2   The Last Trump, set design, 1956
Box 200 Folder 1 Liliom, photograph (1), 1957 January
Box 12 Folder 5 Liliom, programs, 1957 January
Box 158 Folder 18 Bus Stop, negative (1), 1957 February
Box 200 Folder 1 Bus Stop, photographs (4), 1957 February
Box 12 Folder 6 Bus Stop, programs, 1957 February
Box 158 Folder 19 Another Part of the Forest, photograph contact sheets (2), 1957 March
Box 12 Folder 8 Another Part of the Forest, programs, 1957 March
Oversize Folder 2   Another Part of the Forest, scenic and set designs, 1957
Box 158 Folder 20 Othello, photographs (2), contact sheet (1), 1957 April
Box 200 Folder 2 Othello, photographs (2), 1957 April
Box 12 Folder 9 Othello, programs, 1957 April
Box 158 Folder 21 The Importance of Being Earnest, negatives (2), 1957 May
Box 200 Folder 2 The Importance of Being Earnest, photographs (5), 1957 May
Box 12 Folder 10 The Importance of Being Earnest, programs, 1957 May
Box 12 Folder 11 Studio - Medea, programs, 1956 December 10-12
Box 12 Folder 12 Studio - The Road to Rome, programs, 1957 February 11
Box 12 Folder 13 Studio - Mister Roberts, programs, 1956 December 13
Box 12 Folder 14 Studio - Detective Story, programs, 1957 March 13
Box 12 Folder 15 Studio - Kind Lady, programs, 1957 March 27
Box 12 Folder 16 Studio - Tovarich, program, 1957 April 5
Box 12 Folder 17 Studio - Beyond the Horizon, program, 1957 April 16
Box 158 Folder 23 Studio - The Autumn Garden, photograph contact sheets (2), 1957 April 17
Box 12 Folder 18 Studio - The Autumn Garden, programs, 1957 April 17
Box 12 Folder 19 Studio - The Glass Menagerie, program, 1957 April 24
Box 12 Folder 20 Studio - The Playboy of the Western World, program, 1957 May 16
Box 158 Folder 24 Studio - The Trojan Women, photograph contact sheets (2), 1957 May 20
Box 12 Folder 22 Studio - The Trojan Women, programs, 1957 May 20
Oversize Folder 2   Studio - The Trojan Women, set design, 1957
Box 12 Folder 23 Studio - The Remarkable Incident at Carson Corners, programs, 1957 May 21
Box 12 Folder 24 Studio - The Ladies of the Corridor, programs, 1957 May 27
Box 158 Folder 25 Studio - They Knew What They Wanted, photograph contact sheets (3), 1957 May 27
Box 12 Folder 25 Studio - They Knew What They Wanted, programs, 1957 May 27
Box 158 Folder 26 Studio - The Skin of Our Teeth, photograph contact sheets (4), 1957 June 3
Box 12 Folder 26 Studio - The Skin of Our Teeth, programs, 1957 June 3
Box 12 Folder 27 Studio - Hat Full of Rain, programs, 1957 June 4
Box 158 Folder 27 Studio - A Bill of Three One-Acts: The Kingdom of God, The Long Goodbye, Family Album, photograph contact sheets (4), [1956-1957]
Box 12 Folder 28 Studio - A Bill of Three One-Acts: The Kingdom of God, The Long Goodbye, Family Album, programs, [1956-1957]
Box 158 Folder 28 Studio - Blithe Spirit, photograph contact sheets (2), 1957 February 4
Box 200 Folder 2 Studio - Blithe Spirit, photograph (1), 1957 February 4
Box 12 Folder 29 Studio - Blithe Spirit, programs, 1957 February 4
Box 158 Folder 29 Studio - Electra, photograph contact sheets (2), 1956 November 6
Box 12 Folder 30 Studio - Electra, program, 1956 November 6
Box 158 Folder 30 Children’s Theatre - Treasure Island, photograph contact sheet (1), 1956 October-December
Box 200 Folder 2 Children’s Theatre - Treasure Island, photographs (3), 1956 October-December
Box 12 Folder 31 Children’s Theatre - Treasure Island, programs, 1956 October-December
Box 158 Folder 31 Children’s Theatre - The Snow Queen and the Goblin, photograph contact sheets (2), 1956 December-1957 January
Box 200 Folder 2 Children’s Theatre - The Snow Queen and the Goblin, photographs (5), 1956 December-1957 January
Box 12 Folder 32 Children’s Theatre - The Snow Queen and the Goblin, programs, 1956 December-1957 January
Box 158 Folder 32 Children’s Theatre - Robin Hood, photograph contact sheets (2), 1957 February-March
Box 200 Folder 3 Children’s Theatre - Robin Hood, photographs (5), 1957 February-March
Box 12 Folder 33 Children’s Theatre - Robin Hood, programs, 1957 February-March
Box 158 Folder 33 Children’s Theatre - Sleeping Beauty (Sing Ho for a Prince!), negatives (6), photograph contact sheets (3), 1957 March-May
Box 200 Folder 3 Children’s Theatre - Sleeping Beauty (Sing Ho for a Prince!), photographs (4), 1957 March-May
Box 12 Folder 34 Children’s Theatre - Sleeping Beauty (Sing Ho for a Prince!), programs, 1957 March-May

Series 2: Goodman Theatre Productions, 1928-2001, undated

Scope and Contents
Main season productions include:
  • The Adventures of Huckleberry Finn by Mark Twain, adapted by the Organic Theater Company, directed by Stuart Gordon, sets and costumes by designed by Mary Griswold and John Paoletti, lighting by Geoffrey Bushor, music by Jonathan Pearthree, with Meshach Taylor, 1985 January 25-March 3
  • Ah, Wilderness! by Eugene O'Neill, directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, 1957-1958
  • All the Rage by Keith Reddin, directed by Michael Maggio, sets by Linda Buchanan, costumes by Nan Cibula-Jenkins, lights by Pat Collins, sound design and original music by Michael Bodeen and Rob Milburn, 1997 May 12-June 7
  • All's Well That Ends Well by William Shakespeare, directed by Mary Zimmerman, sets designed by Riccardo Hernandez, costumes by Nan Cibula Jenkins, lighting by T.J. Gerckens, sound by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1995 October 2-November 4
  • The Amen Corner by James Baldwin, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Robert Christen, sound design by Rob Milburn and Michael Bodeen, original music composed by William Kilgore, 2001 March 23-April 28
  • Anna Karenina by Leo Tolstoy, dramatized by James Goodwin and Eugenie Leontovich, directed by Eugenie Leontovich with Joseph Slowik, sets by Richard Kent Wilcox, costumes by Alvin Colt, lights by G.E. Naselius, starring Dolores Sutton, 1965 May 7-29
  • Another Midsummer Night, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, directed by Michael Maggio, sets by Linda Buchanan, costumes design by Catherine Zuber, lighting by Robert Christen, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, orchestrations by Bruce Coughlin, 1995 June 16-July 22
  • Arcadia by Tom Stoppard, directed by Michael Maggio, sets designed by Linda Buchanan, costumes by Nan Cibula-Jenkins, lighting by Robert Christen, sound by Richard Woodbury, with musical composition by Jeffrey Lunden, 1996 March 11-April 14
  • As You Like It by William Shakespeare, directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Tom Morley and Thomas Arne, music directed by George Estevez, 1962 March 25-[?]
  • As You Like It by William Shakespeare, directed by Michael Maggio, set design by John Culbert, costume design by Virgil Johnson, lighting design by Kevin Rigdon, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1997 September 29-October 25
  • Assassination 1865 by Stuart Vaughn, World Premiere, directed by Stuart Vaughn, sets by Sandro La Ferla, costumes by Virgil Johnson, lights and special effects by Bengt Nygren, with Shepperd Strudwick and Donald Woods, 1971 October 26-November 28
  • Bal by Richard Nelson, directed by Gregory Mosher, costumes by Dunja Ramicova, lights by Jennifer Tipton with Del Close and Jim Belushi, 1980 February 29-April 6
  • The Balcony by Jean Genet, translated by Bernard Frechtman, directed by Patrick Henry, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Bob Hartman, choreography by Thomas Jaremba, starring Delphi Lawrence, with Jay Lanin, 1967 November 24-December 20
  • The Ballad of the Sad Cafe by Carson McCullers, adapted for the stage by Edward Albee, directed by Charles McGaw, sets designed by Richard Kent Wilcox, costumes by Heidimarie Rosendahl, lighting designed by G.E. Naselius, starring Donald Davis, 1965 January 8-30
  • The Barretts of Wimpole Street by Rudolf Besier, directed by Brenda Forbes, sets designed by Neil Jampolis, costumes by Uta Olson, lighting by G.E. Naselius, starring Leora Dana, with Maurice Copeland, 1965 March 26-April 16
  • The Basement, directed by Joseph Slowik and The Tea Party by Harold Pinter, directed by Patrick Henry, sets by Joseph Nieminski, costumes by Al Tucci, lights by G.E. Naselius, 1970 March 2-April 5
  • Becket, or The Honor of God by Jean Anouilh, directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by George Estevez, starring Tod Andrews and Donald Davis, 1962 October 26-November 13
  • Benito Cerino, from The Old Glory by Robert Lowell, and based on the novella by Herman Melville, directed by Michael Montel, sets designed by David Jenkins, costumes by James Edmund Brady, lights by George Hemsley, Jr., choreography by Darlene Blackburn, 1975 November 14-December 21
  • Betrayal by Harold Pinter, directed by Andre Ernotte, sets designed by Joseph Nieminski, lighting designed by Paul Gallo, costumes by Christa Scholtz, 1981 January 16-February 22
  • Billy Budd by Louis O. Coxe and Richard Chapman, based on the novel by Herman Melville, directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, with Fitzroy Davis, Sidney Breese and Avery Schreiber, 1958 October 31-November 16
  • Black Snow, adapted by Keith Reddin from the novel by Mikhail Bulgakov, World Premiere, staged by Michael Maggio, set design by Linda Buchanan, costume design by Martin Pakledinaz, lighting design by James F. Ingalls, sound design by Rob Milburn, music composed by Rob Milburn, Miriam Sturm and Michael Bodeen, 1993 April 30-June 5
  • Black Star Line by Charles Smith, directed by Paul Tazewell, set design by Joseph Tazewell, costume design by Kay Kurta Silva, lighting by T.J. Gerckens, sound design and music composed by Fabian Obispo, 1996 January 22-February 17
  • Blues for an Alabama Sky by Pearl Cleage, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, and sound design by Rob Milburn, 1998 March 16-April 18
  • Book of the Night, by Louis Rosen and Thom Bishop, World Premiere, directed by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Michael S. Philippi, costume design by Gabriel Berry, lighting by James F. Ingalls, sound by Rob Milburn, instrumental and vocal arrangements by Louis Rosen, musical direction by Mark Mitchell, orchestrations by Bruce Coughlin, 1991 June 14-August 11
  • Bosoms and Neglect by John Guare, directed by Mel Shapiro, sets by John Wulp, costume designs by Willa Kim, lights by Jennifer Tipton, 1979 February 23-April 1
  • Boy Gets Girl by Rebecca Gilman, directed by Michael Maggio, set design by Michael Philippi, costume design by Nan Cibula-Jenkins, lighting design by John Culbert, sound design and original music composed by Rob Milburn and Michael Bodeen, 2000 March 13-April 8
  • The Boys from Syracuse by George Abbot, music and lyrics by Richard Rogers and Lawrence Hart, production staged by Christopher Hewitt, choreography and musical numbers staged by Bob Herget, sets by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, John C. Cina as musical director, 1972 April 18-June [?]
  • Caesar and Cleopatra by George Bernard Shaw, Warren Enters as guest director, sets designed by George Pettit, costumes by D. Hudson Sheffield, lights by Jerold Gorell, music by Anthony Peraino, starring Murray Matheson, with Carrie Snodgrass and Joe Mantegna, 1968 January 12-February 7
  • Camino Real by Tennessee Williams, directed by Charles McGaw, sets designed by James Maronek, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, with Charles Grunwell, Beverly Younger, and Dorothy Konrad, 1958 March 21-April 6
  • Candide by Voltaire, adapted by Hugh Wheeler, music by Leonard Bernstein, lyrics by Richard Wilbur, additional lyrics by Stephen Sondheim and John Latouche, directed by Munson Hicks, sets designed by John Lee Beatty, lighting by Judy Rasmuson, costumes by Christa Scholtz, 1984 September 21-October 28
  • Candida by George Bernard Shaw, directed by Munson Hicks, lighting by Robert Christen, sets designed by Joseph Nieminski, costumes by Nan Cibula, 1984 January 23-February 19
  • The Caucasian Chalk Circle by Bertolt Brecht, revised English version by Eric Bentley and Maja Apelman, directed by John Reich, sets by Francis Morigi, costumes by Caley Summers, masks by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, music by George Estevez and Lewis Skalinder, 1962 May 11-29
  • The Cave Dwellers by William Saroyan, directed by Eugenie Leontovich, costumes by Uta Olson, sets and lights by Walter Blind, music arranged by Studs Terkel, starring Eugenie Leontovich, Studs Terkel and Avery Schreiber, 1959 December 4-20
  • Ceremonies in Dark Old Men by Lonnie Elder, III, a production of the Negro Ensemble Company, directed by Douglas Turner Ward, sets by Charles Henry McClennahan, lighting designed by Shirley Prendergast, costumes by Judy Dearing, 1985 March 18-April 14
  • Chemin de Fer by Georges Feydeau, directed by Stuart Gordon, sets by James Maronek, costumes by James Edmund Brady, lights by F. Mitchell Dana, 1975 May 9-June 15
  • The Cherry Orchard by Anton Chekhov. Translation by Tyrone Guthrie and Leonid Kipnis, directed by Brian Murray, scenery by David Mitchell, costumes by Virgil Johnson, lights by Patricia Collins, with Nancy Marchand and Edward Herrmann, 1974 October 4-November 10
  • A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, music by Hiram Titus, scenery by Joseph Nieminski, costumes by James Edmund Brady, lights by Robert Christen, sound design by Henry Miller, 1978 November 24-December 31
  • A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. Directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, [1979]
  • A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe, with Del Close, [1980-1981]
  • A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe with Del Close and Elizabeth Perkins, 1981 November 27-December 30
  • A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano, 1982 November 26-December 31
  • A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano, 1983 November 25-December 31
  • A Christmas Carol, adapted by Gregory Mosher and Larry Sloan from the novel by Charles Dickens, directed by Gregory Mosher, music by Larry Schanker, sets by Kate Edmunds, lighting by Duane Schuler, costumes by Christa Scholtz, with Frank Galati and Del Close, 1984 December 18-29
  • A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, with Ernest Perry, Jr., 1985 November 22-December 29
  • A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, choreography by Beatrix Porter, with Ernest Perry, Jr. and Jim True, 1986 November 25-December 31
  • A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Michael Maggio, sets designed by Joseph Nieminski, costumes by Christa Scholtz, lights by Robert Christen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Beatrix Rashid, 1987 November 21-December 30
  • A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, sets designed by Joseph Nieminski, costumes by Julie Jackson, lighting by Robert Christen, sound by Robert Neuhaus, choreography by Beatrix Rashid, music by Larry Schanker, 1988 November 18-December 28
  • A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, set design by Joseph Nieminski, costumes by Julie Jackson, lighting design by Robert Christen, sound by Rob Milburn, original music and traditional carols arranged by Larry Schanker, choreography by Beatrix Rashid, 1989 November 17-December 30
  • A Christmas Carol, by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, costume design by Julie Jackson, lighting by Rob Milburn, sound design by David Naughton, choreography by Beatrix Rashid, original music and traditional carols composed and arranged by Larry Schanker, 1990 November 16-December 30
  • A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Beatrix Rashid, 1991 November 25-December 31
  • A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, 1992 November 13-1993 January 3
  • A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, 1993 November 11-1994 January 2
  • A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, associate musical director William Schwarz, 1994 November 11-December 30
  • A Christmas Carol by Charles Dickens and adapted by Tom Creamer, 1995 November 20-December 30
  • A Christmas Carol by Charles Dickens, adapted by Tom Creamer. 19th Annual production, directed by Henry Godinez, set design by Joseph Nieminski, lighting by Robert Christen, sound design by Rob Milburn and David Naunton, musical direction and composition by Larry Schanker, 1996 November 18-December 30
  • A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker, 1997 November 8-December 30
  • A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker, 1998 November 22-December 29
  • A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Ray Nardelli, musical composition and traditional carols by John Kamys, 1999 November 21-2000 January 2
  • Christopher C. by Michel de Ghelderode, and adapted into English by Lyon Phelps, directed by John Reich, choreography by Frances Allis, starring David Hurst) and The Lesson by Eugene Ionesco, directed by Joseph Slowik, sets by Francis Morigi, lighting by G.E. Naselius, costumes by Uta Olson, 1963 February 15-March 5
  • The Cocktail Party by T.S. Eliot, directed by John Reich, sets by Richard Kent Wilcox, women's costumes by Russell Kohn and Millie Oppenheimer, lights by G.E. Naselius, starring Robert Flemyng, with Brenda Forbes1965 October 22-[?]
  • The Comedy of Errors by William Shakespeare, directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, music by Richard Manners, 1962 November 30-December 18
  • The Comedy of Errors by William Shakespeare, directed by Robert Woodruff, sets designed by David Gropman, costumes designed by Susan Hilferty, lighting by Paul Gallo, 1983 January 14-February 27
  • Cry, The Beloved Country, based on the novel by Alan Paton, with music by Kurt Weill, lyrics by Maxwell Anderson., adapted and directed by Frank Galati, sets designed by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound by Rob Milburn, musical direction by Edward Zelnis, 1993 June 18-August 8
  • Cyrano de Bergerac by Edmond Rostand, directed by Michael Maggio, sets designed by John Lee Beatty, music by Ed Zelnis, fight sequences by David Boushey, costumes by Christa Scholtz, lighting by Duane Schuler, 1980 May 23-June 29
  • Dancing at Lughnasa by Brian Friel, directed by Kyle Donnelly, set design by Linda Buchanan, costumes by Paul Tazewell, lighting design by Rita Pietraszek, sound by Rob Milburn, Jim Corti, 1993 September 27-October 31
  • The Death and Life of Sneaky Fitch by James Rosenberg, directed by Joseph Slowik, sets by Marc Cohen, costumes by E. Oliver Olsen, lighting by G.E. Naselius, choreography by Thomas Jaremba, starring Jerry Harper, with Win Stracke, 1968 November 15-December 14
  • Death and the King's Horseman by Wole Soyinka, directed by Wole Soyinka, costumes by Christa Scholtz, sets by David Gropman, lights by Pat Collins, 1979 October 5-November 11
  • Death of a Salesman by Arthur Miller, directed by Robert Falls, set design by Mark Wendland, costume design by Birgit Rattenborg Wise, lighting design by Michael Philippi, and sound design and music composed by Richard Woodbury, 1998 September 18-November 7
  • Design for Living by Noel Coward, directed by William Woodman, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Pat Collins, with Judith Ivey, 1976 October 1-November 7
  • Design for Living by Noel Coward, directed by David Petrarca, set design by Michael Yeargan, costume design by Jane Greenwood, lighting design by Duane Schuler, sound design and original music by Rob Milburn and Michael Bodeen, 1998 May 11-June 6
  • The Devil's Disciple by George Bernard Shaw, directed by William Woodman, sets by James Maronek, costumes by Virgil Johnson, lights by Patricia Collins, 1976 May 7-June 13
  • Dinah Was by Oliver Goldstick, directed by David Petrarca at the WPA Theater in New York, 1998 April
  • The Dining Room by A.R. Gurney, directed by Michael Maggio, scenic design by Joseph Nieminski, costumes by Marsha Kowal, lighting by Robert Christen, 1983 March 4-April 10
  • A Doll's House by Henrik Ibsen, directed by Tormod Skagestead, sets by John Scheffler, costumes by Alicia Finkel, lights by G.E. Naselius, 1973 November 20-December 23
  • Don Juan by Moliere, translated by Christopher Hampton, production supervised by William Woodman, sets by Joseph Nieminski, costume design by Virgil Johnson, fights staged by Michael Tezla with Judith Ivey and Robert Guillaume, 1977 May 6-June 12
  • The Dream (A Midsummer Night's Dream) by William Shakespeare and The Fairie Queen by Henry Purcell, arranged by John Reich and Nicholas Goldsmith, directed by John Reich, Pas de Deux choreographed by Ruth Page, Dieter Kober as musical director, sets by William J. Ryan, costumes by Sylvia Wintle, dance direction by Frances Allis, lighting by G.E. Naselius, Lorenzo Gentile as technical director, with Kenneth Johnson, Etta Buro, and the Chicago Chamber Orchestra, 1958 May 9-25, June 3-8
  • A Dream Play by August Strindberg, new translation by Evert Sprinchorn, verse scenes adapted by Lisel Mueller, World Premiere of translation, directed by John Reich, production designed by James Maronek, costumes by Marna King, lights and choreography by Frances Allis, starring Gloria Foster with Frank Savino, 1967 March 31-April 23
  • Dwarfman: Master of a Million Shapes by Michael Weller, directed by Emily Mann, costumes by Rita Ryack, sets by Adrienne Lopel, lighting designed by Robert Christen, sound by Michael Schweppe, with Elizabeth McGovern, 1981 May 22-June 28
  • Dylan by Sidney Michaels, directed by Charles McGaw, sets by George Pettit, costumes by Uta Olson, lights by G.E. Naselius, starring Jerome Kilty, 1966 February [?]
  • The Eccentricities of a Nightingale (rewritten version of Summer and Smoke) by Tennessee Williams. World Premiere, directed by Bella Itkin, sets by Marc Cohen, costumes by Marna King, lights by G.E. Naselius, starring Dolores Sutton and Lee Richardson, with Beverly Younger, 1967 January 13-February 5
  • An Enemy of the People by Henrik Ibsen, adapted by Arthur Miller, directed by Gregory Mosher, sets designed by Joseph Nieminski, costumes by Jessica Hahn, lighting by Robert Christen with Terry Kinney and Paul Warfield, 1980 January 18-February 24
  • Enrico IV by Luigi Pirandello, translated by John Reich, directed by John Reich, music by James Maronek, lights by G.E. Naselius, costumes by Sylvia Wintle Moss, starring Ivor Harris, Beverly Younger, and Frank Savino, 1960 February 12-28
  • A Far Country by Henry Denker, directed by John Reich, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lighting by G.E. Naselius, starring William Smithers, 1964 February 21-March 11
  • Faust by Johann Wolfgang von Goethe, directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, music arranged by George Estevez, starring Bramwell Fletcher, with Michael O'Sullivan, 1962 October 27-November 14
  • Faust, music and lyrics by Randy Newman, book by Randy Newman and David Mamet, directed by Michael Greif, sets by Tom Lynch, costumes by Mark Wendland, lighting by Chris Akerlind, sound by Steve Canyon Kennedy, projections by Jan Hartley, choreography by Lynn Taylor-Corbett, 1996 September 30-November 2
  • Fences by August Wilson, Yale Repertory Theatre, directed by Lloyd Richards, sets by James Sandefur, costumes by Candace Donnelly, lighting by Danianne Mizzy, starring James Earl Jones, 1986 January 31-March 9
  • A Flea in Her Ear by Georges Feydeau, translated by John Mortimer, Warren Enters as guest director, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Jerrold Gorrell, starring Hiram Sherman, 1968 May 3-29
  • A Flea in Her Ear by Georges Feydeau, adapted by Frank Galati, directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Lindsay Davis, lighting by Robert Christen, sound by Rob Milburn, choreography by David Wooley, 1988 April 25-May 21
  • Floyd Collins by Adam Guettel and Tina Landau, directed by Tina Landau, scenic design by James Schuette, costume design by Melina Root, lighting design by Scott Zielinski, sound design by Dan Moses Schreier, musical direction by Ted Sperling and Rob Berman, 1999 May 3-June 5
  • The Freedom of the City by Brian Friel, American Premiere, directed by William Woodman, scenic designs by David Jenkins, costumes by Alicia Finkel, lights by F. Mitchell Dana, 1973 October 9-November 10
  • The Front Page by Ben Hecht and Charles MacArthur, directed by Michael Maggio, scenery by Joseph Nieminski, costumes by William Ivey Long, lights by Jennifer Tipton, sound design by Michael Schweppe, with Jack Wallace and W.H. Macy, 1981 October 2-November 8
  • A Funny Thing Happened on the Way to the Forum, book by Burt Shevelove and Larry Gelbart, music and lyrics by Stephen Sondheim, directed by Frank Galati, choreography and musical staging by Chet Walker, sets and costumes designed by Mary Griswold and John Paoletti, lights by Jeffrey Bushor, sound by Rob Milburn, musical direction by Janet Alcock, 1989 June 2-August 8
  • Galileo by Bertolt Brecht, last version of the play translated by Desmond I. Vesey, directed by Howard da Silva, sets by James Maronek, costumes by D. Hudson Sheffield, music by Hans Eisler and William Mathieus, lights by G.E. Naselius, starring Morris Carnovsky, with Maurice Copeland, 1966 May
  • Galileo by Bertolt Brecht, translated by Adrian Hall and James Schevill, directed by Robert Falls, music by Louis Rosen, sets by George Tsypin, costumes by Jessica Hahn, lighting by James F. Ingalls, starring Brian Dennehy, with Frank Galati, Ernest Perry, Jr. and James O' Reilly, 1986 September 26-November 1
  • Ghost on Fire by Michael Weller, directed by Les Waters, sets designed Loren Sherman, costumes by Martin Pakledinaz, lighting designed by Stephen Strawbridge, 1987 January 9-February 14
  • The Glass Menagerie by Tennessee Williams, directed by Patrick Henry, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, starring Peggy Wood, 1964 January 10-29
  • The Good Woman of Setzuan by Bertolt Brecht, translated by Eric Bentley, directed by Charles McGaw, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by Stephan Wolpe, starring Frances Hyland, Dorothy Konrad, and Frank Savino, 1960 March 25-April 11
  • The Good Person of Setzuan by Bertolt Brecht, English translation by Sheldon Patinkin, with Tom Creamer, directed by Frank Galati, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Rob Milburn, choreography by Peter Amster, original music and musical direction by Claudia Schmidt, 1992 April 24-May 30
  • The Gospel at Colonus by Lee Breuer and Bob Telson, composer, directed by Lee Breuer, musical direction by Bob Telson, production and set design by Alison Yerxa, costume design by Ghretta Hynd, lighting design by Robert Christen, sound design by Rob Milburn, 1990 June 8-August 12
  • The Government Inspector by Nikolai Gogol, translated by Milton Ehre and Fruma Gottschalk, directed by Frank Galati, sets by Michael Merritt, costumes by Virgil Johnson, lights by Kevin Rigdon, sound design by Robert Neuhaus, with Jack Wallace, 1985 October 4-November 10
  • Griller by Eric Bogosian, directed by Robert Falls, set design by Derek McLane, costume design by Mara Blumenfeld, lighting design by Kenneth Posner, and sound design by Richard Woodbury, 1998 January 19-February 21
  • Guys and Dolls by Jo Swerling and Abe Burrows, music and lyrics by Frank Loesser, directed by Gene Lesser, choreography by Elizabeth Keen, musical direction by David Richards, scenic design by James Maronek, costume design by Nancy Potts, lighting design by William Mintzer, 1974 May 10-June 16
  • Happy Days by Samuel Beckett, International Theatre Festival of Chicago, directed by Andre Belgrader, sets by Douglas Stein, costumes by Candice Donnelly, lights by Frances, 1986 April 4-May 11
  • Heartbreak House by George Bernard Shaw, directed by Douglas Seale, sets designed by Marc Cohen, costumes by Virgil Johnson, lights by Jerrold Gorrell, Robert Moody as scenic artist, 1970 May 25-June 28
  • Hedda Gabler by Henrik Ibsen, directed by Melvin Bernhardt, sets designed by James Maronek, costumes by Francis Morigi, lights by G.E. Naselius, Eva LeGallienne as translator, starring Signe Hasso, 1962 February 23-March 13
  • Henry IV, a three-act adaptation of William Shakespeare's work; Acts I and II adapted by Richard Matthews, directed by William Woodman, sets and lights by Peter Wexler, costumes by Virgil Johnson, music by Nick Venden, Joseph Leon as associate director, fights by staged by Michael Tezla, 1974 March 29-May 5
  • Hey Stay Awhile by John Guare, music by Galt MacDermot, John Guare, and Jim Warner., 1984. Directed by Larry Sloan, with Kevin Anderson, 1984 February 19-April 14
  • Hippolytus by Euripides, directed by Bella Itkin, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle Moss, music by Dieter Kober, choreography by Frances Allis, with Donald Buka and Charles Grunwell, 1960 January 3-24
  • Holiday by Philip Barry, directed by Tony Tanner, costumes by Clifford Capone, lighting by Robert Christen, sets by Joseph Nieminski with Lindsay Crouse and W.H. Macy, 1979 April 12-May 13
  • House Arrest: First Edition, by Anna Deavere Smith, 1998 Fall
  • A House Not Meant to Stand by Tennessee Williams, directed by Andre Ernotte, scenery by Karen Schulz, costumes by Christa Scholtz, lights by Rachel Budin, sound by Michael Schweppe, 1982 April 16-May 23
  • The House of Martin Guerre by Leslie Arden and Anna Cascio, directed by David Petrarca, sets by Robert Brill, costumes designed by Susan Hilferty, lighting designed by James F. Ingalls, sound by Rob Milburn, musical direction by Jeffrey Klitz, choreography by David Marques, orchestrations by Bruce Coughlin, 1996 July 1-August 4
  • The House of Martin Guerre by Leslie Arden and Anne Theresa Cascio, directed by David Petrarca in Toronto, 1997 September 25-October 25
  • Hurlyburly by David Rabe, directed by Mike Nichols, sets designed by Tony Walton, costumes by Ann Roth, lighting by Jennifer Tipton, with Harvey Keitel, William Hurt, Christopher Walken, Jerry Stiller, Cynthia Nixon, Judith Ivey, and Sigourney Weaver, 1984 March 23-April 22
  • I Am a Man by OyamO, directed by Marion McClinton, set design by Scott Bradley, costume design by Caryn Neman, lighting by Pat Dignan, sound design by Michael Bodeen and Rob Milburn, music composed by Olu Dara, 1994 April 22-June 4
  • The Iceman Cometh by Eugene O'Neill, directed by Robert Falls, sets designed by John Conklin, costumes by Merrily Murray-Walsh, lighting designed by James F. Ingalls, sound designed by Rob Milburn, featuring Brian Dennehy, Jim True and Denis O'Hare, 1990 September 24-November 4
  • The Imaginary Invalid by Moliere, translated by John Reich, directed by John Reich, sets by William Ryan, lighting by G.E. Naselius, choreography by Frances Allis, costumes by Sylvia Wintle, music by M. Antoine Charpentier, starring Murray Matheson, 1959 May 8-24
  • The Importance of Being Earnest, 1971 December 2-19, 1971 December 28-1972 January 16
  • In the Matter of J. Robert Oppenheimer by Heiner Kipphardt, translated by Ruth Speirs, directed by Gene Lesser, scenic design and visual effects by Robert U. Taylor, costumes by Virgil Johnson, lights by William Mintzer, 1973 January 7-February 11
  • The Inspector General by Nikolai Gogol, translated by John Dolman, Jr. and Benjamin Rothberg, acting version by Joseph Buloff, directed by Joseph Slowik, set designs by John Holabird, costumes by Jay Kobrin, lighting by G.E. Naselius, music by Bob Michaels, starring Joseph Buloff, with Thom Koutsoukos, Frank Savino, and Avery Schreiber, 1960 May 13-22
  • Jitney by August Wilson, directed by Marion McClinton, set design by David Gallo, costume design by Susan E. Mickey, lighting design by Donald Holder, sound design by Rob Milburn, 1999 June 28-August 1
  • Joe Turner's Come and Gone by August Wilson, directed by Jonathan Wilson, set design by Michael S. Philippi, costume design by Claudia Boddy, lighting by Robert Christen, sound design by Rob Milburn, original music and traditional arrangements by Rob Milburn and Elihoenai, 1991 January 11-February 23
  • Journey to the West, adapted by Mary Zimmerman based on the translation of Anthony C. Yu of Hsi Yu Chi, directed by Mary Zimmerman, set design by Scott Bradley, costumes by Allison Reeds, lighting design by T.J. Gerckens, sound design by Michael Bodeen, original music composed by William Schwarz, Miriam Sturm and Michael Bodeen, 1995 April 28-June 3
  • King Hedley II by August Wilson, directed by Marion Isaac McClinton, set design by David Gallo, costume design by Toni-Leslie James, lighting design by Donald Holder, sound design by Rob Milburn, waltz choreographed by Diane McIntyre, 2000 November 30-2001 January 13
  • King Lear by William Shakespeare, directed by Charles McGaw, sets by Richard Kent Wilcox, costumes by Caley Summers, starring Morris Carnovsky, with Maurice Copeland, 1964 April 3-25
  • King Lear and Twelfth Night by William Shakespeare, International Theatre Festival of Chicago by the Stratford Shakespearean Festival of Canada, at the Blackstone Theatre, John Hirsch, artistic director, 1985 November 27-December 22
  • Lady Audley's Secret, adapted by Douglas Seale from the novel by Mary Elizabeth Braddon, directed by Douglas Seale, costumes and scenic design by Alicia Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Jerry Tullos, John Cinas musical director and pianist, 1971 May 24-June 27
  • Lady Precious Stream by Shi I. Hsiung, directed by John Reich, stage designed by William J. Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, choreography by Frances Allis, with Carl Bingham, Maxine Stetson, and Avery Schreiber, 1958 December 5-28
  • The Lady's Not for Burning by Christopher Fry, directed by Stephen Porter, costume and scenic design by Alicia Finkel, lights by G.E. Naselius, 1973 April 1-May 6
  • Lakeboat by David Mamet, directed by Gregory Mosher, scenery by Michael Merritt, costumes by Christa Scholtz, lights by F. Mitchell Dana, sound by Michael Schweppe, with Mike Nussbaum and Jack Wallace, 1982 February 26-April 4
  • Landscape of the Body by John Guare, directed by Robert Falls, sets by George Tsypin, costumes designed by Dunja Ramicova, lighting by Jennifer Tipton, sound design by Rob Milburn, with Gary Cole, 1988 February 26-April
  • The Lark by Jean Anouilh, adapted by Lillian Hellman, directed by Bella Itkin, sets by Andre Wauters, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Manners, 1961 December 1-19
  • The Last Meeting of the Knights of the White Magnolia by Preston Jones, directed by Harold Stone, sets by Joseph Nieminski, costumes by John David Ridge, lights by F. Mitchell Dana, with Jack Wallace and W.H. Macy, 1976 February 13-March 21
  • A Life in the Theatre by David Mamet, directed by Gregory Mosher, music by Stuart Klawans, costumes by Marsha Kowal, sets by Michael Merritt, lights by Robert Christen, 1979 September 11-[?]
  • Light Up the Sky by Moss Hart, directed by David Petrarca, sets by Michael Yeargan, costumes by Jess Goldstein, lighting by Duanne Schuler, sound design by Rob Milburn, 1997 March 24-April 19
  • A Little Night Music by Steven Sondheim and Hugh Wheeler, directed by Michael Maggio, sets by John Lee Beatty, costumes by Virgil C. Johnson, lighting by Michael S. Philippi, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, 1994 June 17-August 21
  • The Lone Canoe, or The Explorer by David Mamet, directed by Gregory Mosher, music and lyrics by Alaric Jans, sets by John Lee Beatty, costumes by Christa Scholtz, lighting by Pat Collins, 1979 May 18-June 24
  • Long Day's Journey into Night by Eugene O'Neill, directed by George Keathley, sets by Joseph Nieminski, lights by F. Mitchell Dana, costumes by Virgil Johnson, 1976 November 12-December 19
  • Lorraine Hansberry's to Be Young, Gifted and Black, adapted by Robert Nemiroff, directed by Patrick Henry, costumes by Andrea Kalish, set designs by Joseph Nieminski, lighting by Daniel Adams, 1974 February 19-March 2
  • Ma Rainey’s Black Bottom by August Wilson, directed by Chuck Smith. Sets by Scott Bradley, costumes by Paul Tazewell, lighting by Robert Christen, sound by Rob Milburn, musical direction by Kimo Williams, 1997 June 30-July 27
  • Macbeth by William Shakespeare, directed by Sam Wanamaker, Patrick Henry as associate director, sets by James Maronek, costumes by Yvonne Bronowicz, lights by G.E. Naselius, music by Donald Andrus, starring Sam Wanamaker, with Lillian Evans, 1964 November 27-December 20
  • The Madwoman of Chaillot by Jean Giraudoux, translated by Maurice Valency, directed by John Reich, sets designed by Richard Kent Wilcox, costumes by Uta Olson, music by Albert Hague, lighting by G.E. Naselius, choreography by Frances Allis, starring Zoe Caldwell, with Sue Ann Park, 1964 October 23-November 14
  • The Man in the Glass Booth by Robert Shaw, directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, Robert Moody as scenic artist, 1970 April 13-May 17
  • The Man of Destiny and The Great Catherine by George Bernard Shaw, Man of Destiny directed by Joseph Slowik, Great Catherine directed by Robert Quinn, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, starring Geraldine Kay, 1958 February 14-March 2
  • A Man's a Man by Bertolt Brecht, translated by Eric Bentley, directed by Joseph Slowik, sets designed by James Maronek, costumes by D. Hudson Sheffield, lights by G.E. Naselius, music by Joseph Raposo, starring Terry Lomax, with Helena Carroll, 1968 March 29-April 24
  • The Man Who Had Three Arms by Edward Albee, directed by Edward Albee, sets designed by John Jensen, costumes by Barbara A. Bell, lights by F. Mitchell Dana, 1982 September 24-October 31
  • Marching Song by John Whiting, directed by Douglas Seale, sets by Sandro La Ferla, costume design by Alicia Finkel, lights by Jerrold Gorrell, 1971 March 1-April 4
  • Marvin's Room by Scott McPherson, directed by David Petrarca, sets by Linda Buchanan, costume design by Claudia Boddy, lights by Robert Christen, musical composition and sound design by Rob Milburn, 1993 March 22-April 18
  • Measure for Measure by William Shakespeare, directed by Charles McGaw, sets by Marc Cohen, costumes by Alicia Finkel, lights by G.E. Naselius, music by Kelly Danford, with Donald Harron, Clayton Corzatte, and Haskel Gordon, 1969 February 14-March 15
  • The Merchant of Venice by William Shakespeare, directed by Charles McGaw, sets designed by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, choreography by Frances Allis, starring Morris Carnovsky, with Mariette Hartley, 1959 October 30-November 15
  • The Merchant of Venice by William Shakespeare, directed by Peter Sellars, costume design by Dunya Ramicova, lighting by James F. Ingalls, sound design by Bruce Odland, 1994 September 30-November 5
  • A Midsummer Night's Dream by William Shakespeare, directed by Michael Maggio and co-directed by Steve Scott, sets by John Conklin, costumes by Susan Hilferty, lighting design by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O’Slynne, with Joan Cusack, 1991 March 8-April 13
  • The Misanthrope by Moliere, in a new version by Neil Bartlett, and further adapted by Robert Falls, presented with the La Jolla Playhouse, directed By Robert Falls, set design by George Tsypin, costume design by Susan Hilferty, lighting by James F. Ingalls, and sound design by Rob Milburn, 1989 September 29-November 4
  • The Miser by Moliere, translated by George Gravely, directed by John Reich, sets designed by Marc Cohen, costumes by D. Hudson Sheffield, lights by Edgar Swift, starring Bramwell Fletcher, with Donna Holabird, 1967 October 20-November 15
  • Miss Evers' Boys by David Feldshuh, directed by Kenny Leon (artistic director, Alliance Theatre, Atlanta), set design by Michael Olich, costumes by Susan E. Mickey, lighting by Robert D. Peterson, choreography by Darlene Blackburn, and sound designer, composer and musical director, Dwight Andrews, 1991 September 13-October 27
  • Mother Courage and Her Children by Bertolt Brecht, English adaptation by Eric Bentley, directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, original music by Paul Dessau, lighting by G.E. Naselius, starring Eugenie Leontovich, 1964 May 8-27
  • The Millionairess by George Bernard Shaw, directed by John Reich, sets by Jacob Burch, lighting by G.E. Naselius, starring Patricia Jessel, 1963 October 25-November 12
  • Moon for the Misbegotten by Eugene O’Neill, directed by Daniel Sullivan, set design by Eugene Lee, costume design by Jane Greenwood, lighting design by Pat Collins, original music composed and sound design by Richard Woodbury, 2000 January 24-February 19
  • Morning, Noon and Night by Spaulding Gray, 1999 September 7-12
  • Mourning Becomes Electra by Eugene O'Neill, directed by William Woodman, sets by John Jensen, costumes by James Edmund Brady, lights by F. Mitchell Dana, music selected by Nick Venden, with Judith Ivey, 1976 January 2-February 8
  • Margarida's Way, 1982 August 31-September 5
  • Much Ado About Nothing by William Shakespeare, directed by Joseph Slowik, sets by George Pettit, costumes by Uta Olson, lights by Jerrold Gorrell, music by Nina Reta, co-starring Carrie Nye and James Ray, with Vincent Park, 1967 February 17-[?]
  • Much Ado About Nothing by William Shakespeare, directed by William Woodman, sets by Herbert Senn and Helen Pond, costumes by Virgil Johnson, lights by Stephen Ross, dances by Ruth Page, incidental music and songs by Alaric Jans with Judith Ivey, 1978 February 10-March 19
  • My Heart's in the Highlands by Williams Saroyan and The American Dream by Edward Albee, directed by Charles McGaw, sets by Francis Morigi, costumes by Uta Olson, lighting by G.E. Naselius, music arranged by Paul Bowles, starring Studs Terkel in Highlands, and Beverly Younger in Dream, 1962 January 12-30
  • Native Son, adapted by Paul Green from the novel by Richard Wright, directed by Gregory Mosher, scenery by Joseph Nieminski, costumes by Christa Scholtz, lighting by Pat Collins with Mike Nussbaum and Meshach Taylor, 1978 October 6-November 12
  • The Night of the Iguana by Tennessee Williams, directed by George Keathley, sets designed by Joseph Nieminski, costumes by Marsha Kowal, lights by Robert Christen, 1978 March 31-May 7
  • The Night of the Iguana by Tennessee Williams, directed by Robert Falls, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Richard Woodbury, featuring William L. Petersen and Cherry Jones, 1994 March 4-April 10
  • The Night Thoreau Spent in Jail by Jerome Lawrence and Robert E. Lee, directed by Patrick Henry, scenic design by James Maronek, costumes by Daniel Pugh, lights by Bengt Nygren, starring Christopher Walken, 1971 January 18-February 21
  • The Odyssey by Homer, directed by Mary Zimmerman, set design by Daniel Ostling, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Willie Schwarz, 1999 September 27-November 6
  • Oh, What a Lovely War, by Joan Littlewood's Theatre Workshop, directed by Patrick Henry, set designs by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by John Cina, starring Terry Lomax, 1967 May 5-28
  • The Old Religion by David Mamet, 1997 November 10
  • The Old Settler by John Henry Redwood, 1998 March 16-April 18
  • Old Times by Harold Pinter, directed by Michael Kahn, scenic design by Marjorie Kellogg, lights by G.E. Naselius, 1972 October 8-November 12
  • On Borrowed Time by Paul Osborne, directed by Joseph Slowik, sets designed by James Harrington, costumes by Tony Eikenbarry, lighting by G.E. Naselius, starring Leo G. Carroll, 1961 May 12-30
  • On the Open Road by Steve Tesich, World Premiere, directed by Robert Falls, sets by George Tsypin, costumes by Gabriel Berry, lighting design by Michael Philippi, sound design by Rob Milburn, projections by John Boesche, 1992 March 6-April 11
  • Oo-Bla-Dee by Regina Taylor, directed by Regina Taylor and Susan V. Booth, set design by Donald Eastman, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Coleridge-Taylor Perkinson, 1999 March 15-April 17
  • Orchards, seven American playwrights present stories by Anton Chekhov: Marie Irene Fornes, Spaulding Gray, John Guare, David Mamet, Wendy Wasserstein, Michael Weller, and Samm-Art Williams, An Acting Company production, directed by Robert Falls, sets by Adrianne Lobel, costumes by Laura Crow, lights by Paul Gallo, music by Louis Rosen, 1986 May 23-June 29
  • Othello by William Shakespeare [production cancelled], [1964]
  • Othello by William Shakespeare, directed by Charles McGaw, sets by James Maronek, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, starring James Earl Jones and Len Cariou, 1968 February 16-March 13
  • Otherwise Engaged by Simon Gray, directed by William Woodman, scenic design by Joseph Nieminski, lighting designed by F. Mitchell Dana, costumes by James Edmund Brady, 1978 May 12-June 18
  • Our Fathers Failing by Israel Horovitz, World Premiere, directed by John Dillon, sets designed by Stuart Wurzel, costumes by John David Ridge, lighting by Arden Fingerhut, 1976 March 26-May 2
  • Our Town by Thornton Wilder, directed by George Keathley, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Gilbert Hemsley, 1975 October 3-November 9
  • Pal Joey by John O'Hara, music by Richard Rogers, lyrics by Florenz Hart, directed by Robert Falls, choreography by Ann Reinking and Chet Walker, sets by Thomas Lynch, costumes designed by Marty Pakledinaz, with Kevin Anderson, Ivory Ocean and Del Close, 1988 June 3-July 24
  • A Passage to India by E.M. Forster, adapted for the stage by Santha Rama Rau, directed by Charles McGaw, sets by James Maronek, costumes by Caley Summers, lighting by G.E. Naselius, starring Lillian Gish, 1963 January 11-30
  • Pal Joey by John O'Hara, directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, with Nancy Marchand, 1973 May 13-June 17
  • Panto by Derek Wolcott, directed by Gregory Mosher, scenery and costumes by David Gropman, lighting by Robert Christen, sound by Michael Schweppe, with Roscoe Lee Brown, 1982 January 15-February 21
  • Passion Play by Peter Nichols, directed by Frank Galati, sets by John Conklin, costumes by Jessica Hahn, lights by Kevin Rigdon, sound by Rob Milburn, 1988 January 8-February 13
  • The Pedestrian in the Air (Le Pieton de l'Air) by Eugene Ionesco, translated by Donald Watson. American Premiere, directed by Joseph Slowik, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, starring Alvin Epstein, 1966 January 7-[?]
  • The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade by Peter Weiss, directed by Charles McGaw, sets designed by James Maronek, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Peaslee, co-starring Jerome Kilty and James Ray, 1966 October 21-November 16
  • The Philanthropist by Christopher Hampton, Midwest Premiere, directed by Michael Montel, sets designed by Peter Wexler, costumes by John David Ridge, lights by Ken Billington, with Judith Ivey and Swoosie Kurtz, 1975 February 14-March 23
  • The Piano Lesson by August Wilson, directed by Lloyd Richards, sets by David Cosier, Jr., costumes designed by Constanza Romero, lighting by Christopher Akerlind, sound design by J. Scott Servheen, music by Dwight Andrews, 1989 January 6-February 18
  • A Place Without Doors (L'Amante Anglaise) by Marguerite Dumas, Midwest Premiere, directed by Brian Murray, original lighting design by Ronald Wallace and adapted by G.E. Naselius, with Mildred Dunnock, Alvin Epstein, and Hiram Sherman, 1971 September 21-October 10
  • Play Mas by Mustapha Matura, directed by Derek Walcott, scenery and costumes designed by Adrienne Lobel, lighting by Robert Christen, sound by Michael Schweppe, 1981 April 10-May 17
  • Play On! conceived by Sheldon Epps, based on the book by Cheryl L. West, with the songs of Duke Ellington, directed by Sheldon Epps, choreography by Mercedes Ellington, set design by James Leonard Joy, costume design by Marianna Elliott, lighting design by Michael Gilliam, sound design by Rob Milburn, and music direction by J. Leonard Oxley, 1998 June 19-August 16
  • Plenty by David Hare, directed by Gregory Mosher, scenery by Marjorie Kellogg, costumes by Virgil Johnson, lighting by Jennifer Tipton, music by Nick Bicat, 1981 February 22-April 5
  • Poor Bitos (Pauvre Bitos) by Jean Anouilh, directed by Douglas Campbell, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Wayne Tignor, hair design by Susan and James Chiaro, 1971 April 12-May 16
  • Purple Dust by Sean O'Casey, directed by Joseph Slowik, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, with Louis Zorich and Avery Schreiber, 1959 February 20-March 8
  • Red Noses by Peter Barnes, American Premiere, directed by Jeff Steitzer, sets designed by Scott Weldin, costumes by Laura Crow, lighting by Robert Paulsen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Jim Corti, 1987 September 25-October 31
  • A Raisin in the Sun by Lorraine Hansberry, directed by Thomas Bullard, sets by Karen Schulz, lights by Dennis Parichy, costumes by Judy Dearing, with Jackie Taylor and Ernest Perry, Jr., 1983 September 23-October 30
  • A Raisin in the Sun by Lorraine Hansberry, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, sound design by Rob Milburn, 2000 May 1-June 3
  • Rashomon by Ryunosoke Akutagawa, adapted for the stage by Fay and Michael Kanin, directed by Patrick Henry, sets by James Maronek, costumes by Kurt Wilhelm, lights by G.E. Naselius, music by Lawrence Rosenthal, starring Douglas Rain, [1964-1965]
  • The Recruiting Officer by George Farquhar, John Harrison as guest director from London, set designed by James Maronek, costumes by Alicia Finkel, lighting by G.E. Naselius, co-starring Ronnie Graham and Jerome Kilty, with Maurice Copeland, 1969 May 9-June
  • Red River by Pierre Laville, translated by David Mamet, directed by Robert Woodruff, sets designed by Karen Schulz, costumes by Susan Hilferty, lighting by Paul Gallo, choreography by Charles Vernon, 1983 April 22-May 29
  • Red Roses for Me by Sean O'Casey, John O'Shaugnessy as guest director, sets by James Maronek, costumes by E. Oliver Olsen, lights by Jerrold Gorrell, choreography by Thomas Jaremba, music by Robert Lombardo, 1969 January 3-February 1
  • The Resistible Rise of Arturo Ui by Bertolt Brecht and adapted by George Tabori, directed by William Woodman, music by Hans-Dieter Hosalla, sets by Joseph Nieminski, costumes by John David Ridge, lights by Gilbert Hemsley, Jr, 1975 March 28-May 4
  • Richard II by William Shakespeare, directed by David Petrarca, sets by Russell Metheny, costume design by Virgil C. Johnson, lighting design by James F. Ingalls, sound by Rob Milburn, music composed by Miriam Sturm and Rob Milburn, featuring Mike Nussbaum and Martha Lavey, 1994 January 14-February 19
  • Richard III by William Shakespeare, directed by William Woodman, sets designed by John Jensen, lighting by F. Mitchell Dana, fights staged by Michael Tezla, costumes by James Edmund Brady, music composed by Alaric Jans, 1977 February 11-March 20
  • The Rivals by Richard Brinsley Sheridan, directed by Joseph Slowik, sets by Bruce Koenig, costumes by Uta Olson, lights by G.E. Naselius, starring Brenda Forbes, with Vincent Park, 1963 May 3-21
  • Riverview: A Melodrama with Music, by John Logan, World Premiere, staged by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Thomas Lynch, costume design by Nan Cibula, lighting by Michael S. Philippi, sound by Richard Woodbury, vocal and dance arrangements by Larry Schanker, musical direction by Helen Gregory, orchestrations by David Siegel, musical supervision and original music by Larry Schanker, 1992 June 12-August 9
  • The Road by Wole Soyinka, directed by Wole Soyinka, sets by Patricia Woodbridge, costumes by Judy Dearing, lights by Stephen Strawbridge, with Ernest Perry, Jr. and Ivory Ocean, 1984 April 20-May 27
  • Romeo and Juliet by William Shakespeare, directed by Michael Maggio, sets by Michael Merritt, costumes by Nan Cibula, lights by Jennifer Tipton, sound by Rob Milburn, music by Larry Schanker, choreography by Beatrix Rashid, fight choreography by Steve Pickering, with Phoebe Cates, 1988 October 3-November 5
  • The Rover by Aphra Behn, adapted by John Barton, directed by Kyle Donnelly, sets by John Lee Beatty, costumes by Lyndsay Davis, lighting by Judy Rasmuson, sound by Rob Milburn, music by Rob Milburn and Larry Schanker, combat and masque staging by Michael Sokoloff, 1989 February 24-April
  • The Royal Family by George S. Kaufman and Edna Ferber, directed by Douglas Seale, costumes by Virgil Johnson, sets designed by James Maronek, lights by Jerrold Gorrell, Robert Moody as scenic artist, with Mike Nussbaum, 1972 January 20-February 27
  • Royal Gambit (Henry VIII and His Wives) by Herman Gressieker, translated and adapted by George White, directed by Melvin Bernhardt, sets designed by Andre Wauters, costumes by Tom Eikenbarry, lighting by G.E. Naselius, starring Sam Wanamaker, 1961 January 13-[?]
  • The Ruling Class by Peter Barnes, directed by Patrick Henry, costumes by Virgil Johnson, sets by Sandro La Ferla, lighting by Wayne Tignor, Robert Moody as scenic artist, choreography by Gus Giordano, 1972 March 2-April 9
  • The Salzburg Everyman by Hugo von Hofmannsthal, translated by John Reich, directed by John Reich, sets designed by William Ryan, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, music by Bob Michaels, starring Donald Buka, Uka Diehl and Avery Schreiber, [1957-1958]
  • The Salzburg Great Theatre of the World by Hugo von Hofmannsthal, translated by Lisel Mueller and John Reich, World Premiere in English, directed by John Reich, sets by James Maronek, costumes by E. Oliver Olsen, costumes by Alicia Finkel, choreography by Thomas Jaremba, lights by G.E. Naselius, music by Robert Lombardo, starring Edgar Daniels, with Dina Halpern and Maurice Copeland, 1968 October 4-November 2
  • The Sea Gull by Anton Chekhov, directed by Gregory Mosher, sets designed by Joseph Nieminski, lighting by Pat Collins, costume design by Virgil Johnson, 1977 November 11-December 18
  • Scenes from American Life by A.R. Gurney, Jr, directed by Harold Stone, scenic design by David Jenkins, costumes by Alicia Finkel, lights by Beverly Emmons, Bill McCauley as musical director, 1972 November 26-December 31
  • The Sea by Edward Bond, American Premiere, directed by William Woodman, sets designed by David Jenkins, costumes by James Brady, lights by F. Mitchell Dana, with Judith Ivey, 1974 November 15-December 22
  • The Seagull by Anton Chekhov, adapted by Regina Taylor, 2001 April 27-May 27
  • Seven Guitars by August Wilson, World Premiere, directed by Walter Dallas, sets by Scott Bradley, costume design by Constanza Romero, lighting by Christopher Akerlind, sound by Tom Clark, musical direction by Dwight Andrews, 1995 January 13-February 18
  • Sgnarelle: An Evening of Moliere Farces, translated by Albert Bermel, directed by Andre Serben, sets by Michael Yeargan, lights by James Ingalls, costumes by Dunja Ramicova, music by Stephen Drury, 1982 May 28-July 3
  • She Always Said, Pablo, words by Gertrude Stein, conceived by Frank Galati, directed by Frank Galati, production designed by John Paoletti, Geoffrey Bushor and Mary Griswold, choreography by Steven Ivcich and Peter Amster, music by Virgil Thomson and Igor Stravinsky, 1987 February 27-April 4
  • She Always Said, Pablo, conceived and directed by Frank Galati. At the Kennedy Center for the Performing Arts, Eisenhower Theater, production design by John Paoletti, Mary Griswold and Geoffrey Bushor, sound design by Robert Neuhaus, choreography by Peter Amster, musical direction and arrangements by Edward Zelnis, 1990 June 28-July 22
  • The Show Off by George Kelly, directed by Gene Lesser, sets by Marjorie Kellogg, lights by Pat Collins, costumes by James Edmund Brady, with William H. Macy, 1976 December 31-1977 February 6
  • Six Characters in Search of an Author by Luigi Pirandello, American Repertory Theatre, directed Robert Brustein, sets and costumes by Michael Yeargan, lights by Jennifer Tipton, 1985 June 7-July 14
  • The Skin of Our Teeth by Thornton Wilder, directed by Patrick Henry, sets designed by Richard Kent Wilcox, costumes by Kurt Wilhelm, lights by G.E. Naselius, starring Edward Binn and Eugenie Leontovich, with Beverly Younger and Carrie Snodgrass, 1966 March
  • The Skin of Our Teeth by Thornton Wilder, directed by David Petrarca, sets by Michael Yeargan, costume design by Catherine Zuber, lighting by Christopher Akerland, sound design by Rob Milburn, 1992 September 25-October 31
  • Soldiers by Rolf Hochhuth, directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lighting designed by G.E. Naselius, scenery painted by Robert Moody, 1969 October 20-November 23
  • A Soldier's Play by Charles Fuller, directed by Douglas Turner Ward, sets by Felix Cochren, costumes by Judy Dearing, lights by Allen Lee Hughes, featuring Adolph Caesar and the Negro Ensemble Company, 1983 June 13-July 24
  • The Speed of Darkness by Steve Tesich, directed by Robert Falls, sets by Thomas Lynch, costumes designed by Nan Cibula, lighting designed by Michael Phillipi, sound and music by Rob Milburn, 1989 April 14-May 20
  • Joan by George Bernard Shaw, directed by John Clark, scenery by David Jenkins, costumes by James Edmund Brady, lights by F. Mitchell Dana starring Lynn Redgrave, 1977 September 23-October 30
  • Streamers by David Rabe, Midwest Premiere, directed by Gregory Mosher, sets designed by Joseph Nieminski, lights by Pat Collins, costumes by Marsha Kowal with William H. Macy and Meshach Taylor, 1977 March 25-May 1
  • The Suicide by Nikolai Erdman, directed by Gregory Mosher, sets by Michael Merritt, lighting by Arden Fingerhut, costumes by Christa Scholtz, sound by Michael Schweppe, 1980 October 3-November 9
  • Sunday in the Park with George by James Lapine, music and lyrics by Stephen Sondheim, directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Nan Cibula, lights by Robert Christen and John Boesche, choreography by Michael Sokoloff, 1987 June 15-September 6
  • Talley's Folly by Lanford Wilson, directed by Marshall Mason, sets by John Lee Beatty, lighting designed by Dennis Parichy, costumes by Jennifer Von Mayrhauser, sound by Chuck London, 1980 April 11-May 18
  • The Taming of the Shrew by William Shakespeare, directed by Charles McGaw, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Louis Russo, starring Leo Ciceri, 1960 October 28-[?]
  • Tartuffe by Moliere, translated into English verse by Richard Wilbur, directed by John Reich, sets by George Pettit, costumes by Uta Olson, lighting designed by G.E. Naselius, starring Jerome Kilty, with Edgar Daniels, Sue Ann Park, and Carrie Snodgrass, 1966 November 25-December 18
  • The Tempest by William Shakespeare, directed by Douglas Seale, sets by James Maronek, costumes by Alicia Finkel, scenery painted by Robert Moody, choreography by Wilbert Bradley, original music and electronic effects by Robert Lombardo, lighting design by Jerold Gorrell, 1970 January 19-February 22
  • The Tempest by William Shakespeare, directed by Robert Falls, sets designed by Adrianne Lobel, costumes designed by Jessica Hahn, lights by James F. Ingalls and John Boesche, music by Louis Rosen, with James O'Reilly, Del Close and Ivory Ocean, 1987 April 17-May 29
  • The Three Moscowteers by Dmitri Karamazov, directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls, 1984 June 1-July 8
  • The Three Moscowteers by Dmitri Karamazov, directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls, 1984 June 1-July 8
  • The Three Penny Opera by Bertolt Brecht and Kurt Weill, English adaptation by Marc Blitzstein, directed by Douglas Seale, musical direction by Ronald Jones, scene design by James Maronek, costumes by Virgil Johnson, lights by G.E. Naselius, choreography by Wilbert Bradley, 1970 October 12-November 15
  • Three Sisters by Anton Chekhov, translated by Tyrone Guthrie and Leonid Kipnis, directed by Eugenie Leontovich, with Charles McGaw, sets designed by Richard Wilcox, costumes by Caley Summers, lights by G.E. Naselius, starring Richard Waring, 1963 November 29-December 18
  • Three Sisters by Anton Chekhov, new English translation by Richard Nelson, directed by Robert Falls, set and costume design by Santo Loquasto, lighting design by James F. Ingalls, sound by Richard Woodbury, musical direction and arrangements by Larry Schanker, 1995 March 10-April 15
  • Tiger at the Gates by Jean Girardoux, translated by Christopher Fry, directed by Bella Itkin, sets designed by Paul Leonard, costumes by Sylvia Wintle, lights by G.E. Naselius, starring Michael Hall, 1958 January 10-26
  • The Time of Your Life by William Saroyan, featuring the Remains Theatre Ensemble, directed by Donald Moffett, sets designed by Thomas Lynch, costume by Nan Cibula, lighting by Robert Christen, with Del Close, Dennis Farina, Amy Morton and William L. Petersen, 1984 March 2-April 8
  • ‘Tis Pity She's a Whore by John Ford, directed by Michael Kahn, scenic designs by Robert U. Taylor, costumes by Lawrence Casey, lighting by John McLain, fencing choreographed by Larry Carpenter, choreography by Beulah Abrahams, 1975 January 3-February 9
  • 'Tis Pity She's a Whore by John Ford, directed by JoAnne Akalatis, set design by John Conklin, costume design by Gabriel Berry, lighting by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O'Slynne, fight direction by David Leong, and original music composed by Jan A. Kaczmarek, 1990 March 2-April 7
  • Tobias and the Angel by James Bridie, directed by Bella Itkin, sets by J. Van Eyck, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Francis Allis, music by John Towey, 1963 March 24-[?]
  • Tom Paine by Paul Foster, Midwest Premiere, directed by Patrick Henry, sets by Joseph Nieminski, costumes by Virgil Johnson, lights by Jerold Gorell, music by Tom O'Horgan, starring Michael Higgins, with Ellen Travolta, 1969 March 28-April 26
  • The Tooth of Crime by Sam Shepard, directed by Michael Kahn, music composed by Tony Zito, sets designed by John Kasarda, costumes by John David Ridge, lights by Gilbert Hemsley, 1974 January 8-February 10
  • A Touch of the Poet by Eugene O'Neill, directed by Robert Falls, set design by Derek McLane, costume design by Birgit Rattenborg Wise, lighting design by Kenneth Posner, with Brian Dennehy, 1996 April 26-June 8
  • The Trial, adapted by Andre Gide and Jean-Louis Barrault from the novel by Franz Kafka, directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle, with Dorothy Konrad and June Pyskacek, 1959 April 3-19
  • Twelfth Night by William Shakespeare, directed by Douglas Seale, music by Robert Lombardo, sets designed by Sandro La Ferla, costumes by Alicia Finkel, lights by Jerrold Gorrell, 1970 November 30-1971 January 10
  • Twelfth Night by William Shakespeare, directed by Neil Bartlett, music composed and directed by Nicholas Bloomfield, movement directed by Leah Hausman, set and costume design by Richard Hudson, lighting design by Scott Zielinski, sound design by Rob Milburn, 1992 January 10-February 22
  • Twentieth Century by Ben Hecht and Charles MacArthur, with Bruce Milholland, directed by William Woodman, sets and lights by Clarke Dunham, costumes by Virgil Johnson, 1973 February 18-March 25
  • Two-Part Inventions by Richard Howard, directed by Michael Feingold, scenery by David Lloyd Gropman, lights by Jennifer Tipton, costumes by Christa Scholtz, 1979 January 12-February 18
  • Two Trains Running by August Wilson, Chicago Premiere, (extended March 4-14, 1993 at the New Regal Theater), directed by Lloyd Richards, sets by Tony Fanning, costumes by Chrisi Karvonides-Dushenko, lighting design by Geoff Korf, sound design by Rob Milburn, with Roscoe Lee Brown, 1993 January 15-February 27
  • Uncle Vanya by Anton Chekhov, translated by Stark Young, directed by Alan Schneider, sets by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, starring Walter Abel, with Melinda Dillon, 1961 April 7-25
  • Uncle Vanya, by Anton Chekhov, adapted by David Mamet from an English translation by Vlada Chernomirdik, directed by Michael Maggio, sets by Linda Buchanan, costume design by Nan Cibula, lighting by James F. Ingalls, sound design by Rob Milburn, with John Mahoney, 1990 April 20-May 26
  • Under Milkwood by Dylan Thomas, directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, music by George Estevez, starring Ivor Harries, 1961 February 24-March 14
  • Venus Observed by Christopher Fry, directed by John Reich, sets and lights by James Harrington, costumes by Uta Olson, starring Tom Helmore, Avery Schreiber and Melinda Dillon, 1960 December 2-21
  • The Visit by Frederich Duerrenmatt, adaptation by Maurice Valency, directed by David Petrarca, set design by Paul Steinberg, costume design by Virgil Johnson, lighting design by James F. Ingalls, sound design by Rob Milburn, original music composed by Rob Milburn and Larry Schanker, musical direction by Larry Schanker, 1991 April 26-June 2
  • Waiting for Godot by Samuel Beckett, directed by Michael Maggio, set design by Riccardo Hernandez, costume design by Nan Cibula-Jenkins, and lighting design by Donald Holder, 1999 January 18-February 20
  • The Water Engine by David Mamet, directed by Steven Schachter, sets by John Lee Beatty, lights by Dennis Parichy, costumes by Jessica Hahn, music by Alaric Jans, with William H. Macy, 1985 May 6-June 2
  • The Water Engine by David Mamet, Ravinia, directed by Steven Schachter, sets by John Lee Beatty, costumes by Jessica Hahn, lights by Dennis Parichy, music by Alaric Jans, 1985 September 17-21
  • Welcome to Our Living Room, 1982 September 7-19
  • The Winter's Tale by William Shakespeare, directed by Bella Itkin, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Patrick Henry, choreography by Frances Allis, music by John Towney, starring Leo Ciceri, with Linda Hunt, 1965 November 26-[?]
  • The Winter's Tale by William Shakespeare, directed by Frank Galati, set design by John Conklin, costumes by Virgil Johnson, lighting by Jennifer Tipton, sound design by Rob Milburn, original music composed by Rob Milburn, Willy Schwarz and Miriam Sturm, 1990 January 12-February 17
  • Working, from the book by Studs Terkel, songs by Craig Carnelia, Micki Grant, Stephen Schwartz, and James Taylor, with additional songs by Susan Birkenhead and Mary Rogers, adapted and directed by Stephen Schwartz, dance and incidental music by Michelle Brourman, sets by David Mitchell, costumes by Marjorie Slaiman, lighting by Pat Collins, musical direction and vocal arrangements by Stephen Reinhardt, sound design by Abe Jacobs, choreography by Graciela Daniele with Joe Mantegna, 1977 December 30-1978 February 5
  • You Can't Take It with You by George S. Kaufman and Moss Hart, directed by Edward Payson Call, sets by Marc Cohen, costume design by Virgil Johnson, lighting by G.E. Naselius, scenery painted by Robert Moody, 1969 December 1-21
  • The Young and the Fair by N. Richard Nash, directed by Bella Itkin, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, with Beverly Younger, 1959 January 16-February 1
  • The Young Man from Atlanta by Horton Foote, directed by Robert Falls, set design by Thomas Lynch, costumes by David C. Woolard, lighting by James F. Ingalls, and sound design and musical composition by Richard Woodbury, starring Shirley Knight and Rip Torn, 1997 January 27-March 1
  • Zoot Suit by Luis Valdez, directed by Henry Godinez, set design by Christopher Acebo, costume design by Nan Zabriskie, lighting design by Michael Philippi, sound design by Michael Bodeen, original music composed by Daniel Valdez, songs composed by Lalo Guerrero, 2000 June 16-July 30
Studio productions include:
  • Activents and Happenchances – a Celebritual for 10/130; I Have a Lady in the Balcony, Doctor!; Focus! Bofus?; and US(-a), directed by Patrick Henry, [1966 May 16-19]
  • After the Fall by Arthur Miller, directed by Alice Cohen, sets by Oseloka Osadebe, costumes by Al Tucci, lighting by Joseph Pohnan, with Guy Giarrizzo, [1969]
  • Ah, Wilderness! by Eugene O'Neill, directed by David Avcollie, sets by Thomas Beall, costumes by Bobbie Hodges, lights by Mary Lou Papada, 1976 April 29-May 9
  • Alcestis by Euripides, directed by Charles Likar, Jr., sets and costumes by Kurt Wilhelm, lights by Woolley, 1965 October 25-28
  • All That Fall and Play by Samuel Beckett, directed by Libby Appel, sets by Michael O'Kane, costumes by Dunja Ramicova, lighting by Robert Shook, 1971 February 1-13
  • All the Way Home by Tad Mosel, based on the novel A Death in the Family by James Agee, Warren Enters as guest director, sets by Gary Gorman, costumes by Marcy Stine, lighting by Lawrence Dean, with Carrie Snodgrass, 1967 October 23-28
  • And So to Bed by J.B. Fagan, directed by Eugenie Leontovich, sets designed by Linda Wukovich, costumes by Marcy Stein, lighting by Lawrence Dean, 1967 May 8-14
  • All God's Children Got Wings, [1960-1961?]
  • The Amorous Flea, based on Moliere's School for Wives, by Jerry Devine, music and lyrics by Bruce Montgomery, directed by Kelly Danford, sets by James Reed, costumes by Sam Smith, lighting by James Hegwood, 1970 October 12-24
  • Antigone, adapted by Lewis Galatiere from the play by Jean Anouilh, directed by A.C. Thomas, sets by James Maronek, costumes by Maggie Bodwell, lighting designed by G.E. Naselius, 1979 March 8-18
  • Apollo of Bellac by Jean Girardoux, directed by Harvey Landa, [1959-1960]
  • Arms and the Man by George Bernard Shaw, directed by Steve Kardaleff, sets designed by Ford Larsen, costumes by Margaret Danielson, 1963 March 25-28
  • As You Like It by William Shakespeare, directed by Jack Jones, sets designed by Brad Loman, costumes by Niki Rudisill, lighting by William C. Fox, choreography by Estelle Spector, 1974 March 1-March 17
  • Auto-da-Fe, The Gnadiges Fraulein, and The Long Stay Cut Short by Tennessee Williams, directed by Robert Leonard, sets by Michael Latoria, costumes by James Larsen, lighting by David Barton, 1966 October 24-30
  • Avner the Eccentric,1981 May 29-June 28
  • Avner the Eccentric, performed by Avner Eisenberg, 1988 February 16-28
  • Baal by Bertolt Brecht, directed by Charles McGaw, sets designed by Vincent Faust, costumes by Julie Nagel, lights by Paul Thompson, music by Reggie Schwander, 1971 November 13-21
  • Bad Moon by Rick Cleveland, American Blues Theatre production, directed by William Payne, sets by James Dardenne, lights by Mary Badger, costumes by Erin Quigley, music by James Schneider, 1988 June 29-[?]
  • The Bald Soprano and The Lesson by Eugene Ionesco, directed by Joseph Slowik, sets by Bill Wilson, costumes by Peri Grenell, 1961 October 30-November 2
  • The Baltimore Waltz by Paula Vogel, directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by Rita Pietraszek, sound design by Michael Bodeen, original music composed by Michael Bodeen, William Schwarz and Miriam Sturm 1993 April 2-May 2
  • The Beautiful People by William Saroyan, directed by Robert Lowery, 1963 March 4-5
  • The Beckett Project (3 plays by Samuel Beckett): Ohio Impromptu, directed by Alan Schneider, sets and lights by Rocky Greenberg; Eh, Joe, directed by Rick Cluchey, sets and lights by Kevin Rigdon; and A Piece of Monologue, directed by Alan Schneider, staged by Rocky Greenberg and David Warrilow, [1982-1983]
  • Bedlam Galore, for Two or More and Jack, or The Submission by Eugene Ionesco, directed by Joseph Slowik, sets and costumes by designed by Kurt Wilhelm, 1964 October 26-29
  • Between Two Thieves by Warner LeRoy, an Evening School production directed by Bella Itkin, sets by James Harrington, costumes by Emily Mason, lighting by Terry Shevalenko, 1963 January 14-17
  • Bigtime by Keith Reddin, Remains Theatre production, directed by Larry Sloan, sets and lights by Kevin Rigdon, costumes by Laura Cunningham, sound design by Rob Milburn, 1987 November 4-December 20
  • A Bill of Three One-Acts: The Shy and the Lonely, by Irwin Shaw and directed by Jim Cavanaugh; Hyacinth Halvey, by Lady Gregory and directed by Sue Ann Young; This Music Crept by Me Upon the Water, by Archibald MacLeish and directed by Hani Snobar, sets and lighting by Kert Lundell, costumes by Hubert Braden, with Avery Schreiber, [1957-1958]
  • Billy Liar by Keith Waterhouse and Willis Hall, directed by Roy Clary, 1964 January 15-16
  • The Birthday Party by Harold Pinter, directed by Patrick Henry, sets and lighting designed by Gene Lee, programs, 1962 February 26-March [?]
  • Blood Wedding by Federico Garcia Lorca, directed by Donald Biehn, scenic design by Vincent Faust, costumes by Susan Lopez, lights by Philip Evola, 1973 April 10-April 22
  • The Bloody Tenet by James Schevill. Chicago Premiere, directed by Robert Quinn, choreographed by Frances Allis, [1957-1958?]
  • The Boy Friend by Sandy Wilson, directed by Michael Thompson, choreography by Dick Stephens, sets designed by John Retseck, lighting by Alfred Jutzi, costumes by John Buehler, 1963 December 2-5
  • Bread and Puppet Theater's Diagonal Man: Theory and Practice, written by Peter Schumann, directed by Peter Schumann, 1983 November 2-20
  • Brecht on Brecht by George Tabori, directed by Lewis Musil, sets by Norbert Fend, costumes by Madeline Grigg, lights by Frank Warner, 1969 April 1-5
  • Brutality of Fact by Keith Reddin, World Premiere, directed by Michael Maggio, set design by Linda Buchanan, lighting design by Robert Christen, 1994 February 11-March 13
  • Bury the Dead by Irwin Shaw, a Sub-Studio Production directed by Jim Cavanaugh, lighting by William Weingart, 1957 October 25
  • Camino Real by Tennessee Williams, adapted and directed by Joseph Slowik, scenic design by Dean Taucher, costumes by Julie Jackson, lighting by Christine Decyk, sound design by Eric Strand, 1975 December 4-14
  • Candida by George Bernard Shaw, directed by James Latrimore, [1959-1960]
  • Catch 22 by Joseph Heller, directed by James Engelhardt, scenic design by David Emmons, costumes by Nancy Grabowski, lighting by Neal Yablong, 1974 April 5-April 21
  • Celebration by Tom Jones and Harvey Schmidt, directed by Thom Racina, sets by Frank Bradley, lights by Bengt Nygren, costumes by Al Tucci and Ferruccio Garavaglia, choreography by Joel Kazar, 1970 January 11-17
  • The Chalk Garden by Enid Bagnold, directed by Melvin Bernhardt, 1960 December 8-9
  • A Clearing into the Woods by Arthur Laurents, directed by Melvin Bernhardt, [1959 November?]
  • The Chalk Garden by Enid Bagnold, directed by Robert Leonard, sets by Mary Feindt, costumes by James Larsen, lighting by Len Sherwin, 1967 February 20-26
  • Chamber Music by Arthur Kopit, directed by Martin Brezell, 1967 February 27
  • Charlotte by Peter Hacks, directed by Herbert Bergof, with Uta Hagen, 1982 February 8-14
  • The Cherry Orchard by Anton Chekhov, directed by Bella Itkin, sets by James Reed, lighting by Kenneth Peters, costumes by Daniel Pugh, 1971 April 5-May 8
  • The Children's Hour by Lillian Hellman, directed by Judi Speer, 1961 November 4-5
  • The Chinese Wall by Max Frisch, directed by Patrick Henry, costumes by Margaret Danielson, lighting by Al Jutzi, sets by Andrew Gilfillan, 1963 May 4-7
  • Circus Minimus, [1969-1970]
  • Clerambard by Marcel Ayme, directed by Melvin Bernhardt, lighting by Jack Hickey, costumes by Rose-Marie Long, 1960 November 7-10
  • Cloud Tectonics by Jose Rivera, co-produced with Teatro Vista, directed by Henry Godinez, sets by Robert C. Martin, costumes by Sharon Sachs, lighting design by Robert Shook, sound by Robert Neuhaus, 1995 September 18-October 8
  • The Cold Wind and the Warm by S.N. Behrman, directed by Thomas Heino, 1962 February 19-20
  • The Collection by Harold Pinter, directed by John Reich, lighting by Jerrold Gorrell, costumes by Al Tucci, 1968 March 26
  • Commencement Exercises by Steve Tesich, World Premiere, directed by Robert Falls, 1991 November 11-December 1
  • A Country Scandal by Anton Chekhov, directed by Libby Appel, sets by William Kent, costumes by Gay Crusius, lighting designed by Charles Letts, musical direction by Carol Francis, 1973 May 8-May 20
  • The Crucible by Arthur Miller, directed by Robert Loxley, sets by Erwin Schroeter, costumes by James Larsen, lights by Frank Kaufman, 1966 January 10-13
  • A Cry of Players by William Gibson, directed by Jack Jones, sets designed by Marc Cohen, costumes by Daniel Pugh, lights by Wayne Tignor, with Guy Giarrizzo and Bruce Boxleitner, 1970 February 22-28
  • Dark of the Moon by Howard Richardson and William Berney, directed and designed by Patrick Henry, 1961 January 23-26
  • The Days and Nights of Beebee Fenstermaker by William Snyder, directed by Herb Felsenfeld, 1965 January 11-12
  • Death of a Salesman by Arthur Miller, directed by Dan Clifford, sets designed by Neil Jampolis, costumes by Hedi Riemann, 1963 April 3-6
  • The Death and Life of Sneaky Fitch by James L. Roseberg, World Premiere, directed by Patrick Henry, sets by Thomas Clark, costumes by Marianne Powell, lighting by Edgar Swift, 1967 January 16-22
  • Deep in a Dream of You, written by David Cale, music by Roy Nathanson, World Premiere, directed by David Petrarca, production design by Linda Buchanan, sound design by Rob Milburn, 1991 January 25-February 24
  • The Diary of Ann Frank, dramatized by Frances Goodrich and Albert Hackett, directed by Thomas Heino, sets and lights by Ford Larsen, costumes by Hedi Riemann, 1963 November 11-14
  • Dinny and the Witches by William Gibson, directed by Harvey Landa, sets by Francis Morigi, choreography by Charles Abbate, costumes by Adela Hamielec, lights by J. Van Eyck, 1961 November 13-16
  • The Dog in the Manger by Lope de Vega, directed by Eugenie Leontovich, sets by Joseph Nieminski, costumes by James Larsen, lights by John O'Connor, 1968 April 1-6
  • Down the Shore by Tom Donaghy, World Premiere, directed by David Petrarca, set and costume design by Linda Buchanan, lighting design by Robert Christen, sound design by Rob Milburn, 1992 February 7-March 8
  • Edmond by David Mamet, directed by Gregory Mosher, scenery by Bill Bartel, costumes by Marsha Kowal, lights by Kevin Rigdon, fight choreography by David Wooley, with Jack Wallace, [1981-1982]
  • Eh? by Henry Livings, directed by Jay Jans, sets by Oseloka Osadebe, costumes by Bupha Chuvisavaphong, lights by Robert McLay, 1969 February 17-22
  • Elliot Loves by Jules Feiffer, World Premiere, directed by Mike Nichols, sets by Tony Walton, costume design by Ann Roth, lighting design by Paul Gallo, sound by Rob Milburn, 1990 April 13-May 13
  • The Empire Builders by Boris Vian, directed by Bella Itkin, sets by Norbert Fencl, costumes by Daniel Pugh, lighting by Joe Pohnan, choreography by Thomas Jaremba, 1969 December 8-11
  • Escape from Paradise by Regina Taylor, directed by Shirley Jo Finney, sets by Scott Cooper, lighting by Robert Christen, sound by Michael Bodeen, projections by Royd Climenhaga, 1995 October 30-November 19
  • Eurydice by Jean Anouilh, directed by Rilla Bergman (as an MFA requirement), [1960? Spring]
  • Exit the King by Eugene Ionesco, directed by David Jewell, sets by Jeffrey Masters, costumes by Martha Ferrara, lights by Frank Waketsch, 1972 March 11-19
  • The Firebugs by Max Frisch, Midwest Premiere, John O'Shaugnessy as guest director, sets by Alan Traynor, costumes by Al Tucci, lights by Gerald Thamm, 1968 October 7-12
  • The Flowering Peach by Clifford Odets, directed by Robert Feingold, 1964 May 21-22
  • Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf. An Evening School production directed by Joseph Sax, sets by Reid Carlson, lights by Margaret Danielson, [1965]
  • Freak, written and performed by John Leguziamo, in workshop, 1997 March 12-30
  • From the Mississippi Delta by Dr. Endesha Ida Mae Holland, directed by Jonathan Wilson, sets by Michael S. Philippi, costume design by Jeffrey Kelly, lighting by Chris Phillips, sound design by Robert Schoellhorn, 1990 October 12-November 25
  • Funeral Games by Joe Orton and Vampire by Snoo Wilson, adapted and directed by Joseph Slowik, sets by David Emmons, costumes by Ruth Deters, lighting by Rebecca Binks, music by Phillip Kusie, 1974 November 29-December 15
  • Gallows Humor by Jack Richardson, directed by Patrick Henry, sets by Patricia Taxman, lighting by John Retsek, 1962 November 12-15
  • Gardenia by John Guare, directed by Gregory Mosher, costumes by Nan Cibula, lighting by Kevin Rigdon, scenic design by David Emmons and Gregory Mosher, with Gary Cole and Elizabeth Perkins, William L. Petersen, and Jack Wallace, 1983 April 25-May 15
  • Gas I and II by George Kaiser, directed by Jean Louis Baldet, sets by William Auperlee, costumes by Kathleen Hollcraft, lights by Donald Schulman, 1972 January 15-23
  • Gertrude Stein, Gertrude Stein, Gertrude Stein, 1982 March 3-14
  • Gertrude Stein: Each One as She May, adapted by Frank Galati, directed by Frank Galati, music composed by Reginald Robinson and Miriam Sturm, set design by Mary Griswold, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Rob Milburn, music arranged and directed by Rob Milburn and Miriam Sturm, 1995 February 3-March 5
  • Gigi by Anita Loos, directed by Leo Maroules, sets designed by Pat Taxman, sets by Ford Larsen, lighting by Burt Rissman, 1963 May 22-25
  • The Glass Menagerie by Tennessee Williams, directed by Robert Lowery, costumes by Janet Warren, lighting by Andrew Gilfillan, sets by J. Van Eyck, 1963 May 13-16
  • Glengarry Glen Ross by David Mamet, directed by Gregory Mosher, sets by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, with Robert Prosky, Joe Mantegna, William L. Petersen, and Jack Wallace, 1984 January 27-March 4
  • The Grass Harp by Truman Capote, [1961-1962?]
  • The Great Git-Away by Romeo Muller, World Premiere, directed by Patrick Henry, lighting designed by Bengt Nygren, costumes by Jeanne Sinclaire, 1968 November 18-23
  • Hamlet by William Shakespeare, directed by Charles McGaw, duel staged by Bruce Rogers Wright, sets by Joe Hennessy, costumes by Ferruccio Garavaglia, lights by Ralph Lorenz, sound by Michael Merker, 1977 March 3-19
  • Hannele by Gerhart Hauptmann, English version by John Reich, a Workshop production directed by John Reich, sets and costumes by Thomas Barnes, choreography by Frances Allis, music by George Estevez, with Belinda Bremner, 1961 March 1-4
  • Hat Full of Rain by Michael Gazzo, directed by Parker Rushing, 1963 November 18-19
  • He Who Gets Slapped by Leonid Andreyev, directed by William Pappas, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm, 1965 January 11-14
  • The Heiress, [1964-1965?]
  • The Heroes by John Ashberry, directed by Herb Felsenfeld and Still Life by Noel Coward, directed by Joseph Sax, 1963 May 20-21
  • Hey You, Lightman by Oliver Hailey, directed by Trevellya Ford, 1965 May 24-29
  • him by e.e. cummings, directed by Patrick Henry, sets designed by Kurt Wilhelm, lighting by Neil Jampolis, costumes by Patricia Taxman, 1963 October 28-31
  • Hold Me by Jules Feiffer, directed by Estelle Spector, music by Erroll Pearlman and David Rush, choreography by Carol Delik, sets by Harriet M. Ball, costumes by Bobbie Hodges, lights by James Highland, 1979 January 25-February 4
  • Home and Away, written and performed by Kevin Kling, directed by Steven Dietz, lighting design by Robert Christen, 1992 March 18-[?]
  • The Hostage by Brendan Behan, adapted and directed by Joseph Slowik, scenic design by Stephen Packard, costumes by Irene Behrenfeld, lights by Tom Boucher, 1976 October 28-November 7
  • The Hot L Baltimore by Lanford Wilson, directed by Rae Allen, scenic design by Brad Loman, costumes by Sandi Kabins, lights by Dale Kovarik, 1975 April 4-April 20
  • Hotel Paradiso by Peter Glenville, directed by William Pullinsi, 1964 May 18-19
  • The House of Bernarda Alba by Federico Garcia Lorca, a Sub-Studio Production, [1961-1962?]
  • A House Not Meant to Stand by Tennessee Williams, directed by Garry Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lighting by Robert Christen, sound by Michael Schweppe, 1981 April 1-12
  • The House of Bernarda Alba by Federico Garcia Lorca, directed by William Pappas, sets by Reid Carlson, costumes by Joan Kleinbard, lights by Carmine Picarella, with Carrie Snodgrass, 1965 November 29-December 2
  • I'm Talking About Jerusalem by Arnold Wesker, directed by Thomas Heino, sets and lights by Bruce Koenig, costumes by John Buehler, 1964 April 6-9
  • Impressions of Grotowski by Joseph Slowik, 1969 November 20-29
  • In the Belly of the Beast, arranged and directed by Robert Falls, a Wisdom Bridge Theatre production, 1983 November 30-December 31
  • The Infernal Machine by Jean Cocteau, directed by Patrick Henry, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm, 1964 May 11-14
  • The Italian Straw Hat by Eugene Labiche, with Marc-Michael, directed by Robert Feingold, 1963 December 9-10
  • Jack, or The Submission and The Chairs by Eugene Ionesco, directed by Joseph Slowik, sets by James Maronek, costumes by Richard Parks, lighting by Daniel Lesh and Ralph Lorenz, [1977-1978]
  • Jacob Marley’s Christmas Carol by Tim Mula, 1998 December 4-27
  • Jacob Marley’s Christmas Carol by Tim Mula, directed by Steve Scott, set and lighting design by John Culbert, sound design by Robert Neuhaus, original musical composition by Larry Schanker, 1999 December 1-19
  • Jamie and the Nine 300 by Clifford Browder, directed by Kelly Danford, sets designed by Joseph Nieminski, costumes by Julie Nagel, lights by Kenneth Peters, 1972 February 12-20
  • Juggling Cheap Theatricks: The Karamazov Brothers, 1980 June 5-29
  • Jungle Coup by Richard Nelson, directed by David Chambers, sets designed by Kevin Rigdon, costumes by Marsha Kowal, lighting by Jennifer Tipton, with Mike Nussbaum, Jack Wallace, 1983 February 18-March 20
  • Kaspariana, conceived and directed by Joseph Slowik, with textual excerpts from Georg Buechner, Peter Handke, Eugene Ionesco, and Jacob Wasserman, sets by Ronald Morgan, costumes by Julie Nagel, lighting by James Highland, 1972 May 13-21
  • The Killer by Eugene Ionesco, directed by Joseph Slowik, scenic design by Robert Skaggs, costumes by Susan Gayford, lighting by James Highland, 1974 February 1-February 17
  • Krapp's Last Tape by Samuel Beckett, directed by Samuel Beckett, 1980 January 10-February 3
  • Krapp's Last Tape and Endgame by Samuel Beckett, directed by Samuel Beckett, with Rick Cluchey and the San Quentin Drama Workshop, 1980 September 25-October 18
  • Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1979 December 6-30
  • Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1980 December 3, 1980-January 4
  • Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1981 December 18-30
  • Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1982 December 17-24
  • Ladies in Retirement by Edward Percy and Reginald Denham, directed by Kelly Danford, scene design by Nancy Long, costumes by Julie Nagel, lights by William Kent, 1973 February 6-February 14
  • The Laundry by David Guerdon, directed by Jack Jones, sets by Michael O'Kane, lights by David Stukey, costumes by John Szumigala and Julie Nagel, 1971 May 18-29
  • Let Me Live by Oyamo, directed by Ron OJ Parson, set design by Lori Fong, costume design by Christine Pascual, lighting design by Kathy A. Perkins, and sound design by Matt Kozlowki, 1998 April 20-May 10
  • The Liar by Carlo Goldoni, directed by Libby Appel, sets by Gary Cartwright, costumes by Julie Rutlin, lighting by Curtis M. Jacobson, 1975 May 2-May 18
  • Light Up the Sky by Moss Hart, a Laboratory Workshop Production directed by Robert B. Quinn, sets, costumes and lights by James Harrington, 1958 May 5
  • Lillian by David Cale, directed by Joe Mantello, 1997 October 27-November 16
  • Lloyd's Prayer by Kevin Kling, Remains Theatre production, directed by David Petrarca, scenery by Tamara Turchetta, costumes by Frances Maggio, sound by Richard Woodbury, lighting by Robert Christen, 1988 September 19-October 23
  • The Long Voyage Home by Eugene O'Neill, directed by Badry Fareed; and A Young Lady of Property by Horton Foote, and directed by Edward Ewald, 1964 March 23-24
  • Look Back in Anger by John Osborne, a Laboratory Workshop Production directed by Jim Cavanaugh, sets, costumes and lights by Walt Blind and Tony Eikenbarry, 1958 March 10-12
  • Look Homeward, Angel by Ketti Frings, directed by Charles McGaw, costumes by Rose-Marie Long, 1960 December 11-17
  • The Long Christmas Dinner by Thornton Wilder, directed by John Towey, with Carrie Snodgrass, 1967 January 16-17
  • Macbeth by William Shakespeare, directed by Jack Jones, sets and lights by Eric Fielding, costumes by Sandi Kabins, 1976 March 4-20
  • A Macbeth by Charles Marowitz, directed by Patrick Henry, costumes by Dunja Ramicova, sets by Michael O'Kane, lights by J. Sally, 1971 October 16-24
  • Machinal by Sophie Treadwell, directed by Parker Ruching, sets and lights by John Retseck, costumes by Kurt Wilhelm, 1964 February 24-27
  • The Mad Dog Blues by Sam Shepard, directed by Edwin Schmidtke, original music composed by Elliot Delman, musical direction by June Shellene, stage fights by Bruce Rogers Wright, scenic design by Tom Beall, costumes by Lise Griggs, lights by Kathy Daly, sound production and design by Roger Dale Weissman, 1977 February 3-13
  • Mademoiselle Colombe by Jean Anouilh, adapted by Louis Kronenberger, directed by Thomas Bertholf, sets and lights by Neil Jampolis, costumes by Patricia Taxman, 1964 March 19-22
  • Major Barbara by George Bernard Shaw, an Evening School production directed by Harvey Landa, 1961 March 27-30
  • Major Barbara by George Bernard Shaw, directed by John Clingerman, scenic design by Dean Taucher, costumes by Ruth Deters, lights by Marc Andrew Warshell, 1975 January 31-February 16
  • Many Loves by William Carlos Williams, directed by Charles McGaw, lights by John Nathan, costumes by Daniel Pugh, with Bruce Boxleitner, 1970 March 15-2
  • Many Moons by James Thurber, adapted by Charlotte Chorpenning, directed by Jean Thornton, with Carrie Snodgrass, 1966 May 9-10
  • The Marowitz Hamlet by Charles Marowitz, directed by Patrick Henry, sets and lights by Herbert Schmoll, costumes by Madeline Grigg, music by Walter Lowe, 1969 October 12-18
  • The Matchmaker by Thornton Wilder, directed by Herman Fell, costumes by Adele Hamilec, sets designed by Jack Million, 1962 April 11-14
  • Marvin's Room by Scott McPherson, World Premiere, directed by David Petrarca, set design by Linda Buchanan, costumes by Claudia Boddy, lighting design by Robert Christen, sound design and original music composed by Rob Milburn, 1990 February 9-March 11
  • The Meeting by Jeff Stetson, directed by Chuck Smith, sets and lights designed by Tim Oien, costumes designed by Glen Billings, sound design by Corbiere T. Boynes, 1989 November 21-December 24
  • The Memorandum by Vaclav Havel, directed by James Ostholhoff, sets designed by William Aupperlee, costumes by Dunja Ramicova, lighting by John Wilke, with Bruce Boxleitner, 1971 February 22-March 6
  • The Merry Guys Who Windsurf, Practical Theatre Company, 1984 May 17-July 1
  • Merton of the Movies by George Kaufman and Marc Connelly, adapted and directed by Kelly Danford, music and lyrics by David Coleman, choreography by Frank Ventura, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Estelle Thompson, sound by Daniel Aberson, 1974 November 1-17
  • Middle of the Night by Paddy Chaevsky, directed by Joseph Sax, sets designed by Ford Larsen, lighting by Jerrold Gorrell, 1964 May 20-23
  • A Midsummer Night's Dream by William Shakespeare, directed by Bella Itkin, sets and lights by Nels Anderson, costumes by Curtis Flowers, music by Jeffrey Woods, 1978 March 9-19
  • Mill Fire by Sally Nemeth, World Premiere, directed by David Petrarca, sets by Linda Buchanan, costumes by Laura Cunningham, lighting by Robert Christen, sound by Rob Milburn, 1989 April 3-May 14
  • Millennium Mambo: A Collection of Short Works conceived by Regina Taylor, directed by Henry Godinez, set design by Linda Buchanan, costume design by Brenda Rousseau, lighting design by Robert Christen, sound design and original music composed by Joe Cerqua, 2000 February 14-March 5
  • The Miracle Worker by William Gibson, directed by William Pullinsi, sets by Reid Carlson, lights by Richard Cortright, costumes by James Larsen, 1964 November 30-December 3
  • Mirror of the Invisible World, adapted by Mary Zimmerman from the Persian epic, Haft Paykar, set design by Dan Ostling, costumes by Mara Blumenfeld, lighting by John Culbert, sound by Michael Bodeen, 1997 April 21-May 11
  • The Misanthrope by Moliere, translated by Richard Wilbur, University of Chicago Professional Theatre Program, at the Law School Auditorium of the University of Chicago, directed and produced by John Reich, sets by James Maronek, costumes by D. Hudson Sheffield, with George Grizzard and Barbara Boxley, [1965-1966]
  • Miss Margarida's Way by Roberto Athayde, directed by Roberto Athayde, with Estelle Parsons, 1982 January 19-31
  • Monster in a Box and Terrors of Pleasure, written and performed by Spaulding Gray; Monster in a Box directed by Renee Shafransky, 1990 September 4-9
  • Narrow Road to the Deep North by Edward Bond, directed by Patrick Henry, sets by Beverly Sobieski, lights by Franklin Warner, costumes by Ferruccio Garavaglia, 1971 April 26-May 8
  • The Nest by Franz X. Kroetz, translated by Roger Downey, Remains Theatre in a U.S. Premiere, directed by Ted Levine, music by Lloyd King, sets by Patrick Kerwin, lights by Kevin Rigdon, costumes by Natalie West, 1985 August 27-[?]
  • Night Must Fall by Emlyn Williams, directed by David Morris, 1963 January 17-18
  • The Notebooks of Leonardo da Vinci, adapted by Mary Zimmerman, directed by Mary Zimmerman, sets by Scott Bradley, costume design by Allison Reeds, lighting by T.J. Gerckens, sound by Michael Bodeen, music composed by Miriam Sturm and Michael Bodeen, 1993 October 29-December 19
  • The Notebooks of Leonardo Da Vinci adapted by Mary Zimmerman, directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1997 December 15-1998 January 25
  • On the Road: The Search for American Character by Anna Devere Smith [scheduled to be performed in 1997 but was cancelled], [1997]
  • Our Town by Thornton Wilder, [1958-1959?]
  • The Pain of Macho, written and performed by Rick Najera, directed by John Bowab, lighting design by T.J. Gerckens, sound by David Naunton, 1993 July 6-18
  • A Phoenix Too Frequent by Christopher Fry, directed by Rilla Bergman, [1959-1960]
  • Picnic by William Inge, directed by David Morris, sets by Ford Larsen, costumes by Amy Frank, 1963 February 18-21
  • A Pirate’s Lullaby by Jessica Litwik, directed by Susan V. Booth, set designed by John Culbert, costumes by Linda Roethke, lighting by Michael S. Philippi, sound by Rob Milburn, 1996 April 8-28
  • The Playboy of the Western World by John Synge, directed by Dan Clifford, sets designed by Amy Frank, costumes by Ford Larsen, 1962 October 29-November 1
  • The Playboy of the Western World by John Millington Synge, directed by Jack Jones, scenic design by George Caldwell, costumes by Curtis Flowers, light and sound design by Ralph Lorenz, 1977 October 27-November 6
  • The Potting Shed by Graham Greene, a Laboratory Workshop Production directed by H. Theodore Werner (as an MFA requirement), sets, costumes and lights designed by Kert Lundell, 1958 April 21
  • The Prodigal by Jack Richardson, directed by Steve Kardaleff, sets by J. Van Eyck, costumes by Pat Taxman, 1963 January 14-17
  • Professor Taranne by Arthur Adamov, directed by Charles Likar, Jr, 1965 February 22-23
  • The Promise by Aleksei Arbuzov, directed by Bella Itkin, sets by Karl Kachvor, costumes by Dale Wibben, lights by Rob Rothstein, 1979 April 12-22
  • Puddin N' Pete by Cheryl L. West, World Premiere, directed by Gilbert Wadadazaf McCauley, sets by Clay Snider, costume design by Yslan Hicks, lighting by Robert Shook, sound by Richard Woodbury, 1993 February 5-March 7
  • Puntila and His Hired Man by Bertolt Brecht, directed by Ibrahim Jalal, sets designed by Ford Larsen, costumes by Bruce Koenig, 1962 December 3-7
  • The Queen and the Rebels by Ugo Betti, directed by Judith Ann Speer, sets by James Harrington, 1962 April 2-5
  • The Rape of the Belt by Benn Levy, directed by Joseph Sax, 1963 November 4-5
  • Rashomon, adapted from stories by Ryunosoke Akutagawa, by Fay and Michael Kanin, directed by Patrick Henry (as an MFA requirement), with Avery Schreiber, [1960 Spring?]
  • The Real Inspector Hound and Albert's Bridge by Tom Stoppard, directed by Dale McFadden, scenic design by Stephen Packard, costumes by Richard Parks, lighting designed by Mike Sarich, 1977 April 7-17
  • Red by Chay Yew, directed by David Petrarca, performed at the Long Warf Theater, New Haven, Connecticut, 1999 January-February 7
  • Red Cross by Sam Shepard, directed by Grace Dacanay, 1969 April 7
  • The Redthroats, written and performed by David Cale, production management, lighting adaptation and execution by Sandra Hamilton, lighting design by Carol McDowell, 1988 February 2-7
  • Reno Once Removed, conceived, written and performed by Reno, developed with and directed by Evan Yionoulis, original music by Evan Yionoulis, lighting by Dan Kotlowitz, 1992 September 9-27
  • Rhinoceros by Eugene Ionesco, directed by Charles Likar, Jr, 1965 May 17-18
  • Right You Are If You Think You Are by Luigi Pirandello, directed by Charles McGaw, scenic design by Greg Buch, costumes designed by Margaret Maggard, lights by Phillip Evola, 1973 November 30-December 16
  • Rip Van Winkle, as played by Joseph Jefferson, directed by Joseph Sax, sets and lighting by Neil Jampolis, costumes by John Retseck, 1963 January 13-16
  • The Rimers of Eldritch by Lanford Wilson, directed by Patrick Henry, sets by Allan Traynor, costumes by Marcy Stine, lights by Lawrence Dean, 1968 May 6-11
  • Roadside by Lynn Riggs, directed by Charles Applegate (as an MFA requirement), sets by John Braden, costumes by Tony Eikenbarry, lighting by Hubert Braden, 1958 June 2
  • Romeo and Juliet by William Shakespeare, directed by Bella Itkin, sets by Eric Fielding, costumes by Nancy Grabowski, lights by Terry Jenkins, choreography by Estelle Spector, fights staged by Ron Piretti and Ted Wass, 1975 February 28-March 16
  • The Room (set design by Robert Hartman) and The Collection (sets by Linda Wukovich) by Harold Pinter, directed by Joseph Slowik, costumes by Al Tucci, lighting by Gerald Thamm, 1968 January 15-21
  • Royal Gambit by Herman Gressieker, directed by Rilla Bergman, [1959-1960]
  • The Royal Gambit by Hermann Gressieker, directed by Jack Jones, costumes and sets by Virgil Johnson, lighting by G.E. Naselius, 1978 November 9-19
  • Saved by Edward Bond, directed by George Drayton Boyd, sets by Paul Appel, costumes by Martha Ferrara, lights by David Stukey, 1971 December 11-19
  • A Scent of Flowers by James Saunders, directed by Jerry Tullos, sets by Beverly Sobieski, costumes by Chris Valente, lights by Jay Sally, 1970 December 7-19
  • Schoolgirl Figure by Wendy MacLeod, directed by David Petrarca, set design by Todd Rosenthal, costume design 2000 March 31-April 30
  • The Sea Gull by Anton Chekhov, directed by Eugenie Leontovich, sets by Mary Feindt, costumes by D. Hudson Sheffield, lighting by Edgar Swift, 1967 November 27-December 2
  • See the Jaguar by Richard Nash, directed by Hani Ibrahim Snobar (as an MFA requirement), sets, costumes and lights by Hubert Braden, 1958 May 19
  • Seeking the Genesis by Kia Corthron, directed by Walter Dallas, set design by Robert C. Martin, costumes by Karin Kopischke, lighting by Kathy Perkins, and sound by Rob Milburn, 1996 October 28-November 17
  • Seventy Scenes of Halloween by Jeffrey Jones, presented by the Remains Theatre, directed by James Roach, sets by Patrick Kerwin, lighting by Mary McAuliffe, costumes by Kathryn Kerch, [1985-1986]
  • “Shall We Go? Yes, Let’s Go,” Three Plays by Samuel Beckett, directed by Samuel Beckett, Rick Cluchey and Michael Maggio, lighting design by B. Emil Boulos, 1999 January 29-February 7
  • She Stoops to Conquer by Oliver Goldsmith, directed by Eleanor Logan, sets by David Emmons, costumes by Julie Nagel, lights by Terry Jenkins, 1973 November 2- [?]
  • A Shot in the Dark by Marcel Achard, directed by Lane Corvey, 1963 March 18-19
  • Sin by Wendy MacLeod, World Premiere, directed by David Petrarca, set design by Scott Bradley, costumes by Allison Reeds, lighting design by Robert Christen, sound by Rob Milburn, with Amy Morton, 1994 October 21-November 27
  • Six Characters in Search of an Author by Luigi Pirandello, directed by Jack Warner, S.J., sets by Janet Roller, lights by J.B. Spector, [1977-1978]
  • Small Craft Warnings by Tennessee Williams, directed by Michael Merker, sets and costumes designed by Brad Loman, lights by Kathleen Daly, sound design by J.B. Spector, 1977 December 1-11
  • Smooch Music, words by David Cale, music by Roy Nathanson, lighting design by Carol McDowell, production management and lights by Sabrina Hamilton, 1989 March 7-26
  • Southern Exposure by Owen Crump, directed by Steve Kardaleff, 1962 November 19-20
  • A Spaulding Gray Retrospective by Spaulding Gray, 1982 October 28-December 19
  • Spinning into Butter by Rebecca Gilman, directed by Lee Waters, 1999 May 16-June 27
  • Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, directed by Robert Steinhauer, sets by Thomas Dorwart, costumes by Marianne Powell, lights by Richard Cortright, 1966 February 21-24
  • Speak of the Devil by Tom Sand and Herbert Hecht, directed by Estelle Spector, musical direction by Errol Pearlman, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, lights by C.K. Kirk, 1975 November 6-16
  • Spic-O-Rama: A Dysfunctional Comedy, written and performed by John Leguziamo, in association with Latino Chicago, (extended January 28-March 15, 1992 at the Briar Street Theatre), developed and directed by Peter Askin, lighting design by Ken Bowen, 1992 January 16-26
  • The Sport of My Mad Mother by Ann Jellicoe, [1964-1965?]
  • Spring's Awakening by Frank Wedekind, directed by Joseph Slowik, scenic design by Nels Anderson, lighting by Roger Weissman, sound design by Kathleen Daly, costumes by Hollis Levy, fighting staged by Bruce Rogers Wright, 1977 May 5-15
  • Spunk: Three Tales by Zora Neal Hurston, adapted for the stage by George C. Wolfe, music by Chic Street Man, Chicago Premiere, directed and choreographed by Donald Douglass, set design by Amy Smith, costumes by Birgit Rattenborg Wise, lighting design by Ken Bowen, mask and puppet design by Barbara Pollitt, sound by David Naunton, 1992 April 3-June 7
  • Still Life by Emily Mann, directed by Emily Mann, sets and costumes by Tom Lynch, lights by Robert Christen, 1980 October 21-November 2
  • Straight As a Line by Luis Alfaro, directed by Henry Godinez, set and production design by John Boesche, costume design by Nan Zabriskie, lighting design by David Gipson, sound design by Robert Neuhaus, and musical composition by KAMYS, 1998 September 22-October 11
  • Stuff as Dreams are Made On, performed and adapted by Fred Curchack, 1988 March 9-20
  • Subject to Fits by Robert Montgomery, directed by Libby Appel, lighting by Kathleen Kampp, sets by David Emmons, costumes by Kathleen Hollcraft, 1972 April 8-16
  • Summer Brave by William Inge, directed by Bella Itkin, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Steve Burgess, 1974 May 13-May 19
  • Summer of the Seventeenth Doll by Ray Lawler, directed by Khalid Rahman, 1966 April 4-5
  • Summer of the Seventeenth Doll by Ray Lawler, directed by Bella Itkin, sets by Dean Taucher, costumes by Bobbie Hodges, lighting by Daniel Lesh, sound by Michael Barich, 1976 December 9-19
  • Summertree by Ron Cowen, directed by Gene Falcetta, sets by Frank Bradley, costumes by Sam Smith, 1970 March 15-21
  • The Taming of the Shrew by William Shakespeare, directed by Charles McGaw, sets by David Emmons, choreography by Estelle Spector, costumes by Martha Ferrara, lights by Paul Gregory, news clipping, 1973 March 6-March 18
  • Teach Me How to Cry by Patricia Jourdy, directed by Leo Maroules, 1963 February 25-26
  • Ten Blocks on the Camino Real by Tennessee Williams, directed by Badry Fareed, sets by Reid Carlson, lights by John Retseck, costumes by Margaret Danielson, 1965 February 22-25
  • Three One-Act Plays by Kenneth Sawyer Goodman: A Man Can Only Do His Best, directed by Angelo Gabrielides; Back of the Yards, directed by J. Latrimore, Ephraim and the Winged Bear directed by Rilla Bergman, sets by Jack Million, lighting by Lou Nesslar, 1958 December 15-18
  • Three One-Act Plays: The Romantics by Mike Kactschman and directed by Ginger Flick; Pigeons by Lawrence Osgood and directed by Martin Brenzell and Ginger Anne by Deric Washburn and directed by Al Fenske, 1966 December 1-2
  • Three New Plays: The Disappearance of the Jews by David Mamet and directed by Gregory Mosher, starring Joe Mantegna; Hot Line by Elaine May and directed by Art Wolff, starring Elaine May, Peter Falk and Del Close; and Gorilla by Shel Silverstein and directed by Art Wolff, starring Ron Silver, scenery and costumes designed by Franne Lee, lights by Rita Pietraczek, 1983 June 2-26
  • Through a Glass Darkly by Gene Trayler, directed by Susan Rae, 1964 March 2-3
  • A Thurber Carnival by James Thurber, directed by Michael Thompson, 1963 April 1-2
  • The Ticklish Acrobat by Robert Hivner, directed by June Pyskacek, [1959-1960]
  • The Ties that Bind, two plays by Regina Taylor: Watermelon Rinds and Inside the Belly of the Beast, directed by Shirley Jo Finney, sets designed by John Culbert, lights by Robert Christen, costumes by Allison Reeds, sound by Michael Bodeen, choreography by Darlene Blackburn, 1994 April 8-May 8
  • The Time of Your Life by William Saroyan, [1957-1958?]
  • The Time of Your Life by William Saroyan, directed by Joseph Slowik, sets designed by Nels Anderson, costumes by Julie Jackson, lights by Karl Kachvor, 1979 May 17-27
  • Times Square, by Leonard Melfi and directed by Grace Dacanay; and Chicago by Sam Shepard and directed by Alice Cohen, sets and lights by Frank Bradley, costumes by Al Tucci, with Guy Giarrizzo, 1969 October 27-30
  • To Damascus by August Strindberg, directed by Bella Itkin, sets designed by Thomas Dorwart, lighting by Margaret Danielson, 1964 November 18-21
  • Tobacco Road by Jack Kirkland, from the novel by Erskine Caldwell, directed by Libby Appel, sets by Joe Hennessy, costumes by Bobbie Hodges, lights by Robert Frederick, sound design by Tom McCurdy, 1976 February 5-15
  • A Touch of the Poet by Eugene O'Neill, directed by Linda Hardy, sets by Jeffrey Masters, costumes by Niki Rudisill, lighting by James Wischmeyer, 1973 January 9-January 21
  • Transformations, conceived by Regina Taylor, collection of one-act plays: Prophecy by Peter Handke and directed by Marianne Kim; The Owl Answers by Adrienne Kennedy and directed by Susan V. Booth; Kheal by Maria Irene Fornes and directed by Regina Taylor; Red Cross by Sam Shepard and directed by Henry Godinez; and The One by Oliver Pitcher and directed by Cheryl Lynn Bruce. Set design by Todd Rosenthal, costume design by Loren Coco Mayer, lighting design by Joseph Appelt, sound design and original music composed by Joe Cerqua, 1997 February 7-March 9
  • The Trial, a dramatization of Franz Kafka's novel by Andre Gide and Jean-Louis Barrault, directed by Mohammed Mohyaldeen, sets by Frank Bradley, costumes by Ferruccio Garavaglia, lights by Paul Thompson, 1970 October 2-14
  • Twelfth Night by William Shakespeare, directed by Melvin Bernhardt, sets and costumes by Thomas Barnes, lights by John Kohlman, 1961 May 15-18
  • Unjustifiable Acts by Aaron Overson, directed by Harry J. Lennix, sets design by Robert C. Martin, costumes by Laura Cunningham, lighting by Diane Ferry Williams, sound by Rob Milburn, 1996 February 12-March 3
  • S.A. by John Dos Passos and Paul Shyre, an Evening School production directed by Joseph Sax, sets and lights by Joseph Pettit, 1965 March 15-18
  • Viet Rock by Megan Terry, a Sub-Studio production directed by Thomas Racina, with Joe Mantegna, [1968 April 25]
  • The Visit by Frederick Durrenmatt, adapted by Maurice Valency, directed by Bella Itkin, sets designed by John Van Eyck, costumes by Hedi Riemann, 1964 January 5-8
  • Vivisections from the Blown Mind by Alonzo D. Lamont, Jr., directed by Chuck Smith, set design by James Dardenne, costumes by Michael Alan Stein, lighting design by Todd Hensley, and sound by Corbiere T. Boynes and Rob Milburn, 1995 April 7-May 7
  • My Werewolf by John Schneider, Theatre X production, directed by David Schweizer, music by Wes Savick, sets by James Matson, costumes by Sam Fleming, lighting by Margaret Nelson, [1986-1987]
  • When You Comin' Back Red Ryder? by Mark Medoff, directed by Anthony Petitto, scenic design by Robert Platte, costumes by Lise Griggs, lights by Eric Strand, 1976 April 1-11
  • Who's Happy Now by Oliver Hailey, directed by Joseph Slowik, sets by Calvin Churchman, costume designs by Martha Ferrara, lights by Marsha Hardy, 1972 November 28-December 10
  • The Wild Duck by Henrik Ibsen, directed by Jack Jones, scene design by William Schmiel, costumes by Kathleen Hollcraft, lights by James Highland, 1972 October 31-November 12
  • Wingless Victory, [1957-1958?]
  • Wings, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, based on a play by Arthur Kopit, World Premiere, directed by Michael Maggio, set design by Linda Buchanan, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Richard Woodbury, musical direction by Brad Veith, 1992 October 16-December 13
  • The Women by Clare Booth Luce, directed by Fred Wroblewski, sets designed by Warren Scott, lights by Lymon Dunning, costumes by Bupha Chuvisavaphongh, 1968 February 19-24
  • The World of Sholom Aleichem, directed by William Pullinsi, [1963-1964]
  • The Woolgatherer by William Mastrosimone, directed by Sandra Grand, sets and costumes by Philip Eickhoff, lights by Kevin Rigdon, with Jack Wallace, 1982 April 8-May 2
  • Woyzeck by Georg Buechner, a Workshop production directed by Joseph Slowik, sets and lights by Thomas Barnes, costumes by James Swank, choreography by Charles Harris, music by Lawrence Kulig and Don Murray, 1961 January 16-19
  • Yerma by Federico Garcia Lorca, directed by Joseph Slowik, sets and lights by Jack Million, costumes by Tony Eikenbarry, [1958]
  • Yerma by Federico Garcia Lorca, directed by William Pappas, 1964 April 13-14
  • ZOO1, by Friends of the Zoo. Directed by Rob Riley, music and lyrics by Mark Nutter, sets by John Paoletti and Mary Griswold, choreography by Peter Amster, costumes by Karol Kent and Friends of the Zoo, [1986-1987]
Stage 2 productions include:
  • American Buffalo by David Mamet, directed by Gregory Mosher, sets by Michael Merritt, lights by Robert Christen, 1975 October 23-November 9
  • Annulla Allen, the Autobiography of a Survivor by Emily Mann and Annulla Allen, 1978 March 16-April 2
  • Battering Ram by David Freeman, directed by Gregory Mosher, costumes by Christa Scholtz, lighting by Robert Shook, sets by Maher Ahmad with W.H. Macy, 1978 April 9-23
  • Chicago, by Sam Shepard and directed by Dennis Zacek and The Local Stigmatic, by Heathcote Williams and directed by Gary Houston, sets and lights by Paul K. Basten (lights for Chicago by Robert Christen), costumes by Marsha Kowal, [1976]
  • Curse of the Starving Class by Sam Shepard, Midwest Premiere, directed by Robert Falls, sets by Michael Merritt, music by Leo Kotke, lights by Robert Christen, costumes by Marsha Kowal with John Malkovich, Glenne Headley and Jack Wallace, 1979 January 7-28
  • Dandelion Wine, adapted for the stage by Peter John Bailey from the Ray Bradbury novel, directed by William Woodman, sets by Michael Merritt, costumes by Maggie Bodwell, music by David Rice, lights by Robert Christen, 1976 March 18-April 4
  • Emigres by Slawomir Mrozek, sets by Maher Ahmad, costumes by Jane Morgan Henry, lighting design by Robert Christen, sound by Henry Miller, 1978 October 24-November 5
  • George Jean Nathan in Review, conceived by Stanley Eden based on the writings of George Jean Nathan, directed by Stanley Eden, sets designed by Michael Merritt, costumes by Marsha Kowal, lights by Robert Christen, sound by Gary Rotta, 1977 April 21-May 8
  • Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs by David Halliwell, directed by Michael Maggio, sets by Michael Merritt, costumes by Julie Jackson, lighting by Robert Christen, 1978 January 10-29
  • The Island by Athol Fugard, John Kani and Winston Nishona, touring, 1979 March
  • Kaspar by Peter Handke, translated by Michael Roloff, directed by Gary Houston, sets by Maher Ahmad, costume design by Michelle Demichelis, lighting design by Robert Christen, sound design by Gary Rotta, 1977 March 3-20
  • A Life in the Theatre by David Mamet, World Premiere, directed by Gregory Mosher, sets by Michael Merritt, costumes by Marsha Kowal, lighting by Robert Christen, music by Stuart Klawans with Mike Nussbaum and Joe Mantegna, 1977 February 3-20
  • Once and For All by Robert Gordon, directed by Patrick O'Gara, 1975 February 28-March 17
  • Prague Spring by Lee Kalcheim, directed by Dennis Zacek, sets by Maher Ahmad, costumes by Marsha Kowal, lights by Robert Christen, 1978 May 23-June 11
  • Scenes and Revelations by Elan Garonzik, directed by Betsy Carpenter, sets by James Guenther, costumes by Jessica Hahn, lighting by Robert Christen, music by Tom Bishop, 1979 March 18-April 8
  • Sizwe Banzi is Dead by Athol Fugard, John Kani, and Winston Ntshona, Chicago Premiere, directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Michelle Demichelis, lights by Lionel Smith with Meshach Taylor, 1976 November 3
  • Sizwe Banzi is Dead by John Kani, directed by Gregory Mosher, lights and sets designed by Robert Christen, costumes designed by Michelle Demichelis with Meshach Taylor, 1978 March 14-19
  • The Son by Gert Hoffman, translated by Jon Swan, directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Maggie Bodwell, lights by Robert Christen, 1975 January 3-12
  • The Sport of My Mad Mother by Ann Jellicoe, directed by Dennis Zacek, sets by Dean Taucher, costumes by Marsha Kowal, lights by Robert Christen with Judith Ivey, 1976 December 1-19
  • Statues and The Bridge at Belharbour by Janet Neipris, World Professional Premiere, directed by Gregory Mosher, sets by Brian Laczko, costume design by Marsha Kowal, lights by Robert Christen, with Judith Ivey, 1976 April 22-May 9
  • Tennessee Laughs - Three One Act Plays by Tennessee Williams: A Perfect Analysis Given by a Parrot, The Frosted Glass Coffin and Some Problems for the Moose Lodge, directed by Gary Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lights by Robert Christen, 1980 November 8-23
  • Three Plays of the Yuan Dynasty, translated by Liu Jung-en, directed by June Pyskacek, music by Gerald Holbrook, set designs by Rick Paul and Uta Olson, lights by Robert Christen, 1975 December 4-21
  • Three Women by Cecil O'Neal, Cynthia Baker Johnson, Roberta Maguire and Sandy Lipton, directed by Cecil O'Neal, lights by Robert Shook, [1975]
  • Winnebago by Frank Galati, directed by Frank Galati, sets and costumes by Paul Appel, lights by Craig Miller, music and sound by Nick Jensen, choreography by Peter Amster, 1974 November 1-11
New Theatre Company productions include:
  • Baby with the Bathwater by Christopher Durang, Remains Theatre production, directed by D.W. Moffatt, sets and lights designed by Michael Phillipi, costumes by Marsha Kowal, with Amy Morton, [1984-1985]
  • The Cherry Orchard by Anton Chekhov, adapted by David Mamet, directed by Gregory Mosher, sets designed by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, with Lindsay Crouse, W.H. Macy, and Mike Nussbaum, 1985 March
  • The Spanish Prisoner and The Shawl by David Mamet, Briar Street Theatre, directed by Gregory Mosher, sets designed by Michael Merritt, costumes designed by Nan Cibula, lights by Kevin Rigdon, with Mike Nussbaum, Lindsay Crouse, and Gary Cole, 1985 April 19-May 19
  • Swimming to Cambodia, Part I and II, by Spaulding Gray, Briar Street Theatre, Jean Nathan, 1985 June 18-30
  • Two Radio Plays on WNUR: Goldberg Street and Cross Patch by David Mamet, with member of the New Theatre Company, promotional materials, reviews and news clippings, 1985 March
Children’s Theatre productions include:
  • The 13 Clocks by Elaine Berman, adapted from the book The Thirteen Clocks by James Thurber, directed by Reggie Schwander, costumes by Dunja Ramicova, sets designed by William Schmiel, lighting by Kenneth Peters, original music by Reggie Schwander, 1972 April 1-May 20
  • The Adventures of Pinocchio by Carlo Collodi, conceived and directed by Terry Zehr, fight choreography by Bruce Rogers Wright, scene design by Bob Platte, costumes by Mary Lou Holmes, lights by Christine Decyk, 1976 December 4-1977 January 23
  • The Adventures of Tom Sawyer, dramatized by Charlotte Chorpenning from the book by Mark Twain, directed by Bella Itkin, sets designed by James Maronek, costumes by Peri Grenell, lights by G.E. Naselius, 1962 February 10-April 1
  • Aesop's Falables by Ed Graczyk, music and lyrics by John Hogan, Henry Moran, Marty Conine, and Ed Graczyk. Directed by Kelly Danford, choreography and musical numbers staged by Jerry Earl Tullos, costumes by Sandra Tignor, sets by Frank Bradley, lights by G.E. Naselius, [1971]
  • Aladdin and His Wonderful Lamp by James Norris, directed by Bella Itkin, costumes by Walter Blind, sets by Tony Eikenbarry, dances arranged by Frances Allis, 1958 October 18-December 13
  • Aladdin and His Wonderful Lamp by James Norris, directed by Joseph Sax, sets by John Retseck, costumes by Uta Olson, lights by Jerrold Gorrell, 1965 February 6-April 17
  • Aladdin and His Wonderful Lamp by James Norris, music and lyrics by Errol Pearlman, directed by Bella Itkin, choreography by Dawn Mora, fight sequence by Bruce Rogers Wright, scenic design by Thomas Beall, costume design by Bobbie Hodges, lighting design by G.E. Naselius, 1976 October 16-November 28
  • Ali Baba and the Forty Thieves by Wadeeha Atiyeh, directed by Patrick Henry, sets by Amy Frank, costumes by David Rudish, lighting by Burton Rissman, choreography by Frances Allis, 1962 December 22-1963 January 27
  • Ali Baba and the Magic Cave by William Glennon, directed by Bella Itkin, costume design by Sandra Tignor, sets by Marc Cohen, lights by Franklin Warner, 1970 November 21-December 13, 1971 January 9-24
  • Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Bill Hargate, dances arranged by Frances Allis, with Avery Schreiber, 1957 October 19-December 15
  • Alice in Wonderland by Lewis Carroll, adapted by Charlotte Chorpenning, directed by Joseph Slowik, sets by J. van Eyck, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, 1963 October 12-December 15
  • Alice in Wonderland by Thom Racina, based on the book by Lewis Carroll, directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Joseph Nieminski, lights by J. Sally, original music and lyrics by Thom Racina, 1971 January 3-March 21
  • Androcles and the Lion by Aurand Harris, directed by Paul Sills, sets designed by Thomas Dorwart, costumes by Marianne Powell, lights by Frank Kaufman, music adapted from the original score of Glenn Mack, 1966 December 17-1967 March 12
  • Androcles and the Lion, adapted by Aurand Harris, directed and choreographed by Estelle Spector, scenic designs by Bob Platte, costumes by Lise Griggs, lights by Rochard Young, sound by Christine Decyk, 1977 March 19-May 15
  • Appleseed by Ed Graczyk, music and lyrics by Errol Pearlman, directed by Bella Itkin, choreography by Estelle Spector, scenic design by Gregory Buch, costumes by Susan Lopez, lights by Steve Burgess and G.E. Naselius, 1974 January 26-March 17
  • Beauty and the Beast by Nora MacAlvay, directed by Bella Itkin, sets by Eugene Lee, costumes by Peri Grinell, lighting by G.E. Naselius, 1962 April 7-May 27
  • Beauty and the Beast by Jesse Beers, directed by Joe Guastaferro, sets by Nels Anderson, costumes by Richard Parks, sound design by Roger Weissmann, lights by Daniel Lesh, 1977 October 22-December 22
  • The Blue Bird by Maurice Maeterlinck, directed by Bella Itkin, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, 1962 October 13-December 16
  • The Canterville Ghost, dramatized by Darwin Reid Payne, from a short story by Oscar Wilde, directed by Kelly Danford, sets by Joseph Nieminski, costumes by Virgil Johnson, lighting by G.E. Naselius, Act II ballet choreographed by Joseph Kuzniar, with Joe Mantegna, 1969 July 8- August 16
  • Cinderella, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by James Maronek, costumes by Tony Eikenbarry, lights by G.E. Naselius, choreography by Frances Allis, 1960 December 10-1961 February 4
  • Cinderella, dramatized by Phyllis Ward, directed by Estelle Spector, music by Hans Wurman, sets by Brad Loman, lights by Daniel Lesh, costumes by Hollis Levy, 1978 March 25-May 7
  • The Comical Tragedy, or The Tragical Comedy of Punch and Judy by Aurand Harris, directed by Ned Schmidtke, choreography by Estelle Spector, scene design by Jeffrey Masters, costumes by Julie Nagel, lights by Phillip Evola, music by David Beaird, 1973 March 25-May 26
  • Coyote and His Brothers, adapted from Anna Moore Shaw's Tales of the Pima Indians, directed by Eleanor Logan, sets designed by Eric Fielding, costumes by Julie Jackson, lights by Curtis Jacobson, 1976 January 31-March 14
  • The Dancing Donkey, by Erik Vos and directed by Bella Itkin (with Carrie Snodgrass), and The Unwicked Witch, by Madge Miller and directed by Robert Leonard, scene design by Marc Cohen, costume design by D. Hudson Sheffield, lights by G.E. Naselius, music by John Towey, 1967 July 5-September 3
  • A Doctor in Spite of Himself, adapted by Aurand Harris from Moliere, directed by Bella Itkin, set designed by Norman Fencl, costumes by Virgil Johnson, lights by Joseph Pohnan, music by John Hogan, Henry Moran and James Pobiega, 1970 March 28-May 24
  • Don Quixote de la Mancha, [1969]
  • The Emperor's New Clothes, adapted by Charlotte Chorpenning, directed by Bella Itkin, costumes by Tony Christopher, sets designed by James Harrington, lighting by G.E. Naselius, choreography by Frances Allis, music arranged by Dorothy Konkowski, 1959 March 21-May 24
  • The Emperor's New Clothes, by Hans Christian Anderson, adapted by Allan Loernsen, directed by Nick Schmidtke, sets designed by David Emmons, costumes by Julie Nagel, lighting by James Highland, 1973 December 8-1974 January 20
  • The Fabulous Fable Factory by Joseph Robinette and Thomas Tierney, directed by Bella Itkin, musical direction by Errol Pearlman, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Sandi Kabins, lights by Rebecca Binks, 1975 June 30-August 9
  • The Frog Princess and the Witch by Margery Evernden, directed by Bella Itkin, set designed by John Retseck, costumes by Kurt Wilhelm, lights by Neil Jampolis, choreography by Francis Allis, with Linda Hunt, 1965 April 24-May 29
  • The Great Cross-Country Race, or The Hare and the Tortoise, adapted by Alan Broadhurst, directed by David Avcollie, sets by Eric Fielding, costumes by Phyllis Hojnacki, lights by Terry Jenkins, sound design by Daniel Aberson, 1975 March 22-May 18
  • Hans Brinker and the Silver Skates by Bruce Millan, directed by James Bertholf, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lights by G.E. Naselius, choreography by Susan Rae, 1963 December 21-1964 January 26
  • Hansel and Gretel by Lillian and Robert Masters, directed by Dorothy Konrad, sets by James Harrington, lighting by Tom Reissig, costumes by Jay Korbin, choreography by Frances Allis, 1959 December 19-1960 January 31
  • The Hare and the Tortoise, or The Great Cross Country Race by Alan Broadhurst, directed by Bella Itkin, sets by Warren Sodt, costumes by Virgil Johnson, lights by Edgar Swift, choreography by Thomas Jaremba, 1968 December 16, 1967-March 10
  • Hansel and Gretel by William Glennon, directed by William Bennett Steinhauer, sets designed by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, with Carrie Snodgrass, 1966 June 28-August 20
  • The Hide and Seek Odyssey of Madeline Gimple by Frank Gagliano, [1970-1971]
  • How the First Letter Was Written by Auran Harris, from Rudyard Kipling's Just So Stories, [1970-1971]
  • Huckleberry Finn by Mark Twain, adapted by Frank M. Whiting and Connie Rickert, directed by Melvin Bernhardt, costumes by Uta Olson, sets by Jack Million, lighting by G.E. Naselius, with Avery Schreiber, 1959 February 7-March 15
  • It Certainly Isn't Baked Beans! a dramatic anthology of children's literature, [1972-1973]
  • Jack and the Beanstalk by Charlotte Chorpenning, directed by Bella Itkin, sets by Tony Eikenbarry, lighting by Chuck Wolfram, costumes by James Harrington, choreography by Frances Allis, 1959 October 17-December 12
  • Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Bella Itkin, set design by Tom Clark, costumes by James Larsen, lights by Carmen Picarello, choreography by Frances Allis, 1967 March 18-May 28
  • Just So Stories, dramatized by Aurand Harris, directed by Joseph Slowik, sets and costumes designed by Thomas Beall, lighting by G.E. Naselius, [1976-1977]
  • King Midas and the Golden Touch by Charlotte Chorpenning, directed by Dorothy Konrad, choreography by Francis Allis, settings by Walter Blind, costumes by Tony Christopher, lights by G.E. Naselius, 1958 December 20-1959 February 1
  • The Lion Who Wouldn't, book and lyrics by Gifford Wingate, music by David Coleman, directed by Kelly Danford, sets by Brad Loman, costumes by Gay Crusius, lights by James Highland and William Fox, choreography by Gisli Bjorgvinsson, Bobbie Kingsly, and Frank Ventura, 1974 March 23-May 19
  • Little Red Riding Hood by Yevgeny Schwartz, directed by Libby Appel, music composed by Philip Kusie, choreography by Beth Caldwell, sets designed by Vincent Faust, costumes by Julie Nagel, lights by James Highland, animal puppets by David Emmons, 1972 November 19-December 17; 1973 January 13-January 21
  • The Magic Isle by Wesley Van Tassel, with music and lyrics by Mark Ollington, adapted from original commedia materials created by Russell Graves, directed by Bella Itkin, sets by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by Thom Racina, 1968 July 3-August 24
  • The Magic Isle by Wesley Van Tassel, music and lyrics by Mark Ollington, directed by Kelly Danford, costumes by Sandra Tignor, sets by Joseph Nieminski, lights by John M. Hickey, with Bruce Boxleitner, 1971 December 26-1972 January 2
  • The Man in the Moon, or A Trip to the Moon by Alan Cullen, directed by Kelly Danford, sets by Alan Traynor, costumes by Albert Tucci, lights by Lyman Dunning, choreography by Thomas Jaremba, music by Kelly Danford, with Guy Giarrizzo and Joseph Mantegna, 1968 December 2-1969 March 9
  • The Marvelous Misadventures of Sherlock Holmes by Thom Racina, directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Alice Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Mark Ganzel, original music and lyrics by Thom Racina, with Bruce Boxleitner, 1971 July 6-August 14
  • A Midsummer Night's Dream by William Shakespeare, adapted for children by Bella Itkin, directed by Bella Itkin, sets and projections designed by Gary Gorman, costumes by designed by Mary Stine, lights by Lawrence Dean, choreography by Thomas Jaremba, original music and lyrics by Thom Racina, 1968 March 16-May 26
  • Nobody's Boy by Isabel Burger and Constance DeBear, from the story Sans Famille by Hector Malot, directed by Bella Itkin, dances arranged by Frances Allis, costumes by Paul Leonard, sets by Robert Hamlin, 1958 February 8-April 5
  • The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game. The Giving Tree by Shel Silverstein, all other works created by the Company, directed by Larry Arrick, J. Ranelli, Mary Beth Miller, and the Company, costumes by Fred Voelpel, sets by David Hays, 1971 December 13-23
  • Pal Joey by John O'Hara, directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, with Nancy Marchand, 1973 May 13-June 17
  • The Panda and the Spy by Mary Virginia Heinlein, directed by Kelly Danford, sets by James Maronek, costumes by Daniel Pugh, lights by G.E. Naselius, Robert Moody as scenic artist, 1970 July 7-August 8
  • Peck's Bad Boy by Aurand Harris, suggested by stories from Peck's Bad Boy, by George W. Peck, directed by Kelly Danford, scenic design by Brad Loman, costumes by Richard Donnelly, lights by Neal Yablong, 1975 January 25-March 16
  • Peter Pan by James M. Barrie, directed by Bella Itkin, set designs by Reid Carlson, costumes by James Larsen, lighting by John Woolley, starring Linda Hunt, with Carrie Snodgrass, 1966 March 12-May 29
  • The Pied Piper of Hamelin, written by Melvin Bernhardt, and based on improvisations by the cast from Robert Browning's poem, directed by Melvin Bernhardt, sets by Amy-Susan Frank, lights by William Dreasler, costumes by Heidimarie Rosendahl, choreography by Frances Allis, music by Gerry Grossman, 1963 April 13-May 26
  • The Pied Piper of Hamelin by William Glennon, directed by Kelly Danford, costume design by Sandra Tignor, scenic design by Jim Reed, lights by Jim Hegwood, choreography by Jerry Tullos, 1971 October 10-November 21
  • Pinocchio by George T. Latshaw, from the story by Carlo Collodi, directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lights by G.E. Naselius, 1961 October 14-December 10
  • The Popcorn Man, book and lyrics by Dodi Robb and Pat Patterson, music by Pat Patterson, directed by Bella Itkin, choreography and musical coordination by Estelle Spector, additional music and lyrics by Errol Pearlman, sets and costumes by David Emmons, lights by Daniel Aberson and G.E. Naselius, 1974 June 24-August 3
  • The Prince, the Wolf and the Firebird by Jackson Lacey, directed by Bella Itkin, costumes by Susan Gayford, sets by Brad Loman, lights by William Fox, sound design by Steven Burgess, choreography by Estelle Spector, stage combat by Diane Parker, 1974 October 19-December 1
  • The Puppet Prince, or Nicolo and Nicollette by Alan Cullen, directed by Bella Itkin, sets by Thomas Dorwart, costumes by Karen Cahill, lighting by Robert Cortright, choreography by Frances Allis, 1966 October 8-December 11
  • Puss in Boots, dramatized by Rowena Bennett, directed by Bella Itkin, sets designed by John Van Eyck, costumes by Uta Olson, lighting by Alfred Jutzi, choreography by Frances Allis, 1964 March 28-May 24
  • Rags to Riches by Aurand Harris (suggested by two stories written by Horatio Alger, directed by Eleanor Logan, scenic designs by Eric Fielding, costumes by Nancy Grabowski, lights by Steven Burgess, sound by William C. Fox, choreography by Diane Parker, 1974 December 7-1974 January 19
  • Rapunzel and the Witch by Jack A. Melanos, directed by Bella Itkin, dances arranged by Frances Allis, sets by John Braden, costumes by Robert Hamlin, with Avery Schreiber, 1958 April 12-June 1
  • Rapunzel and the Witch by Jack Melanos, directed by Charles Likar, Jr., sets by George Pettit, costume design by Kurt Wilhelm, lights by Tom Bartlett, 1965 December 18-1966 March 6
  • Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by James Harrington, costumes by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, 1960 October 15-December 3
  • The Red Shoes by Hans Christian Anderson, dramatized by Hans Joseph Schmidt, directed by Joseph Slowik, sets designed by Kert Lundell, costumes by Hilton Brown, choreography by Frances Allis, 1957 December 21-1958 February 2
  • Reynard the Fox by Arthur Fauquez, directed by Bella Itkin, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, 1966 June 27-August 20
  • Robin Hood by James Norris, directed by Kelly Danford, sets designed by Oseloka Osadebe, costumes by Madeline Grigg, lights by Herbert Schmoll, fight scenes staged by Michael Galson, with Guy Giarrizzo and Bruce Boxleitner, 1970 January 3-March 22
  • Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by Miriam Rajk, costumes by Tony Eikenbarry, lighting by G.E. Naselius, music by Bob Michaels, choreography by Frances Allis, 1960 March 19-May 22
  • Rumpelstiltskin by Wesley Van Tassel, directed by Bella Itkin, musical direction by Kelly Danford, sets by Oseloka Osadebe, costumes by Al Tucci, lights by John Nathan, choreography by Thomas Jaremba, with Bruce Boxleitner, 1969 October 11-December 21
  • Sacramento Fifty Miles by Eleanor and Ray Harder, directed by Jack Jones, sets designed by Frank Bradley, costumes by Nancy Ash, lights by Wayne Tignor, music preparation by Kelly Danford, 1970 September 19-November 15
  • Sleeping Beauty, or Sing Ho for a Prince!, adapted by Leo Grenzeback from the story by the Brothers Grimm, directed by Bella Itkin, music by Haakon Bergh, sets by Bruce Koenig, costumes by Heidemarie Rosendahl, lights by Jack Hickey, choreography by Frances Allis, 1963 February 2-April 7
  • Sleeping Beauty, or The Great Rose Taboo, books and lyrics by Barbara Fried, music by Norman Sachs, directed and choreographed by Kelly Danford, set designs by David Emmons, costumes by Martha Ferrara, lights by Paul Gregory, 1972 October 1-November 12
  • The Snow Queen and the Goblin, dramatized by Martha Bennett King, from the Hans Christian Anderson fairy tale, directed by Bella Itkin, set designs by Neil Jampolis, costumes by Margaret Danielson, lights by G.E. Naselius, choreography by Frances Allis, with Linda Hunt, 1964 December 19-1965 January 31
  • The Snow Queen by Surgio Magito and Rudolf Weil, based on the story by Hans Christian Anderson, directed by Bella Itkin, costumes by Dunja Ramicova, sets designed by Beverly Sobieski, lighting by Robert Shook, choreography by Thomas Jaremba, original music by Phillip Kusie, Charles Fleischer, John McFayden, and Allan Almeida, 1971 November 27-December 12, 1972 January 8-February 6
  • Snow White and the Seven Dwarfs by Marian Johnson, from the story by the Brothers Grimm, directed by Patrick Henry, costumes by Peri Grenell, sets designed by Patrick Henry, lighting by Louis Nesslar, music by Richard Manners, 1961 December 16-1962 February 4
  • Speed Gets the Poppies by Lila Levant, music and lyrics by Lila Levant and Lorenzo Fuller, [1972-1973]
  • Starman Jones by Douglas Lieberman, based on the novel by Robert Heinlein, World Premiere, directed by Douglas Lieberman, costumes by Pepper Ross, scenic design by Michael O'Kane, lighting by Paul Thompson, 1972 February 12-March 26
  • Tanuki, the Mischievous Raccoon by Clive Rickabaugh. World Premiere, directed by Bella Itkin, sets by Joseph Nieminski, costumes by Bupha Chuvisavaphong, lights by Gerald Thamm, choreography by Shiro Katagiri, with Guy Giarrizzo, and Joe Mantegna, 1968 September 21-December 15
  • Tarradiddle Tales, or The Wise and Foolish Tales by Flora Atkin, directed by Kelly Danford, choreographed by Estelle Spector, sets by David Emmons, costumes by Julie Nagel, lights by G.E. Naselius, 1973 June 24-August 4
  • The Three Musketeers by Brian Way, based on the novel by Alexandre Dumas, directed by John Medici, choreography by Estelle Spector, scene design by William Schmiel, costumes by Pepper Ross, lights by Marsha Hardy, fencing muster by Marvin Nelson, Steve Fletcher as fencing coach, music by Philip Kusie, 1973 January 28-March 18
  • A Threepenny Christmas, or the Legend of Nick the Saint by Stephen Lehner, music by Kenneth Wannberg, World Premiere, directed by Kelly Danford, scenic design by Joseph Nieminski, costumes by Nancy Ash, lights by G.E. Naselius, James Engelhardt as script consultant, choreography by Kathleen Rostrom and Kelly Danford, 1970 December 19-1971 January 3
  • The Thwarting of Baron Bolligrew by Robert Bolt, directed by Joseph Slowik, costumes by Sandra Tignor, sets by Bennett Averyl, with Bruce Boxleitner, 1971 May 29-June 27
  • The Thwarting of Baron Bolligrew by Robert Bolt, [1971-1972]
  • Tom Sawyer, adapted from Mark Twain's The Adventures of Tom Sawyer, book and lyrics by Sarah Marie Schlesinger, musical score by Michael Dansicker, directed by Dan Schmidtke, choreography by Diana Parker, scenic design by Eric Fielding, costumes by Sandi Kabins, lights by Dale Kovarik, 1975 October 18-November 30
  • Treasure Island by Dorothy Drew, directed by Bella Itkin, sets by Ford Larsen, costumes by Patricia Taxman, lights by Erwin Schroeter, choreography by Frances Allis, 1964 February 1-March 22
  • Trudi and the Minstrel by Allen Cullen, directed by Joseph Slowik, set designed by George Pettit, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, original music by Carey Gold and Roderick Horn, 1967 October 7-December 10
  • The Unwicked Witch by Madge Miller, directed by Stuart Hawk, scenic design by Joe Hennessey, costumes by Irene Behrenfeld, lighting by Eric Strand, sound design by Richard Young, 1977 January 29-March 13
  • The Wind in the Willows by Joseph Baldwin, adapted from the book by Kenneth Grahame, directed by Joseph Slowik, sets designs by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, with Carrie Snodgrass, 1965 October 9-December 12
  • The Wind in the Willows adapted by Joseph Baldwin, based on the book by Kenneth Grahame, directed by Joseph Slowik, scenic design by Nancy Long, costumes by Niki Rudisill, lights by Phillip Evola, make-up by James Campbell, music by Kenneth Slowik, 1973 October 20-December 2
  • Winnie the Pooh by A.A. Milne and Kristin Sergel, music by Allan J. Friedman, directed by Bella Itkin, sets designed by Richard Kent Wilcox, costumes by Margaret Danielson, lights by G.E. Naselius, with Linda Hunt and Carrie Snodgrass, 1964 October 10-December 13
  • Winterthing by Joan Aiken, directed by Gordon Kupperstein, 1978 January 21-March 19
  • The Wizard of Oz, dramatized by Adele Thane from the story by L. Frank Baum, directed by Bella Itkin, sets by James Harrington, costumes by Uta Olson, lighting by Lou Nesslar, choreography by Frances Allis, 1961 March 18-May 29
  • The Wizard of Oz, adapted from the story by Frank Baum by Adele Thane, music and lyrics by Brian Alan Lasser, directed by Dean Button, lights by Marc Warshell, sound by Curtis Jacobsen, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, choreography by Dawn Mora, 1975 December 6-1976 January 25
  • Yankee Doodle by Aurand Harris, music by Mort Stine, directed by Russell Chesson, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Judy Mackowsky, lights by G.E. Naselius, 1976 March 20-May 16
  • Young Ben Franklin by Faye Parker, directed by Joseph Slowik, sets and lights by Jack Million, costumes by Miriam Rajk, 1960 February 6-March 13
  • You're a Good Man Charlie Brown by Charles M. Schultz, music and lyrics by Clark Gesner, directed by Kelly Danford, sets designed by Joseph Nieminski, lighting designed by G.E. Naselius, choreography by Mark Ganzal and Maryann Kohler, [1973]
Arrangement

Series 2 is arranged into 45 subseries chronologically by season:

  • Subseries A: 1957-1958 Season, 1957-1958, 1969
  • Subseries B: 1958-1959 Season, 1935, 1958-1959
  • Subseries C: 1959-1960 Season, 1959-1960
  • Subseries D: 1960-1961 Season, 1959-1960
  • Subseries E: 1961-1962 Season, 1961-1962
  • Subseries F: 1962-1963 Season, 1962-1963
  • Subseries G: 1963-1964 Season, 1963-1964
  • Subseries H: 1964-1965 Season, 1964-1965
  • Subseries I: 1965-1966 Season, 1965-1966
  • Subseries J: 1966-1967 Season, 1966-1967
  • Subseries K: 1967-1968 Season, 1962-1968
  • Subseries L: 1968-1969 Season, 1953-1969
  • Subseries M: 1969-1970 Season, 1969-1970
  • Subseries N: 1970-1971 Season, 1969-1971
  • Subseries O: 1971-1972 Season, 1971-1972
  • Subseries P: 1972-1973 Season, 1972-1973
  • Subseries Q: 1973-1974 Season, 1973-1974, undated
  • Subseries R: 1974-1975 Season, 1974-1975, undated
  • Subseries S: 1975-1976 Season, 1975-1976
  • Subseries T: 1976-1977 Season, 1972-1977
  • Subseries U: 1977-1978 Season, 1977-1978
  • Subseries V: 1978-1979 Season, 1978-1979, undated
  • Subseries W: 1979-1980 Season, 1979-1980, undated
  • Subseries X: 1980-1981 Season, 1978-1981
  • Subseries Y: 1981-1982 Season, 1928-1982
  • Subseries Z: 1982-1983 Season, 1951-1983, undated
  • Subseries AA: 1983-1984 Season, 1964-1984, undated
  • Subseries BB: 1984-1985 Season, 1974-1985, undated
  • Subseries CC: 1985-1986 Season, 1956-1986, undated
  • Subseries DD: 1986-1987 Season, 1986-1987
  • Subseries EE: 1987-1988 Season, 1985-1988
  • Subseries FF: 1988-1989 Season, 1988-1989, undated
  • Subseries GG: 1989-1990 Season, 1987-1990, undated
  • Subseries HH: 1990-1991 Season, 1987-1991, undated
  • Subseries II: 1991-1992 Season, 1989-1992
  • Subseries JJ: 1992-1993 Season, 1950, 1984-1993
  • Subseries KK: 1993-1994 Season, 1961-1994, undated
  • Subseries LL: 1994-1995 Season, 1994-1995, undated
  • Subseries MM: 1995-1996 Season, 1993-1996, undated
  • Subseries NN: 1996-1997 Season, 1996-1997, undated
  • Subseries OO: 1997-1998 Season, 1997-1998
  • Subseries PP: 1998-1999 Season, 1998-1999
  • Subseries QQ: 1999-2000 Season, 1999-2000
  • Subseries RR: 2000-2001 Season, 2000-2001
  • Subseries SS: Unidentified and Undated, undated

Subseries A: 1957-1958 Season, 1957-1958, 1969

Arrangement

Subseries A is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 12 Folder 35 Budget, 1957-1958
Box 12 Folder 36 Promotional material, 1957-1958
Box 158 Folder 34 Ah Wilderness! photographs (11), includes Sidney Bruce and Dorothy Konrad, 1957-1958
Box 200 Folder 3 Ah Wilderness! photographs (2), includes Patrick Henry, 1957-1958
Box 12 Folder 37 Ah, Wilderness! programs, press releases, playing dates, 1957-1958
Box 12 Folder 40 The Salzburg Everyman, estimate of expenses, 1957
Box 12 Folder 39 The Salzburg Everyman, notes on music, 1957
Box 158 Folder 35 The Salzburg Everyman, photographs (6), negative (1), contact sheets (2), 1957
Box 12 Folder 41 The Salzburg Everyman, press releases and promotional material, 1957
Box 12 Folder 42 The Salzburg Everyman, programs, 1957
Box 12 Folder 43 The Salzburg Everyman, reviews and news clippings, 1957
Box 12 Folder 38 The Salzburg Everyman, script, 1969
Box 159 Folder 1 Tiger at the Gates, photographs (17), includes Michael Hall and Ann Rogers, 1958 January
Box 12 Folder 44 Tiger at the Gates, press releases and promotional material, 1958 January
Box 12 Folder 45 Tiger at the Gates, programs, 1958 January
Box 12 Folder 46 Tiger at the Gates, reviews and news clippings, 1958
Box 159 Folder 2 The Man of Destiny and The Great Catherine, photographs (19), 1958 February-March
Box 12 Folder 47 The Man of Destiny and The Great Catherine, press releases and promotional material, 1958
Box 12 Folder 49 The Man of Destiny and The Great Catherine, programs, 1958 February-March
Box 12 Folder 48 The Man of Destiny and The Great Catherine, reviews and news clippings, 1958
Box 159 Folder 3 Camino Real, photographs (4), contact sheets (4), 1958 March-April
Box 200 Folder 3 Camino Real, photograph (1), 1958 March-April
Box 12 Folder 50 Camino Real, press releases and promotional material, 1958
Box 12 Folder 52 Camino Real, programs, 1958 March-April
Box 12 Folder 51 Camino Real, reviews and news clippings, 1958
Box 12 Folder 55 The Dream (A Midsummer Night's Dream) and The Fairie Queen, director's notes, 1958
Box 159 Folder 4 The Dream (A Midsummer Night's Dream), photographs (21), contact sheets (4), includes Ken Johnson and Dieter Kober, 1958 May-June
Box 200 Folder 3 The Dream (A Midsummer Night's Dream), photograph (1), 1958 May-June
Box 12 Folder 56 The Dream (A Midsummer Night's Dream) and The Fairie Queen, press releases and promotional material, 1958
Box 12 Folder 57 The Dream (A Midsummer Night's Dream) and The Fairie Queen, programs, 1958 May-June
Box 12 Folder 58 The Dream (A Midsummer Night's Dream) and The Fairie Queen, reviews and news clippings, 1958
Box 12 Folder 53 The Dream (A Midsummer Night's Dream) and The Fairie Queen, stage manager’s book, script, 1958
Box 12 Folder 54 The Dream (A Midsummer Night's Dream) and The Fairie,stage manager's book, technical lists and notes, 1958
Box 13 Folder 1 Studio - promotional material, 1957-1958
Box 13 Folder 2 Studio - A Bill of Three One-Acts: The Shy and the Lonely, Hyacinth Halvey, This Music Crept by Me Upon the Water, program, [1957-1958]
Box 13 Folder 3 Studio - Bury the Dead, program, 1957 October 25
Box 13 Folder 4 Studio - Look Back in Anger, promotional materials, production schedule and programs, 1958 March 10-12
Box 13 Folder 5 Studio - The Potting Shed, promotional material and programs, 1958 April 21
Box 159 Folder 5 Studio - Light Up the Sky, photograph contact sheets (2), 1958 May 5
Box 13 Folder 6 Studio - Light Up the Sky, promotional material and programs, 1958 May 5
Box 159 Folder 6 Studio - See the Jaguar, photographs (2), 1958 May 19
Box 13 Folder 7 Studio - See the Jaguar, programs, 1958 May 19
Box 13 Folder 8 Studio - Roadside, programs, 1958 June 2
Box 159 Folder 7 Studio - Wingless Victory, photographs (4), includes Gloria Foster, [1957-1958?]
Box 159 Folder 8 Studio - The Bloody Tenet, photographs (9), [1957-1958?]
Box 13 Folder 10 Studio - The Bloody Tenet, press releases, [1957-1958?]
Box 13 Folder 9 Studio - The Bloody Tenet, typescript copy, undated
Box 159 Folder 9 Studio - Yerma, photograph contact sheets (3), [1958]
Box 200 Folder 4 Studio - Yerma, photographs (2), [1958]
Box 13 Folder 11 Studio - Yerma, cast and crew list, [1958]
Box 159 Folder 10 Studio - The Time of Your Life, photograph contact sheets (2), 1958
Box 200 Folder 4 Studio - The Time of Your Life, photographs (3), 1958
Box 13 Folder 12 Children’s Theatre - promotional material, 1957-1958
Box 13 Folder 13 Children’s Theatre - reviews and news clippings, 1957-1958
Box 159 Folder 11 Children’s Theatre - Alice in Wonderland, photograph (1), 1957 October-December
Box 13 Folder 14 Children’s Theatre - Alice in Wonderland, programs, 1957 October-December
Box 13 Folder 15 Children’s Theatre - The Red Shoes, press releases and promotional material, 1957 December-1958 February
Box 13 Folder 17 Children’s Theatre - The Red Shoes, programs, 1957 December-1958 February
Box 13 Folder 16 Children’s Theatre - The Red Shoes, reviews and news clippings, 1957 December-1958 February
Box 13 Folder 19 Children’s Theatre - Nobody's Boy, news clippings, 1958 February-April
Box 159 Folder 12 Children’s Theatre - Nobody’s Boy, photographs (7), negative (1), 1958 February-April
Box 13 Folder 18 Children’s Theatre - Nobody's Boy, press releases and promotional material, 1958 February-April
Box 13 Folder 20 Children’s Theatre - Nobody's Boy, programs, 1958 February-April
Box 159 Folder 13 Children’s Theatre - Rapunzel and the Witch, photograph contact sheets (2), 1958 April-June
Box 200 Folder 4 Children’s Theatre - Rapunzel and the Witch, photographs (2), 1958 April-June
Box 13 Folder 21 Children’s Theatre - Rapunzel and the Witch, press releases and promotional material, 1958 April-June
Box 13 Folder 22 Children’s Theatre - Rapunzel and the Witch, programs, 1958 April-June
Box 13 Folder 23 Special Events - Lectures: Four Craftsmen Picture the Theatre, starring: Elmer Nagiz, Joseph Kramin, Eric Bentley, and Harold Clurman, press releases and program, 1958 February-March
Box 13 Folder 24 Special Events - Lecture: Classical Theatre and Modern Realism, with Michel St. Denis, press release, 1958 April 19

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries B: 1958-1959 Season, 1935, 1958-1959

Arrangement

Subseries B is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 13 Folder 25 Press releases and promotional material, 1958-1959
Box 13 Folder 26 Excerpts from reviews, 1958-1959
Box 13 Folder 27 Production schedule, 1958-1959
Box 13 Folder 28 Billy Budd, correspondence, 1958
Box 159 Folder 14 Billy Budd, photographs (3), contact sheets (3), 1958 October-November
Box 200 Folder 4 Billy Budd, photograph (1), 1958 October-November
Box 13 Folder 29 Billy Budd, press releases and promotional material, 1958
Box 13 Folder 31 Billy Budd, programs, 1958 October-November
Box 13 Folder 30 Billy Budd, reviews and news clippings, 1958
Box 13 Folder 33 Lady Precious Stream, audition and cast lists, 1958
Box 13 Folder 32 Lady Precious Stream, correspondence, 1958
Box 13 Folder 35 Lady Precious Stream, director's notes to actors, 1958
Box 159 Folder 15 Lady Precious Stream, photographs (11), contact sheets (4), includes Carl Bingham, 1958 December
Box 200 Folder 4 Lady Precious Stream, photographs (5), 1958 December
Box 13 Folder 38 Lady Precious Stream, press releases and promotional material, 1958
Box 13 Folder 40 Lady Precious Stream, programs, 1958 December
Box 13 Folder 34 Lady Precious Stream, research, 1935, 1958
Box 13 Folder 39 Lady Precious Stream, reviews and news clippings, 1958
Oversize Folder 2   Lady Precious Stream, set design, 1958
Box 13 Folder 36 Lady Precious Stream, sound cues, 1958
Box 159 Folder 16 The Young and the Fair, photographs (8), contact sheets (3), includes Rilla Bergman, Jeanne Borsini, Aida Hincebergs, Sandi Juliano, Beth Ross and Beverly Younger, 1959 January-February
Box 200 Folder 5 The Young and the Fair, photographs (3), 1959 January-February
Box 13 Folder 41 The Young and the Fair, press releases and promotional material, 1959
Box 13 Folder 43 The Young and the Fair, programs, 1959 January-February
Box 13 Folder 42 The Young and the Fair, reviews and news clippings, 1959
Box 13 Folder 44 Purple Dust, correspondence, [1958-1959]
Box 159 Folder 17 Purple Dust, photographs (4), contact sheets (2), includes Dale Benson, Geneva Bugbee, Donna Dunn, Mary Lyon, George McGlynn, Bill Meccia and Louis Zorich, 1959 February-March
Box 200 Folder 5 Purple Dust, photographs (2), 1959 February-March
Box 13 Folder 45 Purple Dust, press releases and promotional material, 1959
Box 13 Folder 47 Purple Dust, programs, 1959 February-March
Box 13 Folder 46 Purple Dust, reviews and news clippings, 1959
Box 13 Folder 48 The Trial, correspondence, 1959
Box 160 Folder 1 The Trial, photographs (11), negative (1), contact sheets (2), includes Dale Benson, Jeanne Borsini, Donna Dunn, Gene Falcetta, Charles Fischer and Al Millis, 1959 April
Box 13 Folder 50 The Trial, press releases and promotional material, 1959
Box 13 Folder 52 The Trial, programs, 1959 April
Box 13 Folder 49 The Trial, research, undated
Box 13 Folder 51 The Trial, reviews and news clippings, 1959 April
Box 160 Folder 2 The Imaginary Invalid, photographs (3), negative (1), includes Murray Matheson, 1959 May
Box 200 Folder 5 The Imaginary Invalid, photographs (2), 1959 May
Box 13 Folder 53 The Imaginary Invalid, press releases and promotional material, 1959
Box 13 Folder 55 The Imaginary Invalid, programs, 1959 May
Box 13 Folder 54 The Imaginary Invalid, reviews and news clippings, 1959
Box 13 Folder 56 Studio - Three One-Act Plays: A Man Can Only Do His Best, Back of the Yards, Ephraim and the Winged Bear, cast and crew list, 1958 December
Box 160 Folder 3 Studio - Three One-Act Plays: A Man Can Only Do His Best, Back of the Yards, Ephraim and the Winged Bear, photograph contact sheets (3), 1958 December
Box 13 Folder 59 Studio - Three One-Act Plays: A Man Can Only Do His Best, Back of the Yards, Ephraim and the Winged Bear, program, 1958 December
Box 13 Folder 58 Studio - Three One-Act Plays: Back of the Yards, script, 1958
Box 13 Folder 57 Studio - Three One-Act Plays: A Man Can Only Do His Best, script, 1958
Box 160 Folder 5 Studio - Our Town by Thornton Wilder, photograph contact sheet (1), [1958-1959?]
Box 14 Folder 1 Children’s Theatre - promotional material, 1957-1959
Box 14 Folder 2 Children’s Theatre - Aladdin and His Wonderful Lamp, correspondence, 1958
Box 160 Folder 6 Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (4), contact sheets (2), 1958 October-December
Box 200 Folder 5 Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (4), 1958 October-December
Box 14 Folder 3 Children’s Theatre - Aladdin and His Wonderful Lamp, press releases and promotional material, 1958
Box 14 Folder 4 Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1958 October-December
Box 160 Folder 7 Children’s Theatre - King Midas and the Golden Touch, photograph contact sheets (2), 1958 December-1959 February
Box 14 Folder 5 Children’s Theatre - King Midas and the Golden Touch, press releases, 1958-1959
Box 14 Folder 6 Children’s Theatre - King Midas and the Golden Touch, programs, 1958 December-1959 February
Box 160 Folder 8 Children’s Theatre - Huckleberry Finn, photograph contact sheets (3), 1959 February-March
Box 14 Folder 8 Children’s Theatre - Huckleberry Finn, programs, 1959 February-March
Box 14 Folder 7 Children’s Theatre - Huckleberry Finn, promotional material, 1959 February-March
Box 160 Folder 9 Children’s Theatre - The Emperor’s New Clothes, photograph contact sheets (42), 1959 March-May
Box 200 Folder 5 Children’s Theatre - The Emperor’s New Clothes, photographs (2), 1959 March-May
Box 14 Folder 10 Children’s Theatre - The Emperor's New Clothes, programs, 1959 March-May
Box 14 Folder 9 Children’s Theatre - The Emperor's New Clothes, promotional material, 1959 March-May
Box 14 Folder 11 Special Events - Shakespeare's Ages of Man, with Sir John Gielgud, program, 1958 October 25, 30 and November 3

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries C: 1959-1960 Season, 1959-1960

Arrangement

Subseries C is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 14 Folder 12 Press releases and promotional material, 1959-1960
Box 14 Folder 13 Excerpts from reviews, 1959-1960
Box 160 Folder 10 The Merchant of Venice, photographs (2), negative (1), contact sheets (6), 1959 October-November
Box 200 Folder 6 The Merchant of Venice, photographs (3), 1959 October-November
Box 14 Folder 15 The Merchant of Venice, press releases and promotional material, 1959
Box 14 Folder 17 The Merchant of Venice, programs, 1959 October-November
Box 14 Folder 16 The Merchant of Venice, reviews and news clippings, 1959
Oversize Folder 3   The Merchant of Venice, set designs, 1959
Box 160 Folder 11 The Cave Dwellers, photographs (5), negatives (2), includes Studs Terkel, 1959 December
Box 200 Folder 6 The Cave Dwellers, photographs (6), includes Studs Terkel, 1959 December
Box 14 Folder 18 The Cave Dwellers, press releases and promotional material, 1959 December
Box 14 Folder 20 The Cave Dwellers, programs, 1959 December
Box 14 Folder 19 The Cave Dwellers, reviews and news clippings, 1959 December
Box 14 Folder 22 Hippolytus, actors' biographies and resumes, 1957-1959
Box 160 Folder 12 Hippolytus, photographs (8), 1960 January
Box 200 Folder 6 Hippolytus, photograph (1), 1960 January
Box 14 Folder 23 Hippolytus, press releases and promotional material, 1959
Box 14 Folder 25 Hippolytus, programs, 1960 January
Box 14 Folder 24 Hippolytus, reviews and news clippings, 1960
Oversize Folder 3   Hippolytus, set designs, 1959
Box 160 Folders 13-14 Enrico IV, photographs (20), negatives (9), contact sheets (22), includes Ivor Harries, Frank Savino and Beverly Young, 1960 February
Box 14 Folder 27 Enrico IV, press releases and promotional material, 1960
Box 14 Folder 29 Enrico IV, programs, 1960 February
Box 14 Folder 28 Enrico IV, reviews and news clippings, 1960
Oversize Folder 3   Enrico IV, set designs, 1960
Box 14 Folder 30 The Good Woman of Setzuan, correspondence, 1960
Box 160 Folder 15 The Good Woman of Setzuan, photographs (12), 1960 March-April
Box 201 Folder 1 The Good Woman of Setzuan, photographs (7), 1960 March-April
Box 14 Folder 32 The Good Woman of Setzuan, press releases and promotional material, 1960
Box 14 Folder 34 The Good Woman of Setzuan, programs, 1960 March-April
Box 14 Folder 33 The Good Woman of Setzuan, reviews and news clippings, 1960
Oversize Folder 3   The Good Woman of Setzuan, set designs, 1960
Box 14 Folder 35 The Inspector General, correspondence, 1960
Box 161 Folder 1 The Inspector General, photographs (6), 1960 May
Oversize Folder 1   The Inspector General, poster, [1960 May]
Box 14 Folder 37 The Inspector General, press releases and promotional material, 1960
Box 14 Folder 39 The Inspector General, programs, 1960 May
Box 14 Folder 38 The Inspector General, reviews and news clippings, 1960
Oversize Folder 10 Folder 36 The Inspector General, set designs, 1960
Box 14 Folder 40 Studio - A Phoenix Too Frequent, cast list, [1959-1960]
Box 14 Folder 41 Studio - Apollo of Bellac, cast list, [1959-1960]
Box 14 Folder 42 Studio - Candida, cast list, [1959-1960]
Box 14 Folder 43 Studio - A Clearing into the Woods, programs, [1959 November?]
Box 14 Folder 44 Studio - Eurydice, program, [1960 Spring?]
Box 14 Folder 45 Studio - Rashomon, cast list and programs, [1960 Spring?]
Box 161 Folder 2 Studio - Rashomon, photograph contact sheets (2), [1960 Spring?]
Box 14 Folder 46 Studio - Royal Gambit, cast list, [1959-1960]
Box 14 Folder 47 Studio - The Ticklish Acrobat, cast list, [1959-1960]
Box 14 Folder 48 Children’s Theatre - promotional material, 1959-1960
Box 161 Folder 3 Children’s Theatre - Jack and the Beanstalk, photographs (4), negatives (238), 1959 October-December
Box 201 Folder 2 Children’s Theatre - Jack and the Beanstalk, photographs (8), 1959 October-December
Oversize Folder 44   Children’s Theatre - Jack and the Beanstalk, photograph (1) on board, 1959 October-December
Box 14 Folder 49 Children’s Theatre - Jack and the Beanstalk, promotional material and programs, 1959 October-December
Box 161 Folder 4 Children’s Theatre - Hansel and Gretel, photographs (3), negatives (145), 1959 December-1960 January
Box 201 Folder 3 Children’s Theatre - Hansel and Gretel, photographs (13), 1959 December-1960 January
Box 14 Folder 50 Children’s Theatre - Hansel and Gretel, promotional material, news clippings, programs, 1959 December-1960 January
Box 161 Folder 5 Children’s Theatre - Young Ben Franklin, photographs (3), negatives (12), contact sheets (4), 1960 February-March
Box 201 Folder 1 Children’s Theatre - Young Ben Franklin, photographs (4), 1960 February-March
Box 14 Folder 5 Children’s Theatre - Young Ben Franklin, promotional material, news clippings and programs, 1960 February-March
Box 161 Folder 6 Children’s Theatre - Rumpelstiltskin, photographs (18), negatives (117), contact sheets (15), includes Dan Bly, Linda Dillon, Charles Harris and Jane Hilton, 1960 March 19-May 22
Box 14 Folder 52 Children’s Theatre - Rumpelstiltskin, promotional material, news clippings and programs, 1960 March 19-May 22
Box 14 Folder 53 Special Events - Los Soles Truncos by Rene Marques, program, 1959 August 29-September 5
Box 14 Folder 54 Special Events - Mark Twain Tonight, with Hal Holbrook, promotional material, 1959 October 23-24

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries D: 1960-1961 Season, 1960-1961

Arrangement

Subseries D is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 15 Folder 1 Press releases and promotional material, 1960-1961
Box 15 Folder 2 Excerpts from reviews, 1960-1961
Box 161 Folder 7 The Taming of the Shrew, photographs (9), 1960 October
Box 201 Folder 4 The Taming of the Shrew, photographs (6), 1960 October
Box 83 Folder 1 The Taming of the Shrew, poster (3), 1960
Box 15 Folder 5 The Taming of the Shrew, press releases and promotional material, 1960 October
Box 15 Folder 6 The Taming of the Shrew, programs, 1960 October
Oversize Folder 4   The Taming of the Shrew, set designs, 1960
Box 15 Folder 7 Venus Observed, audition scenes and rehearsal schedule, 1960
Box 15 Folder 9 Venus Observed, character sketches, 1960
Box 15 Folder 12 Venus Observed, director's notes, 1960
Box 161 Folder 8 Venus Observed, photographs (4), negative (1), contact sheets (2), 1960 December
Box 201 Folder 4 Venus Observed, photographs (5), 1960 December
Box 83 Folder 1 Venus Observed, poster (2), 1960
Box 15 Folder 15 Venus Observed, press releases and promotional material, 1960 December
Box 15 Folder 17 Venus Observed, programs, 1960 December
Box 15 Folder 8 Venus Observed, research, 1960
Box 15 Folder 16 Venus Observed, review, 1960
Oversize Folder 4   Venus Observed, set designs, 1960
Box 15 Folders 10-11 Venus Observed, script [annotated director's version], 1960 December
Box 15 Folder 13 Venus Observed, technical list and notes, 1960 December
Box 161 Folder 9 Royal Gambit, photographs (10), negatives (3), contact sheets (2), 1961 January
Box 201 Folder 4 Royal Gambit, photographs (2), 1961 January
Box 83 Folder 1 Royal Gambit (Henry VIII and His Wives), poster, 1961 January
Box 15 Folder 19 Royal Gambit (Henry VIII and His Wives), press releases and promotional material, 1961 January
Box 15 Folder 20 Royal Gambit (Henry VIII and His Wives), programs, 1961 January
Oversize Folder 4   Royal Gambit (Henry VIII and His Wives), set designs, 1960-1961
Box 161 Folder 10 Under Milkwood, photographs (4), negative (1), contact sheets (2), 1961 February-March
Box 201 Folder 5 Under Milkwood, photographs (3), includes Ivor Harries, 1961 February-March
Box 83 Folder 1 Under Milkwood, poster (3), 1961
Box 15 Folder 22 Under Milkwood, press releases and promotional material, 1961 February-March
Box 15 Folder 23 Under Milkwood, programs, 1961 February-March
Oversize Folder 4   Under Milkwood, set designs, 1960-1961
Box 161 Folder 11 Uncle Vanya, photographs (6), contact sheets (3), 1961 April
Box 201 Folder 5 Uncle Vanya, photographs (2), 1961 April
Box 83 Folder 1 Uncle Vanya, poster (3), 1961
Box 15 Folder 25 Uncle Vanya, press releases and promotional material, 1961 April
Box 15 Folder 26 Uncle Vanya, programs, 1961 April
Oversize Folder 4   Uncle Vanya, set designs, 1961
Box 161 Folder 12 On Borrowed Time, photograph contact sheets (2), 1961 May
Box 201 Folder 5 On Borrowed Time, photographs (2), includes Leo G. Carroll, 1961 May
Box 15 Folder 28 On Borrowed Time, press releases and promotional material, 1961 May
Box 15 Folder 29 On Borrowed Time, programs, 1961 May
Oversize Folder 4   On Borrowed Time, set designs, 1961
Oversize Folder 31   On Borrowed Time, set design, undated
Box 161 Folder 13 Studio - Clerambard, photograph contact sheets (3), 1960 November
Box 16 Folder 1 Studio - Clerambard, programs, 1960 November
Box 16 Folder 2 Studio - The Chalk Garden, programs, 1960 December 8-9
Box 161 Folder 14 Studio - Look Homeward Angel, photograph contact sheet (1), 1960 December 11-17
Box 16 Folder 3 Studio - Look Homeward, Angel, programs, 1960 December 11-17
Box 161 Folder 15 Studio - Woyzeck, photograph contact sheets (2), 1961 January 16-19
Box 16 Folder 4 Studio - Woyzeck, programs, 1961 January 16-19
Box 16 Folder 5 Studio - Dark of the Moon, programs, 1961 January 23-26
Box 162 Folder 1 Studio - Hannele, photographs (7), 1961 March 1-4
Box 201 Folder 5 Studio - Hannele, photographs (2), 1961 March 1-4
Box 16 Folder 6 Studio - Hannele, programs, 1961 March 1-4
Box 162 Folder 2 Studio - Major Barbara, photograph contact sheets (2), 1961 March 27-30
Box 16 Folder 7 Studio - Major Barbara, programs, 1961 March 27-30
Box 162 Folder 3 Studio - Twelfth Night, photograph contact sheets (2), 1961 May 15-18
Box 16 Folder 8 Studio - Twelfth Night, program, 1961 May 15-18
Box 162 Folder 4 Studio - All God's Children Got Wings, photograph contact sheets (2), [1960-1961?]
Box 16 Folder 9 Children’s Theatre - promotional material, 1960-1961
Box 162 Folder 5 Children’s Theatre - Red Riding Hood, photographs (3), negative (1), contact sheets (2), 1960 October-December
Box 201 Folder 5 Children’s Theatre - Red Riding Hood, photographs (2), 1960 October-December
Box 83 Folder 1 Children’s Theatre - Red Riding Hood, poster (2), 1960
Box 16 Folder 10 Children’s Theatre - Red Riding Hood, press releases and promotional material, 1960 October-December
Box 16 Folder 11 Children’s Theatre - Red Riding Hood, programs, 1960 October-December
Oversize Folder 44   Children’s Theatre - Red Riding Hood, set designs, undated
Box 16 Folder 12 Children’s Theatre - Cinderella, light plot, 1960-1961
Box 162 Folder 6 Children’s Theatre - Cinderella, photographs (6), negatives (6), contact sheets (3), 1960 December-1961 February
Box 201 Folder 6 Children’s Theatre - Cinderella, photographs (5), 1960 December-1961 February
Box 83 Folder 1 Children’s Theatre - Cinderella, poster, 1960-1961
Box 16 Folder 14 Children’s Theatre - Cinderella, programs, 1960 December-1961 February
Box 16 Folder 13 Children’s Theatre - Cinderella, promotional material, 1960 December-1961 February
Oversize Folder 5   Children’s Theatre - Cinderella, set designs, 1960
Box 162 Folder 7 Children’s Theatre - The Wizard of Oz, photographs (15), negatives (3), contact sheets (2), includes Uta Olsen, 1961 March-May
Box 201 Folder 6 Children’s Theatre - The Wizard of Oz, photographs (3), 1961 March-May
Box 83 Folder 1 Children’s Theatre - The Wizard of Oz, poster (3), 1961
Box 16 Folder 15 Children’s Theatre - The Wizard of Oz, promotional material, 1961 March-May
Box 16 Folder 16 Children’s Theatre - The Wizard of Oz, programs, 1961 March-May
Oversize Folder 5   Children’s Theatre - The Wizard of Oz, set designs, 1961
Box 16 Folder 17 Special Events - A Lovely Life, with Dorothy Stikney, correspondence, 1960
Box 16 Folder 19 Special Events - A Lovely Life, programs, 1960 October
Box 16 Folder 18 Special Events - A Lovely Life, promotional material, 1960 October
Box 16 Folders 20 Special Events - Mark Twain Tonight,correspondence, [1960-1961]
Box 162 Folder 8 Special Events - Mark Twain Tonight, photographs (10), includes Hal Holbrook, [1960-1961]
Box 16 Folder 22 Special Events - Mark Twain Tonight, programs, [1960-1961]
Box 16 Folder 21 Special Events - Mark Twain Tonight, promotional material, [1960-1961]

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries E: 1961-1962 Season, 1961-1962

Arrangement

Subseries E is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 16 Folder 23 Excerpts from reviews, 1961-1962
Box 162 Folder 9 Faust, photographs (12), contact sheets (2), 1962 October-November
Box 201 Folder 6 Faust, photographs (4), 1962 October-November
Box 16 Folder 28 Faust, press releases and promotional material, 1962 October-November
Box 16 Folder 30 Faust, programs, 1962 October-November
Box 16 Folder 29 Faust, reviews and news clippings, 1962 October-November
Oversize Folder 10   Faust, set designs, 1962
Box 16 Folders 26-27 Faust, script [annotated acting version by John Reich], 1962
Box 16 Folder 25 Faust, slide projection schedule, 1962 October-November
Oversize Folder 6   The Lark, costume sketches (2), poster, scenic plans, 1961
Box 162 Folder 10 The Lark, photographs (2), contact sheets (2), 1961 December
Box 16 Folder 34 The Lark, press releases and promotional material, 1961 December
Box 16 Folder 36 The Lark, programs, 1961 December
Box 16 Folder 35 The Lark, reviews and news clippings, 1961 December
Box 162 Folder 11 My Heart’s in the Highlands and The American Dream, photographs (6), contact sheets (2), includes Dan Bly, Geneva Bugbee, Jimmy Kahn, Charles McGaw, Studs Terkel and Beverly Younger, 1962 January
Box 201 Folder 6 My Heart’s in the Highlands and The American Dream, photograph (1), includes Jimmy Kahn and Studs Terkel, 1962 January
Box 16 Folder 38 My Heart's in the Highlands and The American Dream, poster, 1962 January
Box 16 Folder 39 My Heart's in the Highlands and The American Dream, programs, 1962 January
Box 16 Folder 37 My Heart's in the Highlands and The American Dream, reviews and news clippings, 1962
Oversize Folder 10   My Heart's in the Highlands and The American Dream, set designs, 1962
Box 162 Folder 12 Hedda Gabler, photographs (8), contact sheets (2), 1962 February-March
Box 16 Folder 42 Hedda Gabler, press releases and promotional material, 1962 February-March
Box 16 Folder 43 Hedda Gabler, programs, 1962 February-March
Box 16 Folder 41 Hedda Gabler, reviews and news clippings, 1962
Oversize Folder 6   Hedda Gabler, set design with watercolor rendering, 1961-1962
Box 162 Folder 13 As You Like It, photograph contact sheets (4), 1962 March
Box 16 Folder 45 As You Like It, programs and promotional material, 1962 March
Oversize Folder 10   As You Like It, set designs, 1962
Oversize Folder 6   The Caucasian Chalk Circle, costume sketches (7) and shift plot, 1962
Box 162 Folder 14 The Caucasian Chalk Circle, photographs (5), negative (1), contact sheets (2), 1962 May
Box 201 Folder 7 The Caucasian Chalk Circle, photographs (3), 1962 May
Box 16 Folder 49 The Caucasian Chalk Circle, posters, 1962 May
Box 16 Folder 51 The Caucasian Chalk Circle, programs, 1962 May
Box 16 Folder 50 The Caucasian Chalk Circle, reviews and news clippings, 1962
Box 16 Folders 46-47 The Caucasian Chalk Circle, script [master copy], 1962
Box 162 Folder 15 Studio - The Bald Soprano and The Lesson, photograph contact sheets (4), 1961 October-November
Box 17 Folder 1 Studio - The Bald Soprano and The Lesson, programs, 1961 October-November
Oversize Folder 10   Studio - The Bald Soprano and The Lesson, set designs, 1961
Box 162 Folder 16 Studio - Dinny and the Witches, photograph contact sheets (3), 1961 November
Box 17 Folder 2 Studio - Dinny and the Witches, programs, 1961 November
Box 17 Folder 3 Studio - The Children's Hour, programs, 1961 November
Box 162 Folder 17 Studio - The Birthday Party, photograph contact sheets (2), 1962 February-March
Box 17 Folder 4 Studio - The Birthday Party, programs, 1962 February-March
Box 162 Folder 18 Studio - The Queen and the Rebels, photograph contact sheets (2), 1962 April
Box 17 Folder 5 Studio - The Queen and the Rebels, programs, 1962 April
Box 162 Folder 19 Studio - The Matchmaker, photograph contact sheets (2), 1962 April
Box 17 Folder 6 Studio - The Matchmaker, programs, 1962 April
Oversize Folder 10   Studio - The Grass Harp, floor plan, [1961-1962?]
Box 162 Folder 20 Studio - The Grass Harp, photograph contact sheets (2), [1961-1962?]
Box 17 Folder 8 Studio - The House of Bernarda Alba, cast list, [1961-1962?]
Box 17 Folder 9 Studio - The Cold Wind and the Warm, program, 1962 February
Box 17 Folder 10 Children’s Theatre - promotional material, 1961-1962
Box 163 Folder 1 Children’s Theatre - Pinocchio, photographs (4), negative (1), contact sheets (2), 1961 October-December
Box 201 Folder 7 Children’s Theatre - Pinocchio, photographs (4), 1961 October-December
Box 83 Folder 2 Children’s Theatre - Pinocchio, poster (2), 1961
Box 17 Folder 11 Children’s Theatre - Pinocchio, press releases and promotional material, clippings, and programs, 1961 October-December
Oversize Folder 11   Children’s Theatre - Pinocchio, set designs, 1961
Box 163 Folder 2 Children’s Theatre - Snow White and the Seven Dwarfs, photographs (9), negative (1), contact sheets (2), 1961 December-1962 February
Box 201 Folder 7 Children’s Theatre - Snow White and the Seven Dwarfs, photographs (3), 1961 December-1962 February
Box 83 Folder 2 Children’s Theatre - Snow White and the Seven Dwarfs, poster, 1961-1962
Box 17 Folder 12 Children’s Theatre - Snow White and the Seven Dwarfs, press release and programs, 1961 December-1962 February
Oversize Folder 11   Children’s Theatre - Snow White and the Seven Dwarfs, set designs, 1961
Box 163 Folder 3 Children’s Theatre - The Adventures of Tom Sawyer, photographs (10), contact sheets (2), 1962 February-April
Box 83 Folder 2 Children’s Theatre - The Adventures of Tom Sawyer,poster (3), 1962
Box 17 Folder 13 Children’s Theatre - The Adventures of Tom Sawyer, promotional material and programs, 1962 February-April
Oversize Folder 11   Children’s Theatre - The Adventures of Tom Sawyer, set designs, 1962
Box 163 Folder 4 Children’s Theatre - Beauty and the Beast, photograph contact sheets (2), 1962 April-May
Box 201 Folder 7 Children’s Theatre - Beauty and the Beast, photographs (3), 1962 April-May
Box 83 Folder 2 Children’s Theatre - Beauty and the Beast, poster (3), 1962
Box 17 Folder 14 Children’s Theatre - Beauty and the Beast, promotional material and programs, 1962 April-May
Oversize Folder 11   Children’s Theatre - Beauty and the Beast, set designs, 1962
Box 17 Folder 16 Special Events - An Evening with Charles Laughton, news clippings, 1962 January 31-February 3
Box 17 Folder 15 Special Events - An Evening with Charles Laughton, promotional material and program, 1962 January 31-February 3
Box 17 Folder 17 Special Events - May Festival, news clippings, plans, program, 1962 May
Box 17 Folder 18 Special Events - May Festival: The Living Gallerie, script and schedules, 1962 May
Box 17 Folder 19 Special Events - May Festival: Three for the Show, correspondence, 1962 May
Box 17 Folder 20 Special Events - May Festival: Three for the Show, press releases, 1962 May
Box 17 Folder 21 Special Events - May Festival: Three for the Show, script, 1962 May

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries F: 1962-1963 Season, 1962-1963

Arrangement

Subseries F is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 18 Folder 1 Press releases and promotional material, 1962-1963
Box 18 Folder 2 Excerpts from reviews, 1962-1963
Box 18 Folder 4 Becket, or The Honor of God, actors' biographies, 1962 October-November
Box 18 Folder 3 Becket, or The Honor of God, cast list, 1962 October-November
Box 163 Folder 5 Becket, of The Honor of God, photographs (15), negative (1), contact sheets (3), includes Tod Andrews, 1962 October-November
Box 202 Folder 1 Becket, of The Honor of God, photographs (7), 1962 October-November
Box 18 Folder 7 Becket, or The Honor of God, press releases and promotional material, 1962 October-November
Box 18 Folder 9 Becket, or The Honor of God, programs, 1962 October-November
Box 18 Folder 8 Becket, or The Honor of God,reviews and news clippings, 1962 October-November
Oversize Folder 12 Folder 5 Becket, or The Honor of God, set designs, 1962
Oversize Folder 8   The Comedy of Errors, costume sketches (3), 1962
Box 163 Folder 6 The Comedy of Errors, photographs (3), contact sheets (2), 1962 November-December
Box 202 Folder 1 The Comedy of Errors, photographs (2), 1962 November-December
Box 18 Folder 12 The Comedy of Errors, press releases and promotional material, 1962 November-December
Box 18 Folder 14 The Comedy of Errors, programs and artwork, 1962 November-December
Box 18 Folder 13 The Comedy of Errors, reviews and news clippings, 1962 November-December
Oversize Folder 8   The Comedy of Errors, set designs, 1962
Box 163 Folder 7 A Passage to India, photographs (11), negatives (2), contact sheets (6), 1963 January
Box 202 Folder 1 A Passage to India, photographs (4), includes Lillian Gish, 1963 January
Box 83 Folder 3 A Passage to India, poster (3), 1963
Box 18 Folder 17 A Passage to India, press releases and promotional material, 1963 January
Box 18 Folder 18 A Passage to India, programs, 1963 January
Box 18 Folder 16 A Passage to India, reviews and news clippings, 1963 January
Oversize Folder 12 Folder 15 A Passage to India, set designs, 1962-1963
Box 18 Folder 20 Christopher C. and The Lesson, audition list, [1962-1963]
Box 18 Folder 23 Christopher C. and The Lesson, music cues and plot shift, 1963 February-March
Box 163 Folder 8 Christopher C. and The Lesson, photographs (9), contact sheets (3), 1963 February-March
Box 202 Folder 2 Christopher C., photograph (1), 1963 February-March
Box 83 Folder 3 Christopher C. and The Lesson, poster (2), 1963
Box 18 Folder 26 Christopher C. and The Lesson, press releases and promotional material, 1963 February-March
Box 18 Folder 28 Christopher C. and The Lesson, programs, 1963 February-March
Box 18 Folder 27 Christopher C. and The Lesson, reviews and news clippings, 1963 February-March
Box 18 Folder 24 Christopher C. and The Lesson, scenic plans, 1962
Oversize Folder 12   Christopher C. and The Lesson, set designs, 1962
Box 18 Folder 19 Christopher C., correspondence, [1962-1963]
Box 18 Folder 25 Christopher C., director's notes, [1962-1963]
Box 18 Folder 21 Christopher C., research, [1962-1963]
Box 18 Folder 22 Christopher C., script pages, Tableau Two, Inserts I and II, [1963]
Box 163 Folder 9 Tobias and the Angel, photographs (7), contact sheets (3), 1963 March
Box 202 Folder 2 Tobias and the Angel, photograph (1), 1963 March
Box 83 Folder 3 Tobias and the Angel, poster (3), 1963 March
Box 18 Folder 31 Tobias and the Angel, programs, 1963 March
Box 18 Folder 30 Tobias and the Angel, promotional materials, 1963 March
Box 18 Folder 32 Tobias and the Angel, reviews and news clippings, 1963
Oversize Folder 12   Tobias and the Angel, set designs, 1963
Box 163 Folder 10 The Rivals, photographs (11), negative (1), contact sheets (6), includes Edgar Daniels and Brenda Forbes, 1963 May
Box 202 Folder 2 The Rivals, photograph with typographic mock-up (1), 1963 May
Box 83 Folder 3 The Rivals, poster (3), 1963
Box 18 Folder 35 The Rivals, press releases and promotional material, 1963 May
Box 18 Folder 37 The Rivals, programs, 1963 May
Box 18 Folder 36 The Rivals, reviews and news clippings, 1963 May
Oversize Folder 12   The Rivals, set designs, 1963
Box 18 Folder 38 Studio - The Playboy of the Western World, cast and crew list, programs, 1962 October-November
Box 163 Folder 11 Studio - The Playboy of the Western World, photograph contact sheets (2), 1962 October-November
Box 163 Folder 12 Studio - Gallows Humor, photographs (2), 1962 November 12-15
Box 18 Folder 39 Studio - Gallows Humor, programs, 1962 November 12-15
Box 18 Folder 40 Studio - Southern Exposure by Owen Crump, directed by Steve Kardaleff, programs, 1962 November 19-20
Box 164 Folder 1 Studio - Puntila and His Hired Man, photograph contact sheets (3), 1962 December 3-7
Box 18 Folder 42 Studio - Puntila and His Hired Man, programs and script, 1962 December 3-7
Box 18 Folder 41 Studio - Puntila and His Hired Man, script [labeled “Goodman Theatre Acting Version”], 1962
Box 164 Folder 2 Studio - Between Two Thieves, photograph contact sheets (2), 1963 January 14-17
Box 18 Folder 43 Studio - Between Two Thieves, programs, 1963 January 14-17
Box 18 Folder 44 Studio - The Prodigal, cast and crew list and programs, 1963 January
Box 164 Folder 3 Studio - The Prodigal, photograph contact sheets (2), 1963 January 14-17
Box 18 Folder 45 Studio - Night Must Fall, program, 1963 January 17-18
Box 164 Folder 4 Studio - Picnic, photograph contact sheets (2), 1963 February 18-21
Box 18 Folder 46 Studio - Picnic, programs, 1963 February 18-21
Box 18 Folder 47 Studio - Teach Me How to Cry, program, 1963 February 25-26
Box 18 Folder 48 Studio - The Beautiful People, program, 1963 March 4-5
Box 18 Folder 49 Studio - A Shot in the Dark, program, 1963 March 18-19
Box 164 Folder 5 Studio - Arms and the Man, photograph contact sheets (2), 1963 March 25-28
Box 18 Folder 50 Studio - Arms and the Man, programs, 1963 March 25-28
Box 18 Folder 51 Studio - A Thurber Carnival, program,1963 April 1-2
Box 164 Folder 6 Studio - Death of a Salesman, photograph contact sheets (2) 1963 April 3-6
Box 18 Folder 52 Studio - Death of a Salesman, programs, 1963 April 3-6
Box 164 Folder 7 Studio - The Chinese Wall, photograph contact sheets (2), 1963 May 4-7
Box 18 Folder 53 Studio - The Chinese Wall, programs, 1963 May 4-7
Box 164 Folder 8 Studio - The Glass Menagerie, photograph (1), contact sheets (2), includes Martha Galphin and Peggy Wood, 1963 May 13-16
Box 18 Folder 54 Studio - The Glass Menagerie, programs, 1963 May 13-16
Box 18 Folder 55 Studio - The Heroes and Still Life, programs, 1963 May 20-21
Box 18 Folder 56 Studio - Gigi, cast list and programs, 1963 May 22-25
Box 164 Folder 9 Studio - Gigi, photograph contact sheets (3), 1963 May 22-25
Box 18 Folder 57 Children’s Theatre - promotional material, 1962-1963
Box 18 Folder 58 Children’s Theatre - The Blue Bird, correspondence, 1962
Box 164 Folder 10 Children’s Theatre - The Blue Bird, photographs (2), contact sheets (2), 1962 October-December
Box 202 Folder 2 Children’s Theatre - The Blue Bird, photographs (4), 1962 October-December
Box 83 Folder 3 Children’s Theatre - The Blue Bird, poster, 1962
Box 18 Folder 59 Children’s Theatre - The Blue Bird, press releases, promotional material, and program, 1962
Oversize Folder 7   Children’s Theatre - The Blue Bird, set designs, 1962
Box 164 Folder 11 Children’s Theatre - Ali Baba and the Forty Thieves, photographs (2), contact sheets (2), includes Diane Hurley, 1962 December-1963 January
Box 202 Folder 2 Children’s Theatre - Ali Baba and the Forty Thieves, photographs (4), 1962 December-1963 January
Box 18 Folder 60 Children’s Theatre - Ali Baba and the Forty Thieves, press releases, promotional material and programs, 1962 December-1963 January
Oversize Folder 7   Children’s Theatre - Ali Baba and the Forty Thieves, set designs, 1962
Box 164 Folder 12 Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! photographs (3), negative (1), contact sheets (4), 1963 February-April
Box 202 Folder 3 Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! photographs (4), 1963 February-April
Box 83 Folder 3 Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! poster, 1963
Box 18 Folder 61 Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! promotional material, news clippings, programs, 1963 February-April
Oversize Folder 7   Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! set designs, 1962
Box 18 Folder 62 Children’s Theatre - The Pied Piper of Hamelin, cast list, press releases, promotional material, programs, 1963 April-May
Box 164 Folder 13 Children’s Theatre - The Pied Piper of Hamelin, photographs (5), contact sheets (3), 1963 April-May
Box 202 Folder 3 Children’s Theatre - The Pied Piper of Hamelin, photographs (3), 1963 April-May
Box 83 Folder 3 Children’s Theatre - The Pied Piper of Hamelin, poster, 1963

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries G: 1963-1964 Season, 1963-1964

Arrangement

Subseries G is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 19 Folder 1 Press releases and promotional material, 1963-1964
Box 19 Folder 2 Excerpts from reviews, 1963-1964
Box 19 Folder 3 The Millionairess, director's notes, 1963 October-November
Box 164 Folder 14 The Millionairess, photographs (10), contact sheets (3), 1963 October-November
Box 202 Folder 3 The Millionairess, photographs (6), 1963 October-November
Box 19 Folder 7 The Millionairess, press releases and promotional material, 1963 October-November
Box 19 Folder 9 The Millionairess, programs, 1963 October-November
Box 19 Folder 8 The Millionairess, reviews and news clippings, 1963 October-November
Box 19 Folder 6 The Millionairess, scenic plans, 1963
Oversize Folder 8   The Millionairess, set designs, 1963
Box 19 Folders 4-5 The Millionairess, script [annotated director's version], 1963
Box 19 Folder 10 Three Sisters, budget, 1963
Box 164 Folder 15 Three Sisters, photographs (6), contact sheets (5), 1963 November-December
Box 202 Folder 4 Three Sisters, photographs (2), 1963 November-December
Box 19 Folder 13 Three Sisters, press releases and promotional material, 1963 November-December
Box 19 Folder 15 Three Sisters, programs, 1963 November-December
Box 19 Folder 11 Three Sisters, prop list, 1963
Box 19 Folder 14 Three Sisters, reviews and news clippings, 1963
Oversize Folder 13   Three Sisters, set designs, 1963
Box 164 Folder 16 The Glass Menagerie, photographs (2), contact sheets (2), 1964 January
Box 19 Folder 17 The Glass Menagerie, press releases and promotional material, 1964 January
Box 19 Folder 19 The Glass Menagerie, programs, 1964 January
Box 19 Folder 18 The Glass Menagerie, reviews and news clippings, 1964
Oversize Folder 8   The Glass Menagerie, set designs, 1964
Box 164 Folder 17 The Hollow Crown, The Royal Shakespeare Company, photographs (11), includes Seymour Bernstein, Ann Firbank, Michael Gough and John Warner, 1964 February
Box 19 Folder 20 A Far Country, director's notes and research, 1961-1964, undated
Box 164 Folder 18 A Far Country, photographs (4), negative (1), contact sheets (2), 1964 February-March
Box 202 Folder 4 A Far Country, photographs (3), 1964 February-March
Box 19 Folder 21 A Far Country, press releases and promotional material, 1964 February-March
Box 19 Folder 23 A Far Country, programs, 1964 February-March
Box 19 Folder 22 A Far Country, reviews and news clippings, 1964
Oversize Folder 8   A Far Country, set designs, 1964
Box 164 Folder 19 King Lear, photographs (4), negative (1), contact sheets (3), includes Morris Carnovsky and Maurice Copeland, 1964 April
Box 19 Folder 25 King Lear, press releases and promotional material, 1964 April
Box 19 Folder 27 King Lear, programs, 1964 April
Box 19 Folder 26 King Lear, reviews and news clippings, 1964
Oversize Folder 13   King Lear, set designs, 1964
Box 19 Folder 28 Mother Courage and Her Children, correspondence, 1964
Box 19 Folder 29 Mother Courage and Her Children, notes on Bertolt Brecht, 1964
Box 164 Folder 20 Mother Courage and Her Children, photographs (10), contact sheets (3), includes Eugenie Leontovich, 1964 May
Box 202 Folder 4 Mother Courage and Her Children, photograph (1), 1964 May
Box 19 Folder 31 Mother Courage and Her Children, poster, 1964 May
Box 19 Folder 32 Mother Courage and Her Children, press releases and promotional material, 1964 May
Box 19 Folder 34 Mother Courage and Her Children, programs, 1964 May
Box 19 Folder 33 Mother Courage and Her Children, reviews and news clippings, 1964
Oversize Folder 8   Mother Courage and Her Children, set designs, 1964
Box 19 Folder 35 Othello [production cancelled], correspondence and contract, [1964]
Box 165 Folder 1 Studio - him, photograph contact sheets (2), 1963 October 28-31
Box 19 Folder 36 Studio - him, programs, 1963 October 28-31
Box 19 Folder 37 Studio - The Rape of the Belt, program, 1963 November 4-5
Box 19 Folder 38 Studio - The Diary of Ann Frank, programs, 1963 November 11-14
Box 19 Folder 39 Studio - Hat Full of Rain, programs, 1963 November 18-19
Box 165 Folder 2 Studio - The Boy Friend, photographs (2), contact sheets (6), 1963 December 2-5
Box 19 Folder 40 Studio - The Boy Friend, programs, 1963 December 2-5
Box 19 Folder 41 Studio - The Italian Straw Hat, program, 1963 December 9-10
Box 165 Folder 3 Studio - The Visit, photograph (1), contact sheets (2), 1964 January 5-8
Box 19 Folder 42 Studio - The Visit, programs, 1964 January 5-8
Box 165 Folder 4 Studio - Rip Van Winkle, photograph contact sheets (2), 1964 January 13-16
Box 19 Folder 43 Studio - Rip Van Winkle, programs, 1964 January 13-16
Box 19 Folder 44 Studio - Billy Liar, program, 1964 January 15-16
Box 165 Folder 5 Studio - Machinal, photograph contact sheet (1), 1964 February 24-27
Box 19 Folder 45 Studio - Machinal, programs, 1964 February 24-27
Box 19 Folder 46 Studio - Through a Glass Darkly, program, 1964 March 2-3
Box 19 Folder 47 Studio - Mademoiselle Colombe, programs, 1964 March 19-22
Box 19 Folder 48 Studio - The Long Voyage Home, programs, 1964 March 23-24
Box 165 Folder 6 Studio - I’m Talking About Jerusalem, photograph contact sheets (2), 1964 April 6-9
Box 19 Folder 49 Studio - I'm Talking About Jerusalem, programs, 1964 April 6-9
Box 19 Folder 50 Studio - Yerma, programs, 1964 April 13-14
Box 165 Folder 7 Studio - The Infernal Machine, photograph contact sheets (2), 1964 May 11-14
Box 19 Folder 51 Studio - The Infernal Machine, programs, 1964 May 11-14
Box 19 Folder 52 Studio - Hotel Paradiso, programs, 1964 May 18-19
Box 19 Folder 53 Studio - The Flowering Peach, programs, 1964 May 21-22
Box 19 Folder 54 Studio - Middle of the Night, programs, 1964 May 20-23
Box 19 Folder 55 Studio - The World of Sholom Aleichem, program, [1963-1964]
Box 19 Folder 56 Children’s Theatre - promotional material, 1963-1964
Box 19 Folder 57 Children’s Theatre - Alice in Wonderland, cast and crew list, press releases and promotional material, programs, 1963 October-December
Box 165 Folder 8 Children’s Theatre - Alice in Wonderland, photographs (3), negative (1), contact sheets (5), 1963 October-December
Box 202 Folder 4 Children’s Theatre - Alice in Wonderland, photographs (2), 1963 October-December
Oversize Folder 14   Children’s Theatre - Alice in Wonderland, set designs, 1963
Box 19 Folder 58 Children’s Theatre - Alice in Wonderland,script of Alice's Adventures Through the Looking Glass, 1963
Box 19 Folder 59 Children’s Theatre - Hans Brinker and the Silver Skates, correspondence, budget, press release and promotional material, news clippings, programs, 1963-1964
Box 165 Folder 9 Children’s Theatre - Hans Brinker and the Silver Skates, photographs (6), contact sheets (3), 1963 December-1964 January
Box 202 Folder 4 Children’s Theatre - Hans Brinker and the Silver Skates, photographs (4), 1963 December-1964 January
Oversize Folder 14   Children’s Theatre - Hans Brinker and the Silver Skates, set designs, 1963
Box 19 Folder 60 Children’s Theatre - Treasure Island, correspondence, budget, promotional materials, news clippings, programs, 1964 February-March
Box 165 Folder 10 Children’s Theatre - Treasure Island, photograph (1), contact sheets (5), 1964 February-March
Box 202 Folder 4 Children’s Theatre - Treasure Island, photograph (1), 1964 February-March
Oversize Folder 14   Children’s Theatre - Treasure Island, set designs, 1963-1964
Box 19 Folder 61 Children’s Theatre - Treasure Island,script excerpts adapted for broadcast on WTTW Chicago, 1964
Box 165 Folder 11 Children’s Theatre - Puss in Boots, photograph (1), contact sheets (4), 1964 March-May
Box 19 Folder 62 Children’s Theatre - Puss in Boots, press release and promotional material, programs, 1964 March-May
Oversize Folder 14   Children’s Theatre - Puss in Boots, set designs, 1964

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries H: 1964-1965 Season, 1964-1965

Arrangement

Subseries H is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 20 Folder 1 Press releases and promotional material, 1964-1965
Box 20 Folder 2 Excerpts from reviews, 1964-1965
Box 20 Folder 3 The Madwoman of Chaillot, correspondence, 1964
Box 20 Folder 5 The Madwoman of Chaillot, budget and related memo, 1964
Box 20 Folder 8 The Madwoman of Chaillot, music cues, 1964
Box 165 Folder 12 The Madwoman of Chaillot, photograph (1), negative (1), contact sheets (2), 1964 October-November
Box 202 Folder 5 The Madwoman of Chaillot, photographs (2), 1964 October-November
Box 83 Folder 4 The Madwoman of Chaillot, poster, 1964
Box 20 Folder 9 The Madwoman of Chaillot, press releases and promotional material, 1964 October-November
Box 20 Folder 11 The Madwoman of Chaillot, programs, 1964 October-November
Box 20 Folder 4 The Madwoman of Chaillot, research, 1964
Box 20 Folder 7 The Madwoman of Chaillot, research, rough sketches, production notes on scene design, 1964
Box 20 Folder 10 The Madwoman of Chaillot, reviews and news clippings, 1964 October-November
Box 20 Folder 6 The Madwoman of Chaillot, set designs, 1964
Oversize Folder 15   The Madwoman of Chaillot, set designs, 1964
Box 165 Folder 13 Macbeth, photographs (12), negative (1), contact sheets (5), includes Sam Wanamaker, 1964 November-December
Box 20 Folder 13 Macbeth, press releases and promotional material, 1964 November-December
Box 20 Folder 15 Macbeth, programs, 1964 November-December
Box 20 Folder 14 Macbeth, reviews and news clippings, 1964
Oversize Folder 9   Macbeth, set designs, 1964
Box 165 Folder 14 The Ballad of the Sade Café, photographs (18), contact sheets (2), includes Donald Davis and Gretchen Oehler, 1965 January
Box 83 Folder 4 The Ballad of the Sad Cafe, poster, 1965 January
Box 20 Folder 16 The Ballad of the Sad Cafe, press releases and promotional material, 1965 January
Box 20 Folder 18 The Ballad of the Sad Cafe, programs, 1965 January
Box 20 Folder 17 The Ballad of the Sad Cafe, reviews and news clippings, 1965
Box 165 Folder 15 Rashomon, photographs (4), negative (1), contact sheets (3) 1965
Box 83 Folder 4 Rashomon, poster, 1965
Box 20 Folder 20 Rashomon, press releases and promotional material, 1965
Box 20 Folder 21 Rashomon, programs, 1965 February-March
Box 20 Folder 22 Rashomon, reviews and news clippings, 1965
Oversize Folder 15   Rashomon, set designs, 1964
Box 165 Folder 16 The Barretts of Wimpole Street, photographs (8), contact sheets (5), 1965 March-April
Box 83 Folder 4 The Barretts of Wimpole Street, poster, 1965
Box 20 Folder 25 The Barretts of Wimpole Street, press releases and promotional material, 1965 March-April
Box 20 Folder 27 The Barretts of Wimpole Street, programs, 1965 March-April
Box 20 Folder 24 The Barretts of Wimpole Street, prop lists, 1965
Box 20 Folder 26 The Barretts of Wimpole Street, reviews and news clippings, 1965
Oversize Folder 9   The Barretts of Wimpole Street, set designs, 1965
Oversize Folder 15   Anna Karenina, floor plans and elevations, 1965
Box 166 Folder 1 Anna Karenina, photographs (12), contact sheets (4), includes Dolores Sutton, 1965 May
Box 83 Folder 4 Anna Karenina, poster, 1965 May
Box 20 Folder 30 Anna Karenina, press releases and promotional material, 1965 May
Box 20 Folder 32 Anna Karenina, programs, 1965 May
Box 20 Folder 28 Anna Karenina, prop lists, 1965
Box 20 Folder 31 Anna Karenina, reviews and news clippings, 1965
Oversize Folder 22   Studio - Bedlam Galore, for Two or More and Jack, or The Submission, floor plans, 1964
Box 166 Folder 2 Studio - Bedlam Galore, for Two or More and Jack, of The Submission, photograph contact sheets (2), 1964 October 26-29
Box 20 Folder 33 Studio - Bedlam Galore, for Two or More and Jack, or The Submission, programs, 1964 October 26-29
Box 166 Folder 3 Studio - To Damascus, photograph contact sheets (2), 1964 November 18-21
Box 20 Folder 34 Studio - To Damascus, programs, 1964 November 18-21
Box 20 Folder 35 Studio - The Miracle Worker, programs, 1964 November 30-December 3
Box 20 Folder 36 Studio - The Days and Nights of Beebee Fenstermaker, program, 1965 January 11-12
Box 166 Folder 4 Studio - He Who Gets Slapped, photograph contact sheets (2), 1965 January 11-14
Box 20 Folder 37 Studio - He Who Gets Slapped, programs, 1965 January 11-14
Box 20 Folder 38 Studio - Professor Taranne, programs, 1965 February 22-23
Box 20 Folder 39 Studio - Ten Blocks on the Camino Real, programs, 1965 February 22-25
Box 166 Folder 5 Studio - U.S.A., photograph contact sheets (2), 1965 March 15-18
Box 20 Folder 40 Studio - U.S.A., programs, 1965 March 15-18
Oversize Folder 22   Studio - U.S.A., set designs, 1965
Box 166 Folder 6 Studio - Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf, photograph contact sheets (3), [1965]
Box 20 Folder 41 Studio - Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf, programs and floor plans, [1965]
Box 20 Folder 42 Studio - Rhinoceros, programs, 1965 May 17-18
Box 166 Folder 7 Studio - The Heiress, photograph contact sheet (1), [1964-1965?]
Box 166 Folder 8 Studio - The Sport of My Mad Mother, photograph contact sheets (2), [1964-1965?]
Box 20 Folder 43 Studio - Hey You, Lightman, programs, 1965 May 24-29
Box 20 Folder 44 Children’s Theatre - press releases and promotional material, 1964-1965
Box 166 Folder 9 Children’s Theatre - Winnie the Pooh, photographs (3), contact sheet (1), copies of illustrations (2), 1964 October-December
Box 83   Children’s Theatre - Winnie the Pooh, poster, 1964 October-December
Box 20 Folder 45 Children’s Theatre - Winnie the Pooh, press releases and promotional material, 1964 October-December
Box 20 Folder 46 Children’s Theatre - Winnie the Pooh, programs, 1964 October-December
Box 166 Folder 10 Children’s Theatre - The Snow Queen and the Goblin, photographs (10), negative (1), contact sheets (2), 1964 December-1965 January
Box 83 Folder 4 Children’s Theatre - The Snow Queen and the Goblin, poster, 1964-1965
Box 20 Folder 47 Children’s Theatre - The Snow Queen and the Goblin, press releases and promotional material, 1964 December-1965 January
Box 20 Folder 48 Children’s Theatre - The Snow Queen and the Goblin, programs, 1964 December-1965 January
Box 166 Folder 11 Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (2), contact sheets (3), 1965 February-April
Box 83   Children’s Theatre - Aladdin and His Wonderful Lamp, poster, 1965 February-April
Box 20 Folder 50 Children’s Theatre - Aladdin and His Wonderful Lamp, press release, 1965
Box 20 Folder 49 Children’s Theatre - Aladdin and His Wonderful Lamp, production week schedules, 1965
Box 20 Folder 51 Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1965 February-April
Oversize Folder 16   Children’s Theatre - Aladdin and His Wonderful Lamp, set designs, 1965
Box 20 Folder 52 Children’s Theatre - The Frog Princess and the Witch, fabric requisition, [1964-1965]
Box 166 Folder 12 Children’s Theatre - The Frog Princess and the Witch, photographs (7), contact sheets (4), 1965 April-May
Box 83 Folder 4 Children’s Theatre - The Frog Princess and the Witch, poster, 1965 April-May
Box 20 Folder 53 Children’s Theatre - The Frog Princess and the Witch, press release, 1965 April-May
Box 20 Folder 54 Children’s Theatre - The Frog Princess and the Witch, programs, 1965 April-May
Oversize Folder 16   Children’s Theatre - The Frog Princess and the Witch, set designs, 1965
Box 20 Folder 55 Special Events - Dickens, correspondence, 1964 November 17-21
Box 166 Folder 13 Special Events - Dickens, photographs (7), copies of illustrations (2), includes Emlyn Williams, 1964 November 17-21
Box 20 Folder 56 Special Events - Dickens, programs and promotional clippings, 1964 November 17-21
Box 166 Folder 14 Special Events - La Comedie Francaise, photographs (11), copies of documents (5), includes Michel Bernardy, Micheline Boudet, Jacques Charron, Georges Descrieres and Jean Marchat, 1964 October 13-16
Box 20 Folder 58 Special Events - La Comedie Francaise, set designs, 1964
Oversize Folder 9   Special Events - La Comedie Francaise, set designs, 1964
Box 20 Folder 59 Special Events - Marian Anderson, house reports and notes, 1965 February 18
Box 20 Folder 61 Special Events - Marian Anderson, news clippings, promotional material, 1965 February 18
Box 20 Folder 61 Special Events - Marian Anderson, programs, 1965 February 18

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries I: 1965-1966 Season, 1965-1966

Arrangement

Subseries I is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 21 Folder 1 Press releases and promotional material, 1965-1966
Box 21 Folder 2 Excerpts from reviews, 1965-1966
Box 166 Folder 15 The Cocktail Party, photographs (13), contact sheets (2), 1965 October
Box 83 Folder 5 The Cocktail Party, poster, 1965
Box 21 Folder 6 The Cocktail Party, press releases and promotional material, 1965 October
Box 21 Folder 7 The Cocktail Party, programs, 1965 October
Box 21 Folder 8 The Cocktail Party, reviews and news clippings, 1965
Oversize Folder 17   The Cocktail Party, set designs, 1965
Box 21 Folder 3 The Cocktail Party, technical notes, 1965
Box 166 Folder 16 The Winter’s Tale, photographs (4), contact sheets (2), 1965 November
Box 83 Folder 5 The Winter’s Tale,poster, 1965
Box 21 Folder 9 The Winter's Tale, programs and promotional material, 1965 November
Box 21 Folder 10 The Winter's Tale, reviews and news clippings, 1965
Box 166 Folder 17 The Pedestrian in the Air (Le Pieton de l’Air), photographs (4), contact sheets (2), includes Alvin Epstein, 1966 January
Box 83 Folder 5 The Pedestrian in the Air (Le Pieton de l’Air), poster, 1966
Box 21 Folder 14 The Pedestrian in the Air (Le Pieton de l'Air), press releases and promotional material, 1966 January
Box 21 Folder 16 The Pedestrian in the Air (Le Pieton de l'Air), programs, 1966 January
Box 21 Folder 15 The Pedestrian in the Air (Le Pieton de l'Air), reviews and news clippings, 1966
Oversize Folder 17   The Pedestrian in the Air (Le Pieton de l'Air), set designs, 1965
Box 21 Folder 11 The Pedestrian in the Air (Le Pieton de l'Air), script, undated
Box 21 Folder 12 The Pedestrian in the Air (Le Pieton de l'Air), technical notes, [1965-1966]
Box 167 Folder 1 Dylan, photographs (6), contact sheets (3), includes Jerome Kilty, 1966 February
Box 83 Folder 5 Dylan, poster, 1966
Box 21 Folder 19 Dylan, press releases and promotional material, 1966 February
Box 21 Folder 20 Dylan, programs, 1966 February
Box 21 Folder 21 Dylan, reviews, 1966
Box 21 Folder 18 Dylan, set designs, 1966
Oversize Folder 17   Dylan, set designs, 1966
Box 21 Folder 17 Dylan, technical notes, [1965-1966]
Box 167 Folder 2 The Skin of Our Teeth, photographs (9), negatives (2), contact sheets (3), 1966 March
Box 83 Folder 5 The Skin of Our Teeth, poster, 1966
Box 21 Folder 24 The Skin of Our Teeth, press releases and promotional material, 1966 March
Box 21 Folder 26 The Skin of Our Teeth, programs, 1966 March
Box 21 Folder 25 The Skin of Our Teeth, reviews and news clippings, 1966
Oversize Folder 17   The Skin of Our Teeth, set designs, 1966
Box 21 Folder 22 The Skin of Our Teeth, technical notes, 1966
Oversize Folder 17   Galileo, floor plan, 1966
Box 167 Folder 3 Galileo, photographs (21), negative (1), contact sheets (3), includes Morris Carnovsky, Al Fenske, Jeffrey Harris and John Towey, 1966 May
Box 83 Folder 5 Galileo, poster, 1966
Box 21 Folder 29 Galileo, press releases and promotional material, 1966 May
Box 21 Folder 30 Galileo, programs, 1966 May
Box 21 Folder 27 Galileo, prop list, 1966
Box 21 Folder 31 Galileo, reviews and news clippings, 1966
Box 167 Folder 4 Studio - Alcestis, photograph contact sheets (3), 1965 October 25-28
Box 22 Folder 1 Studio - Alcestis, programs, 1965 October 25-28
Box 167 Folder 5 Studio - The House of Bernarda Alba, photograph contact sheets (2), 1965 November 29-December 2
Box 22 Folder 2 Studio - The House of Bernarda Alba, programs, 1965 November 29-December 2
Box 167 Folder 6 Studio - The Crucible, photograph contact sheets (2), 1966 January 10-13
Box 22 Folder 3 Studio - The Crucible, programs, 1966 January 10-13
Box 167 Folder 7 Studio - Spoon River Anthology, photograph contact sheets (2), 1966 February 21-24
Box 22 Folder 4 Studio - Spoon River Anthology, programs, 1966 February 21-24
Box 22 Folder 5 Studio - Summer of the Seventeenth Doll, program, 1966 April 4-5
Box 22 Folder 6 Studio - Many Moons, programs, 1966 May 9-10
Box 22 Folder 7 Studio - Activents and Happenchances – a Celebritual for 10/130; I Have a Lady in the Balcony, Doctor! Focus! Bofus?; and US(-a), programs, [1966 May 16-19]
Box 22 Folder 8 Children’s Theatre - promotional material and press releases, 1965-1966
Box 22 Folder 9 Children’s Theatre - Summer Theatre Programs, press releases, clippings, and teacher's guides, 1965-1966
Box 22 Folder 14 Children’s Theatre - The Wind in the Willows, correspondence, flyers, schedule, 1965
Box 167 Folder 8 Children’s Theatre - The Wind in the Willows, photographs (14), contact sheets (2), 1965 October-December
Box 22 Folder 13 Children’s Theatre - The Wind in the Willows, programs, 1965 October-December
Box 22 Folder 11 Children’s Theatre - The Wind in the Willows, prop lists, 1965
Box 22 Folder 10 Children’s Theatre - The Wind in the Willows, script, 1965
Oversize Folder 22   Children’s Theatre - The Wind in the Willows, set designs, 1965
Box 167 Folder 9 Children’s Theatre - Rapunzel and the Witch, photographs (2), contact sheets (2), 1965 December-1966 March
Box 83 Folder 5 Children’s Theatre - Rapunzel and the Witch, poster, 1965-1966
Box 22 Folder 17 Children’s Theatre - Rapunzel and the Witch, press releases, 1965 December-1966 March
Box 22 Folder 18 Children’s Theatre - Rapunzel and the Witch, programs, 1965 December-1966 March
Box 22 Folder 15 Children’s Theatre - Rapunzel and the Witch, prop lists, 1965 December-1966 March
Oversize Folder 16   Children’s Theatre - Rapunzel and the Witch, set designs, 1965
Box 167 Folder 10 Children’s Theatre - Peter Pan, photographs (5), negatives (9), contact sheets (2), includes Linda Hunt, 1966 March 12-May 29
Box 83 Folder 5 Children’s Theatre - Peter Pan, poster, 1966
Box 22 Folder 21 Children’s Theatre - Peter Pan, press releases, 1966 March-May
Box 22 Folder 22 Children’s Theatre - Peter Pan, programs, 1966 March-May
Box 22 Folder 19 Children’s Theatre - Peter Pan, prop list, 1966
Oversize Folder 22   Children’s Theatre - Peter Pan, set designs, 1966
Box 22 Folder 23 Children’s Theatre - Reynard the Fox, correspondence, 1966
Box 22 Folder 24 Children’s Theatre - Reynard the Fox, programs (photocopies), 1966 June-August
Box 22 Folder 25 Children’s Theatre - Hansel and Gretel, correspondence, 1966
Box 22 Folder 26 Children’s Theatre - Hansel and Gretel, news clipping, 1966 June-August
Box 167 Folder 11 Children’s Theatre - Hansel and Gretel, photographs (5), 1966 June-August
Box 22 Folder 27 Children’s Theatre - Hansel and Gretel, program, 1966 June-August
Box 167 Folder 12 Special Events - The Misanthrope, photographs (2), 1966
Box 22 Folder 28 Special Events - The Misanthrope, reviews and news clippings, programs, 1966
Oversize Folder 17   Special Events - The Misanthrope, set designs, 1966

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries J: 1966-1967 Season, 1966-1967

Arrangement

Subseries J is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 23 Folder 2 Excerpts from reviews, 1966-1967
Box 23 Folder 1 Press releases and promotional material, 1966-1967
Box 23 Folder 3 Production schedules and staffing, 1966-1967
Box 23 Folder 4 The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, correspondence, 1966
Box 167 Folder 13 The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, photographs (15), negative (1), contact sheets (4), 1966 October-November
Box 23 Folder 6 The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, press release and promotional material, 1966 October-November
Box 23 Folder 8 The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, programs, 1966 October-November
Box 23 Folder 7 The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, reviews and news clippings, 1966
Oversize Folder 23   The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, set designs, 1966
Oversize Folder 31   Tartuffe, floor plan, undated
Box 167 Folder 14 Tartuffe, photograph (1), contact sheets (2), includes Edgar Daniels, Jerome Kilty and Richard Wilbur, 1966 November-December
Box 23 Folder 10 Tartuffe, press releases and promotional material, 1966 November-December
Box 23 Folder 11 Tartuffe, programs, 1966 November-December
Oversize Folder 18   Tartuffe, set designs, 1966
Box 167 Folder 15 The Eccentricities of a Nightingale, photographs (15), contact sheets (2), 1967 January-February
Box 167 Folder 16 The Eccentricities of a Nightingale, rehearsal, photograph (1), includes Dolores Sutton, 1967
Box 23 Folder 13 The Eccentricities of a Nightingale, press releases and promotional material, 1967 January-February
Box 23 Folder 14 The Eccentricities of a Nightingale, programs, 1967 January-February
Oversize Folder 18   The Eccentricities of a Nightingale, set designs, 1966
Box 168 Folder 1 Much Ado About Nothing, photographs (23), 1967 February
Box 23 Folder 15 Much Ado About Nothing, press releases and promotional material, 1967 February
Box 23 Folder 17 Much Ado About Nothing, programs, 1967 February
Box 23 Folder 16 Much Ado About Nothing, reviews and news clippings, 1967
Box 23 Folder 20 A Dream Play, floor plans, [1966-1967]
Box 168 Folder 2 A Dream Play, photographs (9), contact sheets (2), 1967 March-April
Box 23 Folder 21 A Dream Play, press releases and promotional material, 1967 March-April
Box 23 Folder 23 A Dream Play, programs, 1967 March-April
Box 23 Folder 19 A Dream Play, prop list, 1967
Box 23 Folder 22 A Dream Play, reviews and news clippings, 1967
Box 23 Folder 18 A Dream Play, script [annotated Goodman Theatre acting version by John Reich], 1967
Box 168 Folder 3 Oh, What a Lovely War, photographs (17), negatives (1), contact sheets (2), 1967 May
Box 23 Folder 27 Oh, What a Lovely War, press releases and promotional material, 1967 May
Box 23 Folder 25 Oh, What a Lovely War, prop list, 1967
Box 23 Folder 28 Oh, What a Lovely War, programs, 1967 May
Oversize Folder 18 Folder 26 Oh, What a Lovely War, set designs, 1967
Box 23 Folder 24 Oh, What a Lovely War, script, undated
Box 168 Folder 4 Studio - Auto-da-Fe, The Gnadiges and The Long Stay Cut Short, photograph contact sheets (5), 1966 October 24-30
Box 23 Folder 29 Studio - Auto-da-Fe, The Gnadiges Fraulein, and The Long Stay Cut Short, programs, 1966 October 24-30
Box 23 Folder 30 Studio - Three One-Act Plays: The Romantics, Pigeons, and Ginger Anne, program, 1966 December 1-2
Box 23 Folder 31 Studio - The Death and Life of Sneaky Fitch, programs, 1967 January 16-22
Box 23 Folder 32 Studio - The Long Christmas Dinner, programs, 1967 January 16-17
Box 168 Folder 5 Studio - The Chalk Garden, photograph contact sheets (2) 1967 February 20-26
Box 23 Folder 33 Studio - The Chalk Garden, programs, 1967 February 20-26
Box 23 Folder 34 Studio - Chamber Music, programs, 1967 February 27
Box 168 Folder 6 Studio - And So to Bed, photograph contact sheets (2), 1967 May 8-14
Box 23 Folder 35 Studio - And So to Bed, programs, 1967 May 8-14
Box 23 Folder 36 Children’s Theatre - promotional material, 1966-1967
Oversize Folder 18   Children’s Theatre - The Puppet Prince, or Nicolo and Nicollette, floor plans, 1966
Box 168 Folder 7 Children’s Theatre - The Puppet Prince, Nicolo and Nicollette, photographs (19), contact sheets (2), 1966 October-December
Box 23 Folder 37 Children’s Theatre - The Puppet Prince, or Nicolo and Nicollette, press release, programs, 1966 October-December
Box 168 Folder 8 Children’s Theatre - Androcles and the Lion, photographs (6), contact sheets (2), 1966 December-1967 March
Box 83 Folder 6 Children’s Theatre - Androcles and the Lion, poster, 1966-1967
Box 23 Folder 38 Children’s Theatre - Androcles and the Lion, press releases and promotional material, programs, 1966 December-1967 March
Oversize Folder 23   Children’s Theatre - Androcles and the Lion, set designs, 1966
Box 168 Folder 9 Children’s Theatre - Jack and the Beanstalk, photographs (14), contact sheets (2), 1967 March-May
Box 23 Folder 39 Children’s Theatre - Jack and the Beanstalk, program, press release, 1967 March-May
Oversize Folder 18   Children’s Theatre - The Dancing Donkey and The Unwicked Witch, floor plans, 1967
Box 23 Folder 40 Children’s Theatre - The Dancing Donkey and The Unwicked Witch, programs, 1967 July-September
Box 168 Folder 10 Children’s Theatre - The Unwicked Witch, photographs (3), 1967 July-September
Box 23 Folder 41 Special Events - Of What Use is a Serious Theatre, a lecture by Tyrone Guthrie, press release, 1967 February 12

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries K: 1967-1968 Season, 1962-1968

Arrangement

Subseries K is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 24 Folder 2 Excerpts from reviews, 1967-1968
Box 24 Folder 1 Press releases and promotional material, 1967-1968
Oversize Folder 19   The Miser, floor plans, 1966
Box 168 Folder 11 The Miser, photographs (4), contact sheets (2), 1967 October-November
Box 202 Folder 5 The Miser, photographs (2), 1967 October-November
Box 83 Folder 6 The Miser, poster, 1967
Box 24 Folder 5 The Miser, programs, 1967 October-November
Box 24 Folder 4 The Miser, reviews and news clippings, 1967
Box 24 Folder 8 The Balcony, costume designs, [1967-1967]
Box 24 Folder 7 The Balcony, floor plan, 1967
Oversize Folder 23   The Balcony, floor plan, 1967
Box 168 Folder 12 The Balcony, photographs (2), negative (1), contact sheets (2), 1967 November-December
Box 83 Folder 6 The Balcony, poster (3), 1967
Box 24 Folder 6 The Balcony, pre-production research, [1966-1967]
Box 24 Folder 11 The Balcony, press release, 1967
Box 24 Folder 9 The Balcony, production assignments and budget, 1967
Box 24 Folder 13 The Balcony, programs, 1967 November-December
Box 24 Folder 12 The Balcony, reviews and news clippings, 1967
Box 24 Folder 14 Caesar and Cleopatra, correspondence, 1967
Box 24 Folder 15 Caesar and Cleopatra, floor plans, 1967
Oversize Folder 19   Caesar and Cleopatra, floor plans, 1967
Box 169 Folder 1 Caesar and Cleopatra, photographs (10), negative (1), contact sheets (3), includes Murrie Matheson and Carrie Snodgrass, 1968 January-February
Box 83 Folder 6 Caesar and Cleopatra, poster, 1968
Box 24 Folder 17 Caesar and Cleopatra, press releases and promotional material, 1968 January-February
Box 24 Folder 19 Caesar and Cleopatra, programs, 1968 January-February
Box 24 Folder 18 Caesar and Cleopatra, reviews, news clippings, 1968
Box 24 Folder 16 Caesar and Cleopatra, technical notes, [1967-1968]
Box 169 Folder 2 Othello, photographs (7), negatives (2), contact sheets (2), includes Len Cariou, James Earl Jones and Sandra Matthews, 1968 February-March
Box 83 Folder 6 Othello, poster, 1968
Box 24 Folder 23 Othello, pre-production research, [1967-1968]
Box 24 Folder 20 Othello, press releases and promotional material, 1968 February-March
Box 24 Folder 22 Othello, programs, 1968 February-March
Box 24 Folder 21 Othello, reviews and news clippings, 1968
Box 24 Folder 24 A Man's a Man, correspondence, 1962-1968
Box 169 Folder 3 A Man’s a Man, photograph contact sheets (3), 1968 March-April
Box 83 Folder 6 A Man's a Man, poster, 1968
Box 24 Folder 28 A Man's a Man, pre-production research, [1967-1968]
Box 24 Folder 27 A Man's a Man, press release, 1968
Box 24 Folder 26 A Man's a Man, programs, 1968 March-April
Box 24 Folder 25 A Man's a Man, reviews and news clippings, 1968
Box 24 Folder 29 A Flea in Her Ear, correspondence, 1968 March
Oversize Folder 19   A Flea in Her Ear, floor plans, 1968
Box 169 Folder 4 A Flea in Her Ear, photographs (11), negative (1), contact sheets (2), 1968 May 3-29
Box 202 Folder 5 A Flea in Her Ear, photograph contact sheet (1), 1968 May 3-29
Box 83 Folder 6 A Flea in Her Ear, poster, 1968
Box 24 Folder 31 A Flea in Her Ear, press releases and promotional material, 1968 May
Box 24 Folder 33 A Flea in Her Ear, programs, 1968 May
Box 24 Folder 32 A Flea in Her Ear, reviews and news clippings, 1968
Box 169 Folder 5 Studio - All the Way Home, photograph contact sheets (2), 1967 October 23-28
Box 24 Folder 34 Studio - All the Way Home, programs, 1967 October 23-28
Box 169 Folder 6 Studio - The Sea Gull, photograph contact sheets (2), 1967 November 27-December 2
Box 24 Folder 35 Studio - The Sea Gull, programs, 1967 November 27-December 2
Box 24 Folder 36 Studio - The Room and The Collection, programs, 1968 January 15-21
Box 24 Folder 37 Studio - The Women, programs, 1968 February 19-24
Box 24 Folder 38 Studio - The Collection, programs, 1968 March 26
Box 24 Folder 39 Studio - The Dog in the Manger, programs, 1968 April 1-6
Box 24 Folder 40 Studio - The Rimers of Eldritch, programs, 1968 May 6-11
Box 24 Folder 41 Studio - Viet Rock, programs, [1968 April 25]
Box 24 Folder 42 Children’s Theatre - promotional material, 1967-1968
Box 24 Folder 43 Children’s Theatre - Trudi and the Minstrel, floor plans, prop lists, promotional materials, programs, 1967 October-December
Box 169 Folder 7 Children’s Theatre - Trudi and the Minstrel, photographs (7), contact sheets (3), 1967 October-December
Box 83 Folder 6 Children’s Theatre - Trudi and the Minstrel, poster, 1967
Box 24 Folder 44 The Hare and the Tortoise, or The Great Cross Country Race, floor plan, production assignments, clippings, promotional material, programs, 1967 December-1968 March
Oversize Folder 23   The Hare and the Tortoise, or The Great Cross Country Race, floor plan, 1967
Box 169 Folder 8 Children’s Theatre - The Hare and the Tortoise, or The Great Cross Country Race, photographs (4), negative (1), contact sheets (2), 1967 December-1968 March
Box 83 Folder 6 Children’s Theatre - The Hare and the Tortoise, or The Great Cross Country Race, poster, 1967-1968
Box 169 Folder 9 Children’s Theatre - A Midsummer Night’s Dream, photographs (10), contact sheets (2), 1968 March-May
Box 202 Folder 5 Children’s Theatre - A Midsummer Night’s Dream, photograph (1), 1968 March-May
Box 83 Folder 6 Children’s Theatre - A Midsummer Night's Dream, poster, 1968
Box 24 Folder 45 Children’s Theatre - A Midsummer Night's Dream, promotional material, news clippings, and programs, 1968 March-May
Oversize Folder 19   Children’s Theatre - The Magic Isle, floor plans, 1968
Box 169 Folder 10 Children’s Theatre - The Magic Isle, photographs (4), contact sheets (2), 1968 July-August
Box 83 Folder 6 Children’s Theatre - The Magic Isle, poster, 1968
Box 24 Folder 46 Children’s Theatre - The Magic Isle, study guide, promotional material, press release, programs, 1968 July-August
Box 169 Folder 12 Children’s Theatre - Reynard the Fox, photographs (2), 1968 Summer
Box 24 Folder 47 Special Events - Bramwell Fletcher as George Bernard Shaw, promotional material, 1967 November 13
Box 24 Folder 48 Special Events - The Vienna Burg Theatre in Der Junge Goethe, correspondence, 1968 March 18-19
Box 169 Folder 11 Special Events - The Vienna Burg Theatre in Der Junge Goethe, photographs (2), 1968 March 18-19
Box 24 Folder 49 Special Events - The Vienna Burg Theatre in Der Junge Goethe, promotional material and reviews, 1968 March 18-19
Box 24 Folder 50 Special Events - The Vienna Burg Theatre in Der Junge Goethe, script, 1968 March 18-19
Oversize Folder 23   Special Events - The Misanthrope by Moliere, Ravinia, set designs, 1968

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries L: 1968-1969 Season, 1953-1969

Arrangement

Subseries L is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 25 Folder 1 Press releases and promotional material, 1968-1969
Oversize Folder 20   The Salzburg Great Theatre of the World, floor plans, elevations, set designs, 1968
Box 169 Folder 13 The Salzburg Great Theatre of the World, photographs (13), negative (1), contact sheet (1), 1968 October-November
Box 202 Folder 5 The Salzburg Great Theatre of the World, photographs (12), contact sheet (1), 1968 October-November
Box 83 Folder 7 The Salzburg Great Theatre of the World, poster, 1968
Box 25 Folder 6 The Salzburg Great Theatre of the World, press releases and promotional material, 1968 October-November
Box 25 Folder 8 The Salzburg Great Theatre of the World, programs, 1968 October-November
Box 25 Folder 7 The Salzburg Great Theatre of the World, reviews and news clippings, 1968
Box 25 Folder 2 The Salzburg Great Theatre of the World, script [ribbon copy with translation credited to John Reich], 1968
Box 25 Folder 3 The Salzburg Great Theatre of the World, script [master copy with translation credited to Lisel Mueller and John Reich], 1968
Oversize Folder 20   The Death and Life of Sneaky Fitch, floor plans and elevations, 1968
Box 169 Folder 14 The Death and Life of Sneaky Fitch, photographs (6), contact sheets (2), 1968 November-December
Box 202 Folder 6 The Death and Life of Sneaky Fitch, photograph contact sheet (1), 1968 November-December
Box 83 Folder 7 The Death and Life of Sneaky Fitch, poster, 1968
Box 25 Folder 11 The Death and Life of Sneaky Fitch, press releases and promotional material, 1968 November-December
Box 25 Folder 13 The Death and Life of Sneaky Fitch, programs, 1968 November-December
Box 25 Folder 12 The Death and Life of Sneaky Fitch, reviews and news clippings, 1968
Oversize Folder 20   Red Roses for Me, floor plans, 1968
Box 25 Folder 17 Red Roses for Me, A Note on the Play, by John O'Shaugnessy, author note, typescript, undated
Box 170 Folder 1 Red Roses for Me, photographs (27), negative (1), color positives (2), includes Perry Baer, Marie Brady, Barry Cullison, Pauline Flanigan, Donna O’Connor and Harry Townes, 1969 January-February
Box 202 Folder 6 Red Roses for Me, photograph (1), contact sheets (6), 1969 January-February
Box 83 Folder 7 Red Roses for Me, poster (4), 1969
Box 25 Folder 16 Red Roses for Me, press releases and promotional material, 1969 January-February
Box 25 Folder 19 Red Roses for Me, programs, 1969 January-February
Box 25 Folder 18 Red Roses for Me, reviews and news clippings, 1969
Oversize Folder 20   Measure for Measure, floor plans and elevations, 1969
Box 170 Folder 2 Measure for Measure, photographs (6), includes Haskell Gordon and Donald Harron, 1969 February-March
Box 202 Folder 6 Measure for Measure, photograph contact sheets (4), 1969 February-March
Box 25 Folder 21 Measure for Measure, press releases and promotional material, 1969 February-March
Box 25 Folder 23 Measure for Measure, programs, 1969 February-March
Box 25 Folder 22 Measure for Measure, reviews and news clippings, 1969
Box 25 Folder 24 Tom Paine, correspondence, [1968-1969]
Box 170 Folder 3 Tom Paine, photographs (7), negative (1), 1969 March-April
Box 202 Folder 6 Tom Paine, photograph contact sheets (4), 1969 March-April
Box 25 Folder 26 Tom Paine, press releases and promotional material, 1969 March-April
Box 25 Folder 28 Tom Paine, programs, 1969 March-April
Box 25 Folder 25 Tom Paine, research, 1953-1969
Box 25 Folder 27 Tom Paine, reviews and news clippings, 1969
Oversize Folder 20   Tom Paine, set design, 1969
Oversize Folder 20   The Recruiting Officer, floor plan and set designs, 1969
Box 170 Folder 4 The Recruiting Officer, photographs (10), negative (1), 1969 May-June
Box 203 Folder 1 The Recruiting Officer, photograph (1), contact sheets (2), 1969 May-June
Oversize Folder 20   The Recruiting Officer, poster 1969 May-June
Box 25 Folder 32 The Recruiting Officer, press releases and promotional material, 1969 May-June
Box 25 Folder 34 The Recruiting Officer, programs, 1969 May-June
Box 25 Folder 29 The Recruiting Officer, research, undated
Box 25 Folder 33 The Recruiting Officer, reviews and news clippings, 1969
Box 26 Folder 2 Studio - The Firebugs, correspondence, 1968
Box 26 Folder 1 Studio - The Firebugs, production assignment sheets and programs, 1968 October 7-12
Box 203 Folder 1 Studio - The Great Git-Away, photograph contact sheet (1), 1968 November 18-23
Box 26 Folder 3 Studio - The Great Git-Away, program, 1968 November 18-23
Box 170 Folder 5 Studio - Eh? Photograph contact sheet (1), 1969 February 17-22
Box 26 Folder 4 Studio - Eh? programs and production assignment sheets, 1969 February 17-22
Box 26 Folder 5 Studio - Brecht on Brecht, programs and correspondence, 1969 April 1-5
Box 26 Folder 6 Studio - After the Fall, program, [1969]
Box 203 Folder 1 Studio - After the Fall, photograph contact sheets (6), [1969]
Oversize Folder 24   Studio - After the Fall, set designs, 1969
Box 26 Folder 7 Studio - Red Cross, program, 1969 April 7
Box 26 Folder 8 Children’s Theatre - promotional material, 1968-1969
Box 170 Folder 6 Children’s Theatre - Tanuki, the Mischievous Raccoon, photographs (7), 1968 September-December
Box 203 Folder 1 Children’s Theatre - Tanuki, the Mischievous Raccoon, photograph contact sheets (3), 1968 September-December
Box 83 Folder 7 Children’s Theatre - Tanuki, the Mischievous Raccoon, poster, 1968
Box 26 Folder 9 Children’s Theatre - Tanuki, the Mischievous Raccoon, press releases and promotional material, clippings, programs, 1968 September-December
Box 26 Folder 10 Children’s Theatre - The Man in the Moon, or A Trip to the Moon, press releases and promotional material, programs, 1968 December-1969 March
Oversize Folder 19   Children’s Theatre - The Man in the Moon, or A Trip to the Moon, set design, 1968
Box 83 Folder 7 Children’s Theatre - The Man in the Moon, or A Trip to the Moon, poster, 1968-1969
Box 170 Folder 7 Children’s Theatre - The Man in the Moon, or A Trip to the Moon, photographs (19), contact sheets (6), 1968 December-1969 March
Box 26 Folder 11 Children’s Theatre - Don Quixote de la Mancha, press releases and promotional material, reviews and clippings, programs, [1969]
Box 83 Folder 7 Don Quixote de la Mancha, poster, 1969
Oversize Folder 19   Children’s Theatre - Don Quixote de la Mancha, set design, 1969
Box 170 Folder 8 Children’s Theatre - Don Quixote de la Mancha, photographs (5), 1969
Box 26 Folder 12 Children’s Theatre - The Canterville Ghost, actor sheets and cast list, 1969 July-August
Box 170 Folder 9 Children’s Theatre - The Canterville Ghost, photographs (3), negative (1), 1969 July-August
Box 83 Folder 7 Children’s Theatre - The Canterville Ghost, poster, 1969
Box 26 Folder 14 Children’s Theatre - The Canterville Ghost, press releases, programs, promotional material, reviews, news clippings, 1969 July-August
Box 26 Folder 13 Children’s Theatre - The Canterville Ghost, script, 1969

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries M: 1969-1970 Season, 1969-1970

Arrangement

Subseries M is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 26 Folder 15 Press releases and promotional material, 1969-1970
Box 26 Folder 16 News clippings, 1969-1970
Box 170 Folder 10 Soldiers, photographs (5), contact sheets (6), includes Rolf Hochhuth, 1969 October-November
Box 203 Folder 2 Soldiers, photographs (2), 1969 October-November
Oversize Folder 24   Soldiers, posters (2), 1969 October-November
Box 26 Folder 17 Soldiers, pre-production research, 1969
Box 26 Folder 23 Soldiers, press releases and promotional material, 1969 October-November
Box 26 Folder 25 Soldiers, programs, 1969 October-November
Box 26 Folder 19 Soldiers, production stage manager's book, script [incomplete], 1969
Box 26 Folder 18 Soldiers, production stage manager's book, technical notes, 1969
Box 26 Folder 24 Soldiers, reviews and news clippings, 1969
Box 26 Folder 20 Soldiers, script, 1969
Oversize Folder 21   Soldiers, set designs, 1969
Box 26 Folder 21 Soldiers, technical notes, 1969
Box 27 Folder 1 You Can't Take It with You, correspondence and pre-production research (July 23-November 6, 1969), 1969
Box 170 Folder 11 You Can’t Take It with You, photographs (14), contact sheets (7), includes Fionnuala Flanagan and David Whitaker, 1969 December
Box 203 Folder 2 You Can’t Take It with You, photographs (3), 1969 December
Box 27 Folder 5 You Can't Take It with You, press releases and promotional material, 1969 December
Box 27 Folder 7 You Can't Take It with You, programs, 1969 December
Box 27 Folder 6 You Can't Take It with You, reviews and news clippings, 1969
Oversize Folder 21   You Can't Take It with You, set designs, 1969
Box 27 Folder 2 You Can't Take It with You, script [annotated], 1969
Box 27 Folder 4 You Can't Take It with You, technical notes, 1969
Box 27 Folder 16 The Tempest, correspondence, 1970
Box 27 Folder 9 The Tempest, musical scores, 1970
Box 171 Folder 1 The Tempest, photographs (17), negatives (174), contact sheets (10), includes Ronald Bishop, Douglas Campbell, Ann Casson, Leonardo Cimino, Clayton Corbin, Fionnuala Flanagan, Max Howard, Fred Marlow, Vincent Park and William Vines, 1970 January-February
Box 203 Folder 2 The Tempest, photographs (2), 1970 January-February
Box 27 Folder 13 The Tempest, press releases and promotional material, 1970 January-February
Box 27 Folder 15 The Tempest, programs, 1970 January-February
Oversize Folder 21   The Tempest, prop sketch (watercolor), [1969]
Box 27 Folder 14 The Tempest, reviews and news clippings, 1970
Oversize Folder 21   The Tempest, set designs, 1969
Box 27 Folder 8 The Tempest, script [annotated, with technical notes], 1970
Box 27 Folder 12 The Tempest, technical notes, [1969-1970]
Box 28 Folder 1 The Basement and The Tea Party, correspondence, 1969 April 18-1970 February 12
Box 28 Folder 5 The Basement, floor plans and shift plots, [1969-1970]
Box 171 Folders 2-4 The Basement and The Tea Party, photographs (30), negatives (250), contact sheets (14), includes Ronald Bishop, Aviva Crane, Douglas Campbell, Cordis Fejer, Alice Gealy, Max Howard, Geraldine Kay, Michael Liscinsky, Fred Marlow, Harold Pinter, Matthew Trucco, Patrick Trucco and David Whitaker, 1970 March-April
Box 203 Folder 2 The Basement and The Tea Party, photographs (2), 1970 March-April
Box 28 Folder 7 The Basement, press releases and promotional material, 1970 March-April
Box 28 Folder 9 The Basement, programs, 1970 March-April
Box 28 Folder 8 The Basement, reviews and news clippings, 1970
Oversize Folder 21A   The Basement, set designs, 1970
Box 28 Folder 2 The Basement, stage manager's book, technical notes, 1970
Box 28 Folder 3 The Basement, stage manager's book, script, 1970
Box 28 Folder 6 The Basement, technical notes, 1970
Box 171 Folder 5 The Man in the Glass Booth, photographs (7), negatives (171), contact sheets (14), includes Leonardo Cimino, 1970 April-May
Box 203 Folder 2 The Man in the Glass Booth, photographs (2), 1970 April-May
Box 28 Folder 16 The Man in the Glass Booth, programs, 1970 April-May
Box 28 Folder 14 The Man in the Glass Booth, promotional material, 1970 April-May
Box 28 Folder 15 The Man in the Glass Booth, reviews and news clippings, 1970
Oversize Folder 21A   The Man in the Glass Booth, set designs with rendering in charcoal, 1970
Box 28 Folder 10 The Man in the Glass Booth, stage manager's book, script, 1970
Box 28 Folder 11 The Man in the Glass Booth, stage manager's book, technical notes, 1970
Box 28 Folder 12 The Man in the Glass Booth, technical notes, [1969-1970]
Box 28 Folder 17 Heartbreak House, correspondence, [1969-1970]
Box 172 Folder 1 Heartbreak House, photographs (13), negatives (201), contact sheets (14), includes Ronald Bishop, Douglas Campbell, James Chiaro, Fionnuala Flanagan, Brenda Forbes and Paxton Whitehead, 1970 May-June
Box 203 Folder 3 Heartbreak House, photographs (2), 1970 May-June
Box 28 Folder 24 Heartbreak House, programs, 1970 May-June
Box 28 Folder 22 Heartbreak House, promotional material, 1970 May-June
Box 28 Folder 23 Heartbreak House, reviews and news clippings, 1970
Oversize Folder 21A   Heartbreak House, set designs, 1970
Box 28 Folder 18 Heartbreak House, stage manager's book, technical notes and script, Act I, 1970
Box 28 Folder 19 Heartbreak House, stage manager's book, script, Acts II and III, 1970
Box 28 Folder 21 Heartbreak House, technical notes, [1969-1970]
Box 29 Folder 1 Studio - press releases and promotional material, 1969-1970
Box 29 Folder 2 Studio - actors' biographies, 1969-1970
Box 172 Folder 2 Studio - The Marowitz Hamlet, photograph contact sheet (1), 1969 October 12-18
Box 203 Folder 3 Studio - The Marowitz Hamlet, photograph contact sheet (1), 1969 October 12-18
Box 29 Folder 4 Studio - The Marowitz Hamlet, programs, 1969 October 12-18
Box 29 Folder 3 Studio - The Marowitz Hamlet, reviews, 1969 October
Box 172 Folder 3 Studio - Times Square, photographs (2), 1969 October 27-30
Box 203 Folder 3 Studio - Times Square, photograph contact sheet (1), 1969 October 27-30
Box 29 Folder 5 Studio - Times Square, press releases and promotional material, clipping, program, 1969 October 27-30
Box 29 Folder 6 Studio - Impressions of Grotowski, program, 1969 November 20-29
Box 29 Folder 7 Studio - The Empire Builders, program, 1969 December 8-11
Box 29 Folder 8 Studio - Celebration, press release and programs, 1970 January 11-17
Box 172 Folder 4 Studio - A Cry of the Players, photograph contact sheets (4), 1970 February 22-28
Box 29 Folder 9 Studio - A Cry of Players, promotional material and program, 1970 February 22-28
Box 29 Folder 10 Studio - Summertree, promotional material and program, 1970 March 15-21
Box 29 Folder 11 Studio - Many Loves, program, 1970 March 15-2
Box 29 Folder 13 Studio - Circus Minimus, program, [1969-1970]
Box 29 Folder 12 Studio - Circus Minimus, promotional material, [1969-1970]
Box 172 Folder 9 Studio - unidentified performances, contact sheets (5), [1969-1970]
Box 29 Folder 14 Children’s Theatre - promotional material, 1969-1970
Box 29 Folder 17 Children’s Theatre - Rumpelstiltskin, actors' biographies, press releases, promotional material, clippings, and programs, 1969 October-December
Box 172 Folder 5 Children’s Theatre - Rumpelstiltskin, photographs (6), 1969 October-December
Box 203 Folder 3 Children’s Theatre - Rumpelstiltskin, photograph contact sheets (3), 1969 October-December
Box 29 Folder 16 Children’s Theatre - Rumpelstiltskin, prop lists, floor plans and elevations, 1969
Oversize Folder 24   Children’s Theatre - Rumpelstiltskin, prop lists, floor plans and elevations, 1969
Box 29 Folder 15 Children’s Theatre - Rumpelstiltskin, script, 1969
Box 29 Folder 20 Children’s Theatre - Robin Hood, actors' biographies, press releases, promotional material, news clippings, programs, 1970 January-March
Box 172 Folder 6 Children’s Theatre - Robin Hood, photographs (6), negatives (38), slides (2), 1970 January-March
Box 203 Folder 3 Children’s Theatre - Robin Hood, photograph contact sheets (4), 1970 January-March
Box 29 Folder 19 Children’s Theatre - Robin Hood, prop list, [1969-1970]
Oversize Folder 24   Children’s Theatre - Robin Hood, floor plans and elevations, 1969
Box 29 Folder 18 Children’s Theatre - Robin Hood, script [annotated], 1970 January-March
Box 172 Folder 7 Children’s Theatre - A Doctor in Spite of Himself, photograph (1), contact sheets (2), slides (2), includes Patrick Alveri and Richard Drioscoll, 1970
Box 83 Folder 7 Children’s Theatre - A Doctor in Spite of Himself, poster, 1970
Box 29 Folder 23 Children’s Theatre - A Doctor in Spite of Himself, press release, promotional material, teacher's guide, programs, 1970
Box 29 Folder 22 Children’s Theatre - A Doctor in Spite of Himself, prop list, [1969-1970]
Oversize Folder 21   Children’s Theatre - A Doctor in Spite of Himself, floor plans, 1970
Box 29 Folder 21 Children’s Theatre - A Doctor in Spite of Himself, script, 1970
Box 172 Folder 8 Children’s Theatre - The Panda and the Spy, photographs (4), 1970 July-August
Box 29 Folder 24 Children’s Theatre - The Panda and the Spy, press releases and promotional material, teacher's guides, programs, 1970 July-August
Oversize Folder 21   Children’s Theatre - The Panda and the Spy, set designs, 1970
Box 29 Folder 25 Special Events - Lillian Gish and the Movies, programs and promotional material, 1969 September 30-October 4

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries N: 1970-1971 Season, 1969-1971

Arrangement

Subseries N is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 30 Folder 1 Confidential Repertory Study for the Season 1969-70 / 1970-71, by John Reich, 1970-1971
Box 30 Folder 3 News clippings, 1970-1971
Box 30 Folder 2 Press releases and promotional material, 1970-1971
Box 30 Folder 4 The Three Penny Opera, correspondence, 1969 March 21-1970 October 9
Box 30 Folder 11 The Three Penny Opera, director's notes, 1970
Box 172 Folder 10 The Three Penny Opera, photographs (13), negatives (237), contact sheets (14), includes Loyse Anderson, Susan Batson, Dale Benson, Ann Casson, Leonardo Cimino, Richard Curnock, Iris Lieberman, Michael Liscinsky, Anita Malberg, Fred Marlow, Nicholas Polus, LuAnn Post, Carol Ruth and Robert Theis, 1970 October-November
Box 203 Folder 4 The Three Penny Opera, photographs (2), 1970 October-November
Box 30 Folder 10 The Three Penny Opera, programs, 1970 October-November
Box 30 Folder 9 The Three Penny Opera, reviews and news clippings, 1970
Oversize Folder 36   The Three Penny Opera, set designs, 1970
Box 30 Folder 12 The Three Penny Opera, score, 1970
Box 30 Folder 7 The Three Penny Opera, script [master ribbon copy], 1970
Box 30 Folder 6 The Three Penny Opera, stage manager's book, script, 1970
Box 30 Folder 5 The Three Penny Opera, stage manager's book, technical notes, 1970
Box 31 Folder 1 The Night Thoreau Spent in Jail, correspondence, 1970 January 21-November 18
Box 172 Folder 11 The Night Thoreau Spent in Jail, photographs (9), negatives (132), contact sheets (9), includes Douglas Campbell, Ann Casson, Richard Curnock, Jack Gooby, Jo Henderson, Patrick Henry, Gerald Alan Miller, Max Howard, Douglas Mellor, Nick Polus, Ira Rogers, Rebecca Taylor and Christopher Walken, 1971 January-February
Box 31 Folder 6 The Night Thoreau Spent in Jail, programs, 1971 January-February
Box 31 Folder 5 The Night Thoreau Spent in Jail, reviews and news clippings, 1971
Oversize Folder 36   The Night Thoreau Spent in Jail, set designs, 1971
Box 31 Folders 2-3 The Night Thoreau Spent in Jail, script, [assistant stage manager's], 1971
Box 31 Folder 7 Twelfth Night, correspondence, 1970 August-December
Box 31 Folder 9 Twelfth Night, musical scores, undated
Box 173 Folder 1 Twelfth Night, photographs (12), negatives (59), contact sheets (7), includes Dale Benson, Eric Berry, Ann Casson, Jo Henderson, Max Howard, Fred Marlow, Gerald Alan Miller, Vincent Park, Rebecca Taylor, Robert Theis, Douglas Seale and Donald Woods, 1970 November-1971 January
Box 173 Folder 2 Twelfth Night, photographs of costume sketches (19), 1970 November-1971 January
Box 31 Folder 11 Twelfth Night, press releases and promotional material, 1970 November-1971 January
Box 31 Folder 13 Twelfth Night, programs, 1970 November-1971 January
Box 31 Folder 12 Twelfth Night, reviews and news clippings, 1970 November-1971 January
Box 31 Folder 10 Twelfth Night, script [stage manager's annotated], 1970-1971
Oversize Folder 36   Twelfth Night, set designs, 1970-1971
Box 31 Folder 8 Twelfth Night, technical lists and notes, 1970-1971
Box 32 Folder 2 Marching Song, lighting and sound plots, with daily reports, 1971
Box 173 Folder 3 Marching Song, photographs (12), negatives (98), contact sheets (8), includes Douglas Campbell, Richard Curnock and Rebecca Taylor, 1971 March-April
Box 203 Folder 4 Marching Song, photographs (2), 1971 March-April
Box 32 Folder 7 Marching Song, programs, 1971 March-April
Box 32 Folder 6 Marching Song, reviews and news clippings, 1971 March-April
Oversize Folder 36   Marching Song, set designs, [1970-1971]
Box 32 Folder 1 Marching Song, stage manager's book, script, 1971
Box 32 Folder 3 Marching Song, stage manager's daily reports, 1971
Box 32 Folder 4 Marching Song, technical notes, [1970-1971]
Box 32 Folder 8 Poor Bitos, correspondence, 1971 April-May
Box 173 Folder 4 Poor Bitos, photographs (8), negatives (92), contact sheets (8), includes Ann Casson, Leonardo Cimino, Maurine Copeland, Richard Curnock, Ady Hasak, Jo Henderson, Max Howard, Art Kassul, Douglass Mellor, Vincent Park, Lu Ann Post and Joseph Shaw, 1971 April-May
Box 203 Folder 4 Poor Bitos, photograph (1), 1971 April-May
Box 32 Folder 9 Poor Bitos,pre-production research, [1971]
Box 32 Folder 11 Poor Bitos, production stage manager's book, script, 1971
Box 32 Folder 10 Poor Bitos, production stage manager's book, technical notes, 1971
Box 32 Folder 15 Poor Bitos, programs, 1971 April-May
Box 32 Folder 14 Poor Bitos, reviews and news clippings, 1971 April-May
Oversize Folder 36   Poor Bitos, set designs, [1970-1971]
Box 32 Folder 12 Poor Bitos, script [annotated script indicating dialogue omitted in the standard translation by Lucienne Hill], 1971
Box 32 Folder 16 Lady Audley's Secret, license agreement, 1971 April 14
Box 32 Folder 23 Lady Audley's Secret, material from the Washington Theatre Club production directed by Douglas Seale [with members of the original Goodman cast], 1972 May
Box 32 Folder 18 Lady Audley's Secret, musical scores, 1971
Box 173 Folder 5 Lady Audley’s Secret, photographs (21), negatives (88), contact sheets (10), includes Donna Curtis, Russell Nype and LuAnn Post, 1971 May-June
Box 203 Folder 4 Lady Audley’s Secret, photographs (2), 1971 May-June
Box 173 Folder 6 Lady Audley’s Secret, photographs of costume drawings (21), negatives (24), contact sheets (2), 1971 May-June
Box 32 Folder 20 Lady Audley's Secret, press releases and promotional material, 1971 May-June
Box 32 Folder 22 Lady Audley's Secret, programs, 1971 May-June
Box 32 Folder 21 Lady Audley's Secret, reviews and news clippings, 1971 May-June
Oversize Folder 36   Lady Audley's Secret, set designs, 1971
Box 32 Folder 17 Lady Audley's Secret, script [annotated script indicates line changes], 1971
Box 32a Folder 1 Studio - memos, press releases, promotional material and clippings, 1970-1971
Box 174 Folder 1 Studio - The Amorous Flea, photograph contact sheet (1), negatives (3), 1970 October 12-24
Box 32a Folder 2 Studio - The Amorous Flea, programs, 1970 October 12-24
Box 174 Folder 2 Studio - The Trial, photograph contact sheets (3), negatives (25), 1970 October 2-14
Box 32a Folder 3 Studio - The Trial, promotional materials and program, 1970 October 2-14
Oversize Folder 25   Studio - The Trial, set design, 1970
Box 174 Folder 3 Studio - A Scent of Flowers, photograph contact sheets (4), negatives (38), 1970 December 7-19
Box 32a Folder 4 Studio - A Scent of Flowers, programs, 1970 December 7-19
Oversize Folder 25   Studio - A Scent of Flowers, set design, 1970
Box 174 Folder 4 Studio - All That Fall and Play, photograph contact sheets (3), negatives (32), 1971 February 1-13
Box 32a Folder 5 Studio - All That Fall and Play, programs, 1971 February 1-13
Oversize Folder 25   Studio - All That Fall and Play, set design, [1970-1971]
Box 174 Folder 5 Studio - The Memorandum, photographs (2), contact sheets (2), negatives (20), includes Bruce Boxleitner, 1971 February 22-March 6
Box 32a Folder 6 Studio - The Memorandum, programs, promotional material, 1971 February 22-March 6
Box 174 Folder 6 Studio - The Cherry Orchard, photographs (4), contact sheets (3), negatives (34), 1971 April 5-May 8
Box 32a Folder 7 Studio - The Cherry Orchard, programs, 1971 April 5-May 8
Box 174 Folder 7 Studio - Narrow Road to the Deep North, photographs (2), negatives (31), 1971 April 26-May 8
Box 32a Folder 8 Studio - Narrow Road to the Deep North, promotional material and programs, 1971 April 26-May 8
Box 174 Folder 8 Studio - The Laundry, photograph contact sheets (2), negatives (21), 1971 May 18-29
Box 32a Folder 9 Studio - The Laundry, promotional material and programs, 1971 May 18-29
Oversize Folder 25   Studio - The Laundry, set designs, 1971
Box 32a Folder 10 Children’s Theatre - news clippings, 1970-1971
Box 174 Folder 9 Children’s Theatre - Sacramento Fifty Miles, photographs (3), contact sheets (5), negatives (60), includes Jim Engelhardt, Mitch Maurer and Kathleen Rastrom, 1970 September-November
Box 83 Folder 8 Children’s Theatre - Sacramento Fifty Miles, poster (2), 1970
Box 32a Folder 11 Children’s Theatre - Sacramento Fifty Miles, programs, 1970 September-November
Oversize Folder 35   Children’s Theatre - Sacramento Fifty Miles, set designs, 1970
Box 174 Folder 10 Children’s Theatre - Ali Baba and the Magic Cave, photographs (4), contact sheets (4), negatives (34), includes Judith Bergan, Richard Gilliland and Patrick Lavery, 1970 November-1971 January
Box 83 Folder 8 Children’s Theatre - Ali Baba and the Magic Cave, poster (3), 1970-1971
Box 32a Folder 12 Children’s Theatre - Ali Baba and the Magic Cave, promotional material and programs, 1970 November-1971 January
Oversize Folder 35   Children’s Theatre - Ali Baba and the Magic Cave, set designs, [1970-1971]
Box 174 Folder 11 Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, photographs (6), contact sheets (5), negatives (87), includes Paul Butler, Michael Christensen, Robert Gibson, Laney Granger, Mark Lanos, Bruce MacBain, Trudene Rippe, Errol Strider and Ivory Stone, 1970 December-1971 January
Box 83 Folder 8 Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, poster, 1970-1971
Box 32a Folder 13 Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, promotional materials and programs, 1970 December-1971 January
Oversize Folder 35   Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, set designs, 1970
Box 174 Folder 12 Children’s Theatre - Alice in Wonderland, photograph contact sheets (6), negatives (86), 1971 January-March
Box 32a Folder 14 Children’s Theatre - Alice in Wonderland, promotional materials and programs, 1971 January-March
Oversize Folder 35   Children’s Theatre - Alice in Wonderland, set designs, 1970
Box 174 Folder 13 Children’s Theatre - Aesop’s Falables, photographs (13), contact sheets (5), negatives (75), slides (2), includes Michael Gilliland, Michael Kearns, Cricket Parmalee and Janet Slavin, [1971]
Box 32a Folder 15 Children’s Theatre - Aesop's Falables, promotional materials and programs, [1971]
Oversize Folder 35   Children’s Theatre - Aesop's Falables, set designs, 1971
Box 175 Folder 2 Children’s Theatre - The Marvelous Misadventures of Sherlock Holmes, photograph contact sheets (2), negatives (103), 1971 July-August
Box 32a Folder 16 Children’s Theatre - The Marvelous Misadventures of Sherlock Holmes, promotional material and programs, 1971 July-August
Box 32a Folder 17 Children’s Theatre Touring Company - promotional material, 1970-1971
Box 175 Folder 1 Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew, photographs (8), contact sheets (20), negatives (158), includes Fred Butler, 1971 May-June
Box 32a Folder 19 Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew, promotional material, programs, teacher's guide, 1971 May-June
Box 32a Folder 18 Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew, script and cast list, 1971 May-June
Box 32a Folder 20 Children’s Theatre Touring Company - How the First Letter Was Written, teacher's guide, [1970-1971]
Box 175 Folder 3 Children’s Theatre Touring Company - The Hide and Seek Odyssey of Madeline Gimple, photographs (3), contact sheets (6), negatives (66), includes Alice Bauman, Bruce Boxleitner and Robert Neu, [1970-1971]
Box 32a Folder 21 Children’s Theatre Touring Company - The Hide and Seek Odyssey of Madeline Gimple, script and teacher's guides, [1970-1971]
Box 32a Folder 22 Special Events - As You Like It by William Shakespeare, adapted by John O'Shaughnessy, Goodman Theatre Touring Company, script, 1971 February

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries O: 1971-1972 Season, 1971-1972

Arrangement

Subseries O is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 33 Folder 2 News clippings, 1971-1972
Box 33 Folder 1 Subscription mailing and related correspondence, 1971-1972
Box 33 Folder 3 A Place Without Doors (L'Amante Anglaise), correspondence, 1971 March-August
Box 175 Folder 4 A Place Without Doors (L’Amante Anglaise), photographs (8), negative (1), includes Mildred Dunnock, Alvin Epstein, Biran Murray and Hiram Sherman, 1971 September-October
Box 33 Folder 5 A Place Without Doors (L'Amante Anglaise), press releases and promotional material, 1971 September-October
Box 33 Folder 7 A Place Without Doors (L'Amante Anglaise), programs, 1971 September-October
Box 33 Folder 8 A Place Without Doors (L'Amante Anglaise), research, 1971
Box 33 Folder 6 A Place Without Doors (L'Amante Anglaise), reviews and news clippings, 1971 September-October
Box 33 Folder 4 A Place Without Doors (L'Amante Anglaise), script [annotated photocopy of Mildred Dunnock’s script], 1971
Box 33 Folder 10 Assassination 1865, actors’ biographies, 1971
Box 33 Folder 14 Assassination 1865, assistant stage manager's book, script, 1971
Box 33 Folder 13 Assassination 1865, assistant stage manager's book, technical notes, 1971
Box 33 Folder 11 Assassination 1865, budget for talent and projection equipment, 1971
Box 33 Folder 9 Assassination 1865, correspondence, 1970 October 29-1972 January 26
Box 175 Folder 5 Assassination 1865, photographs (2), contact sheets (4), negatives (81), 1971 October-November
Box 34 Folder 1 Assassination 1865, press releases and promotional material, 1971 October-November
Oversize Folder 26   Assassination 1865, poster (2), 1971 October-November
Box 34 Folder 3 Assassination 1865, programs, 1971 October-November
Box 175 Folder 6 Assassination 1865, research photographs (29), contact sheets (3), 1971
Box 34 Folder 2 Assassination 1865, reviews and news clippings, 1971 October-November
Oversize Folder 37   Assassination 1865, set designs, 1971
Box 33 Folder 15 Assassination 1865, script, 1971
Box 34 Folder 4 The Importance of Being Earnest by Oscar Wilde, actors' biographies and resumes, 1971-1972
Box 176 Folder 1 The Importance of Being Earnest, photographs (9), contact sheets (6), negatives (72), 1971 December-1972 January
Box 34 Folder 9 The Importance of Being Earnest, programs, 1971 December-1972 January
Box 34 Folder 6 The Importance of Being Earnest, prompt book, 1971 December 2-19, 1971 December-1972 January
Box 34 Folder 7 The Importance of Being Earnest, press releases and promotional material, 1971 December-1972 January
Box 34 Folder 8 The Importance of Being Earnest, reviews and news clippings, 1971 December-1972 January
Box 34 Folder 5 The Importance of Being Earnest, technical notes, with stage manager's daily reports, 1971-1972
Box 34 Folder 11 The Royal Family, actors' biographies, resumes, and salaries, 1971-1972
Box 34 Folders 13-14 The Royal Family, assistant stage manager's book, script, 1972
Box 34 Folder 12 The Royal Family, assistant stage manager's book, technical notes, 1972
Box 34 Folder 10 The Royal Family, correspondence, 1971 August 26-December 11
Box 176 Folder 2 The Royal Family, photographs (11), contact sheets (9), negatives (95), includes Rebecca Balding, Philip Kerr, Anne Meacham, Mike Nussbaum and Cathleen Nesbitt, 1972 January-February
Box 35 Folder 1 The Royal Family, press releases and promotional material, 1972 January-February
Box 35 Folder 3 The Royal Family, programs, 1972 January-February
Box 35 Folder 2 The Royal Family, reviews and news clippings, 1972 January-February
Box 35 Folder 5 The Ruling Class, actors' biographies, 1972
Box 35 Folder 4 The Ruling Class, correspondence, 1971 February-1972 March
Box 176 Folder 3 The Ruling Class, photographs (24), contact sheets (11), negatives (124), includes Dale Benson, Pauline Brailsford, Eric Brotherson, Constance Cooper, Dalton Dearborn, Ralph Foody, Lawrence Guittand and Murray Mattheson, 1972 March-April
Box 35 Folder 11 The Ruling Class, press releases and promotional material, 1972 March-April
Box 35 Folder 12 The Ruling Class, programs, 1972 March-April
Box 35 Folder 6 The Ruling Class, research, undated
Box 35 Folder 10 The Ruling Class, reviews and news clippings, 1972 March-April
Box 35 Folders 8-9 The Ruling Class, script [annotated], 1972
Box 35 Folder 7 The Ruling Class, technical notes and stage manager's daily reports, 1972
Box 35 Folder 15 The Boys from Syracuse, actors' biographies and resumes, 1972
Box 35 Folder 13 The Boys from Syracuse, correspondence, 1972 January-April
Box 35 Folder 21 The Boys from Syracuse, gross earnings and budget, 1972
Box 176 Folder 4 The Boys from Syracuse, photographs (26), contact sheets (20), negatives (210), includes Don Amendolia, Lu Leonard and Melody Rogers, 1972 April-June
Box 176 Folder 5 The Boys from Syracuse, photographs of costume drawings (6), contact sheets (2), negatives (11), 1972 April-June
Oversize Folder 26   The Boys from Syracuse, poster (3), 1972 April-June
Box 35 Folder 14 The Boys from Syracuse, pre-production research, [1972]
Box 35 Folder 19 The Boys from Syracuse, press releases and promotional material, 1972 April-June
Box 35 Folder 22 The Boys from Syracuse, programs, 1972 April-June
Box 35 Folder 16 The Boys from Syracuse, rehearsal and production schedules, 1972
Box 35 Folder 20 The Boys from Syracuse, reviews and news clippings, 1972 April-June
Oversize Folder 36   The Boys from Syracuse, set designs, 1970
Box 35 Folders 17-18 The Boys from Syracuse, stage manager's book, 1972 April-June
Box 36 Folder 1 Studio - promotional material, 1971-1972
Box 177 Folder 1 Studio - A Macbeth, photograph contact sheets (4), negatives (33), 1971 October 16-24
Box 36 Folder 4 Studio - A Macbeth, programs, 1971 October 16-24
Oversize Folder 26   Studio - A Macbeth, set designs, 1971
Box 36 Folder 2 Studio - A Macbeth, script, 1971
Box 177 Folder 2 Studio - Baal, photograph contact sheets (2), negatives (33), 1971 November 13-21
Box 36 Folder 5 Studio - Baal, programs, promotional material, 1971 November 13-21
Oversize Folder 26   Studio - Baal, set designs, 1971
Box 36 Folder 6 Studio - Saved, programs, 1971 December 11-19
Box 36 Folder 7 Studio - Gas I and II, programs, 1972 January 15-23
Box 177 Folder 3 Studio - Jamie and the Nine 300, photograph contact sheets (2), 1972 February 12-20
Box 36 Folder 8 Studio - Jamie and the Nine 300, programs, 1972 February 12-20
Box 36 Folder 9 Studio - Jamie and the Nine 300, script, 1972
Box 36 Folder 10 Studio - Exit the King, programs, 1972 March 11-19
Box 36 Folder 11 Studio - Subject to Fits, program, 1972 April 8-16
Oversize Folder 26   Studio - Subject to Fits, set designs, 1972
Box 36 Folder 12 Studio - Kaspariana, programs, 1972 May 13-21
Oversize Folder 26   Studio - Kaspariana, set designs, 1972
Box 36 Folder 13 Children’s Theatre - promotional material, 1971-1972
Box 36 Folder 14 Children’s Theatre - The Pied Piper of Hamelin, correspondence (June 28, 1971), with production assignments and press releases, 1971
Box 177 Folder 4 Children’s Theatre - The Pied Piper of Hamelin, photographs (4), contact sheets (4), negatives (38), 1971 October-November
Box 36 Folder 17 Children’s Theatre - The Pied Piper of Hamelin, programs, 1971 October-November
Box 36 Folder 16 Children’s Theatre - The Pied Piper of Hamelin, reviews and news clippings, 1971
Oversize Folder 37   Children’s Theatre - The Pied Piper of Hamelin, set designs, 1971
Box 36 Folder 18 Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game. The Giving Tree, correspondence and press kits from the National Theatre of the Deaf, 1971 December
Box 36 Folder 19 Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game,press releases and promotional material, 1971 December
Box 36 Folder 21 Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game, programs, 1971 December
Box 36 Folder 20 Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game,reviews and news clippings, 1971 December
Box 36 Folder 22 Children’s Theatre - The Snow Queen, correspondence (1971 May 12), with production assignments, 1971 November-1972 February
Oversize Folder 26   Children’s Theatre - The Snow Queen, scenic plans, 1971
Box 36 Folder 24 Children’s Theatre - The Snow Queen, promotional material, clipping, programs, 1971 November-1972 February
Box 177 Folder 5 Children’s Theatre - The Snow Queen, photographs (3), contact sheets (5), negatives (91) 1971 November-1972 February
Box 36 Folder 29 Children’s Theatre - The Magic Isle, cast list, study guide and news clipping from the Touring Company Production, 1971 December-1972 January
Box 36 Folder 25 Children’s Theatre - The Magic Isle, correspondence with tech week schedule, 1971
Box 177 Folder 6 Children’s Theatre - The Magic Isle, photographs (5), contact sheets (4), negatives (36), 1971 December-1972 January
Box 36 Folder 27 Children’s Theatre - The Magic Isle, press releases, 1971 December-1972 January
Box 36 Folder 28 Children’s Theatre - The Magic Isle, programs, 1971 December-1972 January
Box 36 Folder 26 Children’s Theatre - The Magic Isle, script [published], circa 1970
Box 36 Folder 30 Children’s Theatre - Starman Jones, correspondence, 1971
Box 177 Folder 7 Children’s Theatre - Starman Jones, photographs (2), contact sheets (3), negatives (26), 1972 February-March
Box 36 Folder 34 Children’s Theatre - Starman Jones, programs, 1972 February-March
Box 36 Folder 32 Children’s Theatre - Starman Jones, promotional material, 1972 February-March
Box 36 Folder 33 Children’s Theatre - Starman Jones, reviews and news clippings, 1972 February-March
Box 36 Folder 31 Children’s Theatre - Starman Jones, script [first draft, second version], undated
Box 36 Folder 35 Children’s Theatre - The 13 Clocks, correspondence with production assignments, 1971-1972
Box 177 Folder 8 Children’s Theatre - The 13 Clocks, photographs (3), negatives (33), 1972 April-May
Box 36 Folder 37 Children’s Theatre - The 13 Clocks, programs and promotional material, 1972 April-May
Box 36 Folder 36 Children’s Theatre - The 13 Clocks, script, 1972
Box 36 Folder 38 Children’s Theatre Touring Company - promotional material, 1971-1972
Box 36 Folder 39 Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew by Robert Bolt, script, [1971-1972]
Box 177 Folder 9 Special Events - The National Theatre for the Deaf, photographs (10), includes Linda Bove, Richard Kendall, Mary Beth Miller and Freda Norman, Joe Sarpy, [1971-1972]
Box 36 Folder 40 Special Events - The National Theatre for the Deaf presents, My Third Eye, program and promotional material, [1971-1972]
Box 36 Folder 41 Special Events - An Evening with Bobby Short, programs and promotional material, 1972 February 14

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries P: 1972-1973 Season, 1972-1973

Arrangement

Subseries P is arranged chronologically beginning with mainstage productions followed by studio, children’s and Museum of Science and Industry’s Science Playhouse productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 37 Folder 1 Press releases and promotional material, 1972-1973
Box 37 Folder 2 News clippings, 1972-1973
Box 177 Folder 10 Old Times, photographs (17), contact sheets (12), negatives (110), includes Harold Pinter, 1972 October-November
Box 37 Folder 5 Old Times, programs, 1972 October-November
Box 37 Folder 3 Old Times, promotional material, 1972 October-November
Box 37 Folder 4 Old Times, reviews, 1972 October-November
Box 178 Folder 1 Scenes from American Life, photographs (25), contact sheets (13), negatives (158), includes Susan [Mevson], Bill Wiley and Jerry Zafer, 1972 November-December
Box 37 Folder 9 Scenes from American Life, press releases and promotional material, 1972 November-December
Box 37 Folder 10 Scenes from American Life, programs, 1972 November-December
Box 37 Folder 8 Scenes from American Life, reviews and news clippings, 1972 November-December
Box 37 Folders 6-7 Scenes from American Life, stage manager's production book, script, 1972
Box 37 Folder 18 In the Matter of J. Robert Oppenheimer, casting notes, 1973
Box 37 Folder 11 In the Matter of J. Robert Oppenheimer, correspondence, 1973 January 20, February 12
Box 178 Folder 2 In the Matter of J. Robert Oppenheimer, photographs (18), contact sheets (11), negatives (154), includes Heinar Kipphardt, 1973 January-February
Box 38 Folder 1 In the Matter of J. Robert Oppenheimer, press releases and promotional material, 1973 January-February
Box 37 Folders 13-14 In the Matter of J. Robert Oppenheimer, production script photocopy, (Mark Taper Forum, Center Theatre Group, Los Angeles, California), circa 1968
Box 37 Folders 15-16 In the Matter of J. Robert Oppenheimer, production script, 1973
Box 38 Folder 3 In the Matter of J. Robert Oppenheimer, programs, 1973 January-February
Box 37 Folder 12 In the Matter of J. Robert Oppenheimer, research, 1972-1973
Box 38 Folder 2 In the Matter of J. Robert Oppenheimer, reviews and news clippings, 1973 January-February
Box 37 Folder 17 In the Matter of J. Robert Oppenheimer, technical lists and notes, 1972-1973
Box 38 Folder 4 Twentieth Century, audition and casting lists and notes, 1973 February 18-March 25
Box 38 Folder 5 Twentieth Century, correspondence 1973 February 14, 18
Box 178 Folder 3 Twentieth Century, photographs (14), contact sheets (17), negatives (261), includes Mary B. Best, Jerome Dempsy, Jan Farrand, Merwin Goldsmith and Joseph Leon, 1973 February-March
Box 38 Folder 10 Twentieth Century, press releases and promotional material, 1973 February-March
Box 38 Folders 8-9 Twentieth Century,production script, 1973
Box 38 Folder 12 Twentieth Century, programs, 1973 February-March
Box 38 Folder 6 Twentieth Century,research, 1972-1973
Box 38 Folder 11 Twentieth Century, reviews and news clippings, 1973 February-March
Box 38 Folder 7 Twentieth Century,theatrical lists and notes, 1972-1973
Box 179 Folder 1 The Lady’s Not for Burning, photographs (6), contact sheets (12), negatives (148), 1973 April-May
Box 38 Folder 13 The Lady's Not for Burning, production script, 1973
Box 38 Folder 18 The Lady's Not for Burning, programs, 1973 April-May
Box 38 Folder 16 The Lady's Not for Burning, promotional material, 1973 April-May
Box 38 Folder 17 The Lady's Not for Burning, reviews and news clippings, 1973 April-May
Box 38 Folder 14 The Lady's Not for Burning, stage manager's daily notes, 1973
Oversize Folder 37   The Lady's Not for Burning, set designs, 1973
Box 179 Folder 2 Pal Joey, photographs (24), contact sheets (23), negatives (182), includes Kelly Britt, Nancy Marchand and Anthony S. Teague, 1973 May-June
Box 38 Folder 20 Pal Joey, press releases and promotional material, 1973 May-June
Box 38 Folder 22 Pal Joey, programs, 1973 May-June
Box 38 Folder 21 Pal Joey, reviews and news clippings, 1973 May 13-June 17
Boxes 38a-38b   Pal Joey, score, undated
Box 38 Folder 19 Pal Joey, typescript [annotated], with lighting cues, 1973
Box 39 Folder 1 Studio - promotional material, 1972-1973
Box 39 Folder 2 Studio - The Wild Duck, programs, 1972 October 31-November 12
Box 39 Folder 3 Studio - Who's Happy Now, programs and script, 1972 November 28-December 10
Box 39 Folder 4 Studio - A Touch of the Poet, programs, 1973 January 9-January 21
Oversize Folder 27   Studio - A Touch of the Poet, set design, [1972]
Box 39 Folder 5 Studio - Ladies in Retirement, programs, 1973 February 6-February 14
Oversize Folder 27   Studio - Ladies in Retirement, set design, 1972
Box 39 Folder 6 Studio - The Taming of the Shrew, news clipping, programs, 1973 March-March
Box 179 Folder 3 Studio - The Taming of the Shrew, photograph (1), contact sheet (1), 1973 March-March
Oversize Folder 27   Studio - The Taming of the Shrew, set design, 1973
Box 39 Folder 7 Studio - Blood Wedding, programs, 1973 April-April
Oversize Folder 27   Studio - Blood Wedding, set designs, 1973
Box 39 Folder 8 Studio - A Country Scandal, programs, 1973 May 8-May 20
Box 39 Folder 9 Children’s Theatre - press releases and promotional material, 1972-1973
Box 179 Folder 4 Children’s Theatre - Sleeping Beauty, of The Great Rose Taboo, photographs (7), contact sheets (3), negatives (23), 1972 October-November
Box 39 Folder 10 Children’s Theatre - Sleeping Beauty, or The Great Rose Taboo, press releases, reviews and programs, 1972 October-November
Oversize Folder 28   Children’s Theatre - Sleeping Beauty, or The Great Rose Taboo, set designs, 1972
Box 39 Folder 19 Children’s Theatre Touring Company - It Certainly Isn't Baked Beans! correspondence, 1972
Box 179 Folder 5 Children’s Theatre - It Certainly Isn’t Baked Beans, photograph (1), contact sheet (1), [1972-1973]
Box 39 Folder 12 Children’s Theatre - It Certainly Isn't Baked Beans, press releases, promotional material, reviews, news clippings, 1972
Box 39 Folder 11 Children’s Theatre - It Certainly Isn't Baked Beans, script, [1972-1973]
Box 179 Folder 6 Children’s Theatre - Little Red Riding Hood, photograph contact sheet (1), 1972 November-1973 January
Box 39 Folder 13 Children’s Theatre - Little Red Riding Hood, press releases, promotional material, news clippings, programs, 1972 November-1973 January
Oversize Folder 28   Children’s Theatre - Little Red Riding Hood, set designs, 1972
Box 179 Folder 7 Children’s Theatre - The Three Musketeers, photograph (1), 1973 January-March
Box 39 Folder 14 Children’s Theatre - The Three Musketeers, press releases, promotional material, programs, 1973 January-March
Oversize Folder 28   Children’s Theatre - The Three Musketeers, set designs, 1973
Box 179 Folder 8 Children’s Theatre - The Comical Tragedy, or The Tragical Comedy of Punch and Judy, photograph contact sheets (4), negatives (27), 1973 March-May
Box 39 Folder 15 Children’s Theatre - The Comical Tragedy, or The Tragical Comedy of Punch and Judy, promotional material, clippings, programs, 1973 March-May
Oversize Folder 28   Children’s Theatre - The Comical Tragedy, or The Tragical Comedy of Punch and Judy, set designs, 1972-1973
Box 180 Folder 1 Children’s Theatre - You’re a Good Man Charlie Brown, photographs (5), contact sheets (5), negatives (49), includes Alan Almeida and Maryann Kohler, [1973]
Box 39 Folder 16 Children’s Theatre - You're a Good Man Charlie Brown, press releases, promotional material, clippings, programs, [1973]
Oversize Folder 37   Children’s Theatre - You're a Good Man Charlie Brown, set designs, 1972
Box 39 Folder 17 Children’s Theatre - Tarradiddle Tales, or The Wise and Foolish Tales, programs, 1973 June-August
Box 39 Folder 17a Children’s Theatre Touring Company - correspondence, 1972
Box 39 Folder 18 Children’s Theatre Touring Company - grant applications and notes, 1972-1973
Box 39 Folder 22 Children’s Theatre Touring Company - Speed Gets the Poppies, audition and casting notes, 1972
Box 39 Folder 20 Children’s Theatre Touring Company - Speed Gets the Poppies, contracts, promotional materials, 1972
Box 180 Folder 2 Children’s Theatre Touring Company - Speed Gets the Poppies, photographs (12), contact sheets (3), negatives (25), 1972
Box 39 Folder 24 Children’s Theatre Touring Company - Speed Gets the Poppies, press releases and promotional material, 1972
Box 39 Folder 21 Children’s Theatre Touring Company - Speed Gets the Poppies, research, 1972
Box 39 Folder 23 Children’s Theatre Touring Company - Speed Gets the Poppies, script, 1972
Oversize Folder 37   Children’s Theatre Touring Company - Speed Gets the Poppies, set designs, 1972
Box 39 Folder 25 Special Events - Monday Night Artist and Dance Series, promotional material, [1972-1973]
Box 39 Folder 32 Special Events - The Mura Dehn Traditional Jazz Dance Theatre, programs, 1972 October 16
Box 39 Folder 26 Special Events - Emlyn Williams as Dylan Thomas Growing Up, programs, press release, promotional material, 1972 November 6
Box 39 Folder 27 Special Events - Utah Repertory Dance Theatre, correspondence, programs, promotional material, reviews, news clippings, 1972 December 11
Box 39 Folder 29 Special Events - The O'Neill Center's National Theatre of the Deaf, Gilgamesh, programs and promotional material, 1972 November 12-19
Box 180 Folder 3 Special Events - The O'Neill Center's National Theatre of the Deaf, Gilgamesh, photographs (2), includes Timothy Scanlon and Edmund Waterstreet, 1972 November 12-19
Box 39 Folder 30 Special Events - The O'Neill Center's Little Theatre of the Deaf, programs, 1972 November 19
Box 180 Folder 4 Special Events - National Theatre of the Deaf, photographs (8), includes Linda Bove, B. Bragg, C. Flemming, P. Frelich, Patrick Graybill, R. Kendall, Dorothy Miles, Mary Beth Miller, Joe Sarpy and Edmund Waterstreet, [1972 November]
Box 39 Folder 28 Special Events - An Evening of Piano Rags with Eubie Blake and William Bolcom, programs, 1973 February 5
Box 39 Folder 31 Special Events - The Chicago Ballet, programs, 1973 March 5
Box 39 Folder 33 Special Events - The Preservation Hall Jazz Band, promotional material, [1972-1973]
Box 39a Folder 1 Science Playhouse - news clippings and promotional material, 1972-1973
Box 39a Folder 2 Science Playhouse - Lamp at Midnight, correspondence, 1972-1973
Box 39a Folder 3 Science Playhouse - Lamp at Midnight, contracts and notes, 1972-1973
Box 180 Folder 5 Science Playhouse - Lamp at Midnight, photographs (7), 1972-1973
Box 39a Folder 5 Science Playhouse - Lamp at Midnight, programs and promotional material, 1972-1973
Box 39a Folder 4 Science Playhouse - Lamp at Midnight, script, 1972-1973
Box 39a Folder 9 Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, programs and promotional material, 1973 April 26-May 4
Box 39a Folder 10 Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, rehearsal schedule, 1972-1973
Box 39a Folder 7 Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, script [annotated typescript with revisions and staging notes], 1973
Box 39a Folder 6 Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery by Tom Zito, directed by Kelly Danford, script [revised typescript], 1973
Box 39a Folder 8 Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, scripts, 1973
Box 39a Folder 12 Science Playhouse - Thomas Edison and the Wonderful Why, programs, rehearsal schedules, audition notes, 1973
Box 39a Folder 11 Science Playhouse - Thomas Edison and the Wonderful Why by Faye Parker, directed by Kelly Danford, scripts, 1973
Box 39a Folder 13 Science Playhouse - Discovery by Douglas Liebman, prompt script, cast list, story outline, [1972-1973]

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries Q: 1973-1974 Season, 1973-1974, undated

Arrangement

Subseries Q is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 85 Folder 1 Auditions and Midwest Casting Center, 1973-1974
Box 40 Folder 1 Promotional material, 1973-1974
Box 85 Folder 2 The Freedom of the City, “Irish contacts,” undated
Box 180 Folder 6 The Freedom of the City, photographs (4), negatives (198), includes Lenny Baker, Allan Carlson and Frances Hyland, 1973 October-November
Box 40 Folder 5 The Freedom of the City, programs, 1973 October-November
Box 40 Folder 3 The Freedom of the City, promotional material, 1973 October-November
Box 85 Folder 3 The Freedom of the City, promotional material from other productions, 1973-1974
Box 40 Folder 4 The Freedom of the City, reviews and news clippings, 1973
Box 40 Folder 2 The Freedom of the City, script, undated
Box 85 Folder 4a A Doll’s House, Paramount Pictures production information, 1973
Box 180 Folder 7 A Doll’s House, photographs (6), negatives (162), includes Philip Kerr, Anthony Mockus, Carole Shelley and Jeremiah Sullivan, 1973 November-December
Box 40 Folder 8 A Doll's House, programs, 1973 November-December
Box 40 Folder 6 A Doll's House, production script and lighting cues, 1973
Box 85 Folder 4 A Doll’s House, promotional material, 1973 November-December
Box 40 Folder 7 A Doll's House, reviews and news clippings, 1973
Oversize Folder 44   A Doll's House, set design, [1973]
Box 85 Folder 5 The Tooth of the Crime, critical audience correspondence, 1974
Oversize Folder 38   The Tooth of the Crime, floor plan and elevations, 1973
Box 180 Folder 8 The Tooth of the Crime, photographs (4), negatives (207), 1974 January-February
Box 40 Folder 14 The Tooth of Crime, programs, 1974 January-February
Box 40 Folder 12 The Tooth of Crime, promotional material, 1974 January-February
Box 40 Folder 13 The Tooth of Crime, reviews and news clippings, 1974
Box 40 Folder 9a The Tooth of Crime, script (photocopy), undated
Box 40 Folder 9 The Tooth of Crime, stage manager's script and contact list, 1974
Box 40 Folder 10 The Tooth of Crime, technical notes and memoranda, 1974
Box 181 Folder 1 Lorraine Hansberry’s to Be Young, Gifted and Black, photographs (3), contact sheets (2), negatives (161), includes Rueben Greene, Myron Natwick and Jackie Taylor, 1974 February-March
Box 85 Folder 6 Lorraine Hansberry’s to Be Young, Gifted and Black, press releases, promotional material, 1974 February-March
Box 40 Folder 18 Lorraine Hansberry's to Be Young, Gifted and Black, programs, 1974 February-March
Box 40 Folder 17 Lorraine Hansberry's to Be Young, Gifted and Black, prop list and contact list, 1974
Box 40 Folder 19 Lorraine Hansberry's to Be Young, Gifted and Black, reviews and news clippings, 1974
Box 40 Folder 16 Lorraine Hansberry's to Be Young, Gifted and Black, script [annotated with lighting cues], 1974
Box 40 Folder 15 Lorraine Hansberry's to Be Young, Gifted and Black, script [master ribbon copy], [1974]
Box 181 Folder 2 Henry IV, negatives (166), 1974 March-May
Box 203 Folder 4 Henry IV, photograph (1), includes David Selby, 1974 March-May
Box 41 Folder 5 Henry IV, press releases and promotional material, 1974 March-May
Box 41 Folder 7 Henry IV, programs, 1974 March-May
Box 41 Folder 6 Henry IV, reviews and news clippings, 1974 March-May
Box 41 Folder 2 Henry IV, script [revised typescript, master copy], 1974
Box 41 Folder 2a Henry IV, script [revised typescript] (photocopy), 1974
Box 41 Folder 1 Henry IV, script [unrevised typescript], 1974
Box 41 Folder 4 Henry IV, stage manager's production book, script, 1974
Box 41 Folder 3 Henry IV, stage manager's production book, technical lists and notes, 1974
Box 181 Folder 3 Guys and Dolls, photograph (1), negatives (99), includes Terry Deck, Mary Louise and Sheilah Rae, 1974 May-June
Oversize Folder 45   Guys and Dolls, photographs on board (4), 1974 May-June
Box 203 Folder 5 Guys and Dolls, photographs (11), 1974 May-June
Box 42 Folder 5 Guys and Dolls, press releases, reviews, news clippings, 1974 May-June
Box 42 Folder 6 Guys and Dolls, programs, 1974 May-June
Box 42 Folders 1-2 Guys and Dolls, script [annotated for blocking], 1974
Box 42 Folders 3-4 Guys and Dolls, script [annotated for light cues], 1974
Box 42 Folder 7 Unassigned folder
Box 42 Folder 8 Studio - She Stoops to Conquer, programs, 1973 November
Oversize Folder 29   Studio - She Stoops to Conquer, set designs, 1973
Box 181 Folder 4 Studio - Right You Are If You Think You Are, photograph (1), 1973 November 30-December 16
Box 42 Folder 9 Studio - Right You Are If You Think You Are, programs, 1973 November 30-December 16
Oversize Folder 38   Studio - Right You Are If You Think You Are, set designs, 1974
Box 42 Folder 10 Studio - The Killer, programs, 1974 February
Box 42 Folder 11 Studio - As You Like It, programs, 1974 March
Oversize Folder 29   Studio - As You Like It, set design, 1974
Box 42 Folder 12 Studio - Catch 22, programs, 1974 April
Oversize Folder 38   Studio - Catch 22, set design and light plot, 1974
Box 42 Folder 13 Studio - Summer Brave, programs, 1974 May
Oversize Folder 29   Studio - Summer Brave, set design, 1974
Box 42 Folder 14 Children’s Theatre - promotional material, 1973-1974
Box 203 Folder 6 Children’s Theatre - The Wind in the Willows, photographs (8), 1973 October-December
Box 42 Folder 15 Children’s Theatre - The Wind in the Willows, programs and press releases, 1973 October-December
Box 42 Folder 16 Children’s Theatre - The Emperor's New Clothes, correspondence, news clippings, programs, 1973 December-1974 January
Box 181 Folder 5 Children’s Theatre - The Emperor’s New Clothes, photographs (2), contact sheets (9), negative (1), includes Judy Fields, Vinny Guastaferro and Greg Sullivan1973 December-1974 January
Box 42 Folder 17 Children’s Theatre - Appleseed, press releases, news clippings and programs, 1974 January-March
Box 181 Folder 6 Children’s Theatre - The Lion Who Wouldn’t, photographs (2), includes Krisha Fairchild and Ted Wass, 1974 March-May
Box 42 Folder 19 Children’s Theatre - The Lion Who Wouldn't, programs, 1974 March-May
Box 42 Folder 18 Children’s Theatre - The Lion Who Wouldn't, script, 1974 March-May
Box 42 Folder 20 Children’s Theatre - The Popcorn Man, promotional material and programs, 1974 June-August
Box 42 Folder 21 Special Events - Monday Evening Artists and Dance Series,press releases and promotional material, 1973-1974
Box 42 Folder 22 Special Events - Eubie Blake, press releases and clippings, 1973 October 22
Box 42 Folder 23 Special Events - Burr Tillstom's Kukla, Fran and Ollie: A Retrospective with All the Kuklapolitan Players, program, 1973 November 26
Box 85 Folder 7 Special Events - Burr Tillstom's Kukla, Fran and Ollie: A Retrospective with All the Kuklapolitan Players, promotional material, [1973-1974]
Box 42 Folder 24 Special Events - Shay Duffin as Brendan Behan, programs and promotional material, 1973 December 17
Box 42 Folder 25 Special Events - The Metropolitan Opera Studio presents Vienna to Broadway, programs, 1974 February 25
Box 42 Folder 26 Special Events - The Lotte Goslar Pantomime Circus in Clowns and Other Fools, programs and promotional material, 1974 March 11
Box 42 Folder 27 Special Events - Joanna Simon (mezzo-soprano), programs and press releases, 1974 April 22
Box 42 Folder 28 Special Events - Amanda Ambrose in a Tribute to Chicago Composers, promotional material, 1974 March 22

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries R: 1974-1975 Season, 1974-1975, undated

Arrangement

Subseries R is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 43 Folder 1 General press releases and promotional materials, 1974-1975
Box 43 Folder 2 General clippings, 1974-1975
Box 85 Folder 8 Open Midwest auditions, 1974 July 24
Box 43 Folder 3 The Cherry Orchard, correspondence, 1974 September-October
Box 181 Folder 7 The Cherry Orchard, photographs (4), negatives (148), 1974 October-November
Box 43 Folder 8 The Cherry Orchard, press releases, 1974 October-November
Box 43 Folders 6-7 The Cherry Orchard, production script, 1974
Box 43 Folder 9 The Cherry Orchard, programs, 1974 October-November
Box 85 Folder 9 The Cherry Orchard, reviews and news clippings, 1974
Box 43 Folder 7a The Cherry Orchard, script [unmarked], 1974
Box 43 Folder 4 The Cherry Orchard, technical notes, 1974
Box 43 Folder 5 The Cherry Orchard, technical lists and notes, 1974
Box 85 Folder 10 The Sea, background, 1974
Box 43 Folder 10 The Sea, contact list, 1974 November-December
Box 43 Folder 12 The Sea, news clippings, 1974
Box 181 Folder 8 The Sea, photographs (5), negatives (135), includes Lenny Baker, Rebecca Balding and Bruce Kornbluth, 1974 November-December
Box 43 Folder 11 The Sea, press releases, promotional material, 1974 November-December
Box 43 Folder 13 The Sea, programs, 1974 November-December
Box 43 Folder 13a The Sea, script [marked with line changes, cuts and blocking], 1974
Box 85 Folder 11 ‘Tis Pity She’s a Whore, information on other productions, 1974
Box 181 Folder 9 ‘Tis Pity She’s a Whore, photograph (1), includes Christine Branski and Franklin Scales, 1975 January-February
Box 43 Folder 14 'Tis Pity She's a Whore, press release, 1975 January-February
Box 43 Folder 15 'Tis Pity She's a Whore, programs, 1975 January-February
Box 85 Folder 12 ‘Tis Pity She’s a Whore, reviews and news clippings, 1975
Box 43 Folder 16 The Philanthropist, correspondence, 1975
Box 43 Folder 20 The Philanthropist, news clippings, 1975
Box 182 Folder 1 The Philanthropist, photographs (2), negatives (173), 1975 February-March
Box 43 Folder 19 The Philanthropist, press releases, 1975 February-March
Box 43 Folder 22 The Philanthropist, program from the National Theatre presentation of this production, 1975 April
Box 43 Folder 21 The Philanthropist, programs, 1975 February-March
Box 43 Folder 18a The Philanthropist, script [unmarked], 1975
Box 43 Folder 17 The Philanthropist, stage manager's book, script, 1975
Box 43 Folder 18 The Philanthropist, stage manager's book, technical lists and notes, 1974-1975
Box 43 Folder 23 The Resistible Rise of Arturo Ui, costume plots and contact list, 1975
Box 182 Folder 2 The Resistible Rise of Arturo Ui, photographs (20), negatives (97), includes George Brengel, George Hearn, Paul Larsen, Don Marston, Anthony M. Mockus, Charles Randall and Kenneth Welsh, 1975 March-May
Box 203 Folder 6 The Resistible Rise of Arturo Ui, photograph (1), negative (1), includes Art Kassul, Anthony M. Mockus, Joe Rodgers and Kenneth Welsh, 1975 March-May
Box 83 Folder 8 The Resistible Rise of Arturo Ui, poster (2), 1975
Box 43 Folder 24 The Resistible Rise of Arturo Ui, press release, 1975 March-May
Box 43 Folder 25 The Resistible Rise of Arturo Ui, programs, 1975 March-May
Box 85 Folder 13 The Resistible Rise of Arturo Ui, promotional material, 1975 March-May
Box 43 Folder 26 The Resistible Rise of Arturo Ui, reviews and news clippings, 1975
Box 85 Folder 14 The Resistible Rise of Arturo Ui, script [unmarked copy of published script], undated
Box 43 Folder 27 The Resistible Rise of Arturo Ui, script [unmarked], undated
Box 44 Folder 5 Chemin de Fer, contacts, 1975 May-June
Box 182 Folder 3 Chemin de Fer, photograph (1), negatives (90), includes Kathleen Doyle and Richard Kline, 1975 May-June
Box 83 Folder 8 Chemin de Fer, poster (3), 1975
Box 44 Folder 3 Chemin de Fer, press release, 1975 May-June
Box 44 Folders 1-2 Chemin de Fer, production script, 1975
Box 44 Folder 4 Chemin de Fer, programs, 1975 May-June
Box 85 Folder 15 Chemin de Fer, reviews and news clippings, 1975
Oversize Folder 29   Chemin de Fer, set design, 1975
Box 44 Folder 6 Studio - promotional material, 1974-1975
Box 44 Folder 8 Studio - Merton of the Movies, programs, 1974 November 1-17
Oversize Folder 29   Studio - Merton of the Movies, set design and light plot, 1974
Box 44 Folder 10 Studio - Funeral Games, programs, 1974 November 29-December 15
Oversize Folder 38   Studio - Funeral Games, set designs, 1974
Box 44 Folder 11 Studio - Major Barbara, programs, 1975 January 31-February 16
Oversize Folder 29   Studio - Major Barbara, set designs, 1974-1975
Box 44 Folder 13 Studio - Romeo and Juliet, programs, 1975 February 28-March 16
Oversize Folder 29   Studio - Romeo and Juliet, set designs, 1974
Box 85 Folder 16 Studio - The Hot L Baltimore, correspondence, 1974-1975
Box 44 Folder 14 Studio - The Hot L Baltimore, programs, 1975 April 4-April 20
Box 44 Folder 16 Studio - The Liar, programs, 1975 May 2-May 18
Oversize Folder 38   Studio - The Liar, set designs and light plot, 1975
Box 182 Folder 4 Stage 2 - Winnebago, photographs (4), 1974 November 1-11
Box 44 Folder 17 Stage 2 - Winnebago, program and press release, 1974 November 1-11
Box 83 Folder 8 Stage 2 - The Son, poster, 1975
Box 44 Folder 19 Stage 2 - The Son, programs, press release and reviews, 1975 January 3-12
Box 83 Folder 8 Stage 2 - Once and For All, poster, 1975
Box 44 Folder 21 Stage 2 - Once and For All, programs, 1975 February 28-March 17
Box 44 Folder 20 Stage 2 - Once and For All, promotional material and reviews, 1975 February 28-March 17
Box 182 Folder 5 Stage 2 - Three Women, photographs (4), [1975]
Box 83 Folder 8 Stage 2 - Three Women, poster (3), [1975]
Box 44 Folder 23 Stage 2 - Three Women, programs, reviews and news clippings, [1975]
Box 44 Folder 22 Stage 2 - Three Women, promotional material and correspondence, [1975]
Box 44 Folder 23a Stage 2 - Three Women, script, [1975]
Box 44 Folder 24 Children’s Theatre - promotional material, 1974-1975
Box 182 Folder 6 Children’s Theatre - The Prince, The Wolf and the Firebird, photograph (1), contact sheets (2), 1974 October-December
Box 44 Folder 26 Children’s Theatre - The Prince, the Wolf and the Firebird, press release, 1974 October-December
Box 44 Folder 27 Children’s Theatre - The Prince, the Wolf and the Firebird, programs, 1974 October-December
Oversize Folder 39   Children’s Theatre - The Prince, the Wolf and the Firebird, set designs and light plot, 1974
Box 203 Folder 6 Children’s Theatre - Rags to Riches, photographs (6), contact sheets (3), 1974 December-1975 January
Box 44 Folder 29 Children’s Theatre - Rags to Riches, press releases and promotional material, 1974 December-1975 January
Box 44 Folder 31 Children’s Theatre - Rags to Riches, programs, 1974 December-1975 January
Box 44 Folder 30 Children’s Theatre - Rags to Riches, review, 1974 December-1975 January
Oversize Folder 39   Children’s Theatre - Rags to Riches, set design and light plot, 1974
Box 182 Folder 7 Children’s Theatre - Peck’s Bad Boy, photographs (2), contact sheet (1), 1975 January-March
Box 44 Folder 32 Children’s Theatre - Peck's Bad Boy, press releases and promotional material, 1975 January-March
Box 44 Folder 33 Children’s Theatre - Peck's Bad Boy, programs, 1975 January-March
Oversize Folder 39   Children’s Theatre - Peck's Bad Boy, set designs, 1974
Box 182 Folder 8 Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, photographs (5), 1975 March-May
Box 44 Folder 35 Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, press releases and promotional material, 1975 March-May
Box 44 Folder 36 Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, programs, 1975 March-May
Oversize Folder 39   Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, set designs and light plot, 1974-1975
Box 182 Folder 9 Children’s Theatre - The Fabulous Fable Factory, photographs (9), 1975 June-August
Box 44 Folder 38 Children’s Theatre - The Fabulous Fable Factory, programs, 1975 June-August
Box 44 Folder 37 Children’s Theatre - The Fabulous Fable Factory, promotional material, 1975 June-August
Box 44 Folder 40 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), memos and notes, 1974-1975
Box 182 Folder 10 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), photographs (21), slides (10), includes Eliot Feld Ballet, Leo Kottke, Carlos Montoya, Vermeer Quartet, William Windom, Andrew Wolf and Wolverines Jazz Band, 1975 August 8-28
Box 44 Folder 39 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), press releases, news clippings, 1975 August 8-28
Box 44 Folder 41 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials and correspondence for The Wolverines, 1975 August 8-28
Box 44 Folder 42 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials and correspondence for Carlos Montoya, 1975 August 8-28
Box 44 Folder 43 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials for the Feld Ballet, 1975 August 8-28
Box 44 Folder 44 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials, correspondence and audio tape for William Windom as James Thurber, 1975 August 8-28
Box 44 Folder 45 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials for Leo Lotke, 1975 August 8-28
Box 44 Folder 46 Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials for the Vermeer Quartet, 1975 August 8-28

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries S: 1975-1976 Season, 1975-1976

Arrangement

Subseries S is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 45 Folder 2 Goodman News, vol. 1, no. 1, 1975-1976
Box 85 Folder 17 News clippings, 1975-1976
Box 45 Folder 1 Press releases and promotional material, 1975-1976
Box 85 Folder 18 Open auditions and Midwest Casting Center, 1975-1976
Box 45 Folder 3 Our Town, contact list, 1975
Box 85 Folder 19 Our Town, correspondence, 1975
Box 183 Folder 1 Our Town, photographs (2), 1975 October-November
Box 45 Folder 4 Our Town by Thornton Wilder, press releases and promotional material, 1975 October-November
Box 45 Folder 5 Our Town, programs, 1975 October-November
Box 85 Folder 20 Our Town, prompt script with blocking notes and light cues, includes correspondence, 1975
Box 45 Folder 6 Our Town, reviews and news clippings, 1975
Box 45 Folder 7 Benito Cerino, contact lists, 1975
Box 183 Folder 2 Benito Cerino, photograph (1), includes Robert Guillaume and Frank Rice, 1975 November-December
Box 45 Folder 9 Benito Cerino, programs, 1975 November-December
Box 45 Folder 8 Benito Cerino, promotional material, 1975 November-December
Box 45 Folder 10 Benito Cerino, reviews and news clippings, 1975
Box 183 Folder 3 Mourning Becomes Electra, photographs (2), includes Laura Esterman and Rosemary Murphy, 1976 January-February
Box 45 Folder 14 Mourning Becomes Electra, press releases and promotional material, 1976 January-February
Box 45 Folder 15 Mourning Becomes Electra, programs, 1976 January-February
Box 45 Folder 13a Mourning Becomes Electra, prompt script, 1976
Box 45 Folder 16 Mourning Becomes Electra, reviews and news clippings, 1976
Box 45 Folders 11-13 Mourning Becomes Electra, script with contact lists, 1976, undated
Box 45 Folder 17 The Last Meeting of the Knights of the White Magnolia, contact lists, 1976
Box 85 Folder 21 The Last Meeting of the Knights of the White Magnolia, correspondence, 1976
Box 85 Folder 22 The Last Meeting of the Knights of the White Magnolia, information on other productions, 1976
Box 183 Folder 4 The Last Meeting of the Knights of the White Magnolia, photograph (1), negative (1), includes Douglas Fisher, Frank Hamilton, Earl Sydnor and John Wardwell, 1976 February-March
Box 45 Folder 18 The Last Meeting of the Knights of the White Magnolia, press releases and promotional material, 1976 February-March
Box 45 Folder 19 The Last Meeting of the Knights of the White Magnolia, programs, 1976 February-March
Box 45 Folder 20 The Last Meeting of the Knights of the White Magnolia, reviews and news clippings, 1976
Box 45 Folders 21-22 The Last Meeting of the Knights of the White Magnolia, scripts [unmarked], 1976
Box 85 Folder 23 Our Father’s Failing, background on Horovitz, 1976
Box 85 Folder 24 Our Father’s Failing, correspondence, 1976
Box 183 Folder 5 Our Father’s Failing, photograph (1), includes Dominic Chianese, Joseph Leon and Lanna Saunders, 1976 March-May
Box 45a Folder 11 Our Father’s Failing, press releases and promotional material, 1976 March-May
Box 45a Folder 12 Our Father’s Failing, programs, 1976 March-May
Box 45a Folder 13 Our Father’s Failing, reviews, news clippings, 1976
Box 45a Folders 1-2 Our Father’s Failing, script, [revised] 1974 November
Box 45a Folders 3-4 Our Father’s Failing, script, [revised], 1975 August
Box 45a Folder 5 Our Father’s Failing, script, Act I [revised], [1976 March]
Box 45a Folder 6 Our Father’s Failing, script, Act I, Scene 2, [1976 March]
Box 45a Folder 7 Our Father’s Failing, script, [1976 March]
Box 45a Folders 8-9 Our Father’s Failing, script, with contact lists, 1976 March 22
Box 45a Folder 10 Our Father’s Failing, script [complete, revised], 1976 March 22
Box 183 Folder 6 The Devil's Disciple, photographs (2), includes Eugene J. Anthony, Allison Giglio, Robert Murch and Kenneth Welsh, 1976 May-June
Box 46 Folder 1 The Devil's Disciple, press releases and promotional material, 1976 May-June
Box 46 Folder 2 The Devil's Disciple, programs, 1976 May-June
Box 46 Folder 3 The Devil's Disciple, reviews and news clippings, 1976
Box 46 Folder 4 Studio - promotional material, 1975-1976
Box 46 Folder 5 Studio - Speak of the Devil, programs, 1975 November 6-16
Box 46 Folder 6 Studio - Camino Real, programs, 1975 December 4-14
Box 46 Folder 7 Studio - Tobacco Road, programs, 1976 February 5-15
Box 46 Folder 8 Studio - Macbeth, programs, 1976 March 4-20
Box 46 Folder 10 Studio - When You Comin' Back Red Ryder? programs, 1976 April 1-11
Oversize Folder 30   Studio - When You Comin' Back Red Ryder? set design, 1976
Box 46 Folder 12 Studio - Ah, Wilderness! programs, 1976 April 29-May 9
Oversize Folder 40   Studio - Ah, Wilderness! set designs, 1976
Box 46 Folder 13 Stage 2 - press releases and promotional material, 1975-1976
Box 46 Folder 14 Stage 2 - news clippings, material, 1975-1976
Box 203 Folder 7 Stage 2 - American Buffalo, photograph (1), includes J.J. Johnston, William H. Macy and Mike Nussbaum, 1975 October-November
Box 46 Folder 15 Stage 2 - American Buffalo, press releases and promotional material, 1975 October-November
Box 46 Folder 17 Stage 2 - American Buffalo, programs, 1975 October-November
Box 46 Folder 16 Stage 2 - American Buffalo, reviews and news clippings, 1975
Box 46 Folder 18 Stage 2 - American Buffalo, script, 1975
Box 46 Folder 19 Stage 2 - Three Plays of the Yuan Dynasty, translated by Liu Jung-en, directed by June Pyskacek, music by Gerald Holbrook, set designs by Rick Paul and Uta Olson, lights by Robert Christen, contact list, 1975 December
Box 83 Folder 8 Stage 2 - Three Plays of the Yuan Dynasty, press releases and promotional materials, 1975 December
Box 46 Folder 20 Stage 2 - Three Plays of the Yuan Dynasty, poster, 1975
Box 46 Folder 21 Stage 2 - Three Plays of the Yuan Dynasty, programs, 1975 December
Box 46 Folder 22 Stage 2 - Three Plays of the Yuan Dynasty, reviews and news clippings, 1975 December
Box 183 Folder 7 Stage 2 - Chicago and The Local Stigmatic, photographs (2), includes Jim Jacobs, Warren Leming, Mark Nutter and Arlene Schulfer, [1976]
Box 46 Folder 23 Stage 2 - Chicago and The Local Stigmatic, press releases and promotional materials, [1976]
Box 46 Folder 25 Stage 2 - Chicago and The Local Stigmatic, programs, [1976]
Box 46 Folder 24 Stage 2 - Chicago and The Local Stigmatic, reviews and news clippings, [1976]
Box 46 Folder 26 Stage 2 - Dandelion Wine, contact lists, 1976 March-April
Box 183 Folder 8 Stage 2 - Dandelion Wine, photograph (1), Scott Larsson, Tom MacDonald, Jane MacIver and Scott Stevens, 1976 March-April
Box 203 Folder 7 Stage 2 - Dandelion Wine, photograph (1), 1976 March-April
Box 46 Folder 27 Stage 2 - Dandelion Wine, press releases and promotional materials, 1976 March-April
Box 46 Folder 29 Stage 2 - Dandelion Wine, programs, 1976 March-April
Box 85 Folder 25 Stage 2 - Dandelion Wine, research on other productions and on Bradbury, 1976 March 18-April 4
Box 46 Folder 28 Stage 2 - Dandelion Wine, reviews and news clippings, 1976 March 18-April 4
Box 85 Folder 26 Stage 2 - Statues and The Bridge at Belharbour, correspondence, 1976
Box 183 Folder 9 Stage 2 - The Bridge at Belharbour, photograph (1), includes Mike Genovese and Judith Ivey, 1976 April-May
Box 203 Folder 7 Stage 2 - Statues and The Bridge at Belharbour, photographs (12), 1976 April-May
Box 46 Folder 30 Stage 2 - Statues and The Bridge at Belharbour, press releases and promotional material, 1976 April-May
Box 46 Folder 32 Stage 2 - Statues and The Bridge at Belharbour, programs, 1976 April-May
Box 46 Folder 31 Stage 2 - Statues and The Bridge at Belharbour, reviews and news clippings, 1976
Box 46 Folder 32a Stage 2 - The Bridge at Belharbour, script, 1975
Box 46 Folder 32b Stage 2 - Statues, script, undated
Box 46 Folder 33 Children’s Theatre - promotional material, 1975-1976
Box 46 Folder 34 Children’s Theatre - Tom Sawyer, programs, 1975 October-November
Box 46 Folder 35 Children’s Theatre - The Wizard of Oz, programs, 1975 December-1976 January
Box 46 Folder 36 Children’s Theatre - Coyote and His Brothers, press releases, 1976 January-March
Box 46 Folder 37 Children’s Theatre - Coyote and His Brothers, programs, 1976 January-March
Box 46 Folder 38 Children’s Theatre - Yankee Doodle, programs, 1976 March-May
Box 46 Folder 39 Special Events - Joseph Holmes Dance Theatre, professional debut, news clippings, 1975 October
Box 46 Folder 40 Special Events - Breakfast in the Kitchen by James Dexter, programs, news clippings, 1975 October 7
Box 46 Folder 41 Special Events - Free Street Theatre presents Declaration '76, proposal, circa 1976

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries T: 1976-1977 Season, 1972-1977

Arrangement

Subseries T is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 85 Folder 27 Auditions and Midwest Casting Center, 1976-1977
Box 47 Folder 1 Press releases and promotional material, 1976-1977
Box 47 Folder 2 Design for Living, contact list, 1976
Box 85 Folder 28 Design for Living, correspondence and promotional material, 1976
Box 183 Folder 10 Design for Living, photograph (1), includes Richard Clarke, David Dukes, Brian Murray and Carrie Nye, 1976 October-November
Box 47 Folder 4 Design for Living, programs, 1976 October-November
Box 47 Folder 3 Design for Living, reviews and news clippings, 1976
Box 47 Folder 5 Long Day's Journey Into Night, contact list, 1976
Box 183 Folder 11 Long Day's Journey Into Night, photograph (1), includes Frances Hyland, John Shea and Drew Snyder, 1976 November-December
Box 47 Folder 6 Long Day's Journey Into Night, press releases and promotional material, 1976 November-December
Box 47 Folder 8 Long Day's Journey Into Night, programs, 1976 November-December
Box 47 Folder 7 Long Day's Journey Into Night, reviews and news clippings, 1976
Box 47 Folder 9 The Show Off by George Kelly, contact list, 1976 December-1977 February
Box 47 Folder 10 The Show Off, press releases and promotional material, 1976 December-1977 February
Box 47 Folder 12 The Show Off, programs, 1976 December-1977 February
Box 47 Folder 11 The Show Off, reviews and news clippings, 1976-1977
Box 85 Folder 29 The Show Off, script, [unmarked copy of published script], undated
Box 47 Folder 13 Richard III, contact list, 1977 February-March
Box 203 Folder 7 Richard III, photograph (1), 1977 February-March
Box 47 Folder 14 Richard III, press releases and promotional material, 1977 February-March
Box 47 Folder 16 Richard III, programs, 1977 February-March
Box 85 Folder 30 Richard III, promotional material, 1977 February-March
Box 47 Folder 15 Richard III, reviews, news clippings, 1977
Box 85 Folder 31 Richard III, script, [copy of a published script with line cuts and changes], undated
Box 47 Folder 17 Streamers, contact list, 1977
Box 86 Folder 1 Streamers, information on previous productions, 1976
Box 47 Folder 18 Streamers, press releases and promotional material, 1977 March-May
Box 47 Folder 20 Streamers, programs, 1977 March-May
Box 47 Folder 19 Streamers, reviews and news clippings, 1977
Box 86 Folder 2 Streamers, script [unmarked], undated
Box 47 Folder 21 Don Juan, contact list, 1977 May-June
Box 183 Folder 12 Don Juan, photographs (3), includes Robert Guillaume, Fay Hauser, Judith Ivey, Andrew Rohrer and Nicholas Surovy, 1977 May-June
Box 47 Folder 22 Don Juan, press releases and promotional materials, 1977 May-June
Box 47 Folder 23 Don Juan, programs, 1977 May-June
Box 86 Folder 3 Don Juan, reviews and news clippings, 1977
Box 47 Folder 24 Studio - The Hostage, programs, 1976 October-November
Box 47 Folder 25 Studio - Summer of the Seventeenth Doll, programs, 1976 December 9-19
Box 47 Folder 26 Studio - The Mad Dog Blues, programs, 1977 February 3-13
Box 47 Folder 27 Studio - Hamlet, programs, 1977 March 3-19
Box 47 Folder 28 Studio - The Real Inspector Hound and Albert's Bridge, programs, 1977 April 7-17
Box 47 Folder 29 Studio - Spring's Awakening, programs, 1977 May 5-15
Box 47 Folder 30 Stage 2 - promotional material, news clippings, 1976-1977
Box 183 Folder 13 Stage 2 - Sizwe Bansi is Dead, photographs (3), includes Lionel Smith and Meshach Taylor, 1976 November 3
Box 47 Folder 31 Stage 2 - Sizwe Bansi is Dead, press releases and promotional material, 1976 November 3
Box 47 Folder 32 Stage 2 - Sizwe Bansi is Dead, programs, 1976 November 3
Box 86 Folder 4 Stage 2 - Sizwe Bansi is Dead, publicity and advertising, 1976 November 3
Box 86 Folder 5 Stage 2 - Sizwe Bansi is Dead, reviews and news clippings, 1976 November 3
Box 86 Folder 6 Stage 2 - Sizwe Bansi is Dead, promotional material, reviews and clippings from production at Victory Gardens Theater, 1977 May
Box 86 Folder 7 Stage 2 - Sizwe Bansi is Dead, promotional material, reviews and clippings from Tour, 1978 Spring
Box 47 Folder 33 Stage 2 - The Sport of My Mad Mother, contact list, 1976 December
Box 183 Folder 14 Stage 2 - The Sport of My Mad Mother, photograph (1), includes Donald Corren and Judith Ivey, 1976 December
Box 47 Folder 35 Stage 2 - The Sport of My Mad Mother, programs, 1976 December
Box 47 Folder 34 Stage 2 - The Sport of My Mad Mother, promotional materials and press releases, 1976 December
Box 86 Folder 8 Stage 2 - The Sport of My Mad Mother, reviews and news clippings, 1976 December
Box 47 Folder 36 Stage 2 - A Life in the Theatre, contact list, 1977 February
Box 183 Folder 15 Stage 2 - A Life in the Theatre, photograph (1), 1977 February
Box 47 Folder 37 Stage 2 - A Life in the Theatre, press releases and promotional material, 1977 February
Box 47 Folder 39 Stage 2 - A Life in the Theatre, programs, 1977 February
Box 47 Folder 38 Stage 2 - A Life in the Theatre, reviews and news clippings, 1977 February
Box 86 Folder 9 Stage 2 - A Life in the Theatre, script [revised with light cues], 1976
Box 86 Folder 10 Stage 2 - A Life in the Theatre script [revised, dated December 9, 1976, with additional revisions] (2 copies), 1977 January 17
Box 47 Folder 40 Stage 2 - Kaspar, contact list, 1977 March
Box 86 Folder 11 Stage 2 - Kaspar, information on Peter Handke, 1977 March
Box 183 Folder 16 Stage 2 - Kaspar, photograph (1), includes Mark Hutter, Christopher Raynolds and Randall Smith, 1977 March
Box 47 Folder 41 Stage 2 - Kaspar, press releases and promotional material, 1977 March
Box 47 Folder 43 Stage 2 - Kaspar, programs, 1977 March
Box 47 Folder 42 Stage 2 - Kaspar, reviews, news clippings, 1977 March
Box 47 Folder 44 Stage 2 - George Jean Nathan in Review, contact list, 1977 April-May
Box 47 Folder 45 Stage 2 - George Jean Nathan in Review, press releases and promotional material, 1977 April-May
Box 47 Folder 47 Stage 2 - George Jean Nathan in Review, programs, 1977 April-May
Box 47 Folder 46 Stage 2 - George Jean Nathan in Review, reviews and news clippings, 1977 April-May
Box 47 Folder 48 Stage 2 - George Jean Nathan in Review, script [unmarked], undated
Box 47 Folder 49 Stage 2 - George Jean Nathan in Review, script, Act II [rough draft-modified], [1977]
Box 47a Folder 1 Children’s Theatre - promotional material, 1976-1977
Box 47a Folder 3 Children’s Theatre - Just So Stories, programs, 1976-1977
Box 47a Folder 2 Children’s Theatre - Just So Stories, script, typescript, 1972
Box 47a Folder 4 Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1976 October-November
Oversize Folder 40   Children’s Theatre - Aladdin and His Wonderful Lamp, set designs, 1976
Box 47a Folder 6 Children’s Theatre - The Adventures of Pinocchio, programs, 1976 December-1977 January
Oversize Folder 30   Children’s Theatre - The Adventures of Pinocchio, set designs, 1976
Box 47a Folder 8 Children’s Theatre - The Unwicked Witch, programs, 1977 January-March
Box 47a Folder 9 Children’s Theatre - Androcles and the Lion, programs, 1977 March-May
Box 47a Folder 10 Special Events - As You Like It, Shakespeare in the Park, directed by Gregory Mosher, sets by Maher Ahmad, lights by Robert Christen, costumes by Marsha Kowal, music by Alaric Jans with Judith Ivey and Mike Nussbaum, news clippings and contact list, [1976-1977]
Box 47a Folder 10a Special Events - New Playwright’s Project, promotional materials, news clippings, [1976-1977]
Box 47a Folder 11 Special Events - Times Up by Lance Lee, directed by William Woodman with Jack Wallace, programs, [1976-1977]
Box 47a Folder 12 Special Events - Times Up, script, [1976-1977]
Box 47a Folder 13 Special Events - City Junket, directed by Mac McGuinnes, programs, [1976-1977]

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries U: 1977-1978 Season, 1977-1978

Arrangement

Subseries U is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 47a Folder 14 Press releases and promotional material, 1977-1978
Box 47a Folder 14a Reviews, news clippings, 1977-1978
Box 86 Folder 12 Open auditions and Midwest Casting Center, 1977-1978
Box 47a Folder 15 St. Joan, contact list, 1977
Box 86 Folder 13 St. Joan, information from other productions, 1977
Box 183 Folder 17 St. Joan, photographs (5), includes Joseph Bova, Lynn Redgrave and Paul Shyre, 1977 September-October
Box 47a Folder 17 St. Joan, programs, 1977 September-October
Box 86 Folder 14 St. Joan, promotional material, 1977 September-October
Box 47a Folder 16 St. Joan, reviews and news clippings, 1977
Box 86 Folder 15 The Sea Gull, casting, 1977
Box 47a Folder 18 The Sea Gull, contact list, 1977
Box 183 Folder 18 The Sea Gull, photographs (7), includes Deborah Baltzell, Ruth Ford, Linda Kimbrough, Marge Kotlisky, William Mowry, Christopher Raynolds, Jack Roberts, Jeremiah Sullivan and Robert Thompson, 1977 November-December
Box 47a Folder 20 The Sea Gull, programs, 1977 November-December
Box 86 Folder 16 The Sea Gull, promotional material, 1977 November-December
Box 86 Folder 17 The Sea Gull, prompt script with cues, rehearsal log and contact list, 1977
Box 86 Folder 18 The Sea Gull, prompt script with blocking, 1977
Box 47a Folder 19 The Sea Gull, reviews and news clippings, 1977
Box 86 Folder 19 A Christmas Carol, prompt script for the production at the Guthrie Theatre, Minneapolis, Minnesota, [1977]
Box 47a Folder 21 Working, contact list, 1977 December-1978 February
Box 183 Folder 19 Working, photographs (10), includes Steven Boockvor, Robin Lemont, Joe Montegna, Jay Flash Riley, Stephen Schwartz, Brad Sullivan and Studs Terkel, 1977 December-1978 February
Box 204 Folder 1 Working, photographs of rehearsals (2), includes Robin Lemont, Bobo Lewis, Lynne Thigpen and Terri Treas, 1977
Oversize Folder 44   Working, photograph on board (1), includes Studs Terkel, 1977 December-1978 February
Box 47a Folder 23 Working, programs, 1977 December-1978 February
Box 86 Folder 20 Working, promotional material, 1977 December-1978 February
Box 47a Folder 22 Working, reviews and news clippings, 1977-1978
Box 47a Folder 24 Working, reviews and news clippings from New York City production, [1977]
Box 47a Folder 25 Much Ado About Nothing, contact list, 1978 February-March
Box 183 Folder 20 Much Ado About Nothing, photographs (3), including Eugene J. Anthony, Laura Esterman, Patrick Hines, Judith Ivey, Dennis Kennedy, Linda Kimbrough, Matthew Kimbrough, Timothy Oman, Michael Tezla and John Walsh, 1978 February-March
Box 47a Folder 27 Much Ado About Nothing, programs, 1978 February-March
Box 86 Folder 21 Much Ado About Nothing, promotional material, 1978 February-March
Box 47a Folder 26 Much Ado About Nothing, reviews and news clippings, 1978
Box 86 Folder 22 Much Ado About Nothing, script [published version of Zeffirelli production, National Theatre of Great Britain], undated
Box 48 Folder 1 The Night of the Iguana, contact list, 1978
Box 183 Folder 21 The Night of the Iguana, photographs (5), includes Alan Mixon, Ruth Roman, Barbara Rush and Robert Thompson, 1978 March-May
Box 204 Folder 2 The Night of the Iguana, photographs (5), includes George Keathley, David Mink, Alan Mixon, Barbara Rush, Robert Thompson and Tennessee Williams, 1978 March-May
Box 48 Folder 2 The Night of the Iguana, press releases, reviews, news clippings, 1978 March-May
Box 48 Folder 3 The Night of the Iguana, programs, 1978 March-May
Box 86 Folder 23 Otherwise Engaged, casting, 1978
Box 48 Folder 4 Otherwise Engaged, contact list, 1978 May-June
Box 183 Folder 22 Otherwise Engaged, photographs (6), includes Barry Boys, Sarah-Jane Gwillim, Benjamin Hendrickson, Philip Kerr and Marion Lines, 1978 May-June
Box 48 Folder 5 Otherwise Engaged, press releases, news clippings, 1978
Box 48 Folder 6 Otherwise Engaged, programs, 1978 May-June
Box 48 Folder 7 Otherwise Engaged, script [labeled “B”], 1978 May-June
Box 48 Folder 9 Studio - The Playboy of the Western World, programs, 1977 October-November
Box 48 Folder 8 Studio - The Playboy of the Western World, set design, 1977
Oversize Folder 30   Studio - The Playboy of the Western World, set design, 1977
Box 48 Folder 11 Studio - Six Characters in Search of an Author, programs and posters, [1977-1978]
Oversize Folder 30   Studio - Six Characters in Search of an Author, set design, 1977
Box 48 Folder 13 Studio - Small Craft Warnings, programs and posters, 1977 December
Oversize Folder 40   Studio - Small Craft Warnings, set design, 1977
Box 48 Folder 15 Studio - A Midsummer Night's Dream, programs and posters, 1978 March
Oversize Folder 30   Studio - A Midsummer Night's Dream, set designs, 1978
Box 48 Folder 16 Studio - Jack, or The Submission and The Chairs, programs and poster, [1977-1978]
Box 48 Folder 17 Stage 2 - promotional material and news clipping, 1977-1978
Box 183 Folder 23 Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, photographs (4), includes Gisli Bjorgvinsson, Claudia Bohard, Timothy Jenkins, Tom Mula and A.J. Waring, 1978 January
Oversize Folder 44   Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, photograph on board (1), 1978 January
Box 48 Folder 18 Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, programs, 1978 January
Box 48 Folder 19 Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, reviews and news clippings, 1978 January
Box 48 Folder 20 Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, script, 1978
Box 183 Folder 24 Stage 2 - Annulla Allen, the Autobiography of a Survivor, photograph (1), includes Barbara Bryne, 1978 March-April
Box 48 Folder 20a Stage 2 - Annulla Allen, the Autobiography of a Survivor, programs, press releases and promotional material, 1978 March-April
Box 48 Folder 21 Stage 2 - Annulla Allen, the Autobiography of a Survivor, reviews and news clippings, 1978
Box 48 Folder 21a Stage 2 - Annulla Allen, the Autobiography of a Survivor, reviews from other productions, circa 1978
Box 48 Folder 22 Stage 2 - Annulla Allen, the Autobiography of a Survivor, script [adapted for Earplay radio], [1978]
Box 86 Folder 24 Stage 2 - Battering Ram, casting, 1978
Box 48 Folder 23 Stage 2 - Battering Ram, contact list, 1978 April
Box 183 Folder 25 Stage 2 - Battering Ram, photographs (2), includes William H. Macy and Barbara Robertson, 1978 April
Box 48 Folder 24 Stage 2 - Battering Ram, programs, press releases, promotional material, 1978 April
Box 48 Folder 25 Stage 2 - Battering Ram, reviews and news clippings, 1978
Box 48 Folder 26 Stage 2 - Battering Ram, script, 1978
Box 183 Folder 26 Stage 2 - Sizwe Banzi is Dead, photographs (2), includes Lionel Smith and Meshach Taylor, 1978 March 14-19
Box 48 Folder 27 Stage 2 - Sizwe Banzi is Dead, programs, 1978 March
Box 48 Folder 28 Stage 2 - Prague Spring, contact list, 1978 May-June
Box 183 Folder 27 Stage 2 - Prague Spring, photographs (2), includes Mike Genovese, Roger Mueller and Lawrence Russo, 1978 May-June
Box 204 Folder 3 Stage 2 - Prague Spring, photographs (2), includes Tony Flacco, Steve Fletcher, Mike Genovese, and Lawrence Russo, 1978 May-June
Box 48 Folder 29 Stage 2 - Prague Spring, programs, press releases, promotional material, 1978 May-June
Box 48 Folder 29a Stage 2 - Prague Spring, reviews and news clippings, 1978
Box 48 Folder 30 Stage 2 - Prague Spring, script, undated
Box 48 Folder 29b Stage 2 - Prague Spring, program for the Cleveland Playhouse production, [1978]
Box 48 Folder 31 Children’s Theatre - Beauty and the Beast, programs and poster, 1977 October-December
Box 48 Folder 32 Children’s Theatre - Winterthing, flyer, 1978 January-March
Box 48 Folder 33 Children’s Theatre - Cinderella, programs and poster, 1978 March-May

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries V: 1978-1979 Season, 1978-1979, undated

Arrangement

Subseries V is arranged chronologically beginning with mainstage productions followed by studio and Stage 2 productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 88 Folder 1 Auditions and Midwest Casting Center, 1978-1979
Box 49 Folder 1 Promotional material, 1978-1979
Box 88 Folder 2 Native Son, casting, 1978
Box 49 Folder 2 Native Son, contact lists, 1978
Box 184 Folder 1 Native Son, photographs (2), includes Meshach Taylor, 1978 October-November
Oversize Folder 32   Native Son, poster, 1978 October-November
Box 49 Folder 3 Native Son, programs and promotional material, 1978 October-November
Box 88 Folder 3 Native Son, research, undated
Box 49 Folder 4 Native Son, reviews and news clippings, 1978
Box 88 Folder 4 Native Son, script [unmarked with scene breakdown], 1978
Box 88 Folder 5 A Christmas Carol, casting, 1978
Box 184 Folder 2 A Christmas Carol, photograph (1), includes Val Bettin and William J. Norris, 1978 November-December
Box 49 Folder 5 A Christmas Carol, programs and promotional material, 1978 November-December
Box 88 Folders 7-8 A Christmas Carol, prompt script with blocking, 1978
Box 88 Folder 6 A Christmas Carol, reviews, 1978 November-December
Box 88 Folder 9 Two-Part Inventions, contact list, reviews, news clippings, 1979
Box 184 Folder 3 Two-Part Inventions, photographs (6), includes Leonard Frey, Avril Gentles, Jerome Kilty and Jennifer Tipton, 1979 January-February
Box 49 Folder 6 Two-Part Inventions, programs and promotional material, 1979 January-February
Box 88 Folder 10 Two-Part Inventions, research, 1979 January-February
Box 49 Folder 6a Two-Part Inventions, script [unmarked copy of published script], undated
Box 49 Folder 7 Bosoms and Neglect, contact list, 1979 February-April
Box 88 Folder 11 Bosoms and Neglect, information on other productions, 1979
Box 184 Folder 4 Bosoms and Neglect, photographs (6), includes Marian Mercer, Kate Reid and Paul Rudd, 1979 February-April
Box 203 Folder 7 Bosoms and Neglect, photograph (1), 1979 February-April
Oversize Folder 32   Bosoms and Neglect, posters (2 copies), 1979 February-April
Box 49 Folder 8 Bosoms and Neglect, programs, news clippings, 1979 February-April
Box 88 Folder 12 Bosoms and Neglect, promotional material, 1979 February-April
Box 49 Folder 8a Bosoms and Neglect, script [revised], 1978 December 15
Box 49 Folder 9 Holiday, contact list, 1979 April-May
Box 184 Folder 5 Holiday, photographs (4), includes Lindsay Crouse and Norman Snow, 1979 April-May
Box 49 Folder 10 Holiday, programs, promotional material, news clippings, 1979 April-May
Box 49 Folder 10a Holiday, script [copy of published script], undated
Box 49 Folder 11 The Lone Canoe, or The Explorer, contact list, 1979 May-June
Box 184 Folder 6 The Lone Canoe, or The Explorer, photographs (4), includes Susan Dafoe, David Mamet, Norman Snow, Colin Stinton and Sam Tsoutsouvas, 1979 May-June
Box 49 Folder 12 The Lone Canoe, or The Explorer, programs and promotional material, 1979 May-June
Box 88 Folder 13 The Lone Canoe, or The Explorer, research, 1975
Box 88 Folder 14 The Lone Canoe, or The Explorer, reviews and news clippings, 1979
Box 49 Folder 13 The Lone Canoe, or The Explorer, script [labeled “Early Draft”], [1979]
Box 49 Folder 14 The Lone Canoe, or The Explorer, script [labeled “A-3rd Draft”], 1979
Box 49a Folder 1 The Lone Canoe, or The Explorer, script [labeled “B-Corrected 5/27/79”], 1979 May 27
Box 49a Folder 2 The Lone Canoe, or The Explorer, script [labeled “C-Draft 4”], 1979
Box 49a Folder 3 The Lone Canoe, or The Explorer, script [labeled “D,” photocopy of B], 1979
Box 49a Folder 4 The Lone Canoe, or The Explorer, script [labeled “E-Draft 5”], [1979
Box 49a Folder 5 The Lone Canoe, or The Explorer, script [labeled “B” and “F”], [1979]
Box 49a Folder 6 Studio - The Royal Gambit, programs, 1978 November
Box 49a Folder 7 Studio - Hold Me, programs, 1979 January-February
Box 49a Folder 8 Studio - Antigone, programs, 1979 March
Box 49a Folder 9 Studio - The Promise, programs, 1979 April
Box 49a Folder 10 Studio - The Time of Your Life, promotional material, 1979 May
Box 184 Folder 7 Stage 2 - Emigres, photograph (1), 1978 October-November
Oversize Folder 44   Stage 2 - Emigres, photograph on board (1), 1978 October-November
Box 49a Folder 11 Stage 2 - Emigres, programs, promotional materials and reviews (with reviews from other productions), 1978 October-November
Box 49a Folder 12 Stage 2 - Curse of the Starving Class, contact list, 1979 January
Box 184 Folder 8 Stage 2 - Curse of the Starving Class, photograph (1), includes Glenne Headley, 1979 January
Oversize Folder 32   Stage 2 - Curse of the Starving Class, poster, 1979 January
Box 49a Folder 13 Stage 2 - Curse of the Starving Class, programs, promotional material and reviews (with reviews from New York productions), 1979 January
Box 49a Folder 14 Stage 2 - Scenes and Revelations, contact list and correspondence, 1979 March-April
Box 184 Folder 9 Stage 2 - Scenes and Revelations, photographs (4), includes David Chadderson, Susan Dafoe, Tim Halligan, Sonja Lanzener, Janice St. John and Nan Wade, 1979 March-April
Box 49a Folder 15 Stage 2 - Scenes and Revelations, programs and promotional material, 1979 March-April
Box 49a Folder 16 Stage 2 - Scenes and Revelations, script, 1979
Box 49a Folder 17 Stage 2 - The Island by Athol Fugard, John Kani and Winston Nishona. Touring, contact list, 1979 March
Box 184 Folder 10 Stage 2 - The Island, photograph (1), 1979 March
Box 184 Folder 11 Stage 2 - Olatunji & Friends, photographs (2), includes Ed Bullins, Woodie King and Michael Babatunde Olatunji, [1979]

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries W: 1979-1980 Season, 1978-1980, undated

Arrangement

Subseries W is arranged chronologically beginning with mainstage productions followed by studio and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 50 Folder 1 Promotional material, 1979-1980
Box 88 Folder 15 Open auditions and Midwest Casting Center, 1979-1980
Box 88 Folder 16 Death and the King's Horseman, casting, 1979
Box 88 Folder 17 Death and the King's Horseman, contact list, 1979 October-November
Box 88 Folder 18 Death and the King's Horseman, correspondence (invitations), 1979
Box 88 Folder 19 Death and the King's Horseman, costume and prop lists, script changes, sound plot, 1979
Box 88 Folder 20 Death and the King's Horseman, costuming, 1979
Box 50 Folder 4 Death and the King's Horseman, Goodman Guide, 1979 October-November
Box 184 Folder 12 Death and the King's Horseman, photographs (5), includes Norman Matlock, Gregory Mosher and Wole Soyinka, 1979 October-November
Box 204 Folder 3 Death and the King's Horseman, photograph (1), 1979 October-November
Oversize Folder 32   Death and the King's Horseman, posters (2 copies), 1979 October-November
Box 50 Folder 3 Death and the King's Horseman, press releases, promotional material, 1979 October-November
Box 50 Folder 5 Death and the King's Horseman, programs, 1979 October-November
Box 89 Folder 1 Death and the King's Horseman, prompt script, 1979 October-November
Box 88 Folder 21 Death and the King's Horseman, publicity and advertising, 1979 October-November
Box 50 Folder 2 Death and the King's Horseman, research, 1979
Box 88 Folder 22 Death and the King's Horseman, reviews and news clippings, 1979
Box 50 Folder 5a Death and the King's Horseman, script [marked with corrections], [folder missing] [1979]
Box 88 Folder 25 Death and the King’s Horseman, script [copy of published script marked “with corrections,” some pages illegible], undated
Box 88 Folder 23 Death and the King's Horseman, reviews and news clippings from performances at the Kennedy Center, Washington DC, 1979
Box 88 Folder 24 Death and the King's Horseman, programs, promotional material from performances at the Kennedy Center, Washington DC, 1979 December 4-23
Box 89 Folder 2 A Christmas Carol, casting, [1979]
Box 184 Folder 13 A Christmas Carol, photographs (4), includes Frank Howard, Blaine Lesnick, Jeanine Morick, William J. Norris, Robert Scogin and Robert Thompson, [1979]
Oversize Folder 32   A Christmas Carol, poster, 1979
Box 50 Folder 7 A Christmas Carol, programs, [1979]
Box 50 Folder 6 A Christmas Carol, promotional material, reviews and news clippings, [1979]
Box 89 Folders 4-5 A Christmas Carol, prompt script, [1979]
Box 50 Folder 7a A Christmas Carol, script [labeled “B”], 1978
Box 50 Folder 7b A Christmas Carol, script, 1977 October
Box 89 Folder 3 A Christmas Carol, script [marked “#6,” with Dickens chronology], [1979]
Box 89 Folder 6 An Enemy of the People, casting, 1979
Box 89 Folder 7 An Enemy of the People, contact list, 1980
Box 89 Folder 8 An Enemy of the People, educational programs department, 1980
Box 50 Folder 8 An Enemy of the People, Goodman Guide, 1980
Box 89 Folder 16 An Enemy of the People, Goodman Guide (rehearsal and pre-show), 1980
Box 89 Folder 9 An Enemy of the People, information on Henrik Ibsen, 1978, undated
Box 89 Folder 10 An Enemy of the People, information on other productions, undated
Box 184 Folder 14 An Enemy of the People, photographs (3), includes Paul Winfield, 1980 January-February
Oversize Folder 32   An Enemy of the People, poster, 1980 January-February
Box 50 Folder 9 An Enemy of the People, promotional material, 1980 January-February
Box 50 Folder 10 An Enemy of the People, programs, 1980 January-February
Box 89 Folder 11 An Enemy of the People, prompt script with schedules and contact list, 1980
Box 89 Folder 12 An Enemy of the People, publicity and advertising, 1979-1980
Box 89 Folder 13 An Enemy of the People, reviews and news clippings, 1980
Box 50 Folder 10a An Enemy of the People, script (photocopy), undated
Box 89 Folder 14 An Enemy of the People, script (photocopy), undated
Box 89 Folder 15 An Enemy of the People, tech, prop and costume notes, 1979-1980
Box 89 Folder 17 An Enemy of the People, program, reviews and news clippings from performances at the Annenberg Center, University of Pennsylvania, 1980 March 4-15
Box 90 Folder 1 Bal, casting, 1979-1980
Box 90 Folder 2 Bal, correspondence, 1979-1980
Box 50 Folder 11 Bal, Goodman Guide, 1980 February
Box 184 Folder 15 Bal, photographs (3), includes Jim Belushi, Caitlin Clarke, Del Close and Cosmo White, 1980 February-April
Oversize Folder 32   Bal, poster, 1980 February-April
Box 50 Folder 13 Bal, programs, 1980 February-April
Box 50 Folder 12 Bal, promotional material, reviews and news clippings, 1980
Box 90 Folder 4 Bal, prompt script, [1980]
Box 90 Folder 5 Bal, prompt script, with sound and light cues, 1980
Box 90 Folder 6 Bal, research on Bertolt Brecht, 1979-1980
Box 90 Folder 7 Bal, script [marked “originals”, with line cuts and notes], 1980
Box 90 Folder 8 Bal, script [unmarked draft], 1979 May
Box 90 Folder 3 Bal, script [unmarked revised script], 1979 November
Box 90 Folder 9 Bal, tech and rehearsal notes, time sheets, 1979-1980
Box 90 Folder 10 Talley's Folly, box office, 1980 April-May
Box 90 Folder 11 Talley's Folly, casting, 1979
Box 90 Folder 12 Talley's Folly, contact list, 1980
Box 90 Folder 13 Talley's Folly, contracts and royalties, 1979-1980
Box 50 Folder 14 Talley's Folly, Goodman Guide, 1980
Box 90 Folder 14 Talley's Folly, information on performances at Circle Repertory, New York City, 1979-1980
Box 184 Folder 16 Talley's Folly, photographs (2), includes Jordan Charney, Debra Mooney, Cheryl Rhodes and Douglas Wood, 1980 April-May
Oversize Folder 32   Talley's Folly, poster, 1980 April-May
Box 50 Folder 16 Talley's Folly, programs, 1980 April-May
Box 50 Folder 15 Talley's Folly, promotional material, 1980 April-May
Box 91 Folder 1 Talley's Folly, prompt script with blocking [marked “Marsha Gitkind”], 1980 April-May
Box 91 Folder 2 Talley's Folly, prompt script with blocking, 1980
Box 91 Folder 4 Talley's Folly, prompt script with blocking, 1980
Box 91 Folder 3 Talley's Folly, prompt script with sound and light cues, 1980
Box 91 Folder 5 Talley's Folly, publicity, 1980 April-May
Box 91 Folder 6 Talley's Folly, reviews and news clippings, 1980 April-May
Box 50 Folder 17 Talley's Folly, script [labeled “Library copy” and marked with line cuts and changes], [1980]
Box 50 Folder 18 Talley's Folly, script [unmarked], undated
Box 91 Folder 7 Cyrano de Bergerac, casting and staff, 1980
Box 91 Folder 8 Cyrano de Bergerac, correspondence, 1979-1980
Box 91 Folder 9 Cyrano de Bergerac, costume, light cues, time sheets, music and sound plot, 1980
Box 50a Folder 1 Cyrano de Bergerac, Goodman Guide, 1980
Box 184 Folder 17 Cyrano de Bergerac, photographs (2), includes Cara Duff-MacCormick, Larkin Malloy, Steven Sutherland and Kenneth Welsh, 1980 May-June
Oversize Folder 32   Cyrano de Bergerac, poster, 1980 May-June
Box 91 Folder 10 Cyrano de Bergerac, preset, prop and rehearsal notes, 1980 May-June
Box 91 Folder 11 Cyrano de Bergerac, program draft and graphics, 1980
Box 50a Folder 3 Cyrano de Bergerac, programs, 1980 May-June
Box 50a Folder 2 Cyrano de Bergerac, promotional material, reviews, news clippings, 1980 May-June
Box 87 Folders 1-2 Cyrano de Bergerac, prompt script, 1980
Box 87 Folders 3-5 Cyrano de Bergerac, prompt script with blocking, 1980
Box 91 Folder 12 Cyrano de Bergerac, publicity and advertising, 1980 May-June
Box 91 Folder 13 Cyrano de Bergerac, research and pre-production, 1900-1980
Box 50a Folder 4 Cyrano de Bergerac, script [adapted by Anthony Burgess], undated
Box 50a Folder 5 Cyrano de Bergerac, script [labeled “B” and marked with line cuts and changes], undated
Box 87 Folder 6 Cyrano de Bergerac, script [published], undated
Box 87 Folder 7 Cyrano de Bergerac, script [marked with production cuts] 1980 April 29
Box 50a Folder 6 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, press releases and publicity, 1979 December
Box 50a Folder 7 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, programs and promotional material, 1979 December
Box 50a Folder 8 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, reviews and news clippings, 1979
Box 184 Folder 18 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, photographs (4), includes Burr Tillstrom, 1979 December 6-30
Oversize Folder 33   Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, poster, 1979 December
Box 50a Folder 9 Studio - Krapp's Last Tape by Samuel Beckett, Goodman Guide, 1980
Box 184 Folder 19 Studio - Krapp’s Last Tape, photographs (3), includes Samuel Beckett and Rick Cluchey, 1980 January-February
Oversize Folder 33   Studio - Krapp's Last Tape, poster, 1980 January-February
Box 50a Folder 10 Studio - Krapp's Last Tape, programs and promotional material, 1980 January-February
Box 50a Folder 11 Studio - Krapp's Last Tape, publicity and advertising, 1980 January-February
Box 50a Folder 12 Studio - Krapp's Last Tape, reviews and news clippings, 1980 January-February
Box 87 Folder 8 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, general information on 1980 performances, 1980
Box 50a Folder 13 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, programs, 1980 June
Box184 Folder 20 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, photographs (5), 1980 June
Box 87 Folder 9 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, press release, promotional material, 1980 June
Box 87 Folder 10 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, publicity and marketing, 1980 June
Box 87 Folder 11 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, review, 1980 June
Box 87 Folder 12 Studio - Juggling Cheap Theatricks: The Karamazov Brothers, tickets and box office, 1980 June
Box 50a Folder 14 Special Events - A Life in the Theatre, programs, press releases and promotional material, 1979 September
Box 50a Folder 15 Special Events - A Life in the Theatre, publicity and advertising, 1979 September
Box 50a Folder 16 Special Events - A Life in the Theatre, reviews and news clippings, 1979
Box 50a Folder 17 Special Events - A Life in the Theatre, information on the Philadelphia production, 1979 October 23-November 4
Box 50a Folder 18 Special Events - A Life in the Theatre, scripts (2 copies), [1979]
Box 184 Folder 21 Special Events - A Life in the Theatre, photographs (6), includes Peter Evans, Michael Nussbaum, Ellis Rabb and Cosmo White, 1979 September
Box 50a Folder 19 Special Events - Growing Up, by arrangement with Arthur Cantor, Emlyn Williams as Dylan Thomas, programs, promotional material, 1979 October 16
Box 50a Folder 20 Special Events - Growing Up, by arrangement with Arthur Cantor, Emlyn Williams as Dylan Thomas, correspondence and touring information, 1979 October 16
Box 184 Folder 22 Special Events - Growing Up, by arrangement with Arthur Cantor, Emlyn Williams as Dylan Thomas, photographs (3), includes Emlyn Williams, 1979 October 16
Box 50a Folder 21 Special Events - Judgment by Barry Collins, program, 1980 February 11
Box 50a Folder 22 Special Events - Season’s Reasons by Ron Milner, a production of the National Black Touring Circuit, Inc., promotional material, 1980 August 14-24
Box 184 Folder 23 Special Events - Season’s Reasons by Ron Milner, a production of the National Black Touring Circuit, Inc., photographs (4), includes Woodie King Jr., Vonetta McGee, Ron Milner, Gloria Mitchell, Shauneille Perry, Kaaran Ragland, Glynn Turman and Victor Willis, 1980 August 14-24

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries X: 1980-1981 Season, 1978-1981

Arrangement

Subseries X is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 51 Folder 1 Promotional material, 1980-1981
Box 92 Folder 1 Educational programming, 1980-1981
Box 92 Folder 2 Open auditions and Midwest Casting Center, 1980-1981
Box 92 Folder 3 The Suicide, casting, 1980
Box 51 Folder 13 The Suicide, correspondence and cast list, 1980
Box 185 Folder 1 The Suicide, photographs (2), 1980 October-November
Oversize Folder 33   The Suicide, poster, 1980 October-November
Box 51 Folder 3 The Suicide, programs, 1980 October-November
Box 51 Folder 14 The Suicide, promotional material and advertising, 1980 October-November
Box 92 Folder 4 The Suicide, prompt script, 1980 October-November
Box 51 Folder 15 The Suicide, reviews and news clippings, 1980
Box 51 Folder 4 The Suicide, script [labeled “A”], Russian language version, [1980]
Box 51 Folder 5 The Suicide, script [labeled “B, unmarked copy of published script translated by George Genereux and Jacob Volkov], [1980]
Box 51 Folder 6 The Suicide, script [labeled “C,” copy of published script], translated by Peter Tegel, [1980]
Box 51 Folder 7 The Suicide, script [labeled “D,” translated by Xenia Youhn, literal translation used by Richard Nelson in his adaptation], [1980]
Box 51 Folder 8 The Suicide, script [labeled “E-Nelson,” original typescript first draft, with note from Nelson to Mosher], 1980 August 1
Box 51 Folder 9 The Suicide, script [labeled “F,” typescript with paste-up of Final Production Version], 1980 September
Box 51 Folder 10 The Suicide, script [copy of script labeled “F”], [1980]
Box 51 Folder 11 The Suicide, script [unmarked], [1980]
Box 51 Folder 2 The Suicide, study guide, 1980
Box 51 Folder 12 The Suicide, background information, 1980
Box 92 Folder 5 The Suicide, time cue and running sheets, prop and costume lists, 1980
Box 92 Folder 6 A Christmas Carol, casting, 1980
Box 92 Folder 7 A Christmas Carol, correspondence, 1980
Box 92 Folder 8 A Christmas Carol, group sales, 1980
Box 185 Folder 2 A Christmas Carol, photographs (4), includes Aaron Kramer, David Kropp, Lauren Leeder and William J. Norris, 1980
Box 51a Folder 1 A Christmas Carol, press releases, promotional material, 1980
Box 51a Folder 2 A Christmas Carol, programs, 1980
Box 92 Folder 9 A Christmas Carol, prompt script, 1980-1981
Box 92 Folder 10 A Christmas Carol, publicity and advertising, 1980
Box 51a Folder 3 A Christmas Carol, reviews and news clippings, 1980-1981
Box 51a Folder 4 A Christmas Carol, script, 1977
Box 51a Folder 5 A Christmas Carol,Sun Times sponsorship information, 1980
Box 92 Folder 11 A Christmas Carol, tickets and box office, 1980
Box 51a Folder 6 Betrayal, press releases and promotional material, 1981 January-February
Box 51a Folder 7 Betrayal, programs, 1981 January-February
Box 51a Folder 8 Betrayal, reviews and news clippings, 1981
Box 51a Folder 9 Betrayal, Spotlight on Goodman, 1981 January 6
Box 51a Folder 10 Betrayal, study guide, 1981 January-February
Box 185 Folder 3 Betrayal, photographs (3), includes Sean Griffin, Munson Hicks and Caroline Kava, 1981 January-February
Box 92 Folder 12 Betrayal, casting, 1979
Oversize Folder 33   Betrayal, poster, 1981
Box 92 Folder 13 Betrayal, publicity and advertising, 1981 January-February
Box 92 Folder 14 Betrayal, research and pre-production, 1980-1981
Box 92 Folder 15 Betrayal, tickets and box office, 1981 January-February
Box 92 Folder 16 Betrayal, prompt script, Scenes 1-5, 1981
Box 92 Folder 17 Betrayal, prompt script, Scenes 6-9, with cue sheets, presets, plots and lists, 1981
Box 93 Folder 1 Plenty, casting, 1980-1981
Box 93 Folder 2 Plenty, contact list, 1981 February-April
Box 185 Folder 4 Plenty, photographs (2), includes Caitlin Clarke, Alan Coates, Pippa Pearthree and Elaine Wong,1981 February-April
Oversize Folder 33   Plenty, poster, 1981 February-April
Box 51a Folder 11 Plenty, press releases and promotional material, 1981 February-April
Box 51a Folder 12 Plenty, programs, 1981 February-April
Box 93 Folder 3 Plenty, prompt script, with schedules, blocking, sound and light cues, 1981
Box 93 Folder 4 Plenty, prompt script, with blocking and cues, 1981
Box 93 Folder 5 Plenty, publicity and advertising, 1981 February-April
Box 93 Folder 6 Plenty, research and pre-production, 1981 February-April
Box 51a Folder 13 Plenty, reviews and news clippings, 1981
Box 51a Folder 15 Plenty, script, 1981
Box 51a Folder 14 Plenty, Spotlight on Goodman, 1981 February 3
Box 51a Folder 16 Plenty, study guides, 1981 February 22-April 5
Box 93 Folder 7 Play Mas, casting, [1981]
Box 93 Folder 8 Play Mas, contact list, 1981
Box 185 Folder 5 Play Mas, photographs (4), includes Shelly Desai, Phillip East, Zaid Farid, Arthur French, Celestine Heard, Bina Sharif, James Spinks, Kim Sullivan and G. John Walsh, 1981 April-May
Oversize Folder 33   Play Mas, poster, 1981 April-May
Box 51a Folder 17 Play Mas, press releases, promotional material, 1981 April-May
Box 51a Folder 18 Play Mas, programs, 1981 April-May
Box 94 Folder 1 Play Mas, prompt script with blocking and light cues, 1981
Box 94 Folder 2 Play Mas, prompt script with blocking and sound cues, 1981
Box 93 Folder 9 Play Mas, publicity and advertising, 1981 April-May
Box 93 Folder 10 Play Mas, research and pre-production, 1980-1981
Box 51a Folder 19 Play Mas, reviews and news clippings 1981
Box 51a Folder 20 Play Mas, script [labeled “Final Revision”], 1981
Box 93 Folders 11-12 Play Mas, stage manager's prompt script, 1981
Box 93 Folder 13 Play Mas, Study Guide, research material and related correspondence, 1980-1981
Box 51a Folder 21 Play Mas, study guides, with teacher’s supplement, 1981
Box 94 Folder 3 Play Mas, tickets and group sales, 1981
Box 94 Folder 4 Dwarfman: Master of a Million Shapes, casting, 1980-1981
Box 94 Folder 6 Dwarfman: Master of a Million Shapes, contact list, casting and schedules, 1980-1981
Box 94 Folder 5 Dwarfman: Master of a Million Shapes, contact lists, schedules, prop checks, 1981
Box 94 Folder 7 Dwarfman: Master of a Million Shapes, cue sheets and presets, 1981
Box 185 Folder 6 Dwarfman: Master of a Million Shapes, photographs (3), includes Marilyn Hamlin, Elizabeth McGovern, J. Pat Miller, Stephen Pearlman and Ian Trigger, 1981 May-June
Oversize Folder 33   Dwarfman: Master of a Million Shapes, poster, 1981 May-June
Box 51a Folder 22 Dwarfman: Master of a Million Shapes, press releases, promotional material, 1981 May-June
Box 51a Folder 23 Dwarfman: Master of a Million Shapes, programs, 1981 May-June
Box 94 Folder 8 Dwarfman: Master of a Million Shapes, prompt script with sound and light cues, 1981
Box 94 Folder 9 Dwarfman: Master of a Million Shapes, prompt script with presets, set renderings, cue sheets and schedules, 1981
Box 94 Folder 12 Dwarfman: Master of a Million Shapes, publicity and advertising, 1981 May-June
Box 94 Folder 13 Dwarfman: Master of a Million Shapes, research and pre-production, 1979
Box 51a Folder 24 Dwarfman: Master of a Million Shapes, reviews and news clippings, 1981
Box 51a Folder 25 Dwarfman: Master of a Million Shapes, study guides, 1981
Box 51b Folder 1 Dwarfman: Master of a Million Shapes, script [unmarked], 1981
Box 51b Folder 2 Dwarfman: Master of a Million Shapes, script [labeled “Library copy”], [1981]
Box 51b Folder 3 Dwarfman: Master of a Million Shapes, script, 1981 April 28
Box 51b Folder 4 Dwarfman: Master of a Million Shapes, script [revisions], [1981]
Box 94 Folder 10 D Dwarfman: Master of a Million Shapes, script [typescript marked with scene and line changes, including original additions and deletions], circa 1981
Box 94 Folder 11 Dwarfman: Master of a Million Shapes, script pages [multiple versions marked with changes and cues], circa 1981
Box 94 Folder 14 Dwarfman: Master of a Million Shapes, tickets and group sales, 1981 May-June
Box 185 Folder 7 Studio - Krapp's Last Tape and Endgame, photographs (7), includes Samuel Beckett, Rick Cluchey, Teresita Garcia, Alan Mandell, Gregory Mosher and Bud Thorpe, 1980 September-October
Box 51c Folder 1 Studio - Krapp's Last Tape and Endgame, program, 1980 September-October
Box 51c Folder 1a Studio - Krapp's Last Tape and Endgame, press release, promotional material, 1980 September-October
Box 51c Folder 2 Studio - Krapp's Last Tape and Endgame, publicity and advertising, 1980 September-October
Box 95 Folder 1 Studio - Krapp's Last Tape and Endgame, research, 1978-1980
Box 51c Folder 3 Studio - Krapp's Last Tape and Endgame, reviews and news clippings, 1980
Box 95 Folder 2 Studio - Still Life, casting, 1980
Box 95 Folder 3 Studio - Still Life, contact list, 1980
Box 51c Folder 4 Studio - Still Life, correspondence, 1980
Box 185 Folder 8 Studio - Still Life, photograph (1), includes Mary McConnell, Timothy Near and John Spenser1980
Box 51c Folder 5 Studio - Still Life, preproduction and research, 1980
Box 51c Folder 6 Studio - Still Life, press releases and promotional material, 1980 October-November
Box 51c Folder 7 Studio - Still Life, program, 1980 October-November
Box 95 Folder 4 Studio - Still Life, publicity and advertising, 1980 October-November
Box 51c Folder 8 Studio - Still Life, reviews and news clippings, 1980
Box 95 Folder 5 Studio - Still Life, script [unmarked], 1979
Box 95 Folder 6 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, auditions and casting, 1980
Box 51c Folder 9 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, casting, 1980
Box 185 Folder 9 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, photographs (2), 1980 November
Box 51c Folder 10 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, press release, promotional material, 1980 November
Box 51c Folder 11 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, program, program copy, 1980 November
Box 51c Folder 12 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, publicity and advertising, 1980 November
Box 51c Folder 13 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, reviews and news clippings, 1980
Box 51c Folder 14 Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, script [unmarked], [1980]
Box 51c Folder 14a Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, script [photocopy of typescript], 1980 May
Box 51c Folder 14b Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, correspondence, 1980-1981
Box 51c Folder 15 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, press release, publicity, 1980 December-1981 January
Box 51c Folder 16 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom programs, 1980 December-1981 January
Box 51c Folder 17 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, reviews and news clippings, 1980 December-1981 January
Box 185 Folder 10 Studio - A House Not Meant to Stand, photographs (3), includes Bonnie Sue Arp, Marji Bank, Scott Jaeck, Leonard J. Kraft, Rachel Stephens and George Womack, 1981 April
Box 51c Folder 18 Studio - A House Not Meant to Stand, press releases, 1981 April
Box 51c Folder 19 Studio - A House Not Meant to Stand, programs, 1981 April
Box 51c Folder 20 Studio - A House Not Meant to Stand, publicity and advertising, 1981 April
Box 51c Folder 21 Studio - A House Not Meant to Stand, reviews and news clippings, 1981
Box 95 Folder 7 Studio - A House Not Meant to Stand, script, [titled “A Dancie Money (A Gothic Comedy)”], 1981
Box 51c Folder 22 Studio - Avner the Eccentric,group sales and box office, 1981 May-June
Box 185 Folder 11 Studio - Avner the Eccentric, photographs (2), 1981 May-June
Box 51c Folder 23 Studio - Avner the Eccentric, press releases, promotional material, 1981 May-June
Box 51c Folder 24 Studio - Avner the Eccentric, program, 1981 May-June
Box 51c Folder 25 Studio - Avner the Eccentric, publicity and advertising, 1981 May-June
Box 51c Folder 26 Studio - Avner the Eccentric, research and preproduction, 1980-1981
Box 51c Folder 27 Studio - Avner the Eccentric, reviews and news clippings, 1981 May-June
Box 95 Folder 8 Writers in Performance - press release, promotional material, 1980-1981
Box 95 Folder 9 Writers in Performance - An Evening with Tennessee Williams, press releases, promotional material, 1980 October 27
Box 95 Folder 10 Writers in Performance - An Evening with Tennessee Williams, reviews and news clippings, 1980
Box 95 Folder 11 Writers in Performance - An Evening of Yeats and Shakespeare, correspondence, 1980
Box 95 Folder 12 Writers in Performance - An Evening of Yeats and Shakespeare, press release, promotional material, 1980
Box 95 Folder 13 Writers in Performance - An Evening with Studs Terkel, press releases, promotional material, 1980
Box 95 Folder 14 Writers in Performance - An Evening with Studs Terkel, reviews and news clippings, 1980
Box 95 Folder 15 Writers in Performance - An Evening with Derek Wolcott, press release, promotional material, 1981
Box 185 Folder 12 Writers in Performance - An Evening with Stanley Elkin, photographs (7), 1981 May 4
Box 95 Folder 16 Writers in Performance - An Evening with Stanley Elkin, press release, promotional material, publicity, 1981
Box 95 Folder 17 Writers in Performance - An Evening with Stanley Elkin, programs, 1981 May 4
Box 95 Folder 18 Writers in Performance - An Evening with Chicago's Artistic Directors, press release, correspondence, 1981
Box 95 Folder 19 Special Events - Tennessee Williams’ 70th Birthday Party, news clippings, 1981
Box 95 Folder 20 Special Events - Tennessee Williams’ 70th Birthday Party, correspondence and notes, 1981
Box 95 Folder 21 Special Events - Tennessee Williams’ 70th Birthday Party, press kit, 1981
Box 95 Folder 22 Special Events - Tennessee Williams’ 70th Birthday Party, invitations, with lists, 1981
Box 185 Folder 13 Special Events - Flying Karamazov Brothers, photographs (2), 1981 May-June
Oversize Folder 1   Special Events - Flying Karamazov Brothers, poster (2), 1981 May-June
Box 95 Folder 23 Special Events - Flying Karamazov Brothers, press releases and promotional material, 1981 May-June
Box 95 Folder 24 Special Events - Flying Karamazov Brothers, program, 1981 May-June
Box 95 Folder 25 Special Events - Flying Karamazov Brothers, publicity, advertising, 1981
Box 95 Folder 26 Special Events - Flying Karamazov Brothers, reviews and news clippings, 1981
Box 95 Folder 27 Special Events - Flying Karamazov Brothers, research, pre-production, 1980
Box 95 Folder 28 Special Events - Lily Tomlin “Appearing Nightly,” program, promotional material and publicity, 1981
Box 95 Folder 29 Special Events - Lily Tomlin “Appearing Nightly,” reviews and news clippings, 1981

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries Y: 1981-1982 Season, 1928-1982

Arrangement

Subseries Y is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 96 Folder 2 Auditions, 1980-1982
Box 96 Folder 1 Press releases and promotional material, 1981-1982
Box 51c Folder 28 Promotional material, 1981-1982
Box 96 Folder 3 “Spotlight on the Goodman,” planning notes, 1981
Box 96 Folder 9 The Front Page, research, 1929-1981
Box 96 Folder 11 The Front Page, casting, 1981
Box 96 Folder 5 The Front Page, correspondence, 1981
Box 51c Folder 29 The Front Page, Goodman Guide, 1981
Box 97 Folder 1 The Front Page, Goodman Guide, 1981
Box 96 Folder 7 The Front Page, information on other productions, 1972-1981
Box 185 Folder 14 The Front Page, photographs (2), includes Guy Barile, William H. Macy, Gary Houston, Roer Mueller, Ted Raymond, Rob Riley and Colin Stinton, 1981 October-November
Oversize Folder 33   The Front Page, poster, 1981 October-November
Box 51c Folder 30 The Front Page, press releases and promotional material, 1981 October-November
Box 97 Folder 3 The Front Page, press releases and promotional material, 1981
Box 51c Folder 31 The Front Page, programs, 1981 October-November
Box 97 Folder 2 The Front Page, programs, 1981 October-November
Box 96 Folders 14-15 The Front Page, prompt script, 1981
Box 96 Folders 9-10 The Front Page, research, 1929-1981, undated
Box 51c Folder 32 The Front Page, reviews and news clippings, 1981
Box 96 Folder 8 The Front Page, reviews and news clippings, 1981
Box 96 Folder 12 The Front Page, running sheets, time sheets, stage manager’s daily reports, costume notes, 1981
Box 96 Folder 13 The Front Page, script, photocopy of published script [marked “#6”], 1928
Box 96 Folder 6 The Front Page, ticket sales (box office), 1981
Box 97 Folder 4 A Christmas Carol, casting, 1980-1981
Box 97 Folder 8 A Christmas Carol, cast history, 1981
Box 185 Folder 15 A Christmas Carol, photographs (5), includes Belinda Bremner, Geoffrey Herden, Aaron Kramer, Tony Lincoln, William J. Norris, Elizabeth Perkins and Robert Scogin, 1981 November-December
Oversize Folder 33   A Christmas Carol, poster, 1981 November-December
Box 97 Folder 5 A Christmas Carol, press releases and promotional material, 1981-1982
Box 97 Folder 6 A Christmas Carol, program, 1981 November-December
Box 51c Folder 34 A Christmas Carol, programs, 1981 November-December
Box 51c Folder 33 A Christmas Carol, promotional material and press releases, 1981 November-December
Box 51c Folder 36 A Christmas Carol, publicity memos, 1981 November-December
Box 51c Folder 35 A Christmas Carol, reviews and news clippings, 1981
Box 97 Folder 7 A Christmas Carol, reviews and news clippings, 1981
Box 97 Folder 9 A Christmas Carol, stage manager’s prompt script with light and sound cues, 1981
Box 97 Folder 10 A Christmas Carol, stage manager’s prompt script with blocking, 1981
Box 97 Folder 11 A Christmas Carol, prompt script with sound plot and costumes, 1981
Box 97 Folder 12 Panto, casting, 1981
Box 51d Folder 1 Panto, Goodman Guides, 1982
Box 185 Folder 16 Panto, photographs (3), includes Roscoe Lee Browne and Brian Murray, 1982 January-February
Oversize Folder 33   Panto, poster, 1982 January-February
Box 51d Folder 2 Panto, press releases and promotional material, 1982 January-February
Box 51d Folder 3 Panto, programs, 1982 January-February
Box 97 Folder 13 Panto, prompt script, with blocking, 1982 January-February
Box 97 Folder 14 Panto, prompt script, with contact list, time sheets, light cues, score, 1982
Box 98 Folders 1-2 Panto, prompt script, with blocking and stage direction, 1982
Box 98 Folder 3 Panto, publicity and advertising, 1981-1982
Box 98 Folder 4 Panto, research and pre-production, 1980-1981, undated
Box 51d Folder 4 Panto, reviews and news clippings, 1982
Box 51d Folder 5 Panto, script [marked “Revised 1/21/82”], 1982 January 21
Box 98 Folders 5-6 Panto, script, copies of published script Pantomime [unmarked], undated
Box 98 Folder 7 Panto, tickets and group sales, 1982
Box 98 Folder 8 Panto, time sheets, rehearsal hours, correspondence, stage manager’s daily reports, 1981-1982
Box 98 Folder 9 Lakeboat, casting, 1981-1982
Box 98 Folder 10 Lakeboat, costuming, props, presets, lighting hookups, rehearsal hours, 1981-1982
Box 185 Folder 17 Lakeboat, photographs (4), includes Bruce Jarchow, Rob Knepper, Mike Nussbaum and Jack Wallace, 1982 February-April
Oversize Folder 33   Lakeboat, poster, 1982 February-April
Box 51d Folder 6 Lakeboat, press releases, promotional material, 1982 February-April
Box 98 Folder 11 Lakeboat, press and publicity, 1982 February-April
Box 51d Folder 7 Lakeboat, program, study guide, 1982 February-April
Box 99 Folders 1-2 Lakeboat, prompt script, with blocking and light cues, 1982
Box 98 Folder 12 Lakeboat, research and pre-production, 1980-1982
Box 51d Folder 8 Lakeboat, reviews and news clippings, 1982
Box 98 Folder 13 Lakeboat, schedules, 1982 February-April
Box 51d Folder 9 Lakeboat, script [labeled “Library Copy”], [1982]
Box 98 Folder 14 Lakeboat, script [unmarked copy of typescript], 1971
Box 98 Folders 15-16 Lakeboat, script, with blocking, scene breakdown and director's notes, 1982
Box 99 Folder 3 Lakeboat, script [published copy with scene additions], undated
Box 51d Folder 10 Lakeboat, study guides, 1982
Box 99 Folder 4 Lakeboat, tickets and group sales, 1982 February-April
Box 99 Folder 5 A House Not Meant to Stand, audition and casting, 1982
Box 99 Folder 6 A House Not Meant to Stand, contact list, 1982 April-May
Box 51d Folder 11 A House Not Meant to Stand, Goodman Guide, 1982
Box 185 Folder 18 A House Not Meant to Stand, photographs (6), includes Cynthia Baker, Marji Bank, Scott Bloch, Frank Hamilton, Scott Jaeck, Leonard J. Kraft, Peg Murray and Rachel Stephens, 1982 April-May
Oversize Folder 33   A House Not Meant to Stand, poster, 1982 April-May
Box 51d Folder 12 A House Not Meant to Stand, press releases and promotional material, 1982 April-May
Box 51d Folder 13 A House Not Meant to Stand, programs, 1982 April-May
Box 99 Folder 7 A House Not Meant to Stand, publicity and advertising, 1982
Box 51d Folder 14 A House Not Meant to Stand, reviews and news clippings, 1982
Box 99 Folder 8 A House Not Meant to Stand, schedules, 1982
Box 51d Folders 15-20 A House Not Meant to Stand, scripts [annotated], [1982]
Box 51e Folders 1-9 A House Not Meant to Stand, scripts [annotated], [1982]
Box 99 Folders 9-11 A House Not Meant to Stand, stage manager's (Joe Drummond) production script, 1982
Box 99 Folder 12 A House Not Meant to Stand, tickets and group sales, 1982
Box 99 Folder 13 Sgnarelle: An Evening of Moliere Farces, casting, 1982
Box 99 Folder 14 Sgnarelle: An Evening of Moliere Farces, contact list, schedules, 1982
Box 51f Folder 1 Sgnarelle: An Evening of Moliere Farces, Goodman Guides, 1982
Box 185 Folder 19 Sgnarelle: An Evening of Moliere Farces, photographs (7), includes John Bottoms, Cynthia Darlow, Richard Grusin, Karen MacDonald and Tony Shalhoub, 1982 May-July
Oversize Folder 33   Sgnarelle: An Evening of Moliere Farces, poster, 1982 May-July
Box 51f Folder 2 Sgnarelle: An Evening of Moliere Farces, press releases and promotional material, 1982 May-July
Box 51f Folder 3 Sgnarelle: An Evening of Moliere Farces, programs, 1982 May-July
Box 99 Folder 15 Sgnarelle: An Evening of Moliere Farces, publicity and advertising, 1982
Box 99 Folder 16 Sgnarelle: An Evening of Moliere Farces, research and pre-production, 1975-1982, undated
Box 51f Folder 4 Sgnarelle: An Evening of Moliere Farces, reviews and news clippings, 1982
Box 51f Folder 5 Sgnarelle: An Evening of Moliere Farces, script [titled A Dumb Show],[1982]
Box 51f Folder 6 Sgnarelle: An Evening of Moliere Farces, script [literal translations of Moliere one-acts], undated
Box 51f Folder 7 Sgnarelle: An Evening of Moliere Farces, script [in gibberish], undated
Box 51f Folder 8 Sgnarelle: An Evening of Moliere Farces, script [4 plays], undated
Box 51f Folder 9 Sgnarelle: An Evening of Moliere Farces, script [titled A.R.T., revised], [1982]
Box 51f Folder 10 Sgnarelle: An Evening of Moliere Farces, script [titled The Flying Doctor, and labeled “E”], [1982]
Oversize Folder 1   Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, poster, 1981 December
Box 51g Folder 1 Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, program, promotional material, 1981 December
Box 100 Folder 1 Studio - Miss Margarida's Way, casting, 1981-1982
Box 185 Folder 20 Studio - Miss Margarida's Way, photographs (3), includes Estelle Parsons, 1982 January 19-31
Box 51g Folder 2 Studio - Miss Margarida's Way, press releases, promotional material, program, and reviews, 1982 January
Box 185 Folder 21 Studio - Charlotte, photograph (1), includes Uta Hagen, 1982 February
Box 51g Folder 3 Studio - Charlotte, promotional material, program and reviews, 1982 February
Box 185 Folder 22 Studio - Gertrude Stein, Gertrude Stein, Gertrude Stein, photographs (2), includes Pat Carroll, 1982 March
Box 51g Folder 4 Studio - Gertrude Stein, Gertrude Stein, Gertrude Stein, with Pat Carroll, promotional material, programs and reviews, 1982 March
Box 51g Folder 5 Number not assigned
Box 100 Folder 2 Studio - The Woolgatherer, casting, 1982
Box 185 Folder 23 Studio - The Woolgatherer, photograph (1), includes Emilie Borg and Jack Wallace, 1982 April-May
Box 51g Folder 6 The Woolgatherer, press releases, promotional material, program, 1982 April-May
Box 51g Folder 7 Studio - The Woolgatherer, reviews, 1982 April-May
Box 100 Folder 3 Studio - Edmond, casting, 1982
Box 185 Folder 24 Studio - Edmond, photographs (2), includes Laura Innes and Colin Stinton, 1982
Box 51g Folder 10 Studio - Edmond, program, 1982
Box 51g Folder 8 Studio - Edmond, promotional material, 1982
Box 51g Folder 9 Studio - Edmond, reviews, 1982
Box 51g Folder 11 Studio - Edmond, script [labeled “A”], 1982 January 1
Box 51g Folder 12 Studio - Edmond, script [revised], 1982 June 4
Box 51g Folder 13 Studio - Edmond, script [copy of revised script], 1982 June 4
Box 51g Folder 14 Studio - Edmond, script with outtakes, 1982 June 4
Box 100 Folder 4 Studio - Edmond, script [marked with scene and line changes], 1980 December
Box 100 Folder 5 Writers in Performance Series - Chicago Journalism: Then and Now, press releases, program, 1981 October 26
Box 100 Folder 6 Writers in Performance Series - Chicago Poets on Stage, promotional material, 1981
Box 100 Folder 7 Writers in Performance Series - Voices from Poland, press release, news clipping, 1982
Box 100 Folder 8 Writers in Performance Series - Chicago Songwriters: An Oral Tradition, press releases, promotional materials, 1982
Box 100 Folder 9 Writers in Performance Series - An Evening with David Mamet, program, promotional material, 1982
Box 100 Folder 10 Writers in Performance Series - Chicago’s Artistic Directors, program, 1982 June 8
Box 185 Folder 25 Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers, photographs (5), 1982 April 6-11
Box 100 Folder 11 Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric, press releases, promotional material, reviews, news clippings, 1980-1982
Box 100 Folder 12 Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric, reviews and news clippings, 1982 April 6-11
Box 100 Folder 13 Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric, program, 1982 April 6-11
Box 52 Folder 3 Welcome to Our Living Room with the Karamazov Brothers, promotional material, 1982 September
Box 100 Folder 21 Welcome to Our Living Room, programs and reviews, 1982 September
Box 186 Folder 1 Other Events - Hubbard Street Dance Company, photographs (3), includes Claire Bataille, Gergory Begley, Rick Hilsabeck and Karen Frankel Jones, 1981 November 11-15
Box 100 Folder 14 Other Events - Hubbard Street Dance Company, press releases, promotional materials, 1981 November 11-15
Box 100 Folder 15 Other Events - Hubbard Street Dance Company, publicity and advertising, 1981 November 11-15
Box 100 Folder 16 Other Events - Hubbard Street Dance Company, research and pre-production, 1980-1982
Box 100 Folder 17 Other Events - Hubbard Street Dance Company, reviews and news clippings, 1981
Box 96 Folder 4 Other Events - Knock on Wood, casting, 1981

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries Z: 1982-1983 Season, 1951-1983, undated

Arrangement

Subseries Z is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 100 Folder 19 Auditions, 1982-1983
Box 100 Folder 18 Casting statistics, 1982-1983
Box 52 Folder 1 Press releases and promotional material, 1982-1983
Box 186 Folder 2 Ms. Margarida's Way, photographs (4), includes Estelle Parsons, 1982 August-September
Box 52 Folder 2 Ms. Margarida's Way by Robert Athayde, with Estelle Parsons, promotional material, 1982 August-September
Box 100 Folder 20 Ms. Margarida's Way, program, reviews, 1982 August-September
Box 100 Folder 22 The Man Who Had Three Arms, advertising and ticket sales, 1982
Box 100 Folder 23 The Man Who Had Three Arms, casting, 1982
Box 100 Folder 24 The Man Who Had Three Arms, cuts and out-takes from the pre-opening in Miami, 1982
Box 52 Folder 4 The Man Who Had Three Arms, Goodman Guide, 1982
Box 100 Folder 25 The Man Who Had Three Arms, information from performances at the Lyceum Theatre, New York City, 1983
Box 100 Folder 26 The Man Who Had Three Arms, information from performances at the New World Festival of the Arts, Miami, circa 1982
Box 100 Folder 27 The Man Who Had Three Arms, information on Albee, 1963-1982, undated
Box 186 Folder 3 The Man Who Had Three Arms, photographs (3), includes Robert Drivas and Wyman Pendleton, 1982 September-October
Oversize Folder 34   The Man Who Had Three Arms, poster, 1982 September-October
Box 101 Folder 4 The Man Who Had Three Arms, presets, costume and prop plots, light and slide cues, general show slides, 1982
Box 52 Folder 5 The Man Who Had Three Arms, press releases, promotional material, reviews, news clippings, 1982
Box 52 Folder 6 The Man Who Had Three Arms, programs, 1982 September-October
Box 101 Folder 1 The Man Who Had Three Arms, prompt script, 1982
Box 101 Folder 2 The Man Who Had Three Arms, prompt script with blocking and stage direction, 1982
Box 101 Folder 5 The Man Who Had Three Arms, rehearsal hours, stage manager’s daily reports, 1982
Box 101 Folder 6 The Man Who Had Three Arms, reviews and news clippings, 1982
Box 52 Folder 6a The Man Who Had Three Arms, script, 1982
Box 52 Folder 6b The Man Who Had Three Arms, script with line cuts, 1982
Box 52 Folder 6c The Man Who Had Three Arms, script [revised], 1982 October 4
Box 52 Folder 6d The Man Who Had Three Arms, script [labeled “B,” revised], 1982 October 4
Box 101 Folder 3 The Man Who Had Three Arms, script [unmarked], 1982
Box 101 Folder 7 A Christmas Carol, advertising and ticket sales, 1982
Box 101 Folder 8 A Christmas Carol, casting, 1981-1982
Box 101 Folder 9 A Christmas Carol, correspondence, 1982
Box 186 Folder 4 A Christmas Carol, photographs (3), includes Dennis Kennedy, Lauren Leeder, Roger Mueller, William J. Norris and Mary Pat Sullivan, 1982 November-December
Oversize Folder 34   A Christmas Carol, poster, 1982 November-December
Box 52 Folder 7 A Christmas Carol, press releases and promotional material, 1982 November-December
Box 52 Folder 8 A Christmas Carol, program, 1982 November-December
Box 52 Folder 9 A Christmas Carol, program research, 1982 November-December
Box 101 Folders 10-11 A Christmas Carol, prompt script revised typescript, 1982
Box 101 Folder 12 A Christmas Carol, research on Dickens and other productions, 1980, 1982, undated
Box 101 Folder 13 A Christmas Carol, reviews, news clippings, revised typescript, revised typescript, 1982
Box 52 Folder 10 A Christmas Carol, script [labeled “A”], 1982
Box 52 Folder 11 A Christmas Carol, script [revised typescript labeled “B”], 1982
Box 102 Folder 1 The Comedy of Errors, advertising and ticket sales, 1983 January-February
Box 102 Folder 2 The Comedy of Errors, casting, 1982-1983
Box 102 Folder 3 The Comedy of Errors, checklists, running sheets, presets, 1982-1983
Box 186 Folder 5 The Comedy of Errors, photographs (4), includes Paul Magid, Randy Nelson, Howard Jay Patterson and Samuel Ross Williams, 1983 January-February
Box 204 Folder 4 The Comedy of Errors, photograph (1), 1983 January-February
Oversize Folder 34   The Comedy of Errors, poster, 1983 January-February
Box 52a Folder 2 The Comedy of Errors, press releases, promotional material, reviews and news clippings, 1983
Box 52a Folder 1 The Comedy of Errors, program, 1983 January-February
Box 102 Folders 4-5 The Comedy of Errors, prompt script, 1982-1983
Box 102 Folder 6 The Comedy of Errors, prop lists, script and crew information, 1982-1983
Box 102 Folder 7 The Comedy of Errors, publicity and advertising, 1982-1983
Box 102 Folder 8 The Comedy of Errors, research on other productions, the playwright, 1981-1984, undated
Box 102 Folder 9 The Comedy of Errors, reviews and news clippings, 1983
Box 102 Folder 10 The Comedy of Errors, running sheets, prop lists, presets, 1983 January-February
Box 102 Folder 11 The Comedy of Errors, running sheets, presets, cue sheets, 1983 January-February
Box 52a Folder 3 The Comedy of Errors, script [copy of published script], undated
Box 102 Folder 12 The Comedy of Errors, teacher’s and Goodman Guide, 1982-1983
Box 102 Folder 13 The Comedy of Errors, materials from performances at the Olympic Arts Festival, Los Angeles, 1984 June-August
Box 103 Folder 1 The Dining Room, box office, 1983 March-April
Box 103 Folder 2 The Dining Room, casting, 1982-1983
Box 52a Folder 4 The Dining Room, Goodman Guide, 1983
Box 186 Folder 6 The Dining Room, photographs (3), includes Joseph Guzaldo, Cordis Heard, B.J. Jones, Linda Kimbrough, Paula Nyberg, and Rob Riley, 1983 March-April
Oversize Folder 34   The Dining Room, poster, 1983 March-April
Box 52a Folder 5 The Dining Room, press releases and promotional material, 1983 March-April
Box 52a Folder 6 The Dining Room, program, 1983 March-April
Box 103 Folder 3 The Dining Room, publicity and advertising, 1983 March-April
Box 103 Folder 4 The Dining Room, research and pre-production (information on other productions), 1982, undated
Box 103 Folder 5 The Dining Room, reviews and news clippings, 1982-1983
Box 52a Folder 7 The Dining Room, script [copy of published script], undated
Box 103 Folder 6 Red River, advertising and ticket sales, 1983 April-May
Box 103 Folder 7 Red River, budget, [1982]
Box 103 Folder 8 Red River, cast list and correspondence, 1980-1983
Box 103 Folder 9 Red River, casting, 1982-1983
Box 52a Folder 9 Red River, Goodman Guide, 1983
Box 186 Folder 7 Red River, photographs (3), includes Roy Brocksmith, Christopher McCann, Mary McDonnell, Lionel Mark Smith and John Spenser, 1983 April-May
Oversize Folder 34   Red River, poster, 1983 April-May
Box 52a Folder 10 Red River, press releases and promotional material, 1983 April-May
Box 52a Folder 8 Red River, program, 1983 April-May
Box 52a Folder 11 Red River, research, 1980-1983, undated
Box 103 Folder 10 Red River, research, [1982-1983]
Box 103 Folder 11 Red River, reviews and news clippings, 1983
Box 52a Folder 12 Red River, script, labeled “A”; in French, with research material
Box 52a Folder 13 Red River, script [partial with literal translation by Tilde Sankovitch]
Box 52a Folder 14 Red River, script [original typescript with literal translation by Tilde Sankovitch], undated
Box 52a Folder 15 Red River, script [copy of original typescript], 1983
Box 53 Folder 1 Red River, script [labeled “B,” translated by David Mamet], 11983
Box 53 Folder 2 Red River, script [revised 2/19/83 and 3/22/83], 1983
Box 103 Folder 12 A Soldier's Play, box office, 1983 June-July
Box 103 Folder 13 A Soldier's Play, City of Chicago proclamation and opening night event, 1983
Box 53 Folder 3 A Soldier's Play, Goodman Guide, 1983
Box 103 Folder 14 A Soldier's Play, group sales, 1983
Box 186 Folder 8 A Soldier's Play, photographs (2), negatives (2), includes Charles Brown, Adolph Caesar, Benjamin E. Epps and James Pickens, 1983 June-July
Oversize Folder 34   A Soldier's Play, poster, 1983 June-July
Box 53 Folder 4 A Soldier's Play, press releases, promotional material, 1983 June-July
Box 53 Folder 6 A Soldier's Play, program, 1983 June-July
Box 103 Folder 15 A Soldier's Play, publicity and advertising, 1983
Box 103 Folder 16 A Soldier's Play, research and pre-production (information on the Negro Ensemble Company), 1982-1983
Box 103 Folder 17 A Soldier's Play, reviews and news clippings, 1982-1983
Box 53 Folder 5 A Soldier's Play, script, 1981 May
Box 103 Folder 18 Studio - advertising and promotional, 1982-1983
Box 53 Folder 7 Studio - press releases and promotional material, 1982-1983
Box 103 Folder 20 Studio -Kukla and Ollie Live!: The Theatre of Burr Tillstrom, background and correspondence, 1951-1983, undated
Box 53 Folder 8 Studio -Kukla and Ollie Live!: The Theatre of Burr Tillstrom, programs, reviews, news clippings, 1982 December
Box 104 Folder 1 Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, background and information on the European Tour, 1981
Box 186 Folder 9 Studio -The Beckett Project:Endgame, photograph (1), includes Samuel Beckett and Bud Thorpe, 1980
Oversize Folder 33   Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, poster (2 copies), [1982-1983]
Box 53 Folder 9 Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, press releases, promotional material and program, [1982-1983]
Box 53 Folder 10 Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, scripts, with contact lists, [1982-1983]
Box 103 Folder 19 Studio -A Spaulding Gray Retrospective, background, 1980-1985, undated
Box 186 Folder 10 Studio -A Spaulding Gray Retrospective, photographs (2), includes Spaulding Gray, 1982 October-December
Box 53 Folder 11 Studio -A Spaulding Gray Retrospective, press release, promotional material, program, and reviews, 1982 October-December
Box 104 Folder 8 Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla, background, correspondence, ticket sales, 1981-1983
Box 104 Folder 9 Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla,casting, 1983
Box 186 Folder 11 Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla, photographs (7), includes Peter Falk, Paul Guilfoyle, Joe Montegna, Norman Parker, Bruce Powell and Ron Silver, 1983 June
Box 53 Folder 12 Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla, press release, promotional material, programs, reviews, news clippings, 1983 June 2-26
Box 53 Folder 13 Studio -Three New Plays,script, Disappearance [corrected and updated Joe Drummond], 1983 June 14
Box 53 Folder 14 Studio -Three New Plays,script, Disappearance [original typescript], 1983 June 14
Box 53a Folder 2 Studio -Three New Plays,script, Gorilla,[1983]
Box 53a Folder 1 Studio -Three New Plays,script, Gorilla [reading copy], [1983
Box 113 Folder 6 Studio -Three New Plays, script Gorilla, [revised with extensive rewrites and outtakes], 1983 June 30
Box 53a Folder 3 Studio -Three New Plays,script, Hot Line [labeled “A, Original - Do Not Copy”], [1983]
Box 53a Folder 4 Studio -Three New Plays,script, Hot Line, [labeled “C”], 1983 May 24-25
Box 53a Folder 5 Studio -Three New Plays,script, Hot Line [labeled “D,” copy of “C”], 1983 May 27
Box 53a Folder 6 Studio -Three New Plays,script, Hot Line [labeled “E”], (2 copies), 1983 July 3
Box 53a Folder 7 Studio -Three New Plays,script, Hot Line, 1983 May 8
Box 53a Folder 8 Studio -Three New Plays,script, Hot Line, undated
Box 53a Folder 11a Studio -Jungle Coup, background and information on other publications
Box 104 Folder 2 Studio -Jungle Coup, casting, 1982-1983
Box 186 Folder 12 Studio -Jungle Coup, photographs (3), includes Seth Allen, Mike Nussbaum and Jack Wallace, 1983 February-March
Oversize Folder 33   Studio -Jungle Coup, poster, 1983 February-March
Box 53a Folder 9 Studio -Jungle Coup, press release, promotional material, program, news clippings, 1983 February-March
Box 104 Folder 3 Studio -Jungle Coup, prompt script, 1983 February-March
Box 53a Folder 11 Studio -Jungle Coup, script [revised], 1982 December
Box 104 Folder 4 Studio -Jungle Coup, script [revised, marked with “Library 3/2/82, Bula” with scene changes and cuts], 1982 December
Box 53a Folder 10 Studio -Jungle Coup, script [ending revised], 1983 February 18
Box 53a Folder 14 Studio -Gardenia, background, 1983 April-May
Box 104 Folder 5 Studio -Gardenia, casting, 1983
Box 186 Folder 13 Studio -Gardenia, photographs (3), 1983 April-May
Box 204 Folder 4 Studio -Gardenia, photograph (1), 1983 April-May
Oversize Folder 33   Studio -Gardenia, poster, 1983 April-May
Box 53a Folder 12 Studio -Gardenia, press release, promotional material and program, 1983 April-May
Box 104 Folder 6 Studio -Gardenia, prompt script with schedules and stage manager’s daily reports, 1983
Box 53a Folder 15 Studio -Gardenia, reviews and news clippings, 1983
Box 53a Folder 13 Studio -Gardenia, script and contact list, 1983
Box 104 Folder 7 Studio -Gardenia, script [unmarked, titled “Lydie Breeze, Part I: Gardenia”], undated
Box 53a Folder 16 Studio -Gardenia, ticket giveaways and box office, 1983 April-May
Box 104 Folder 10 Chicago Writers in Performance - press release and advertising, 1983
Box 104 Folder 11 Chicago Writers in Performance - An Evening with Saul Bellow, correspondence, news clippings, press release, promotional material, reviews, 1982
Box 186 Folder 14 Chicago Writers in Performance - An Evening with Saul Bellow, photographs (2), includes Saul Bellow and Walter Jacobson, 1982
Box 83 Folder 9 Chicago Writers in Performance - An Evening with Saul Bellow, poster, 1982
Box 104 Folder 12 Chicago Writers in Performance - Leon Forrest, Dennis Brutus, J.A. McPherson and Derek Wolcott, correspondence, news clippings, press release, promotional material, reviews, 1982-1983
Box 104 Folder 13 Chicago Writers in Performance - Chicago Composers: An Evening of Contemporary Music, correspondence, news clippings, press release, promotional material, reviews 198
Box 186 Folder 15 Special Events - Bill Robinson Tribute by Hubbard Street Dance Company, photograph (1), 1982
Box 104 Folder 14 Special Events - Hubbard Street Dance Company, reviews and news clippings, 1982
Box 104 Folder 15 Special Events - Hubbard Street Dance Company, press release, promotional material, 1981-1982
Box 104 Folder 16 Special Events - Mark Twain,Urban Gateways Project, correspondence, schedules and notes, 1982-1983

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries AA: 1983-1984 Season, 1964-1984, undated

Arrangement

Subseries AA is arranged chronologically beginning with mainstage productions followed by studio, special and Merrill Lynch Dance productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 105 Folder 1 Casting statistics, 1983-1984
Box 105 Folder 2 Group sales, 1983-1984
Box 105 Folder 3 Open auditions, 1983
Box 54 Folder 1 Promotional material, 1983-1984
Box 105 Folder 4 Promotional material, 1983-1984
Box 105 Folder 5 Subscription campaign, 1983-1984
Box 105 Folder 6 A Raisin in the Sun, advertising, 1983
Box 105 Folder 7 A Raisin in the Sun, box office, 1983 September-October
Box 105 Folder 8 A Raisin in the Sun, casting, 1983
Box 54 Folder 2 A Raisin in the Sun, correspondence and memos, 1983
Box 186 Folder 16 A Raisin in the Sun, photographs (4), negatives (3), includes Brent Jennings and Jackie Taylor, 1983 September-October
Box 204 Folder 4 A Raisin in the Sun, photograph (1), 1983 September-October
Oversize Folder 42   A Raisin in the Sun, poster on board, 1983 September-October
Box 54 Folder 3 A Raisin in the Sun, programs and press releases, 1983 September-October
Box 54 Folders 4-5 A Raisin in the Sun, research, circa 1983
Box 54 Folder 6 A Raisin in the Sun, reviews and news clippings, 1983
Box 54 Folder 7 A Raisin in the Sun, script [labeled “B,” copy of French edition with extensive revisions on separate sheets], 1983
Box 105 Folder 9 A Christmas Carol, advertising, 1983
Box 105 Folder 10 A Christmas Carol, casting, 1983
Box 105 Folder 11 A Christmas Carol, information on other productions, 1983
Box 186 Folder 17 A Christmas Carol, photographs (2), includes Roger Mueller, William J. Norris and Jamie Wild, 1983 November-December
Box 204 Folder 4 A Christmas Carol, photograph (1), 1983 November-December
Box 54 Folder 10 A Christmas Carol, press release, reviews, news clippings, promotional material, 1983 November-December
Box 54 Folder 8 A Christmas Carol, programs, 1983 November-December
Box 54 Folder 9 A Christmas Carol, rehearsal schedule, 1983
Box 105 Folder 12 A Christmas Carol, sales, single and group, 1983 November-December
Box 54 Folder 11 A Christmas Carol, script [revision], 1983
Box 105 Folder 13 Candida, advertising, 1983-1984
Box 105 Folder 14 Candida, casting, 1983
Box 186 Folder 18 Candida, photographs (5), includes Wanda Bimson, Sara Botsford, James Hurdle and David Pierce, 1984 January-February
Box 204 Folder 4 Candida, photograph (1), 1984 January-February
Box 54 Folder 12 Candida, press releases, reviews and clippings, 1984
Box 105 Folder 15 Candida, programs, 1984 January-February
Box 105 Folders 16-17 Candida, prompt script, 1983-1984
Box 106 Folder 1 Candida, research and pre-production, 1982, undated
Box 54 Folder 13 Candida, script, undated
Box 106 Folder 2 Candida, ticket giveaways, 1983
Box 108 Folder 5 Hey, Stay Awhile, box office, 1984 February-April
Box 108 Folder 7 Hey, Stay Awhile, cast list and casting information, 1984
Box 108 Folder 6 Hey, Stay Awhile, casting, 1984
Box 108 Folder 8 Hey, Stay Awhile, notes and schedules, 1984
Box 186 Folder 19 Hey, Stay Awhile, photographs (2), contact sheets (4), 1984 February-April
Box 54 Folder 14 Hey, Stay Awhile, press releases, promotional material, 1984 February-April
Box 54 Folder 15 Hey, Stay Awhile, programs, 1984 February-April
Box 108 Folder 9 Hey, Stay Awhile, publicity and advertising, 1984
Box 54 Folder 16 Hey, Stay Awhile, reviews and news clippings, 1984
Box 108 Folder 11 Hey, Stay Awhile, script [preliminary pages], [1983-1984]
Box 108 Folder 10 Hey, Stay Awhile, score [unmarked photocopy], [1984]
Box 106 Folder 3 The Time of Your Life, advertising and ticket sales, 1984
Box 106 Folder 4 The Time of Your Life, casting, 1984
Box 106 Folder 5 The Time of Your Life, information on other productions, 1983
Box 186 Folder 20 The Time of Your Life, photographs (3), includes Del Close, Amy Morton, William L. Petersen and Steve Prutting, 1984 March-April
Box 204 Folder 4 The Time of Your Life, photograph (1), 1984 March-April
Box 55 Folder 1 The Time of Your Life, programs, reviews and news clippings, 1984
Box 106 Folder 6 The Time of Your Life, promotional material, 1984
Box 55 Folder 2 The Time of Your Life, script [copy of published script], [1983-1984]
Box 55 Folder 3 The Time of Your Life, script [original typescript, labeled “Acting Edition”], 1984 January 24
Box 55 Folder 4 The Time of Your Life, script [copy of original typescript with line cuts and changes], [1984]
Box 55 Folder 5 The Time of Your Life, script [copy of original typescript with line cuts and changes, differs from Folder 4], [1984]
Box 106 Folder 7 The Time of Your Life, script [unmarked copy of published script], undated
Box 106 Folder 8 The Road, advertising and ticket sales, 1984
Box 106 Folder 9 The Road, casting, 1983-1984
Box 186 Folder 21 The Road, photographs (3), includes Reggie Montgomery, 1984 April-May
Box 204 Folder 4 The Road, photograph (1), 1984 April-May
Box 55 Folder 6 The Road, programs and teacher's supplement, 1984 April-May
Box 106 Folder 10 The Road, research, 1964-1980
Box 55 Folder 7 The Road, reviews and news clippings, 1984
Box 55 Folder 8 The Road, script [labeled “Acting Edition”], [1983-1984]
Box 55 Folder 9 The Road, script [corrected], 1984 April 9
Box 55 Folder 10 The Road, script [partial], [1983-1984]
Box 106 Folder 11 The Three Moscowteers, advertising and ticket sales, 1984
Box 106 Folder 12 The Three Moscowteers, casting, 1984
Box 55a Folder 5 The Three Moscowteers, correspondence, 1983-1984
Box 55a Folder 3 The Three Moscowteers, memos, 1983
Box 55a Folder 4 The Three Moscowteers, notes, [1983]
Box 186 Folder 22 The Three Moscowteers, photographs (7), includes Chas Elstner, Paul Magid and Randy Nelson, 1984 June-July
Box 55a Folder 1 The Three Moscowteers, programs, promotional material, 1984 June-July
Box 106 Folder 13 The Three Moscowteers, promotional material, 1984
Box 106 Folder 14 The Three Moscowteers, research, 1980-1984
Box 55a Folder 2 The Three Moscowteers, reviews and news clippings, 1984
Box 55a Folder 6 The Three Moscowteers, script [labeled “A,” preliminary working outline], [1984]
Box 55a Folder 7 The Three Moscowteers, script [labeled “B,” first draft], [1984]
Box 55a Folder 8 The Three Moscowteers, script [labeled “C,” second draft], 1984 January 28
Box 55a Folder 9 The Three Moscowteers, script [labeled “D,” typescript of working copy], 1984 March
Box 55a Folder 10 The Three Moscowteers, script [labeled “E”, outline], 1984 March 10
Box 55a Folder 11 The Three Moscowteers, script [labeled “G,” final draft on word processor used to prepare first acting edition]
Box 55a Folder 12 The Three Moscowteers, script [labeled “I,” acting edition, updated] 1984 May 26
Box 55a Folder 13 The Three Moscowteers, script [labeled “J,” acting edition, revised], 1984 May 26, June 11
Box 107 Folder 3 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, box office, 1983 November
Box 55a Folder 14 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, written by Peter Schumann, directed by Peter Schumann, correspondence and notes, 1983 November
Box 55a Folder 15 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, notes, [1983]
Box 187 Folder 6 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, photographs (5), 1983 November
Box 107 Folder 4 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, program draft, 1983
Box 55a Folder 16 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, programs, 1983 November
Box 107 Folder 5 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, publicity and advertising, 1983
Box 107 Folder 6 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, research and pre-production, 1980-1983
Box 55a Folder 17 Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, reviews and news clippings, 1983
Box 55a Folder 18 Studio - In the Belly of the Beast, programs, promotional material, 1983 November-December
Box 55a Folder 19 Studio - In the Belly of the Beast, publicity and box office, 1983 November-December
Box 107 Folder 1 Studio - Glengarry Glen Ross by David Mamet, premiere production at the Cottosloe Theatre, London, programs, promotional material, 1983 September
Box 55b Folder 1 Studio - Glengarry Glen Ross, box office, 1984 January-March
Box 55b Folder 2 Studio - Glengarry Glen Ross, casting, [1983-1984]
Box 107 Folder 7 Studio - Glengarry Glen Ross, casting, 1983-1984
Box 55b Folder 3 Studio - Glengarry Glen Ross, contact lists, 1984 January-March
Box 55b Folder 4 Studio - Glengarry Glen Ross, Joseph Jefferson nomination (director/play), [1984]
Box 186 Folder 23 Studio - Glengarry Glen Ross, photographs (3), 1984 January-March
Box 55b Folder 5 Studio - Glengarry Glen Ross, press releases, promotional materials, 1984 January 27-March 4
Box 55b Folder 6 Studio - Glengarry Glen Ross, programs, 1984 January-March
Box 107 Folders 8-9 Studio - Glengarry Glen Ross, prompt script (Acting Edition), 1982-1984
Box 55b Folder 7 Studio - Glengarry Glen Ross, publicity and advertising, 1984 January-March
Box 107 Folder 2 Studio - Glengarry Glen Ross, reviews and news clippings, 1984
Box 55b Folder 8 Studio - Glengarry Glen Ross, reviews and news clippings, 1984
Box 55b Folder 11 Studio - Glengarry Glen Ross, script [draft of second version], 1983 July
Box 55b Folder 12 Studio - Glengarry Glen Ross, script [labeled “C,” copy of second version draft, amended], 1983 August 30
Box 55b Folder 13 Studio - Glengarry Glen Ross, script, [labeled “L” with outtakes], 1983
Box 107 Folder 11 Studio - Glengarry Glen Ross, script [revised, unmarked], 1983 October
Box 107 Folder 13 Studio - Glengarry Glen Ross, script [revised], 1983 October
Box 55b Folder 14 Studio - Glengarry Glen Ross, script [with correction], 1983 October 17, November 15
Box 107 Folder 12 Studio - Glengarry Glen Ross, script [revised October 1983, unmarked and labeled “Final Pre-Rehearsal Script”], 1983 November 30
Box 55b Folder 15 Studio - Glengarry Glen Ross, script [labeled “Acting Edition” with final corrections], 1983 December 13
Box 55c Folder 1 Studio - Glengarry Glen Ross, script [revised and corrected], 1984 January 31
Box 107 Folder 10 Studio - Glengarry Glen Ross, script [revised, unmarked] 1984 January 15
Box 55c Folder 2 Studio - Glengarry Glen Ross, script [labeled “N,” New York revisions], 1984 April 16
Box 55b Folder 9 Studio - Glengarry Glen Ross, special events, [1984]
Box 55b Folder 10 Studio - Glengarry Glen Ross, tech schedules and costume note, [1983-1984]
Box 108 Folder 1 Studio - Glengarry Glen Ross, time sheets, rehearsal hours, stage manager’s daily reports, 1983-1984
Box 108 Folder 2 Studio - Glengarry Glen Ross, programs and promotional material from the production at the John Golden Theatre, New York City, 1984 March
Box 108 Folder 3 Studio - Glengarry Glen Ross, publicity from the production at the John Golden Theatre, New York City, 1984
Box 108 Folder 4 Studio - Glengarry Glen Ross, reviews and news clippings from the production at the John Golden Theatre, New York City, 1984
Box 108 Folder 12 Studio - Hurlyburly, casting, 1983-1984
Box 55c Folder 3 Studio - Hurlyburly, information on David Rabe, 1984 March-April
Box 187 Folder 1 Studio - Hurlyburly, photograph (1), includes William Hurt and Harvey Keitel, 1984 March-April
Oversize Folder 42   Studio - Hurlyburly, poster on board, 1984 March-April
Box 55c Folder 4 Studio - Hurlyburly, press releases, promotional material, 1984 March-April
Box 55c Folder 5 Studio - Hurlyburly, programs, 1984 March-April
Box 55c Folder 6 Studio - Hurlyburly, publicity and advertising, 1984 March 23-April 22
Box 55c Folder 7 Studio - Hurlyburly, reviews and news clippings, 1984
Box 55c Folder 8 Studio - Hurlyburly, script [titled “Spin Off”], [1983-1984]
Box 108 Folder 15 Studio - Hurlyburly, script [titled “Spin Off”], [1983-1984]
Box 108 Folders 13-14 Studio - Hurlyburly, script [untitled, labeled “A New Play by David Rabe”], undated
Box 55c Folder 9 Studio - Hurlyburly, reviews and news clippings from the production at the Promenade Theater, New York City, June 1984
Box 109 Folder 1 Studio - The Merry Guys Who Windsurf, Practical Theatre Company, promotional material, 1984
Box 55c Folder 10 Special Events - Vasilios Gaitanos in Concert, programs, promotional material, 1984 January 30
Box 55c Folder 11 Special Events - Vasilios Gaitanos in Concert, publicity and advertising, 1984 January 30
Box 55c Folder 12 Special Events - Vasilios Gaitanos in Concert, reviews and news clippings, 1984
Box 55c Folder 13 Merrill Lynch Dance Series - promotional material, press releases and clippings, 1983-1984
Box 109 Folder 3 Merrill Lynch Dance Series - publicity and advertising, 1983-1984
Box 109 Folder 2 Merrill Lynch Dance Series - Laura Dean Dancers and Musicians, performance and sponsorship agreements, 1984
Box 109 Folder 4 Merrill Lynch Dance Series - The Hubbard Street Dance Company, company press kit, 1983
Box 187 Folder 2 Merrill Lynch Dance Series - The Hubbard Street Dance Company, photographs (4), 1983 November
Box 55c Folder 14 Merrill Lynch Dance Series - The Hubbard Street Dance Company, press releases, promotional material, 1983 November
Box 109 Folder 5 Merrill Lynch Dance Series - The Hubbard Street Dance Company, program draft and research, 1983
Box 55c Folder 14a Merrill Lynch Dance Series - The Hubbard Street Dance Company, programs, reviews, news clippings, 1983 November
Box 109 Folder 6 Merrill Lynch Dance Series - The Hubbard Street Dance Company, publicity and advertising, 1983
Box 109 Folder 7 Merrill Lynch Dance Series - Pilobus Dance Theater, information on the company, 1979-1984
Box 187 Folder 3 Merrill Lynch Dance Series - Pilobus Dance Theater, photographs (2), 1984 February
Box 55c Folder 15 Merrill Lynch Dance Series - Pilobus Dance Theater, press releases, promotional material, 1984 February
Box 55c Folder 15a Merrill Lynch Dance Series - Pilobus Dance Theater, program, reviews, news clippings, 1984 February
Box 109 Folder 8 Merrill Lynch Dance Series - Pilobus Dance Theater, publicity and advertising, 1984
Box 109 Folder 9 Merrill Lynch Dance Series - Lars Lubovitch Dance Company, information on the company, 1982-1983, undated
Box 187 Folder 4 Merrill Lynch Dance Series - Lars Lubovitch Dance Company, photographs (3), 1984 April
Box 55c Folder 16 Merrill Lynch Dance Series - Lars Lubovitch Dance Company, press releases, promotional material, 1984 April
Box 55c Folder 16a Merrill Lynch Dance Series - Lars Lubovitch Dance Company, programs, reviews, news clippings, 1984 April
Box 109 Folder 10 Merrill Lynch Dance Series - Lars Lubovitch Dance Company, publicity and advertising, 1984
Box 55c Folder 17 Other Events - Mark Twain Project for Urban Gateways, general information, [1983-1984]
Box 187 Folder 5 Other Events - The Comedy of Errors by William Shakespeare, Olympic Arts Festival, photographs (3), includes Laurel chronic, Paul Magid, Randy Nelson and Wendy Parkman, 1984 June-August
Box 55c Folder 19 Other Events - The Comedy of Errors by William Shakespeare, Olympic Arts Festival, press kit, 1984 June-August
Box 55c Folder 18 Other Events - The Comedy of Errors by William Shakespeare, Olympic Arts Festival, programs, 1984 June-August

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries BB: 1984-1985 Season, 1974-1985, undated

Arrangement

Subseries BB is arranged chronologically beginning with mainstage productions followed by New Theatre Company, Merrill Lynch Dance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Box 109 Folder 11 Casting statistics, 1984-1985
Box 109 Folder 12 Group sales, 1984-1985
Box 109 Folder 13 Open auditions, 1984
Box 56 Folder 1 Promotional material and news clippings, 1984-1985
Box 109 Folder 14 Subscription campaign, 1984-1985
Box 109 Folder 15 Telemarketing campaign, 1984-1985
Box 56 Folder 5 Candide, cast list and schedules, 1984
Box 109 Folder 16 Candide, casting, 1984
Box 56 Folder 3 Candide, correspondence, 1984
Box 56 Folder 9 Candide, libretto, undated
Box 56 Folder 4 Candide, memos, 1984
Box 56 Folder 7 Candide, notes, [1984]
Box 187 Folder 7 Candide, photograph (1), includes Eve Bennett-Gordon, 1984 September-October
Box 56 Folder 2 Candide by Voltaire, programs, press releases and news clippings, 1984 September-October
Box 56 Folder 6 Candide, scene breakdowns, 1984 September-October
Box 109 Folder 17 Candide, promotion and publicity, correspondence and memos, 1984
Box 109 Folder 18 Candide, promotional material and advertising, 1984
Box 110 Folders 1-2 Candide, prompt script, 1984
Box 110 Folders 3-4 Candide, prompt script, score and cues, 1984
Box 109 Folder 20 Candide, research, 1974, 1984, undated
Box 109 Folder 19 Candide, reviews and news clippings, 1984
Box 56 Folder 8 Candide, script, undated
Box 110 Folder 5 Candide, script [unmarked photocopy], undated
Box 56 Folder 10 Candide, score, undated
Box 56 Folders 11-12 Candide, score and script, undated
Box 110 Folder 6 A Christmas Carol, advertising and marketing-radio, 1984 December 18-29
Box 110 Folder 7 A Christmas Carol, advertising and ticket sales, 1984 December 18-29
Box 56 Folder 13 A Christmas Carol, casting, 1984
Box 110 Folder 8 A Christmas Carol, casting, 1984
Box 56 Folder 14 A Christmas Carol, correspondence, 1984-1985
Box 110 Folder 10 A Christmas Carol, group sales, 1984 December 18-29
Box 110 Folder 9 A Christmas Carol, marketing correspondence, 1984
Box 56 Folder 15 A Christmas Carol, memos, 1984-1985
Box 56 Folder 16 A Christmas Carol, notes, 1984
Box 187 Folder 8 A Christmas Carol, photographs (10), includes Maura Barosse, Joshua Barts, Del Close, Bekka Eaton, Frank Galati, Brad Hall, Nancy McFarland, Ruqaiyah Morris, Eric Styles and Daniel Swope, 1984 December
Box 204 Folder 5 A Christmas Carol, photographs (6), includes Maura Barosse, Joshua Barts, Bekka Eaton, Kate Edmunds, Brad Hall, Deborah Hupert, Nancy McFarland, Ruqaiyah Morris, Gregory Mosher, Maya Solis, Eric Styles and Daniel Swope, 1984 December
Box 56 Folder 17 A Christmas Carol, press releases, 1984
Box 110 Folder 11 A Christmas Carol, programs and promotional material, 1984 December 18-29
Box 111 Folders 1-2 A Christmas Carol, prompt script, with floor plan, scenery and effects plot, 1984
Box 111 Folders 3-4 A Christmas Carol, prompt script, assistant stage manager with costume notes, 1984
Box 110 Folder 12 A Christmas Carol, research on Dickens, undated
Box 110 Folder 13 A Christmas Carol, reviews and news clippings, 1984
Box 56a Folder 1 A Christmas Carol, script [labeled “A - Rough draft”] 1984 May
Box 56a Folder 2 A Christmas Carol, script [labeled “B”], 1984 August 27
Box 110 Folder 14 A Christmas Carol, set designs, [1984]
Box 56 Folder 18 A Christmas Carol, survey, audience reaction, 1984-1985
Box 111 Folder 5 The Adventures of Huckleberry Finn, box office, student matinees and development, 1985
Box 56a Folder 4 The Adventures of Huckleberry Finn, casting, auditions and contact list, 1984
Box 111 Folder 6 The Adventures of Huckleberry Finn, casting, 1984-1985
Box 56a Folder 8 The Adventures of Huckleberry Finn, correspondence, [1984-1985]
Box 56a Folder 5 The Adventures of Huckleberry Finn, direction, design and technical notes, [1984-1985]
Box 111 Folder 7 The Adventures of Huckleberry Finn, panel discussion: “Racism, Censorship and Huckleberry Finn,” 1985 January 28
Box 187 Folder 9 The Adventures of Huckleberry Finn, photographs (2), includes John Cameron Mitchell and Meshach Taylor, 1985 January-March
Oversize Folder 34   The Adventures of Huckleberry Finn, poster and costume plot, 1985
Box 111 Folder 8 The Adventures of Huckleberry Finn, pre-production and research, 1975-1985
Box 56a Folder 9 The Adventures of Huckleberry Finn, press releases, promotional material, 1985 January-March
Box 56a Folder 3 The Adventures of Huckleberry Finn, programs, 1985 January-March
Box 111 Folder 9 The Adventures of Huckleberry Finn, publicity and advertising, 1985 January-March
Box 111 Folder 10 The Adventures of Huckleberry Finn, reviews and news clippings, 1985
Box 56a Folder 6 The Adventures of Huckleberry Finn, schedules, [1984-1985]
Box 56a Folder 7 The Adventures of Huckleberry Finn, script [changes], [1984-1985]
Box 56a Folder 11 The Adventures of Huckleberry Finn, script [original with changes], [1984-1985]
Box 56a Folder 12 The Adventures of Huckleberry Finn, script, [1984-1985]
Box 56a Folder 13 The Adventures of Huckleberry Finn, script [partial], [1984-1985]
Box 56a Folder 10 The Adventures of Huckleberry Finn, script, performance, [1984-1985]
Box 112 Folder 1 Ceremonies in Dark Old Men, casting, 19