Dates: | 1925-2001 |
Size: | 163 linear feet in 227 boxes and 47 oversize folders, includes 27 linear feet of photographic materials |
Repository: | Chicago Public Library, Harold Washington Library Center, Special Collections, 400 S. State Street, Chicago, IL 60605 |
Collection Number: | spe-ctc-gta-phf |
Immediate Source of Acquisition: | Donated by the Art Institute of Chicago/Goodman Theatre in 1973. Materials are continually added to the collection. Please consult with the archivist for more information. |
Conditions Governing Access: | Materials are open without restrictions. |
Conditions Governing Use: | Please consult staff to determine ability to reuse materials from collection. Scripts, prompt books and musical scores can be read and viewed in person, but not copied without written permission of the creator or their assigns. |
Preferred Citation: | When quoting material from this collection the preferred citation is: Goodman Theatre Archive, Production History Files, [Box #, Folder #], Special Collections, Chicago Public Library |
Finding Aid Author: | Original author unknown. Updated in 2024 by Michelle McCoy. Ingested into ArchivesSpace, 2024. |
Abstract
Established in 1922, the Goodman Theatre has continuously mounted performances for decades in Chicago. The Production History Files document the theater’s mainstage, studio and children’s stage productions primarily through programs, press releases, promotional materials, reviews, news clippings and photographs. From the 1960s onward, correspondence, notes, prompt books, scripts, stage management materials, technical plans and videotapes are also included for various productions.
Biographical/Historical
The Goodman Theatre, winner of the Special Tony Award for Outstanding Regional Theatre, is known and respected internationally. It was established in July 1922 as a memorial to the late playwright Kenneth Sawyer Goodman by his parents William and Erna Goodman. The Goodmans donated $250,000 to the Art Institute of Chicago, which built the theater on its northeast corner, at Monroe Street and S. Columbus Drive that combined a professional company and drama school. The theater opened on October 20, 1925, with three plays by Kenneth Sawyer Goodman performed at the dedication ceremony. The first artistic director, Thomas Woods Stevens, filled the first seasons with a mix of classics, contemporary hits and new plays.
Due to financial burden, the professional acting company was disbanded in 1930, but the drama school remained open. Over the next several decades, the Goodman School cultivated an impressive reputation and graduated many well-regarded theater artists including Maurice Gnesin and David Itkin in the drama school and Charlotte Chorpenning who headed the Children’s Theatre. Notable drama school graduates include Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.
In 1957, the Goodman began to re-establish its professional acting company under a new artistic director, John Reich. By the 1969 season, the shows were performed by the Goodman’s own acting company. The expense of this was prohibitive, though, and two years later, the theater began hiring actors by the productions.
In 1976, the Goodman separated from the Art Institute, and in 1978, it split from the Goodman School, which was acquired by DePaul University. Artistic director William Woodman had other visions for expanding production opportunities and began Stage 2, a platform for up-and-coming Chicago actors, directors and writers, one of whom was David Mamet, whose play American Buffalo premiered in 1975.
In the 1980s, Robert Falls took over the artistic direction of the theater and led in this capacity for the next 35 years. The Goodman also began looking for a new facility. An area that was the former site of two commercial theaters on North Dearborn Street was available, and the Goodman began raising money for a building in the 1990s. A gift from distant family members of Kenneth Sawyer Goodman helped construction begin. The New Goodman Theatre opened in December 2000 at 170 N. Dearborn Street.
Scope and Contents
The Goodman Theatre Archive, Production History Files document mainstage, studio, and children’s theater productions at the Goodman Theatre from 1925 to 2001. The Production History Files document the theater’s mainstage, studio and children’s stage productions primarily through programs, press releases, promotional materials, reviews, news clippings and photographs. In 1957, John Reich took the helm of the Goodman Theatre with a mandate to reorganize it and transform it into a professional theater company with semi-permanent members. From 1957 onward, the production documentation also includes various correspondence, notes, prompt books, scripts, stage management materials, technical plans and videotapes.
Items of note in the collection include scripts by David Mamet and information about performances by such notable actors who attended the Goodman School of Drama as Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.
Appraisal
The original finding aid was reviewed in 2023-2024. The collection box numbers were made sequential. Previous box numbering started over with each series. The collection contents were reviewed for sensitive information, dates were inserted for file descriptions, and photographs and posters were integrated into the collection guide. The bulk of the original collection processing was retained. Materials with sensitive personal or financial identifiers were discarded or redacted.
Arrangement
The Goodman Theatre Archive, Production History Files are arranged into two series by producing group.
- Series 1: Art Institute Members/Repertory Company, 1925-1957
- Series 2: Goodman Theatre Productions, 1928-2001, undated
Subject Headings
- Aldredge, Theoni V.
- Children’s theater -- Illinois -- Chicago
- Chorpenning, Charlotte B. (Charlotte Barrows)
- Creamer, Tom
- Falls, Robert
- Galati, Frank
- Gnesin, Maurice, 1896-1957
- Goodman, Kenneth Sawyer, 1883-1918
- Goodman Theatre (Chicago, Ill.)
- Griswold, Mary
- Henry, Patrick (1936-1989)
- Itkin, Bella
- Itkin, David
- Johnson, Virgil C.
- Maggio, Michael, 1951-2000
- Malden, Karl
- Nieminski, Joseph
- Page, Geraldine
- Petrarca, David
- Reich, John
- Slowik, Joseph
- Smith, Chuck, 1938-
- Theater -- Illinois -- Chicago -- 20th century -- Sources
- Theater -- History -- Sources
- Theater production and direction
- Theater programs -- Illinois -- Chicago
- Zimmerman, Mary
Related Materials
- Goodman Theatre Archive. Goodman/Art Institute of Chicago
- Goodman Theatre Archive. Goodman Family Papers
- Goodman Theatre Archive. Goodman School of Drama
- Goodman Theatre Archive. John Reich Papers
- Goodman Theatre Archive. Producing and Artistic Director’s Files
- Goodman Theatre Archive. Tom Creamer Dramaturgy Papers
- Joseph Nieminski Papers
- Virgil C. Johnson Papers
Collection Inventory
Series 1: Art Institute Members/Repertory Company, 1925-1957
Scope and Contents
Series 1 includes news clippings, photographs, programs, reviews and scripts for productions created by the Goodman Repertory Company at the Art Institute from 1925 to 1957. The main season production list is followed by lists of studio and other special productions.
Main season productions include:
- Accent on Youth by Samson Raphaelson, directed by David Itkin, sets by Spencer Davies, lighting by James Webster, with Sam Wanamaker, 1937 October 4-12
- Accent on Youth by Samson Raphaelson, directed by Maurice Gnesin, sets designed by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, 1944 October 5-21
- The Adding Machine by Elmer Rice, directed by Maurice Gnesin, sets designed by Spencer Davies, lights by James Webster, costumes by Kathryn Triplett, with Sam Wanamaker, 1937 November 8-17
- The Admirable Crichton by Sir James Barrie, directed by Maurice Gnesin, sets by Mary Blair, costumes by Angelynn Berry, 1941 January 9-25
- Ah, Wilderness! by Eugene O'Neill, directed by Eunice Osborne, set by Barbara Scott, costumes by Blair von Albrecht, 1944 February 10-March 4
- All My Sons by Arthur Miller, directed by Bella Itkin, sets by Mary Lou Denton, costumes by Ballou, with Harvey Korman, 1950 April 13-30
- Anathema by Leonid Andreyev, directed by Maurice Gnesin, sets designed by Spencer Davis, lights by Robert Brower and Otto Sheer, 1934 March 6-10
- The Animal Kingdom by Phillip Barry, directed by Eunice Osborne, sets designed by Norman Grant, lighting by James Diehl, featuring Karl Malden, 1936 April 20-26
- Anna Christie by Eugene O'Neill, directed by David Itkin, settings by Norman Grant, costumes by Virginia Opsvig, 1939 March 20-April 1
- Anna Christie by Eugene O'Neill, directed by David Itkin, Sidney Kraus as assistant director, sets by Mary Lou Denton, costumes by Charles Muth, 1954 January 8-23
- Another Language by Rose Franken, directed by Charlotte Chorpenning, sets by Alice Harmer, costumes by Rita Dhu Wray, with Geraldine Page and Shelley Berman, 1945 May 10-26
- Another Part of the Forest by Lillian Hellman, directed by W.R. Martini, sets by Sheldon Haber, costumes by Paul Leonard, 1957 March 8-24
- Arsenic and Old Lace by Joseph Kesselring, directed by W.R. Martini, sets designed by Bill Ritman, costumes by Elizabeth Birbari, with Harvey Korman, 1948 October 7-24
- As You Like It by William Shakespeare, directed by Alexandra Carlisle and Whitford Kane, costumes by Helen Forrest, incidental music by Hamilton Forrest and Dorothy James, chorus singing directed by Julia LeVine, 1927 May [?]-21
- As You Like It by William Shakespeare, directed by Bella Itkin, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis, 1955 February 11-27
- Back of the Yards, The Green Scarf and The Game of Chess by Kenneth Sawyer Goodman, directed by Thomas Wood Stevens and Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1925 October 20-[?]
- Bees on the Boat Deck by J.B. Priestley, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 December 5-15
- Bell, Book and Candle by John Van Druten, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Theoni Vachlioti, 1953 March 13-29
- The Black Eye by James Bridie, directed by Eunice Osborne, sets by Barbara Scott, costumes by Andrew Woods, 1942 November 5-21
- Blithe Spirit by Noel Coward, directed by Eunice Osborne, sets by the von Albrechts, costumes by Rita Dhu Wray, 1945 November 29-December 15
- Blood Wedding by Federico Garcia Lorca, directed by Maurice Gnesin, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, choreography by Frances Allis, folk music by Louise Dale Spoor, 1953 April 17-May 2
- Born Yesterday by Garson Kanin, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Joseph Holcombe, 1952 May 8-25
- Bustop by William Inge, directed by Bella Itkin, sets by Jack Million, costumes by Sheldon Haber, 1957 February 8-24
- Camille in Roaring Camp by Bret Hart, translated by Matilda Heron, directed by Thomas Wood Stevens, 1928 March 8-17
- Candida by George Bernard Shaw, directed by David Itkin, Terrell Everett as assistant director, sets designed by Floyd Allan, costumes by Ballou, oil paintings executed by James Coil, 1949 December 1-28
- The Cassilis Engagement by St. John Hankin, directed by Howard Southgate, sets by Marie Wecker, lighting by Gordon Ray, [1933 June 3]
- The Cherry Orchard by Anton Chekhov, translated by Maurice Gnesin, directed by David Itkin, sets by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, 1956 November 2-18
- The Chief Thing by Nicholas Evreinov, directed by Maurice Gnesin, sets designed and executed by Jean Sutherland, lighting by Robert Brower, featuring Karl Malden, 1936 May 18-23
- The Chief Thing by Nicholas Evreinov, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Jack Cornwell, costumes by Rita Dhu Wray, 1948 April 8-25
- The Circle by W. Somerset Maugham, directed by Maurice Gnesin, sets by Spencer Davies, costumes by Virginia Opsvig, starring Sam Wanamaker, 1939 January 9-19
- The Circle by W. Somerset Maugham, directed by Bella Itkin, sets by Stanley Rames, costumes by Jack Cornwell, 1949 January 6-22
- Claudia by Rose Franken, directed by Mary Elizabeth Aurelius, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 March 7-24
- The Corn is Green by Emlyn Williams, directed by David Itkin, Barbara Keyes as assistant director, sets by Mary Lou Williams Denton, costumes by Ballou, 1951 November 8-25
- The Cradle Song by G. Martinez Sierra, directed by David Itkin, sets by Spencer Davies, lighting by James Webster, 1937 February 8-15
- Craig's Wife by George Kelly, directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Rita Dhu Wray, 1945 January 4-20
- The Critic by Richard Brinsley Sheridan, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, music arranged by Julia LeVine, [1928-1929]
- The Crucible by Arthur Miller, directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1955 January 7-23
- The Day of the Diamond Pin by Hubbard Kirkpatrick, The Bear by Anton Chekhov, and The Man of Destiny by George Bernard Shaw, directed by Thomas Wood Stevens and Howard Southgate, lights by Arvid Crandall, costumes by Helen Forrest, 1925 April 4, 11, 18
- Dear Brutus by James Barrie, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1928 December 4-[?]
- Devil on Stilts by Ryerson and Clements and directed by Esther Snowden, Never Too Old by Ryerson and Clements and directed by Mary Evelyn Kootz, The First White Woman by Babette Hughes and directed by Henry Kurth, and Aria Da Capo by Edna St. Vincent Millay and directed by Charline Osgood, sets by Joel Simon, 1938 May 12
- Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens, and The Dark Lady of the Sonnets by George Bernard Shaw, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 April 26-May 1
- Dark of the Moon by Howard Richardson and William Berney, directed by William Stigall, sets and lights by Paul Haney, costumes by Ballou, choreography by Frances Allis, 1950 January 5-22
- Dear Brutus by Sir James Barrie, directed by Maurice Gnesin, sets designed by Norman Grant, lighting by James Webster with Karl Malden, 1937 May 24-29
- Dear Brutus by Sir James Barrie, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1950 November 30-December 16
- Dear Ruth by Norman Krasna, directed by Bella Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1947 October 2-18
- Death of a Salesman by Arthur Miller, directed by David Itkin, Herman Fell as assistant director, sets, costumes and lights by Gerald Ritholz, 1953 November 6-21
- Desire Under the Elms by Eugene O'Neill, directed by David Itkin, sets by Alice Harmer Martini, costumes by Gerald Ritholz, choreography by Frances Allis, 1953 January 9-25
- Don Juan by Moliere, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1927 November
- The Dover Road by A.A. Milne, directed by David Itkin, sets by Blair von Albrecht, costumes by Andrew Woods, 1943 May 13-26
- The Enchanted April by Kane Campbell, directed by Robert Hopkins, sets by Bill Ritman, costumes by Stanley Rames, Larry Gentile as technician, 1948 May 6-22
- End of Summer by S.N. Behrman, directed by Maurice Gnesin, William Stigall as associate director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, 1947 February 6-23
- Electra by Euripides, directed by Maurice Gnesin, settings by Spencer Davies, choral movements by Harriette Louise, costumes by Beryl Spinney and Spencer Davies, lighting by James Webster, with Sam Wanamaker, 1938 April 25-May 3
- Electra by Euripides, directed by Maurice Gnesin, Bella Itkin as associate director, Louise Dale Spoor as associate director for chorus, choreography by Frances Allis, production designed by Ballou, 1952 April 10-27
- Elizabeth the Queen by Maxwell Anderson, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1939 April 13-26
- Escape by John Galsworthy, directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 May 14-[?]
- Everyman, directed by Redmond Flood and Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1926 March 4-21
- Everyman, directed by Redmond Flood and Thomas Wood Stevens, 1927 April 13-14
- Family Portrait by Lenore Coffee and William Joyce Cowen, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1939 December 4-17
- The Far-Off Hills by Lennox Robinson, directed by David Itkin, sets by Blair von Albrecht, costumes by Leonor Travis, 1946 December 5-21
- The Farmer's Wife by Eden Phillpotts, directed by Charlotte Chorpenning, lights by Leonard Safier, 1934 May 22-25
- The Farmer's Wife by Eden Philpotts, directed by David Itkin, sets designed by Donald Frances Hermes, costumes by Barbara Scott, 1942 May 14-27
- Fashion, or Life in New York by Anna Cora Mowett, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes designed by Helen Forrest, lights by Arvid Crandall, 1926 December
- The Father by August Strindberg, directed by David Itkin, sets designed by Jean Sutherland, lights by Robert Brower, starring Sam Wanamaker, 1936 March 16-21
- The Father by August Strindberg, directed by David Itkin, Mary Laura Collins as assistant director, sets by Jack Cornwell, costumes by Elizabeth Birbari, 1948 November 4-20
- The Field God by Paul Green, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 January 28-[?]
- The Firebrand by Edward Justus Mayer, directed by Hubert Osborne, sets designed by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky, [1930-1931]
- First Lady by Katherine Dayton and George S. Kaufman, directed by Charlotte Chorpenning, sets by John Nicholson, costumes by Mary Blair, 1939 May 22-31
- First Lady by Katherine Dayton and George S. Kaufman, directed by W.R. Martini, sets designed by Paul Haney, costumes by Ballou, with Harvey Korman, 1949 September 29-October 16
- The First Mrs. Fraser by St. John Ervine, directed by Maurice Gnesin, sets by Mildred Sutherland, lighting by Robert Brower, featuring Karl Malden, 1935 February 11-15
- For Services Rendered by W. Somerset Maugham, directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Spencer Davies and William Boyer, 1934 December 10-14
- The Forest by John Galsworthy, directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1925 October 22-November 14
- French Without Tears by Terence Rattigan, directed by Maurice Gnesin, sets by Joe Carner, costumes by Mary Gross, 1947 January 9-25
- Fresh Fields by Ivor Novello, directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Virginia Opsvig, 1941 October 2-18
- Fresh Fields by Ivor Novello, directed by W.R. Martini, sets by John Peters, costumes by Jeannette Coffman, 1954 December 3-19
- The Game of Love and Death by Romain Rolland, directed by Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1926 November 10-[?]
- Gas by George Kaiser, translated by George Hexter, directed by Marion Gering, sets by Louis Lozowick, costumes by Ruth Goodkind, lights by Arvid Crandall, 1926 January 28-February 27
- George and Margaret by Gerald Savory, directed by David Itkin, sets designed by John Nicholson, costumes by Richard von Albrecht, 1940 January 15-[?]
- George and Margaret by Gerald Savory, directed by William Stigall, sets by Paul Haney, costumes by Bill Ritman, 1949 April 7-24
- George Washington Slept Here by George S. Kaufman and Moss Hart, directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies, 1942 October 1-17
- The Golem by H. Leivick, translated by J.C. Augenlicht, directed by Thomas Wood Stevens and David Itkin, 1927 May 7-June 8
- Goodbye Again by Allan Scott and George Haight, directed by Maurice Gnesin, sets by John Nicholson, costumes by Mary Blair, 1940 May 13-26
- Goodbye Again by Allan Scott and George Haight, directed by Maurice Gnesin, W.R. Martini as associate director, sets by William Moore, costumes by Paul Haney, 1950 March 9-26
- Goodbye, My Fancy by Fay Kanin, directed by William Stigall, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, Joseph Lantzy as technician, 1951 May 10-27
- The Great Catherine and Augustus Does His Bit by George Bernard Shaw, directed by Maurice Gnesin, settings and costumes designed by Virginia More Roediger, 1934 April 3-7
- Hamlet by William Shakespeare, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by Ballou, lighting by Ade-Rolfe Floreen, with Harvey Korman, 1950 February 9-March 3
- Hans Brinker, or The Silver Skates by Mary Mapes Dodge, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Kathryn Triplett, lighting by James Webster, 1938 January 8
- Harvey by Mary Chase, directed by Bella Itkin, sets by Oliver Allyn, costumes by Molly Kunning, 1954 May 14-29
- Hay Fever by Noel Coward, directed by Maurice Gnesin, sets by Donald Hermes, costumes by Virginia Opsvig, 1941 November 25-28
- Hay Fever by Noel Coward, directed by W.R. Martini, sets designed by Alice Harmer Martini, costumes by Ballou, 1951 October 4-21
- He Who Gets Slapped by Leonid Andreyev, translated by Maurice Gnesin, directed by Maurice Gnesin, sets by Mary Blair, costumes by John Nicholson, 1940 March 18-31
- The Head of the Family by Katherine Clugston, American Premiere directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Robert Brower, 1935 March 11-15
- Heartbreak House by George Bernard Shaw, directed by Maurice Gnesin, sets designed by the von Albrechts, costumes by Rita Dhu Wray, with Shelley Berman, 1946 January 3-19
- Hedda Gabler by Henrik Ibsen, directed by David Itkin, sets designed by Barbara Scott, costumes by Shirley Seidel, with Shelley Berman, 1945 April 12-28
- An Heir at Large by Mary Aldis, dramatized from the cartoon story by John McCutcheon, directed by Thomas Wood Stevens, sets designed by John McCutcheon, costumes by Helen Forrest, lights by Arvid Crandall, 1925 December 17-1926 January 16
- Henry IV, Part I by William Shakespeare, directed by David Itkin, William H. Bielfeldt as assistant director, sets designed by Bill Ritman, costumes by David Ballou, with Harvey Korman, 1949 February 10-March 4
- Holiday by Philip Barry, directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 February 18-[?]
- Holiday by Phillip Barry, directed by Mary Elizabeth Aurelius, sets by Spencer Davies, costumes by Virginia Opsvig, 1939 October 2-14
- Hotel Universe by Philip Barry, [1930]
- Hotel Universe by Phillip Barry, directed by Eunice Osborne, sets designed by Spencer Davies, lights by James Webster, 1937 April 19-26
- The House of Bernarda Alba by Federico Garcia Lorca, directed by David Itkin, Ruth Schechtman as assistant director, sets by Mary Lou Denton, costumes by Ballou, 1951 March 8-24
- Icebound by Owen Davis, directed by David Itkin, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1940 November 26-28
- Idiot's Delight by Herbert Sherwood, directed by W.R. Martini, sets by Sheldon Haber, costumes by Stanley Kloth, 1956 May 11-27
- The Importance of Being Earnest by Oscar Wilde, 1942-1943
- The Importance of Being Earnest by Oscar Wilde, directed by Bella Itkin, sets by James Maronek, costumes by Theoni Vachlioti Aldredge, music by Frank Roach, 1957 May 10-26
- In a Garden by Philip Barry, 1942 February
- Indian Captive, [1937-1938]
- The Inspector General by Nikolai Gogol, translated by Constance Garnett, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1928 November 6-[?]
- Jason by Samson Rafaelson, directed by David Itkin, Jeanne Jerrems as assistant director, sets by Jack Cornwell, costumes by David Ballou, with Harvey Korman, 1950 May 11-28
- Joan of Lorraine by Maxwell Anderson, directed by David B. Itkin, Betty Churchill as assistant director, sets by Jack Cornwell, costumes by William Moore, with Harvey Korman, 1949 November 3-20
- John Ferguson by St. John Ervine, [1945-1946?]
- John Loves Mary by Norman Krasna, directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Leonor Travis, 1953 October 2-17
- The Joyous Season by Phillip Barry, directed by David Itkin, sets by Norman Grant, lights by James Webster, costumes by Beryl Spinney, with Sam Wanamaker, 1937 December 6-14
- Juno and the Paycock by Sean O'Casey; and Dust of the Road by Kenneth Sawyer Goodman, directed by Whitford Kane, 1926 December 29-1927 January 22
- Kind Lady by Edward Chodorov, directed by Sidney Breese, sets by John MacMahon, lights by Michael Taylor, 1938 June 10
- King Lear by William Shakespeare, directed by David Itkin, sets by Spencer Davies, lights by James Webster, costumes by Beryl Spinney and Kathryn Triplett, with Sam Wanamaker, 1938 February 14-23
- King Lear by William Shakespeare, directed by Maurice Gnesin, sets by Blair von Albrecht, costumes by John Nicholson, 1944 April 13-May 6
- King Lear by William Shakespeare, directed by Maurice Gnesin, sets designed by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, lighting by G.E. Naselius, 1956 March 9-25
- The Kingdom of God by G. Martinez Sierra, directed by David Itkin, sets by Spencer Davies, costumes executed by Lillian Wenzel, lighting by Leonard Safier, 1934 October 8-12
- Kolpak Must Dance by Hellmuth Unger, translated by Derek Wulff, directed by Hubert Osborne, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lights by Arvid Crandall, 1930 April 8-[?]
- Laburnum Grove by J.B. Priestley, directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1940 April 15-28
- Ladies in Waiting by Cyril Campion, directed by Doris Foley, sets by Henry Kurth, lighting by Mary Monahan, 1937 November 17-18
- Lady Windermere's Fan by Oscar Wilde, directed by Maurice Gnesin, sets and costumes designed by Virginia Roediger, 1932 May 23-27
- Lady Windermere's Fan by Oscar Wilde, directed by Maurice Gnesin, sets by Charles Muth, costumes by Leonor Travis, 1955 May 13-29
- The Lady's Not for Burning by Christopher Fry, directed by David Itkin, Louise Dale Spoor as associate director, sets by Charles Muth, costumes by Leonor Travis, 1954 April 16, May 1
- The Last Trump by James Bridie, directed by W.R. Martini, sets by Bill Hargate, costumes by Leonor Travis, 1956 November 30-December 16
- The Late Christopher Bean by Sidney Howard, directed by Sidney Breese, sets by Spencer Davies, lighting by Robert Brower, with Karl Malden, 1936 October 5-10
- The Late Christopher Bean by Sidney Howard, directed by Maurice Gnesin, sets by Angelynn Davies, costumes by Blair von Albrecht, 1943 January 7-23
- Lazzaro by Luigi Pirandello, [1930-1931?]
- Leonardo Da Vinci by Maurice Gnesin, directed by David Itkin, scenic designs by Sam Russell and John Friedmann, Jr., costumes by Ardys Belisch, 1933 April 22-28
- Let Us Be Gay by Rachel Crothers, directed by Eunice Osborne, sets and costumes by R. Llewellyn Hughes, lighting by Leonard Safier, 1935 May 20-24
- Let Us Be Gay by Rachel Cruthers, directed by David Itkin, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 May 9-25
- Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies, 1943 March 11-27
- Liliom by Ferenc Molnar, directed by Maurice Gnesin, sets by Jean Sutherland, lighting and technical direction by Robert Brower, featuring Karl Malden, 1936 January 20-25
- Liliom by Ferenc Molnar, directed by Maurice Gnesin, sets by James Maronek, costumes by Bill Hargate, lighting by G.E. Naselius, 1957 January 4-20
- The Little Clay Cart, attributed to King Shudraka and translated by Arthur William Ryder, directed by Cloyd Head, sets by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, musical setting arranged by Julia LeVine, 1928 May 29-[?]
- The Little Foxes by Lillian Hellman, directed by David Itkin, sets by Barbara Scott, costumes by Andrew Woods, 1943 November 4-28
- The Living Corpse by Leyf Tolstoy, American Premiere, directed by David Itkin, sets designed by Jean Sutherland, lighting by Robert Broward, featuring Karl Malden, 1935 April 22-26
- Lizard Gap by Harry Lacy Hamilton, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1929 February 11-[?]
- The Lower Depths by Maxim Gorki, 1937 January 11-19
- Macbeth by William Shakespeare, directed by Maurice Gnesin, sets and costumes designed by Virginia More Roediger, 1933 December 12-16
- Macbeth by William Shakespeare, directed by Maurice Gnesin, Bella Itkin as associate director, sets by the von Albrechts, costumes by Rita Dhu Wray, lights by Ade-Rolfe Floreen, with Harvey Korman, 1948 January 8-24
- Major Barbara by George Bernard Shaw, directed by Maurice Gnesin, Bella Itkin as associate director, sets by Norman Grant, costumes by Elizabeth Birbari, with Harvey Korman, 1948 December 2-19
- The Makropoulos Secret by Karel Capek, directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1929 November 19-December 7
- The Male Animal by James Thurber and Elliott Nugent, directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Elizabeth Birbari, 1946 October 3-19
- The Man of Destiny by George Bernard Shaw and, Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 April 15-May 1
- The Man Who Came to Dinner by George S. Kaufman and Moss Hart, directed by David Itkin, E. Allyn Warren as assistant director, sets by Blair von Albrecht, costumes by Elizabeth Birbari, 1948 February 5-22
- Mary of Scotland by Maxwell Anderson, directed by Maurice Gnesin, sets by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, 1952 November 7-23
- The Mask and the Face by Luigi Chiarelli, [1927-1928]
- The Mask and the Face by Luigi Chiarelli, translated by C.B. Fernald, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine, 1929 November 4-[?]
- The Master Builder by Henrik Ibsen, [1933-1934]
- The Master Builder by Henrik Ibsen, directed by David Itkin, sets designed by Spencer Davies, lighting by Leonard Safier, 1935 May 8-12
- The Master Builder by Henrik Ibsen, sets by David Itkin, Ward Ohrman as assistant director, sets by Alice Harmer Martini, costumes by Leonor Travis, lighting by David Zierk, 1951 December 6-22
- Merry Wives of Windsor by William Shakespeare, directed by David Itkin, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 February 12-25
- Merry Wives of Windsor by William Shakespeare, directed by David Itkin, sets by Mary Lou Denton, costumes by Leonor Travis, choreography by Frances Allis, 1953 February 13-28
- A Midsummer Night'sDream by William Shakespeare, directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Helen Forrest and Marie Wecker, lighting designed by Arvid Crandall, 1926 May 6-22
- A Midsummer Night's Dream by William Shakespeare, directed by Whitford Kane, sets by Leslie Marzolf, lights by Gordon Ray, 1927 May 23-28
- A Midsummer Night's Dream by William Shakespeare and directed by Whitford Kane and The Masque of the Red Death by Edgar Allen Poe, adapted and directed by Neal Caldwell, costumes by Betty Parsons and Lurene Kingsbury, masks executed by Don Ament, sets by Leslie Marzolf and Don Ament, lighting by Arvid Crandall, music by Hamilton Forrest, [1928]
- Mixed Doubles by Louis Laflin, directed by Thomas Wood Stevens, 1928 May 21
- The Moon Besieged by Seyril Schochen, directed by David Itkin, Vernon Schwartz as assistant director, sets designed by Alice Harmer Martini, costumes by Ballou, 1950 November 2-18
- Mourning Becomes Electra: The Hunted by Eugene O'Neill, directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1955 April 15-May 1
- Pim Passes By by A.A. Milne, directed by Sidney Breese, sets designed by Jean Sutherland, lights by Robert Brower, featuring Karl Malden, 1935 September 30-October 4
- Pim Passes By by A.A. Milne, directed by Eunice Osborne, set by Wallis Smith, costumes by Barbara Scott, 1944 March 9-April 1
- Much Ado About Nothing by William Shakespeare, directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1939 February 13-24
- My Three Angels by Sam and Bella Spewak, directed by Bella Itkin, sets by John Peters, costumes by Oliver Allyn, 1956 February 3-19
- Old Acquaintance by John Van Druten, directed by Eunice Osborne, sets by Blair von Albrecht, costumes by Angelynn Davies, 1943 February 11-27
- Othello by William Shakespeare, directed by David Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1947 February 6-23
- Othello by William Shakespeare, directed by David Itkin, sets by Jack Cornwell, costumes by Leonor Travis, 1957 April 12-27
- Our American Cousin by Tom Taylor, directed by Maurice Gnesin in association with Sidney Breese, sets designed by Spencer Davies, lights by James Webster, with Sam Wanamaker, 1938 January 10-18
- Our American Cousin by Tom Taylor, directed by Bella Itkin, H. Fell as assistant director, sets designed by Mary Lou Denton, costumes by Leonor Travis, [1953-1954]
- Our Town by Thornton Wilder, directed by David Itkin, costumes by Mary Blair, 1939 November 6-[?]
- Outbreak by L.W. Vedrenne, directed by Whitford Kane, scenic design by Leslie Marzolf, costumes by Elizabeth Parsons, lighting designed by Arvid Crandall, [1927]
- Outward Bound by Sutton Vane, directed by David Itkin, sets by Mary Blair von Albrecht, costumes by Angelynn Berry Davies, 1941 November 6-22
- Night Must Fall by Emlyn Williams, directed by Eunice Osborne, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 December 5-21
- The Nightingale by Julian F. Thompson, directed by Maurice Gnesin, sets and costumes by Virginia More Roediger, 1933 January 9-12
- Paris Bound, [1932-1933]
- Penelope by W. Somerset Maugham, directed by Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1927 February 9-19
- Peter, Peter Pumpkin Eater by Martha King, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett, lights by James Webster, 1938 January 15-February 26
- The Philadelphia Story by Philip Barry, directed by David Itkin, sets designed by Alice Harmer, costumes by Shirley Seidel, with Shelley Berman, 1945 October 4-20
- The Philadelphia Story by Philip Barry, directed by W.R. Martini, Richard Woosley as assistant director, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge, 1953 December 4-19
- The Pigeon by John Galsworthy; and Lonesome-Like by Harold Brighouse, directed by Whitford Kane, scenic design by Leslie Marzolf, costumes designed by Helen Forrest, lighting by Gordon Ray, 1927 April
- Pillars of Society by Henrik Ibsen, directed by David Itkin, sets designed by Virginia More Roediger, 1932 December 5-8
- The Poem of David by Kenneth Sawyer Goodman, Idyll of the Shop by Ben Hecht and Kenneth Sawyer Goodman and The Home Coming by Ben Hecht and Kenneth Sawyer Goodman, directed by David Itkin, 1930 June 9-10
- Pygmalion by George Bernard Shaw, directed by David Itkin, sets designed by Virginia More Roediger, 1933 March 13-17
- Pygmalion by George Bernard Shaw, directed by Maurice Gnesin, Bella Itkin as associate director, sets by Alice Harmer Martini, costumes by Adah Sorensen, Bill Winters as technician, 1951 April 12-29
- The Rainmaker by N. Richard Nash, directed by W.R. Martini, sets by Bill Ritman, costumes by Theoni Vachlioti Aldredge, 1955 December 2-18
- Rebound by Donald Ogden Stewart, [1930-1931?]
- Reclining Figure by Harry Kurnitz, directed by Bella Itkin, sets by James Royce, costumes by Leonor Travis, 1956 September 29-October [?]
- Redemption by Leo Tolstoy, directed by David and Bella Itkin, sets by Jack Cornwell, costumes by Leonor Travis, 1956 January 6-22
- The Return to Earth by Miguel Lira, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by David Ballou, choreography by Frances Allis, folk song direction by Louise Dale Spoor, lighting by Ade-Rolfe Floreen, 1949 May 5-22
- Richard III by Williams Shakespeare, directed by David Itkin, Sidney Kraus as assistant director, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 February 12-28
- Right You Are! by Luigi Pirandello, directed by Maurice Gnesin, sets and costumes by Barbara Scott, 1942 January 8-24
- Right You Are! by Luigi Pirandello, directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Leonor Travis, 1955 March 11-28
- Ring Round the Moon by Jean Anouilh, translated by Christopher Fry, directed by David Itkin, Don Gunderson as assistant director, sets by Jack Cornwell, costumes by Leonor Travis, 1956 January 13-29
- The Rivals by Richard Brinsley Sheridan, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 March 11-[?]
- The Romantic Young Lady by G. Martinez Sierra, English version by Granville-Barker, directed by Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid, 1925 November 19-December 12
- The Romantic Young Lady by G. Martinez Sierra, directed by David Itkin, scenic design by Spencer Davis, costumes by Beatrice Norton, lights by Robert Brower, 1933 October 31-November 4
- The Romantic Young Lady by G. Martinez Sierra, 1941-1942
- Romeo and Juliet by William Shakespeare, directed by B. Iden Payne, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine, 1929 October 8-[?]
- Romeo and Juliet by William Shakespeare, directed by Maurice Gnesin, sets by Mary Blair von Albrecht, costumes by Virginia Opsvig, dances directed by Ruth Hatfield, 1942 April 16-May 2
- Romeo and Juliet by William Shakespeare, directed by Bella Itkin, sets by Mary Lou Denton, costumes by David Ballou, choreography by Frances Allis, 1952 February 7-24
- The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets and costumes by Virginia Roediger, 1934 January 23-27
- The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets by Shirley Seidel, costumes by Donnie Zizzof, 1947 May 8-24
- The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets designed by Mary Louise Denton, costumes by Leonor Travis, 1952 October 3-19
- Sabrina Fair by Samuel Taylor, directed by Bella Itkin, sets by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, 1955 September 30-October 16
- Saint Joan by George Bernard Shaw, directed by Maurice Gnesin (assistant director William Stigall), sets by Richard von Albrecht, costumes by Rita Dhu Wray, with Shelley Berman, 1946 November 7-23
- The Sea Gull by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, scenic design by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky, [1930-1931]
- The Sea Gull by Anton Chekhov, directed by David Itkin, sets by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, 1944 November 2-18
- The Second Man by S.N. Berman, directed by David Itkin, sets designed by Friedrich von Dachenhausen, lights by Leonard Safier, 1934 November 5-9
- The Second Man by S.N. Berman, directed by W.R. Martini, sets by Charles Muth, costumes by Mr. Clare, 1953 May 8-24
- Shadow and Substance by Paul Vincent Carroll, directed by David Itkin, sets designed by Blair von Albrecht, costumes by Rita Dhu Wray, 1947 November 6-22
- The Shadow of a Gunman by Sean O’Casey and The Island of the Saints by St. John Ervine, directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, music by Julia LeVine, 1929 April 10-[?]
- She Stoops to Conquer by Oliver Goldsmith, [1927-1928]
- The Shining Hour by Keith Winter, directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Angelynn Davies, 1943 April 15-May 1
- The Show Off by George Kelly, directed by Eunice Osborne, sets designed by Norman Grant, lights by James Webster, featuring Karl Malden, 1936 December 7-15
- The Show-Off by George Kelly, directed by William Stigall, sets by Shirley Seidel, costumes by Elizabeth Birbari, 1947 December 4-20
- The Silver Cord by Sidney Howard, directed by Mary Elizabeth Aurelius, sets Spencer by Davies, costumes by Angelynn Berry, 1941 March 20-April 5
- Six Characters in Search of an Author by Luigi Pirandello and Barbara by Kenneth Sawyer Goodman, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine, 1929 January 7-[?]
- The Skin of Our Teeth by Thornton Wilder, directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, with Shelley Berman, 1945 November 1-17
- A Sound of Hunting by Harry Brown, directed by David Itkin, costumes and sets by Jack Cornwell, with Harvey Korman, 1949 March 10-26
- Storm Over Patsy by James Bridie, directed by Sidney Breese, sets designed by Norman Grant, costumes by Kathryn Triplett, lighting by James Webster, 1938 March 21-29
- Street Scene by Elmer Rice, directed by David Itkin, sets by David Itkin, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 November 7-16
- Street Scene by Elmer Rice, directed by Bella Itkin, sets designed by Alice Harmer Martini, costumes by Ann Keeley, 1951 January 4-20
- The Swan by Ferenc Molnar, directed by David Itkin, sets by Barbara Scott, costumes by Virginia Opsvig, 1941 February 13-March 1
- The Taming of the Shrew by William Shakespeare, directed by David Itkin, sets by Alice Harmer, costumes by Shirley Seidel, with Shelley Berman, 1946 February 7-24
- There's Always Juliet by John Van Druten, directed by Eunice Osborne, sets designed by Wallis C. Smith, costumes by Angelynn Davies, 1943 January 24-February 3
- This Fine Pretty World by Percy MacKaye, directed by David Itkin, sets designed by Virginia Roediger, costumes by Marie MacKenzie, lights by Thelma Ham, 1931 November 2-5
- Three One-Act Plays: Brothers by Lewis Beach and directed by Gene Yell, On the High Road by Anton Chekhov and directed by Robin League and Autumn Fires by Gustav Weid and directed by R. Schmitt, [1947-1948]
- Three One-Act Plays: Cloey by Loretto Carroll Bailey and directed by E. Van Cleave, Quare Medicine by Paul Green and directed by Marilynn Harper Ile, by Eugene O'Neill and directed by Thomas Boyd, sets by Jack Cornwell, lights by Larry Gentile, [1947-1948]
- The Three Sisters by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, sets designed by Virginia Roediger, 1933 February 6-10
- Three Sisters by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, sets and costumes by Mary Blair, 1941 April 17-May 1
- This Fine Pretty World by Percy MacKaye, directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1940 October 3-16
- Three-Cornered Moon by Gertrude Tonkonogy, directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods, programs, 1943 October 7-23
- Three-Cornered Moon by Gertrude Tonkonogy, directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods, 1943 October 7-23
- Thunder Rock by Robert Ardrey, directed by David Itkin, sets designed by Charles Muth, costumes by William Earl Lautenbach, 1954 November 5-21
- The Tidings Brought to Mary by Paul Claudel, directed by Maurice Gnesin, scenery by Jack Whitney, costumes by Ardys Belisch, 1931 December 7-10
- The Tidings Brought to Mary by Paul Claudel, directed by Maurice Gnesin, sets and costumes by Blair von Albrecht, 1943 December 2-19
- Time and the Conways by J.B. Priestley, directed by Frank Callender, sets by Spencer Davies, costumes by Angelynn Berry, 1940 November 7-23
- Too True to be Good by George Bernard Shaw, directed by Maurice Gnesin, sets and lighting designed by Oliver Allyn, costumes by Leonor Travis, 1955 November 4-20
- The Torch-Bearers by George Kelly, directed by Bradford Crocker, 1933 November 8, 9, 19
- Tour du Monde, or Around the World in 80 Days by Jules Verne and Alphonse d’Ennery, translated by Alden B. Stevens, stage version by Thomas Wood Stevens, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting and light projections by Arvid Crandall, music by Julia LeVine, 1929 December 17-[?]
- The Tower of Nesle by Alexandre Dumas, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1927 October 17-[?]
- Trifles by Susan Glaspell and directed by Westley Johnson (sets by Robert Sailor); Feast of the Holy Innocents by Samuel Ilsley and directed by J. Colson Webster, sets by Joel Simon), "Op-o"-Me Thumb by Fenn and Pryce and directed by Esther Snowden (sets by Robert Sailor) and Not Smart by Wilbur Steele and directed by Sam Wanamaker (sets by Joel Simon, lights by Byron Taggert), 1938 June 7
- The Trojan Women by Euripides, [1928-1929?]
- Twelfth Night by William Shakespeare, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Gordon Ray, music arranged by Julia LeVine, 1927 March 9-[?]
- Twelfth Night by William Shakespeare, directed by David Itkin, sets by Spencer Davies, costumes by Mildred Sutherland, lights by Robert Brower, 1935 January 14-18
- Twelfth Night by William Shakespeare, directed by David Itkin, Phil Lawrence as assistant director, sets and costumes designed by Ballou, 1951 February 8-March 2
- The Tragedy of Nan by John Masefield, directed by Mrs. J. Elliott Jenkins Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 March 25-April 10
- Two Blind Mice by Samuel Spewak, directed by Bella Itkin, sets by James Maronek, costumes by Joseph Holcombe, 1952 January 10-27
- The Vikings at Helgeland by Henrik Ibsen, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Leslie Marzolf and Elizabeth Parsons, lighting by Thomas Wilfred, 1928 March 20-[?]
- The Voice of the Turtle by John Van Druten, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Ballou, 1950 September 28-October 15
- Wappin' Wharf by Charles Stephen Brooks, directed by Maurice Gnesin, sets designed by William Steger, costumes by Rita Dhu Wray, with Geraldine Page, 1945 February 8-24
- What a Life by Clifford Goldsmith, directed by Eunice Osborne, sets by William Steger, costumes by Barbara Scott, 1944 May 11-27
- When We Are Married by J.B. Preistley, directed by W.R. Martini, sets by Gerald Ritholz, costumes by Leonor Travis, 1952 December 5-20
- When We Dead Awaken by Henrik Ibsen, translated by William Archer, directed by B. Iden Payne, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine, 1929 February 26-[?]
- The Whiteheaded Boy by Lennox Boy, directed by David Itkin, set designed by Blair von Albrecht, costumes by Andrew Woods, 1944 January 13-February 5
- Why Not? by Jesse Lynch Williams, directed by Sydney Breese, sets by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 October 3-12
- The Wild Duck by Henrik Ibsen, directed by Whitford Kane, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, 1928 February
- The Wild Duck by Henrik Ibsen, directed by David Itkin, Robert Hopkins as associate director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1948 March 4-20
- The Winter's Tale by William Shakespeare, directed by David Itkin, sets by Spencer Davies, dances by Harriette Louise, lights by James Webster, with Karl Malden, 1937 March 15-22
- Winterset by Maxwell Anderson, directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, Shelley Berman, David Itkin, and Maurice Gnesin, 1945 March 8-24
- Yerma by Federico Garcia Lorca, directed by Maurice Gnesin, William Stigall as associate director, lighting by Ade-Rolfe Floreen, sets designed by the von Albrechts, costumes by Rita Dhu Wray, choreography by Frances Allis, folk song direction by Louise Dale Spoor, 1947 April 10-27
- Yes, My Darling Daughter by Mark Reed, directed by Eunice Osborne, sets by Mary von Albrecht, costumes by Angelynn Davies, 1941 December 4-20
- Yes, My Darling Daughter by Mark Reed, directed by Bella Itkin, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 October 1-17
- You Can't Take It with You by Moss Hart and George S. Kaufman, directed by Eunice Osborne, sets by William Steger, costumes by Rita Dhu Wray, with Geraldine Page, Shelley Berman, and Jose Quintero, 1944 November 30-December 17
- You Never Can Tell by George Bernard Shaw, directed by David Itkin, sets by Norman Grant, costumes by Kathryn Triplett, lights by James Webster, with Sam Wanamaker, 1938 May 23-31
- You Never Can Tell by George Bernard Shaw, directed by David Itkin, James Paul as assistant director, sets and lights by Walter Steinbrenner, 1952 March 6-23
- The Youngest by Philip Barry, directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1941 May 15-28
Studio productions include:
- The Adding Machine by Elmer Rice, directed by Burt Liebert (as an MFA requirement), sets by Adah Sorensen, costumes by Theoni Vachlioti Aldredge, lights by Joseph Lantzy, 1951 February 28
- All My Sons by Arthur Miller, directed by Bella Itkin, sets by William Moore, costumes by William Fosser, 1949 March 8
- All My Sons by Arthur Miller, directed by Jassim M. Al-Oboudi, sets by William Earl Lautenbach, costumes by Mr. Clare, 1952 November 15
- Another Language by Rose Franken, directed by Charles H. Gullickson, sets by Joel Simon, sculpture by Jay Norris, 1936 April 7-8
- Another Part of the Forest by Lillian Hellman, directed by Henry Biedinger (as an MFA requirement), sets by C.J. Bailey, costumes by Adah Sorensen, 1950 February 28
- Antigone by Jean Anouilh, directed by Joy Coghill (as an MFA requirement), sets and costumes by designed by Adah Sorensen, 1950 May 4
- Antigone adapted by Lewis Galantiere from the play by Jean Anouilh, directed by W.R. Martini, sets and lights by Oliver Allyn, costumes by Jim Boyce, 1956 March 13
- Arms and the Man by George Bernard Shaw, directed by Louise Dale Spoor, sets by Robert Hebbard, costumes by Bert Bliss, 1949 June 7
- As You Like It by William Shakespeare, directed by William Stigall, sets by Alice Harmer, costumes by Elizabeth Birbari, 1946 June 6
- At Mrs. Beam's directed by Charlotte Chorpenning, 1933 April 17
- The Autumn Garden by Lillian Hellman, directed by Elizabeth Capwell, sets and lights by Robert Hamlin, costumes by Bill Hargate, 1957 April 17
- Awake and Sing by Clifford Odets, [1953/1954?]
- Beyond the Horizon by Eugene O'Neill, directed by Eunice Osborne, sets by Donald Hermes, lighting by John Sorich, costumes by Cordelia Williams, 1942 May 6
- Beyond the Horizon by Eugene O'Neill, a Sub-Studio Production directed by Hani Snobar,
- 1957 April 16
- A Bill of Divorcement by Clemence Dane, directed by Eunice Osborne, sets by David Waters, lights and costumes by Donnie Zizzof and Mary Gross, 1946 December 7
- A Bill of Divorcement by Clemence Dane, directed by Elizabeth Capwell (as an MFA requirement), sets and lighting by Didi Jacobs, costumes by Williams E. Lautenbach, 1954 May 12
- A Bill of One-Acts: A Phoenix Too Frequent by Christopher Fry and directed by Barbara Keyes; and Ten Blocks on the Camino Real by Tennessee Williams and directed by Joseph Slowik, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe, [1951-1952]
- A Bill of One-Acts: The Hungerers by William Saroyan and directed by Dorothy Konkowski; Hello from Bertha by Tennessee Williams and directed by Patricia Washburn; Queens of France by Thornton Wilder and directed by Dorothy Konkowski; The Long Voyage Home by Eugene O'Neill and directed by Joseph Slowik, sets and lighting designed by Roger Hamilton, costumes by Stanley Kloth, 1956 January 31
- A Bill of Three One-Acts: The Kingdom of God by G. Martinez Sierra and directed by Shauneille Perry; The Long Goodbye by Tennessee Williams and directed by Elizabeth Capwell; Family Album by Noel Coward and directed by Don Gunderson, sets and lights by Bill Loomer, costumes by Aaron Yusko, [1956-1957]
- Biography by S.N. Behrman, directed by Walter Beakel, sets and costumes by Joseph Holcombe, 1951 February 1
- Blithe Spirit by Noel Coward, directed by William Robertson, costumes by Adah Sorensen, sets by C.J. Bailey, 1950 November 4
- Blithe Spirit by Noel Coward, directed by Douglas Winn, sets designed by Maxey Powell, lights by William Weingart, costumes by Marsha Farley, 1957 February 4
- Brief Music by Emmet Lavery, directed by Helen Johnston, sets designed by Gloria White, costumes by Jac Venza, 1945 March 15
- Candida by Gorge Bernard Shaw, directed by Judith Jeffrey, sets by Tom Jewitt, costumes by Marion Barton, 1940 June 7
- Candle-Light by Siegfried Geyer, directed by Ward Ohrman (as an MFA requirement), sets and lights by William Earl Lautenbach, costumes by John Peters, 1953 March 31
- Cradle Song by G. Martinez Sierra, directed by Bella Itkin, sets by Karsen Faye, costumes by Blair von Albrecht, 1943 June 3-4
- The Cradle Song by G. Martinez Sierra, [1953-1954?]
- The Circle by W. Somerset Maugham, directed by Patricia Kennell (as an MFA requirement), sets by Leonor Travis, costumes by Michael, 1947 May 10
- The Circle by W. Somerset Maugham, directed by J. Barton Hill (as an MFA requirement), sets by John Peters, costumes by Molly Kunning, 1953 May 19
- Claudia by Rose Franken, directed by Eunice Osborne, sets by William Steger, costumes by Blair von Albrecht, 1943 May 15
- Claudia by Rose Franken, directed by Sidney Kraus, sets by James Boyce, costumes by Carol Davis, 1954 November 23
- The Corn is Green by Emlyn Williams, directed by William Stigall, sets by Jack Cornwell, costumes by William Fosser, 1949 May 27
- The Corn is Green by Emlyn Williams, directed by Patricia Washburn (as an MFA requirement), sets and lights by Jack Million, costumes by Moxey Powell, 1956 April 4
- Cradle Song by G. Martinez Sierra, directed by Eunice Osborne, lighting by Leonard Safier, 1934-1935]
- Craig's Wife by George Kelly, directed by Eunice Osborne, sets by Robert Newman, lighting by Leonard Safier, 1935 April 1-2
- Craig's Wife by George Kelly, directed by Helen Johnston (as an MFA requirement), sets by Gloria Senge, costumes by Dale Newton, 1944 May 19
- Craig's Wife by George Kelly, directed by W.R. Martini, sets by Joseph Holcombe, costumes by Jack Bates, [1951]
- Cry Havoc by Allan R. Kenward, directed by David Itkin, sets by William Steger, costumes by Karsen Faye, 1944 February 16
- Cry Havoc by Allan R. Kenward, directed by Elsie Kupka, sets by Bill Hargate, costumes by Jeannette Coffman, 1954 March 16
- Dear Brutus by James M. Barrie, directed by Rea Warg, sets by Oliver Allyn, costumes by Irene Harris, 1949 January 28
- Death of a Salesman by Arthur Miller, directed by Shauneille Perry (as an MFA requirement), sets and lights by Alice Harmer Martini, costumes by Paul Winston, 1952 March 8
- Deep are the Roots by Arnaud d’Usseau and Earl James Gow, directed by Donald Peggins, sets by William Lauterbach, costumes by Charles Muth, 1952 June 3
- The Devil Obliges by Louis E. Laflin, Jr., directed by Louis Laflin, Jr. and Thomas Wood Stevens, 1927 February 7, 8, 14
- Desire Under the Elms by Eugene O'Neill, directed by Bella Itkin, sets and lights designed by Gerald Ritholz, costumes by Marge Liebert, 1951 May 23
- Detective Story by Sidney Kingsley, directed by Bella Itkin, sets and lighting by John Braden, costumes by C. Murawski, 1957 March 13
- The Distaff Side by John Van Druten, directed by Gene D. Blumberg, 1935 April 4-5
- The Distaff Side by John Van Druten, directed by Mary Elizabeth Aurelius, scenery by Richard von Albrecht, costumes by Angelynn Berry, 1940 May 24
- The Distaff Side by John Van Druten, directed by Donald Davies, sets by Angelynn Davies, costumes by Joseph Carner, 1942 February 14
- The Distaff Side by John Van Druten, directed by Mary Elizabeth Aurelius, sets by Frances McVey, costumes by Shirley Seidel, 1944 December 2
- The Distaff Side by John Van Druten, directed by Bella Itkin, sets by Leonor Travis, costumes by Sam Feder, 1946 May 9
- The Distaff Side by John Van Druten, directed by Betty Churchill, sets designed by Paul Haney, costumes by Theoni Vachlioti Aldredge, 1949 December 3
- The Distaff Side by John Van Druten, directed by Joseph Slowik, sets by Gerald Ritholz, costumes by Oliver Allyn, 1954 December 7
- Double Door by Elizabeth McFadden, directed by Allan S. Hancock, sets by Patricia Mack, costumes by Robert Katzman, 1941 May 29
- The Dover Road by A.A. Milne, directed by Lloyd T. Bethune, sets by Bob Hebbard, costumes by Oliver Allyn, 1948 April 23
- Drawing Room by Thomas Browne, directed by Mary Elizabeth Aurelius, sets by Joseph Carner, costumes by Virginia Opsvig, [1941]
- East Lynne, from the novel by Mrs. Henry Wood, directed by Joy Coghill, sets by lights by Barta Hapgood, costumes by Theoni Vachlioti Aldredge, 1952 December 10
- Electra, directed by Maurice Gnesin and Theodore Werner, sets by Bill Hargate, costumes by Kert Lundell, lighting by William Weingart, 1956 November 6
- The Enchanted April by Kane Campbell, directed by Eunice Osborne, sets by Esther Snowden, lights by Marge Ferris, 1935 November 12-14
- Evil Doers of Good by Jacinto Benavente, 1927 December 15, 1928 January 12, February 28
- The Far Off Hills by Lennox Robinson, directed by Frank Callender, sets by Robert Katzman, costumes by Patricia Mack, 1941 May 17
- The Farmer's Wife by Eden Philpotts, directed by Joseph Slowik, sets and lights by William Earl Lautenbach, costumes by Oliver Allyn, 1954 March 9
- The Father by August Strindberg, directed by Bella Itkin, sets by Shirley Seidel, costumes by Bill Ritman, [1946-1947]
- The Father by August Strindberg, directed by Jassim M. Al-Oboudi, sets and lights by Walter Steinbrenner, costumes by Ann Keeley, 1951 October 26
- Finished by Katharine Clugson, directed by Roger Tracy, sets by Barbara Scott, costumes by Angelynn Berry, 1940 November 29
- The First Mrs. Fraser by St. John Ervine, directed by Judith Jeffrey (as an MFA requirement), sets by Mac Kinander, costumes by Charlotte Tulchin, 1944 June 1
- For Services Rendered by W. Somerset Maugham, directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters, 1955 March 8
- Forced Landing by Wilfred Massey, directed by Doris Foley, sets by Patricia Mack, costumes by Bill Southwood, 1941 April 26
- For Services Rendered by W. Somerset Maugham, directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters, 1955 March 8
- Four One-Act Plays: Quare Medicine by Paul Green and directed by Terrell O. Everett, The Dark Lady of the Sonnets by George Bernard Shaw and The Rehearsal by Christopher Morley, directed by Betty Churchill and The Flattering Word by George Kelly and directed by Monroe Werthman, sets designed by Stanley Rames, costumes by William Noffke, [1948-1949]
- Fresh Fields by Ivor Novello, directed by Sidney Breese, lights by Mary Monahan, 1936 June 2-3
- Fresh Fields by Ivor Novello, directed by Robert Thompson, sets by Russell Lotterhos, costumes by Mary Blair, 1940 June 5
- Fresh Fields by Ivor Novello, directed by Marita Oppenheim (as an MFA requirement), sets by Jac Venza, costumes by Louise Evans, 1945 April 28
- Fresh Fields by Ivor Novello, directed by James Zernecke, sets by Oliver Allyn, costumes by Robert Hebbard, 1949 April 5
- Ghosts by Henrik Ibsen, directed by John Kerr, sets and costumes by Barbara Scott, 1941 June 6
- Ghosts by Henrik Ibsen, directed by Michael Krause (as an MFA requirement), sets by Donnie Zizzof, costumes by Shirley Seidel, [1946-1947]
- Ghosts by Henrik Ibsen, directed by Westley Johnson, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe, 1952 February 5
- Girls in Uniform by Christa Winsloe, directed by Maurice Gnesin, sets by Russell Lotterhos, costumes by Richard von Albrecht, 1939 October 26
- Girls in Uniform by Christa Winsloe, directed by Suzanne Zimmerman (as an MFA requirement), sets by Karsen Faye, costumes by Jinx Junkin, with Geraldine Page, 1944 May 2
- The Glass Menagerie by Tennessee Williams, directed by E. Alyn Warren, sets by Paul Haney, costumes by Adah Sorensen, 1949 February 25
- The Glass Menagerie by Tennessee Williams, a Sub-Studio Production directed by Richard Bailey, 1957 April 24
- Golden Boy by Clifford Odets, directed by William Stigall, sets and lights by Walter Steinbrenner, costumes by Theoni Vachlioti Aldredge, 1950 November 18
- The Good Hope by Herman Heijermans, directed by David Itkin, sets by Richard von Albrecht, costumes by Angelynn Berry, 1940 April 19
- The Good Hope by Herman Heijermans, directed by William Stigall, sets by Shirley Seidel, costumes by Bob Beck, 1946 April 16
- The Good Hope by Herman Heijermans, directed by Joseph Slowik, sets designed by Jeannette Coffman, costumes by Bill Hargate, 1954 June 8
- The Grass Harp by Truman Capote, directed by Dorothy Konkowski, sets and lighting by Sheldon Haber, costumes by Leonard Boles, 1956 March 20
- Guest in the House by Hagar Wilde and Dale Eunson, directed by David Itkin, sets by David Reppa, costumes by Bob Beck, 1945 November 17
- Guest in the House by Hagar Wilde and Dale Eunson, directed by Doug Winn, sets and lights by William Hargate, costumes by Sheldon Haber, 1956 February 7
- Hat Full of Rain by Michael Gazzo, a Sub-Studio Production directed by Roger Hamilton, 1957 June 4
- Hay Fever by Noel Coward, directed by Joe Callaway, scenery by William Southwood, costumes by Angelynn Berry, 1941 June 13
- Hay Fever by Noel Coward, directed by Rea Warg, costumes by Bert Bliss, 1949 April 14
- He Who Gets Slapped by Leonid Andreyev, directed by Maxwell Kelly (as an MFA requirement), sets by Joseph Holcombe, costumes by Ann Keeley, 1951 June 4
- Hedda Gabler by Henrik Ibsen, directed by James Zernecke, sets and lights by Walt Steinbrenner, costumes by Delbert Bliss, 1949 May 13
- Hedda Gabler by Henrik Ibsen, directed by James Paul (as an MFA requirement), costumes by Joseph Holcombe, sets by James Maronek, 1952 May 3
- Hindle Wakes by Stanley Houghton, directed by Whitford Kane, 1928 January 26
- Holiday by Philip Barry, directed by Robert Hopkins, sets by Donnie Zizzof, costumes by Bill Ritman, 1947 February 8
- Home is Tomorrow by J.B. Priestley, directed by William Stigall, sets by Joseph Holcombe, costumes by Ann Keeley, 1950 March 11
- The House of Bernarda Alba by Federico Garcia Lorca., directed by Maurice Gnesin, Elizabeth Copwell as assistant director, sets and lights by Charles Muth, costumes by Clarence Wilson, 1953 December 9
- Hotel Universe by Philip Barry, directed by Emily Upton, sets and lights by David Reppa, costumes by William Steger, 1945 May 29
- Hotel Universe by Philip Barry, directed by Monroe Werthman (as an MFA requirement), sets by Robert Hebbard, costumes by Theoni Vachlioti Aldredge, 1950 March 25
- Hotel Universe by Philip Barry, directed by Elizabeth Capwell, sets by Aaron Whisk, costumes by Paul Leonard, lighting by Jim Cavanaugh, 1956 May 3
- I Have Been Here Before by J.B. Priestley, directed by W.R. Martini, sets and lights designed by Walter Steinbrenner, costumes by Theoni Vachlioti Aldredge, 1951 February 13
- Ile, directed by W.R. Martini; In the Zone, directed by Frank Callender; Bound East for Cardiff, directed by Frank Callender; and Long Voyage Home, directed by Samuel Wanamaker, sets by Mary Blair, 1939 March 17
- The Importance of Being Earnest by Oscar Wilde, directed by Elsie Kupka (as an MFA requirement), sets and lights by William Lautenbach, costumes by Charles Muth, 1954 June 2
- The Infernal Machine by Jean Cocteau. Directed by Philip Lawrence (as an MFA requirement), sets and lighting by Ballou, costumes by Adah Sorensen, [1951]
- The Innocents by William Archibald, directed by Norman Shucart (as an MFA requirement, sets by Barta Hapgood, costumes by Paul Winston, 1952 May 20
- An Inspector Calls by J.B. Priestley, directed by Judith Jeffrey, sets designed by Adah Sorensen, costumes by George Fuller, 1949 November 2
- An Inspector Calls by J.B. Priestley, directed by Dorothy Konkowski, sets and lights by Bill Hargate, costumes by Aden Rolnick, 1955 November 15
- John Ferguson by St. John Ervine, directed by Judith Jeffrey, sets and lights by William Monroe, costumes by Roberta West, 1949 May 20
- John Ferguson by St. John Ervine, directed by Barbara Haas (as an MFA requirement), sets and lights by Leonard Boles, costumes by Robert Hamlin, 1956 May 29
- Kind Lady by Edward Chodorov, directed by Doug Winn, sets and lights designed by Hubert Braden, costumes by Jack Million, 1957 March 27
- The Kingdom of God by G. Martinez Sierra, directed by David Itkin, 1933 December 6-8
- Ladies in Retirement by Edward Percy and Reginald Denham, directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by Virginia Opsvig, 1942 February 24-28
- Laburnum Grove by J.B. Priestley, directed by Bella Itkin, sets by Tom Steger, costumes by Leonor Travis, 1946 November 13
- Ladies in Retirement by Edward Percy and Reginald Denham, directed by Terrell Everett, sets by William Moore, costumes by Ann Keeley, 1950 January 19
- Ladies in Waiting by Cyril Campion, directed by Sidney Breese, 1935 November 26-27
- Ladies in Waiting by Cyril Campion, directed by Roger Tracy, scenery by Donald Powell, costumes by Russell Lotterhos, 1940 May 10
- Ladies in Waiting by Cyril Campion, directed by Helen Johnston, sets by Alice Harmer, costumes by William Steger, 1944 December 12
- Ladies in Waiting by Cyril Campion, directed by William Shankweiler, sets and lights by Didi Jacobs, costumes by John Peters, 1953 November 3
- The Ladies of the Corridor by Dorothy Parker and Arnaud d'Usseau, a Sub-Studio Production directed by Shauneille Perry, 1957 May 27
- Ladies of the Jury by Fred Ballard, directed by Mary Elizabeth Aurelius, sets by Angelynn Davies, costumes by Virginia Opsvig, 1942 May 13-17
- The Lady Who Came to Stay by Kenneth White, directed by David Itkin, sets by William Steger, costumes by Karsen Faye, 1943 February 16
- The Lark by Jean Anouilh, directed by Joseph Slowik, [1955-1956]
- The Late Christopher Bean by Sidney Howard, directed by Mary Elizabeth Aurelius, sets and costumes by Mary Blair, 1939 October 18
- The Late Christopher Bean by Sidney Howard, directed by Meg Haege, sets by Oliver Allyn, costumes by Kiffi Wolcott, 1954 December 14
- Lavender and the Red Pepper by Ruth Giorloff and directed by Bradford Crocker, Riders to the Sea by J.M. Synge and directed by Bradford Crocker and Twelve Pound Look by James M. Barrie and directed by Eunice Osborne, [1933-1934]
- Les Femmes Savantes (The Learned Ladies) by Moliere, translated by Curtis Hidden Page, directed by Lawrence Paquin, costumes by Marie Mackenzie, [1929?]
- Let Us Be Gay by Rachel Crothers, directed by Mary Elizabeth Aurelius, sets by Don Hermes, costumes by Angelynn Berry, 1941 May 23
- Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by David Itkin, sets by Harry Delipsy, costumes by Nat Rollins, 1942 December 4
- Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Jack Hollander (as an MFA requirement), sets by Didi Jacobs, costumes by Barta Hapgood, 1953 April 28
- Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Don Gunderson, 1956 June 1
- The Lilies of the Field by John Hastings Turner, directed by Peter MacFarlane, [1927-1928]
- Liliom by Ferenc Molnar, directed by L.T. Bethune (as an MFA requirement), sets by Jack Cornwell, costumes by William Moore, 1948 June 4
- Liliom by Ferenc Molnar, English text by Benjamin Glazer, directed by W.R. Martini, sets by Alice Harmer Martini, lighting by Frank Nattrass, costumes by William Earl Lautenbach, 1953 February 12
- The Linden Tree by J.B. Priestley, directed by Judith Jeffrey, sets by Bob Hebbard, costumes by Bert Bliss, 1949 March 18
- The Little Foxes by Lillian Hellman, directed by Mary Laura Collins (as an MFA requirement), sets designed by James Maronek, costumes by Adah Sorensen, 1950 May 16
- The Little Foxes by Lillian Hellman, directed by Martin Kosofsky, sets and lights by Jack Bates, costumes by Joseph Holcombe, 1952 March 31
- The Little Foxes by Lillian Hellman, directed by Meg Haege (as an MFA requirement), sets by Jim Boyce, costumes by Oliver Allyn, 1955 May 18
- Love and How to Cure It, directed by Barbara Haas; The Happy Journey to Trenton and Camden, directed by Gunderson; Long Xmas Dinner, directed by Ted Werner; and The Clod, directed by Roger Hamilton, [1954-1955]
- The Lower Depths by Maxim Gorki, directed by Joseph Slowik, sets and lights by Charles Muth, costumes by Gerald Ritholz, 1952 April 15
- The Madwoman of Chaillot by Jean Giraudoux, adapted by Maurice Valency, directed by Bella Itkin, dances arranged by Frances Allis, sets by Jim Boyce, lights by Sheldon Haber, costumes by Kert Lundell, [1956]
- The Male Animal by James Thurber and Elliott Nugent, directed by Eunice Osborne, sets by Harry Delipsy, costumes by Sarah Herman, 1946 March 16
- The Male Animal by James Thurber and Elliott Nugent., directed by Monroe Werthman, sets by James Maronek, 1950 January 31
- The Male Animal by James Thurber and Elliott Nugent, directed by Joseph Slowik, sets designed by Kiffi Wolcott, lights by Jim Cavanaugh, costumes by Helen Rolnick, 1955 June 7
- The Master Builder by Henrik Ibsen, directed by William Stigall, sets by Jack Cornwell, costumes by Adah Sorensen, 1949 November 22
- Medea by Robinson Jeffers, directed by Sidney Kraus (as an MFA requirement), sets and lights by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 April 13
- Medea by Robinson Jeffers, directed by Bella Itkin, sets by Paul Leonard, lights by Sheldon Haber, costumes by Robert Hamlin, 1956 December 10-12
- The Misanthrope by Moliere, directed by Jeanne Jerrems (as an MFA requirement), sets and lights by Gerald Ritholz, costumes by Barta Hapgood, 1953 May 26
- The Miser by Moliere, directed by Jassim Al-Oboudi, sets and lights designed by Charles Muth, costumes by Mr. Clare, 1953 April 14
- Miss Civilization by Richard Harding Davis; A Privy Council by Major W.P. Drury and Richard Pryce; and The Monkey's Paw by W.W. Jacobs, dramatized by Louis N. Parker, directed by Alexandra Carlisle Jenkins, 1927 January 10-11
- Mister Roberts by Thomas Heggen and Joshua Logan, a Sub-Studio Production directed by Roger Hamilton, 1956 December 13
- Gillie by James Bridie, directed by Robert Quinn, sets and lights by Gerald Ritholz, costumes by Didi Jacobs, 1953 March 12
- Pim Passes By by A.A. Milne, directed by Robert Hopkins, sets by Leonor Travis, costumes by Jack Cornwell, [1946-1947]
- Murder in the Cathedral by T.S. Eliot, directed by Barbara Keyes, sets by Ann Kelley, costumes by Jack Bates, 1952 May 13
- My Heart's in the Highlands by William Saroyan, directed by Rea Warg and Hank DiRoma, sets by Jack Cornwell, costumes by Dave Ballou, 1947 December 12
- My Lady's Dress by Edward Knoblock, directed by Peter MacFarlane, 1928 April 5
- Mystery at Greenfingers by J.B. Priestley, directed by Frank Callender, sets by Mary Blair, costumes by Joseph N. Carner, 1940 April 30
- Night Must Fall by Emlyn Williams, directed by Marie Sikorska (as an MFA requirement), sets and lights by William McDowell Meade, costumes by Jac Venza, 1945 June 7
- Nine Till Six by Aimee and Philip Stuart, directed by Doris Anne Foley, sets by Mary Blair von Albrecht, costumes by Jack Martin, 1942 June 9
- Nine Till Six by Aimee and Philip Stewart, directed by Bella Itkin and Catherine Denny Phelps, sets by Karsen Faye, costumes by Blair von Albrecht, 1943 May 5
- Nine Till Six by Aimee and Philip Stuart, directed by Bella Itkin, sets by Frances McVey, costumes by Shirley Seidel, 1945 May 9
- Nine Till Six by Aimee and Philip Stuart, directed by Vernon Schwartz, sets by Barta Hapgood, costumes by Charles Ritholz, 1952 October 30
- The Nursery Maid of Heaven adapted and directed by Thomas Wood Stevens from a story by Vernon Lee; and Caleb Stone's Death Watch by Martin Flavin and directed by Peter MacFarlane, 1928 February 9
- The Nursery Maid of Heaven by Thomas Wood Stevens and directed by Gene D. Blumberg; Motherly Love by August Strindberg and directed by Warren Reid; Trifles by Susan Glaspell and directed by Frank Callender; and The First White Woman by Babette Hughes and directed by Frank Callender, lighting by James Diehl, 1935 June 3-4
- Oedipus, King of Thebes by Sophocles, translated by Gilbert Murray, directed by Walter Beakel (as an M.A. requirement), sets and lights by Bill Winters, costumes by Theoni Vachlioti Aldredge, music by Adah Sorensen, 1951 April 17
- Of Mice and Men by John Steinbeck, directed by H. James Ritter, sets and lights by Ann Keeley, costumes by James Maronek, 1951 March 10
- O'Flaherty V.C. by George Bernard Shaw and directed by Donald Davies; Riders to the Sea by John Millington Synge and directed by Judith Jeffrey; and The Twelve-Pound Look by Sir James Barrie and directed by John Taylor, sets by Barbara Scott, costumes by Don Hermes, 1941 May 9
- Old Acquaintance by John Van Druten, directed by Eunice Osborne, sets by Donald Hermes, costumes by Joseph Carner, 1941 October 24
- The Old Ladies by Rodney Ackland, directed by Bernie Enslin, sets by Bernie Enslin, costumes by Cordelia Williams, [1942]
- The Old Ladies by Rodney Ackland, directed by William Bielfeldt (as an MFA requirement), sets by C.J. Bailey, costumes by Adah Sorensen, 1950 March 31
- Our Town by Thornton Wilder, directed by W.R. Martini, sets and lights by James Maronek, costumes by Ann Keeley, 1950 December 8
- Our Town by Thornton Wilder, directed by Maurice Gnesin, Barbara Haas as assistant director, costumes by Theoni Vachlioti Aldredge, 1954 October 30
- Outward Bound by Sutton Vane, directed by W.R. Martini, sets by William Moore, costumes by Catherine Luce, 1948 April 13
- Pan and the Young Shepherd by Maurice Hewlett, directed by B. Iden Payne, 1929 June 5-6
- Paolo and Francesca by Steven Phillips, 1927 May 16-17
- Patty by Muriel Brown, scenery by Richard Steele, lighting by Roman Bohnen, 1927 March 21-22
- Petticoat Fever by Mark Reed, directed by W.R. Martini, sets by William Casazza, costumes by William Banka, 1949 April 23
- Phaedra by Jean Racine, directed by Jassim Al-Oboudi (as an MFA requirement), sets and lights designed by James Maronek, costumes by Barta Hapgood, 1952 February 21
- The Philadelphia Story by Philip Barry, directed by Mary Laura Collins, sets by Robert Hebbard, costumes by George Fuller, 1949 October 25
- Pillars of Society by Henrik Ibsen, directed by David Itkin, sets by Joseph Carner, costumes by Donald Hermes, 1941 December 11
- The Playboy of the Western World by John Synge, directed by John Walker, 1957 May 16
- Plots and Playwrights by Edward Massey, directed by Lawrence Paquin, costumes by Helen Ray, 1929 March 28
- Pygmalion by George Bernard Shaw, directed by Terrell Everett (as an MFA requirement), sets, lights and costumes by Jack Cornwell, 1950 June 2
- Rain by John Colton and Clemence Randolph, directed by Vernon Schwartz (as an MFA requirement), sets by Joseph Holcombe, lights by James Maronek, costumes by Ann Keeley, 1951 May 9
- Rebecca by Daphne du Maurier, directed by Millard Mack (as an MFA requirement), sets by Ann Keeley, costumes by Adah Sorensen, lighting by David Zierk, 1951 May 29
- The Remarkable Incident at Carson Corners by Kristin Sergel, adapted from TV by Reginald Rose, a Sub-Studio Production directed by Hani Snobar, 1957 May 21
- Riders to the Sea by John Millington Synge and directed by Charles Lewis Paetow (sets by Karsen Faye); The Violet by Ferenc Molnar and directed by Mary Elizabeth Aurelius (sets by William Steger); These Small Things by Marian Johnson and directed by Eunice Osborne (sets by Karsen Faye), costumes by Blair von Albrecht, 1943 May 28
- The Road to Rome by Robert E. Sherwood, a Sub-Studio Production directed by G.C. Forest, lights by Francis White, 1957 February 11
- Rocket to the Moon by Clifford Odets, directed by W.R. Martini, sets by Bob Hebbard, 1950 April 15
- A Room in the Tower by Hugh Stewart and directed by Samuel Wanamaker; Corn Shock by John Taylor and directed by Walter R. Martini; Roses and Rue by Winifred Fraser and directed by Walter R. Martini; The Twelve-Pound Look by Sir James Barrie and directed by Samuel Wanamaker, sets by James Israel, costumes by Russell Lotterhos, [1938-1939]
- Russet Mantle by Lynn Riggs, directed by Eunice Osborne, sets by Karsen Faye, costumes by William Steger, 1943 December 14
- Seven Women by J.M. Barrie and directed by Lila Underwood; King Arthur's Socks by Floyd Dell and directed by Phillip Wayne; The Widdy's Mite by Dan Totheroh and directed by Helen Rezabek; and Dark Lady of the Sonnets by George Bernard Shaw and directed by Gene Yell, 1935 June 11
- Shadow and Substance by Paul Vincent Carroll, directed by Betty Churchill (as an MFA requirement), sets by William Moore, costumes by C.J. Bailey, 1950 May 25
- Shadow and Substance by Paul Vincent Carroll, directed by Richard Woosley, sets and lights by James Boyce, costumes by John Peters, 1954 May 26
- The Shining Hour by Keith Winter, directed by Robert Quinn (as an MFA requirement), sets by Francis Schriber, costumes by William Earl Lautenbach, 1953 June 2
- The Show Off by George Kelley, directed by Carl Johnson, sets by Spencer Davis, costumes by Shirley Zak, lighting by Dave Edwards, 1933 March 7-9
- The Show Off by George Kelly, directed by Dorothy Konkowski, sets by Helen Rolnide, costumes by Sheldon Haber, 1955 May 24
- The Silver Cord by Sidney Howard, directed by Irene Fojut, lighting by James Diehl, 1935 May 27-28
- The Silver Cord by Sidney Howard, directed by Margaret Davies Carner, sets designed by Dave Ballou, costumes by Irene Harris, [1948-1949]
- Six Characters in Search of an Author by Luigi Pirandello, directed by Bella Itkin, costumes by Adah Sorensen, sets and lights by William Moore, 1950 June 7
- Sixteen by Aimee and Phillip Stewart, directed by Dorothy Dixon, lighting by Frank Minatel, 1936 December 2
- The Skin of Our Teeth by Thornton Wilder, directed by Fred Finkl, costumes by Barta Hapgood, sets and lights by Jack Bates, 1952 May 27
- The Skin of Our Teeth by Thornton Wilder, directed by Joseph Slowik, lighting by Kert Lundell, costumes by John Braden, 1957 June 3
- Smokescreen directed by Adelaide Clyman, Riders to the Sea directed by Rosa Alexandra Knuuti and King Arthur's Socks directed by Sidney Breese, 1933 April 13-14
- Spring Dance by Phillip Barry, directed by Mary Elizabeth Aurelius, scenery by Donald Powell, costumes by Russell Lotterhos, 1940 March 22
- Summer and Smoke by Tennessee Williams, directed by Bella Itkin, sets and lights designed by Oliver Allyn, costumes by Carol Davis, 1955 June 1
- Sweet Aloes by Jay Mallory, directed by Eunice Osborne, lights by Warren Pattinson, 1937 February 4-5
- Sweet Aloes by Joy Mallory, directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by William Steger, 1942 December 11
- The Taming of the Shrew by William Shakespeare, directed by Doug Winn (as an MFA requirement), sets by Robert Hamlin, costumes by Bill Hargate, lights by William Weingart, 1956 April 21
- Tartuffe, or The Imposter by Moliere, directed by Margor Dayan Bernson, sets by Robert Hebbard, 1949 December 13
- They Knew What They Wanted by Sidney Howard, directed by Jeanne Hubbard (as an MFA requirement), sets and lights by C. Murawski, costumes by Dina Harris, 1957 May 27
- A Thief Tomorrow by Josephine Ardrey, directed by Eunice Osborne, lights by James Webster, 1936 February 24-25
- Three Cornered Moon by Gertrude Tonkonogy, directed by Gene Yell, sets by C. Carleton Luce, costumes by Donald Crawford, lighting by Gatti-Casazza, 1948 March 12
- Three Irish One-Act Plays: In the Shadow of the Glen by J.M. Synge and directed by Fred Finkl; The Pot of Broth by W.B. Yeats and directed by Walter Beakel; Spreading the Word by Lady Gregory and directed by Josef Hunley, sets by William Moore, costumes by C.J. Bailey, 1949 October 18
- Three One-Act Plays: The Happy Journey by Thornton Wilder and directed by Ruth Shectman; Hello Out There by William Saroyan and directed by William H. Bielfeldt; The Boor by Anton Tchekoff and directed by James Ritter, sets and lights by Paul Haney, costumes by Theoni Vachlioti Aldredge, 1950 February 18
- Three One-Act Plays: The Talkative Barber by Ludwig Holberg and directed by M.F. Robel; Parade at Devil's Bridge by Henri Gheon and directed by Lee Richard; Aria Da Capo by Edna St. Vincent Millay and directed by Jeanne Jerrems, sets by John Holabird, costumes by Joseph Holcombe, 1950 December 2
- Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, directed by Walter Beakel; The Shewing Up of Blanco Posnet, directed by Betty Churchill; O'Flaherty V.C., directed by Fred Finkl, sets by Robert Hebbard, 1950 February 8
- Three One-Act Plays by Eugene O'Neill: In the Zone, directed by M.J. Rotter; The Long Voyage Home, directed by Paul S. Haney; The Moon of the Caribbees, directed by Maxwell Kelly, sets by C.J. Bailey, costumes by Robert Hebbard, 1949 November 12
- Three One-Act Plays by Anton Chekhov: Swan-Song, directed by Martin Kosofsky; The Proposal, directed by Julie Fitzgerald; and The Boor directed by Shauneille Perry, sets and lights designed by Walter Steinbrenner, costumes by Ann Keeley, [1951-1952]
- Three One-Act Plays by Noel Coward: Still Life (sets by Bella Edindin, costumes by Francis Schriber) and Fumed Oak (sets and costumes by Barta Hapgood), directed by Vernon Schwartz; and Red Peppers (sets and costumes by Gerald Ritholz), directed by Joy Coghill, [1952-1953]
- Three Plays of the Sea by Eugene O'Neill: Bound East for Cardiff, directed by Edward Fielding Nicholls, In the Zone, directed by L.T. Bethune and The Long Voyage Home, directed by Robin M. League, dets by Catherine Luce, lighting by H. Townsend Velie, costumes by George Fuller, [1946-1947]
- Thunder Rock by Robert Ardrey, directed by William Robertson (as an MFA requirement), sets and lights by Joseph Lantzy, costumes by Jack Bates, 1951 April 5
- Time and the Conways by J.B. Priestley, directed by Frank Callender, scenery by Ade-Rolfe Floreen, costumes by Angelynn Berry, 1940 February 16
- Time and the Conways by J.B. Priestley, directed by Rea Warg, sets Stanley Ranes, costumes by Jack Hakman, with Harvey Korman, 1948 April 6
- Time and the Conways by J.B. Priestley, directed by W.R. Martini, sets by Jim Boyce, costumes by John Peters, 1955 February 22
- The Time of the Cuckoo by Arthur Laurents, directed by Patricia Washburn, sets by Jack Million, costumes by Kiffi Wolcott, 1955 December 13
- Tomorrow the World by James Gow and Arnaud d'Usseau, directed by William Shankweiler (as an MFA requirement), sets and lights by Didi Jacobs, costumes by Clare, 1953 January 31
- Tonight at 8:30 by Noel Coward: Ways and Means (featuring Bella Itkin), Still Life and Fumed Oak, directed by Frank Callender, sets by Don Hermes, costumes by Patricia Mack, 1941 March 22
- The Topaz Amulet: A Christmas Masque, arranged by Roberta Louden from the play by Thomas Wood Stevens and Wallace Rice, 1927 December
- The Torch-Bearers by George Kelly, directed by William Bielfeldt, sets by Ann Keeley, costumes by James Maronek, 1950 April 26
- Tovarich by Jacques Deval, a Sub-Studio Production directed by Charles Applegate, 1957 April 5
- The Trial of Mary Dugan by Bayard Veiller, directed by William Stigall, sets by Louise Evans, costumes by Joyce Burlingame, 1945 December 14
- Trifles by Susan Glaspell and directed by Robert Hoffman; Constant Lover by St. John Hankin and directed by Ernest Graves, Time Out for Matrimony by A.A. O'Keefe and directed Don L. Hammer; and Sham by Frank G. Tompkins and directed by Marion Barton. Sets by Ade-Rolfe Floreen, costumes by Richard von Albrecht, [1940]
- The Trojan Women by Euripides, translated by Edith Hamilton, directed by Don Gunderson (as an MFA requirement), sets by James Harrington, costumes by Bill Hargate, 1957 May 20
- The Trysting Place by Booth Tarkington and directed by Mary Elizabeth Aurelius; Good Vintage by Dan Totheroh and directed by Elizabeth E. Wolcott, "Op-o"-Me-Thumb by Frederick Fenn and Richard Price and directed by Nona Greenberg; and Bread by Fred Eastman and directed by Dorothy Konkowski, 1937 April 27
- Twelfth Night by William Shakespeare, directed by Gene Yell (as an MFA requirement), sets by C. Carleton Luce, costumes by David Ballou, with Harvey Korman, 1948 May 25
- The Velvet Glove by Rosemary Casey, directed by Elizabeth Capwell, sets and lights by Sheldon Haber, costumes by Kiffi Wolcott, 1955 November 29
- Venus Observed by Christopher Fry, directed by William Stigall, sets and lights by Jack Bates, costumes by Joseph Holcombe, 1951 March 21
- Watch on the Rhine by Lillian Hellman, directed by Ruth Schectman (as an MFA requirement), sets designed by James Maronek, costumes by Jack Brown, 1951 April 28
- When We Are Married by J.B. Priestley, directed by Norman Shucart, sets by James Maronek, costumes by Leonor Travis, 1951 November 6
- The Whiteheaded Boy by Lennox Robinson, directed by Roger Tracy, sets by Richard von Albrecht, costumes by Mary Blair, 1939 December 8
- The Whiteheaded Boy by Lennox Robinson, [1953-1954?]
- The Women Have Their Way by the Quintero Brothers, directed by Joseph Slowik, sets by Kert Lundell, costumes by Jack Million, 1956 June 5
- Yes, My Darling Daughter by Mark Reed, directed by Margaret Cameron Davies, sets by Stanley Rames, costumes by Jack Hakman, 1948 October 30
Children’s Theatre productions include:
- Abe Lincoln: New Salem Days, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1941 February 1-March 8
- Abe Lincoln: New Salem Days, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Lee Richard as assistant director, sets by James Maronek, costumes by Theoni Vachlioti Aldredge, 1951 February 3-March 24
- An Afternoon with Christopher Robin, adapted by Muriel Brown and Frances Preeve from A.A. Milne characters, directed by Muriel Brown, music by Julia LeVine, costumes and sets by Donald Ament, lighting by A.H. Feder, 1928 November 17-[?]
- Aladdin and His Wonderful Lamp by James Norris, directed by Charlotte Chorpenning; sets and costumes by Spencer Davies, dances arranged by Harriette Louis, lights by Robert Brower, featuring Karl Malden, 1934 October 27-November 24
- Aladdin and His Wonderful Lamp, dramatized by James Norris and Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 October 26-[?]
- Aladdin and His Wonderful Lamp, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Joy Coghill as assistant director, sets designed by Floyd Allan, costumes by Ballou, choreography by Frances Allis, 1950 April 1-May 28
- Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Virginia Opsvig, dances by Frank Callender, 1939 February 4-[?]
- Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, Thomas Jackson as technician, sets by Norman Grant, masks and costumes by Rita Dhu Ray, 1948 October 16-1949 January 8
- Alice's New Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Angelynn Davies, 1942 October24-December 12
- The Arkansas Bear by Albert Bigelow Paine, dramatized by Alderilla Beistle and Harriet Grover, directed by Charlotte Chorpenning, sets designed by John Friedman, Jr., 1934 February 24-[?]
- Beauty and the Beast, dramatized by Nora Tully and Charlotte Chorpenning, directed by Eunice Osborne, sets designed by Blair von Albrecht, dances arranged by Dorothy Davies Miller, puppets by Tom H. Marge, music arranged by Frances Benson, costumes by Andrew Woods, starring Geraldine Page, 1943 October 30-December 11
- Beauty and the Beast, dramatized by Nora MacAlvay, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by William Earl Lautenbach, costumes by Charles Muth, 1954 December 23-1955 February 13
- The Blue Bird by Maurice Maeterlinck, directed by Muriel Brown, sets by Leslie Marzolf, lights by Thomas Ireland, costumes by Thomas Russell and Elizabeth Parsons, [1926-1927]
- The Blue Bird by Maurice Maeterlinck, directed by Muriel Brown, lighting by Arvid Crandall, sets by Leslie Marzolf, costumes by Laurene Kingsbury and Marjorie Miller, [1927-1928]
- The Boy Who Grew Up – Without Knowing It by Louis E. Laflin, Jr., directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets by Leslie Marzolf, Peter Martin and Donald Ament, [1927-1928]
- The Captive Princess by Muriel Brown, costumes by Clara Baron and Hebilly West, sets by Leslie Marzolf, Marie Wecker and Charles Schlesinger, lighting by Gordon Ray, [1926 April]
- Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davis, costumes by Beatrice Norton, 1933 December 2-1934 January 6
- Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Mary Blair, costumes by Virginia Opsvig, 1939 December 23-[?]
- Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by William Steger, dances arranged by Dorothy Davies Miller, 1945 March 24-May 5
- Cinderella, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by Charles Muth, costumes by Theoni Vachlioti Aldredge, 1954 October 24-December 19
- Daniel Boone by Leona Baptist, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1939 November 4-[?]
- Davy Crockett and His Coonskin Cap by Margery Evernden, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets designed by Bill Hargate, costumes by Kiffi Wolcott, 1956 March 31-May 27
- The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully, directed by Charlotte Chorpenning, sets by Blair von Albrecht, dances directed by Dorothy Davies Miller, costumes by Andrew Woods, 1943 March 27-May 8
- The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully, directed by Louise Dale Spoor, sets by Floyd Allan, costumes by Stanley Rames, Heckla's dance arranged by Frances Allis, 1949 March 19-June 5
- The Emperor's New Clothes by Charlotte Chorpenning, directed by Maurice Gnesin, costumes by Virginia Roediger, sets by Rosalie Encell, 1932 April
- The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, lights by Robert Brower, 1935 October 19-November 16
- The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, 1944 December 16-1945 January 14
- The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets designed by Mary Lou Denton, costumes by Barta Hapgood, Sheldon Janacek as technical director, Emperor's Dance by Frances Allis, 1953 April 4-May 24
- Flibbertygibbet, dramatized by Charlotte Chorpenning and Nora Tully, directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Shirley Seidel, costumes by David Ballou, choreography by Francis Allis, 1948 March 27-May 22
- Flibbertygibbet by Charlotte Chorpenning and Nora Tully MacAlvay, directed by Louise Dale Spoor, sets by Gerald Ritholz, costumes by Leonor Travis, dances by Frances Allis, 1953 December 23-1954 January 31
- The Golden Apple by Lady Gregory, sets designed by Leslie Marzolf and Margaret Mitchell, 1925 December [?]
- The Gondoliers, or The King of Barataria by Sir William Gilbert, sponsored by the Chicago Comic Opera Company, directed by Ralph J. Helperin, composed by Sir Arthur Sullivan, choreography by Betty Joyce Kupfer, [1934-1935]
- Greensleeves' Magic by Marian Johnson, directed by Louise Dale Spoor, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis, 1952 December 23-1953 January 25
- Hans Brinker, or The Silver Skates by Louis E. Laflin, Jr., from the story by Mary Mapes Dodge, directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lighting by Gordon Ray, [1928-1929]
- Hans Brinker and the Silver Skates, by Mary Mapes Dodge and dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by William Ritman, costumes by William Moore, 1949 January 15-March 13
- Hansel and Gretel, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Mary von Albrecht, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig, 1941 October 25-December 13
- Hansel and Gretel, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Martin Kosofsky as assistant director, sets designed by Joseph Holcombe, costumes by Ann Keeley, 1952 December 27, 1951-February 24
- Heidi by Lucille Miller, directed by Charlotte Chorpenning, sets designed by Ralph Alswang and Frances Lewis, lights by James Diehl, 1936 January 11-February 29
- Heidi, dramatized by Lucille Miller from the book by Johanna Spyri, directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by Leonor Travis, 1954 October 23-December 19
- Hiawatha by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, animal puppets by Tom Margo, dances arranged by Dorothy Davies Miller, costumes by Rita Dhu Wray, with Shelley Berman, 1944 October 21-December 10
- Huckleberry Finn by Mark Twain and dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Jean Sutherland, lights by Leonard Safier, 1935 March 30-May 11
- Huckleberry Finn by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Donald Hermes, 1942 January 31-March 7
- Huckleberry Finn by Samuel Clemens, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets by Barta Hapgood, costumes by Charles Muth, 1953 January 31-March 29
- The Indian Captive by Charlotte Chorpenning, directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by C.J. Bailey, dance movement by Frances Allis, 1949 December 22-1950 January 29
- Ivanhoe, dramatized by Muriel Brown from the book by Sir Walter Scott, directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Luarene Kingsbury, lights by Gordon Ray, 1929 November 23
- Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Beatrice Norton, costumes by Mary Ross, lighting by Joanne Meyers, 1932 December 24-1933 January 14
- Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Frances Lewis, lights by Robert Brower, featuring Karl Malden as the Giant, 1935 November 30-1936 January 4
- Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Barbara Berger, sets by Blair von Albrecht, dances by Barbara Berger, costumes by Barbara Berger, 1944 April 1-May 13
- Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, dances arranged by Frances Allis, 1950 October 21-December 17
- Jolly Robin Hood, dramatized by Charlotte Chorpenning., directed by Charlotte Chorpenning, sets designed by Friedrich von Dachenhausen, lighting by Esther Snowden, costumes executed by Millicent Kovalinka, featuring Karl Malden, 1934 December 1-1935 January 5
- King Midas and the Golden Touch, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Frances McVey, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, Aithra's dance by Pat Kennell, with Shelley Berman and Jose Quintero, 1945 January 27-March 17
- King Midas and the Golden Touch, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets by Jack Cornwell, costumes by Adah Sorensen, dances arranged by Frances Allis, 1950 February 4-March 26
- The King of the Golden River by John Ruskin, dramatized by Margery Evernden, directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Helen Rolnick, 1956 February 25-March 25
- A Kiss for Cinderella by James Barrie, directed by Muriel Brown, costumes by Ardys Belisch, sets by Rosalie Encell, lights by John Walley, 1932 January 16-[?]
- Lincoln's Secret Messenger by Charlotte Chorpenning, directed by Charlotte Chorpenning, Danny Witt as assistant director, sets by Joseph Holcombe, costumes by Ann Keeley, 1952 March 1-March 23
- Little Black Sambo by Helen Bannerman, directed by Charlotte Chorpenning, choreography by Harriette Louise, sets by Norman Grant, lights by Robert Brower, costumes by Beryl Spinney, 1936 December 19-1937 January 23
- Little Black Sambo, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Angelynn Davies, 1943 January 30-March 20
- Little Lee Bobo by Rose Hum Lee and Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 March 30-May 25
- Little Women, adapted by Marion De Forest from the book by Louisa Mae Alcott, directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray, [1929-1930?]
- Little Women by Louisa Mae Alcott, adapted by Marian DeForest, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Russell Lotterhos, 1940 February 3-March 9
- The Magic Horn by Anne Nicholson and Charlotte Chorpenning, directed by Charlotte Chorpenning, set designed by Blair von Albrecht, costumes by Angelynn Davies, 1942 December19-1943 January 23
- The Magic Horn by Anne Nicholson and Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge, 1955 February 19-March 27
- Marco Polo and the Drum of Ahmad, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, sets by Floyd Allan, costumes by Ballou, dances arranged by Frances Allis, 1949 October 22-December 18
- A Midsummer Night's Dream by William Shakespeare, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett and Jane Coolidge, “Nocturne and Snapdragon's” dance by Harriette Louise, with Sam Wanamaker, 1937 March 27-May 8
- Dooley, Jr. by Rose Franken and Jane Lewin, directed by Charlotte Barrows Chorpenning, sets designed by John Friedman, Jr., 1934 January 13-February 24
- Paul Bunyan's First Christmas, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Alice Harmer, costumes by Shirley Seidel, dances arranged by Dorothy Davies Miller, 1945 December 22-1946 January 20
- Pedro and the Fighting Cocks, adapted by Dorothy Davies Miller, ballet arranged and directed by Dorothy Davies Miller, sets by William Steger, costumes by Rita Dhu Wray, puppets by Tom Sanders, 1945 May 6-June 3
- Penrod by Booth Tarkington, dramatized by Edward E. Rose, directed by Charlotte B. Chorpenning, sets by Spencer Davies, costumes by Beryl Spinney, lights by Robert Brower, 1936 November 14-December 5
- Peter, Peter Pumpkin Eater by Martha B. King, directed by Louise Dale Spoor, Florence Mishkin as assistant director, sets by John Peters, costumes by William Earl Lautenbach, 1954 February 6-March 14
- The Pied Piper of Hamelin, adapted from a poem by Robert Browning, directed by Charlotte Chorpenning, scenic and costume designs by Virginia Roediger, 1933 October 21-November 18
- The Poor Little Rich Girl by Eleanor Gates, directed by Muriel Brown, sets by Robert Van Deventer, costumes by Laurene Kingsbury, lighting by Gordon Ray, [1929-1930?]
- The Prince and the Pauper by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Norman Grant, lights by James Webster, costumes by Kathryn Triplett with Karl Malden and Sam Wanamaker, 1937 February 6-March 6
- The Prince and the Pauper, dramatized by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Donnie Zizzof, [1946-1947]
- The Prince and the Pauper, dramatized by Charlotte Chorpenning from the book by Mark Twain., 1955. Directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Kiffi Wolcott, 1955 October 22-December 18
- Puss in Boots by Rowena Bennett, directed by Charlotte Chorpenning, Edward Udovich as assistant director, sets and lights by James Maronek, costumes by Ann Keeley, David Zierk as technical director, 1952 March 29-May 25
- Radio Rescue by Charlotte Chorpenning, directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Andrew Woods, 1943 December 18-1944 January 30
- Rama and the Tigers, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, 1951 October 27-November 22
- Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes designed by R. Llewellyn Hughes, lights by Leonard Safier, featuring Karl Malden, 1935 February 23-March 23
- Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, featuring Bella Itkin, 1940 December 21-1941 February 15
- Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Shirley Seidel, dances arranged by Frances Allis, 1947 February 1-March 23
- The Return of Rip Van Winkle, dramatized by Charlotte Chorpenning from the story by Washington Irving, directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, lighting by Ade-Rolfe Floreen, choreography by Frances Allis, with Harvey Korman, 1947 October 25-December 13
- Rip Van Winkle, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Norman Grant, lighting by Robert Brower, featuring Karl Malden, 1936 March 7-April 4
- Rip Van Winkle by Washington Irving, dramatized by Charlotte Chorpenning, directed by W.R. Martini, Westley Johnson as assistant director, sets by Gerald Ritholz, costumes by Molly Kunning, Don Owen as technical director, 1954 March 20-May 23
- Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell, [1926-1927]
- Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell, [1926-1927]
- Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, sets by Don Ament, costumes by Elizabeth Parsons, lights by Gordon Ray, [1928-1929?]
- Robin Hood, dramatized by James Norris, directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Robert Hamlin, 1957 February 2-March 24
- Robinson Crusoe by Daniel Defoe, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, Costumes by Virginia Opsvig, 1940 March 16-[?]
- Robinson Crusoe by Daniel Dafoe, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Walter Steinbrenner, costumes by Adah Sorensen, 1950 December 23-1951 January 28
- Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger, 1934 April 14-May 12
- Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Class in Costume Design, 1938 December 31-1939 January 28
- Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, lullaby music and lyrics by Faith Locke Langley, 1945 October 27-December 15
- Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, dances arranged by Frances Allis, 1952 October 25-December 20
- Scotch Twins by Lucy Fitch Perkins, directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray, [1929-1930?]
- The Shining Island by Mary Austin, sets by Leslie Marzolf, lighting by George Stauch, costumes by Elizabeth Parsons, [1927-1928]
- Six Cherry Tarts written and produced by Muriel Brown, directed by Muriel Brown, sets by Charles Schlesinger, lights by Roman Bohnen, costumes by Helen Forrest, Knaves’ songs by Hamilton Forrest, [1926-1927]
- Sleeping Beauty, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Spencer Davies, lighting by Leonard Safier, costumes by Lila Underwood, 1935 January 5-February 2
- Sleeping Beauty, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1941 March 15-April 26
- Sleeping Beauty, dramatized by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Elizabeth Birbari, dances arranged by Frances Allis, 1946 December 12-1947 January 27
- Sleeping Beauty (Sing Ho for a Prince!), based on the fairy tale by the Brothers Grimm, book and lyrics by Joe Grezeback, music by Haakon Bergh, directed by Louise Dale Spoor, choreography by Francis Allis, costumes by Kert Lundell, sets by Bill Hargate, 1957 March 30-May 26
- The Snow Maiden by Anne Nicholson and Charlotte Chorpenning, directed by Mary Elizabeth Aurelius, sets by Blair von Albrecht, dances by Dorothy Davies Miller, costumes by Andrew Woods, with Geraldine Page, 1944 February 5-March 26
- The Snow Queen and the Goblin, dramatized by Martha Bennett King from the story by Hans Christian Anderson, directed by Louise Dale Spoor, choreography by Frances Allis, sets designed by James Boyce, costumes by Maxey Powell, 1956 December 22-1957 January 27
- Snow White and the Seven Dwarfs by H.M. Richardson, directed by Muriel Brown, [1928-1929?]
- Snow White and the Seven Dwarfs, adapted by Jessie Graham White from the story by the Brothers Grimm, directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger, 1933 March 4-[?]
- Snow White and the Seven Dwarfs by Jessie Graham White, directed by Charlotte Chorpenning, sets and lights by Walter Steinbrenner, costumes by Ballou, dances arranged by Frances Allis, 1951 March 31-May 27
- The Squire's Bride, dramatized by Viola Van Zee and Charlotte Chorpenning. Directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Angelynn Davies, choreography by Barbara Berger, [1942]
- The Squire's Bride by Viola Van Zee and Charlotte Chorpenning, directed by Aristides Copulos, sets designed by Richard von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, 1948 January 31-March 21
- The Teller of Tales by Muriel Brown, directed by Muriel Brown, sets by Peter Lundberg, costumes by Mary Elizabeth Evans and Elizabeth Parsons, lighting by Arvid Crandall, the “Song of Freedom” by Isaac Van Grove, the dance in Act II arranged by Bertha Ochsner, [1927-1928]
- The Three Bears, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig, 1941 December 20-1942 February 7
- The Three Bears, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Aristides Copulos as assistant director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, with Harvey Korman, 1947 December 20-1948 January 25
- The Three Bears, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by John Peters, costumes by William Hargate, 1955 December 23-1956 February 19
- Titian, the Boy Artist of Cadore by Nora B. Tully, directed by Charlotte Chorpenning, sets by Signe Midelfort and Noel Barker, lighting by Marge Ferris, 1936 April 11-May 9
- Tom Sawyer, adapted by Charlotte Chorpenning from the book by Mark Twain, directed by Charlotte Chorpenning, costumes by Mary Ross, lights by Howard Nelson, 1933 January 28-[?]
- Tom Sawyer by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1938 November 12-December 24
- Tom Sawyer by Mark Twain, arranged by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Bob Beck, [1946]
- Tom Sawyer by Samuel Clemens, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by John Peters, costumes by Jim Boyce, 1955 April 2-May 29
- Treasure Island, dramatized by Jules Eckert Goodman from the book by Robert Louis Stevenson, directed by Muriel Brown, 1931 November 14-[?]
- Treasure Island by Robert Louis Stevenson, dramatized by Dorothy Drew, directed by Louise Dale Spoor, sets by Sheldon Haber, costumes by Paul Leonard, 1956 October 20-December 16
- The Twelve Dancing Princesses by Nelson James, directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, dances by Frances Allis, 1946 October 26-December 14
- Wappin' Wharf by Charles S. Brooks, costumes by Helen Forrest, lights by Gordon Ray, [1926]
- Why Not? by Jesse Lynch Williams, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 October 13-[?]
Arrangement
Series 1 is arranged into 32 subseries chronologically by season:
- Subseries A: 1925-1926 Season, 1925-1926
- Subseries B: 1926-1927 Season, 1926-1927
- Subseries C: 1927-1928 Season, 1927-1928
- Subseries D: 1928-1929 Season, 1928-1929
- Subseries E: 1929-1930 Season, 1929-1930
- Subseries F: 1930-1931 Season, 1930-1931
- Subseries G: 1931-1932 Season, 1931-1932
- Subseries H: 1932-1933 Season, 1932-1933
- Subseries I: 1933-1934 Season, 1933-1934
- Subseries J: 1934-1935 Season, 1934-1935
- Subseries K: 1935-1936 Season, 1935-1936
- Subseries L: 1936-1937 Season, 1936-1937
- Subseries M: 1937-1938 Season, 1937-1938
- Subseries N: 1938-1939 Season, 1938-1939
- Subseries O: 1939-1940 Season, 1939-1940
- Subseries P: 1940-1941 Season, 1940-1941
- Subseries Q: 1941-1942 Season, 1941-1942
- Subseries R: 1942-1943 Season, 1942-1943
- Subseries S: 1943-1944 Season, 1943-1944
- Subseries T: 1944-1945 Season, 1944-1945
- Subseries U: 1945-1946 Season, 1945-1946
- Subseries V: 1946-1947 Season, 1946-1947
- Subseries W: 1947-1948 Season, 1947-1948
- Subseries X: 1948-1949 Season, 1948-1949
- Subseries Y: 1949-1950 Season, 1949-1950
- Subseries Z: 1950-1951 Season, 1950-1951
- Subseries AA: 1951-1952 Season, 1951-1952
- Subseries BB: 1952-1953 Season, 1952-1953
- Subseries CC: 1953-1954 Season, 1953-1954
- Subseries DD: 1954-1955 Season, 1954-1955
- Subseries EE: 1955-1956 Season, 1955-1956
- Subseries FF: 1956-1957 Season, 1956-1957
Subseries A: 1925-1926 Season, 1925-1926
Arrangement
Subseries A is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 1 | Folder 2 | Goodman Theatre, announcement to the members of the Art Institute, [1925] |
Box 138 | Folder 1 | The Fountain, photographs (8), 1925 |
Box 1 | Folder 1 | The Day of the Diamond Pin, The Bear and The Man of Destiny, programs, 1925 April |
Box 1 | Folder 3 | Back of the Yards, The Green Scarf and The Game of Chess, by Kenneth Sawyer Goodman, programs, 1925 October |
Box 1 | Folder 5 | The Forest, news clippings, 1925 October-November |
Box 138 | Folder 2 | The Forest, photographs (4), negatives (2), 1925 October-November |
Box 1 | Folder 4 | The Forest, programs, 1925 October-November |
Box 1 | Folder 6 | The Romantic Young Lady, programs, 1925 November-December |
Box 1 | Folder 7 | An Heir at Large, promotional materials, 1925 December-1926 January |
Box 138 | Folder 3 | An Heir at Large, photographs (3), negative (1), 1925 December-1926 January |
Box 1 | Folder 9 | An Heir at Large, programs, 1925 December-1926 January |
Box 1 | Folder 8 | An Heir at Large, reviews, 1925-1926 |
Box 1 | Folder 10 | Gas, patrons and guarantor, 1926 January-February |
Box 1 | Folder 12 | Gas, programs, 1926 January-February |
Box 1 | Folder 11 | Gas, reviews and news clippings, 1926 |
Box 138 | Folder 4 | Everyman, photographs (10), negative (1), 1926 March |
Box 1 | Folder 14 | Everyman, programs, 1926 March |
Box 1 | Folder 13 | Everyman, promotional material, 1926 March |
Box 1 | Folder 15 | The Tragedy of Nan, programs, reviews, 1926 March-April |
Box 138 | Folder 5 | The Man of Destiny, photographs (2), 1926 April-May |
Box 1 | Folder 17 | The Man of Destiny, programs, 1926 April-May |
Box 1 | Folder 16 | The Man of Destiny, review, 1926 April-May |
Box 138 | Folder 6 | Don Juan, or The Stone Guest, photographs (5), negative (1), 1926 April-May |
Box 1 | Folder 18 | Don Juan, or The Stone Guest, programs, 1926 April-May |
Box 138 | Folder 7 | The Dark Lady of the Sonnets, photographs (2), [1926] |
Box 138 | Folder 8 | A Midsummer Night’s Dream, photographs (32), negative (1), 1926 May |
Box 1 | Folder 19 | A Midsummer Night'sDream, programs, 1926 May |
Box 1 | Folder 20 | Children’s Theatre - promotional material, 1925-1926 |
Box 138 | Folder 9 | Children’s Theatre - The Golden Apple, photographs (3), 1925 December |
Box 1 | Folder 21 | Children’s Theatre - The Golden Apple, programs, news clippings, 1925 December |
Box 1 | Folder 22 | Children’s Theatre - Wappin' Wharf, programs, [1926] |
Box 138 | Folder 10 | Children’s Theatre - The Captive Princess, photographs (2), negative (1), [1926 April] |
Box 1 | Folder 23 | Children’s Theatre - The Captive Princess, programs, [1926 April] |
Box 1 | Folder 24 | Special Events - “Chicago Allied Artists, Inc. present a Programme of Ballet and Music,” program, [1925] |
Box 1 | Folder 25 | Special Events - The Friday Club presents: La Illinoisa, book by L.E. Laflin, Jr., libretto and program, 1925 November 4 |
Box 138 | Folder 11 | Special Events - Kanellos: Festival of Hellenic Arts, photographs (5), 1926 April 11-13 |
Box 1 | Folder 25a | Special Events - Kanellos: Festival of Hellenic Arts, programs and promotional material, 1926 April 11-13 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries B: 1926-1927 Season, 1926-1927
Arrangement
Subseries B is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 1 | Folder 26 | Promotional material, 1926-1927 |
Box 1 | Folder 26a | Why Not? programs, 1926 October |
Box 138 | Folder 12 | The Game of Love and Death, photographs (6), includes Jack Daniels and Helen Forrest, 1926 November |
Box 1 | Folder 27 | The Game of Love and Death, programs, news clippings, 1926 November |
Box 1 | Folder 28 | Don Juan, programs, 1927 November |
Box 138 | Folder 13 | Fashion, or Life in New York, photographs (3), includes Neal Caldwell, Jack Daniels, Mary Agnes Doyle, and Dorothy Schell, 1926 December |
Box 1 | Folder 31 | Fashion, or Life in New York, programs, 1926 December |
Oversize Folder 1 | Fashion, or Life in New York, programs and advertisements, 1926 December | |
Box 1 | Folder 30 | Fashion, or Life in New York, reviews and news clippings, 1926 December |
Box 139 | Folder 1 | Juno and the Paycock and Dust of the Road, photographs (20), negative (1), includes Neal Caldwell, Jack Daniels, Whitford Kane and Roberta Louden, 1926 December-1927 January |
Box 1 | Folder 34 | Juno and the Paycock and Dust of the Road, program, 1926 December-1927 January |
Box 1 | Folder 32 | Juno and the Paycock and Dust of the Road, promotional material, 1926 December-1927 January |
Box 1 | Folder 33 | Juno and the Paycock and Dust of the Road, reviews and news clippings, 1926 December-1927 January |
Box 139 | Folder 2 | Penelope, photograph (1), 1927 February |
Box 1 | Folder 36 | Penelope, programs, 1927 February |
Box 1 | Folder 35 | Penelope, promotional material, 1927 February |
Box 139 | Folder 3 | Twelfth Night, photographs (15), includes Jack Daniels, Helen Forrest, Eula Guy, Whitford Kane, Hubbard Kirkpatrick, Ellen Lowe and Ellen Root, 1927 March |
Box 191 | Folder 1 | Twelfth Night, photographs (1), 1927 March |
Box 1 | Folder 38 | Twelfth Night, program, 1927 March 9 |
Box 1 | Folder 37 | Twelfth Night, promotional material, 1927 March 9 |
Box 1 | Folder 39 | Everyman, programs, 1927 April 13-14 |
Box 139 | Folder 4 | The Pigeon, photographs (10), negatives (11), includes Whitford Kane, Ron Mathews and Richard Steele, 1927 April |
Box 1 | Folder 41 | The Pigeon and Lonesome-Like, programs, 1927 April |
Box 1 | Folder 40 | The Pigeon and Lonesome-Like, promotional material, 1927 April |
Box 1 | Folder 43 | As You Like It, programs, 1927 May |
Box 1 | Folder 42 | As You Like It, reviews, 1927 May |
Box 1 | Folder 44 | A Midsummer Night's Dream, program, 1927 May 23-28 |
Box 1 | Folder 45 | Studio - Miss Civilization, A Privy Council and The Monkey's Paw, programs, 1927 January 10-11 |
Box 1 | Folder 46 | Studio - The Devil Obliges, programs, 1927 February 7, 8, 14 |
Box 1 | Folder 47 | Studio - Patty, programs, 1927 March 21-22 |
Box 1 | Folder 48 | Studio - Paolo and Francesca, program, 1927 May 16-17 |
Box 1 | Folder 49 | Children’s Theatre - promotional material, 1926-1927 |
Box 139 | Folder 5 | Children’s Theatre - Robin Hood, photographs (8), includes Babette Bock, Gordon Ray and James Todd, [1926-1927] |
Box 1 | Folder 50 | Children’s Theatre - Robin Hood, program, [1926-1927] |
Box 1 | Folder 51 | Children’s Theatre - The Blue Bird, program, [1926-1927] |
Box 139 | Folder 6 | Children’s Theatre - Six Cherry Tarts, photographs (3), includes James Todd, [1926-1927] |
Box 1 | Folder 51a | Children’s Theatre - Six Cherry Tarts, program, promotional material, [1926-1927] |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries C: 1927-1928 Season, 1927-1928
Arrangement
Subseries C is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 1 | Folder 52 | Promotional material, 1927-1928 |
Box 139 | Folder 7 | The Tower of Nesle, photograph (1), negative (1), includes Neal Caldwell, 1927 October |
Box 1 | Folder 53 | The Tower of Nesle, program, 1927 October |
Oversize Folder 1 | The Tower of Nesle, programs (2 copies), 1927 October | |
Box 139 | Folder 8 | Outbreak, photograph (1), includes Whitford Kane, [1927] |
Box 1 | Folder 55 | Outbreak, program, [1927] |
Box 1 | Folder 54 | Outbreak, promotional material, [1927] |
Box 1 | Folder 57 | The Mask and the Face, programs, [1927-1928] |
Box 1 | Folder 56 | The Mask and the Face, promotional material, [1927-1928] |
Box 1 | Folder 57a | Camille in Roaring Camp, programs, reviews and news clippings, 1928 March |
Oversize Folder 1 | Camille in Roaring Camp, programs, reviews and news clippings, 1928 March | |
Box 1 | Folder 58 | The Wild Duck, programs, 1928 February |
Box 191 | Folder 1 | The Vikings at Helgeland, illustrations (2), 1928 March |
Box 139 | Folder 9 | The Vikings at Helgeland, photographs (8), 1928 March |
Box 1 | Folder 59 | The Vikings at Helgeland, programs, 1928 March |
Box 1 | Folder 59a | The Vikings at Helgeland, reviews and news clippings, 1928 March |
Box 1 | Folder 59b | Mixed Doubles, review, 1928 May 21 |
Box 139 | Folder 10 | The Little Clay Cart, photographs (3), includes Neal Caldwell, 1928 May |
Box 1 | Folder 60 | The Little Clay Cart, programs, 1928 May |
Box 1 | Folder 61 | A Midsummer Night's Dream and The Masque of the Red Death, program, [1928] |
Box 139 | Folder 11 | The Masque of the Red Death, photographs (2), [1928] |
Oversize Folder 1 | She Stoops to Conquer by Oliver Goldsmith, advertisements, [1927-1928] | |
Box 139 | Folder 12 | She Stoops to Conquer, photographs (9), negative (1), includes Roman Bohnen, Bess Kathryn Johnson, Whitford Kane and Katherine Krug, [1927-1928] |
Box 139 | Folder 13 | Studio - The Topaz Amulet: A Christmas Masque, photographs (4), includes Sarah Hinde, Milton Klein, Rosalie Martin, Henriette Oberteukker, Gordon Ray and Helena Ray, 1927 December |
Box 1 | Folder 62 | Studio - The Topaz Amulet: A Christmas Masque, programs, 1927 December |
Box 139 | Folder 14 | Studio - Evil Doers of Good, photographs (5), includes Mary Elizabeth Evans and [first name illegible] Sherman, 1927 December-1928 February |
Box 1 | Folder 64 | Studio - Evil Doers of Good, programs, 1927 December-1928 February |
Box 1 | Folder 63 | Studio - Evil Doers of Good, promotional material, 1927 December-1928 February |
Box 1 | Folder 65 | Studio - Hindle Wakes, programs, 1928 January 26 |
Box 139 | Folder 15 | Studio - The Nursery Maid of Heaven, photographs (6), 1928 February |
Box 1 | Folder 67 | Studio - The Nursery Maid of Heaven, programs, 1928 February 9 |
Box 1 | Folder 66 | Studio - The Nursery Maid of Heaven, promotional material, 1928 |
Box 1 | Folder 68 | Studio - My Lady's Dress, programs, 1928 April 5 |
Box 1 | Folder 69 | Studio - The Lilies of the Field, program, [1927-1928] |
Box 1 | Folder 70 | Children’s Theatre - promotional material, 1927-1928 |
Box 1 | Folder 70a | Children’s Theatre - The Shining Island, program, [1927-1928] |
Box 1 | Folder 71 | Children’s Theatre - The Teller of Tales, programs, [1927-1928] |
Box 139 | Folder 16 | Children’s Theatre - The Teller of Tales, photographs (3), negative (1), [1927-1928] |
Box 1 | Folder 72 | Children’s Theatre - The Blue Bird, programs, [1927-1928] |
Box 1 | Folder 73 | Children’s Theatre - The Boy Who Grew Up–Without Knowing It, programs, [1927-1928] |
Box 1 | Folder 74 | Special Events - The Drama League of Chicago: Finals in the Play Contest, promotional material, 1928 May 13 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries D: 1928-1929 Season, 1928-1929
Arrangement
Subseries D is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 140 | Folder 1 | The Inspector General, photographs (7), includes Katherine Krug and B. Iden Payne, 1928 November |
Box 2 | Folder 1 | The Inspector General, programs, promotional material, 1928 November |
Box 140 | Folder 2 | Dear Brutus, photographs (8), includes Mary Agnes Doyle, Mary Elizabeth Evans, F. Leon Ford, Joan Madison, Bernard Ostertag, B. Iden Payne, Ellen Root and Art Smith, 1928 December |
Box 2 | Folder 1a | Dear Brutus, program, 1928 December |
Box 140 | Folder 3 | Six Characters in Search of an Author, photographs (3), 1929 January |
Box 2 | Folder 2 | Six Characters in Search of an Author and Barbara, program, 1929 January |
Box 2 | Folder 3 | Lizard Gap, programs, 1929 February |
Box 140 | Folder 4 | When We Dead Awaken, photographs (8), includes Katherine Krug, Joan Madison, Bernard Ostertag, B. Iden Payne and Donald Willson, 1929 February |
Box 2 | Folder 4 | When We Dead Awaken, program, 1929 February |
Oversize Folder 1 | The Critic, advertisements (2), 1929 | |
Box 140 | Folder 5 | The Critic, photograph (1), includes Joan Madison, [1929] |
Box 2 | Folder 5 | The Critic, program, [1929] |
Box 2 | Folder 6 | The Shadow of a Gunman, programs, 1929 April |
Box 2 | Folder 7 | The Golem, promotional material, 1927 May-June |
Box 140 | Folder 6 | The Trojan Women, photographs (2), [1928-1929?] |
Box 2 | Folder 8 | Studio - Plots and Playwrights, program, 1929 March 28 |
Box 2 | Folder 9 | Studio - Pan and the Young Shepherd, program, 1929 June 5-6 |
Box 2 | Folder 10 | Studio - Les Femmes Savantes (The Learned Ladies), programs, [1929?] |
Box 140 | Folder 7 | Children’s Theatre - Hans Brinker, or The Silver Skates, photographs (6), [1928-1929] |
Box 2 | Folder 11 | Children’s Theatre - Hans Brinker, or The Silver Skates, programs, [1928-1929] |
Box 2 | Folder 11a | Children’s Theatre - An Afternoon with Christopher Robin, programs, promotional material, 1928 November |
Box 2 | Folder 12 | Children’s Theatre - Robin Hood, programs, [1928-1929?] |
Box 2 | Folder 14 | Children’s Theatre - Snow White and the Seven Dwarfs, program, [1928-1929?] |
Box 2 | Folder 13 | Children’s Theatre - Snow White and the Seven Dwarfs, promotional material, [1928-1929?] |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries E: 1929-1930 Season, 1929-1930
Arrangement
Subseries E is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 2 | Folder 15 | Promotional material, 1929-1930 |
Box 2 | Folder 16 | Romeo and Juliet, programs, review, 1929 October |
Box 2 | Folder 17 | The Mask and the Face, programs, 1929 November |
Box 140 | Folder 8 | The Makropoulus Secret, photographs (7), 1929 November-December |
Box 2 | Folder 18 | The Makropoulos Secret, programs, promotional material, 1929 November-December |
Box 140 | Folder 9 | Tour du Monde, or Around the World in 80 Days, photograph (1), 1929 December |
Box 2 | Folder 19 | Tour du Monde, or Around the World in 80 Days, programs, 1929 December |
Box 2 | Folder 20 | The Field God, programs, 1930 January |
Box 2 | Folder 21 | Holiday, programs, 1930 February |
Box 2 | Folder 22 | The Rivals, programs, 1930 March |
Box 2 | Folder 23 | Kolpak Must Dance, programs, 1930 April |
Box 2 | Folder 24 | Escape, programs, 1930 May |
Box 2 | Folder 25 | The Poem of David, Idyll of the Shop and The Home Coming, programs, 1930 June |
Box 2 | Folder 26 | Children’s Theatre - Ivanhoe, promotional material, 1929 November 23 |
Box 2 | Folder 27 | Children’s Theatre - Scotch Twins, promotional material, [1929-1930?] |
Box 2 | Folder 28 | Children’s Theatre - Little Women, programs, [1929-1930?] |
Box 2 | Folder 29 | Children’s Theatre - The Poor Little Rich Girl, programs, [1929-1930?] |
Box 2 | Folder 30 | Special Events - Whitford Kane presents: Cathleen Ni Houlihan by W.B. Yeats and Loggerheads by Ralph Cullinan, program, 1930 March 17 |
Box 2 | Folder 30a | Special Events - The 4th Annual Tournament of Plays, program, 1930 May 5-12 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries F: 1930-1931 Season, 1930-1931
Arrangement
Subseries F is arranged chronologically.
Box 2 | Folder 31 | Art Institute of Chicago, newsletter, 1931 May 2 |
Box 2 | Folder 32 | The Firebrand, programs, [1930-1931] |
Box 2 | Folder 32a | Hotel Universe, reviews and news clippings, [1930] |
Box 140 | Folder 11 | Rebecca of Sunnybrook Farm, photographs (2), includes Frances Carlson, 1931 |
Box 2 | Folder 33 | The Sea Gull, program, [1930-1931] |
Box 2 | Folder 33b | Lazzaro, program, [1930-1931?] |
Box 2 | Folder 33a | Rebound, program, [1930-1931?] |
Box 140 | Folder 10 | Studio - Master Skylark, photograph (1), includes Frances Carlson, 1931 |
Box 2 | Folder 34 | Studio - Master Skylark, programs, 1931 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries G: 1931-1932 Season, 1931-1932
Arrangement
Subseries G is arranged chronologically beginning with mainstage productions followed by children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 2 | Folder 35 | This Fine Pretty World, programs, 1931 November |
Box 140 | Folders 12 | Tidings Brought to Mary, photographs (2), 1931 December |
Box 2 | Folder 36 | Tidings Brought to Mary, programs, 1931 December |
Box 191 | Folder 1 | The Good Hope, photograph (1), 1931-1932 |
Box 191 | Folder 1 | Lady Windermere’s Fan, photograph (1), 1932 May |
Box 2 | Folder 37 | Lady Windermere's Fan, programs, 1932 May |
Box 191 | Folder 2 | Children’s Theatre - Treasure Island, photograph (1), 1931 November |
Box 2 | Folder 38 | Children’s Theatre - Treasure Island, promotional material, 1931 November |
Box 191 | Folder 1 | Children’s Theatre - A Kiss for Cinderella, photographs (4), 1932 January |
Box 2 | Folder 40 | Children’s Theatre - A Kiss for Cinderella, programs, 1932 January |
Box 2 | Folder 39 | Children’s Theatre - A Kiss for Cinderella, promotional material, 1932 January |
Box 2 | Folder 41 | Children’s Theatre - The Emperor's New Clothes, programs, 1932 April |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries H: 1932-1933 Season, 1932-1933
Arrangement
Subseries H is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 191 | Folder 2 | The Cassilis Engagement, photographs (4), [1933 June] |
Box 2 | Folder 41a | The Cassilis Engagement, program, [1933 June] |
Box 140 | Folder 13 | Pillars of Society, photograph (1), negative (1), 1932 December |
Box 191 | Folder 2 | Pillars of Society, photographs (3), 1932 December |
Box 2 | Folder 42 | Pillars of Society, program, 1932 December |
Box 191 | Folder 2 | The Nightingale, photograph (1), 1933 January |
Box 2 | Folder 43 | The Nightingale, programs and contract between Thompson and the Goodman, 1933 January |
Box 140 | Folder 14 | The Three Sisters, photographs (3), includes Frances Carlson, 1933 February |
Box 191 | Folder 3 | The Three Sisters, photograph (1), 1933 February |
Box 2 | Folder 44 | The Three Sisters, programs, 1933 February |
Box 191 | Folder 3 | Pygmalion, photographs (3), 1933 March |
Box 2 | Folder 45 | Pygmalion, programs, 1933 March |
Box 140 | Folder 15 | Leonardo Da Vinci, photographs (2), includes Frances Carlson, 1933 April |
Box 191 | Folder 3 | Leonardo Da Vinci, photographs (1), 1933 April |
Box 2 | Folder 46 | Leonardo Da Vinci, programs, 1933 April |
Box 191 | Folder 3 | Paris Bound, photographs (2), [1932-1933] |
Box 2 | Folder 47 | Studio - The Show Off, programs, 1933 March |
Box 2 | Folder 48 | Studio - Smokescreen, programs, 1933 April |
Box 2 | Folder 49 | Studio - At Mrs. Beam's, programs, 1933 April 17 |
Box 2 | Folder 50 | Children’s Theatre - Jack and the Beanstalk, programs, 1932 December-1933 January |
Box 191 | Folder 3 | Children’s Theatre - Tom Sawyer, photographs (4), 1933 January |
Box 2 | Folder 51 | Children’s Theatre - Tom Sawyer, programs, 1933 January |
Box 191 | Folder 4 | Children’s Theatre - Snow White and the Seven Dwarfs, photographs (4), 1933 March |
Box 2 | Folder 52 | Children’s Theatre - Snow White and the Seven Dwarfs, programs, 1933 March |
Box 2 | Folder 52a | Special Events - When Chicago Was Young by Alice Gerstenberg and Herma Clark, directed by Mary Alice Foley, program, 1932 November 7 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries I: 1933-1934 Season, 1933-1934
Arrangement
Subseries I is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 2 | Folder 53 | The Romantic Young Lady, programs, 1933 October-November |
Box 2 | Folder 54 | The Torch-Bearers, programs, 1933 November 8, 9, 19 |
Box 191 | Folder 4 | Macbeth, photograph (1), 1933 December |
Box 2 | Folder 55 | Macbeth, programs, 1933 December |
Box 191 | Folder 4 | The Royal Family, photographs (3), 1934 January |
Box 2 | Folder 58 | The Royal Family, programs, 1934 January |
Box 191 | Folder 4 | Anathema, photographs (3), 1934 March |
Box 2 | Folder 56 | Anathema, programs, 1934 March |
Box 191 | Folder 5 | The Great Catherine, photographs (4), 1934 April |
Box 2 | Folder 57 | The Great Catherine and Augustus Does His Bit, programs, 1934 April |
Box 2 | Folder 59 | The Farmer's Wife, programs, 1934 May |
Box 191 | Folder 5 | The Master Builder, photographs (4), negative (1), [1933-1934] |
Box 2 | Folder 60 | Studio - The Kingdom of God, program, 1933 December |
Box 2 | Folder 61 | Studio - Lavender and the Red Pepper, Riders to the Sea and Twelve Pound Look, programs, [1933-1934] |
Box 191 | Folder 5 | Children’s Theatre - The Pied Piper of Hamelin, photographs (2), 1933 October-November |
Box 2 | Folder 62 | Children’s Theatre - The Pied Piper of Hamelin, programs, 1933 October-November |
Box 2 | Folder 63 | Children’s Theatre - Cinderella, programs, 1933 December-1934 January |
Box 191 | Folder 5 | Children’s Theatre - Mr. Dooley, Jr., photographs (2), 1934 January-February |
Box 2 | Folder 64 | Children’s Theatre - Mr. Dooley, Jr., programs, 1934 January-February |
Box 191 | Folder 6 | Children’s Theatre - The Arkansas Bear, photographs (3), 1934 February |
Box 2 | Folder 65 | Children’s Theatre - The Arkansas Bear, programs, 1934 February |
Box 191 | Folder 6 | Children’s Theatre - Rumpelstiltskin, photographs (4), 1934 April-May |
Box 2 | Folder 67 | Children’s Theatre - Rumpelstiltskin, programs, 1934 April-May |
Box 2 | Folder 66 | Children’s Theatre - Rumpelstiltskin, scenic plans, 1934 April-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries J: 1934-1935 Season, 1934-1935
Arrangement
Subseries J is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 3 | Folder 1 | Promotional material, 1934-1935 |
Box 191 | Folder 6 | The Second Man, photographs (4), 1934 November |
Box 3 | Folder 2 | The Second Man, programs, 1934 November |
Box 191 | Folder 6 | For Services Rendered, photographs (4), 1934 December |
Box 3 | Folder 3 | For Services Rendered, program, 1934 December |
Box 191 | Folder 7 | Twelfth Night, photograph (1), 1935 January |
Box 3 | Folder 4 | Twelfth Night, programs, 1935 January |
Box 191 | Folder 7 | The First Mrs. Fraser, photographs (3), 1935 February |
Box 3 | Folder 5 | The First Mrs. Fraser, program, 1935 February |
Box 3 | Folder 6 | The Head of the Family, programs, 1935 March |
Box 191 | Folder 7 | The Living Corpse, photograph (1), 1935 April |
Box 3 | Folder 7 | The Living Corpse, program, 1935 April |
Box 191 | Folder 7 | Let Us Be Gay, photographs (5), 1935 May |
Box 3 | Folder 8 | Let Us Be Gay, programs, 1935 May |
Box 3 | Folder 10 | The Master Builder, programs, 1935 May |
Box 3 | Folder 9 | The Master Builder, scenic plans (2 pencil sketches), 1935 |
Box 191 | Folder 7 | The Kingdom of God, photographs (2), 1934 October |
Box 3 | Folder 11 | The Kingdom of God, programs, 1934 October |
Box 140 | Folder 16 | Studio - Craig’s Wife, photographs (10), 1935 April |
Box 3 | Folder 12 | Studio - Craig's Wife, programs, 1935 April |
Box 192 | Folder 1 | Studio - The Distaff Side, photographs (3), 1935 April |
Box 141 | Folder 2 | Studio - The Distaff Side, negative (1), 1935 April |
Box 3 | Folder 13 | Studio - The Distaff Side, programs, 1935 April |
Box 3 | Folder 14 | Studio - The Silver Cord, programs, 1935 May |
Box 3 | Folder 15 | Studio - The Nursery Maid of Heaven, Motherly Love, Trifles by and The First White Woman, programs, 1935 June |
Box 3 | Folder 16 | Studio - Seven Women, King Arthur's Socks, The Widdy's Mite and Dark Lady of the Sonnets, programs, 1935 June 11 |
Box 3 | Folder 17 | Studio - Cradle Song, programs, [1934-1935] |
Box 192 | Folder 1 | Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (2), 1934 October-November |
Box 3 | Folder 18 | Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1934 October-November |
Box 192 | Folder 1 | Children’s Theatre - Jolly Robin Hood, photographs (4), includes Karl Malden, 1934 December-1935 January |
Box 3 | Folder 19 | Children’s Theatre - Jolly Robin Hood, programs, 1934 December-1935 January |
Box 140 | Folder 17 | Children’s Theatre - Sleeping Beauty, photographs (9), negatives (2), 1935 January-February |
Box 192 | Folder 1 | Children’s Theatre - Sleeping Beauty, photographs (2), 1935 January-February |
Box 3 | Folder 20 | Children’s Theatre - Sleeping Beauty, lighting cue sheets, 1935 January-February |
Box 3 | Folder 22 | Children’s Theatre - Sleeping Beauty, programs, 1935 January-February |
Oversize Folder 2 | Children’s Theatre - Sleeping Beauty, set designs, 1935 January-February | |
Box 3 | Folder 23 | Children’s Theatre - Red Riding Hood, program, 1935 February-March |
Box 192 | Folder 2 | Children’s Theatre - Huckleberry Finn, photographs (4), 1935 March-May |
Box 3 | Folder 24 | Children’s Theatre - Huckleberry Finn, programs, 1935 March-May |
Box 3 | Folder 25 | Children’s Theatre - The Gondoliers, or The King of Barataria, program, [1934-1935] |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries K: 1935-1936 Season, 1935-1936
Arrangement
Subseries K is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 140 | Folder 18 | Mr. Pim Passes By, photograph (1), negative (1), 1935 September-October |
Box 192 | Folder 2 | Mr. Pim Passes By, photograph (1), 1935 September-October |
Box 3 | Folder 26 | Mr. Pim Passes By, programs, 1935 September-October |
Box 3 | Folder 27 | Mr. Pim Passes By, program from a special alumni performance, 1935 October 29 |
Box 3 | Folder 28 | Liliom, program, 1936 January |
Box 192 | Folder 2 | The Father, photographs (2), 1936 March |
Box 140 | Folder 19 | The Father, negatives (2), 1936 March |
Box 3 | Folder 29 | The Father, program, 1936 March |
Box 192 | Folder 2 | The Animal Kingdom, photographs (4), 1936 April |
Box 140 | Folder 20 | The Animal Kingdom, negative (1), 1936 April |
Box 3 | Folder 30 | The Animal Kingdom, programs, 1936 April |
Box 192 | Folder 3 | The Chief Thing, photographs (3), 1936 May |
Box 141 | Folder 1 | The Chief Thing, negative (1), 1936 May |
Box 3 | Folder 32 | The Chief Thing, programs, 1936 May |
Box 3 | Folder 31 | The Chief Thing, scenic plans, 1936 |
Box 3 | Folder 33 | Studio - The Enchanted April, programs, 1935 November |
Box 3 | Folder 34 | Studio - Ladies in Waiting, programs, 1935 November |
Box 3 | Folder 35 | Studio - A Thief Tomorrow, programs, 1936 February |
Box 141 | Folder 3 | Studio - Another Language, photographs (6), 1936 April |
Box 3 | Folder 36 | Studio - Another Language, program, 1936 April |
Box 3 | Folder 37 | Studio - Fresh Fields, programs, 1936 June |
Box 3 | Folder 38 | Children’s Theatre - The Emperor's New Clothes, programs, 1935 October-November |
Box 192 | Folder 3 | Children’s Theatre - Jack and the Beanstalk, photographs (4), negative (1), 1935 November-1936 January |
Box 141 | Folder 4 | Children’s Theatre - Jack and the Beanstalk, negative (1), 1935 November-1936 January |
Box 3 | Folder 39 | Children’s Theatre - Jack and the Beanstalk, program, 1935 November-1936 January |
Box 192 | Folder 3 | Children’s Theatre - Heidi, photograph (1), 1936 January-February |
Box 141 | Folder 5 | Children’s Theatre - Heidi, negative (1), 1936 January-February |
Box 3 | Folder 40 | Children’s Theatre - Heidi, programs, 1936 January-February |
Box 141 | Folder 6 | Children’s Theatre - Rip Van Winkle, photographs (2), 1936 March-April |
Box 192 | Folder 3 | Children’s Theatre - Rip Van Winkle, photograph (1), 1936 March-April |
Box 3 | Folder 41 | Children’s Theatre - Rip Van Winkle, programs, 1936 March-April |
Box 3 | Folder 42 | Children’s Theatre - Titian, the Boy Artist of Cadore, programs, 1936 April-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries L: 1936-1937 Season, 1936-1937
Arrangement
Subseries L is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 3 | Folder 44 | The Late Christopher Bean, programs, 1936 October |
Box 3 | Folder 43 | The Late Christopher Bean, scenic plan, 1936 |
Oversize Folder 2 | The Late Christopher Bean, floor plan, 1936 | |
Box 192 | Folder 3 | The Show Off, photographs (2), negative (1), 1936 December |
Box 3 | Folder 45 | The Show Off, programs, 1936 December |
Box 192 | Folder 4 | The Lower Depths by Maxim Gorki, photograph (1), 1937 January |
Box 141 | Folder 7 | The Lower Depths by Maxim Gorki, negative (1), 1937 January |
Box 141 | Folder 8 | The Cradle Song, photograph (1), 1937 February |
Box 192 | Folder 4 | The Cradle Song, photographs (2), 1937 February |
Box 3 | Folder 46 | The Cradle Song, programs, 1937 February |
Box 3 | Folder 47 | The Winter's Tale, programs, 1937 March |
Box 192 | Folder 4 | Hotel Universe, photograph (1), 1937 April |
Box 3 | Folder 48 | Hotel Universe, programs, 1937 April |
Box 3 | Folder 49 | Dear Brutus, programs, 1937 May |
Box 3 | Folder 50 | Studio - Sixteen, program, 1936 December 2 |
Box 3 | Folder 51 | Studio - Sweet Aloes, programs, 1937 February |
Box 3 | Folder 52 | Studio - The Trysting Place, Good Vintage, "Op-o"-Me-Thumb and Bread, programs, 1937 April 27 |
Box 192 | Folder 4 | Children’s Theatre - Penrod, photographs (2), 1936 November -December |
Box 3 | Folder 54 | Children’s Theatre - Penrod, programs, 1936 November-December |
Box 3 | Folder 55 | Children’s Theatre - Penrod, program from a benefit performance for Amity School Children's Aid, 1936 November-December |
Box 3 | Folder 53 | Children’s Theatre - Penrod, scenic plan (floor plan), 1936 |
Box 192 | Folder 4 | Children’s Theatre - Little Black Sambo, photograph (1), 1936 December-1937 January |
Box 3 | Folder 56 | Children’s Theatre - Little Black Sambo, programs, 1936 December-1937 January |
Box 141 | Folder 9 | Children’s Theatre - The Prince and the Pauper, photographs (3), 1937 February-March |
Box 3 | Folder 57 | Children’s Theatre - The Prince and the Pauper, program, 1937 February-March |
Box 3 | Folder 58 | Children’s Theatre - A Midsummer Night's Dream, program, 1937 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries M: 1937-1938 Season, 1937-1938
Arrangement
Subseries M is arranged chronologically. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 192 | Folder 4 | Accent on Youth, photographs (3), 1937 October |
Box 4 | Folder 2 | Accent on Youth, programs, 1937 October |
Oversize Folder 2 | Accent on Youth, set design, 1937 October | |
Box 141 | Folder 10 | The Adding Machine, photographs (22), negative (1), contact sheets (2), 1937 November |
Box 192 | Folder 5 | The Adding Machine, photographs (3), 1937 November |
Box 4 | Folder 3 | The Adding Machine, programs, 1937 November |
Box 192 | Folder 5 | The Joyous Season, photographs (3), 1937 December |
Box 4 | Folder 4 | The Joyous Season, program, 1937 December |
Box 192 | Folder 5 | Our American Cousin, photographs (5), 1938 January |
Box 141 | Folder 11 | Our American Cousin, photographs (5), 1938 January |
Box 4 | Folder 5 | Our American Cousin, programs, 1938 January |
Box 141 | Folder 12 | King Lear, photographs (12), 1938 February |
Box 192 | Folder 6 | King Lear, photographs (1), 1938 February |
Box 4 | Folder 6 | King Lear, programs, 1938 February |
Box 141 | Folder 13 | Electra, photographs (7), 1938 April-May |
Box 4 | Folder 7 | Electra, programs, 1938 April-May |
Box 141 | Folder 14 | You Never Can Tell, photographs (2), 1938 May |
Box 4 | Folder 8 | You Never Can Tell, program, 1938 May |
Box 141 | Folder 15 | Storm Over Patsy, photographs (2), 1938 March |
Box 4 | Folder 9 | Storm Over Patsy, program, 1938 March 21-29 |
Box 4 | Folder 10 | Ladies in Waiting, programs, 1937 November 17-18 |
Box 4 | Folder 11 | Devil on Stilts, Never Too Old,The First White Woman and Aria Da Capo, programs, 1938 May 12 |
Box 4 | Folder 12 | Trifles, Feast of the Holy Innocents, “Op-o”-Me Thumb and Not Smart, programs, 1938 June 7 |
Box 4 | Folder 13 | Kind Lady, programs, 1938 June 10 |
Box 4 | Folder 14 | The Second Man, programs, 1938 June 14 |
Box 192 | Folder 6 | Radio Rescue, photograph (1), 1937 October-November |
Box 4 | Folder 15 | Radio Rescue, programs, 1937 October-November |
Box 192 | Folder 6 | Hans Brinker, or The Silver Skates, photographs (2), 1938 January 8 |
Box 141 | Folder 16 | Hans Brinker, or The Silver Skates, negative (1), 1938 January 8 |
Box 4 | Folder 16 | Hans Brinker, or The Silver Skates, programs, 1938 January 8 |
Box 192 | Folder 6 | Peter, Peter Pumpkin Eater, photographs (4), 1938 January-February |
Box 4 | Folder 17 | Peter, Peter Pumpkin Eater, programs, 1938 January-February |
Box 141 | Folder 17 | Indian Captive, photographs (3), [1937-1938] |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries N: 1938-1939 Season, 1938-1939
Arrangement
Subseries N is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 4 | Folder 18 | Promotional material, [1938-1939] |
Box 142 | Folder 9 | Why Not? photographs (18), negative (1) 1938 October |
Box 4 | Folder 19 | Why Not? programs, 1938 October |
Box 141 | Folder 18 | Street Scene, photographs (25), 1938 November |
Box 192 | Folder 6 | Street Scene, photograph (1), negative (1), 1938 November |
Box 4 | Folder 20 | Street Scene, programs, 1938 November |
Box 141 | Folder 19 | Bees on the Boat Deck, photographs (13), negative (1), 1938 December |
Box 4 | Folder 22 | Bees on the Boat Deck, programs, 1938 December |
Box 4 | Folder 21 | Bees on the Boat Deck, prop list, 1938 December |
Box 142 | Folder 1 | The Circle, photographs (5), 1939 January |
Box 4 | Folder 23 | The Circle, programs, 1939 January |
Box 4 | Folder 24 | The Circle, program for the Alumni House Performance, 1939 January |
Box 142 | Folder 2 | Much Ado About Nothing, photographs (12), 1939 February |
Box 4 | Folder 25 | Much Ado About Nothing, programs, 1939 February |
Box 142 | Folder 3 | Anna Christie, photograph (1), 1939 March-April |
Box 192 | Folder 6 | Anna Christie, photograph (1), 1939 March-April |
Box 4 | Folder 26 | Anna Christie, programs, 1939 March-April |
Box 142 | Folder 4 | Elizabeth, the Queen, photographs (7), 1939 April |
Box 4 | Folder 27 | Elizabeth the Queen, programs, 1939 April |
Box 142 | Folder 5 | First Lady, photographs (15), negatives (2), 1939 May |
Box 4 | Folder 28 | First Lady, programs, 1939 May |
Box 4 | Folder 29 | Studio - Eugene O'Neill's Sea Plays: Ile, In the Zone, Bound East for Cardiff and Long Voyage Home, programs, 1939 March 17 |
Box 4 | Folder 30 | Studio - “A Bill of One Acts”: A Room in the Tower, Corn Shock, Roses and Rue, The Twelve-Pound Look, programs, [1938-1939] |
Box 142 | Folder 6 | Children’s Theatre - Tom Sawyer, photographs (13), 1938 November-December |
Box 4 | Folder 31 | Children’s Theatre - Tom Sawyer, programs, 1938 November-December |
Box 142 | Folder 7 | Children’s Theatre - Rumpelstiltskin, photographs (5), 1938 December-1939 January |
Box 192 | Folder 6 | Children’s Theatre - Rumpelstiltskin, photograph (1), 1938 December-1939 January |
Box 4 | Folder 33 | Children’s Theatre - Rumpelstiltskin, programs, 1938 December-1939 January |
Box 4 | Folder 32 | Children’s Theatre - Rumpelstiltskin, promotional material, 1938 December-1939 January |
Box 142 | Folder 8 | Children’s Theatre - Alice in Wonderland, photographs (32), includes Edith Hilston, 1939 February |
Box 4 | Folder 35 | Children’s Theatre - Alice in Wonderland, programs, 1939 February |
Oversize Folder 2 | Children’s Theatre - Alice in Wonderland, scenic and set designs, 1939 | |
Box 4 | Folder 36 | Special Events - The Graff Ballet, programs, 1939 January 26-28 |
Box 4 | Folder 37 | Special Events - Dances of Spain, with Clarita Martin, promotional material and program, 1939 May 10-13 |
Box 142 | Folder 10 | Special Events - Katherine Dunham dance group, Haitian Dance, photographs (2), includes Katherine Dunham, [1938] |
Box 4 | Folder 38 | Special Events - Katherine Dunham, programs, 1938 October 27-29 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries O: 1939-1940 Season, 1939-1940
Arrangement
Subseries O is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 5 | Folder 1 | Promotional material, 1939-1940 |
Box 143 | Folder 1 | Holiday, photographs (10), 1939 October |
Box 5 | Folder 2 | Holiday, programs, 1939 October |
Box 5 | Folder 3 | Our Town, programs, 1939 November |
Box 143 | Folder 2 | Family Portrait, photographs (7), negative (1), 1939 December |
Box 5 | Folder 4 | Family Portrait, programs, 1939 December |
Box 143 | Folder 3 | George and Margaret, photographs (14), 1940 January |
Box 5 | Folder 5 | George and Margaret, programs, 1940 January |
Box 143 | Folder 4 | Merry Wives of Windsor, photographs (24), negatives (3), 1940 February |
Box 5 | Folder 7 | Merry Wives of Windsor, programs, 1940 February |
Oversize Folder 2 | Merry Wives of Windsor, set designs, 1940 | |
Box 143 | Folder 5 | He Who Gets Slapped, photographs (5), 1940 March |
Box 192 | Folder 7 | He Who Gets Slapped, photographs (15), 1940 March |
Box 5 | Folder 8 | He Who Gets Slapped, programs, 1940 March |
Box 143 | Folder 6 | Laburnum Grove, photographs (12), 1940 April |
Box 5 | Folder 9 | Laburnum Grove, programs, 1940 April |
Box 143 | Folder 7 | Goodbye Again, photographs (13), 1940 May |
Box 5 | Folder 11 | Goodbye Again, programs, 1940 May |
Box 5 | Folder 10 | Goodbye Again, rehearsal and performance schedule, 1940 May |
Box 5 | Folder 12 | Studio - The Late Christopher Bean, programs, 1939 October 18 |
Box 5 | Folder 13 | Studio - Girls in Uniform, programs, 1939 October 26 |
Box 5 | Folder 14 | Studio - The Whiteheaded Boy, programs, 1939 December 8 |
Box 5 | Folder 15 | Studio - Time and the Conways, programs, 1940 February 16 |
Box 5 | Folder 16 | Studio - Spring Dance by Phillip Barry, programs, 1940 March 22 |
Box 5 | Folder 17 | Studio - The Good Hope, programs, 1940 April 19 |
Box 5 | Folder 18 | Studio - Mystery at Greenfingers, programs, 1940 April 30 |
Box 5 | Folder 19 | Studio - Ladies in Waiting, programs, 1940 May 10 |
Box 5 | Folder 20 | Studio - Four One-Act Plays: Trifles, Constant Lover, Time Out for Matrimony and Sham, programs, [1940] |
Box 5 | Folder 21 | Studio - The Distaff Side, programs, 1940 May 24 |
Box 5 | Folder 22 | Studio - Fresh Fields, programs, 1940 June 5 |
Box 5 | Folder 23 | Studio - Candida, programs, 1940 June 7 |
Box 143 | Folder 8 | Children’s Theatre - Daniel Boone, photographs (10), 1939 November |
Box 5 | Folder 24 | Children’s Theatre - Daniel Boone, programs, 1939 November |
Box 143 | Folder 9 | Children’s Theatre - Cinderella, photographs (10), 1939 December |
Box 5 | Folder 25 | Children’s Theatre - Cinderella, programs, 1939 December |
Box 143 | Folder 10 | Children’s Theatre - Little Women, photographs (10), 1940 February-March |
Box 5 | Folder 26 | Children’s Theatre - Little Women, director's memorandum on settings, 1940 |
Box 5 | Folder 27 | Children’s Theatre - Little Women, programs, 1940 February 3-March 9 |
Box 144 | Folder 1 | Children’s Theatre - Robinson Crusoe, photographs (13), 1940 March |
Box 5 | Folder 28 | Children’s Theatre - Robinson Crusoe, programs, 1940 March |
Box 144 | Folder 2 | Special Events - Agnes de Mille and Her Dance Ensemble, photograph (1), includes Agnes de Mille, 1939 October 30-November 2 |
Box 5 | Folder 29 | Special Events - Agnes de Mille and Her Dance Ensemble, program, 1939 October 30-November 2 |
Box 5 | Folder 30 | Special Events - Katherine Dunham, program, 1939 November 22-25 |
Box 5 | Folder 31 | Special Events - Hanya Holm and Company, program, 1940 January 10-13 |
Box 5 | Folder 32 | Special Events - Negro Singers, program, 1939 October 19-20 |
Box 5 | Folder 33 | Special Events - Saveli Walevitch: Songs of the Russian People, program, 1940 February 28-29 |
Box 5 | Folder 34 | Special Events - The Saidenberg Sinfonietta with Four Dancers, program, 1940 March 6-9 |
Box 5 | Folder 35 | Special Events - The Elizabethan Madrigal Singers, program, 1940 April 10-11 |
Oversize Folder 1 | Special Events - Ten Years in the Dog House, a review in honor of Maurice Gnesin's tenth anniversary as Head of the Kenneth Sawyer Goodman Memorial Theatre, programs, 1940 May 31 |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries P: 1940-1941 Season, 1940-1941
Arrangement
Subseries P is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 144 | Folder 3 | This Fine Pretty World, photographs (13), 1940 October |
Box 5 | Folder 37 | This Fine Pretty World, programs, 1940 October |
Box 144 | Folder 4 | Time and the Conways, photographs (5), 1940 November |
Box 5 | Folder 39 | Time and the Conways, programs, 1940 November |
Box 5 | Folder 38 | Time and the Conways, rehearsal and performance schedule, 1940 |
Box 193 | Folder 1 | Icebound, photographs (11), 1940 November |
Box 5 | Folder 40 | Icebound, program, 1940 November |
Box 144 | Folder 5 | Night Must Fall, photographs (10), 1940 December |
Box 5 | Folder 41 | Night Must Fall, schedule, 1940 December |
Box 5 | Folder 42 | Night Must Fall, programs, 1940 December |
Box 144 | Folder 6 | The Admirable Crichton, photographs (12), 1941 January |
Box 5 | Folder 43 | The Admirable Crichton, programs, 1941 January |
Box 144 | Folder 7 | The Swan, photographs (14), 1941 February-March |
Box 5 | Folder 44 | The Swan, programs, 1941 February-March |
Box 144 | Folder 8 | The Silver Cord, photographs (11), 1941 March-April |
Box 5 | Folder 46 | The Silver Cord, programs, 1941 March-April |
Box 5 | Folder 45 | The Silver Cord, rehearsal and performance schedule, 1941 |
Box 144 | Folder 9 | Three Sisters, photographs (21), 1941 April-May |
Box 193 | Folder 1 | Three Sisters, photographs (1), 1941 April-May |
Box 5 | Folder 47 | Three Sisters, programs, 1941 April-May |
Box 144 | Folder 10 | The Youngest, photographs (7), 1941 May |
Box 5 | Folder 48 | The Youngest, programs, 1941 May |
Box 5 | Folder 49 | Studio - Finished, programs, 1940 November 29 |
Box 5 | Folder 50 | Studio - Tonight at 8:30: Ways and Means, Still Life and Fumed Oak, costumes, 1941 March 22 |
Box 5 | Folder 51 | Studio - Forced Landing, program, 1941 April 26 |
Box 5 | Folder 52 | Studio - Three One-Act Plays: O'Flaherty,Riders to the Sea and The Twelve-Pound Look, programs, 1941 May 9 |
Box 5 | Folder 53 | Studio - The Far Off Hills, programs, 1941 May 17 |
Box 5 | Folder 54 | Studio - Let Us Be Gay, program, 1941 May 23 |
Box 5 | Folder 55 | Studio - Double Door, programs, 1941 May 29 |
Box 5 | Folder 56 | Studio - Ghosts, programs, 1941 June 6 |
Box 5 | Folder 57 | Studio - Hay Fever, programs, 1941 June 13 |
Box 145 | Folder 1 | Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (8), 1940 October |
Box 193 | Folder 1 | Children’s Theatre - Aladdin and His Wonderful Lamp, negative (1), 1940 October |
Box 5 | Folder 58 | Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1940 October |
Box 5 | Folder 59 | Children’s Theatre - Red Riding Hood, programs, 1940 December-1941 February |
Box 145 | Folder 2 | Children’s Theatre - Abe Lincoln: New Salem Days, photographs (3), 1941 February-March |
Box 5 | Folder 60 | Children’s Theatre - Abe Lincoln: New Salem Days, programs, 1941 February-March |
Box 145 | Folder 3 | Children’s Theatre - Sleeping Beauty, photographs (8), negatives (3), 1941 March-April |
Box 5 | Folder 62 | Children’s Theatre - Sleeping Beauty, programs, 1941 March-April |
Box 5 | Folder 61 | Children’s Theatre - Sleeping Beauty, rehearsal and performance schedule, 1941 |
Box 5 | Folder 63 | Special Events - Agnes de Mille and Her Ensemble, programs, 1940 October-November |
Box 145 | Folder 4 | Special Events - The Graff Ballet, photographs (3), includes Grace and Kurt Graff, 1941 February |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries Q: 1941-1942 Season, 1941-1942
Arrangement
Subseries Q is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 145 | Folder 5 | Fresh Fields, photographs (11), negative (1), 1941 October |
Box 6 | Folder 1 | Fresh Fields, programs, 1941 October |
Box 145 | Folder 6 | Outward Bound, photographs (8), negative (1), 1941 November |
Box 6 | Folder 2 | Outward Bound, programs, 1941 November |
Box 145 | Folder 7 | Hay Fever, photographs (10), 1941 November |
Box 193 | Folder 1 | Hay Fever, photograph (1), 1941 November |
Box 6 | Folder 3 | Hay Fever, programs, 1941 November |
Box 145 | Folder 8 | Yes, My Darling Daughter, photographs (5), 1941 December |
Box 6 | Folder 4 | Yes, My Darling Daughter, programs, 1941 December |
Box 145 | Folder 9 | Right You Are, photographs (6), 1942 January |
Box 193 | Folder 2 | Right You Are, photographs (1), 1942 January |
Box 6 | Folder 5 | Right You Are, programs, 1942 January |
Box 145 | Folder 10 | In a Garden, photographs (9), 1942 February |
Box 145 | Folder 11 | The Romantic Young Lady, photographs (6), 1941-1942 |
Box 193 | Folder 2 | The Romantic Young Lady, photograph (1), 1941-1942 |
Box 145 | Folder 12 | Romeo and Juliet, photographs (14), 1942 April-May |
Box 193 | Folder 2 | Romeo and Juliet, photograph (1), 1942 April-May |
Box 6 | Folder 6 | Romeo and Juliet, programs, 1942 April-May |
Oversize Folder 2 | Romeo and Juliet, set designs, watercolor rendering, 1942 | |
Box 146 | Folder 1 | The Farmer’s Wife, photographs (10), 1942 May |
Box 6 | Folder 8 | The Farmer's Wife, programs, 1942 May |
Box 6 | Folder 9 | Studio - Old Acquaintance, programs, 1941 October 24 |
Box 6 | Folder 10 | Studio - Drawing Room, programs, [1941] |
Box 6 | Folder 11 | Studio - Pillars of Society, programs, 1941 December 11 |
Box 6 | Folder 12 | Studio - The Distaff Side, programs, 1942 February 14 |
Box 6 | Folder 13 | Studio - Ladies in Retirement, programs, 1942 February |
Box 6 | Folder 14 | Studio - The Old Ladies, programs, [1942] |
Box 6 | Folder 15 | Studio - Beyond the Horizon, programs, 1942 May 6 |
Box 6 | Folder 16 | Studio - Ladies of the Jury, programs, 1942 May |
Box 6 | Folder 17 | Studio - Nine Til Six, programs, 1942 June 9 |
Box 146 | Folder 2 | Children’s Theatre - Hansel and Gretel, photographs (5), 1941 October-December |
Box 6 | Folder 18 | Children’s Theatre - Hansel and Gretel, programs, 1941 October 25-December 13 |
Box 6 | Folder 19 | Children’s Theatre - The Three Bears, programs, 1941 December-1942 February |
Box 146 | Folder 3 | Children’s Theatre - Huckleberry Finn, photographs (10), 1942 January-March |
Box 193 | Folder 2 | Children’s Theatre - Huckleberry Finn, photograph (1), 1942 January-March |
Box 6 | Folder 20 | Children’s Theatre - Huckleberry Finn, programs, 1942 January-March |
Box 146 | Folder 4 | Children’s Theatre - The Squire’s Bride, photographs (11), [1942] |
Box 6 | Folder 21 | Children’s Theatre - The Squire's Bride, programs, [1942] |
Box 6 | Folder 22 | Special Events - Hanya Holm and Dance Company, programs, 1941 October |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries R: 1942-1943 Season, 1942-1943
Arrangement
Subseries R is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 146 | Folder 5 | George Washington Slept Here, photographs (5), 1942 October |
Box 6 | Folder 23 | George Washington Slept Here, programs, 1942 October |
Box 146 | Folder 6 | The Black Eye, photographs (6), negative (1), 1942 November |
Box 6 | Folder 24 | The Black Eye, programs, 1942 November |
Box 146 | Folder 7 | The Late Christopher Bean, photographs (6), 1943 January |
Box 6 | Folder 25 | The Late Christopher Bean, programs, 1943 January |
Box 146 | Folder 8 | There’s Always Juliet, photographs (4), 1943 January-February |
Box 6 | Folder 26 | There's Always Juliet, programs, 1943 January-February |
Box 146 | Folder 9 | The Importance of Being Earnest by Oscar Wilde, photographs (6), 1942-1943 |
Box 146 | Folder 10 | Old Acquaintance, photographs (7), 1943 February |
Box 6 | Folder 27 | Old Acquaintance, programs, 1943 February |
Box 146 | Folder 13 | Letters to Lucerne, photographs (7), 1943 March |
Box 6 | Folder 28 | Letters to Lucerne, programs, 1943 March |
Box 146 | Folder 11 | The Shining Hour, photographs (6), 1943 April-May |
Box 6 | Folder 29 | The Shining Hour, programs, 1943 April-May |
Box 146 | Folder 12 | The Dover Road, photographs (10), 1943 May |
Box 6 | Folder 30 | The Dover Road, programs, 1943 May 13-26 |
Box 6 | Folder 31 | Studio - Letters to Lucerne, programs, 1942 December 4 |
Box 6 | Folder 32 | Studio - Sweet Aloes, programs, 1942 December 11 |
Box 6 | Folder 33 | Studio - The Lady Who Came to Stay, programs, 1943 February 16 |
Box 6 | Folder 34 | Studio - Nine Till Six, programs, 1943 May 5 |
Box 6 | Folder 35 | Studio - Claudia, programs, 1943 May 15 |
Box 6 | Folder 36 | Studio - Three One-Act Plays: Riders to the Sea, The Violet, These Small Things, programs, 1943 May 28 |
Box 6 | Folder 37 | Studio - Cradle Song, programs, 1943 June 3-4 |
Box 146 | Folder 14 | Children’s Theatre - Alice’s New Wonderland, photographs (6), 1942 October-December |
Box 6 | Folder 38 | Children’s Theatre - Alice's New Wonderland, programs, 1942 October-December |
Box 146 | Folder 15 | Children’s Theatre - The Magic Horn, photographs (5), negative (1), 1942 December-1943 January |
Box 6 | Folder 39 | Children’s Theatre - The Magic Horn, programs, 1942 December-1943 January |
Box 147 | Folder 1 | Children’s Theatre - Little Black Sambo, photographs (5), 1943 January-March |
Box 6 | Folder 40 | Children’s Theatre - Little Black Sambo, programs, 1943 January-March |
Box 147 | Folder 2 | Children’s Theatre - The Elves and the Shoemaker, photographs (7), 1943 March-May |
Box 6 | Folder 41 | Children’s Theatre - The Elves and the Shoemaker, programs, 1943 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries S: 1943-1944 Season, 1943-1944
Arrangement
Subseries S is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 147 | Folder 3 | Three-Cornered Moon, photographs (6), 1943 October |
Box 193 | Folder 2 | Three-Cornered Moon, photograph (1), 1943 October |
Box 6 | Folder 42 | Three-Cornered Moon, programs, 1943 October |
Box 147 | Folder 4 | The Little Foxes, photographs (2), negative (1), 1943 November |
Box 193 | Folder 2 | The Little Foxes, photographs (3), 1943 November |
Box 6 | Folder 43 | The Little Foxes, programs, 1943 November |
Box 147 | Folder 5 | The Tiding Brought to Mary, photographs (5), 1943 December |
Box 6 | Folder 44 | The Tidings Brought to Mary, programs, 1943 December |
Box 147 | Folders 6 | The Whiteheaded Boy, photograph (1), 1944 January-February |
Box 193 | Folder 2 | The Whiteheaded Boy, photographs (4), 1944 January-February |
Box 6 | Folder 45 | The Whiteheaded Boy, programs, 1944 January-February |
Box 6 | Folder 46 | Ah, Wilderness! programs, 1944 February-March |
Box 193 | Folder 3 | Mr. Pim Passes By, photographs (6), 1944 March-April |
Box 6 | Folder 47 | Mr. Pim Passes By, programs, 1944 March-April |
Box 193 | Folder 3 | King Lear, photographs (3), includes David Itkin, 1944 April-May |
Box 6 | Folder 48 | King Lear, programs, 1944 April-May |
Box 193 | Folder 3 | What a Life, photographs (5), 1944 May |
Box 6 | Folder 49 | What a Life, programs, 1944 May |
Box 6 | Folder 50 | Studio - Russet Mantle, programs, 1943 December 14 |
Box 6 | Folder 51 | Studio - Cry Havoc, programs, 1944 February 16 |
Box 6 | Folder 52 | Studio - Girls in Uniform, programs, 1944 May 2 |
Box 6 | Folder 53 | Studio - Craig's Wife, programs, 1944 May 19 |
Box 6 | Folder 54 | Studio - The First Mrs. Fraser, programs, 1944 June 1 |
Box 6 | Folder 55 | Children’s Theatre - promotional material, 1943-1944 |
Box 147 | Folder 7 | Children’s Theatre - Beauty and the Beast, photograph (1), negatives (3), 1943 October-December |
Box 193 | Folder 4 | Children’s Theatre - Beauty and the Beast, photographs (5), includes Shelley Berman and Geraldine Page, 1943 October-December |
Box 6 | Folder 56 | Children’s Theatre - Beauty and the Beast, programs, 1943 October-December |
Box 193 | Folder 4 | Children’s Theatre - Radio Rescue, photograph (1), 1943 December-1944 January |
Box 6 | Folder 57 | Children’s Theatre - Radio Rescue, programs, 1943 December-1944 January |
Box 147 | Folder 8 | Children’s Theatre - The Snow Maiden, negative (1), 1944 February-March |
Box 193 | Folder 4 | Children’s Theatre - The Snow Maiden, photographs (5), 1944 February-March |
Box 6 | Folder 58 | Children’s Theatre - The Snow Maiden, programs, 1944 February-March |
Box 193 | Folder 5 | Children’s Theatre - Jack and the Beanstalk, photographs (3), 1944 April-May |
Box 6 | Folder 59 | Children’s Theatre - Jack and the Beanstalk, program, 1944 April-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries T: 1944-1945 Season, 1944-1945
Arrangement
Subseries T is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 147 | Folder 9 | Accent on Youth, negative (1), 1944 October |
Box 193 | Folder 5 | Accent on Youth, photograph (1), 1944 October |
Box 7 | Folder 1 | Accent on Youth, programs, 1944 October |
Box 147 | Folder 10 | The Sea Gull, photographs (2), negative (1), 1944 November |
Box 193 | Folder 5 | The Sea Gull, photographs (3), 1944 November |
Box 7 | Folder 2 | The Sea Gull, programs, 1944 November |
Box 7 | Folder 3 | The Sea Gull, program from performance in memory of Mrs. William Owen Goodman, 1944 November 2 |
Box 147 | Folder 11 | You Can’t Take It with You, negatives (2), 1944 November-December |
Box 193 | Folder 5 | You Can’t Take It with You, photographs (4), 1944 November-December |
Box 7 | Folder 4 | You Can't Take It with You, programs, 1944 November-December |
Box 147 | Folder 12 | Craig’s Wife, photographs (2), 1945 January |
Box 193 | Folder 6 | Craig’s Wife, photographs (2), 1945 January |
Box 7 | Folder 5 | Craig's Wife, programs, 1945 January |
Box 147 | Folder 13 | Wappin’ Wharf, photograph (1), 1945 February |
Box 193 | Folder 6 | Wappin’ Wharf, photograph (1), 1945 February |
Box 7 | Folder 6 | Wappin' Wharf, programs, 1945 February |
Box 7 | Folder 7 | Winterset, programs, 1945 March |
Box 147 | Folder 14 | Hedda Gabler, photographs (7), 1945 April |
Box 7 | Folder 8 | Hedda Gabler, programs, 1945 April |
Box 7 | Folder 9 | Another Language, programs, 1945 May |
Box 7 | Folder 10 | Studio - Ladies in Waiting, programs, 1944 December 12 |
Box 7 | Folder 11 | Studio - Hotel Universe, programs, 1945 May 29 |
Box 7 | Folder 12 | Studio - The Distaff Side, program, 1944 December 2 |
Box 7 | Folder 13 | Studio - Fresh Fields, program, 1945 April 28 |
Box 7 | Folder 14 | Studio - Brief Music, program, 1945 March 15 |
Box 7 | Folder 15 | Studio - Nine Till Six, program, 1945 May 9 |
Box 7 | Folder 16 | Studio - Night Must Fall, program, 1945 June 7 |
Box 193 | Folder 6 | Children’s Theatre - Hiawatha, photographs (2), 1944 October-December |
Box 7 | Folder 17 | Children’s Theatre - Hiawatha, programs, 1944 October-December |
Box 147 | Folder 15 | Children’s Theatre - The Emperor’s New Clothes, photograph (1), 1944 December-1945 January |
Box 194 | Folder 1 | Children’s Theatre - The Emperor’s New Clothes, photograph (1), 1944 December-1945 January |
Box 7 | Folder 18 | Children’s Theatre - The Emperor's New Clothes, programs, 1944 December-1945 January |
Box 193 | Folder 6 | Children’s Theatre - King Midas and the Golden Touch, photographs (3), 1945 January-March |
Box 7 | Folder 19 | Children’s Theatre - King Midas and the Golden Touch, programs, 1945 January-March |
Box 7 | Folder 20 | Children’s Theatre - Cinderella, programs, 1945 March-May |
Box 147 | Folder 16 | Children’s Theatre - Pedro and the Fighting Cocks, photographs (7), negative (1), 1945 May-June |
Box 7 | Folder 21 | Children’s Theatre - Pedro and the Fighting Cocks, programs, 1945 May-June |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries U: 1945-1946 Season, 1945-1946
Arrangement
Subseries U is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 193 | Folder 6 | The Philadelphia Story, photographs (4), 1945 October |
Box 7 | Folder 22 | The Philadelphia Story, programs, 1945 October |
Box 194 | Folder 1 | The Skin of Our Teeth, photograph (1), 1945 November |
Box 7 | Folder 23 | The Skin of Our Teeth, programs, 1945 November |
Box 194 | Folder 1 | Blithe Spirit, photographs (2), 1945 November-December |
Box 7 | Folder 24 | Blithe Spirit, programs, 1945 November-December |
Box 147 | Folder 17 | Heartbreak House, photographs (9), negative (1), 1946 January |
Box 7 | Folder 25 | Heartbreak House, programs, 1946 January |
Box 147 | Folder 18 | The Taming of the Shrew, photographs (8), 1946 February |
Box 7 | Folder 26 | The Taming of the Shrew, programs, 1946 February |
Box 147 | Folder 49 | Claudia, photographs (5), 1946 March |
Box 7 | Folder 27 | Claudia by Rose Franken, programs, 1946 March |
Box 7 | Folder 28 | Let Us Be Gay, programs, 1946 May |
Box 147 | Folder 20 | John Ferguson, photographs (4), 1946 |
Box 7 | Folder 29 | Studio - Guest in the House, programs, 1945 November 17 |
Box 7 | Folder 30 | Studio - The Trial of Mary Dugan, programs, 1945 December 14 |
Box 7 | Folder 31 | Studio - The Male Animal, programs, 1946 March 16 |
Box 7 | Folder 32 | Studio - The Good Hope, programs, 1946 April 16 |
Box 7 | Folder 33 | Studio - The Distaff Side, programs, 1946 May 9 |
Box 7 | Folder 34 | Studio - As You Like It, programs, 1946 June 6 |
Box 147 | Folder 21 | Children’s Theatre - Rumpelstiltskin, photographs (2), 1945 October-December |
Box 194 | Folder 1 | Children’s Theatre - Rumpelstiltskin, photographs (2), 1945 October-December |
Box 7 | Folder 36 | Children’s Theatre - Rumpelstiltskin,programs, 1945 October-December |
Box 7 | Folder 35 | Children’s Theatre - Rumpelstiltskin, promotional material, 1945 October-December |
Box 147 | Folder 22 | Children’s Theatre - Paul Bunyan’s First Christmas, photographs (2), 1945 December-1946 January |
Box 7 | Folder 37 | Children’s Theatre - Paul Bunyan's First Christmas, programs, 1945 December-1946 January |
Box 1547 | Folder 23 | Children’s Theatre - Tom Sawyer, photographs (3), negative (1) [1946] |
Box 7 | Folder 38 | Children’s Theatre - Tom Sawyer, programs, [1946] |
Box 147 | Folder 24 | Children’s Theatre - Little Lee Bobo, photographs (3), 1946 March-May |
Box 7 | Folder 40 | Children’s Theatre - Little Lee Bobo, programs, 1946 March-May |
Box 7 | Folder 39 | Children’s Theatre - Little Lee Bobo, promotional material, 1946 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries V: 1946-1947 Season, 1946-1947
Arrangement
Subseries V is arranged chronologically beginning with mainstage productions followed by children’s productions. The number of images with the same description is indicated in parentheses.
Box 148 | Folder 1 | The Male Animal, photographs (7), 1946 October |
Box 8 | Folder 1 | The Male Animal, programs, 1946 October |
Box 148 | Folder 2 | Saint Joan, photographs (4), 1946 November |
Box 8 | Folder 2 | Saint Joan, programs, 1946 November |
Box 8 | Folder 3 | The Far-Off Hills, programs, 1946 December |
Box 148 | Folder 3 | French Without Tears, photographs (9), 1947 January |
Box 8 | Folder 4 | French Without Tears, programs, 1947 January |
Box 148 | Folder 4 | Othello, photograph (1), 1947 February |
Box 8 | Folder 5 | Othello, program, 1947 February |
Box 148 | Folder 5 | End of Summer, photographs (9), 1947 February |
Box 8 | Folder 6 | End of Summer, programs, 1947 February |
Box 8 | Folder 7 | Yerma, programs, 1947 April |
Box 148 | Folder 6 | The Royal Family, photographs (4), 1947 May |
Box 8 | Folder 8 | The Royal Family, programs, 1947 May |
Box 8 | Folder 9 | Studio - Laburnum Grove, programs, 1946 November 13 |
Box 8 | Folder 10 | Studio - A Bill of Divorcement, programs, 1946 December 7 |
Box 8 | Folder 11 | Studio - Holiday, programs, 1947 February 8 |
Box 8 | Folder 12 | Studio - The Father, programs, [1946-1947] |
Box 8 | Folder 13 | Studio - Mr. Pim Passes By, programs, [1946-1947] |
Box 8 | Folder 14 | Studio - The Circle, programs, 1947 May 10 |
Box 8 | Folder 15 | Studio - Ghosts, programs, [1946-1947] |
Box 8 | Folder 16 | Studio - Three Plays of the Sea by Eugene O'Neill: Bound East for Cardiff, In the Zone, and The Long Voyage Home, programs, [1946-1947] |
Box 148 | Folder 7 | Children’s Theatre - The Twelve Dancing Princesses, photographs (2), 1946 October-December |
Box 8 | Folder 17 | Children’s Theatre - The Twelve Dancing Princesses, programs, 1946 October-December |
Box 8 | Folder 18 | Children’s Theatre - Sleeping Beauty, programs, 1946 December-1947 January |
Box 148 | Folder 8 | Children’s Theatre - Red Riding Hood, photographs (2), negative (1), 1947 February-March |
Box 8 | Folder 19 | Children’s Theatre - Red Riding Hood, programs, 1947 February-March |
Box 148 | Folder 9 | Children’s Theatre - The Prince and the Pauper, photographs (6), [1946-1947] |
Box 8 | Folder 20 | Children’s Theatre - The Prince and the Pauper, programs, [1946-1947] |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries W: 1947-1948 Season, 1947-1948
Arrangement
Subseries W is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 148 | Folder 10 | Dear Ruth, photographs (7), 1947 October |
Box 8 | Folder 21 | Dear Ruth, programs, 1947 October |
Box 148 | Folder 11 | Shadow and Substance, photographs (10), 1947 November |
Box 8 | Folder 22 | Shadow and Substance, programs, 1947 November |
Box 148 | Folder 12 | The Show-Off, photographs (9), 1947 December |
Box 8 | Folder 23 | The Show-Off, programs, 1947 December |
Box 148 | Folder 13 | Macbeth, photographs (5), 1948 January |
Box 194 | Folder 1 | Macbeth, photographs (2), 1948 January |
Box 8 | Folder 24 | Macbeth, program, 1948 January |
Box 148 | Folder 14 | The Man Who Came to Dinner, photographs (9), 1948 February |
Box 8 | Folder 25 | The Man Who Came to Dinner, programs, 1948 February |
Box 148 | Folder 15 | The Wild Duck, photographs (8), 1948 March |
Box 8 | Folder 26 | The Wild Duck, programs, 1948 March |
Box 148 | Folder 16 | The Chief Thing, photographs (8), 1948 April |
Box 8 | Folder 27 | The Chief Thing, programs, 1948 April |
Box 149 | Folder 1 | The Enchanted April, photographs (10), negative (1), 1948 May |
Box 8 | Folder 28 | The Enchanted April, programs, 1948 May |
Box 8 | Folder 29 | Three One-Act Plays: Brothers, On the High Road and Autumn Fires, programs, [1947-1948] |
Box 8 | Folder 30 | Three One-Act Plays: Cloey, Quare Medicine and Ile, programs, [1947-1948] |
Box 8 | Folder 31 | Studio - My Heart's in the Highlands, programs, 1947 December 12 |
Box 8 | Folder 32 | Studio - Three Cornered Moon, programs, 1948 March 12 |
Box 8 | Folder 33 | Studio - Time and the Conways, program, 1948 April 6 |
Box 8 | Folder 34 | Studio - Outward Bound, program, 1948 April 13 |
Box 8 | Folder 35 | Studio - The Dover Road, program, 1948 April 23 |
Box 8 | Folder 36 | Studio - Twelfth Night, programs, 1948 May 25 |
Box 8 | Folder 37 | Studio - Liliom, programs, 1948 June 4 |
Box 149 | Folder 2 | Children’s Theatre - The Return of Rip Van Winkle, photographs (7), 1947 October-December |
Box 8 | Folder 38 | Children’s Theatre - The Return of Rip Van Winkle, program, 1947 October-December |
Box 8 | Folder 39 | Children’s Theatre - The Three Bears, program, 1947 December-1948 January |
Box 149 | Folder 3 | Children’s Theatre - The Squire’s Bride, photographs (4), 1948 January-March |
Box 8 | Folder 40 | Children’s Theatre - The Squire's Bride, program, 1948 January-March |
Box 149 | Folder 4 | Children’s Theatre - Flibbertygibbet, photographs (14), 1948 March-May |
Box 8 | Folder 41 | Children’s Theatre - Flibbertygibbet, programs, 1948 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries X: 1948-1949 Season, 1948-1949
Arrangement
Subseries X is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 149 | Folder 5 | Arsenic and Old Lace, photographs (5), 1948 October |
Box 8 | Folder 42 | Arsenic and Old Lace, program, 1948 October |
Box 8 | Folder 43 | The Father, programs, 1948 November |
Box 149 | Folder 6 | Major Barbara, photographs (2), negative (1), 1948 December |
Box 194 | Folder 1 | Major Barbara, photographs (4), 1948 December |
Box 8 | Folder 44 | Major Barbara, programs, 1948 December |
Box 194 | Folder 2 | The Circle, photographs (14), 1949 January |
Box 8 | Folder 45 | The Circle, programs, 1949 January |
Box 194 | Folder 3 | Henry IV, Part I, photographs (10), 1949 February-March |
Box 8 | Folder 46 | Henry IV, Part I, programs, 1949 February-March |
Box 194 | Folder 3 | A Sound of Hunting, photographs (5), includes Harvey Korman, 1949 March |
Box 8 | Folder 47 | A Sound of Hunting, 1949 March |
Box 194 | Folder 4 | George and Margaret, photographs (10), 1949 April |
Box 8 | Folder 48 | George and Margaret, programs, 1949 April |
Box 149 | Folder 7 | The Return to Earth, negative (1), 1949 May |
Box 194 | Folder 5 | The Return to Earth, photographs (15), 1949 May |
Box 8 | Folder 49 | The Return to Earth, program, 1949 May |
Box 8 | Folder 50 | Studio -Yes, My Darling Daughter, program, 1948 October 30 |
Box 8 | Folder 51 | Studio -Dear Brutus, programs, 1949 January 28 |
Box 8 | Folder 52 | Studio -The Glass Menagerie, program, 1949 February 25 |
Box 8 | Folder 53 | Studio -All My Sons, program, 1949 March 8 |
Box 8 | Folder 54 | Studio -The Linden Tree, program, 1949 March 18 |
Box 8 | Folder 55 | Studio -The Silver Cord, program, [1948-1949] |
Box 8 | Folder 56 | Studio -Fresh Fields, program, 1949 April 5 |
Box 8 | Folder 57 | Studio -Hay Fever, program, 1949 April 14 |
Box 8 | Folder 58 | Studio -Petticoat Fever, program, 1949 April 23 |
Box 8 | Folder 59 | Studio - Four One-Act Plays: Quare Medicine, The Dark Lady of the Sonnet,The Rehearsal and The Flattering Word, program, [1948-1949] |
Box 8 | Folder 60 | Studio -Hedda Gabler, program, 1949 May 13 |
Box 8 | Folder 61 | Studio -John Ferguson, programs, 1949 May 20 |
Box 8 | Folder 62 | Studio -The Corn is Green, program, 1949 May 27 |
Box 8 | Folder 63 | Studio -Arms and the Man, programs, 1949 June 7 |
Box 194 | Folder 6 | Children’s Theatre -Alice in Wonderland, photographs (3), 1948 October-1949 January |
Box 8 | Folder 64 | Children’s Theatre -Alice in Wonderland, programs, 1948 October-1949 January |
Box 149 | Folder 8 | Children’s Theatre -Hans Brinker and the Silver Skates, photograph (1), 1949 January-March |
Box 194 | Folder 6 | Children’s Theatre -Hans Brinker and the Silver Skates, photographs (3), 1949 January-March |
Box 8 | Folder 65 | Children’s Theatre -Hans Brinker and the Silver Skates, program, 1949 January-March |
Box 149 | Folder 9 | Children’s Theatre -The Elves and the Shoemaker, photograph (1), 1949 March-June |
Box 194 | Folder 6 | Children’s Theatre -The Elves and the Shoemaker, photographs (7), 1949 March-June |
Box 8 | Folder 66 | Children’s Theatre -The Elves and the Shoemaker, program, 1949 March-June |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries Y: 1949-1950 Season, 1949-1950
Arrangement
Subseries Y is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 9 | Folder 1 | Memos, reservations, 1949-1950 |
Box 149 | Folder 10 | The First Lady, negative (1), 1949 September-October |
Box 194 | Folder 7 | The First Lady, photographs (9), includes Harvey Korman, 1949 September-October |
Box 9 | Folder 2 | The First Lady, programs, 1949 September-October |
Box 149 | Folder 11 | Joan of Lorraine, photographs (8), negative (1), 1949 November |
Box 9 | Folder 3 | Joan of Lorraine, programs, 1949 November |
Box 149 | Folder 12 | Candida, photographs (10), 1949 December |
Box 9 | Folder 4 | Candida, programs, 1949 December |
Box 149 | Folders 13 | Dark of the Moon, photographs (4), 1950 January |
Box 9 | Folder 5 | Dark of the Moon, programs, 1950 January |
Box 149 | Folder 14 | Hamlet, photographs (9), negatives (2), contact sheets (2) includes Harvey Korman, 1950 February-March |
Box 194 | Folder 7 | Hamlet, photograph (1), 1950 February-March |
Box 9 | Folder 6 | Hamlet, programs, 1950 February-March |
Box 149 | Folder 15 | Goodbye Again, photographs (5), contact sheet (1), 1950 March |
Box 195 | Folder 1 | Goodbye Again, photograph (1), 1950 March |
Box 9 | Folder 7 | Goodbye Again, programs, 1950 March |
Box 149 | Folder 16 | All My Sons, photographs (8), 1950 April |
Box 194 | Folder 7 | All My Sons, photograph (1), 1950 April |
Box 9 | Folder 8 | All My Sons, programs, 1950 April |
Box 149 | Folder 17 | Jason, photographs (3), contact sheets (2), 1950 May |
Box 195 | Folder 1 | Jason, photographs (2), 1950 May |
Box 9 | Folder 9 | Jason, program, 1950 May |
Box 150 | Folder 1 | Studio - Three Irish One-Act Plays: In the Shadow of the Glen, The Pot of Broth andSpreading the Word, photographs (3), 1949 October |
Box 9 | Folder 10 | Studio - Three Irish One-Act Plays: In the Shadow of the Glen, The Pot of Broth andSpreading the Word, programs, 1949 October 18 |
Box 150 | Folder 2 | Studio - The Philadelphia Story, photograph (1), 1949 October |
Box 9 | Folder 11 | Studio - The Philadelphia Story, programs, 1949 October 25 |
Box 9 | Folder 12 | Studio - An Inspector Calls, programs, 1949 November 2 |
Box 160 | Folder 4 | Studio - An Inspector Calls, photograph (1), contact sheets (2) 1949 |
Box 150 | Folder 3 | Studio - Three One-Act Plays by Eugene O'Neill: In the Zone, The Long Voyage Home and The Moon of the Caribbees, photographs (2), 1949 November 12 |
Box 9 | Folder 13 | Studio - Three One-Act Plays by Eugene O'Neill: In the Zone, The Long Voyage Home and The Moon of the Caribbees, programs, 1949 November 12 |
Box 150 | Folder 4 | Studio - The Master Builder, photographs (2), 1949 November 22 |
Box 9 | Folder 14 | Studio - The Master Builder, programs, 1949 November 22 |
Box 150 | Folder 5 | Studio - The Distaff Side, photographs (2), 1949 December 3 |
Box 9 | Folder 15 | Studio - The Distaff Side, programs, 1949 December 3 |
Box 150 | Folder 6 | Studio - Tartuffe or The Imposter, photographs (12), 1949 December 13 |
Box 9 | Folder 16 | Studio - Tartuffe, or The Imposter, programs, 1949 December 13 |
Box 9 | Folder 17 | Studio - Ladies in Retirement, programs, 1950 January 19 |
Box 150 | Folder 7 | Studio - The Male Animal, photographs (5), 1950 January 31 |
Box 9 | Folder 18 | Studio - The Male Animal, programs, 1950 January 31 |
Box 150 | Folder 8 | Studio - Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, The Shewing Up of Blanco Posnet andO'Flaherty V.C., photographs (6), contact sheet (1), 1950 February 8 |
Box 9 | Folder 19 | Studio - Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, The Shewing Up of Blanco Posnet andO'Flaherty V.C., programs, 1950 February 8 |
Box 150 | Folder 9 | Studio - Three One-Act Plays: The Happy Journey, Hello Out There and The Boor, photographs (5), 1950 February 18 |
Box 9 | Folder 20 | Studio - Three One-Act Plays: The Happy Journey, Hello Out There and The Boor, programs, 1950 February 18 |
Box 150 | Folder 10 | Studio - Another Part of the Forest, photograph (1), 1950 February 28 |
Box 9 | Folder 21 | Studio - Another Part of the Forest, programs, 1950 February 28 |
Box 150 | Folder 11 | Studio - Home is Tomorrow, photographs (2), contact sheets (4), 1950 March 11 |
Box 9 | Folder 22 | Studio - Home is Tomorrow, programs, 1950 March 11 |
Box 150 | Folder 12 | Studio - Hotel Universe, photographs (3), contact sheets (2), 1950 March 25 |
Box 9 | Folder 23 | Studio - Hotel Universe, programs, 1950 March 25 |
Box 150 | Folder 13 | Studio - The Old Ladies, photographs (2), contact sheet (1), 1950 March 31 |
Box 9 | Folder 24 | Studio - The Old Ladies, programs, 1950 March 31 |
Box 150 | Folder 14 | Studio - Rocket to the Moon, photographs (4), contact sheets (2), 1950 April 15 |
Box 9 | Folder 25 | Studio - Rocket to the Moon, programs, 1950 April 15 |
Box 150 | Folder 15 | Studio - The Torch-Bearers, photographs (3), 1950 April 26 |
Box 9 | Folder 26 | Studio - The Torch-Bearers, programs, 1950 April 26 |
Box 150 | Folder 16 | Studio - Antigone, photographs (6), contact sheets (3), 1950 May 4 |
Box 9 | Folder 27 | Studio - Antigone, programs, 1950 May 4 |
Box 9 | Folder 28 | Studio - The Little Foxes, programs, 1950 May 16 |
Box 150 | Folder 17 | Studio - Shadow and Substance, photographs (5), contact sheets (2), 1950 May 25 |
Box 9 | Folder 29 | Studio - Shadow and Substance, programs, 1950 May 25 |
Box 9 | Folder 30 | Studio - Pygmalion, programs, 1950 June 2 |
Box 150 | Folder 18 | Studio - Six Characters in Search of an Author, photographs (5), contact sheet (1), 1950 June 7 |
Box 9 | Folder 31 | Studio - Six Characters in Search of an Author, programs, 1950 June 7 |
Box 150 | Folder 19 | Children’s Theatre - Marco Polo and the Drum of Ahmad, photographs (8), 1949 October-December |
Box 9 | Folder 32 | Children’s Theatre - Marco Polo and the Drum of Ahmad, programs, 1949 October-December |
Box 150 | Folder 20 | Children’s Theatre - The Indian Captive, photographs (10), 1949 December-1950 January |
Box 9 | Folder 33 | Children’s Theatre - The Indian Captive, programs, 1949 December-1950 January |
Box 9 | Folder 34 | Children’s Theatre - King Midas and the Golden Touch, programs, 1950 February-March |
Box 150 | Folder 21 | Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (3), contact sheets (2), 1950 April-May |
Box 195 | Folder 1 | Children’s Theatre - Aladdin and His Wonderful Lamp, photograph (1), 1950 April-May |
Box 9 | Folder 35 | Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1950 April-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries Z: 1950-1951 Season, 1950-1951
Arrangement
Subseries Z is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 9 | Folder 36 | Promotional material,1950-1951 |
Box 152 | Folder 5 | Unidentified rehearsals, photographs (6), 1950-1951 |
Box 151 | Folder 1 | The Voice of the Turtle, photographs (7), negative (1), contact sheets (2), 1950 September-October |
Box 9 | Folder 37 | The Voice of the Turtle, programs, 1950 September-October |
Box 151 | Folder 2 | The Moon Besieged, photographs (18), contact sheets (5), 1950 November |
Box 195 | Folder 1 | The Moon Besieged, photographs (2), 1950 November |
Box 151 | Folder 3 | The Moon Besieged, rehearsal photographs (41), contact sheets (2), 1950 November |
Box 9 | Folder 38 | The Moon Besieged, programs, 1950 November |
Box 151 | Folder 4 | Dear Brutus, photographs (10), contact sheets (2), 1950 November-December |
Box 195 | Folder 1 | Dear Brutus, photographs (2), 1950 November-December |
Box 9 | Folder 39 | Dear Brutus, programs, 1950 November-December |
Box 152 | Folder 1 | Street Scene, photographs (10), contact sheets (3), 1951 January |
Box 9 | Folder 40 | Street Scene, programs, 1951 January |
Box 152 | Folder 2 | Twelfth Night, photographs (8), negative (1), contact sheets (2), includes Allen Burns, Bejay Clark, Edward Labuz, Phil Lawrence, Ward W. Ohrman, John Pesich and William Shankweiller, 1951 February-March |
Box 195 | Folder 2 | Twelfth Night, photographs (4), 1951 February-March |
Box 9 | Folder 41 | Twelfth Night, programs, 1951 February-March |
Box 152 | Folder 3 | The House of Bernarda Alba, photographs (2), contact sheets (3), 1951 March |
Box 195 | Folder 2 | The House of Bernarda Alba, photographs (5), 1951 March |
Box 9 | Folder 42 | The House of Bernarda Alba, programs, 1951 March |
Box 9 | Folder 43 | Pygmalion, programs, 1951 April |
Box 152 | Folder 4 | Goodbye, My Fancy, photographs (8), contact sheets (3), 1951 May |
Box 9 | Folder 44 | Goodbye, My Fancy, programs, 1951 May |
Box 152 | Folder 6 | Studio - Blithe Spirit, photographs (4), contact sheets (2), 1950 November 4 |
Box 195 | Folder 2 | Studio - Blithe Spirit, photograph (1), 1950 November 4 |
Box 9 | Folder 45 | Studio - Blithe Spirit, programs, 1950 November 4 |
Box 152 | Folder 7 | Studio - Golden Boy, photographs (5), contact sheets (2), 1950 November 18 |
Box 9 | Folder 46 | Studio - Golden Boy, programs, 1950 November 18 |
Box 152 | Folder 8 | Studio - Three One-Act Plays: The Talkative Barber, Parade at Devil's Bridge, Aria Da Capo, photographs (3), contact sheets (4), 1950 December 2 |
Box 195 | Folder 2 | Studio - Three One-Act Plays: The Talkative Barber, Parade at Devil's Bridge, Aria Da Capo, photographs (1), 1950 December 2 |
Box 9 | Folder 47 | Studio - Three One-Act Plays: The Talkative Barber, Parade at Devil's Bridge, Aria Da Capo, programs, 1950 December 2 |
Box 152 | Folder 9 | Studio - Our Town, photographs (4), contact sheets (2), 1950 December 8 |
Box 9 | Folder 48 | Studio - Our Town, programs, 1950 December 8 |
Box 152 | Folder 10 | Studio - Thunder Rock, photographs (5), contact sheets (3), 1951 April 5 |
Box 9 | Folder 49 | Studio - Thunder Rock, programs, 1951 April 5 |
Box 152 | Folder 11 | Studio - Biography, photographs (5), contact sheets (2), includes Tim O’Connor, 1951 February 1 |
Box 9 | Folder 50 | Studio - Biography, programs, 1951 February 1 |
Box 152 | Folder 12 | Studio - I Have Been Here Before, photograph (1), contact sheet (1), includes Theoni Vachlioti Aldredge, 1951 February 13 |
Box 9 | Folder 51 | Studio - I Have Been Here Before, programs, 1951 February 13 |
Box 9 | Folder 52 | Studio - The Adding Machine, programs, 1951 February 28 |
Box 152 | Folder 13 | Studio - Of Mice and Men, photographs (6), contact sheets (2), 1951 March 10 |
Box 9 | Folder 53 | Studio - Of Mice and Men, programs, 1951 March 10 |
Box 152 | Folder 14 | Studio - Venus Observed, photographs (5), contact sheets (2), 1951 March 21 |
Box 9 | Folder 54 | Studio - Venus Observed, programs, 1951 March 21 |
Box 153 | Folder 1 | Studio - Oedipus, King of Thebes, photographs (4), contact sheets (2), 1951 April 17 |
Box 195 | Folder 3 | Studio - Oedipus, King of Thebes, photographs (1), 1951 April 17 |
Box 9 | Folder 55 | Studio - Oedipus, King of Thebes, programs, 1951 April 17 |
Box 153 | Folder 2 | Studio - Watch on the Rhine, photographs (3), contact sheet (1), 1951 April 28 |
Box 195 | Folder 3 | Studio - Watch on the Rhine, photograph (1), 1951 April 28 |
Box 9 | Folder 56 | Studio - Watch on the Rhine, programs, 1951 April 28 |
Box 153 | Folder 3 | Studio - Rain, photograph (1), 1951 May 9 |
Box 9 | Folder 57 | Studio - Rain, programs, 1951 May 9 |
Box 153 | Folder 4 | Studio - The Infernal Machine, photographs (2), contact sheets (3), [1951] |
Box 195 | Folder 3 | Studio - The Infernal Machine, photographs (2), 1951 |
Box 9 | Folder 58 | Studio - The Infernal Machine, programs, [1951] |
Box 9 | Folder 59 | Studio - Desire Under the Elms, programs, 1951 May 23 |
Box 153 | Folder 5 | Studio - Rebecca, photograph contact sheets (3), 1951 May 29 |
Box 9 | Folder 60 | Studio - Rebecca, programs, 1951 May 29 |
Box 153 | Folder 6 | Studio - He Who Gets Slapped, photograph contact sheets (2), 1951 June 4 |
Box 9 | Folder 61 | Studio - He Who Gets Slapped, programs, 1951 June 4 |
Box 9 | Folder 62 | Children’s Theatre - promotional material, 1950-1951 |
Box 153 | Folder 7 | Children’s Theatre - Jack and the Beanstalk, photographs (6), negative (1), contact sheets (3), 1950 October-December |
Box 195 | Folder 3 | Children’s Theatre - Jack and the Beanstalk, photographs (2), 1950 October-December |
Box 9 | Folder 63 | Children’s Theatre - Jack and the Beanstalk, programs, 1950 October-December |
Box 153 | Folder 8 | Children’s Theatre - Robinson Crusoe, photographs/negatives (7), 1950 December-1951 January |
Box 9 | Folder 64 | Children’s Theatre - Robinson Crusoe, programs, 1950 December-1951 January |
Box 153 | Folder 10 | Children’s Theatre - Abe Lincoln: New Salem Days, photographs (5), contact sheets (2), 1951 February-March |
Box 195 | Folder 4 | Children’s Theatre - Abe Lincoln: New Salem Days, photographs (2), 1951 February-March |
Box 9 | Folder 65 | Children’s Theatre - Abe Lincoln: New Salem Days, programs, 1951 February-March |
Box 153 | Folder 9 | Children’s Theatre - Snow White and the Seven Dwarfs, photographs (5), contact sheets (6), 1951 March-May |
Box 195 | Folder 4 | Children’s Theatre - Snow White and the Seven Dwarfs, photograph (1), 1951 March-May |
Box 9 | Folder 66 | Children’s Theatre - Snow White and the Seven Dwarfs, programs, 1951 March-May |
Box 9 | Folder 67 | Special Events - L’Histoire du Soldat by Igor Stravinsky and Le Jeu de la Nativite by Alexander Tcherepnin, conductor Paul Stassevitch, programs, 1950 December-1951 January |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries AA: 1951-1952 Season, 1951-1952
Arrangement
Subseries AA is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 153 | Folder 11 | Hay Fever, photographs (4), contact sheets (2), 1951 October |
Box 195 | Folder 4 | Hay Fever, photographs (4), 1951 October |
Box 10 | Folder 1 | Hay Fever, programs, 1951 October |
Box 153 | Folder 12 | The Corn is Green, photographs (5), contact sheets (2), 1951 November |
Box 195 | Folder 5 | The Corn is Green, photographs (4), 1951 November |
Box 10 | Folder 2 | The Corn is Green, programs, 1951 November |
Box 153 | Folder 13 | The Master Builder, photographs (3), contact sheets (3), 1951 December |
Box 195 | Folder 5 | The Master Builder, photographs (4), 1951 December |
Box 10 | Folder 3 | The Master Builder, programs, 1951 December |
Box 153 | Folder 14 | Two Blind Mice, photographs (6), 1952 January |
Box 195 | Folder 5 | Two Blind Mice, photographs (4), 1952 January |
Box 10 | Folder 4 | Two Blind Mice, programs, 1952 January |
Box 153 | Folder 15 | Romeo and Juliet, photographs (8), contact sheets (4), includes Harriet Fine and Douglas Winn, 1952 February |
Box 196 | Folder 1 | Romeo and Juliet, photographs (2), 1952 February |
Box 10 | Folder 5 | Romeo and Juliet, programs, 1952 February |
Box 153 | Folder 16 | You Never Can Tell, photograph contact sheets (2), 1952 March |
Box 196 | Folder 1 | You Never Can Tell, photographs (3), 1952 March |
Box 10 | Folder 6 | You Never Can Tell, programs, 1952 March |
Box 153 | Folder 17 | Electra, photograph contact sheets (2), negative (1), 1952 April |
Box 196 | Folder 1 | Electra, photographs (3), 1952 April |
Box 10 | Folder 7 | Electra, programs, 1952 April |
Box 154 | Folder 1 | Born Yesterday, photograph contact sheet (1), negative (1), 1952 May |
Box 196 | Folder 1 | Born Yesterday, photographs (4), 1952 May |
Box 10 | Folder 8 | Born Yesterday, programs, 1952 May |
Box 154 | Folder 2 | Studio - The Father, photographs (3), contact sheet (1), 1951 October 26 |
Box 196 | Folder 2 | Studio - The Father, photographs (2), includes Ted Liss, 1951 October 26 |
Box 10 | Folder 9 | Studio - The Father, programs, 1951 October 26 |
Box 154 | Folder 3 | Studio - When We Are Married, photographs (4), contact sheets (2), 1951 November 6 |
Box 10 | Folder 10 | Studio - When We Are Married, programs, 1951 November 6 |
Box 154 | Folder 4 | Studio - Craig’s Wife, photographs (4), contact sheet (1), [1951] |
Box 196 | Folder 2 | Studio - Craig’s Wife, photograph (1), 1951 November |
Box 10 | Folder 11 | Studio - Craig's Wife, programs, [1951] |
Box 154 | Folder 5 | Studio - A Bill of One-Acts: A Phoenix Too Frequent and Ten Blocks on the Camino Real, photograph (1), contact sheets (3), [1951-1952] |
Box 10 | Folder 12 | Studio - A Bill of One-Acts: A Phoenix Too Frequent and Ten Blocks on the Camino Real, programs, [1951 December] |
Box 196 | Folder 2 | Studio - A Bill of One-Acts: A Phoenix Too Frequent, photographs (2), 1951 December |
Box 154 | Folder 6 | Studio - Three One-Act Plays by Anton Chekhov: Swan-Song, The Proposal, and The Boor, photographs (6), contact sheets (3), [1952 January] |
Box 196 | Folder 2 | Studio - Three One-Act Plays by Anton Chekhov: Swan-Song, The Proposal, and The Boor, photographs (3), includes Bob Gibson, 1952 January |
Box 10 | Folder 13 | Studio - Three One-Act Plays by Anton Chekhov: Swan-Song, The Proposal, and The Boor, programs, [1952 January] |
Box 154 | Folder 7 | Studio - Ghosts, photographs (2), contact sheet (1), 1952 February 5 |
Box 196 | Folder 3 | Studio - Ghosts, photographs (2), 1952 February 5 |
Box 10 | Folder 14 | Studio - Ghosts, programs, 1952 February 5 |
Box 154 | Folder 8 | Studio - Phaedra, photograph (1), contact sheets (3), 1952 February 21 |
Box 10 | Folder 15 | Studio - Phaedra, programs, 1952 February 21 |
Box 154 | Folder 9 | Studio - Death of a Salesman, photographs (4), negative (1), contact sheets (3), 1952 March 8 |
Box 10 | Folder 16 | Studio - Death of a Salesman, programs, 1952 March 8 |
Box 154 | Folder 10 | Studio - The Little Foxes, photograph contact sheets (3), 1952 March 31 |
Box 10 | Folder 17 | Studio - The Little Foxes, programs, 1952 March 31 |
Box 54 | Folder 11 | Studio - The Lower Depths, photograph contact sheets (3), 1952 April 15 |
Box 10 | Folder 18 | Studio - The Lower Depths, programs, 1952 April 15 |
Box 154 | Folder 12 | Studio - Hedda Gabler, photographs (4), contact sheets (3), 1952 May 3 |
Box 196 | Folder 3 | Studio - Hedda Gabler, photograph (1), 1952 May 3 |
Box 10 | Folder 19 | Studio - Hedda Gabler, programs, 1952 May 3 |
Box 154 | Folder 13 | Studio - Murder in the Cathedral, photographs (2), contact sheet (1), 1952 May 13 |
Box 10 | Folder 20 | Studio - Murder in the Cathedral, programs, 1952 May 13 |
Box 154 | Folder 14 | Studio - The Innocents, photograph contact sheets (3), 1952 May 20 |
Box 196 | Folder 3 | Studio - The Innocents, photograph (1), 1952 May 20 |
Box 10 | Folder 21 | Studio - The Innocents, programs, 1952 May 20 |
Box 10 | Folder 22 | Studio - The Skin of Our Teeth, programs, 1952 May 27 |
Box 154 | Folder 15 | Studio - Deep are the Roots, photograph contact sheets (2), 1952 June 3 |
Box 10 | Folder 23 | Studio - Deep are the Roots, programs, 1952 June 3 |
Box 154 | Folder 16 | Children’s Theatre - Rama and the Tigers, photographs (2), contact sheets (2), 1951 October-November |
Box 196 | Folder 3 | Children’s Theatre - Rama and the Tigers, photographs (5), 1951 October-November |
Box 10 | Folder 24 | Children’s Theatre - Rama and the Tigers, programs, 1951 October-November |
Box 154 | Folder 17 | Children’s Theatre - Hansel and Gretel, photographs (2), contact sheet (1) 1951 December-1952 February |
Box 196 | Folder 4 | Children’s Theatre - Hansel and Gretel, photographs (3), 1951 December-1952 February |
Box 10 | Folder 25 | Children’s Theatre - Hansel and Gretel, programs, 1951 December-1952 February |
Box 154 | Folder 18 | Children’s Theatre - Lincoln’s Secret Messenger, photographs (4), contact sheets (3), 1952 March |
Box 196 | Folder 4 | Children’s Theatre - Lincoln’s Secret Messenger, photographs (4), 1952 March |
Box 10 | Folder 26 | Children’s Theatre - Lincoln's Secret Messenger, programs, 1952 March |
Box 154 | Folder 19 | Children’s Theatre - Puss in Boots, photographs (2), contact sheets (4), 1952 March-May |
Box 196 | Folder 4 | Children’s Theatre - Puss in Boots, photographs (2), 1952 March-May |
Box 10 | Folder 27 | Children’s Theatre - Puss in Boots, programs, 1952 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries BB: 1952-1953 Season, 1952-1953
Arrangement
Subseries BB is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 154 | Folder 20 | The Royal Family, photographs (5), negative (1), contact sheets (2), 1952 October |
Box 197 | Folder 1 | The Royal Family, photographs (4), 1952 October |
Box 10 | Folder 28 | The Royal Family, programs, 1952 October |
Box 155 | Folder 1 | Mary of Scotland, photographs (4), negative (1), contact sheets (4), 1952 November |
Box 197 | Folder 1 | Mary of Scotland, photographs (4), 1952 November |
Box 10 | Folder 29 | Mary of Scotland, programs, 1952 November |
Box 155 | Folder 2 | When We Are Married, photographs (3), contact sheets (2), 1952 December |
Box 197 | Folder 1 | When We Are Married, photographs (4), 1952 December |
Box 10 | Folder 30 | When We Are Married, programs, 1952 December |
Box 155 | Folder 3 | Desire Under the Elms, photographs (11), 1953 January |
Box 197 | Folder 1 | Desire Under the Elms, photographs (4), 1953 January |
Box 10 | Folder 31 | Desire Under the Elms, programs, 1953 January |
Box 155 | Folder 4 | Merry Wives of Windsor, photographs (5), contact sheets (2), includes Carla Beyer, Jeannette Rose Ertelt and Ward W. Ohrman, 1953 February |
Box 197 | Folder 2 | Merry Wives of Windsor, photographs (2), 1953 February |
Box 10 | Folder 32 | Merry Wives of Windsor, programs, 1953 February |
Box 155 | Folder 5 | Bell, Book and Candle, photographs (3), contact sheets (2), 1953 March |
Box 197 | Folder 2 | Bell, Book and Candle, photographs (3), 1953 March |
Box 10 | Folder 33 | Bell, Book and Candle, programs, 1953 March |
Box 155 | Folder 6 | Blood Wedding, photographs (2), contact sheets (2), 1953 April-May |
Box 197 | Folder 2 | Blood Wedding, photograph (1), 1953 April-May |
Box 10 | Folder 34 | Blood Wedding, programs, 1953 April-May |
Box 155 | Folder 7 | The Second Man, photographs (3), contact sheets (3), 1953 May |
Box 197 | Folder 2 | The Second Man, photographs (4), 1953 May |
Box 10 | Folder 35 | The Second Man, programs, 1953 May |
Box 155 | Folder 8 | Studio - Nine to Six, photographs (5), 1952 October 30 |
Box 197 | Folder 2 | Studio - Nine to Six, photographs (2), 1952 October 30 |
Box 10 | Folder 36 | Studio - Nine to Six, programs, 1952 October 30 |
Box 155 | Folder 9 | Studio - All My Sons, photographs (4), contact sheets (2), 1952 November 15 |
Box 197 | Folder 3 | Studio - All My Sons, photographs (2), 1952 November 15 |
Box 10 | Folder 37 | Studio - All My Sons, programs, 1952 November 15 |
Box 155 | Folder 10 | Studio - East Lynne, photographs (3), contact sheets (2), 1952 December 10 |
Box 197 | Folder 3 | Studio - East Lynne, photograph (1), 1952 December 10 |
Box 10 | Folder 38 | Studio - East Lynne, programs, 1952 December 10 |
Box 155 | Folder 11 | Studio - Tomorrow the World, photographs (4), contact sheets (2), 1953 January 31 |
Box 10 | Folder 39 | Studio - Tomorrow the World, programs, 1953 January 31 |
Box 155 | Folder 12 | Studio - Liliom, photographs (4), contact sheets (2), 1953 February 12 |
Box 10 | Folder 40 | Studio - Liliom, programs, 1953 February 12 |
Box 155 | Folder 13 | Studio - Mr. Gillie, photographs (6), 1953 March 12 |
Box 197 | Folder 3 | Studio - Mr. Gillie, photograph (1), 1953 March 12 |
Box 10 | Folder 41 | Studio - Mr. Gillie, programs, 1953 March 12 |
Box 155 | Folder 14 | Studio - Candle-Light, photographs (4), contact sheets (2), 1953 March 31 |
Box 197 | Folder 3 | Studio - Candle-Light, photographs (2), 1953 March 31 |
Box 10 | Folder 42 | Studio - Candle-Light, programs, 1953 March 31 |
Box 155 | Folder 15 | Studio - The Miser, photographs (4), contact sheets (2), 1953 April 14 |
Box 197 | Folder 4 | Studio - The Miser, photographs (2), includes Ken Rota, 1953 April 14 |
Box 10 | Folder 43 | Studio - The Miser, programs, 1953 April 14 |
Box 155 | Folder 16 | Studio - Letters to Lucerne, photographs (8), contact sheets (4), 1953 April 28 |
Box 10 | Folder 44 | Studio - Letters to Lucerne, programs, 1953 April 28 |
Box 155 | Folder 17 | Studio - The Circle, photographs (4), contact sheets (2), 1953 May 19 |
Box 10 | Folder 45 | Studio - The Circle, programs, 1953 May 19 |
Box 156 | Folder 1 | Studio - The Misanthrope, photographs (3), contact sheets (2), 1953 May 26 |
Box 10 | Folder 46 | Studio - The Misanthrope, programs, 1953 May 26 |
Box 156 | Folder 2 | Studio - The Shining Hour, photographs (3), contact sheets (3), 1953 June 2 |
Box 10 | Folder 47 | Studio - The Shining Hour, programs, 1953 June 2 |
Box 156 | Folder 3 | Studio - Three One-Act Plays by Noel Coward: Fumed Oak and Red Peppers, photograph (1), contact sheets (2), [1952-1953] |
Box 10 | Folder 48 | Studio - Three One-Act Plays by Noel Coward: Still Life, Fumed Oak and Red Peppers, programs, [1952-1953] |
Box 156 | Folder 4 | Children’s Theatre - Rumpelstiltskin, photographs (4), contact sheets (2), 1952 October-December |
Box 197 | Folder 4 | Children’s Theatre - Rumpelstiltskin, photographs (8), 1952 October-December |
Box 10 | Folder 49 | Children’s Theatre - Rumpelstiltskin, programs, 1952 October-December |
Box 156 | Folder 5 | Children’s Theatre - Greensleeves’ Magic, photograph (1), contact sheets (2), 1952 December-1953 January |
Box 197 | Folder 4 | Children’s Theatre - Greensleeves’ Magic, photograph (1), 1952 December-1953 January |
Box 10 | Folder 50 | Children’s Theatre - Greensleeves' Magic, programs, 1952 December-1953 January |
Box 156 | Folder 6 | Children’s Theatre - Huckleberry Finn, photographs (4), contact sheets (2), 1953 January-March |
Box 197 | Folder 5 | Children’s Theatre - Huckleberry Finn, photographs (4), 1953 January-March |
Box 10 | Folder 51 | Children’s Theatre - Huckleberry Finn, programs, 1953 January-March |
Box 156 | Folder 7 | Children’s Theatre - The Emperor’s New Clothes, photographs (4), contact sheets (3), 1953 April-May |
Box 197 | Folder 5 | Children’s Theatre - The Emperor’s New Clothes, photographs (7), 1953 April-May |
Box 10 | Folder 52 | Children’s Theatre - The Emperor's New Clothes, programs, 1953 April-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries CC: 1953-1954 Season, 1953-1954
Arrangement
Subseries CC arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 11 | Folder 1 | Promotional material, 1953-1954 |
Box 156 | Folder 8 | John Loves Mary, photograph contact sheets (2), 1953 October |
Box 197 | Folder 5 | John Loves Mary, photographs (4), 1953 October |
Box 11 | Folder 2 | John Loves Mary, programs, 1953 October |
Box 156 | Folder 9 | Death of a Salesman, photograph contact sheets (4), 1953 November |
Box 198 | Folder 1 | Death of a Salesman, photographs (4), 1953 November |
Box 11 | Folder 3 | Death of a Salesman, programs, 1953 November |
Box 156 | Folder 10 | The Philadelphia Story, photographs (5), 1953 December |
Box 198 | Folder 1 | The Philadelphia Story, photographs (4), 1953 December |
Box 11 | Folder 4 | The Philadelphia Story, programs, 1953 December |
Box 156 | Folder 11 | Anna Christie, photograph contact sheets (5), 1954 January |
Box 198 | Folder 1 | Anna Christie, photographs (4), 1954 January |
Box 11 | Folder 5 | Anna Christie, programs, 1954 January |
Box 156 | Folder 12 | Richard III, photograph (1), contact sheets (3), includes Carla Beyer, 1954 February |
Box 198 | Folder 2 | Richard III, photographs (4), includes Richard Woosley, 1954 February |
Box 11 | Folder 6 | Richard III, programs, 1954 February |
Box 156 | Folder 13 | The Lady’s Not for Burning, photograph contact sheets (3), 1954 April-May |
Box 198 | Folder 2 | The Lady’s Not for Burning, photographs (2), 1954 April-May |
Box 11 | Folder 7 | The Lady's Not for Burning, programs, 1954 April-May |
Box 198 | Folder 2 | Our American Cousin, photographs (3), [1953-1954] |
Box 11 | Folder 8 | Our American Cousin, programs, [1953-1954] |
Box 156 | Folder 14 | Harvey, photograph contact sheets (3), 1954 May |
Box 198 | Folder 3 | Harvey, photographs (4), 1954 May |
Box 11 | Folder 9 | Harvey, programs, 1954 May |
Box 11 | Folder 10 | Studio - Ladies in Waiting, programs, 1953 November 3 |
Box 156 | Folder 15 | Studio - The House of Bernarda Alba, photographs (3), contact sheets (2), 1953 December 9 |
Box 11 | Folder 11 | Studio - The House of Bernarda Alba, programs, 1953 December 9 |
Box 156 | Folder 16 | Studio - The Farmer’s Wife, photograph contact sheets (3), 1954 March 9 |
Box 11 | Folder 12 | Studio - The Farmer's Wife, programs, 1954 March 9 |
Box 156 | Folder 17 | Studio - Cry Havoc, photographs (2), contact sheets (2), 1954 March 16 |
Box 11 | Folder 13 | Studio - Cry Havoc, programs, 1954 March 16 |
Box 156 | Folder 18 | Studio - Medea, photograph contact sheets (2), 1954 April 13 |
Box 11 | Folder 14 | Studio - Medea, programs, 1954 April 13 |
Box 156 | Folder 19 | Studio - A Bill of Divorcement, photograph contact sheet (1), 1954 May 12 |
Box 11 | Folder 15 | Studio - A Bill of Divorcement, programs, 1954 May 12 |
Box 156 | Folder 20 | Studio - Shadow and Substance, photograph contact sheets (2), 1954 May 26 |
Box 11 | Folder 16 | Studio - Shadow and Substance, programs, 1954 May 26 |
Box 156 | Folder 21 | Studio - The Importance of Being Earnest, photograph contact sheets (2), 1954 June 2 |
Box 11 | Folder 17 | Studio - The Importance of Being Earnest, programs, 1954 June 2 |
Box 11 | Folder 18 | Studio - The Good Hope, programs, 1954 June 8 |
Box 156 | Folder 22 | Studio - The Whiteheaded Boy, photograph contact sheet (1), [1953-1954?] |
Box 198 | Folder 3 | Studio - The Whiteheaded Boy, photographs (4), [1953-1954?] |
Box 156 | Folder 23 | Studio - The Cradle Song, photographs (3), contact sheets (2), [1953-1954?] |
Box 198 | Folder 3 | Studio - The Cradle Song, photograph (1), [1953-1954?] |
Box 156 | Folder 24 | Studio - Awake and Sing, photograph contact sheets (2), [1953-1954?] |
Box 156 | Folder 25 | Children’s Theatre - Cinderella, photographs (4), negatives (3), contact sheets (2), 1954 October-December |
Box 198 | Folder 3 | Children’s Theatre - Cinderella, photographs (3), 1954 October-December |
Box 11 | Folder 19 | Children’s Theatre - Cinderella, programs, 1954 October-December |
Box 156 | Folder 26 | Children’s Theatre - Flibbertygibbet, photographs (5), contact sheets (3), 1953 December-1954 January |
Box 198 | Folder 3 | Children’s Theatre - Flibbertygibbet, photographs (3), includes William Davidson II, Mitzi Haggard and Ken Ruta,0 1953 December-1954 January |
Box 11 | Folder 20 | Children’s Theatre - Flibbertygibbet, programs, 1953 December-1954 January |
Box 157 | Folder 1 | Children’s Theatre - Peter, Peter Pumpkin Eater, photographs (6), contact sheets (2), 1954 February-March |
Box 198 | Folder 4 | Children’s Theatre - Peter, Peter Pumpkin Eater, photographs (2), 1954 February-March |
Box 11 | Folder 21 | Children’s Theatre - Peter, Peter Pumpkin Eater, programs, 1954 February-March |
Box 157 | Folder 2 | Children’s Theatre - Rip Van Winkle, photograph contact sheets (2), 1954 March-May |
Box 198 | Folder 4 | Children’s Theatre - Rip Van Winkle, photographs (4), 1954 March-May |
Box 11 | Folder 22 | Children’s Theatre - Rip Van Winkle, programs, 1954 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries DD: 1954-1955 Season, 1954-1955
Arrangement
Subseries DD arranged chronologically beginning with mainstage productions followed by studio, sub-studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 157 | Folder 3 | Yes, My Darling Daughter, photograph contact sheets (3), 1954 October |
Box 198 | Folder 4 | Yes, My Darling Daughter, photographs (5), 1954 October |
Box 11 | Folder 23 | Yes, My Darling Daughter, programs, 1954 October |
Box 157 | Folder 4 | Thunder Rock, photograph contact sheet (1), 1954 November |
Box 198 | Folder 4 | Thunder Rock, photographs (3), 1954 November |
Box 11 | Folder 24 | Thunder Rock, programs, 1954 November |
Box 157 | Folder 5 | Fresh Fields, photograph contact sheets (3), 1954 December |
Box 198 | Folder 5 | Fresh Fields, photographs (4), 1954 December |
Box 11 | Folder 25 | Fresh Fields, programs, 1954 December |
Box 198 | Folder 5 | The Crucible, photograph (1), 1955 January |
Box 11 | Folder 26 | The Crucible, programs, 1955 January |
Box 157 | Folder 6 | As You Like It, photograph contact sheets (3), 1955 February |
Box 198 | Folder 5 | As You Like It, photograph (1), 1955 February |
Box 11 | Folder 27 | As You Like It, programs, 1955 February |
Box 157 | Folder 7 | Right You Are! photograph contact sheets (2), 1955 March |
Box 198 | Folder 5 | Right You Are! photographs (4), 1955 March |
Box 11 | Folder 28 | Right You Are! programs, 1955 March |
Box 157 | Folder 8 | Mourning Becomes Electra: The Hunted, photographs (2), contact sheets (3), 1955 April-May |
Box 199 | Folder 1 | Mourning Becomes Electra: The Hunted, photographs (3), 1955 April-May |
Box 11 | Folder 29 | Mourning Becomes Electra: The Hunted by Eugene O'Neill, programs, 1955 April-May |
Box 157 | Folder 9 | Lady Windermere’s Fan, photograph contact sheets (3), 1955 May |
Box 199 | Folder 1 | Lady Windermere’s Fan, photographs (3), 1955 May |
Box 11 | Folder 30 | Lady Windermere's Fan, programs, 1955 May |
Box 11 | Folder 31 | Studio - Our Town, programs, 1954 October 30 |
Box 157 | Folder 10 | Studio - Claudia, photograph contact sheets (2), 1954 November 23 |
Box 199 | Folder 1 | Studio - Claudia, photograph (1), 1954 November 23 |
Box 11 | Folder 32 | Studio - Claudia, programs, 1954 November 23 |
Box 11 | Folder 33 | Studio - The Distaff Side, programs, 1954 December 7 |
Box 157 | Folder 11 | Studio - The Late Christopher Bean, photograph contact sheets (2), 1954 December 14 |
Box 11 | Folder 34 | Studio - The Late Christopher Bean, programs, 1954 December 14 |
Box 157 | Folder 12 | Studio - Time and the Conways, photograph contact sheets (2), 1955 February 22 |
Box 11 | Folder 35 | Studio - Time and the Conways, programs, 1955 February 22 |
Box 157 | Folder 13 | Studio - For Services Rendered, photograph contact sheets (2), 1955 March 8 |
Box 199 | Folder 1 | Studio - For Services Rendered, photograph (1), 1955 March 8 |
Box 11 | Folder 36 | Studio - For Services Rendered, programs, 1955 March 8 |
Box 157 | Folder 14 | Studio - The Little Foxes, photograph contact sheets (2), 1955 May 18 |
Box 199 | Folder 1 | Studio - The Little Foxes, photographs (2), 1955 May 18 |
Box 11 | Folder 37 | Studio - The Little Foxes, programs, 1955 May 18 |
Box 157 | Folder 15 | Studio - The Show Off, photograph contact sheet (1), 1955 May 24 |
Box 11 | Folder 38 | Studio - The Show Off, programs, 1955 May 24 |
Box 157 | Folder 16 | Studio - Summer and Smoke, photograph contact sheets (2), 1955 June 1 |
Box 11 | Folder 39 | Studio - Summer and Smoke, programs, 1955 June 1 |
Box 157 | Folder 17 | Studio - The Male Animal, photograph contact sheets (2) [1954-1955] |
Box 11 | Folder 40 | Studio - The Male Animal, programs, 1955 June 7 |
Box 157 | Folder 18 | Studio - The Happy Breed, photograph contact sheets (2), [1954-1955?] |
Box 157 | Folder 19 | Children’s Theatre - Heidi, photograph contact sheets (2), 1954 October-December |
Box 199 | Folder 2 | Children’s Theatre - Heidi, photographs (4), 1954 October-December |
Box 11 | Folder 42 | Children’s Theatre - Heidi, programs, 1954 October-December |
Box 157 | Folder 20 | Children’s Theatre - Beauty and the Beast, photograph contact sheet (1), 1954 December-1955 February |
Box 199 | Folder 2 | Children’s Theatre - Beauty and the Beast, photographs (4), 1954 December-1955 February |
Box 11 | Folder 43 | Children’s Theatre - Beauty and the Beast, programs, 1954 December-1955 February |
Box 157 | Folder 21 | Children’s Theatre - The Magic Horn, photograph contact sheets (2), 1955 February-March |
Box 199 | Folder 2 | Children’s Theatre - The Magic Horn, photographs (5), 1955 February-March |
Box 11 | Folder 44 | Children’s Theatre - The Magic Horn, programs, 1955 February-March |
Box 157 | Folder 22 | Children’s Theatre - Tom Sawyer, photograph contact sheets (3), 1955 April-May |
Box 199 | Folder 3 | Children’s Theatre - Tom Sawyer, photographs (4), 1955 April-May |
Box 11 | Folder 45 | Children’s Theatre - Tom Sawyer, programs, 1955 April-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries EE: 1955-1956 Season, 1955-1956
Arrangement
Subseries EE arranged chronologically beginning with mainstage productions followed by studio and sub-studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 157 | Folder 23 | Sabrina Fair, photograph contact sheets (3), 1955 September-October |
Box 199 | Folder 3 | Sabrina Fair, photographs (4), 1955 September-October |
Box 11 | Folder 46 | Sabrina Fair, programs, 1955 September-October |
Box 199 | Folder 3 | Too True to be Good, photographs (4), 1955 November |
Box 11 | Folder 47 | Too True to be Good, programs, 1955 November |
Box 157 | Folder 24 | The Rainmaker, photograph contact sheets (2), 1955 December |
Box 199 | Folder 3 | The Rainmaker, photographs (4), 1955 December |
Box 11 | Folder 48 | The Rainmaker, programs, 1955 December |
Box 157 | Folder 25 | Redemption, photograph (1), contact sheets (5), 1956 January |
Box 199 | Folder 4 | Redemption, photographs (3), 1956 January |
Box 11 | Folder 49 | Redemption, programs, 1956 January |
Box 157 | Folder 26 | My Three Angels, photograph (1), contact sheets (2), 1956 February |
Box 199 | Folder 4 | My Three Angels, photographs (4), 1956 February |
Box 11 | Folder 50 | My Three Angels by Bella Itkin, sets by John Peters, costumes by Oliver Allyn, programs, 1956 February |
Box 157 | Folder 27 | King Lear, photograph contact sheets (3), 1956 March |
Box 199 | Folder 4 | King Lear, photographs (2), 1956 March |
Box 11 | Folder 51 | King Lear, programs, 1956 March |
Box 157 | Folder 28 | Ring Round the Moon, photograph contact sheets (2), 1956 January |
Box 199 | Folder 4 | Ring Round the Moon, photographs (3), 1956 January |
Box 11 | Folder 52 | Ring Round the Moon, programs, 1956 January |
Box 157 | Folder 29 | Idiot’s Delight, photographs (2), contact sheets (3), 1956 May |
Box 199 | Folder 5 | Idiot’s Delight, photographs (3), 1956 May |
Box 11 | Folder 53 | Idiot's Delight, programs, 1956 May |
Box 11 | Folder 54 | Studio - An Inspector Calls, programs, 1955 November 15 |
Box 199 | Folder 5 | Studio - An Inspector Calls, photograph (1), 1955 November 15 |
Box 157 | Folder 30 | Studio - The Velvet Glove, photographs (2), contact sheets (2), 1955 November 29 |
Box 11 | Folder 55 | Studio - The Velvet Glove, programs, 1955 November 29 |
Box 158 | Folder 1 | Studio - The Time of the Cuckoo, photograph contact sheet (), 1955 December 13 |
Box 199 | Folder 5 | Studio - The Time of the Cuckoo, photograph (1), 1955 December 13 |
Box 11 | Folder 56 | Studio - The Time of the Cuckoo, programs, 1955 December 13 |
Box 11 | Folder 57 | Studio - A Bill of One-Acts: The Hungerers, Hello from Bertha, Queens of France, The Long Voyage Home, programs, 1956 January 31 |
Box 158 | Folder 2 | Studio - The Hungerers, photograph contact sheet (1), 1956 January 31 |
Box 158 | Folder 3 | Studio - Hello from Bertha, photograph contact sheet (1), 1956 January 31 |
Box 158 | Folder 4 | Studio - Queens of France, photograph contact sheet (1), 1956 January 31 |
Box 199 | Folder 5 | Studio - Queens of France, photograph (1), 1956 January 31 |
Box 158 | Folder 5 | Studio - Guest in the House, photograph contact sheets (2), 1956 February 7 |
Box 11 | Folder 58 | Studio - Guest in the House, programs, 1956 February 7 |
Box 158 | Folder 6 | Studio - Antigone, photographs (2), 1956 March 13 |
Box 199 | Folder 5 | Studio - Antigone, photographs (2), 1956 March 13 |
Box 11 | Folder 59 | Studio - Antigone, programs, 1956 March 13 |
Box 158 | Folder 7 | Studio - The Grass Harp, photograph contact sheets (3), 1956 March 20 |
Box 199 | Folder 6 | Studio - The Grass Harp, photograph (1), 1956 March 20 |
Box 11 | Folder 60 | Studio - The Grass Harp, programs, 1956 March 20 |
Box 158 | Folder 8 | Studio - The Corn is Green, photograph contact sheet (1), 1956 April 4 |
Box 11 | Folder 61 | Studio - The Corn is Green, programs, 1956 April 4 |
Box 158 | Folder 9 | Studio - The Taming of the Shrew, photograph contact sheets (3), 1956 April 21 |
Box 11 | Folder 62 | Studio - The Taming of the Shrew, programs, 1956 April 21 |
Box 11 | Folder 63 | Studio - Hotel Universe, programs, 1956 May 3 |
Box 158 | Folder 10 | Studio - The Madwoman of Chaillot, photograph contact sheets (2), [1956] |
Box 11 | Folder 64 | Studio - The Madwoman of Chaillot, programs, [1956] |
Box 158 | Folder 11 | Studio - John Ferguson, photograph contact sheets (2), 1956 May 29 |
Box 11 | Folder 65 | Studio - John Ferguson, programs, 1956 May 29 |
Box 11 | Folder 66 | Studio - The Women Have Their Way, programs, 1956 June 5 |
Box 11 | Folder 67 | Sub-Studio - The Lark by Jean Anouilh, directed by Joseph Slowik, program, [1955-1956] |
Box 11 | Folder 68 | Sub-Studio - Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Don Gunderson, program, 1956 June 1 |
Box 158 | Folder 12 | Children’s Theatre - The Prince and the Pauper, photograph contact sheets (3), 1955 October-December |
Box 199 | Folder 6 | Children’s Theatre - The Prince and the Pauper, photographs (4), 1955 October-December |
Box 11 | Folder 69 | Children’s Theatre - The Prince and the Pauper, programs, 1955 October-December |
Box 158 | Folder 13 | Children’s Theatre - The Three Bears, photograph (1), negative (1), 1955 December-1956 February |
Box 11 | Folder 70 | Children’s Theatre - The Three Bears, programs, 1955 December-1956 February |
Box 158 | Folder 14 | Children’s Theatre - The King of the Golden River, photograph contact sheets (2), 1956 February-March |
Box 199 | Folder 6 | Children’s Theatre - The King of the Golden River, photographs (5), 1956 February-March |
Box 11 | Folder 71 | Children’s Theatre - The King of the Golden River programs, 1956 February-March |
Box 158 | Folder 15 | Children’s Theatre - Davy Crockett and His Coonskin Cap, photographs (4), 1956 March-May |
Box 199 | Folder 6 | Children’s Theatre - Davy Crockett and His Coonskin Cap, photographs (3), 1956 March-May |
Box 11 | Folder 72 | Children’s Theatre - Davy Crockett and His Coonskin Cap, programs, 1956 March-May |
Series 1: Art Institute Members/Repertory Company, 1925-1957
Subseries FF: 1956-1957 Season, 1956-1957
Arrangement
Subseries FF arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 158 | Folder 22 | Reclining Figure, photograph contact sheets (2), 1956 September-October |
Box 200 | Folder 1 | Reclining Figure, photographs (2), 1956 September-October |
Box 12 | Folder 1 | Reclining Figure, programs, 1956 September-October |
Box 158 | Folder 16 | The Cherry Orchard, photograph contact sheets (3), 1956 November |
Box 200 | Folder 1 | The Cherry Orchard, photographs (5), 1956 November |
Box 12 | Folder 2 | The Cherry Orchard, programs, 1956 November |
Box 158 | Folder 17 | The Last Trump, photographs (2), contact sheets (2), 1956 November-December |
Box 200 | Folder 1 | The Last Trump, photographs (2) 1956 November-December |
Box 12 | Folder 4 | The Last Trump, programs, 1956 November-December |
Oversize Folder 2 | The Last Trump, set design, 1956 | |
Box 200 | Folder 1 | Liliom, photograph (1), 1957 January |
Box 12 | Folder 5 | Liliom, programs, 1957 January |
Box 158 | Folder 18 | Bus Stop, negative (1), 1957 February |
Box 200 | Folder 1 | Bus Stop, photographs (4), 1957 February |
Box 12 | Folder 6 | Bus Stop, programs, 1957 February |
Box 158 | Folder 19 | Another Part of the Forest, photograph contact sheets (2), 1957 March |
Box 12 | Folder 8 | Another Part of the Forest, programs, 1957 March |
Oversize Folder 2 | Another Part of the Forest, scenic and set designs, 1957 | |
Box 158 | Folder 20 | Othello, photographs (2), contact sheet (1), 1957 April |
Box 200 | Folder 2 | Othello, photographs (2), 1957 April |
Box 12 | Folder 9 | Othello, programs, 1957 April |
Box 158 | Folder 21 | The Importance of Being Earnest, negatives (2), 1957 May |
Box 200 | Folder 2 | The Importance of Being Earnest, photographs (5), 1957 May |
Box 12 | Folder 10 | The Importance of Being Earnest, programs, 1957 May |
Box 12 | Folder 11 | Studio - Medea, programs, 1956 December 10-12 |
Box 12 | Folder 12 | Studio - The Road to Rome, programs, 1957 February 11 |
Box 12 | Folder 13 | Studio - Mister Roberts, programs, 1956 December 13 |
Box 12 | Folder 14 | Studio - Detective Story, programs, 1957 March 13 |
Box 12 | Folder 15 | Studio - Kind Lady, programs, 1957 March 27 |
Box 12 | Folder 16 | Studio - Tovarich, program, 1957 April 5 |
Box 12 | Folder 17 | Studio - Beyond the Horizon, program, 1957 April 16 |
Box 158 | Folder 23 | Studio - The Autumn Garden, photograph contact sheets (2), 1957 April 17 |
Box 12 | Folder 18 | Studio - The Autumn Garden, programs, 1957 April 17 |
Box 12 | Folder 19 | Studio - The Glass Menagerie, program, 1957 April 24 |
Box 12 | Folder 20 | Studio - The Playboy of the Western World, program, 1957 May 16 |
Box 158 | Folder 24 | Studio - The Trojan Women, photograph contact sheets (2), 1957 May 20 |
Box 12 | Folder 22 | Studio - The Trojan Women, programs, 1957 May 20 |
Oversize Folder 2 | Studio - The Trojan Women, set design, 1957 | |
Box 12 | Folder 23 | Studio - The Remarkable Incident at Carson Corners, programs, 1957 May 21 |
Box 12 | Folder 24 | Studio - The Ladies of the Corridor, programs, 1957 May 27 |
Box 158 | Folder 25 | Studio - They Knew What They Wanted, photograph contact sheets (3), 1957 May 27 |
Box 12 | Folder 25 | Studio - They Knew What They Wanted, programs, 1957 May 27 |
Box 158 | Folder 26 | Studio - The Skin of Our Teeth, photograph contact sheets (4), 1957 June 3 |
Box 12 | Folder 26 | Studio - The Skin of Our Teeth, programs, 1957 June 3 |
Box 12 | Folder 27 | Studio - Hat Full of Rain, programs, 1957 June 4 |
Box 158 | Folder 27 | Studio - A Bill of Three One-Acts: The Kingdom of God, The Long Goodbye, Family Album, photograph contact sheets (4), [1956-1957] |
Box 12 | Folder 28 | Studio - A Bill of Three One-Acts: The Kingdom of God, The Long Goodbye, Family Album, programs, [1956-1957] |
Box 158 | Folder 28 | Studio - Blithe Spirit, photograph contact sheets (2), 1957 February 4 |
Box 200 | Folder 2 | Studio - Blithe Spirit, photograph (1), 1957 February 4 |
Box 12 | Folder 29 | Studio - Blithe Spirit, programs, 1957 February 4 |
Box 158 | Folder 29 | Studio - Electra, photograph contact sheets (2), 1956 November 6 |
Box 12 | Folder 30 | Studio - Electra, program, 1956 November 6 |
Box 158 | Folder 30 | Children’s Theatre - Treasure Island, photograph contact sheet (1), 1956 October-December |
Box 200 | Folder 2 | Children’s Theatre - Treasure Island, photographs (3), 1956 October-December |
Box 12 | Folder 31 | Children’s Theatre - Treasure Island, programs, 1956 October-December |
Box 158 | Folder 31 | Children’s Theatre - The Snow Queen and the Goblin, photograph contact sheets (2), 1956 December-1957 January |
Box 200 | Folder 2 | Children’s Theatre - The Snow Queen and the Goblin, photographs (5), 1956 December-1957 January |
Box 12 | Folder 32 | Children’s Theatre - The Snow Queen and the Goblin, programs, 1956 December-1957 January |
Box 158 | Folder 32 | Children’s Theatre - Robin Hood, photograph contact sheets (2), 1957 February-March |
Box 200 | Folder 3 | Children’s Theatre - Robin Hood, photographs (5), 1957 February-March |
Box 12 | Folder 33 | Children’s Theatre - Robin Hood, programs, 1957 February-March |
Box 158 | Folder 33 | Children’s Theatre - Sleeping Beauty (Sing Ho for a Prince!), negatives (6), photograph contact sheets (3), 1957 March-May |
Box 200 | Folder 3 | Children’s Theatre - Sleeping Beauty (Sing Ho for a Prince!), photographs (4), 1957 March-May |
Box 12 | Folder 34 | Children’s Theatre - Sleeping Beauty (Sing Ho for a Prince!), programs, 1957 March-May |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Scope and Contents
Main season productions include:
- The Adventures of Huckleberry Finn by Mark Twain, adapted by the Organic Theater Company, directed by Stuart Gordon, sets and costumes by designed by Mary Griswold and John Paoletti, lighting by Geoffrey Bushor, music by Jonathan Pearthree, with Meshach Taylor, 1985 January 25-March 3
- Ah, Wilderness! by Eugene O'Neill, directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, 1957-1958
- All the Rage by Keith Reddin, directed by Michael Maggio, sets by Linda Buchanan, costumes by Nan Cibula-Jenkins, lights by Pat Collins, sound design and original music by Michael Bodeen and Rob Milburn, 1997 May 12-June 7
- All's Well That Ends Well by William Shakespeare, directed by Mary Zimmerman, sets designed by Riccardo Hernandez, costumes by Nan Cibula Jenkins, lighting by T.J. Gerckens, sound by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1995 October 2-November 4
- The Amen Corner by James Baldwin, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Robert Christen, sound design by Rob Milburn and Michael Bodeen, original music composed by William Kilgore, 2001 March 23-April 28
- Anna Karenina by Leo Tolstoy, dramatized by James Goodwin and Eugenie Leontovich, directed by Eugenie Leontovich with Joseph Slowik, sets by Richard Kent Wilcox, costumes by Alvin Colt, lights by G.E. Naselius, starring Dolores Sutton, 1965 May 7-29
- Another Midsummer Night, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, directed by Michael Maggio, sets by Linda Buchanan, costumes design by Catherine Zuber, lighting by Robert Christen, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, orchestrations by Bruce Coughlin, 1995 June 16-July 22
- Arcadia by Tom Stoppard, directed by Michael Maggio, sets designed by Linda Buchanan, costumes by Nan Cibula-Jenkins, lighting by Robert Christen, sound by Richard Woodbury, with musical composition by Jeffrey Lunden, 1996 March 11-April 14
- As You Like It by William Shakespeare, directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Tom Morley and Thomas Arne, music directed by George Estevez, 1962 March 25-[?]
- As You Like It by William Shakespeare, directed by Michael Maggio, set design by John Culbert, costume design by Virgil Johnson, lighting design by Kevin Rigdon, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1997 September 29-October 25
- Assassination 1865 by Stuart Vaughn, World Premiere, directed by Stuart Vaughn, sets by Sandro La Ferla, costumes by Virgil Johnson, lights and special effects by Bengt Nygren, with Shepperd Strudwick and Donald Woods, 1971 October 26-November 28
- Bal by Richard Nelson, directed by Gregory Mosher, costumes by Dunja Ramicova, lights by Jennifer Tipton with Del Close and Jim Belushi, 1980 February 29-April 6
- The Balcony by Jean Genet, translated by Bernard Frechtman, directed by Patrick Henry, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Bob Hartman, choreography by Thomas Jaremba, starring Delphi Lawrence, with Jay Lanin, 1967 November 24-December 20
- The Ballad of the Sad Cafe by Carson McCullers, adapted for the stage by Edward Albee, directed by Charles McGaw, sets designed by Richard Kent Wilcox, costumes by Heidimarie Rosendahl, lighting designed by G.E. Naselius, starring Donald Davis, 1965 January 8-30
- The Barretts of Wimpole Street by Rudolf Besier, directed by Brenda Forbes, sets designed by Neil Jampolis, costumes by Uta Olson, lighting by G.E. Naselius, starring Leora Dana, with Maurice Copeland, 1965 March 26-April 16
- The Basement, directed by Joseph Slowik and The Tea Party by Harold Pinter, directed by Patrick Henry, sets by Joseph Nieminski, costumes by Al Tucci, lights by G.E. Naselius, 1970 March 2-April 5
- Becket, or The Honor of God by Jean Anouilh, directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by George Estevez, starring Tod Andrews and Donald Davis, 1962 October 26-November 13
- Benito Cerino, from The Old Glory by Robert Lowell, and based on the novella by Herman Melville, directed by Michael Montel, sets designed by David Jenkins, costumes by James Edmund Brady, lights by George Hemsley, Jr., choreography by Darlene Blackburn, 1975 November 14-December 21
- Betrayal by Harold Pinter, directed by Andre Ernotte, sets designed by Joseph Nieminski, lighting designed by Paul Gallo, costumes by Christa Scholtz, 1981 January 16-February 22
- Billy Budd by Louis O. Coxe and Richard Chapman, based on the novel by Herman Melville, directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, with Fitzroy Davis, Sidney Breese and Avery Schreiber, 1958 October 31-November 16
- Black Snow, adapted by Keith Reddin from the novel by Mikhail Bulgakov, World Premiere, staged by Michael Maggio, set design by Linda Buchanan, costume design by Martin Pakledinaz, lighting design by James F. Ingalls, sound design by Rob Milburn, music composed by Rob Milburn, Miriam Sturm and Michael Bodeen, 1993 April 30-June 5
- Black Star Line by Charles Smith, directed by Paul Tazewell, set design by Joseph Tazewell, costume design by Kay Kurta Silva, lighting by T.J. Gerckens, sound design and music composed by Fabian Obispo, 1996 January 22-February 17
- Blues for an Alabama Sky by Pearl Cleage, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, and sound design by Rob Milburn, 1998 March 16-April 18
- Book of the Night, by Louis Rosen and Thom Bishop, World Premiere, directed by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Michael S. Philippi, costume design by Gabriel Berry, lighting by James F. Ingalls, sound by Rob Milburn, instrumental and vocal arrangements by Louis Rosen, musical direction by Mark Mitchell, orchestrations by Bruce Coughlin, 1991 June 14-August 11
- Bosoms and Neglect by John Guare, directed by Mel Shapiro, sets by John Wulp, costume designs by Willa Kim, lights by Jennifer Tipton, 1979 February 23-April 1
- Boy Gets Girl by Rebecca Gilman, directed by Michael Maggio, set design by Michael Philippi, costume design by Nan Cibula-Jenkins, lighting design by John Culbert, sound design and original music composed by Rob Milburn and Michael Bodeen, 2000 March 13-April 8
- The Boys from Syracuse by George Abbot, music and lyrics by Richard Rogers and Lawrence Hart, production staged by Christopher Hewitt, choreography and musical numbers staged by Bob Herget, sets by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, John C. Cina as musical director, 1972 April 18-June [?]
- Caesar and Cleopatra by George Bernard Shaw, Warren Enters as guest director, sets designed by George Pettit, costumes by D. Hudson Sheffield, lights by Jerold Gorell, music by Anthony Peraino, starring Murray Matheson, with Carrie Snodgrass and Joe Mantegna, 1968 January 12-February 7
- Camino Real by Tennessee Williams, directed by Charles McGaw, sets designed by James Maronek, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, with Charles Grunwell, Beverly Younger, and Dorothy Konrad, 1958 March 21-April 6
- Candide by Voltaire, adapted by Hugh Wheeler, music by Leonard Bernstein, lyrics by Richard Wilbur, additional lyrics by Stephen Sondheim and John Latouche, directed by Munson Hicks, sets designed by John Lee Beatty, lighting by Judy Rasmuson, costumes by Christa Scholtz, 1984 September 21-October 28
- Candida by George Bernard Shaw, directed by Munson Hicks, lighting by Robert Christen, sets designed by Joseph Nieminski, costumes by Nan Cibula, 1984 January 23-February 19
- The Caucasian Chalk Circle by Bertolt Brecht, revised English version by Eric Bentley and Maja Apelman, directed by John Reich, sets by Francis Morigi, costumes by Caley Summers, masks by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, music by George Estevez and Lewis Skalinder, 1962 May 11-29
- The Cave Dwellers by William Saroyan, directed by Eugenie Leontovich, costumes by Uta Olson, sets and lights by Walter Blind, music arranged by Studs Terkel, starring Eugenie Leontovich, Studs Terkel and Avery Schreiber, 1959 December 4-20
- Ceremonies in Dark Old Men by Lonnie Elder, III, a production of the Negro Ensemble Company, directed by Douglas Turner Ward, sets by Charles Henry McClennahan, lighting designed by Shirley Prendergast, costumes by Judy Dearing, 1985 March 18-April 14
- Chemin de Fer by Georges Feydeau, directed by Stuart Gordon, sets by James Maronek, costumes by James Edmund Brady, lights by F. Mitchell Dana, 1975 May 9-June 15
- The Cherry Orchard by Anton Chekhov. Translation by Tyrone Guthrie and Leonid Kipnis, directed by Brian Murray, scenery by David Mitchell, costumes by Virgil Johnson, lights by Patricia Collins, with Nancy Marchand and Edward Herrmann, 1974 October 4-November 10
- A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, music by Hiram Titus, scenery by Joseph Nieminski, costumes by James Edmund Brady, lights by Robert Christen, sound design by Henry Miller, 1978 November 24-December 31
- A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. Directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, [1979]
- A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe, with Del Close, [1980-1981]
- A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe with Del Close and Elizabeth Perkins, 1981 November 27-December 30
- A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano, 1982 November 26-December 31
- A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano, 1983 November 25-December 31
- A Christmas Carol, adapted by Gregory Mosher and Larry Sloan from the novel by Charles Dickens, directed by Gregory Mosher, music by Larry Schanker, sets by Kate Edmunds, lighting by Duane Schuler, costumes by Christa Scholtz, with Frank Galati and Del Close, 1984 December 18-29
- A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, with Ernest Perry, Jr., 1985 November 22-December 29
- A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, choreography by Beatrix Porter, with Ernest Perry, Jr. and Jim True, 1986 November 25-December 31
- A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Michael Maggio, sets designed by Joseph Nieminski, costumes by Christa Scholtz, lights by Robert Christen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Beatrix Rashid, 1987 November 21-December 30
- A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, sets designed by Joseph Nieminski, costumes by Julie Jackson, lighting by Robert Christen, sound by Robert Neuhaus, choreography by Beatrix Rashid, music by Larry Schanker, 1988 November 18-December 28
- A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, set design by Joseph Nieminski, costumes by Julie Jackson, lighting design by Robert Christen, sound by Rob Milburn, original music and traditional carols arranged by Larry Schanker, choreography by Beatrix Rashid, 1989 November 17-December 30
- A Christmas Carol, by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, costume design by Julie Jackson, lighting by Rob Milburn, sound design by David Naughton, choreography by Beatrix Rashid, original music and traditional carols composed and arranged by Larry Schanker, 1990 November 16-December 30
- A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Beatrix Rashid, 1991 November 25-December 31
- A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, 1992 November 13-1993 January 3
- A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, 1993 November 11-1994 January 2
- A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, associate musical director William Schwarz, 1994 November 11-December 30
- A Christmas Carol by Charles Dickens and adapted by Tom Creamer, 1995 November 20-December 30
- A Christmas Carol by Charles Dickens, adapted by Tom Creamer. 19th Annual production, directed by Henry Godinez, set design by Joseph Nieminski, lighting by Robert Christen, sound design by Rob Milburn and David Naunton, musical direction and composition by Larry Schanker, 1996 November 18-December 30
- A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker, 1997 November 8-December 30
- A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker, 1998 November 22-December 29
- A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Ray Nardelli, musical composition and traditional carols by John Kamys, 1999 November 21-2000 January 2
- Christopher C. by Michel de Ghelderode, and adapted into English by Lyon Phelps, directed by John Reich, choreography by Frances Allis, starring David Hurst) and The Lesson by Eugene Ionesco, directed by Joseph Slowik, sets by Francis Morigi, lighting by G.E. Naselius, costumes by Uta Olson, 1963 February 15-March 5
- The Cocktail Party by T.S. Eliot, directed by John Reich, sets by Richard Kent Wilcox, women's costumes by Russell Kohn and Millie Oppenheimer, lights by G.E. Naselius, starring Robert Flemyng, with Brenda Forbes1965 October 22-[?]
- The Comedy of Errors by William Shakespeare, directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, music by Richard Manners, 1962 November 30-December 18
- The Comedy of Errors by William Shakespeare, directed by Robert Woodruff, sets designed by David Gropman, costumes designed by Susan Hilferty, lighting by Paul Gallo, 1983 January 14-February 27
- Cry, The Beloved Country, based on the novel by Alan Paton, with music by Kurt Weill, lyrics by Maxwell Anderson., adapted and directed by Frank Galati, sets designed by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound by Rob Milburn, musical direction by Edward Zelnis, 1993 June 18-August 8
- Cyrano de Bergerac by Edmond Rostand, directed by Michael Maggio, sets designed by John Lee Beatty, music by Ed Zelnis, fight sequences by David Boushey, costumes by Christa Scholtz, lighting by Duane Schuler, 1980 May 23-June 29
- Dancing at Lughnasa by Brian Friel, directed by Kyle Donnelly, set design by Linda Buchanan, costumes by Paul Tazewell, lighting design by Rita Pietraszek, sound by Rob Milburn, Jim Corti, 1993 September 27-October 31
- The Death and Life of Sneaky Fitch by James Rosenberg, directed by Joseph Slowik, sets by Marc Cohen, costumes by E. Oliver Olsen, lighting by G.E. Naselius, choreography by Thomas Jaremba, starring Jerry Harper, with Win Stracke, 1968 November 15-December 14
- Death and the King's Horseman by Wole Soyinka, directed by Wole Soyinka, costumes by Christa Scholtz, sets by David Gropman, lights by Pat Collins, 1979 October 5-November 11
- Death of a Salesman by Arthur Miller, directed by Robert Falls, set design by Mark Wendland, costume design by Birgit Rattenborg Wise, lighting design by Michael Philippi, and sound design and music composed by Richard Woodbury, 1998 September 18-November 7
- Design for Living by Noel Coward, directed by William Woodman, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Pat Collins, with Judith Ivey, 1976 October 1-November 7
- Design for Living by Noel Coward, directed by David Petrarca, set design by Michael Yeargan, costume design by Jane Greenwood, lighting design by Duane Schuler, sound design and original music by Rob Milburn and Michael Bodeen, 1998 May 11-June 6
- The Devil's Disciple by George Bernard Shaw, directed by William Woodman, sets by James Maronek, costumes by Virgil Johnson, lights by Patricia Collins, 1976 May 7-June 13
- Dinah Was by Oliver Goldstick, directed by David Petrarca at the WPA Theater in New York, 1998 April
- The Dining Room by A.R. Gurney, directed by Michael Maggio, scenic design by Joseph Nieminski, costumes by Marsha Kowal, lighting by Robert Christen, 1983 March 4-April 10
- A Doll's House by Henrik Ibsen, directed by Tormod Skagestead, sets by John Scheffler, costumes by Alicia Finkel, lights by G.E. Naselius, 1973 November 20-December 23
- Don Juan by Moliere, translated by Christopher Hampton, production supervised by William Woodman, sets by Joseph Nieminski, costume design by Virgil Johnson, fights staged by Michael Tezla with Judith Ivey and Robert Guillaume, 1977 May 6-June 12
- The Dream (A Midsummer Night's Dream) by William Shakespeare and The Fairie Queen by Henry Purcell, arranged by John Reich and Nicholas Goldsmith, directed by John Reich, Pas de Deux choreographed by Ruth Page, Dieter Kober as musical director, sets by William J. Ryan, costumes by Sylvia Wintle, dance direction by Frances Allis, lighting by G.E. Naselius, Lorenzo Gentile as technical director, with Kenneth Johnson, Etta Buro, and the Chicago Chamber Orchestra, 1958 May 9-25, June 3-8
- A Dream Play by August Strindberg, new translation by Evert Sprinchorn, verse scenes adapted by Lisel Mueller, World Premiere of translation, directed by John Reich, production designed by James Maronek, costumes by Marna King, lights and choreography by Frances Allis, starring Gloria Foster with Frank Savino, 1967 March 31-April 23
- Dwarfman: Master of a Million Shapes by Michael Weller, directed by Emily Mann, costumes by Rita Ryack, sets by Adrienne Lopel, lighting designed by Robert Christen, sound by Michael Schweppe, with Elizabeth McGovern, 1981 May 22-June 28
- Dylan by Sidney Michaels, directed by Charles McGaw, sets by George Pettit, costumes by Uta Olson, lights by G.E. Naselius, starring Jerome Kilty, 1966 February [?]
- The Eccentricities of a Nightingale (rewritten version of Summer and Smoke) by Tennessee Williams. World Premiere, directed by Bella Itkin, sets by Marc Cohen, costumes by Marna King, lights by G.E. Naselius, starring Dolores Sutton and Lee Richardson, with Beverly Younger, 1967 January 13-February 5
- An Enemy of the People by Henrik Ibsen, adapted by Arthur Miller, directed by Gregory Mosher, sets designed by Joseph Nieminski, costumes by Jessica Hahn, lighting by Robert Christen with Terry Kinney and Paul Warfield, 1980 January 18-February 24
- Enrico IV by Luigi Pirandello, translated by John Reich, directed by John Reich, music by James Maronek, lights by G.E. Naselius, costumes by Sylvia Wintle Moss, starring Ivor Harris, Beverly Younger, and Frank Savino, 1960 February 12-28
- A Far Country by Henry Denker, directed by John Reich, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lighting by G.E. Naselius, starring William Smithers, 1964 February 21-March 11
- Faust by Johann Wolfgang von Goethe, directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, music arranged by George Estevez, starring Bramwell Fletcher, with Michael O'Sullivan, 1962 October 27-November 14
- Faust, music and lyrics by Randy Newman, book by Randy Newman and David Mamet, directed by Michael Greif, sets by Tom Lynch, costumes by Mark Wendland, lighting by Chris Akerlind, sound by Steve Canyon Kennedy, projections by Jan Hartley, choreography by Lynn Taylor-Corbett, 1996 September 30-November 2
- Fences by August Wilson, Yale Repertory Theatre, directed by Lloyd Richards, sets by James Sandefur, costumes by Candace Donnelly, lighting by Danianne Mizzy, starring James Earl Jones, 1986 January 31-March 9
- A Flea in Her Ear by Georges Feydeau, translated by John Mortimer, Warren Enters as guest director, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Jerrold Gorrell, starring Hiram Sherman, 1968 May 3-29
- A Flea in Her Ear by Georges Feydeau, adapted by Frank Galati, directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Lindsay Davis, lighting by Robert Christen, sound by Rob Milburn, choreography by David Wooley, 1988 April 25-May 21
- Floyd Collins by Adam Guettel and Tina Landau, directed by Tina Landau, scenic design by James Schuette, costume design by Melina Root, lighting design by Scott Zielinski, sound design by Dan Moses Schreier, musical direction by Ted Sperling and Rob Berman, 1999 May 3-June 5
- The Freedom of the City by Brian Friel, American Premiere, directed by William Woodman, scenic designs by David Jenkins, costumes by Alicia Finkel, lights by F. Mitchell Dana, 1973 October 9-November 10
- The Front Page by Ben Hecht and Charles MacArthur, directed by Michael Maggio, scenery by Joseph Nieminski, costumes by William Ivey Long, lights by Jennifer Tipton, sound design by Michael Schweppe, with Jack Wallace and W.H. Macy, 1981 October 2-November 8
- A Funny Thing Happened on the Way to the Forum, book by Burt Shevelove and Larry Gelbart, music and lyrics by Stephen Sondheim, directed by Frank Galati, choreography and musical staging by Chet Walker, sets and costumes designed by Mary Griswold and John Paoletti, lights by Jeffrey Bushor, sound by Rob Milburn, musical direction by Janet Alcock, 1989 June 2-August 8
- Galileo by Bertolt Brecht, last version of the play translated by Desmond I. Vesey, directed by Howard da Silva, sets by James Maronek, costumes by D. Hudson Sheffield, music by Hans Eisler and William Mathieus, lights by G.E. Naselius, starring Morris Carnovsky, with Maurice Copeland, 1966 May
- Galileo by Bertolt Brecht, translated by Adrian Hall and James Schevill, directed by Robert Falls, music by Louis Rosen, sets by George Tsypin, costumes by Jessica Hahn, lighting by James F. Ingalls, starring Brian Dennehy, with Frank Galati, Ernest Perry, Jr. and James O' Reilly, 1986 September 26-November 1
- Ghost on Fire by Michael Weller, directed by Les Waters, sets designed Loren Sherman, costumes by Martin Pakledinaz, lighting designed by Stephen Strawbridge, 1987 January 9-February 14
- The Glass Menagerie by Tennessee Williams, directed by Patrick Henry, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, starring Peggy Wood, 1964 January 10-29
- The Good Woman of Setzuan by Bertolt Brecht, translated by Eric Bentley, directed by Charles McGaw, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by Stephan Wolpe, starring Frances Hyland, Dorothy Konrad, and Frank Savino, 1960 March 25-April 11
- The Good Person of Setzuan by Bertolt Brecht, English translation by Sheldon Patinkin, with Tom Creamer, directed by Frank Galati, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Rob Milburn, choreography by Peter Amster, original music and musical direction by Claudia Schmidt, 1992 April 24-May 30
- The Gospel at Colonus by Lee Breuer and Bob Telson, composer, directed by Lee Breuer, musical direction by Bob Telson, production and set design by Alison Yerxa, costume design by Ghretta Hynd, lighting design by Robert Christen, sound design by Rob Milburn, 1990 June 8-August 12
- The Government Inspector by Nikolai Gogol, translated by Milton Ehre and Fruma Gottschalk, directed by Frank Galati, sets by Michael Merritt, costumes by Virgil Johnson, lights by Kevin Rigdon, sound design by Robert Neuhaus, with Jack Wallace, 1985 October 4-November 10
- Griller by Eric Bogosian, directed by Robert Falls, set design by Derek McLane, costume design by Mara Blumenfeld, lighting design by Kenneth Posner, and sound design by Richard Woodbury, 1998 January 19-February 21
- Guys and Dolls by Jo Swerling and Abe Burrows, music and lyrics by Frank Loesser, directed by Gene Lesser, choreography by Elizabeth Keen, musical direction by David Richards, scenic design by James Maronek, costume design by Nancy Potts, lighting design by William Mintzer, 1974 May 10-June 16
- Happy Days by Samuel Beckett, International Theatre Festival of Chicago, directed by Andre Belgrader, sets by Douglas Stein, costumes by Candice Donnelly, lights by Frances, 1986 April 4-May 11
- Heartbreak House by George Bernard Shaw, directed by Douglas Seale, sets designed by Marc Cohen, costumes by Virgil Johnson, lights by Jerrold Gorrell, Robert Moody as scenic artist, 1970 May 25-June 28
- Hedda Gabler by Henrik Ibsen, directed by Melvin Bernhardt, sets designed by James Maronek, costumes by Francis Morigi, lights by G.E. Naselius, Eva LeGallienne as translator, starring Signe Hasso, 1962 February 23-March 13
- Henry IV, a three-act adaptation of William Shakespeare's work; Acts I and II adapted by Richard Matthews, directed by William Woodman, sets and lights by Peter Wexler, costumes by Virgil Johnson, music by Nick Venden, Joseph Leon as associate director, fights by staged by Michael Tezla, 1974 March 29-May 5
- Hey Stay Awhile by John Guare, music by Galt MacDermot, John Guare, and Jim Warner., 1984. Directed by Larry Sloan, with Kevin Anderson, 1984 February 19-April 14
- Hippolytus by Euripides, directed by Bella Itkin, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle Moss, music by Dieter Kober, choreography by Frances Allis, with Donald Buka and Charles Grunwell, 1960 January 3-24
- Holiday by Philip Barry, directed by Tony Tanner, costumes by Clifford Capone, lighting by Robert Christen, sets by Joseph Nieminski with Lindsay Crouse and W.H. Macy, 1979 April 12-May 13
- House Arrest: First Edition, by Anna Deavere Smith, 1998 Fall
- A House Not Meant to Stand by Tennessee Williams, directed by Andre Ernotte, scenery by Karen Schulz, costumes by Christa Scholtz, lights by Rachel Budin, sound by Michael Schweppe, 1982 April 16-May 23
- The House of Martin Guerre by Leslie Arden and Anna Cascio, directed by David Petrarca, sets by Robert Brill, costumes designed by Susan Hilferty, lighting designed by James F. Ingalls, sound by Rob Milburn, musical direction by Jeffrey Klitz, choreography by David Marques, orchestrations by Bruce Coughlin, 1996 July 1-August 4
- The House of Martin Guerre by Leslie Arden and Anne Theresa Cascio, directed by David Petrarca in Toronto, 1997 September 25-October 25
- Hurlyburly by David Rabe, directed by Mike Nichols, sets designed by Tony Walton, costumes by Ann Roth, lighting by Jennifer Tipton, with Harvey Keitel, William Hurt, Christopher Walken, Jerry Stiller, Cynthia Nixon, Judith Ivey, and Sigourney Weaver, 1984 March 23-April 22
- I Am a Man by OyamO, directed by Marion McClinton, set design by Scott Bradley, costume design by Caryn Neman, lighting by Pat Dignan, sound design by Michael Bodeen and Rob Milburn, music composed by Olu Dara, 1994 April 22-June 4
- The Iceman Cometh by Eugene O'Neill, directed by Robert Falls, sets designed by John Conklin, costumes by Merrily Murray-Walsh, lighting designed by James F. Ingalls, sound designed by Rob Milburn, featuring Brian Dennehy, Jim True and Denis O'Hare, 1990 September 24-November 4
- The Imaginary Invalid by Moliere, translated by John Reich, directed by John Reich, sets by William Ryan, lighting by G.E. Naselius, choreography by Frances Allis, costumes by Sylvia Wintle, music by M. Antoine Charpentier, starring Murray Matheson, 1959 May 8-24
- The Importance of Being Earnest, 1971 December 2-19, 1971 December 28-1972 January 16
- In the Matter of J. Robert Oppenheimer by Heiner Kipphardt, translated by Ruth Speirs, directed by Gene Lesser, scenic design and visual effects by Robert U. Taylor, costumes by Virgil Johnson, lights by William Mintzer, 1973 January 7-February 11
- The Inspector General by Nikolai Gogol, translated by John Dolman, Jr. and Benjamin Rothberg, acting version by Joseph Buloff, directed by Joseph Slowik, set designs by John Holabird, costumes by Jay Kobrin, lighting by G.E. Naselius, music by Bob Michaels, starring Joseph Buloff, with Thom Koutsoukos, Frank Savino, and Avery Schreiber, 1960 May 13-22
- Jitney by August Wilson, directed by Marion McClinton, set design by David Gallo, costume design by Susan E. Mickey, lighting design by Donald Holder, sound design by Rob Milburn, 1999 June 28-August 1
- Joe Turner's Come and Gone by August Wilson, directed by Jonathan Wilson, set design by Michael S. Philippi, costume design by Claudia Boddy, lighting by Robert Christen, sound design by Rob Milburn, original music and traditional arrangements by Rob Milburn and Elihoenai, 1991 January 11-February 23
- Journey to the West, adapted by Mary Zimmerman based on the translation of Anthony C. Yu of Hsi Yu Chi, directed by Mary Zimmerman, set design by Scott Bradley, costumes by Allison Reeds, lighting design by T.J. Gerckens, sound design by Michael Bodeen, original music composed by William Schwarz, Miriam Sturm and Michael Bodeen, 1995 April 28-June 3
- King Hedley II by August Wilson, directed by Marion Isaac McClinton, set design by David Gallo, costume design by Toni-Leslie James, lighting design by Donald Holder, sound design by Rob Milburn, waltz choreographed by Diane McIntyre, 2000 November 30-2001 January 13
- King Lear by William Shakespeare, directed by Charles McGaw, sets by Richard Kent Wilcox, costumes by Caley Summers, starring Morris Carnovsky, with Maurice Copeland, 1964 April 3-25
- King Lear and Twelfth Night by William Shakespeare, International Theatre Festival of Chicago by the Stratford Shakespearean Festival of Canada, at the Blackstone Theatre, John Hirsch, artistic director, 1985 November 27-December 22
- Lady Audley's Secret, adapted by Douglas Seale from the novel by Mary Elizabeth Braddon, directed by Douglas Seale, costumes and scenic design by Alicia Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Jerry Tullos, John Cinas musical director and pianist, 1971 May 24-June 27
- Lady Precious Stream by Shi I. Hsiung, directed by John Reich, stage designed by William J. Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, choreography by Frances Allis, with Carl Bingham, Maxine Stetson, and Avery Schreiber, 1958 December 5-28
- The Lady's Not for Burning by Christopher Fry, directed by Stephen Porter, costume and scenic design by Alicia Finkel, lights by G.E. Naselius, 1973 April 1-May 6
- Lakeboat by David Mamet, directed by Gregory Mosher, scenery by Michael Merritt, costumes by Christa Scholtz, lights by F. Mitchell Dana, sound by Michael Schweppe, with Mike Nussbaum and Jack Wallace, 1982 February 26-April 4
- Landscape of the Body by John Guare, directed by Robert Falls, sets by George Tsypin, costumes designed by Dunja Ramicova, lighting by Jennifer Tipton, sound design by Rob Milburn, with Gary Cole, 1988 February 26-April
- The Lark by Jean Anouilh, adapted by Lillian Hellman, directed by Bella Itkin, sets by Andre Wauters, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Manners, 1961 December 1-19
- The Last Meeting of the Knights of the White Magnolia by Preston Jones, directed by Harold Stone, sets by Joseph Nieminski, costumes by John David Ridge, lights by F. Mitchell Dana, with Jack Wallace and W.H. Macy, 1976 February 13-March 21
- A Life in the Theatre by David Mamet, directed by Gregory Mosher, music by Stuart Klawans, costumes by Marsha Kowal, sets by Michael Merritt, lights by Robert Christen, 1979 September 11-[?]
- Light Up the Sky by Moss Hart, directed by David Petrarca, sets by Michael Yeargan, costumes by Jess Goldstein, lighting by Duanne Schuler, sound design by Rob Milburn, 1997 March 24-April 19
- A Little Night Music by Steven Sondheim and Hugh Wheeler, directed by Michael Maggio, sets by John Lee Beatty, costumes by Virgil C. Johnson, lighting by Michael S. Philippi, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, 1994 June 17-August 21
- The Lone Canoe, or The Explorer by David Mamet, directed by Gregory Mosher, music and lyrics by Alaric Jans, sets by John Lee Beatty, costumes by Christa Scholtz, lighting by Pat Collins, 1979 May 18-June 24
- Long Day's Journey into Night by Eugene O'Neill, directed by George Keathley, sets by Joseph Nieminski, lights by F. Mitchell Dana, costumes by Virgil Johnson, 1976 November 12-December 19
- Lorraine Hansberry's to Be Young, Gifted and Black, adapted by Robert Nemiroff, directed by Patrick Henry, costumes by Andrea Kalish, set designs by Joseph Nieminski, lighting by Daniel Adams, 1974 February 19-March 2
- Ma Rainey’s Black Bottom by August Wilson, directed by Chuck Smith. Sets by Scott Bradley, costumes by Paul Tazewell, lighting by Robert Christen, sound by Rob Milburn, musical direction by Kimo Williams, 1997 June 30-July 27
- Macbeth by William Shakespeare, directed by Sam Wanamaker, Patrick Henry as associate director, sets by James Maronek, costumes by Yvonne Bronowicz, lights by G.E. Naselius, music by Donald Andrus, starring Sam Wanamaker, with Lillian Evans, 1964 November 27-December 20
- The Madwoman of Chaillot by Jean Giraudoux, translated by Maurice Valency, directed by John Reich, sets designed by Richard Kent Wilcox, costumes by Uta Olson, music by Albert Hague, lighting by G.E. Naselius, choreography by Frances Allis, starring Zoe Caldwell, with Sue Ann Park, 1964 October 23-November 14
- The Man in the Glass Booth by Robert Shaw, directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, Robert Moody as scenic artist, 1970 April 13-May 17
- The Man of Destiny and The Great Catherine by George Bernard Shaw, Man of Destiny directed by Joseph Slowik, Great Catherine directed by Robert Quinn, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, starring Geraldine Kay, 1958 February 14-March 2
- A Man's a Man by Bertolt Brecht, translated by Eric Bentley, directed by Joseph Slowik, sets designed by James Maronek, costumes by D. Hudson Sheffield, lights by G.E. Naselius, music by Joseph Raposo, starring Terry Lomax, with Helena Carroll, 1968 March 29-April 24
- The Man Who Had Three Arms by Edward Albee, directed by Edward Albee, sets designed by John Jensen, costumes by Barbara A. Bell, lights by F. Mitchell Dana, 1982 September 24-October 31
- Marching Song by John Whiting, directed by Douglas Seale, sets by Sandro La Ferla, costume design by Alicia Finkel, lights by Jerrold Gorrell, 1971 March 1-April 4
- Marvin's Room by Scott McPherson, directed by David Petrarca, sets by Linda Buchanan, costume design by Claudia Boddy, lights by Robert Christen, musical composition and sound design by Rob Milburn, 1993 March 22-April 18
- Measure for Measure by William Shakespeare, directed by Charles McGaw, sets by Marc Cohen, costumes by Alicia Finkel, lights by G.E. Naselius, music by Kelly Danford, with Donald Harron, Clayton Corzatte, and Haskel Gordon, 1969 February 14-March 15
- The Merchant of Venice by William Shakespeare, directed by Charles McGaw, sets designed by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, choreography by Frances Allis, starring Morris Carnovsky, with Mariette Hartley, 1959 October 30-November 15
- The Merchant of Venice by William Shakespeare, directed by Peter Sellars, costume design by Dunya Ramicova, lighting by James F. Ingalls, sound design by Bruce Odland, 1994 September 30-November 5
- A Midsummer Night's Dream by William Shakespeare, directed by Michael Maggio and co-directed by Steve Scott, sets by John Conklin, costumes by Susan Hilferty, lighting design by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O’Slynne, with Joan Cusack, 1991 March 8-April 13
- The Misanthrope by Moliere, in a new version by Neil Bartlett, and further adapted by Robert Falls, presented with the La Jolla Playhouse, directed By Robert Falls, set design by George Tsypin, costume design by Susan Hilferty, lighting by James F. Ingalls, and sound design by Rob Milburn, 1989 September 29-November 4
- The Miser by Moliere, translated by George Gravely, directed by John Reich, sets designed by Marc Cohen, costumes by D. Hudson Sheffield, lights by Edgar Swift, starring Bramwell Fletcher, with Donna Holabird, 1967 October 20-November 15
- Miss Evers' Boys by David Feldshuh, directed by Kenny Leon (artistic director, Alliance Theatre, Atlanta), set design by Michael Olich, costumes by Susan E. Mickey, lighting by Robert D. Peterson, choreography by Darlene Blackburn, and sound designer, composer and musical director, Dwight Andrews, 1991 September 13-October 27
- Mother Courage and Her Children by Bertolt Brecht, English adaptation by Eric Bentley, directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, original music by Paul Dessau, lighting by G.E. Naselius, starring Eugenie Leontovich, 1964 May 8-27
- The Millionairess by George Bernard Shaw, directed by John Reich, sets by Jacob Burch, lighting by G.E. Naselius, starring Patricia Jessel, 1963 October 25-November 12
- Moon for the Misbegotten by Eugene O’Neill, directed by Daniel Sullivan, set design by Eugene Lee, costume design by Jane Greenwood, lighting design by Pat Collins, original music composed and sound design by Richard Woodbury, 2000 January 24-February 19
- Morning, Noon and Night by Spaulding Gray, 1999 September 7-12
- Mourning Becomes Electra by Eugene O'Neill, directed by William Woodman, sets by John Jensen, costumes by James Edmund Brady, lights by F. Mitchell Dana, music selected by Nick Venden, with Judith Ivey, 1976 January 2-February 8
- Margarida's Way, 1982 August 31-September 5
- Much Ado About Nothing by William Shakespeare, directed by Joseph Slowik, sets by George Pettit, costumes by Uta Olson, lights by Jerrold Gorrell, music by Nina Reta, co-starring Carrie Nye and James Ray, with Vincent Park, 1967 February 17-[?]
- Much Ado About Nothing by William Shakespeare, directed by William Woodman, sets by Herbert Senn and Helen Pond, costumes by Virgil Johnson, lights by Stephen Ross, dances by Ruth Page, incidental music and songs by Alaric Jans with Judith Ivey, 1978 February 10-March 19
- My Heart's in the Highlands by Williams Saroyan and The American Dream by Edward Albee, directed by Charles McGaw, sets by Francis Morigi, costumes by Uta Olson, lighting by G.E. Naselius, music arranged by Paul Bowles, starring Studs Terkel in Highlands, and Beverly Younger in Dream, 1962 January 12-30
- Native Son, adapted by Paul Green from the novel by Richard Wright, directed by Gregory Mosher, scenery by Joseph Nieminski, costumes by Christa Scholtz, lighting by Pat Collins with Mike Nussbaum and Meshach Taylor, 1978 October 6-November 12
- The Night of the Iguana by Tennessee Williams, directed by George Keathley, sets designed by Joseph Nieminski, costumes by Marsha Kowal, lights by Robert Christen, 1978 March 31-May 7
- The Night of the Iguana by Tennessee Williams, directed by Robert Falls, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Richard Woodbury, featuring William L. Petersen and Cherry Jones, 1994 March 4-April 10
- The Night Thoreau Spent in Jail by Jerome Lawrence and Robert E. Lee, directed by Patrick Henry, scenic design by James Maronek, costumes by Daniel Pugh, lights by Bengt Nygren, starring Christopher Walken, 1971 January 18-February 21
- The Odyssey by Homer, directed by Mary Zimmerman, set design by Daniel Ostling, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Willie Schwarz, 1999 September 27-November 6
- Oh, What a Lovely War, by Joan Littlewood's Theatre Workshop, directed by Patrick Henry, set designs by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by John Cina, starring Terry Lomax, 1967 May 5-28
- The Old Religion by David Mamet, 1997 November 10
- The Old Settler by John Henry Redwood, 1998 March 16-April 18
- Old Times by Harold Pinter, directed by Michael Kahn, scenic design by Marjorie Kellogg, lights by G.E. Naselius, 1972 October 8-November 12
- On Borrowed Time by Paul Osborne, directed by Joseph Slowik, sets designed by James Harrington, costumes by Tony Eikenbarry, lighting by G.E. Naselius, starring Leo G. Carroll, 1961 May 12-30
- On the Open Road by Steve Tesich, World Premiere, directed by Robert Falls, sets by George Tsypin, costumes by Gabriel Berry, lighting design by Michael Philippi, sound design by Rob Milburn, projections by John Boesche, 1992 March 6-April 11
- Oo-Bla-Dee by Regina Taylor, directed by Regina Taylor and Susan V. Booth, set design by Donald Eastman, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Coleridge-Taylor Perkinson, 1999 March 15-April 17
- Orchards, seven American playwrights present stories by Anton Chekhov: Marie Irene Fornes, Spaulding Gray, John Guare, David Mamet, Wendy Wasserstein, Michael Weller, and Samm-Art Williams, An Acting Company production, directed by Robert Falls, sets by Adrianne Lobel, costumes by Laura Crow, lights by Paul Gallo, music by Louis Rosen, 1986 May 23-June 29
- Othello by William Shakespeare [production cancelled], [1964]
- Othello by William Shakespeare, directed by Charles McGaw, sets by James Maronek, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, starring James Earl Jones and Len Cariou, 1968 February 16-March 13
- Otherwise Engaged by Simon Gray, directed by William Woodman, scenic design by Joseph Nieminski, lighting designed by F. Mitchell Dana, costumes by James Edmund Brady, 1978 May 12-June 18
- Our Fathers Failing by Israel Horovitz, World Premiere, directed by John Dillon, sets designed by Stuart Wurzel, costumes by John David Ridge, lighting by Arden Fingerhut, 1976 March 26-May 2
- Our Town by Thornton Wilder, directed by George Keathley, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Gilbert Hemsley, 1975 October 3-November 9
- Pal Joey by John O'Hara, music by Richard Rogers, lyrics by Florenz Hart, directed by Robert Falls, choreography by Ann Reinking and Chet Walker, sets by Thomas Lynch, costumes designed by Marty Pakledinaz, with Kevin Anderson, Ivory Ocean and Del Close, 1988 June 3-July 24
- A Passage to India by E.M. Forster, adapted for the stage by Santha Rama Rau, directed by Charles McGaw, sets by James Maronek, costumes by Caley Summers, lighting by G.E. Naselius, starring Lillian Gish, 1963 January 11-30
- Pal Joey by John O'Hara, directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, with Nancy Marchand, 1973 May 13-June 17
- Panto by Derek Wolcott, directed by Gregory Mosher, scenery and costumes by David Gropman, lighting by Robert Christen, sound by Michael Schweppe, with Roscoe Lee Brown, 1982 January 15-February 21
- Passion Play by Peter Nichols, directed by Frank Galati, sets by John Conklin, costumes by Jessica Hahn, lights by Kevin Rigdon, sound by Rob Milburn, 1988 January 8-February 13
- The Pedestrian in the Air (Le Pieton de l'Air) by Eugene Ionesco, translated by Donald Watson. American Premiere, directed by Joseph Slowik, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, starring Alvin Epstein, 1966 January 7-[?]
- The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade by Peter Weiss, directed by Charles McGaw, sets designed by James Maronek, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Peaslee, co-starring Jerome Kilty and James Ray, 1966 October 21-November 16
- The Philanthropist by Christopher Hampton, Midwest Premiere, directed by Michael Montel, sets designed by Peter Wexler, costumes by John David Ridge, lights by Ken Billington, with Judith Ivey and Swoosie Kurtz, 1975 February 14-March 23
- The Piano Lesson by August Wilson, directed by Lloyd Richards, sets by David Cosier, Jr., costumes designed by Constanza Romero, lighting by Christopher Akerlind, sound design by J. Scott Servheen, music by Dwight Andrews, 1989 January 6-February 18
- A Place Without Doors (L'Amante Anglaise) by Marguerite Dumas, Midwest Premiere, directed by Brian Murray, original lighting design by Ronald Wallace and adapted by G.E. Naselius, with Mildred Dunnock, Alvin Epstein, and Hiram Sherman, 1971 September 21-October 10
- Play Mas by Mustapha Matura, directed by Derek Walcott, scenery and costumes designed by Adrienne Lobel, lighting by Robert Christen, sound by Michael Schweppe, 1981 April 10-May 17
- Play On! conceived by Sheldon Epps, based on the book by Cheryl L. West, with the songs of Duke Ellington, directed by Sheldon Epps, choreography by Mercedes Ellington, set design by James Leonard Joy, costume design by Marianna Elliott, lighting design by Michael Gilliam, sound design by Rob Milburn, and music direction by J. Leonard Oxley, 1998 June 19-August 16
- Plenty by David Hare, directed by Gregory Mosher, scenery by Marjorie Kellogg, costumes by Virgil Johnson, lighting by Jennifer Tipton, music by Nick Bicat, 1981 February 22-April 5
- Poor Bitos (Pauvre Bitos) by Jean Anouilh, directed by Douglas Campbell, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Wayne Tignor, hair design by Susan and James Chiaro, 1971 April 12-May 16
- Purple Dust by Sean O'Casey, directed by Joseph Slowik, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, with Louis Zorich and Avery Schreiber, 1959 February 20-March 8
- Red Noses by Peter Barnes, American Premiere, directed by Jeff Steitzer, sets designed by Scott Weldin, costumes by Laura Crow, lighting by Robert Paulsen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Jim Corti, 1987 September 25-October 31
- A Raisin in the Sun by Lorraine Hansberry, directed by Thomas Bullard, sets by Karen Schulz, lights by Dennis Parichy, costumes by Judy Dearing, with Jackie Taylor and Ernest Perry, Jr., 1983 September 23-October 30
- A Raisin in the Sun by Lorraine Hansberry, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, sound design by Rob Milburn, 2000 May 1-June 3
- Rashomon by Ryunosoke Akutagawa, adapted for the stage by Fay and Michael Kanin, directed by Patrick Henry, sets by James Maronek, costumes by Kurt Wilhelm, lights by G.E. Naselius, music by Lawrence Rosenthal, starring Douglas Rain, [1964-1965]
- The Recruiting Officer by George Farquhar, John Harrison as guest director from London, set designed by James Maronek, costumes by Alicia Finkel, lighting by G.E. Naselius, co-starring Ronnie Graham and Jerome Kilty, with Maurice Copeland, 1969 May 9-June
- Red River by Pierre Laville, translated by David Mamet, directed by Robert Woodruff, sets designed by Karen Schulz, costumes by Susan Hilferty, lighting by Paul Gallo, choreography by Charles Vernon, 1983 April 22-May 29
- Red Roses for Me by Sean O'Casey, John O'Shaugnessy as guest director, sets by James Maronek, costumes by E. Oliver Olsen, lights by Jerrold Gorrell, choreography by Thomas Jaremba, music by Robert Lombardo, 1969 January 3-February 1
- The Resistible Rise of Arturo Ui by Bertolt Brecht and adapted by George Tabori, directed by William Woodman, music by Hans-Dieter Hosalla, sets by Joseph Nieminski, costumes by John David Ridge, lights by Gilbert Hemsley, Jr, 1975 March 28-May 4
- Richard II by William Shakespeare, directed by David Petrarca, sets by Russell Metheny, costume design by Virgil C. Johnson, lighting design by James F. Ingalls, sound by Rob Milburn, music composed by Miriam Sturm and Rob Milburn, featuring Mike Nussbaum and Martha Lavey, 1994 January 14-February 19
- Richard III by William Shakespeare, directed by William Woodman, sets designed by John Jensen, lighting by F. Mitchell Dana, fights staged by Michael Tezla, costumes by James Edmund Brady, music composed by Alaric Jans, 1977 February 11-March 20
- The Rivals by Richard Brinsley Sheridan, directed by Joseph Slowik, sets by Bruce Koenig, costumes by Uta Olson, lights by G.E. Naselius, starring Brenda Forbes, with Vincent Park, 1963 May 3-21
- Riverview: A Melodrama with Music, by John Logan, World Premiere, staged by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Thomas Lynch, costume design by Nan Cibula, lighting by Michael S. Philippi, sound by Richard Woodbury, vocal and dance arrangements by Larry Schanker, musical direction by Helen Gregory, orchestrations by David Siegel, musical supervision and original music by Larry Schanker, 1992 June 12-August 9
- The Road by Wole Soyinka, directed by Wole Soyinka, sets by Patricia Woodbridge, costumes by Judy Dearing, lights by Stephen Strawbridge, with Ernest Perry, Jr. and Ivory Ocean, 1984 April 20-May 27
- Romeo and Juliet by William Shakespeare, directed by Michael Maggio, sets by Michael Merritt, costumes by Nan Cibula, lights by Jennifer Tipton, sound by Rob Milburn, music by Larry Schanker, choreography by Beatrix Rashid, fight choreography by Steve Pickering, with Phoebe Cates, 1988 October 3-November 5
- The Rover by Aphra Behn, adapted by John Barton, directed by Kyle Donnelly, sets by John Lee Beatty, costumes by Lyndsay Davis, lighting by Judy Rasmuson, sound by Rob Milburn, music by Rob Milburn and Larry Schanker, combat and masque staging by Michael Sokoloff, 1989 February 24-April
- The Royal Family by George S. Kaufman and Edna Ferber, directed by Douglas Seale, costumes by Virgil Johnson, sets designed by James Maronek, lights by Jerrold Gorrell, Robert Moody as scenic artist, with Mike Nussbaum, 1972 January 20-February 27
- Royal Gambit (Henry VIII and His Wives) by Herman Gressieker, translated and adapted by George White, directed by Melvin Bernhardt, sets designed by Andre Wauters, costumes by Tom Eikenbarry, lighting by G.E. Naselius, starring Sam Wanamaker, 1961 January 13-[?]
- The Ruling Class by Peter Barnes, directed by Patrick Henry, costumes by Virgil Johnson, sets by Sandro La Ferla, lighting by Wayne Tignor, Robert Moody as scenic artist, choreography by Gus Giordano, 1972 March 2-April 9
- The Salzburg Everyman by Hugo von Hofmannsthal, translated by John Reich, directed by John Reich, sets designed by William Ryan, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, music by Bob Michaels, starring Donald Buka, Uka Diehl and Avery Schreiber, [1957-1958]
- The Salzburg Great Theatre of the World by Hugo von Hofmannsthal, translated by Lisel Mueller and John Reich, World Premiere in English, directed by John Reich, sets by James Maronek, costumes by E. Oliver Olsen, costumes by Alicia Finkel, choreography by Thomas Jaremba, lights by G.E. Naselius, music by Robert Lombardo, starring Edgar Daniels, with Dina Halpern and Maurice Copeland, 1968 October 4-November 2
- The Sea Gull by Anton Chekhov, directed by Gregory Mosher, sets designed by Joseph Nieminski, lighting by Pat Collins, costume design by Virgil Johnson, 1977 November 11-December 18
- Scenes from American Life by A.R. Gurney, Jr, directed by Harold Stone, scenic design by David Jenkins, costumes by Alicia Finkel, lights by Beverly Emmons, Bill McCauley as musical director, 1972 November 26-December 31
- The Sea by Edward Bond, American Premiere, directed by William Woodman, sets designed by David Jenkins, costumes by James Brady, lights by F. Mitchell Dana, with Judith Ivey, 1974 November 15-December 22
- The Seagull by Anton Chekhov, adapted by Regina Taylor, 2001 April 27-May 27
- Seven Guitars by August Wilson, World Premiere, directed by Walter Dallas, sets by Scott Bradley, costume design by Constanza Romero, lighting by Christopher Akerlind, sound by Tom Clark, musical direction by Dwight Andrews, 1995 January 13-February 18
- Sgnarelle: An Evening of Moliere Farces, translated by Albert Bermel, directed by Andre Serben, sets by Michael Yeargan, lights by James Ingalls, costumes by Dunja Ramicova, music by Stephen Drury, 1982 May 28-July 3
- She Always Said, Pablo, words by Gertrude Stein, conceived by Frank Galati, directed by Frank Galati, production designed by John Paoletti, Geoffrey Bushor and Mary Griswold, choreography by Steven Ivcich and Peter Amster, music by Virgil Thomson and Igor Stravinsky, 1987 February 27-April 4
- She Always Said, Pablo, conceived and directed by Frank Galati. At the Kennedy Center for the Performing Arts, Eisenhower Theater, production design by John Paoletti, Mary Griswold and Geoffrey Bushor, sound design by Robert Neuhaus, choreography by Peter Amster, musical direction and arrangements by Edward Zelnis, 1990 June 28-July 22
- The Show Off by George Kelly, directed by Gene Lesser, sets by Marjorie Kellogg, lights by Pat Collins, costumes by James Edmund Brady, with William H. Macy, 1976 December 31-1977 February 6
- Six Characters in Search of an Author by Luigi Pirandello, American Repertory Theatre, directed Robert Brustein, sets and costumes by Michael Yeargan, lights by Jennifer Tipton, 1985 June 7-July 14
- The Skin of Our Teeth by Thornton Wilder, directed by Patrick Henry, sets designed by Richard Kent Wilcox, costumes by Kurt Wilhelm, lights by G.E. Naselius, starring Edward Binn and Eugenie Leontovich, with Beverly Younger and Carrie Snodgrass, 1966 March
- The Skin of Our Teeth by Thornton Wilder, directed by David Petrarca, sets by Michael Yeargan, costume design by Catherine Zuber, lighting by Christopher Akerland, sound design by Rob Milburn, 1992 September 25-October 31
- Soldiers by Rolf Hochhuth, directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lighting designed by G.E. Naselius, scenery painted by Robert Moody, 1969 October 20-November 23
- A Soldier's Play by Charles Fuller, directed by Douglas Turner Ward, sets by Felix Cochren, costumes by Judy Dearing, lights by Allen Lee Hughes, featuring Adolph Caesar and the Negro Ensemble Company, 1983 June 13-July 24
- The Speed of Darkness by Steve Tesich, directed by Robert Falls, sets by Thomas Lynch, costumes designed by Nan Cibula, lighting designed by Michael Phillipi, sound and music by Rob Milburn, 1989 April 14-May 20
- Joan by George Bernard Shaw, directed by John Clark, scenery by David Jenkins, costumes by James Edmund Brady, lights by F. Mitchell Dana starring Lynn Redgrave, 1977 September 23-October 30
- Streamers by David Rabe, Midwest Premiere, directed by Gregory Mosher, sets designed by Joseph Nieminski, lights by Pat Collins, costumes by Marsha Kowal with William H. Macy and Meshach Taylor, 1977 March 25-May 1
- The Suicide by Nikolai Erdman, directed by Gregory Mosher, sets by Michael Merritt, lighting by Arden Fingerhut, costumes by Christa Scholtz, sound by Michael Schweppe, 1980 October 3-November 9
- Sunday in the Park with George by James Lapine, music and lyrics by Stephen Sondheim, directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Nan Cibula, lights by Robert Christen and John Boesche, choreography by Michael Sokoloff, 1987 June 15-September 6
- Talley's Folly by Lanford Wilson, directed by Marshall Mason, sets by John Lee Beatty, lighting designed by Dennis Parichy, costumes by Jennifer Von Mayrhauser, sound by Chuck London, 1980 April 11-May 18
- The Taming of the Shrew by William Shakespeare, directed by Charles McGaw, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Louis Russo, starring Leo Ciceri, 1960 October 28-[?]
- Tartuffe by Moliere, translated into English verse by Richard Wilbur, directed by John Reich, sets by George Pettit, costumes by Uta Olson, lighting designed by G.E. Naselius, starring Jerome Kilty, with Edgar Daniels, Sue Ann Park, and Carrie Snodgrass, 1966 November 25-December 18
- The Tempest by William Shakespeare, directed by Douglas Seale, sets by James Maronek, costumes by Alicia Finkel, scenery painted by Robert Moody, choreography by Wilbert Bradley, original music and electronic effects by Robert Lombardo, lighting design by Jerold Gorrell, 1970 January 19-February 22
- The Tempest by William Shakespeare, directed by Robert Falls, sets designed by Adrianne Lobel, costumes designed by Jessica Hahn, lights by James F. Ingalls and John Boesche, music by Louis Rosen, with James O'Reilly, Del Close and Ivory Ocean, 1987 April 17-May 29
- The Three Moscowteers by Dmitri Karamazov, directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls, 1984 June 1-July 8
- The Three Moscowteers by Dmitri Karamazov, directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls, 1984 June 1-July 8
- The Three Penny Opera by Bertolt Brecht and Kurt Weill, English adaptation by Marc Blitzstein, directed by Douglas Seale, musical direction by Ronald Jones, scene design by James Maronek, costumes by Virgil Johnson, lights by G.E. Naselius, choreography by Wilbert Bradley, 1970 October 12-November 15
- Three Sisters by Anton Chekhov, translated by Tyrone Guthrie and Leonid Kipnis, directed by Eugenie Leontovich, with Charles McGaw, sets designed by Richard Wilcox, costumes by Caley Summers, lights by G.E. Naselius, starring Richard Waring, 1963 November 29-December 18
- Three Sisters by Anton Chekhov, new English translation by Richard Nelson, directed by Robert Falls, set and costume design by Santo Loquasto, lighting design by James F. Ingalls, sound by Richard Woodbury, musical direction and arrangements by Larry Schanker, 1995 March 10-April 15
- Tiger at the Gates by Jean Girardoux, translated by Christopher Fry, directed by Bella Itkin, sets designed by Paul Leonard, costumes by Sylvia Wintle, lights by G.E. Naselius, starring Michael Hall, 1958 January 10-26
- The Time of Your Life by William Saroyan, featuring the Remains Theatre Ensemble, directed by Donald Moffett, sets designed by Thomas Lynch, costume by Nan Cibula, lighting by Robert Christen, with Del Close, Dennis Farina, Amy Morton and William L. Petersen, 1984 March 2-April 8
- ‘Tis Pity She's a Whore by John Ford, directed by Michael Kahn, scenic designs by Robert U. Taylor, costumes by Lawrence Casey, lighting by John McLain, fencing choreographed by Larry Carpenter, choreography by Beulah Abrahams, 1975 January 3-February 9
- 'Tis Pity She's a Whore by John Ford, directed by JoAnne Akalatis, set design by John Conklin, costume design by Gabriel Berry, lighting by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O'Slynne, fight direction by David Leong, and original music composed by Jan A. Kaczmarek, 1990 March 2-April 7
- Tobias and the Angel by James Bridie, directed by Bella Itkin, sets by J. Van Eyck, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Francis Allis, music by John Towey, 1963 March 24-[?]
- Tom Paine by Paul Foster, Midwest Premiere, directed by Patrick Henry, sets by Joseph Nieminski, costumes by Virgil Johnson, lights by Jerold Gorell, music by Tom O'Horgan, starring Michael Higgins, with Ellen Travolta, 1969 March 28-April 26
- The Tooth of Crime by Sam Shepard, directed by Michael Kahn, music composed by Tony Zito, sets designed by John Kasarda, costumes by John David Ridge, lights by Gilbert Hemsley, 1974 January 8-February 10
- A Touch of the Poet by Eugene O'Neill, directed by Robert Falls, set design by Derek McLane, costume design by Birgit Rattenborg Wise, lighting design by Kenneth Posner, with Brian Dennehy, 1996 April 26-June 8
- The Trial, adapted by Andre Gide and Jean-Louis Barrault from the novel by Franz Kafka, directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle, with Dorothy Konrad and June Pyskacek, 1959 April 3-19
- Twelfth Night by William Shakespeare, directed by Douglas Seale, music by Robert Lombardo, sets designed by Sandro La Ferla, costumes by Alicia Finkel, lights by Jerrold Gorrell, 1970 November 30-1971 January 10
- Twelfth Night by William Shakespeare, directed by Neil Bartlett, music composed and directed by Nicholas Bloomfield, movement directed by Leah Hausman, set and costume design by Richard Hudson, lighting design by Scott Zielinski, sound design by Rob Milburn, 1992 January 10-February 22
- Twentieth Century by Ben Hecht and Charles MacArthur, with Bruce Milholland, directed by William Woodman, sets and lights by Clarke Dunham, costumes by Virgil Johnson, 1973 February 18-March 25
- Two-Part Inventions by Richard Howard, directed by Michael Feingold, scenery by David Lloyd Gropman, lights by Jennifer Tipton, costumes by Christa Scholtz, 1979 January 12-February 18
- Two Trains Running by August Wilson, Chicago Premiere, (extended March 4-14, 1993 at the New Regal Theater), directed by Lloyd Richards, sets by Tony Fanning, costumes by Chrisi Karvonides-Dushenko, lighting design by Geoff Korf, sound design by Rob Milburn, with Roscoe Lee Brown, 1993 January 15-February 27
- Uncle Vanya by Anton Chekhov, translated by Stark Young, directed by Alan Schneider, sets by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, starring Walter Abel, with Melinda Dillon, 1961 April 7-25
- Uncle Vanya, by Anton Chekhov, adapted by David Mamet from an English translation by Vlada Chernomirdik, directed by Michael Maggio, sets by Linda Buchanan, costume design by Nan Cibula, lighting by James F. Ingalls, sound design by Rob Milburn, with John Mahoney, 1990 April 20-May 26
- Under Milkwood by Dylan Thomas, directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, music by George Estevez, starring Ivor Harries, 1961 February 24-March 14
- Venus Observed by Christopher Fry, directed by John Reich, sets and lights by James Harrington, costumes by Uta Olson, starring Tom Helmore, Avery Schreiber and Melinda Dillon, 1960 December 2-21
- The Visit by Frederich Duerrenmatt, adaptation by Maurice Valency, directed by David Petrarca, set design by Paul Steinberg, costume design by Virgil Johnson, lighting design by James F. Ingalls, sound design by Rob Milburn, original music composed by Rob Milburn and Larry Schanker, musical direction by Larry Schanker, 1991 April 26-June 2
- Waiting for Godot by Samuel Beckett, directed by Michael Maggio, set design by Riccardo Hernandez, costume design by Nan Cibula-Jenkins, and lighting design by Donald Holder, 1999 January 18-February 20
- The Water Engine by David Mamet, directed by Steven Schachter, sets by John Lee Beatty, lights by Dennis Parichy, costumes by Jessica Hahn, music by Alaric Jans, with William H. Macy, 1985 May 6-June 2
- The Water Engine by David Mamet, Ravinia, directed by Steven Schachter, sets by John Lee Beatty, costumes by Jessica Hahn, lights by Dennis Parichy, music by Alaric Jans, 1985 September 17-21
- Welcome to Our Living Room, 1982 September 7-19
- The Winter's Tale by William Shakespeare, directed by Bella Itkin, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Patrick Henry, choreography by Frances Allis, music by John Towney, starring Leo Ciceri, with Linda Hunt, 1965 November 26-[?]
- The Winter's Tale by William Shakespeare, directed by Frank Galati, set design by John Conklin, costumes by Virgil Johnson, lighting by Jennifer Tipton, sound design by Rob Milburn, original music composed by Rob Milburn, Willy Schwarz and Miriam Sturm, 1990 January 12-February 17
- Working, from the book by Studs Terkel, songs by Craig Carnelia, Micki Grant, Stephen Schwartz, and James Taylor, with additional songs by Susan Birkenhead and Mary Rogers, adapted and directed by Stephen Schwartz, dance and incidental music by Michelle Brourman, sets by David Mitchell, costumes by Marjorie Slaiman, lighting by Pat Collins, musical direction and vocal arrangements by Stephen Reinhardt, sound design by Abe Jacobs, choreography by Graciela Daniele with Joe Mantegna, 1977 December 30-1978 February 5
- You Can't Take It with You by George S. Kaufman and Moss Hart, directed by Edward Payson Call, sets by Marc Cohen, costume design by Virgil Johnson, lighting by G.E. Naselius, scenery painted by Robert Moody, 1969 December 1-21
- The Young and the Fair by N. Richard Nash, directed by Bella Itkin, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, with Beverly Younger, 1959 January 16-February 1
- The Young Man from Atlanta by Horton Foote, directed by Robert Falls, set design by Thomas Lynch, costumes by David C. Woolard, lighting by James F. Ingalls, and sound design and musical composition by Richard Woodbury, starring Shirley Knight and Rip Torn, 1997 January 27-March 1
- Zoot Suit by Luis Valdez, directed by Henry Godinez, set design by Christopher Acebo, costume design by Nan Zabriskie, lighting design by Michael Philippi, sound design by Michael Bodeen, original music composed by Daniel Valdez, songs composed by Lalo Guerrero, 2000 June 16-July 30
Studio productions include:
- Activents and Happenchances – a Celebritual for 10/130; I Have a Lady in the Balcony, Doctor!; Focus! Bofus?; and US(-a), directed by Patrick Henry, [1966 May 16-19]
- After the Fall by Arthur Miller, directed by Alice Cohen, sets by Oseloka Osadebe, costumes by Al Tucci, lighting by Joseph Pohnan, with Guy Giarrizzo, [1969]
- Ah, Wilderness! by Eugene O'Neill, directed by David Avcollie, sets by Thomas Beall, costumes by Bobbie Hodges, lights by Mary Lou Papada, 1976 April 29-May 9
- Alcestis by Euripides, directed by Charles Likar, Jr., sets and costumes by Kurt Wilhelm, lights by Woolley, 1965 October 25-28
- All That Fall and Play by Samuel Beckett, directed by Libby Appel, sets by Michael O'Kane, costumes by Dunja Ramicova, lighting by Robert Shook, 1971 February 1-13
- All the Way Home by Tad Mosel, based on the novel A Death in the Family by James Agee, Warren Enters as guest director, sets by Gary Gorman, costumes by Marcy Stine, lighting by Lawrence Dean, with Carrie Snodgrass, 1967 October 23-28
- And So to Bed by J.B. Fagan, directed by Eugenie Leontovich, sets designed by Linda Wukovich, costumes by Marcy Stein, lighting by Lawrence Dean, 1967 May 8-14
- All God's Children Got Wings, [1960-1961?]
- The Amorous Flea, based on Moliere's School for Wives, by Jerry Devine, music and lyrics by Bruce Montgomery, directed by Kelly Danford, sets by James Reed, costumes by Sam Smith, lighting by James Hegwood, 1970 October 12-24
- Antigone, adapted by Lewis Galatiere from the play by Jean Anouilh, directed by A.C. Thomas, sets by James Maronek, costumes by Maggie Bodwell, lighting designed by G.E. Naselius, 1979 March 8-18
- Apollo of Bellac by Jean Girardoux, directed by Harvey Landa, [1959-1960]
- Arms and the Man by George Bernard Shaw, directed by Steve Kardaleff, sets designed by Ford Larsen, costumes by Margaret Danielson, 1963 March 25-28
- As You Like It by William Shakespeare, directed by Jack Jones, sets designed by Brad Loman, costumes by Niki Rudisill, lighting by William C. Fox, choreography by Estelle Spector, 1974 March 1-March 17
- Auto-da-Fe, The Gnadiges Fraulein, and The Long Stay Cut Short by Tennessee Williams, directed by Robert Leonard, sets by Michael Latoria, costumes by James Larsen, lighting by David Barton, 1966 October 24-30
- Avner the Eccentric,1981 May 29-June 28
- Avner the Eccentric, performed by Avner Eisenberg, 1988 February 16-28
- Baal by Bertolt Brecht, directed by Charles McGaw, sets designed by Vincent Faust, costumes by Julie Nagel, lights by Paul Thompson, music by Reggie Schwander, 1971 November 13-21
- Bad Moon by Rick Cleveland, American Blues Theatre production, directed by William Payne, sets by James Dardenne, lights by Mary Badger, costumes by Erin Quigley, music by James Schneider, 1988 June 29-[?]
- The Bald Soprano and The Lesson by Eugene Ionesco, directed by Joseph Slowik, sets by Bill Wilson, costumes by Peri Grenell, 1961 October 30-November 2
- The Baltimore Waltz by Paula Vogel, directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by Rita Pietraszek, sound design by Michael Bodeen, original music composed by Michael Bodeen, William Schwarz and Miriam Sturm 1993 April 2-May 2
- The Beautiful People by William Saroyan, directed by Robert Lowery, 1963 March 4-5
- The Beckett Project (3 plays by Samuel Beckett): Ohio Impromptu, directed by Alan Schneider, sets and lights by Rocky Greenberg; Eh, Joe, directed by Rick Cluchey, sets and lights by Kevin Rigdon; and A Piece of Monologue, directed by Alan Schneider, staged by Rocky Greenberg and David Warrilow, [1982-1983]
- Bedlam Galore, for Two or More and Jack, or The Submission by Eugene Ionesco, directed by Joseph Slowik, sets and costumes by designed by Kurt Wilhelm, 1964 October 26-29
- Between Two Thieves by Warner LeRoy, an Evening School production directed by Bella Itkin, sets by James Harrington, costumes by Emily Mason, lighting by Terry Shevalenko, 1963 January 14-17
- Bigtime by Keith Reddin, Remains Theatre production, directed by Larry Sloan, sets and lights by Kevin Rigdon, costumes by Laura Cunningham, sound design by Rob Milburn, 1987 November 4-December 20
- A Bill of Three One-Acts: The Shy and the Lonely, by Irwin Shaw and directed by Jim Cavanaugh; Hyacinth Halvey, by Lady Gregory and directed by Sue Ann Young; This Music Crept by Me Upon the Water, by Archibald MacLeish and directed by Hani Snobar, sets and lighting by Kert Lundell, costumes by Hubert Braden, with Avery Schreiber, [1957-1958]
- Billy Liar by Keith Waterhouse and Willis Hall, directed by Roy Clary, 1964 January 15-16
- The Birthday Party by Harold Pinter, directed by Patrick Henry, sets and lighting designed by Gene Lee, programs, 1962 February 26-March [?]
- Blood Wedding by Federico Garcia Lorca, directed by Donald Biehn, scenic design by Vincent Faust, costumes by Susan Lopez, lights by Philip Evola, 1973 April 10-April 22
- The Bloody Tenet by James Schevill. Chicago Premiere, directed by Robert Quinn, choreographed by Frances Allis, [1957-1958?]
- The Boy Friend by Sandy Wilson, directed by Michael Thompson, choreography by Dick Stephens, sets designed by John Retseck, lighting by Alfred Jutzi, costumes by John Buehler, 1963 December 2-5
- Bread and Puppet Theater's Diagonal Man: Theory and Practice, written by Peter Schumann, directed by Peter Schumann, 1983 November 2-20
- Brecht on Brecht by George Tabori, directed by Lewis Musil, sets by Norbert Fend, costumes by Madeline Grigg, lights by Frank Warner, 1969 April 1-5
- Brutality of Fact by Keith Reddin, World Premiere, directed by Michael Maggio, set design by Linda Buchanan, lighting design by Robert Christen, 1994 February 11-March 13
- Bury the Dead by Irwin Shaw, a Sub-Studio Production directed by Jim Cavanaugh, lighting by William Weingart, 1957 October 25
- Camino Real by Tennessee Williams, adapted and directed by Joseph Slowik, scenic design by Dean Taucher, costumes by Julie Jackson, lighting by Christine Decyk, sound design by Eric Strand, 1975 December 4-14
- Candida by George Bernard Shaw, directed by James Latrimore, [1959-1960]
- Catch 22 by Joseph Heller, directed by James Engelhardt, scenic design by David Emmons, costumes by Nancy Grabowski, lighting by Neal Yablong, 1974 April 5-April 21
- Celebration by Tom Jones and Harvey Schmidt, directed by Thom Racina, sets by Frank Bradley, lights by Bengt Nygren, costumes by Al Tucci and Ferruccio Garavaglia, choreography by Joel Kazar, 1970 January 11-17
- The Chalk Garden by Enid Bagnold, directed by Melvin Bernhardt, 1960 December 8-9
- A Clearing into the Woods by Arthur Laurents, directed by Melvin Bernhardt, [1959 November?]
- The Chalk Garden by Enid Bagnold, directed by Robert Leonard, sets by Mary Feindt, costumes by James Larsen, lighting by Len Sherwin, 1967 February 20-26
- Chamber Music by Arthur Kopit, directed by Martin Brezell, 1967 February 27
- Charlotte by Peter Hacks, directed by Herbert Bergof, with Uta Hagen, 1982 February 8-14
- The Cherry Orchard by Anton Chekhov, directed by Bella Itkin, sets by James Reed, lighting by Kenneth Peters, costumes by Daniel Pugh, 1971 April 5-May 8
- The Children's Hour by Lillian Hellman, directed by Judi Speer, 1961 November 4-5
- The Chinese Wall by Max Frisch, directed by Patrick Henry, costumes by Margaret Danielson, lighting by Al Jutzi, sets by Andrew Gilfillan, 1963 May 4-7
- Circus Minimus, [1969-1970]
- Clerambard by Marcel Ayme, directed by Melvin Bernhardt, lighting by Jack Hickey, costumes by Rose-Marie Long, 1960 November 7-10
- Cloud Tectonics by Jose Rivera, co-produced with Teatro Vista, directed by Henry Godinez, sets by Robert C. Martin, costumes by Sharon Sachs, lighting design by Robert Shook, sound by Robert Neuhaus, 1995 September 18-October 8
- The Cold Wind and the Warm by S.N. Behrman, directed by Thomas Heino, 1962 February 19-20
- The Collection by Harold Pinter, directed by John Reich, lighting by Jerrold Gorrell, costumes by Al Tucci, 1968 March 26
- Commencement Exercises by Steve Tesich, World Premiere, directed by Robert Falls, 1991 November 11-December 1
- A Country Scandal by Anton Chekhov, directed by Libby Appel, sets by William Kent, costumes by Gay Crusius, lighting designed by Charles Letts, musical direction by Carol Francis, 1973 May 8-May 20
- The Crucible by Arthur Miller, directed by Robert Loxley, sets by Erwin Schroeter, costumes by James Larsen, lights by Frank Kaufman, 1966 January 10-13
- A Cry of Players by William Gibson, directed by Jack Jones, sets designed by Marc Cohen, costumes by Daniel Pugh, lights by Wayne Tignor, with Guy Giarrizzo and Bruce Boxleitner, 1970 February 22-28
- Dark of the Moon by Howard Richardson and William Berney, directed and designed by Patrick Henry, 1961 January 23-26
- The Days and Nights of Beebee Fenstermaker by William Snyder, directed by Herb Felsenfeld, 1965 January 11-12
- Death of a Salesman by Arthur Miller, directed by Dan Clifford, sets designed by Neil Jampolis, costumes by Hedi Riemann, 1963 April 3-6
- The Death and Life of Sneaky Fitch by James L. Roseberg, World Premiere, directed by Patrick Henry, sets by Thomas Clark, costumes by Marianne Powell, lighting by Edgar Swift, 1967 January 16-22
- Deep in a Dream of You, written by David Cale, music by Roy Nathanson, World Premiere, directed by David Petrarca, production design by Linda Buchanan, sound design by Rob Milburn, 1991 January 25-February 24
- The Diary of Ann Frank, dramatized by Frances Goodrich and Albert Hackett, directed by Thomas Heino, sets and lights by Ford Larsen, costumes by Hedi Riemann, 1963 November 11-14
- Dinny and the Witches by William Gibson, directed by Harvey Landa, sets by Francis Morigi, choreography by Charles Abbate, costumes by Adela Hamielec, lights by J. Van Eyck, 1961 November 13-16
- The Dog in the Manger by Lope de Vega, directed by Eugenie Leontovich, sets by Joseph Nieminski, costumes by James Larsen, lights by John O'Connor, 1968 April 1-6
- Down the Shore by Tom Donaghy, World Premiere, directed by David Petrarca, set and costume design by Linda Buchanan, lighting design by Robert Christen, sound design by Rob Milburn, 1992 February 7-March 8
- Edmond by David Mamet, directed by Gregory Mosher, scenery by Bill Bartel, costumes by Marsha Kowal, lights by Kevin Rigdon, fight choreography by David Wooley, with Jack Wallace, [1981-1982]
- Eh? by Henry Livings, directed by Jay Jans, sets by Oseloka Osadebe, costumes by Bupha Chuvisavaphong, lights by Robert McLay, 1969 February 17-22
- Elliot Loves by Jules Feiffer, World Premiere, directed by Mike Nichols, sets by Tony Walton, costume design by Ann Roth, lighting design by Paul Gallo, sound by Rob Milburn, 1990 April 13-May 13
- The Empire Builders by Boris Vian, directed by Bella Itkin, sets by Norbert Fencl, costumes by Daniel Pugh, lighting by Joe Pohnan, choreography by Thomas Jaremba, 1969 December 8-11
- Escape from Paradise by Regina Taylor, directed by Shirley Jo Finney, sets by Scott Cooper, lighting by Robert Christen, sound by Michael Bodeen, projections by Royd Climenhaga, 1995 October 30-November 19
- Eurydice by Jean Anouilh, directed by Rilla Bergman (as an MFA requirement), [1960? Spring]
- Exit the King by Eugene Ionesco, directed by David Jewell, sets by Jeffrey Masters, costumes by Martha Ferrara, lights by Frank Waketsch, 1972 March 11-19
- The Firebugs by Max Frisch, Midwest Premiere, John O'Shaugnessy as guest director, sets by Alan Traynor, costumes by Al Tucci, lights by Gerald Thamm, 1968 October 7-12
- The Flowering Peach by Clifford Odets, directed by Robert Feingold, 1964 May 21-22
- Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf. An Evening School production directed by Joseph Sax, sets by Reid Carlson, lights by Margaret Danielson, [1965]
- Freak, written and performed by John Leguziamo, in workshop, 1997 March 12-30
- From the Mississippi Delta by Dr. Endesha Ida Mae Holland, directed by Jonathan Wilson, sets by Michael S. Philippi, costume design by Jeffrey Kelly, lighting by Chris Phillips, sound design by Robert Schoellhorn, 1990 October 12-November 25
- Funeral Games by Joe Orton and Vampire by Snoo Wilson, adapted and directed by Joseph Slowik, sets by David Emmons, costumes by Ruth Deters, lighting by Rebecca Binks, music by Phillip Kusie, 1974 November 29-December 15
- Gallows Humor by Jack Richardson, directed by Patrick Henry, sets by Patricia Taxman, lighting by John Retsek, 1962 November 12-15
- Gardenia by John Guare, directed by Gregory Mosher, costumes by Nan Cibula, lighting by Kevin Rigdon, scenic design by David Emmons and Gregory Mosher, with Gary Cole and Elizabeth Perkins, William L. Petersen, and Jack Wallace, 1983 April 25-May 15
- Gas I and II by George Kaiser, directed by Jean Louis Baldet, sets by William Auperlee, costumes by Kathleen Hollcraft, lights by Donald Schulman, 1972 January 15-23
- Gertrude Stein, Gertrude Stein, Gertrude Stein, 1982 March 3-14
- Gertrude Stein: Each One as She May, adapted by Frank Galati, directed by Frank Galati, music composed by Reginald Robinson and Miriam Sturm, set design by Mary Griswold, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Rob Milburn, music arranged and directed by Rob Milburn and Miriam Sturm, 1995 February 3-March 5
- Gigi by Anita Loos, directed by Leo Maroules, sets designed by Pat Taxman, sets by Ford Larsen, lighting by Burt Rissman, 1963 May 22-25
- The Glass Menagerie by Tennessee Williams, directed by Robert Lowery, costumes by Janet Warren, lighting by Andrew Gilfillan, sets by J. Van Eyck, 1963 May 13-16
- Glengarry Glen Ross by David Mamet, directed by Gregory Mosher, sets by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, with Robert Prosky, Joe Mantegna, William L. Petersen, and Jack Wallace, 1984 January 27-March 4
- The Grass Harp by Truman Capote, [1961-1962?]
- The Great Git-Away by Romeo Muller, World Premiere, directed by Patrick Henry, lighting designed by Bengt Nygren, costumes by Jeanne Sinclaire, 1968 November 18-23
- Hamlet by William Shakespeare, directed by Charles McGaw, duel staged by Bruce Rogers Wright, sets by Joe Hennessy, costumes by Ferruccio Garavaglia, lights by Ralph Lorenz, sound by Michael Merker, 1977 March 3-19
- Hannele by Gerhart Hauptmann, English version by John Reich, a Workshop production directed by John Reich, sets and costumes by Thomas Barnes, choreography by Frances Allis, music by George Estevez, with Belinda Bremner, 1961 March 1-4
- Hat Full of Rain by Michael Gazzo, directed by Parker Rushing, 1963 November 18-19
- He Who Gets Slapped by Leonid Andreyev, directed by William Pappas, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm, 1965 January 11-14
- The Heiress, [1964-1965?]
- The Heroes by John Ashberry, directed by Herb Felsenfeld and Still Life by Noel Coward, directed by Joseph Sax, 1963 May 20-21
- Hey You, Lightman by Oliver Hailey, directed by Trevellya Ford, 1965 May 24-29
- him by e.e. cummings, directed by Patrick Henry, sets designed by Kurt Wilhelm, lighting by Neil Jampolis, costumes by Patricia Taxman, 1963 October 28-31
- Hold Me by Jules Feiffer, directed by Estelle Spector, music by Erroll Pearlman and David Rush, choreography by Carol Delik, sets by Harriet M. Ball, costumes by Bobbie Hodges, lights by James Highland, 1979 January 25-February 4
- Home and Away, written and performed by Kevin Kling, directed by Steven Dietz, lighting design by Robert Christen, 1992 March 18-[?]
- The Hostage by Brendan Behan, adapted and directed by Joseph Slowik, scenic design by Stephen Packard, costumes by Irene Behrenfeld, lights by Tom Boucher, 1976 October 28-November 7
- The Hot L Baltimore by Lanford Wilson, directed by Rae Allen, scenic design by Brad Loman, costumes by Sandi Kabins, lights by Dale Kovarik, 1975 April 4-April 20
- Hotel Paradiso by Peter Glenville, directed by William Pullinsi, 1964 May 18-19
- The House of Bernarda Alba by Federico Garcia Lorca, a Sub-Studio Production, [1961-1962?]
- A House Not Meant to Stand by Tennessee Williams, directed by Garry Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lighting by Robert Christen, sound by Michael Schweppe, 1981 April 1-12
- The House of Bernarda Alba by Federico Garcia Lorca, directed by William Pappas, sets by Reid Carlson, costumes by Joan Kleinbard, lights by Carmine Picarella, with Carrie Snodgrass, 1965 November 29-December 2
- I'm Talking About Jerusalem by Arnold Wesker, directed by Thomas Heino, sets and lights by Bruce Koenig, costumes by John Buehler, 1964 April 6-9
- Impressions of Grotowski by Joseph Slowik, 1969 November 20-29
- In the Belly of the Beast, arranged and directed by Robert Falls, a Wisdom Bridge Theatre production, 1983 November 30-December 31
- The Infernal Machine by Jean Cocteau, directed by Patrick Henry, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm, 1964 May 11-14
- The Italian Straw Hat by Eugene Labiche, with Marc-Michael, directed by Robert Feingold, 1963 December 9-10
- Jack, or The Submission and The Chairs by Eugene Ionesco, directed by Joseph Slowik, sets by James Maronek, costumes by Richard Parks, lighting by Daniel Lesh and Ralph Lorenz, [1977-1978]
- Jacob Marley’s Christmas Carol by Tim Mula, 1998 December 4-27
- Jacob Marley’s Christmas Carol by Tim Mula, directed by Steve Scott, set and lighting design by John Culbert, sound design by Robert Neuhaus, original musical composition by Larry Schanker, 1999 December 1-19
- Jamie and the Nine 300 by Clifford Browder, directed by Kelly Danford, sets designed by Joseph Nieminski, costumes by Julie Nagel, lights by Kenneth Peters, 1972 February 12-20
- Juggling Cheap Theatricks: The Karamazov Brothers, 1980 June 5-29
- Jungle Coup by Richard Nelson, directed by David Chambers, sets designed by Kevin Rigdon, costumes by Marsha Kowal, lighting by Jennifer Tipton, with Mike Nussbaum, Jack Wallace, 1983 February 18-March 20
- Kaspariana, conceived and directed by Joseph Slowik, with textual excerpts from Georg Buechner, Peter Handke, Eugene Ionesco, and Jacob Wasserman, sets by Ronald Morgan, costumes by Julie Nagel, lighting by James Highland, 1972 May 13-21
- The Killer by Eugene Ionesco, directed by Joseph Slowik, scenic design by Robert Skaggs, costumes by Susan Gayford, lighting by James Highland, 1974 February 1-February 17
- Krapp's Last Tape by Samuel Beckett, directed by Samuel Beckett, 1980 January 10-February 3
- Krapp's Last Tape and Endgame by Samuel Beckett, directed by Samuel Beckett, with Rick Cluchey and the San Quentin Drama Workshop, 1980 September 25-October 18
- Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1979 December 6-30
- Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1980 December 3, 1980-January 4
- Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1981 December 18-30
- Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1982 December 17-24
- Ladies in Retirement by Edward Percy and Reginald Denham, directed by Kelly Danford, scene design by Nancy Long, costumes by Julie Nagel, lights by William Kent, 1973 February 6-February 14
- The Laundry by David Guerdon, directed by Jack Jones, sets by Michael O'Kane, lights by David Stukey, costumes by John Szumigala and Julie Nagel, 1971 May 18-29
- Let Me Live by Oyamo, directed by Ron OJ Parson, set design by Lori Fong, costume design by Christine Pascual, lighting design by Kathy A. Perkins, and sound design by Matt Kozlowki, 1998 April 20-May 10
- The Liar by Carlo Goldoni, directed by Libby Appel, sets by Gary Cartwright, costumes by Julie Rutlin, lighting by Curtis M. Jacobson, 1975 May 2-May 18
- Light Up the Sky by Moss Hart, a Laboratory Workshop Production directed by Robert B. Quinn, sets, costumes and lights by James Harrington, 1958 May 5
- Lillian by David Cale, directed by Joe Mantello, 1997 October 27-November 16
- Lloyd's Prayer by Kevin Kling, Remains Theatre production, directed by David Petrarca, scenery by Tamara Turchetta, costumes by Frances Maggio, sound by Richard Woodbury, lighting by Robert Christen, 1988 September 19-October 23
- The Long Voyage Home by Eugene O'Neill, directed by Badry Fareed; and A Young Lady of Property by Horton Foote, and directed by Edward Ewald, 1964 March 23-24
- Look Back in Anger by John Osborne, a Laboratory Workshop Production directed by Jim Cavanaugh, sets, costumes and lights by Walt Blind and Tony Eikenbarry, 1958 March 10-12
- Look Homeward, Angel by Ketti Frings, directed by Charles McGaw, costumes by Rose-Marie Long, 1960 December 11-17
- The Long Christmas Dinner by Thornton Wilder, directed by John Towey, with Carrie Snodgrass, 1967 January 16-17
- Macbeth by William Shakespeare, directed by Jack Jones, sets and lights by Eric Fielding, costumes by Sandi Kabins, 1976 March 4-20
- A Macbeth by Charles Marowitz, directed by Patrick Henry, costumes by Dunja Ramicova, sets by Michael O'Kane, lights by J. Sally, 1971 October 16-24
- Machinal by Sophie Treadwell, directed by Parker Ruching, sets and lights by John Retseck, costumes by Kurt Wilhelm, 1964 February 24-27
- The Mad Dog Blues by Sam Shepard, directed by Edwin Schmidtke, original music composed by Elliot Delman, musical direction by June Shellene, stage fights by Bruce Rogers Wright, scenic design by Tom Beall, costumes by Lise Griggs, lights by Kathy Daly, sound production and design by Roger Dale Weissman, 1977 February 3-13
- Mademoiselle Colombe by Jean Anouilh, adapted by Louis Kronenberger, directed by Thomas Bertholf, sets and lights by Neil Jampolis, costumes by Patricia Taxman, 1964 March 19-22
- Major Barbara by George Bernard Shaw, an Evening School production directed by Harvey Landa, 1961 March 27-30
- Major Barbara by George Bernard Shaw, directed by John Clingerman, scenic design by Dean Taucher, costumes by Ruth Deters, lights by Marc Andrew Warshell, 1975 January 31-February 16
- Many Loves by William Carlos Williams, directed by Charles McGaw, lights by John Nathan, costumes by Daniel Pugh, with Bruce Boxleitner, 1970 March 15-2
- Many Moons by James Thurber, adapted by Charlotte Chorpenning, directed by Jean Thornton, with Carrie Snodgrass, 1966 May 9-10
- The Marowitz Hamlet by Charles Marowitz, directed by Patrick Henry, sets and lights by Herbert Schmoll, costumes by Madeline Grigg, music by Walter Lowe, 1969 October 12-18
- The Matchmaker by Thornton Wilder, directed by Herman Fell, costumes by Adele Hamilec, sets designed by Jack Million, 1962 April 11-14
- Marvin's Room by Scott McPherson, World Premiere, directed by David Petrarca, set design by Linda Buchanan, costumes by Claudia Boddy, lighting design by Robert Christen, sound design and original music composed by Rob Milburn, 1990 February 9-March 11
- The Meeting by Jeff Stetson, directed by Chuck Smith, sets and lights designed by Tim Oien, costumes designed by Glen Billings, sound design by Corbiere T. Boynes, 1989 November 21-December 24
- The Memorandum by Vaclav Havel, directed by James Ostholhoff, sets designed by William Aupperlee, costumes by Dunja Ramicova, lighting by John Wilke, with Bruce Boxleitner, 1971 February 22-March 6
- The Merry Guys Who Windsurf, Practical Theatre Company, 1984 May 17-July 1
- Merton of the Movies by George Kaufman and Marc Connelly, adapted and directed by Kelly Danford, music and lyrics by David Coleman, choreography by Frank Ventura, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Estelle Thompson, sound by Daniel Aberson, 1974 November 1-17
- Middle of the Night by Paddy Chaevsky, directed by Joseph Sax, sets designed by Ford Larsen, lighting by Jerrold Gorrell, 1964 May 20-23
- A Midsummer Night's Dream by William Shakespeare, directed by Bella Itkin, sets and lights by Nels Anderson, costumes by Curtis Flowers, music by Jeffrey Woods, 1978 March 9-19
- Mill Fire by Sally Nemeth, World Premiere, directed by David Petrarca, sets by Linda Buchanan, costumes by Laura Cunningham, lighting by Robert Christen, sound by Rob Milburn, 1989 April 3-May 14
- Millennium Mambo: A Collection of Short Works conceived by Regina Taylor, directed by Henry Godinez, set design by Linda Buchanan, costume design by Brenda Rousseau, lighting design by Robert Christen, sound design and original music composed by Joe Cerqua, 2000 February 14-March 5
- The Miracle Worker by William Gibson, directed by William Pullinsi, sets by Reid Carlson, lights by Richard Cortright, costumes by James Larsen, 1964 November 30-December 3
- Mirror of the Invisible World, adapted by Mary Zimmerman from the Persian epic, Haft Paykar, set design by Dan Ostling, costumes by Mara Blumenfeld, lighting by John Culbert, sound by Michael Bodeen, 1997 April 21-May 11
- The Misanthrope by Moliere, translated by Richard Wilbur, University of Chicago Professional Theatre Program, at the Law School Auditorium of the University of Chicago, directed and produced by John Reich, sets by James Maronek, costumes by D. Hudson Sheffield, with George Grizzard and Barbara Boxley, [1965-1966]
- Miss Margarida's Way by Roberto Athayde, directed by Roberto Athayde, with Estelle Parsons, 1982 January 19-31
- Monster in a Box and Terrors of Pleasure, written and performed by Spaulding Gray; Monster in a Box directed by Renee Shafransky, 1990 September 4-9
- Narrow Road to the Deep North by Edward Bond, directed by Patrick Henry, sets by Beverly Sobieski, lights by Franklin Warner, costumes by Ferruccio Garavaglia, 1971 April 26-May 8
- The Nest by Franz X. Kroetz, translated by Roger Downey, Remains Theatre in a U.S. Premiere, directed by Ted Levine, music by Lloyd King, sets by Patrick Kerwin, lights by Kevin Rigdon, costumes by Natalie West, 1985 August 27-[?]
- Night Must Fall by Emlyn Williams, directed by David Morris, 1963 January 17-18
- The Notebooks of Leonardo da Vinci, adapted by Mary Zimmerman, directed by Mary Zimmerman, sets by Scott Bradley, costume design by Allison Reeds, lighting by T.J. Gerckens, sound by Michael Bodeen, music composed by Miriam Sturm and Michael Bodeen, 1993 October 29-December 19
- The Notebooks of Leonardo Da Vinci adapted by Mary Zimmerman, directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1997 December 15-1998 January 25
- On the Road: The Search for American Character by Anna Devere Smith [scheduled to be performed in 1997 but was cancelled], [1997]
- Our Town by Thornton Wilder, [1958-1959?]
- The Pain of Macho, written and performed by Rick Najera, directed by John Bowab, lighting design by T.J. Gerckens, sound by David Naunton, 1993 July 6-18
- A Phoenix Too Frequent by Christopher Fry, directed by Rilla Bergman, [1959-1960]
- Picnic by William Inge, directed by David Morris, sets by Ford Larsen, costumes by Amy Frank, 1963 February 18-21
- A Pirate’s Lullaby by Jessica Litwik, directed by Susan V. Booth, set designed by John Culbert, costumes by Linda Roethke, lighting by Michael S. Philippi, sound by Rob Milburn, 1996 April 8-28
- The Playboy of the Western World by John Synge, directed by Dan Clifford, sets designed by Amy Frank, costumes by Ford Larsen, 1962 October 29-November 1
- The Playboy of the Western World by John Millington Synge, directed by Jack Jones, scenic design by George Caldwell, costumes by Curtis Flowers, light and sound design by Ralph Lorenz, 1977 October 27-November 6
- The Potting Shed by Graham Greene, a Laboratory Workshop Production directed by H. Theodore Werner (as an MFA requirement), sets, costumes and lights designed by Kert Lundell, 1958 April 21
- The Prodigal by Jack Richardson, directed by Steve Kardaleff, sets by J. Van Eyck, costumes by Pat Taxman, 1963 January 14-17
- Professor Taranne by Arthur Adamov, directed by Charles Likar, Jr, 1965 February 22-23
- The Promise by Aleksei Arbuzov, directed by Bella Itkin, sets by Karl Kachvor, costumes by Dale Wibben, lights by Rob Rothstein, 1979 April 12-22
- Puddin N' Pete by Cheryl L. West, World Premiere, directed by Gilbert Wadadazaf McCauley, sets by Clay Snider, costume design by Yslan Hicks, lighting by Robert Shook, sound by Richard Woodbury, 1993 February 5-March 7
- Puntila and His Hired Man by Bertolt Brecht, directed by Ibrahim Jalal, sets designed by Ford Larsen, costumes by Bruce Koenig, 1962 December 3-7
- The Queen and the Rebels by Ugo Betti, directed by Judith Ann Speer, sets by James Harrington, 1962 April 2-5
- The Rape of the Belt by Benn Levy, directed by Joseph Sax, 1963 November 4-5
- Rashomon, adapted from stories by Ryunosoke Akutagawa, by Fay and Michael Kanin, directed by Patrick Henry (as an MFA requirement), with Avery Schreiber, [1960 Spring?]
- The Real Inspector Hound and Albert's Bridge by Tom Stoppard, directed by Dale McFadden, scenic design by Stephen Packard, costumes by Richard Parks, lighting designed by Mike Sarich, 1977 April 7-17
- Red by Chay Yew, directed by David Petrarca, performed at the Long Warf Theater, New Haven, Connecticut, 1999 January-February 7
- Red Cross by Sam Shepard, directed by Grace Dacanay, 1969 April 7
- The Redthroats, written and performed by David Cale, production management, lighting adaptation and execution by Sandra Hamilton, lighting design by Carol McDowell, 1988 February 2-7
- Reno Once Removed, conceived, written and performed by Reno, developed with and directed by Evan Yionoulis, original music by Evan Yionoulis, lighting by Dan Kotlowitz, 1992 September 9-27
- Rhinoceros by Eugene Ionesco, directed by Charles Likar, Jr, 1965 May 17-18
- Right You Are If You Think You Are by Luigi Pirandello, directed by Charles McGaw, scenic design by Greg Buch, costumes designed by Margaret Maggard, lights by Phillip Evola, 1973 November 30-December 16
- Rip Van Winkle, as played by Joseph Jefferson, directed by Joseph Sax, sets and lighting by Neil Jampolis, costumes by John Retseck, 1963 January 13-16
- The Rimers of Eldritch by Lanford Wilson, directed by Patrick Henry, sets by Allan Traynor, costumes by Marcy Stine, lights by Lawrence Dean, 1968 May 6-11
- Roadside by Lynn Riggs, directed by Charles Applegate (as an MFA requirement), sets by John Braden, costumes by Tony Eikenbarry, lighting by Hubert Braden, 1958 June 2
- Romeo and Juliet by William Shakespeare, directed by Bella Itkin, sets by Eric Fielding, costumes by Nancy Grabowski, lights by Terry Jenkins, choreography by Estelle Spector, fights staged by Ron Piretti and Ted Wass, 1975 February 28-March 16
- The Room (set design by Robert Hartman) and The Collection (sets by Linda Wukovich) by Harold Pinter, directed by Joseph Slowik, costumes by Al Tucci, lighting by Gerald Thamm, 1968 January 15-21
- Royal Gambit by Herman Gressieker, directed by Rilla Bergman, [1959-1960]
- The Royal Gambit by Hermann Gressieker, directed by Jack Jones, costumes and sets by Virgil Johnson, lighting by G.E. Naselius, 1978 November 9-19
- Saved by Edward Bond, directed by George Drayton Boyd, sets by Paul Appel, costumes by Martha Ferrara, lights by David Stukey, 1971 December 11-19
- A Scent of Flowers by James Saunders, directed by Jerry Tullos, sets by Beverly Sobieski, costumes by Chris Valente, lights by Jay Sally, 1970 December 7-19
- Schoolgirl Figure by Wendy MacLeod, directed by David Petrarca, set design by Todd Rosenthal, costume design 2000 March 31-April 30
- The Sea Gull by Anton Chekhov, directed by Eugenie Leontovich, sets by Mary Feindt, costumes by D. Hudson Sheffield, lighting by Edgar Swift, 1967 November 27-December 2
- See the Jaguar by Richard Nash, directed by Hani Ibrahim Snobar (as an MFA requirement), sets, costumes and lights by Hubert Braden, 1958 May 19
- Seeking the Genesis by Kia Corthron, directed by Walter Dallas, set design by Robert C. Martin, costumes by Karin Kopischke, lighting by Kathy Perkins, and sound by Rob Milburn, 1996 October 28-November 17
- Seventy Scenes of Halloween by Jeffrey Jones, presented by the Remains Theatre, directed by James Roach, sets by Patrick Kerwin, lighting by Mary McAuliffe, costumes by Kathryn Kerch, [1985-1986]
- “Shall We Go? Yes, Let’s Go,” Three Plays by Samuel Beckett, directed by Samuel Beckett, Rick Cluchey and Michael Maggio, lighting design by B. Emil Boulos, 1999 January 29-February 7
- She Stoops to Conquer by Oliver Goldsmith, directed by Eleanor Logan, sets by David Emmons, costumes by Julie Nagel, lights by Terry Jenkins, 1973 November 2- [?]
- A Shot in the Dark by Marcel Achard, directed by Lane Corvey, 1963 March 18-19
- Sin by Wendy MacLeod, World Premiere, directed by David Petrarca, set design by Scott Bradley, costumes by Allison Reeds, lighting design by Robert Christen, sound by Rob Milburn, with Amy Morton, 1994 October 21-November 27
- Six Characters in Search of an Author by Luigi Pirandello, directed by Jack Warner, S.J., sets by Janet Roller, lights by J.B. Spector, [1977-1978]
- Small Craft Warnings by Tennessee Williams, directed by Michael Merker, sets and costumes designed by Brad Loman, lights by Kathleen Daly, sound design by J.B. Spector, 1977 December 1-11
- Smooch Music, words by David Cale, music by Roy Nathanson, lighting design by Carol McDowell, production management and lights by Sabrina Hamilton, 1989 March 7-26
- Southern Exposure by Owen Crump, directed by Steve Kardaleff, 1962 November 19-20
- A Spaulding Gray Retrospective by Spaulding Gray, 1982 October 28-December 19
- Spinning into Butter by Rebecca Gilman, directed by Lee Waters, 1999 May 16-June 27
- Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, directed by Robert Steinhauer, sets by Thomas Dorwart, costumes by Marianne Powell, lights by Richard Cortright, 1966 February 21-24
- Speak of the Devil by Tom Sand and Herbert Hecht, directed by Estelle Spector, musical direction by Errol Pearlman, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, lights by C.K. Kirk, 1975 November 6-16
- Spic-O-Rama: A Dysfunctional Comedy, written and performed by John Leguziamo, in association with Latino Chicago, (extended January 28-March 15, 1992 at the Briar Street Theatre), developed and directed by Peter Askin, lighting design by Ken Bowen, 1992 January 16-26
- The Sport of My Mad Mother by Ann Jellicoe, [1964-1965?]
- Spring's Awakening by Frank Wedekind, directed by Joseph Slowik, scenic design by Nels Anderson, lighting by Roger Weissman, sound design by Kathleen Daly, costumes by Hollis Levy, fighting staged by Bruce Rogers Wright, 1977 May 5-15
- Spunk: Three Tales by Zora Neal Hurston, adapted for the stage by George C. Wolfe, music by Chic Street Man, Chicago Premiere, directed and choreographed by Donald Douglass, set design by Amy Smith, costumes by Birgit Rattenborg Wise, lighting design by Ken Bowen, mask and puppet design by Barbara Pollitt, sound by David Naunton, 1992 April 3-June 7
- Still Life by Emily Mann, directed by Emily Mann, sets and costumes by Tom Lynch, lights by Robert Christen, 1980 October 21-November 2
- Straight As a Line by Luis Alfaro, directed by Henry Godinez, set and production design by John Boesche, costume design by Nan Zabriskie, lighting design by David Gipson, sound design by Robert Neuhaus, and musical composition by KAMYS, 1998 September 22-October 11
- Stuff as Dreams are Made On, performed and adapted by Fred Curchack, 1988 March 9-20
- Subject to Fits by Robert Montgomery, directed by Libby Appel, lighting by Kathleen Kampp, sets by David Emmons, costumes by Kathleen Hollcraft, 1972 April 8-16
- Summer Brave by William Inge, directed by Bella Itkin, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Steve Burgess, 1974 May 13-May 19
- Summer of the Seventeenth Doll by Ray Lawler, directed by Khalid Rahman, 1966 April 4-5
- Summer of the Seventeenth Doll by Ray Lawler, directed by Bella Itkin, sets by Dean Taucher, costumes by Bobbie Hodges, lighting by Daniel Lesh, sound by Michael Barich, 1976 December 9-19
- Summertree by Ron Cowen, directed by Gene Falcetta, sets by Frank Bradley, costumes by Sam Smith, 1970 March 15-21
- The Taming of the Shrew by William Shakespeare, directed by Charles McGaw, sets by David Emmons, choreography by Estelle Spector, costumes by Martha Ferrara, lights by Paul Gregory, news clipping, 1973 March 6-March 18
- Teach Me How to Cry by Patricia Jourdy, directed by Leo Maroules, 1963 February 25-26
- Ten Blocks on the Camino Real by Tennessee Williams, directed by Badry Fareed, sets by Reid Carlson, lights by John Retseck, costumes by Margaret Danielson, 1965 February 22-25
- Three One-Act Plays by Kenneth Sawyer Goodman: A Man Can Only Do His Best, directed by Angelo Gabrielides; Back of the Yards, directed by J. Latrimore, Ephraim and the Winged Bear directed by Rilla Bergman, sets by Jack Million, lighting by Lou Nesslar, 1958 December 15-18
- Three One-Act Plays: The Romantics by Mike Kactschman and directed by Ginger Flick; Pigeons by Lawrence Osgood and directed by Martin Brenzell and Ginger Anne by Deric Washburn and directed by Al Fenske, 1966 December 1-2
- Three New Plays: The Disappearance of the Jews by David Mamet and directed by Gregory Mosher, starring Joe Mantegna; Hot Line by Elaine May and directed by Art Wolff, starring Elaine May, Peter Falk and Del Close; and Gorilla by Shel Silverstein and directed by Art Wolff, starring Ron Silver, scenery and costumes designed by Franne Lee, lights by Rita Pietraczek, 1983 June 2-26
- Through a Glass Darkly by Gene Trayler, directed by Susan Rae, 1964 March 2-3
- A Thurber Carnival by James Thurber, directed by Michael Thompson, 1963 April 1-2
- The Ticklish Acrobat by Robert Hivner, directed by June Pyskacek, [1959-1960]
- The Ties that Bind, two plays by Regina Taylor: Watermelon Rinds and Inside the Belly of the Beast, directed by Shirley Jo Finney, sets designed by John Culbert, lights by Robert Christen, costumes by Allison Reeds, sound by Michael Bodeen, choreography by Darlene Blackburn, 1994 April 8-May 8
- The Time of Your Life by William Saroyan, [1957-1958?]
- The Time of Your Life by William Saroyan, directed by Joseph Slowik, sets designed by Nels Anderson, costumes by Julie Jackson, lights by Karl Kachvor, 1979 May 17-27
- Times Square, by Leonard Melfi and directed by Grace Dacanay; and Chicago by Sam Shepard and directed by Alice Cohen, sets and lights by Frank Bradley, costumes by Al Tucci, with Guy Giarrizzo, 1969 October 27-30
- To Damascus by August Strindberg, directed by Bella Itkin, sets designed by Thomas Dorwart, lighting by Margaret Danielson, 1964 November 18-21
- Tobacco Road by Jack Kirkland, from the novel by Erskine Caldwell, directed by Libby Appel, sets by Joe Hennessy, costumes by Bobbie Hodges, lights by Robert Frederick, sound design by Tom McCurdy, 1976 February 5-15
- A Touch of the Poet by Eugene O'Neill, directed by Linda Hardy, sets by Jeffrey Masters, costumes by Niki Rudisill, lighting by James Wischmeyer, 1973 January 9-January 21
- Transformations, conceived by Regina Taylor, collection of one-act plays: Prophecy by Peter Handke and directed by Marianne Kim; The Owl Answers by Adrienne Kennedy and directed by Susan V. Booth; Kheal by Maria Irene Fornes and directed by Regina Taylor; Red Cross by Sam Shepard and directed by Henry Godinez; and The One by Oliver Pitcher and directed by Cheryl Lynn Bruce. Set design by Todd Rosenthal, costume design by Loren Coco Mayer, lighting design by Joseph Appelt, sound design and original music composed by Joe Cerqua, 1997 February 7-March 9
- The Trial, a dramatization of Franz Kafka's novel by Andre Gide and Jean-Louis Barrault, directed by Mohammed Mohyaldeen, sets by Frank Bradley, costumes by Ferruccio Garavaglia, lights by Paul Thompson, 1970 October 2-14
- Twelfth Night by William Shakespeare, directed by Melvin Bernhardt, sets and costumes by Thomas Barnes, lights by John Kohlman, 1961 May 15-18
- Unjustifiable Acts by Aaron Overson, directed by Harry J. Lennix, sets design by Robert C. Martin, costumes by Laura Cunningham, lighting by Diane Ferry Williams, sound by Rob Milburn, 1996 February 12-March 3
- S.A. by John Dos Passos and Paul Shyre, an Evening School production directed by Joseph Sax, sets and lights by Joseph Pettit, 1965 March 15-18
- Viet Rock by Megan Terry, a Sub-Studio production directed by Thomas Racina, with Joe Mantegna, [1968 April 25]
- The Visit by Frederick Durrenmatt, adapted by Maurice Valency, directed by Bella Itkin, sets designed by John Van Eyck, costumes by Hedi Riemann, 1964 January 5-8
- Vivisections from the Blown Mind by Alonzo D. Lamont, Jr., directed by Chuck Smith, set design by James Dardenne, costumes by Michael Alan Stein, lighting design by Todd Hensley, and sound by Corbiere T. Boynes and Rob Milburn, 1995 April 7-May 7
- My Werewolf by John Schneider, Theatre X production, directed by David Schweizer, music by Wes Savick, sets by James Matson, costumes by Sam Fleming, lighting by Margaret Nelson, [1986-1987]
- When You Comin' Back Red Ryder? by Mark Medoff, directed by Anthony Petitto, scenic design by Robert Platte, costumes by Lise Griggs, lights by Eric Strand, 1976 April 1-11
- Who's Happy Now by Oliver Hailey, directed by Joseph Slowik, sets by Calvin Churchman, costume designs by Martha Ferrara, lights by Marsha Hardy, 1972 November 28-December 10
- The Wild Duck by Henrik Ibsen, directed by Jack Jones, scene design by William Schmiel, costumes by Kathleen Hollcraft, lights by James Highland, 1972 October 31-November 12
- Wingless Victory, [1957-1958?]
- Wings, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, based on a play by Arthur Kopit, World Premiere, directed by Michael Maggio, set design by Linda Buchanan, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Richard Woodbury, musical direction by Brad Veith, 1992 October 16-December 13
- The Women by Clare Booth Luce, directed by Fred Wroblewski, sets designed by Warren Scott, lights by Lymon Dunning, costumes by Bupha Chuvisavaphongh, 1968 February 19-24
- The World of Sholom Aleichem, directed by William Pullinsi, [1963-1964]
- The Woolgatherer by William Mastrosimone, directed by Sandra Grand, sets and costumes by Philip Eickhoff, lights by Kevin Rigdon, with Jack Wallace, 1982 April 8-May 2
- Woyzeck by Georg Buechner, a Workshop production directed by Joseph Slowik, sets and lights by Thomas Barnes, costumes by James Swank, choreography by Charles Harris, music by Lawrence Kulig and Don Murray, 1961 January 16-19
- Yerma by Federico Garcia Lorca, directed by Joseph Slowik, sets and lights by Jack Million, costumes by Tony Eikenbarry, [1958]
- Yerma by Federico Garcia Lorca, directed by William Pappas, 1964 April 13-14
- ZOO1, by Friends of the Zoo. Directed by Rob Riley, music and lyrics by Mark Nutter, sets by John Paoletti and Mary Griswold, choreography by Peter Amster, costumes by Karol Kent and Friends of the Zoo, [1986-1987]
Stage 2 productions include:
- American Buffalo by David Mamet, directed by Gregory Mosher, sets by Michael Merritt, lights by Robert Christen, 1975 October 23-November 9
- Annulla Allen, the Autobiography of a Survivor by Emily Mann and Annulla Allen, 1978 March 16-April 2
- Battering Ram by David Freeman, directed by Gregory Mosher, costumes by Christa Scholtz, lighting by Robert Shook, sets by Maher Ahmad with W.H. Macy, 1978 April 9-23
- Chicago, by Sam Shepard and directed by Dennis Zacek and The Local Stigmatic, by Heathcote Williams and directed by Gary Houston, sets and lights by Paul K. Basten (lights for Chicago by Robert Christen), costumes by Marsha Kowal, [1976]
- Curse of the Starving Class by Sam Shepard, Midwest Premiere, directed by Robert Falls, sets by Michael Merritt, music by Leo Kotke, lights by Robert Christen, costumes by Marsha Kowal with John Malkovich, Glenne Headley and Jack Wallace, 1979 January 7-28
- Dandelion Wine, adapted for the stage by Peter John Bailey from the Ray Bradbury novel, directed by William Woodman, sets by Michael Merritt, costumes by Maggie Bodwell, music by David Rice, lights by Robert Christen, 1976 March 18-April 4
- Emigres by Slawomir Mrozek, sets by Maher Ahmad, costumes by Jane Morgan Henry, lighting design by Robert Christen, sound by Henry Miller, 1978 October 24-November 5
- George Jean Nathan in Review, conceived by Stanley Eden based on the writings of George Jean Nathan, directed by Stanley Eden, sets designed by Michael Merritt, costumes by Marsha Kowal, lights by Robert Christen, sound by Gary Rotta, 1977 April 21-May 8
- Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs by David Halliwell, directed by Michael Maggio, sets by Michael Merritt, costumes by Julie Jackson, lighting by Robert Christen, 1978 January 10-29
- The Island by Athol Fugard, John Kani and Winston Nishona, touring, 1979 March
- Kaspar by Peter Handke, translated by Michael Roloff, directed by Gary Houston, sets by Maher Ahmad, costume design by Michelle Demichelis, lighting design by Robert Christen, sound design by Gary Rotta, 1977 March 3-20
- A Life in the Theatre by David Mamet, World Premiere, directed by Gregory Mosher, sets by Michael Merritt, costumes by Marsha Kowal, lighting by Robert Christen, music by Stuart Klawans with Mike Nussbaum and Joe Mantegna, 1977 February 3-20
- Once and For All by Robert Gordon, directed by Patrick O'Gara, 1975 February 28-March 17
- Prague Spring by Lee Kalcheim, directed by Dennis Zacek, sets by Maher Ahmad, costumes by Marsha Kowal, lights by Robert Christen, 1978 May 23-June 11
- Scenes and Revelations by Elan Garonzik, directed by Betsy Carpenter, sets by James Guenther, costumes by Jessica Hahn, lighting by Robert Christen, music by Tom Bishop, 1979 March 18-April 8
- Sizwe Banzi is Dead by Athol Fugard, John Kani, and Winston Ntshona, Chicago Premiere, directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Michelle Demichelis, lights by Lionel Smith with Meshach Taylor, 1976 November 3
- Sizwe Banzi is Dead by John Kani, directed by Gregory Mosher, lights and sets designed by Robert Christen, costumes designed by Michelle Demichelis with Meshach Taylor, 1978 March 14-19
- The Son by Gert Hoffman, translated by Jon Swan, directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Maggie Bodwell, lights by Robert Christen, 1975 January 3-12
- The Sport of My Mad Mother by Ann Jellicoe, directed by Dennis Zacek, sets by Dean Taucher, costumes by Marsha Kowal, lights by Robert Christen with Judith Ivey, 1976 December 1-19
- Statues and The Bridge at Belharbour by Janet Neipris, World Professional Premiere, directed by Gregory Mosher, sets by Brian Laczko, costume design by Marsha Kowal, lights by Robert Christen, with Judith Ivey, 1976 April 22-May 9
- Tennessee Laughs - Three One Act Plays by Tennessee Williams: A Perfect Analysis Given by a Parrot, The Frosted Glass Coffin and Some Problems for the Moose Lodge, directed by Gary Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lights by Robert Christen, 1980 November 8-23
- Three Plays of the Yuan Dynasty, translated by Liu Jung-en, directed by June Pyskacek, music by Gerald Holbrook, set designs by Rick Paul and Uta Olson, lights by Robert Christen, 1975 December 4-21
- Three Women by Cecil O'Neal, Cynthia Baker Johnson, Roberta Maguire and Sandy Lipton, directed by Cecil O'Neal, lights by Robert Shook, [1975]
- Winnebago by Frank Galati, directed by Frank Galati, sets and costumes by Paul Appel, lights by Craig Miller, music and sound by Nick Jensen, choreography by Peter Amster, 1974 November 1-11
New Theatre Company productions include:
- Baby with the Bathwater by Christopher Durang, Remains Theatre production, directed by D.W. Moffatt, sets and lights designed by Michael Phillipi, costumes by Marsha Kowal, with Amy Morton, [1984-1985]
- The Cherry Orchard by Anton Chekhov, adapted by David Mamet, directed by Gregory Mosher, sets designed by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, with Lindsay Crouse, W.H. Macy, and Mike Nussbaum, 1985 March
- The Spanish Prisoner and The Shawl by David Mamet, Briar Street Theatre, directed by Gregory Mosher, sets designed by Michael Merritt, costumes designed by Nan Cibula, lights by Kevin Rigdon, with Mike Nussbaum, Lindsay Crouse, and Gary Cole, 1985 April 19-May 19
- Swimming to Cambodia, Part I and II, by Spaulding Gray, Briar Street Theatre, Jean Nathan, 1985 June 18-30
- Two Radio Plays on WNUR: Goldberg Street and Cross Patch by David Mamet, with member of the New Theatre Company, promotional materials, reviews and news clippings, 1985 March
Children’s Theatre productions include:
- The 13 Clocks by Elaine Berman, adapted from the book The Thirteen Clocks by James Thurber, directed by Reggie Schwander, costumes by Dunja Ramicova, sets designed by William Schmiel, lighting by Kenneth Peters, original music by Reggie Schwander, 1972 April 1-May 20
- The Adventures of Pinocchio by Carlo Collodi, conceived and directed by Terry Zehr, fight choreography by Bruce Rogers Wright, scene design by Bob Platte, costumes by Mary Lou Holmes, lights by Christine Decyk, 1976 December 4-1977 January 23
- The Adventures of Tom Sawyer, dramatized by Charlotte Chorpenning from the book by Mark Twain, directed by Bella Itkin, sets designed by James Maronek, costumes by Peri Grenell, lights by G.E. Naselius, 1962 February 10-April 1
- Aesop's Falables by Ed Graczyk, music and lyrics by John Hogan, Henry Moran, Marty Conine, and Ed Graczyk. Directed by Kelly Danford, choreography and musical numbers staged by Jerry Earl Tullos, costumes by Sandra Tignor, sets by Frank Bradley, lights by G.E. Naselius, [1971]
- Aladdin and His Wonderful Lamp by James Norris, directed by Bella Itkin, costumes by Walter Blind, sets by Tony Eikenbarry, dances arranged by Frances Allis, 1958 October 18-December 13
- Aladdin and His Wonderful Lamp by James Norris, directed by Joseph Sax, sets by John Retseck, costumes by Uta Olson, lights by Jerrold Gorrell, 1965 February 6-April 17
- Aladdin and His Wonderful Lamp by James Norris, music and lyrics by Errol Pearlman, directed by Bella Itkin, choreography by Dawn Mora, fight sequence by Bruce Rogers Wright, scenic design by Thomas Beall, costume design by Bobbie Hodges, lighting design by G.E. Naselius, 1976 October 16-November 28
- Ali Baba and the Forty Thieves by Wadeeha Atiyeh, directed by Patrick Henry, sets by Amy Frank, costumes by David Rudish, lighting by Burton Rissman, choreography by Frances Allis, 1962 December 22-1963 January 27
- Ali Baba and the Magic Cave by William Glennon, directed by Bella Itkin, costume design by Sandra Tignor, sets by Marc Cohen, lights by Franklin Warner, 1970 November 21-December 13, 1971 January 9-24
- Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Bill Hargate, dances arranged by Frances Allis, with Avery Schreiber, 1957 October 19-December 15
- Alice in Wonderland by Lewis Carroll, adapted by Charlotte Chorpenning, directed by Joseph Slowik, sets by J. van Eyck, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, 1963 October 12-December 15
- Alice in Wonderland by Thom Racina, based on the book by Lewis Carroll, directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Joseph Nieminski, lights by J. Sally, original music and lyrics by Thom Racina, 1971 January 3-March 21
- Androcles and the Lion by Aurand Harris, directed by Paul Sills, sets designed by Thomas Dorwart, costumes by Marianne Powell, lights by Frank Kaufman, music adapted from the original score of Glenn Mack, 1966 December 17-1967 March 12
- Androcles and the Lion, adapted by Aurand Harris, directed and choreographed by Estelle Spector, scenic designs by Bob Platte, costumes by Lise Griggs, lights by Rochard Young, sound by Christine Decyk, 1977 March 19-May 15
- Appleseed by Ed Graczyk, music and lyrics by Errol Pearlman, directed by Bella Itkin, choreography by Estelle Spector, scenic design by Gregory Buch, costumes by Susan Lopez, lights by Steve Burgess and G.E. Naselius, 1974 January 26-March 17
- Beauty and the Beast by Nora MacAlvay, directed by Bella Itkin, sets by Eugene Lee, costumes by Peri Grinell, lighting by G.E. Naselius, 1962 April 7-May 27
- Beauty and the Beast by Jesse Beers, directed by Joe Guastaferro, sets by Nels Anderson, costumes by Richard Parks, sound design by Roger Weissmann, lights by Daniel Lesh, 1977 October 22-December 22
- The Blue Bird by Maurice Maeterlinck, directed by Bella Itkin, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, 1962 October 13-December 16
- The Canterville Ghost, dramatized by Darwin Reid Payne, from a short story by Oscar Wilde, directed by Kelly Danford, sets by Joseph Nieminski, costumes by Virgil Johnson, lighting by G.E. Naselius, Act II ballet choreographed by Joseph Kuzniar, with Joe Mantegna, 1969 July 8- August 16
- Cinderella, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by James Maronek, costumes by Tony Eikenbarry, lights by G.E. Naselius, choreography by Frances Allis, 1960 December 10-1961 February 4
- Cinderella, dramatized by Phyllis Ward, directed by Estelle Spector, music by Hans Wurman, sets by Brad Loman, lights by Daniel Lesh, costumes by Hollis Levy, 1978 March 25-May 7
- The Comical Tragedy, or The Tragical Comedy of Punch and Judy by Aurand Harris, directed by Ned Schmidtke, choreography by Estelle Spector, scene design by Jeffrey Masters, costumes by Julie Nagel, lights by Phillip Evola, music by David Beaird, 1973 March 25-May 26
- Coyote and His Brothers, adapted from Anna Moore Shaw's Tales of the Pima Indians, directed by Eleanor Logan, sets designed by Eric Fielding, costumes by Julie Jackson, lights by Curtis Jacobson, 1976 January 31-March 14
- The Dancing Donkey, by Erik Vos and directed by Bella Itkin (with Carrie Snodgrass), and The Unwicked Witch, by Madge Miller and directed by Robert Leonard, scene design by Marc Cohen, costume design by D. Hudson Sheffield, lights by G.E. Naselius, music by John Towey, 1967 July 5-September 3
- A Doctor in Spite of Himself, adapted by Aurand Harris from Moliere, directed by Bella Itkin, set designed by Norman Fencl, costumes by Virgil Johnson, lights by Joseph Pohnan, music by John Hogan, Henry Moran and James Pobiega, 1970 March 28-May 24
- Don Quixote de la Mancha, [1969]
- The Emperor's New Clothes, adapted by Charlotte Chorpenning, directed by Bella Itkin, costumes by Tony Christopher, sets designed by James Harrington, lighting by G.E. Naselius, choreography by Frances Allis, music arranged by Dorothy Konkowski, 1959 March 21-May 24
- The Emperor's New Clothes, by Hans Christian Anderson, adapted by Allan Loernsen, directed by Nick Schmidtke, sets designed by David Emmons, costumes by Julie Nagel, lighting by James Highland, 1973 December 8-1974 January 20
- The Fabulous Fable Factory by Joseph Robinette and Thomas Tierney, directed by Bella Itkin, musical direction by Errol Pearlman, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Sandi Kabins, lights by Rebecca Binks, 1975 June 30-August 9
- The Frog Princess and the Witch by Margery Evernden, directed by Bella Itkin, set designed by John Retseck, costumes by Kurt Wilhelm, lights by Neil Jampolis, choreography by Francis Allis, with Linda Hunt, 1965 April 24-May 29
- The Great Cross-Country Race, or The Hare and the Tortoise, adapted by Alan Broadhurst, directed by David Avcollie, sets by Eric Fielding, costumes by Phyllis Hojnacki, lights by Terry Jenkins, sound design by Daniel Aberson, 1975 March 22-May 18
- Hans Brinker and the Silver Skates by Bruce Millan, directed by James Bertholf, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lights by G.E. Naselius, choreography by Susan Rae, 1963 December 21-1964 January 26
- Hansel and Gretel by Lillian and Robert Masters, directed by Dorothy Konrad, sets by James Harrington, lighting by Tom Reissig, costumes by Jay Korbin, choreography by Frances Allis, 1959 December 19-1960 January 31
- The Hare and the Tortoise, or The Great Cross Country Race by Alan Broadhurst, directed by Bella Itkin, sets by Warren Sodt, costumes by Virgil Johnson, lights by Edgar Swift, choreography by Thomas Jaremba, 1968 December 16, 1967-March 10
- Hansel and Gretel by William Glennon, directed by William Bennett Steinhauer, sets designed by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, with Carrie Snodgrass, 1966 June 28-August 20
- The Hide and Seek Odyssey of Madeline Gimple by Frank Gagliano, [1970-1971]
- How the First Letter Was Written by Auran Harris, from Rudyard Kipling's Just So Stories, [1970-1971]
- Huckleberry Finn by Mark Twain, adapted by Frank M. Whiting and Connie Rickert, directed by Melvin Bernhardt, costumes by Uta Olson, sets by Jack Million, lighting by G.E. Naselius, with Avery Schreiber, 1959 February 7-March 15
- It Certainly Isn't Baked Beans! a dramatic anthology of children's literature, [1972-1973]
- Jack and the Beanstalk by Charlotte Chorpenning, directed by Bella Itkin, sets by Tony Eikenbarry, lighting by Chuck Wolfram, costumes by James Harrington, choreography by Frances Allis, 1959 October 17-December 12
- Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Bella Itkin, set design by Tom Clark, costumes by James Larsen, lights by Carmen Picarello, choreography by Frances Allis, 1967 March 18-May 28
- Just So Stories, dramatized by Aurand Harris, directed by Joseph Slowik, sets and costumes designed by Thomas Beall, lighting by G.E. Naselius, [1976-1977]
- King Midas and the Golden Touch by Charlotte Chorpenning, directed by Dorothy Konrad, choreography by Francis Allis, settings by Walter Blind, costumes by Tony Christopher, lights by G.E. Naselius, 1958 December 20-1959 February 1
- The Lion Who Wouldn't, book and lyrics by Gifford Wingate, music by David Coleman, directed by Kelly Danford, sets by Brad Loman, costumes by Gay Crusius, lights by James Highland and William Fox, choreography by Gisli Bjorgvinsson, Bobbie Kingsly, and Frank Ventura, 1974 March 23-May 19
- Little Red Riding Hood by Yevgeny Schwartz, directed by Libby Appel, music composed by Philip Kusie, choreography by Beth Caldwell, sets designed by Vincent Faust, costumes by Julie Nagel, lights by James Highland, animal puppets by David Emmons, 1972 November 19-December 17; 1973 January 13-January 21
- The Magic Isle by Wesley Van Tassel, with music and lyrics by Mark Ollington, adapted from original commedia materials created by Russell Graves, directed by Bella Itkin, sets by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by Thom Racina, 1968 July 3-August 24
- The Magic Isle by Wesley Van Tassel, music and lyrics by Mark Ollington, directed by Kelly Danford, costumes by Sandra Tignor, sets by Joseph Nieminski, lights by John M. Hickey, with Bruce Boxleitner, 1971 December 26-1972 January 2
- The Man in the Moon, or A Trip to the Moon by Alan Cullen, directed by Kelly Danford, sets by Alan Traynor, costumes by Albert Tucci, lights by Lyman Dunning, choreography by Thomas Jaremba, music by Kelly Danford, with Guy Giarrizzo and Joseph Mantegna, 1968 December 2-1969 March 9
- The Marvelous Misadventures of Sherlock Holmes by Thom Racina, directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Alice Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Mark Ganzel, original music and lyrics by Thom Racina, with Bruce Boxleitner, 1971 July 6-August 14
- A Midsummer Night's Dream by William Shakespeare, adapted for children by Bella Itkin, directed by Bella Itkin, sets and projections designed by Gary Gorman, costumes by designed by Mary Stine, lights by Lawrence Dean, choreography by Thomas Jaremba, original music and lyrics by Thom Racina, 1968 March 16-May 26
- Nobody's Boy by Isabel Burger and Constance DeBear, from the story Sans Famille by Hector Malot, directed by Bella Itkin, dances arranged by Frances Allis, costumes by Paul Leonard, sets by Robert Hamlin, 1958 February 8-April 5
- The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game. The Giving Tree by Shel Silverstein, all other works created by the Company, directed by Larry Arrick, J. Ranelli, Mary Beth Miller, and the Company, costumes by Fred Voelpel, sets by David Hays, 1971 December 13-23
- Pal Joey by John O'Hara, directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, with Nancy Marchand, 1973 May 13-June 17
- The Panda and the Spy by Mary Virginia Heinlein, directed by Kelly Danford, sets by James Maronek, costumes by Daniel Pugh, lights by G.E. Naselius, Robert Moody as scenic artist, 1970 July 7-August 8
- Peck's Bad Boy by Aurand Harris, suggested by stories from Peck's Bad Boy, by George W. Peck, directed by Kelly Danford, scenic design by Brad Loman, costumes by Richard Donnelly, lights by Neal Yablong, 1975 January 25-March 16
- Peter Pan by James M. Barrie, directed by Bella Itkin, set designs by Reid Carlson, costumes by James Larsen, lighting by John Woolley, starring Linda Hunt, with Carrie Snodgrass, 1966 March 12-May 29
- The Pied Piper of Hamelin, written by Melvin Bernhardt, and based on improvisations by the cast from Robert Browning's poem, directed by Melvin Bernhardt, sets by Amy-Susan Frank, lights by William Dreasler, costumes by Heidimarie Rosendahl, choreography by Frances Allis, music by Gerry Grossman, 1963 April 13-May 26
- The Pied Piper of Hamelin by William Glennon, directed by Kelly Danford, costume design by Sandra Tignor, scenic design by Jim Reed, lights by Jim Hegwood, choreography by Jerry Tullos, 1971 October 10-November 21
- Pinocchio by George T. Latshaw, from the story by Carlo Collodi, directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lights by G.E. Naselius, 1961 October 14-December 10
- The Popcorn Man, book and lyrics by Dodi Robb and Pat Patterson, music by Pat Patterson, directed by Bella Itkin, choreography and musical coordination by Estelle Spector, additional music and lyrics by Errol Pearlman, sets and costumes by David Emmons, lights by Daniel Aberson and G.E. Naselius, 1974 June 24-August 3
- The Prince, the Wolf and the Firebird by Jackson Lacey, directed by Bella Itkin, costumes by Susan Gayford, sets by Brad Loman, lights by William Fox, sound design by Steven Burgess, choreography by Estelle Spector, stage combat by Diane Parker, 1974 October 19-December 1
- The Puppet Prince, or Nicolo and Nicollette by Alan Cullen, directed by Bella Itkin, sets by Thomas Dorwart, costumes by Karen Cahill, lighting by Robert Cortright, choreography by Frances Allis, 1966 October 8-December 11
- Puss in Boots, dramatized by Rowena Bennett, directed by Bella Itkin, sets designed by John Van Eyck, costumes by Uta Olson, lighting by Alfred Jutzi, choreography by Frances Allis, 1964 March 28-May 24
- Rags to Riches by Aurand Harris (suggested by two stories written by Horatio Alger, directed by Eleanor Logan, scenic designs by Eric Fielding, costumes by Nancy Grabowski, lights by Steven Burgess, sound by William C. Fox, choreography by Diane Parker, 1974 December 7-1974 January 19
- Rapunzel and the Witch by Jack A. Melanos, directed by Bella Itkin, dances arranged by Frances Allis, sets by John Braden, costumes by Robert Hamlin, with Avery Schreiber, 1958 April 12-June 1
- Rapunzel and the Witch by Jack Melanos, directed by Charles Likar, Jr., sets by George Pettit, costume design by Kurt Wilhelm, lights by Tom Bartlett, 1965 December 18-1966 March 6
- Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by James Harrington, costumes by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, 1960 October 15-December 3
- The Red Shoes by Hans Christian Anderson, dramatized by Hans Joseph Schmidt, directed by Joseph Slowik, sets designed by Kert Lundell, costumes by Hilton Brown, choreography by Frances Allis, 1957 December 21-1958 February 2
- Reynard the Fox by Arthur Fauquez, directed by Bella Itkin, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, 1966 June 27-August 20
- Robin Hood by James Norris, directed by Kelly Danford, sets designed by Oseloka Osadebe, costumes by Madeline Grigg, lights by Herbert Schmoll, fight scenes staged by Michael Galson, with Guy Giarrizzo and Bruce Boxleitner, 1970 January 3-March 22
- Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by Miriam Rajk, costumes by Tony Eikenbarry, lighting by G.E. Naselius, music by Bob Michaels, choreography by Frances Allis, 1960 March 19-May 22
- Rumpelstiltskin by Wesley Van Tassel, directed by Bella Itkin, musical direction by Kelly Danford, sets by Oseloka Osadebe, costumes by Al Tucci, lights by John Nathan, choreography by Thomas Jaremba, with Bruce Boxleitner, 1969 October 11-December 21
- Sacramento Fifty Miles by Eleanor and Ray Harder, directed by Jack Jones, sets designed by Frank Bradley, costumes by Nancy Ash, lights by Wayne Tignor, music preparation by Kelly Danford, 1970 September 19-November 15
- Sleeping Beauty, or Sing Ho for a Prince!, adapted by Leo Grenzeback from the story by the Brothers Grimm, directed by Bella Itkin, music by Haakon Bergh, sets by Bruce Koenig, costumes by Heidemarie Rosendahl, lights by Jack Hickey, choreography by Frances Allis, 1963 February 2-April 7
- Sleeping Beauty, or The Great Rose Taboo, books and lyrics by Barbara Fried, music by Norman Sachs, directed and choreographed by Kelly Danford, set designs by David Emmons, costumes by Martha Ferrara, lights by Paul Gregory, 1972 October 1-November 12
- The Snow Queen and the Goblin, dramatized by Martha Bennett King, from the Hans Christian Anderson fairy tale, directed by Bella Itkin, set designs by Neil Jampolis, costumes by Margaret Danielson, lights by G.E. Naselius, choreography by Frances Allis, with Linda Hunt, 1964 December 19-1965 January 31
- The Snow Queen by Surgio Magito and Rudolf Weil, based on the story by Hans Christian Anderson, directed by Bella Itkin, costumes by Dunja Ramicova, sets designed by Beverly Sobieski, lighting by Robert Shook, choreography by Thomas Jaremba, original music by Phillip Kusie, Charles Fleischer, John McFayden, and Allan Almeida, 1971 November 27-December 12, 1972 January 8-February 6
- Snow White and the Seven Dwarfs by Marian Johnson, from the story by the Brothers Grimm, directed by Patrick Henry, costumes by Peri Grenell, sets designed by Patrick Henry, lighting by Louis Nesslar, music by Richard Manners, 1961 December 16-1962 February 4
- Speed Gets the Poppies by Lila Levant, music and lyrics by Lila Levant and Lorenzo Fuller, [1972-1973]
- Starman Jones by Douglas Lieberman, based on the novel by Robert Heinlein, World Premiere, directed by Douglas Lieberman, costumes by Pepper Ross, scenic design by Michael O'Kane, lighting by Paul Thompson, 1972 February 12-March 26
- Tanuki, the Mischievous Raccoon by Clive Rickabaugh. World Premiere, directed by Bella Itkin, sets by Joseph Nieminski, costumes by Bupha Chuvisavaphong, lights by Gerald Thamm, choreography by Shiro Katagiri, with Guy Giarrizzo, and Joe Mantegna, 1968 September 21-December 15
- Tarradiddle Tales, or The Wise and Foolish Tales by Flora Atkin, directed by Kelly Danford, choreographed by Estelle Spector, sets by David Emmons, costumes by Julie Nagel, lights by G.E. Naselius, 1973 June 24-August 4
- The Three Musketeers by Brian Way, based on the novel by Alexandre Dumas, directed by John Medici, choreography by Estelle Spector, scene design by William Schmiel, costumes by Pepper Ross, lights by Marsha Hardy, fencing muster by Marvin Nelson, Steve Fletcher as fencing coach, music by Philip Kusie, 1973 January 28-March 18
- A Threepenny Christmas, or the Legend of Nick the Saint by Stephen Lehner, music by Kenneth Wannberg, World Premiere, directed by Kelly Danford, scenic design by Joseph Nieminski, costumes by Nancy Ash, lights by G.E. Naselius, James Engelhardt as script consultant, choreography by Kathleen Rostrom and Kelly Danford, 1970 December 19-1971 January 3
- The Thwarting of Baron Bolligrew by Robert Bolt, directed by Joseph Slowik, costumes by Sandra Tignor, sets by Bennett Averyl, with Bruce Boxleitner, 1971 May 29-June 27
- The Thwarting of Baron Bolligrew by Robert Bolt, [1971-1972]
- Tom Sawyer, adapted from Mark Twain's The Adventures of Tom Sawyer, book and lyrics by Sarah Marie Schlesinger, musical score by Michael Dansicker, directed by Dan Schmidtke, choreography by Diana Parker, scenic design by Eric Fielding, costumes by Sandi Kabins, lights by Dale Kovarik, 1975 October 18-November 30
- Treasure Island by Dorothy Drew, directed by Bella Itkin, sets by Ford Larsen, costumes by Patricia Taxman, lights by Erwin Schroeter, choreography by Frances Allis, 1964 February 1-March 22
- Trudi and the Minstrel by Allen Cullen, directed by Joseph Slowik, set designed by George Pettit, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, original music by Carey Gold and Roderick Horn, 1967 October 7-December 10
- The Unwicked Witch by Madge Miller, directed by Stuart Hawk, scenic design by Joe Hennessey, costumes by Irene Behrenfeld, lighting by Eric Strand, sound design by Richard Young, 1977 January 29-March 13
- The Wind in the Willows by Joseph Baldwin, adapted from the book by Kenneth Grahame, directed by Joseph Slowik, sets designs by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, with Carrie Snodgrass, 1965 October 9-December 12
- The Wind in the Willows adapted by Joseph Baldwin, based on the book by Kenneth Grahame, directed by Joseph Slowik, scenic design by Nancy Long, costumes by Niki Rudisill, lights by Phillip Evola, make-up by James Campbell, music by Kenneth Slowik, 1973 October 20-December 2
- Winnie the Pooh by A.A. Milne and Kristin Sergel, music by Allan J. Friedman, directed by Bella Itkin, sets designed by Richard Kent Wilcox, costumes by Margaret Danielson, lights by G.E. Naselius, with Linda Hunt and Carrie Snodgrass, 1964 October 10-December 13
- Winterthing by Joan Aiken, directed by Gordon Kupperstein, 1978 January 21-March 19
- The Wizard of Oz, dramatized by Adele Thane from the story by L. Frank Baum, directed by Bella Itkin, sets by James Harrington, costumes by Uta Olson, lighting by Lou Nesslar, choreography by Frances Allis, 1961 March 18-May 29
- The Wizard of Oz, adapted from the story by Frank Baum by Adele Thane, music and lyrics by Brian Alan Lasser, directed by Dean Button, lights by Marc Warshell, sound by Curtis Jacobsen, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, choreography by Dawn Mora, 1975 December 6-1976 January 25
- Yankee Doodle by Aurand Harris, music by Mort Stine, directed by Russell Chesson, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Judy Mackowsky, lights by G.E. Naselius, 1976 March 20-May 16
- Young Ben Franklin by Faye Parker, directed by Joseph Slowik, sets and lights by Jack Million, costumes by Miriam Rajk, 1960 February 6-March 13
- You're a Good Man Charlie Brown by Charles M. Schultz, music and lyrics by Clark Gesner, directed by Kelly Danford, sets designed by Joseph Nieminski, lighting designed by G.E. Naselius, choreography by Mark Ganzal and Maryann Kohler, [1973]
Arrangement
Series 2 is arranged into 45 subseries chronologically by season:
- Subseries A: 1957-1958 Season, 1957-1958, 1969
- Subseries B: 1958-1959 Season, 1935, 1958-1959
- Subseries C: 1959-1960 Season, 1959-1960
- Subseries D: 1960-1961 Season, 1959-1960
- Subseries E: 1961-1962 Season, 1961-1962
- Subseries F: 1962-1963 Season, 1962-1963
- Subseries G: 1963-1964 Season, 1963-1964
- Subseries H: 1964-1965 Season, 1964-1965
- Subseries I: 1965-1966 Season, 1965-1966
- Subseries J: 1966-1967 Season, 1966-1967
- Subseries K: 1967-1968 Season, 1962-1968
- Subseries L: 1968-1969 Season, 1953-1969
- Subseries M: 1969-1970 Season, 1969-1970
- Subseries N: 1970-1971 Season, 1969-1971
- Subseries O: 1971-1972 Season, 1971-1972
- Subseries P: 1972-1973 Season, 1972-1973
- Subseries Q: 1973-1974 Season, 1973-1974, undated
- Subseries R: 1974-1975 Season, 1974-1975, undated
- Subseries S: 1975-1976 Season, 1975-1976
- Subseries T: 1976-1977 Season, 1972-1977
- Subseries U: 1977-1978 Season, 1977-1978
- Subseries V: 1978-1979 Season, 1978-1979, undated
- Subseries W: 1979-1980 Season, 1979-1980, undated
- Subseries X: 1980-1981 Season, 1978-1981
- Subseries Y: 1981-1982 Season, 1928-1982
- Subseries Z: 1982-1983 Season, 1951-1983, undated
- Subseries AA: 1983-1984 Season, 1964-1984, undated
- Subseries BB: 1984-1985 Season, 1974-1985, undated
- Subseries CC: 1985-1986 Season, 1956-1986, undated
- Subseries DD: 1986-1987 Season, 1986-1987
- Subseries EE: 1987-1988 Season, 1985-1988
- Subseries FF: 1988-1989 Season, 1988-1989, undated
- Subseries GG: 1989-1990 Season, 1987-1990, undated
- Subseries HH: 1990-1991 Season, 1987-1991, undated
- Subseries II: 1991-1992 Season, 1989-1992
- Subseries JJ: 1992-1993 Season, 1950, 1984-1993
- Subseries KK: 1993-1994 Season, 1961-1994, undated
- Subseries LL: 1994-1995 Season, 1994-1995, undated
- Subseries MM: 1995-1996 Season, 1993-1996, undated
- Subseries NN: 1996-1997 Season, 1996-1997, undated
- Subseries OO: 1997-1998 Season, 1997-1998
- Subseries PP: 1998-1999 Season, 1998-1999
- Subseries QQ: 1999-2000 Season, 1999-2000
- Subseries RR: 2000-2001 Season, 2000-2001
- Subseries SS: Unidentified and Undated, undated
Subseries A: 1957-1958 Season, 1957-1958, 1969
Arrangement
Subseries A is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 12 | Folder 35 | Budget, 1957-1958 |
Box 12 | Folder 36 | Promotional material, 1957-1958 |
Box 158 | Folder 34 | Ah Wilderness! photographs (11), includes Sidney Bruce and Dorothy Konrad, 1957-1958 |
Box 200 | Folder 3 | Ah Wilderness! photographs (2), includes Patrick Henry, 1957-1958 |
Box 12 | Folder 37 | Ah, Wilderness! programs, press releases, playing dates, 1957-1958 |
Box 12 | Folder 40 | The Salzburg Everyman, estimate of expenses, 1957 |
Box 12 | Folder 39 | The Salzburg Everyman, notes on music, 1957 |
Box 158 | Folder 35 | The Salzburg Everyman, photographs (6), negative (1), contact sheets (2), 1957 |
Box 12 | Folder 41 | The Salzburg Everyman, press releases and promotional material, 1957 |
Box 12 | Folder 42 | The Salzburg Everyman, programs, 1957 |
Box 12 | Folder 43 | The Salzburg Everyman, reviews and news clippings, 1957 |
Box 12 | Folder 38 | The Salzburg Everyman, script, 1969 |
Box 159 | Folder 1 | Tiger at the Gates, photographs (17), includes Michael Hall and Ann Rogers, 1958 January |
Box 12 | Folder 44 | Tiger at the Gates, press releases and promotional material, 1958 January |
Box 12 | Folder 45 | Tiger at the Gates, programs, 1958 January |
Box 12 | Folder 46 | Tiger at the Gates, reviews and news clippings, 1958 |
Box 159 | Folder 2 | The Man of Destiny and The Great Catherine, photographs (19), 1958 February-March |
Box 12 | Folder 47 | The Man of Destiny and The Great Catherine, press releases and promotional material, 1958 |
Box 12 | Folder 49 | The Man of Destiny and The Great Catherine, programs, 1958 February-March |
Box 12 | Folder 48 | The Man of Destiny and The Great Catherine, reviews and news clippings, 1958 |
Box 159 | Folder 3 | Camino Real, photographs (4), contact sheets (4), 1958 March-April |
Box 200 | Folder 3 | Camino Real, photograph (1), 1958 March-April |
Box 12 | Folder 50 | Camino Real, press releases and promotional material, 1958 |
Box 12 | Folder 52 | Camino Real, programs, 1958 March-April |
Box 12 | Folder 51 | Camino Real, reviews and news clippings, 1958 |
Box 12 | Folder 55 | The Dream (A Midsummer Night's Dream) and The Fairie Queen, director's notes, 1958 |
Box 159 | Folder 4 | The Dream (A Midsummer Night's Dream), photographs (21), contact sheets (4), includes Ken Johnson and Dieter Kober, 1958 May-June |
Box 200 | Folder 3 | The Dream (A Midsummer Night's Dream), photograph (1), 1958 May-June |
Box 12 | Folder 56 | The Dream (A Midsummer Night's Dream) and The Fairie Queen, press releases and promotional material, 1958 |
Box 12 | Folder 57 | The Dream (A Midsummer Night's Dream) and The Fairie Queen, programs, 1958 May-June |
Box 12 | Folder 58 | The Dream (A Midsummer Night's Dream) and The Fairie Queen, reviews and news clippings, 1958 |
Box 12 | Folder 53 | The Dream (A Midsummer Night's Dream) and The Fairie Queen, stage manager’s book, script, 1958 |
Box 12 | Folder 54 | The Dream (A Midsummer Night's Dream) and The Fairie,stage manager's book, technical lists and notes, 1958 |
Box 13 | Folder 1 | Studio - promotional material, 1957-1958 |
Box 13 | Folder 2 | Studio - A Bill of Three One-Acts: The Shy and the Lonely, Hyacinth Halvey, This Music Crept by Me Upon the Water, program, [1957-1958] |
Box 13 | Folder 3 | Studio - Bury the Dead, program, 1957 October 25 |
Box 13 | Folder 4 | Studio - Look Back in Anger, promotional materials, production schedule and programs, 1958 March 10-12 |
Box 13 | Folder 5 | Studio - The Potting Shed, promotional material and programs, 1958 April 21 |
Box 159 | Folder 5 | Studio - Light Up the Sky, photograph contact sheets (2), 1958 May 5 |
Box 13 | Folder 6 | Studio - Light Up the Sky, promotional material and programs, 1958 May 5 |
Box 159 | Folder 6 | Studio - See the Jaguar, photographs (2), 1958 May 19 |
Box 13 | Folder 7 | Studio - See the Jaguar, programs, 1958 May 19 |
Box 13 | Folder 8 | Studio - Roadside, programs, 1958 June 2 |
Box 159 | Folder 7 | Studio - Wingless Victory, photographs (4), includes Gloria Foster, [1957-1958?] |
Box 159 | Folder 8 | Studio - The Bloody Tenet, photographs (9), [1957-1958?] |
Box 13 | Folder 10 | Studio - The Bloody Tenet, press releases, [1957-1958?] |
Box 13 | Folder 9 | Studio - The Bloody Tenet, typescript copy, undated |
Box 159 | Folder 9 | Studio - Yerma, photograph contact sheets (3), [1958] |
Box 200 | Folder 4 | Studio - Yerma, photographs (2), [1958] |
Box 13 | Folder 11 | Studio - Yerma, cast and crew list, [1958] |
Box 159 | Folder 10 | Studio - The Time of Your Life, photograph contact sheets (2), 1958 |
Box 200 | Folder 4 | Studio - The Time of Your Life, photographs (3), 1958 |
Box 13 | Folder 12 | Children’s Theatre - promotional material, 1957-1958 |
Box 13 | Folder 13 | Children’s Theatre - reviews and news clippings, 1957-1958 |
Box 159 | Folder 11 | Children’s Theatre - Alice in Wonderland, photograph (1), 1957 October-December |
Box 13 | Folder 14 | Children’s Theatre - Alice in Wonderland, programs, 1957 October-December |
Box 13 | Folder 15 | Children’s Theatre - The Red Shoes, press releases and promotional material, 1957 December-1958 February |
Box 13 | Folder 17 | Children’s Theatre - The Red Shoes, programs, 1957 December-1958 February |
Box 13 | Folder 16 | Children’s Theatre - The Red Shoes, reviews and news clippings, 1957 December-1958 February |
Box 13 | Folder 19 | Children’s Theatre - Nobody's Boy, news clippings, 1958 February-April |
Box 159 | Folder 12 | Children’s Theatre - Nobody’s Boy, photographs (7), negative (1), 1958 February-April |
Box 13 | Folder 18 | Children’s Theatre - Nobody's Boy, press releases and promotional material, 1958 February-April |
Box 13 | Folder 20 | Children’s Theatre - Nobody's Boy, programs, 1958 February-April |
Box 159 | Folder 13 | Children’s Theatre - Rapunzel and the Witch, photograph contact sheets (2), 1958 April-June |
Box 200 | Folder 4 | Children’s Theatre - Rapunzel and the Witch, photographs (2), 1958 April-June |
Box 13 | Folder 21 | Children’s Theatre - Rapunzel and the Witch, press releases and promotional material, 1958 April-June |
Box 13 | Folder 22 | Children’s Theatre - Rapunzel and the Witch, programs, 1958 April-June |
Box 13 | Folder 23 | Special Events - Lectures: Four Craftsmen Picture the Theatre, starring: Elmer Nagiz, Joseph Kramin, Eric Bentley, and Harold Clurman, press releases and program, 1958 February-March |
Box 13 | Folder 24 | Special Events - Lecture: Classical Theatre and Modern Realism, with Michel St. Denis, press release, 1958 April 19 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries B: 1958-1959 Season, 1935, 1958-1959
Arrangement
Subseries B is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 13 | Folder 25 | Press releases and promotional material, 1958-1959 |
Box 13 | Folder 26 | Excerpts from reviews, 1958-1959 |
Box 13 | Folder 27 | Production schedule, 1958-1959 |
Box 13 | Folder 28 | Billy Budd, correspondence, 1958 |
Box 159 | Folder 14 | Billy Budd, photographs (3), contact sheets (3), 1958 October-November |
Box 200 | Folder 4 | Billy Budd, photograph (1), 1958 October-November |
Box 13 | Folder 29 | Billy Budd, press releases and promotional material, 1958 |
Box 13 | Folder 31 | Billy Budd, programs, 1958 October-November |
Box 13 | Folder 30 | Billy Budd, reviews and news clippings, 1958 |
Box 13 | Folder 33 | Lady Precious Stream, audition and cast lists, 1958 |
Box 13 | Folder 32 | Lady Precious Stream, correspondence, 1958 |
Box 13 | Folder 35 | Lady Precious Stream, director's notes to actors, 1958 |
Box 159 | Folder 15 | Lady Precious Stream, photographs (11), contact sheets (4), includes Carl Bingham, 1958 December |
Box 200 | Folder 4 | Lady Precious Stream, photographs (5), 1958 December |
Box 13 | Folder 38 | Lady Precious Stream, press releases and promotional material, 1958 |
Box 13 | Folder 40 | Lady Precious Stream, programs, 1958 December |
Box 13 | Folder 34 | Lady Precious Stream, research, 1935, 1958 |
Box 13 | Folder 39 | Lady Precious Stream, reviews and news clippings, 1958 |
Oversize Folder 2 | Lady Precious Stream, set design, 1958 | |
Box 13 | Folder 36 | Lady Precious Stream, sound cues, 1958 |
Box 159 | Folder 16 | The Young and the Fair, photographs (8), contact sheets (3), includes Rilla Bergman, Jeanne Borsini, Aida Hincebergs, Sandi Juliano, Beth Ross and Beverly Younger, 1959 January-February |
Box 200 | Folder 5 | The Young and the Fair, photographs (3), 1959 January-February |
Box 13 | Folder 41 | The Young and the Fair, press releases and promotional material, 1959 |
Box 13 | Folder 43 | The Young and the Fair, programs, 1959 January-February |
Box 13 | Folder 42 | The Young and the Fair, reviews and news clippings, 1959 |
Box 13 | Folder 44 | Purple Dust, correspondence, [1958-1959] |
Box 159 | Folder 17 | Purple Dust, photographs (4), contact sheets (2), includes Dale Benson, Geneva Bugbee, Donna Dunn, Mary Lyon, George McGlynn, Bill Meccia and Louis Zorich, 1959 February-March |
Box 200 | Folder 5 | Purple Dust, photographs (2), 1959 February-March |
Box 13 | Folder 45 | Purple Dust, press releases and promotional material, 1959 |
Box 13 | Folder 47 | Purple Dust, programs, 1959 February-March |
Box 13 | Folder 46 | Purple Dust, reviews and news clippings, 1959 |
Box 13 | Folder 48 | The Trial, correspondence, 1959 |
Box 160 | Folder 1 | The Trial, photographs (11), negative (1), contact sheets (2), includes Dale Benson, Jeanne Borsini, Donna Dunn, Gene Falcetta, Charles Fischer and Al Millis, 1959 April |
Box 13 | Folder 50 | The Trial, press releases and promotional material, 1959 |
Box 13 | Folder 52 | The Trial, programs, 1959 April |
Box 13 | Folder 49 | The Trial, research, undated |
Box 13 | Folder 51 | The Trial, reviews and news clippings, 1959 April |
Box 160 | Folder 2 | The Imaginary Invalid, photographs (3), negative (1), includes Murray Matheson, 1959 May |
Box 200 | Folder 5 | The Imaginary Invalid, photographs (2), 1959 May |
Box 13 | Folder 53 | The Imaginary Invalid, press releases and promotional material, 1959 |
Box 13 | Folder 55 | The Imaginary Invalid, programs, 1959 May |
Box 13 | Folder 54 | The Imaginary Invalid, reviews and news clippings, 1959 |
Box 13 | Folder 56 | Studio - Three One-Act Plays: A Man Can Only Do His Best, Back of the Yards, Ephraim and the Winged Bear, cast and crew list, 1958 December |
Box 160 | Folder 3 | Studio - Three One-Act Plays: A Man Can Only Do His Best, Back of the Yards, Ephraim and the Winged Bear, photograph contact sheets (3), 1958 December |
Box 13 | Folder 59 | Studio - Three One-Act Plays: A Man Can Only Do His Best, Back of the Yards, Ephraim and the Winged Bear, program, 1958 December |
Box 13 | Folder 58 | Studio - Three One-Act Plays: Back of the Yards, script, 1958 |
Box 13 | Folder 57 | Studio - Three One-Act Plays: A Man Can Only Do His Best, script, 1958 |
Box 160 | Folder 5 | Studio - Our Town by Thornton Wilder, photograph contact sheet (1), [1958-1959?] |
Box 14 | Folder 1 | Children’s Theatre - promotional material, 1957-1959 |
Box 14 | Folder 2 | Children’s Theatre - Aladdin and His Wonderful Lamp, correspondence, 1958 |
Box 160 | Folder 6 | Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (4), contact sheets (2), 1958 October-December |
Box 200 | Folder 5 | Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (4), 1958 October-December |
Box 14 | Folder 3 | Children’s Theatre - Aladdin and His Wonderful Lamp, press releases and promotional material, 1958 |
Box 14 | Folder 4 | Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1958 October-December |
Box 160 | Folder 7 | Children’s Theatre - King Midas and the Golden Touch, photograph contact sheets (2), 1958 December-1959 February |
Box 14 | Folder 5 | Children’s Theatre - King Midas and the Golden Touch, press releases, 1958-1959 |
Box 14 | Folder 6 | Children’s Theatre - King Midas and the Golden Touch, programs, 1958 December-1959 February |
Box 160 | Folder 8 | Children’s Theatre - Huckleberry Finn, photograph contact sheets (3), 1959 February-March |
Box 14 | Folder 8 | Children’s Theatre - Huckleberry Finn, programs, 1959 February-March |
Box 14 | Folder 7 | Children’s Theatre - Huckleberry Finn, promotional material, 1959 February-March |
Box 160 | Folder 9 | Children’s Theatre - The Emperor’s New Clothes, photograph contact sheets (42), 1959 March-May |
Box 200 | Folder 5 | Children’s Theatre - The Emperor’s New Clothes, photographs (2), 1959 March-May |
Box 14 | Folder 10 | Children’s Theatre - The Emperor's New Clothes, programs, 1959 March-May |
Box 14 | Folder 9 | Children’s Theatre - The Emperor's New Clothes, promotional material, 1959 March-May |
Box 14 | Folder 11 | Special Events - Shakespeare's Ages of Man, with Sir John Gielgud, program, 1958 October 25, 30 and November 3 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries C: 1959-1960 Season, 1959-1960
Arrangement
Subseries C is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 14 | Folder 12 | Press releases and promotional material, 1959-1960 |
Box 14 | Folder 13 | Excerpts from reviews, 1959-1960 |
Box 160 | Folder 10 | The Merchant of Venice, photographs (2), negative (1), contact sheets (6), 1959 October-November |
Box 200 | Folder 6 | The Merchant of Venice, photographs (3), 1959 October-November |
Box 14 | Folder 15 | The Merchant of Venice, press releases and promotional material, 1959 |
Box 14 | Folder 17 | The Merchant of Venice, programs, 1959 October-November |
Box 14 | Folder 16 | The Merchant of Venice, reviews and news clippings, 1959 |
Oversize Folder 3 | The Merchant of Venice, set designs, 1959 | |
Box 160 | Folder 11 | The Cave Dwellers, photographs (5), negatives (2), includes Studs Terkel, 1959 December |
Box 200 | Folder 6 | The Cave Dwellers, photographs (6), includes Studs Terkel, 1959 December |
Box 14 | Folder 18 | The Cave Dwellers, press releases and promotional material, 1959 December |
Box 14 | Folder 20 | The Cave Dwellers, programs, 1959 December |
Box 14 | Folder 19 | The Cave Dwellers, reviews and news clippings, 1959 December |
Box 14 | Folder 22 | Hippolytus, actors' biographies and resumes, 1957-1959 |
Box 160 | Folder 12 | Hippolytus, photographs (8), 1960 January |
Box 200 | Folder 6 | Hippolytus, photograph (1), 1960 January |
Box 14 | Folder 23 | Hippolytus, press releases and promotional material, 1959 |
Box 14 | Folder 25 | Hippolytus, programs, 1960 January |
Box 14 | Folder 24 | Hippolytus, reviews and news clippings, 1960 |
Oversize Folder 3 | Hippolytus, set designs, 1959 | |
Box 160 | Folders 13-14 | Enrico IV, photographs (20), negatives (9), contact sheets (22), includes Ivor Harries, Frank Savino and Beverly Young, 1960 February |
Box 14 | Folder 27 | Enrico IV, press releases and promotional material, 1960 |
Box 14 | Folder 29 | Enrico IV, programs, 1960 February |
Box 14 | Folder 28 | Enrico IV, reviews and news clippings, 1960 |
Oversize Folder 3 | Enrico IV, set designs, 1960 | |
Box 14 | Folder 30 | The Good Woman of Setzuan, correspondence, 1960 |
Box 160 | Folder 15 | The Good Woman of Setzuan, photographs (12), 1960 March-April |
Box 201 | Folder 1 | The Good Woman of Setzuan, photographs (7), 1960 March-April |
Box 14 | Folder 32 | The Good Woman of Setzuan, press releases and promotional material, 1960 |
Box 14 | Folder 34 | The Good Woman of Setzuan, programs, 1960 March-April |
Box 14 | Folder 33 | The Good Woman of Setzuan, reviews and news clippings, 1960 |
Oversize Folder 3 | The Good Woman of Setzuan, set designs, 1960 | |
Box 14 | Folder 35 | The Inspector General, correspondence, 1960 |
Box 161 | Folder 1 | The Inspector General, photographs (6), 1960 May |
Oversize Folder 1 | The Inspector General, poster, [1960 May] | |
Box 14 | Folder 37 | The Inspector General, press releases and promotional material, 1960 |
Box 14 | Folder 39 | The Inspector General, programs, 1960 May |
Box 14 | Folder 38 | The Inspector General, reviews and news clippings, 1960 |
Oversize Folder 10 | Folder 36 | The Inspector General, set designs, 1960 |
Box 14 | Folder 40 | Studio - A Phoenix Too Frequent, cast list, [1959-1960] |
Box 14 | Folder 41 | Studio - Apollo of Bellac, cast list, [1959-1960] |
Box 14 | Folder 42 | Studio - Candida, cast list, [1959-1960] |
Box 14 | Folder 43 | Studio - A Clearing into the Woods, programs, [1959 November?] |
Box 14 | Folder 44 | Studio - Eurydice, program, [1960 Spring?] |
Box 14 | Folder 45 | Studio - Rashomon, cast list and programs, [1960 Spring?] |
Box 161 | Folder 2 | Studio - Rashomon, photograph contact sheets (2), [1960 Spring?] |
Box 14 | Folder 46 | Studio - Royal Gambit, cast list, [1959-1960] |
Box 14 | Folder 47 | Studio - The Ticklish Acrobat, cast list, [1959-1960] |
Box 14 | Folder 48 | Children’s Theatre - promotional material, 1959-1960 |
Box 161 | Folder 3 | Children’s Theatre - Jack and the Beanstalk, photographs (4), negatives (238), 1959 October-December |
Box 201 | Folder 2 | Children’s Theatre - Jack and the Beanstalk, photographs (8), 1959 October-December |
Oversize Folder 44 | Children’s Theatre - Jack and the Beanstalk, photograph (1) on board, 1959 October-December | |
Box 14 | Folder 49 | Children’s Theatre - Jack and the Beanstalk, promotional material and programs, 1959 October-December |
Box 161 | Folder 4 | Children’s Theatre - Hansel and Gretel, photographs (3), negatives (145), 1959 December-1960 January |
Box 201 | Folder 3 | Children’s Theatre - Hansel and Gretel, photographs (13), 1959 December-1960 January |
Box 14 | Folder 50 | Children’s Theatre - Hansel and Gretel, promotional material, news clippings, programs, 1959 December-1960 January |
Box 161 | Folder 5 | Children’s Theatre - Young Ben Franklin, photographs (3), negatives (12), contact sheets (4), 1960 February-March |
Box 201 | Folder 1 | Children’s Theatre - Young Ben Franklin, photographs (4), 1960 February-March |
Box 14 | Folder 5 | Children’s Theatre - Young Ben Franklin, promotional material, news clippings and programs, 1960 February-March |
Box 161 | Folder 6 | Children’s Theatre - Rumpelstiltskin, photographs (18), negatives (117), contact sheets (15), includes Dan Bly, Linda Dillon, Charles Harris and Jane Hilton, 1960 March 19-May 22 |
Box 14 | Folder 52 | Children’s Theatre - Rumpelstiltskin, promotional material, news clippings and programs, 1960 March 19-May 22 |
Box 14 | Folder 53 | Special Events - Los Soles Truncos by Rene Marques, program, 1959 August 29-September 5 |
Box 14 | Folder 54 | Special Events - Mark Twain Tonight, with Hal Holbrook, promotional material, 1959 October 23-24 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries D: 1960-1961 Season, 1960-1961
Arrangement
Subseries D is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 15 | Folder 1 | Press releases and promotional material, 1960-1961 |
Box 15 | Folder 2 | Excerpts from reviews, 1960-1961 |
Box 161 | Folder 7 | The Taming of the Shrew, photographs (9), 1960 October |
Box 201 | Folder 4 | The Taming of the Shrew, photographs (6), 1960 October |
Box 83 | Folder 1 | The Taming of the Shrew, poster (3), 1960 |
Box 15 | Folder 5 | The Taming of the Shrew, press releases and promotional material, 1960 October |
Box 15 | Folder 6 | The Taming of the Shrew, programs, 1960 October |
Oversize Folder 4 | The Taming of the Shrew, set designs, 1960 | |
Box 15 | Folder 7 | Venus Observed, audition scenes and rehearsal schedule, 1960 |
Box 15 | Folder 9 | Venus Observed, character sketches, 1960 |
Box 15 | Folder 12 | Venus Observed, director's notes, 1960 |
Box 161 | Folder 8 | Venus Observed, photographs (4), negative (1), contact sheets (2), 1960 December |
Box 201 | Folder 4 | Venus Observed, photographs (5), 1960 December |
Box 83 | Folder 1 | Venus Observed, poster (2), 1960 |
Box 15 | Folder 15 | Venus Observed, press releases and promotional material, 1960 December |
Box 15 | Folder 17 | Venus Observed, programs, 1960 December |
Box 15 | Folder 8 | Venus Observed, research, 1960 |
Box 15 | Folder 16 | Venus Observed, review, 1960 |
Oversize Folder 4 | Venus Observed, set designs, 1960 | |
Box 15 | Folders 10-11 | Venus Observed, script [annotated director's version], 1960 December |
Box 15 | Folder 13 | Venus Observed, technical list and notes, 1960 December |
Box 161 | Folder 9 | Royal Gambit, photographs (10), negatives (3), contact sheets (2), 1961 January |
Box 201 | Folder 4 | Royal Gambit, photographs (2), 1961 January |
Box 83 | Folder 1 | Royal Gambit (Henry VIII and His Wives), poster, 1961 January |
Box 15 | Folder 19 | Royal Gambit (Henry VIII and His Wives), press releases and promotional material, 1961 January |
Box 15 | Folder 20 | Royal Gambit (Henry VIII and His Wives), programs, 1961 January |
Oversize Folder 4 | Royal Gambit (Henry VIII and His Wives), set designs, 1960-1961 | |
Box 161 | Folder 10 | Under Milkwood, photographs (4), negative (1), contact sheets (2), 1961 February-March |
Box 201 | Folder 5 | Under Milkwood, photographs (3), includes Ivor Harries, 1961 February-March |
Box 83 | Folder 1 | Under Milkwood, poster (3), 1961 |
Box 15 | Folder 22 | Under Milkwood, press releases and promotional material, 1961 February-March |
Box 15 | Folder 23 | Under Milkwood, programs, 1961 February-March |
Oversize Folder 4 | Under Milkwood, set designs, 1960-1961 | |
Box 161 | Folder 11 | Uncle Vanya, photographs (6), contact sheets (3), 1961 April |
Box 201 | Folder 5 | Uncle Vanya, photographs (2), 1961 April |
Box 83 | Folder 1 | Uncle Vanya, poster (3), 1961 |
Box 15 | Folder 25 | Uncle Vanya, press releases and promotional material, 1961 April |
Box 15 | Folder 26 | Uncle Vanya, programs, 1961 April |
Oversize Folder 4 | Uncle Vanya, set designs, 1961 | |
Box 161 | Folder 12 | On Borrowed Time, photograph contact sheets (2), 1961 May |
Box 201 | Folder 5 | On Borrowed Time, photographs (2), includes Leo G. Carroll, 1961 May |
Box 15 | Folder 28 | On Borrowed Time, press releases and promotional material, 1961 May |
Box 15 | Folder 29 | On Borrowed Time, programs, 1961 May |
Oversize Folder 4 | On Borrowed Time, set designs, 1961 | |
Oversize Folder 31 | On Borrowed Time, set design, undated | |
Box 161 | Folder 13 | Studio - Clerambard, photograph contact sheets (3), 1960 November |
Box 16 | Folder 1 | Studio - Clerambard, programs, 1960 November |
Box 16 | Folder 2 | Studio - The Chalk Garden, programs, 1960 December 8-9 |
Box 161 | Folder 14 | Studio - Look Homeward Angel, photograph contact sheet (1), 1960 December 11-17 |
Box 16 | Folder 3 | Studio - Look Homeward, Angel, programs, 1960 December 11-17 |
Box 161 | Folder 15 | Studio - Woyzeck, photograph contact sheets (2), 1961 January 16-19 |
Box 16 | Folder 4 | Studio - Woyzeck, programs, 1961 January 16-19 |
Box 16 | Folder 5 | Studio - Dark of the Moon, programs, 1961 January 23-26 |
Box 162 | Folder 1 | Studio - Hannele, photographs (7), 1961 March 1-4 |
Box 201 | Folder 5 | Studio - Hannele, photographs (2), 1961 March 1-4 |
Box 16 | Folder 6 | Studio - Hannele, programs, 1961 March 1-4 |
Box 162 | Folder 2 | Studio - Major Barbara, photograph contact sheets (2), 1961 March 27-30 |
Box 16 | Folder 7 | Studio - Major Barbara, programs, 1961 March 27-30 |
Box 162 | Folder 3 | Studio - Twelfth Night, photograph contact sheets (2), 1961 May 15-18 |
Box 16 | Folder 8 | Studio - Twelfth Night, program, 1961 May 15-18 |
Box 162 | Folder 4 | Studio - All God's Children Got Wings, photograph contact sheets (2), [1960-1961?] |
Box 16 | Folder 9 | Children’s Theatre - promotional material, 1960-1961 |
Box 162 | Folder 5 | Children’s Theatre - Red Riding Hood, photographs (3), negative (1), contact sheets (2), 1960 October-December |
Box 201 | Folder 5 | Children’s Theatre - Red Riding Hood, photographs (2), 1960 October-December |
Box 83 | Folder 1 | Children’s Theatre - Red Riding Hood, poster (2), 1960 |
Box 16 | Folder 10 | Children’s Theatre - Red Riding Hood, press releases and promotional material, 1960 October-December |
Box 16 | Folder 11 | Children’s Theatre - Red Riding Hood, programs, 1960 October-December |
Oversize Folder 44 | Children’s Theatre - Red Riding Hood, set designs, undated | |
Box 16 | Folder 12 | Children’s Theatre - Cinderella, light plot, 1960-1961 |
Box 162 | Folder 6 | Children’s Theatre - Cinderella, photographs (6), negatives (6), contact sheets (3), 1960 December-1961 February |
Box 201 | Folder 6 | Children’s Theatre - Cinderella, photographs (5), 1960 December-1961 February |
Box 83 | Folder 1 | Children’s Theatre - Cinderella, poster, 1960-1961 |
Box 16 | Folder 14 | Children’s Theatre - Cinderella, programs, 1960 December-1961 February |
Box 16 | Folder 13 | Children’s Theatre - Cinderella, promotional material, 1960 December-1961 February |
Oversize Folder 5 | Children’s Theatre - Cinderella, set designs, 1960 | |
Box 162 | Folder 7 | Children’s Theatre - The Wizard of Oz, photographs (15), negatives (3), contact sheets (2), includes Uta Olsen, 1961 March-May |
Box 201 | Folder 6 | Children’s Theatre - The Wizard of Oz, photographs (3), 1961 March-May |
Box 83 | Folder 1 | Children’s Theatre - The Wizard of Oz, poster (3), 1961 |
Box 16 | Folder 15 | Children’s Theatre - The Wizard of Oz, promotional material, 1961 March-May |
Box 16 | Folder 16 | Children’s Theatre - The Wizard of Oz, programs, 1961 March-May |
Oversize Folder 5 | Children’s Theatre - The Wizard of Oz, set designs, 1961 | |
Box 16 | Folder 17 | Special Events - A Lovely Life, with Dorothy Stikney, correspondence, 1960 |
Box 16 | Folder 19 | Special Events - A Lovely Life, programs, 1960 October |
Box 16 | Folder 18 | Special Events - A Lovely Life, promotional material, 1960 October |
Box 16 | Folders 20 | Special Events - Mark Twain Tonight,correspondence, [1960-1961] |
Box 162 | Folder 8 | Special Events - Mark Twain Tonight, photographs (10), includes Hal Holbrook, [1960-1961] |
Box 16 | Folder 22 | Special Events - Mark Twain Tonight, programs, [1960-1961] |
Box 16 | Folder 21 | Special Events - Mark Twain Tonight, promotional material, [1960-1961] |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries E: 1961-1962 Season, 1961-1962
Arrangement
Subseries E is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 16 | Folder 23 | Excerpts from reviews, 1961-1962 |
Box 162 | Folder 9 | Faust, photographs (12), contact sheets (2), 1962 October-November |
Box 201 | Folder 6 | Faust, photographs (4), 1962 October-November |
Box 16 | Folder 28 | Faust, press releases and promotional material, 1962 October-November |
Box 16 | Folder 30 | Faust, programs, 1962 October-November |
Box 16 | Folder 29 | Faust, reviews and news clippings, 1962 October-November |
Oversize Folder 10 | Faust, set designs, 1962 | |
Box 16 | Folders 26-27 | Faust, script [annotated acting version by John Reich], 1962 |
Box 16 | Folder 25 | Faust, slide projection schedule, 1962 October-November |
Oversize Folder 6 | The Lark, costume sketches (2), poster, scenic plans, 1961 | |
Box 162 | Folder 10 | The Lark, photographs (2), contact sheets (2), 1961 December |
Box 16 | Folder 34 | The Lark, press releases and promotional material, 1961 December |
Box 16 | Folder 36 | The Lark, programs, 1961 December |
Box 16 | Folder 35 | The Lark, reviews and news clippings, 1961 December |
Box 162 | Folder 11 | My Heart’s in the Highlands and The American Dream, photographs (6), contact sheets (2), includes Dan Bly, Geneva Bugbee, Jimmy Kahn, Charles McGaw, Studs Terkel and Beverly Younger, 1962 January |
Box 201 | Folder 6 | My Heart’s in the Highlands and The American Dream, photograph (1), includes Jimmy Kahn and Studs Terkel, 1962 January |
Box 16 | Folder 38 | My Heart's in the Highlands and The American Dream, poster, 1962 January |
Box 16 | Folder 39 | My Heart's in the Highlands and The American Dream, programs, 1962 January |
Box 16 | Folder 37 | My Heart's in the Highlands and The American Dream, reviews and news clippings, 1962 |
Oversize Folder 10 | My Heart's in the Highlands and The American Dream, set designs, 1962 | |
Box 162 | Folder 12 | Hedda Gabler, photographs (8), contact sheets (2), 1962 February-March |
Box 16 | Folder 42 | Hedda Gabler, press releases and promotional material, 1962 February-March |
Box 16 | Folder 43 | Hedda Gabler, programs, 1962 February-March |
Box 16 | Folder 41 | Hedda Gabler, reviews and news clippings, 1962 |
Oversize Folder 6 | Hedda Gabler, set design with watercolor rendering, 1961-1962 | |
Box 162 | Folder 13 | As You Like It, photograph contact sheets (4), 1962 March |
Box 16 | Folder 45 | As You Like It, programs and promotional material, 1962 March |
Oversize Folder 10 | As You Like It, set designs, 1962 | |
Oversize Folder 6 | The Caucasian Chalk Circle, costume sketches (7) and shift plot, 1962 | |
Box 162 | Folder 14 | The Caucasian Chalk Circle, photographs (5), negative (1), contact sheets (2), 1962 May |
Box 201 | Folder 7 | The Caucasian Chalk Circle, photographs (3), 1962 May |
Box 16 | Folder 49 | The Caucasian Chalk Circle, posters, 1962 May |
Box 16 | Folder 51 | The Caucasian Chalk Circle, programs, 1962 May |
Box 16 | Folder 50 | The Caucasian Chalk Circle, reviews and news clippings, 1962 |
Box 16 | Folders 46-47 | The Caucasian Chalk Circle, script [master copy], 1962 |
Box 162 | Folder 15 | Studio - The Bald Soprano and The Lesson, photograph contact sheets (4), 1961 October-November |
Box 17 | Folder 1 | Studio - The Bald Soprano and The Lesson, programs, 1961 October-November |
Oversize Folder 10 | Studio - The Bald Soprano and The Lesson, set designs, 1961 | |
Box 162 | Folder 16 | Studio - Dinny and the Witches, photograph contact sheets (3), 1961 November |
Box 17 | Folder 2 | Studio - Dinny and the Witches, programs, 1961 November |
Box 17 | Folder 3 | Studio - The Children's Hour, programs, 1961 November |
Box 162 | Folder 17 | Studio - The Birthday Party, photograph contact sheets (2), 1962 February-March |
Box 17 | Folder 4 | Studio - The Birthday Party, programs, 1962 February-March |
Box 162 | Folder 18 | Studio - The Queen and the Rebels, photograph contact sheets (2), 1962 April |
Box 17 | Folder 5 | Studio - The Queen and the Rebels, programs, 1962 April |
Box 162 | Folder 19 | Studio - The Matchmaker, photograph contact sheets (2), 1962 April |
Box 17 | Folder 6 | Studio - The Matchmaker, programs, 1962 April |
Oversize Folder 10 | Studio - The Grass Harp, floor plan, [1961-1962?] | |
Box 162 | Folder 20 | Studio - The Grass Harp, photograph contact sheets (2), [1961-1962?] |
Box 17 | Folder 8 | Studio - The House of Bernarda Alba, cast list, [1961-1962?] |
Box 17 | Folder 9 | Studio - The Cold Wind and the Warm, program, 1962 February |
Box 17 | Folder 10 | Children’s Theatre - promotional material, 1961-1962 |
Box 163 | Folder 1 | Children’s Theatre - Pinocchio, photographs (4), negative (1), contact sheets (2), 1961 October-December |
Box 201 | Folder 7 | Children’s Theatre - Pinocchio, photographs (4), 1961 October-December |
Box 83 | Folder 2 | Children’s Theatre - Pinocchio, poster (2), 1961 |
Box 17 | Folder 11 | Children’s Theatre - Pinocchio, press releases and promotional material, clippings, and programs, 1961 October-December |
Oversize Folder 11 | Children’s Theatre - Pinocchio, set designs, 1961 | |
Box 163 | Folder 2 | Children’s Theatre - Snow White and the Seven Dwarfs, photographs (9), negative (1), contact sheets (2), 1961 December-1962 February |
Box 201 | Folder 7 | Children’s Theatre - Snow White and the Seven Dwarfs, photographs (3), 1961 December-1962 February |
Box 83 | Folder 2 | Children’s Theatre - Snow White and the Seven Dwarfs, poster, 1961-1962 |
Box 17 | Folder 12 | Children’s Theatre - Snow White and the Seven Dwarfs, press release and programs, 1961 December-1962 February |
Oversize Folder 11 | Children’s Theatre - Snow White and the Seven Dwarfs, set designs, 1961 | |
Box 163 | Folder 3 | Children’s Theatre - The Adventures of Tom Sawyer, photographs (10), contact sheets (2), 1962 February-April |
Box 83 | Folder 2 | Children’s Theatre - The Adventures of Tom Sawyer,poster (3), 1962 |
Box 17 | Folder 13 | Children’s Theatre - The Adventures of Tom Sawyer, promotional material and programs, 1962 February-April |
Oversize Folder 11 | Children’s Theatre - The Adventures of Tom Sawyer, set designs, 1962 | |
Box 163 | Folder 4 | Children’s Theatre - Beauty and the Beast, photograph contact sheets (2), 1962 April-May |
Box 201 | Folder 7 | Children’s Theatre - Beauty and the Beast, photographs (3), 1962 April-May |
Box 83 | Folder 2 | Children’s Theatre - Beauty and the Beast, poster (3), 1962 |
Box 17 | Folder 14 | Children’s Theatre - Beauty and the Beast, promotional material and programs, 1962 April-May |
Oversize Folder 11 | Children’s Theatre - Beauty and the Beast, set designs, 1962 | |
Box 17 | Folder 16 | Special Events - An Evening with Charles Laughton, news clippings, 1962 January 31-February 3 |
Box 17 | Folder 15 | Special Events - An Evening with Charles Laughton, promotional material and program, 1962 January 31-February 3 |
Box 17 | Folder 17 | Special Events - May Festival, news clippings, plans, program, 1962 May |
Box 17 | Folder 18 | Special Events - May Festival: The Living Gallerie, script and schedules, 1962 May |
Box 17 | Folder 19 | Special Events - May Festival: Three for the Show, correspondence, 1962 May |
Box 17 | Folder 20 | Special Events - May Festival: Three for the Show, press releases, 1962 May |
Box 17 | Folder 21 | Special Events - May Festival: Three for the Show, script, 1962 May |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries F: 1962-1963 Season, 1962-1963
Arrangement
Subseries F is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 18 | Folder 1 | Press releases and promotional material, 1962-1963 |
Box 18 | Folder 2 | Excerpts from reviews, 1962-1963 |
Box 18 | Folder 4 | Becket, or The Honor of God, actors' biographies, 1962 October-November |
Box 18 | Folder 3 | Becket, or The Honor of God, cast list, 1962 October-November |
Box 163 | Folder 5 | Becket, of The Honor of God, photographs (15), negative (1), contact sheets (3), includes Tod Andrews, 1962 October-November |
Box 202 | Folder 1 | Becket, of The Honor of God, photographs (7), 1962 October-November |
Box 18 | Folder 7 | Becket, or The Honor of God, press releases and promotional material, 1962 October-November |
Box 18 | Folder 9 | Becket, or The Honor of God, programs, 1962 October-November |
Box 18 | Folder 8 | Becket, or The Honor of God,reviews and news clippings, 1962 October-November |
Oversize Folder 12 | Folder 5 | Becket, or The Honor of God, set designs, 1962 |
Oversize Folder 8 | The Comedy of Errors, costume sketches (3), 1962 | |
Box 163 | Folder 6 | The Comedy of Errors, photographs (3), contact sheets (2), 1962 November-December |
Box 202 | Folder 1 | The Comedy of Errors, photographs (2), 1962 November-December |
Box 18 | Folder 12 | The Comedy of Errors, press releases and promotional material, 1962 November-December |
Box 18 | Folder 14 | The Comedy of Errors, programs and artwork, 1962 November-December |
Box 18 | Folder 13 | The Comedy of Errors, reviews and news clippings, 1962 November-December |
Oversize Folder 8 | The Comedy of Errors, set designs, 1962 | |
Box 163 | Folder 7 | A Passage to India, photographs (11), negatives (2), contact sheets (6), 1963 January |
Box 202 | Folder 1 | A Passage to India, photographs (4), includes Lillian Gish, 1963 January |
Box 83 | Folder 3 | A Passage to India, poster (3), 1963 |
Box 18 | Folder 17 | A Passage to India, press releases and promotional material, 1963 January |
Box 18 | Folder 18 | A Passage to India, programs, 1963 January |
Box 18 | Folder 16 | A Passage to India, reviews and news clippings, 1963 January |
Oversize Folder 12 | Folder 15 | A Passage to India, set designs, 1962-1963 |
Box 18 | Folder 20 | Christopher C. and The Lesson, audition list, [1962-1963] |
Box 18 | Folder 23 | Christopher C. and The Lesson, music cues and plot shift, 1963 February-March |
Box 163 | Folder 8 | Christopher C. and The Lesson, photographs (9), contact sheets (3), 1963 February-March |
Box 202 | Folder 2 | Christopher C., photograph (1), 1963 February-March |
Box 83 | Folder 3 | Christopher C. and The Lesson, poster (2), 1963 |
Box 18 | Folder 26 | Christopher C. and The Lesson, press releases and promotional material, 1963 February-March |
Box 18 | Folder 28 | Christopher C. and The Lesson, programs, 1963 February-March |
Box 18 | Folder 27 | Christopher C. and The Lesson, reviews and news clippings, 1963 February-March |
Box 18 | Folder 24 | Christopher C. and The Lesson, scenic plans, 1962 |
Oversize Folder 12 | Christopher C. and The Lesson, set designs, 1962 | |
Box 18 | Folder 19 | Christopher C., correspondence, [1962-1963] |
Box 18 | Folder 25 | Christopher C., director's notes, [1962-1963] |
Box 18 | Folder 21 | Christopher C., research, [1962-1963] |
Box 18 | Folder 22 | Christopher C., script pages, Tableau Two, Inserts I and II, [1963] |
Box 163 | Folder 9 | Tobias and the Angel, photographs (7), contact sheets (3), 1963 March |
Box 202 | Folder 2 | Tobias and the Angel, photograph (1), 1963 March |
Box 83 | Folder 3 | Tobias and the Angel, poster (3), 1963 March |
Box 18 | Folder 31 | Tobias and the Angel, programs, 1963 March |
Box 18 | Folder 30 | Tobias and the Angel, promotional materials, 1963 March |
Box 18 | Folder 32 | Tobias and the Angel, reviews and news clippings, 1963 |
Oversize Folder 12 | Tobias and the Angel, set designs, 1963 | |
Box 163 | Folder 10 | The Rivals, photographs (11), negative (1), contact sheets (6), includes Edgar Daniels and Brenda Forbes, 1963 May |
Box 202 | Folder 2 | The Rivals, photograph with typographic mock-up (1), 1963 May |
Box 83 | Folder 3 | The Rivals, poster (3), 1963 |
Box 18 | Folder 35 | The Rivals, press releases and promotional material, 1963 May |
Box 18 | Folder 37 | The Rivals, programs, 1963 May |
Box 18 | Folder 36 | The Rivals, reviews and news clippings, 1963 May |
Oversize Folder 12 | The Rivals, set designs, 1963 | |
Box 18 | Folder 38 | Studio - The Playboy of the Western World, cast and crew list, programs, 1962 October-November |
Box 163 | Folder 11 | Studio - The Playboy of the Western World, photograph contact sheets (2), 1962 October-November |
Box 163 | Folder 12 | Studio - Gallows Humor, photographs (2), 1962 November 12-15 |
Box 18 | Folder 39 | Studio - Gallows Humor, programs, 1962 November 12-15 |
Box 18 | Folder 40 | Studio - Southern Exposure by Owen Crump, directed by Steve Kardaleff, programs, 1962 November 19-20 |
Box 164 | Folder 1 | Studio - Puntila and His Hired Man, photograph contact sheets (3), 1962 December 3-7 |
Box 18 | Folder 42 | Studio - Puntila and His Hired Man, programs and script, 1962 December 3-7 |
Box 18 | Folder 41 | Studio - Puntila and His Hired Man, script [labeled “Goodman Theatre Acting Version”], 1962 |
Box 164 | Folder 2 | Studio - Between Two Thieves, photograph contact sheets (2), 1963 January 14-17 |
Box 18 | Folder 43 | Studio - Between Two Thieves, programs, 1963 January 14-17 |
Box 18 | Folder 44 | Studio - The Prodigal, cast and crew list and programs, 1963 January |
Box 164 | Folder 3 | Studio - The Prodigal, photograph contact sheets (2), 1963 January 14-17 |
Box 18 | Folder 45 | Studio - Night Must Fall, program, 1963 January 17-18 |
Box 164 | Folder 4 | Studio - Picnic, photograph contact sheets (2), 1963 February 18-21 |
Box 18 | Folder 46 | Studio - Picnic, programs, 1963 February 18-21 |
Box 18 | Folder 47 | Studio - Teach Me How to Cry, program, 1963 February 25-26 |
Box 18 | Folder 48 | Studio - The Beautiful People, program, 1963 March 4-5 |
Box 18 | Folder 49 | Studio - A Shot in the Dark, program, 1963 March 18-19 |
Box 164 | Folder 5 | Studio - Arms and the Man, photograph contact sheets (2), 1963 March 25-28 |
Box 18 | Folder 50 | Studio - Arms and the Man, programs, 1963 March 25-28 |
Box 18 | Folder 51 | Studio - A Thurber Carnival, program,1963 April 1-2 |
Box 164 | Folder 6 | Studio - Death of a Salesman, photograph contact sheets (2) 1963 April 3-6 |
Box 18 | Folder 52 | Studio - Death of a Salesman, programs, 1963 April 3-6 |
Box 164 | Folder 7 | Studio - The Chinese Wall, photograph contact sheets (2), 1963 May 4-7 |
Box 18 | Folder 53 | Studio - The Chinese Wall, programs, 1963 May 4-7 |
Box 164 | Folder 8 | Studio - The Glass Menagerie, photograph (1), contact sheets (2), includes Martha Galphin and Peggy Wood, 1963 May 13-16 |
Box 18 | Folder 54 | Studio - The Glass Menagerie, programs, 1963 May 13-16 |
Box 18 | Folder 55 | Studio - The Heroes and Still Life, programs, 1963 May 20-21 |
Box 18 | Folder 56 | Studio - Gigi, cast list and programs, 1963 May 22-25 |
Box 164 | Folder 9 | Studio - Gigi, photograph contact sheets (3), 1963 May 22-25 |
Box 18 | Folder 57 | Children’s Theatre - promotional material, 1962-1963 |
Box 18 | Folder 58 | Children’s Theatre - The Blue Bird, correspondence, 1962 |
Box 164 | Folder 10 | Children’s Theatre - The Blue Bird, photographs (2), contact sheets (2), 1962 October-December |
Box 202 | Folder 2 | Children’s Theatre - The Blue Bird, photographs (4), 1962 October-December |
Box 83 | Folder 3 | Children’s Theatre - The Blue Bird, poster, 1962 |
Box 18 | Folder 59 | Children’s Theatre - The Blue Bird, press releases, promotional material, and program, 1962 |
Oversize Folder 7 | Children’s Theatre - The Blue Bird, set designs, 1962 | |
Box 164 | Folder 11 | Children’s Theatre - Ali Baba and the Forty Thieves, photographs (2), contact sheets (2), includes Diane Hurley, 1962 December-1963 January |
Box 202 | Folder 2 | Children’s Theatre - Ali Baba and the Forty Thieves, photographs (4), 1962 December-1963 January |
Box 18 | Folder 60 | Children’s Theatre - Ali Baba and the Forty Thieves, press releases, promotional material and programs, 1962 December-1963 January |
Oversize Folder 7 | Children’s Theatre - Ali Baba and the Forty Thieves, set designs, 1962 | |
Box 164 | Folder 12 | Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! photographs (3), negative (1), contact sheets (4), 1963 February-April |
Box 202 | Folder 3 | Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! photographs (4), 1963 February-April |
Box 83 | Folder 3 | Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! poster, 1963 |
Box 18 | Folder 61 | Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! promotional material, news clippings, programs, 1963 February-April |
Oversize Folder 7 | Children’s Theatre - Sleeping Beauty, or Sing Ho for a Prince! set designs, 1962 | |
Box 18 | Folder 62 | Children’s Theatre - The Pied Piper of Hamelin, cast list, press releases, promotional material, programs, 1963 April-May |
Box 164 | Folder 13 | Children’s Theatre - The Pied Piper of Hamelin, photographs (5), contact sheets (3), 1963 April-May |
Box 202 | Folder 3 | Children’s Theatre - The Pied Piper of Hamelin, photographs (3), 1963 April-May |
Box 83 | Folder 3 | Children’s Theatre - The Pied Piper of Hamelin, poster, 1963 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries G: 1963-1964 Season, 1963-1964
Arrangement
Subseries G is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 19 | Folder 1 | Press releases and promotional material, 1963-1964 |
Box 19 | Folder 2 | Excerpts from reviews, 1963-1964 |
Box 19 | Folder 3 | The Millionairess, director's notes, 1963 October-November |
Box 164 | Folder 14 | The Millionairess, photographs (10), contact sheets (3), 1963 October-November |
Box 202 | Folder 3 | The Millionairess, photographs (6), 1963 October-November |
Box 19 | Folder 7 | The Millionairess, press releases and promotional material, 1963 October-November |
Box 19 | Folder 9 | The Millionairess, programs, 1963 October-November |
Box 19 | Folder 8 | The Millionairess, reviews and news clippings, 1963 October-November |
Box 19 | Folder 6 | The Millionairess, scenic plans, 1963 |
Oversize Folder 8 | The Millionairess, set designs, 1963 | |
Box 19 | Folders 4-5 | The Millionairess, script [annotated director's version], 1963 |
Box 19 | Folder 10 | Three Sisters, budget, 1963 |
Box 164 | Folder 15 | Three Sisters, photographs (6), contact sheets (5), 1963 November-December |
Box 202 | Folder 4 | Three Sisters, photographs (2), 1963 November-December |
Box 19 | Folder 13 | Three Sisters, press releases and promotional material, 1963 November-December |
Box 19 | Folder 15 | Three Sisters, programs, 1963 November-December |
Box 19 | Folder 11 | Three Sisters, prop list, 1963 |
Box 19 | Folder 14 | Three Sisters, reviews and news clippings, 1963 |
Oversize Folder 13 | Three Sisters, set designs, 1963 | |
Box 164 | Folder 16 | The Glass Menagerie, photographs (2), contact sheets (2), 1964 January |
Box 19 | Folder 17 | The Glass Menagerie, press releases and promotional material, 1964 January |
Box 19 | Folder 19 | The Glass Menagerie, programs, 1964 January |
Box 19 | Folder 18 | The Glass Menagerie, reviews and news clippings, 1964 |
Oversize Folder 8 | The Glass Menagerie, set designs, 1964 | |
Box 164 | Folder 17 | The Hollow Crown, The Royal Shakespeare Company, photographs (11), includes Seymour Bernstein, Ann Firbank, Michael Gough and John Warner, 1964 February |
Box 19 | Folder 20 | A Far Country, director's notes and research, 1961-1964, undated |
Box 164 | Folder 18 | A Far Country, photographs (4), negative (1), contact sheets (2), 1964 February-March |
Box 202 | Folder 4 | A Far Country, photographs (3), 1964 February-March |
Box 19 | Folder 21 | A Far Country, press releases and promotional material, 1964 February-March |
Box 19 | Folder 23 | A Far Country, programs, 1964 February-March |
Box 19 | Folder 22 | A Far Country, reviews and news clippings, 1964 |
Oversize Folder 8 | A Far Country, set designs, 1964 | |
Box 164 | Folder 19 | King Lear, photographs (4), negative (1), contact sheets (3), includes Morris Carnovsky and Maurice Copeland, 1964 April |
Box 19 | Folder 25 | King Lear, press releases and promotional material, 1964 April |
Box 19 | Folder 27 | King Lear, programs, 1964 April |
Box 19 | Folder 26 | King Lear, reviews and news clippings, 1964 |
Oversize Folder 13 | King Lear, set designs, 1964 | |
Box 19 | Folder 28 | Mother Courage and Her Children, correspondence, 1964 |
Box 19 | Folder 29 | Mother Courage and Her Children, notes on Bertolt Brecht, 1964 |
Box 164 | Folder 20 | Mother Courage and Her Children, photographs (10), contact sheets (3), includes Eugenie Leontovich, 1964 May |
Box 202 | Folder 4 | Mother Courage and Her Children, photograph (1), 1964 May |
Box 19 | Folder 31 | Mother Courage and Her Children, poster, 1964 May |
Box 19 | Folder 32 | Mother Courage and Her Children, press releases and promotional material, 1964 May |
Box 19 | Folder 34 | Mother Courage and Her Children, programs, 1964 May |
Box 19 | Folder 33 | Mother Courage and Her Children, reviews and news clippings, 1964 |
Oversize Folder 8 | Mother Courage and Her Children, set designs, 1964 | |
Box 19 | Folder 35 | Othello [production cancelled], correspondence and contract, [1964] |
Box 165 | Folder 1 | Studio - him, photograph contact sheets (2), 1963 October 28-31 |
Box 19 | Folder 36 | Studio - him, programs, 1963 October 28-31 |
Box 19 | Folder 37 | Studio - The Rape of the Belt, program, 1963 November 4-5 |
Box 19 | Folder 38 | Studio - The Diary of Ann Frank, programs, 1963 November 11-14 |
Box 19 | Folder 39 | Studio - Hat Full of Rain, programs, 1963 November 18-19 |
Box 165 | Folder 2 | Studio - The Boy Friend, photographs (2), contact sheets (6), 1963 December 2-5 |
Box 19 | Folder 40 | Studio - The Boy Friend, programs, 1963 December 2-5 |
Box 19 | Folder 41 | Studio - The Italian Straw Hat, program, 1963 December 9-10 |
Box 165 | Folder 3 | Studio - The Visit, photograph (1), contact sheets (2), 1964 January 5-8 |
Box 19 | Folder 42 | Studio - The Visit, programs, 1964 January 5-8 |
Box 165 | Folder 4 | Studio - Rip Van Winkle, photograph contact sheets (2), 1964 January 13-16 |
Box 19 | Folder 43 | Studio - Rip Van Winkle, programs, 1964 January 13-16 |
Box 19 | Folder 44 | Studio - Billy Liar, program, 1964 January 15-16 |
Box 165 | Folder 5 | Studio - Machinal, photograph contact sheet (1), 1964 February 24-27 |
Box 19 | Folder 45 | Studio - Machinal, programs, 1964 February 24-27 |
Box 19 | Folder 46 | Studio - Through a Glass Darkly, program, 1964 March 2-3 |
Box 19 | Folder 47 | Studio - Mademoiselle Colombe, programs, 1964 March 19-22 |
Box 19 | Folder 48 | Studio - The Long Voyage Home, programs, 1964 March 23-24 |
Box 165 | Folder 6 | Studio - I’m Talking About Jerusalem, photograph contact sheets (2), 1964 April 6-9 |
Box 19 | Folder 49 | Studio - I'm Talking About Jerusalem, programs, 1964 April 6-9 |
Box 19 | Folder 50 | Studio - Yerma, programs, 1964 April 13-14 |
Box 165 | Folder 7 | Studio - The Infernal Machine, photograph contact sheets (2), 1964 May 11-14 |
Box 19 | Folder 51 | Studio - The Infernal Machine, programs, 1964 May 11-14 |
Box 19 | Folder 52 | Studio - Hotel Paradiso, programs, 1964 May 18-19 |
Box 19 | Folder 53 | Studio - The Flowering Peach, programs, 1964 May 21-22 |
Box 19 | Folder 54 | Studio - Middle of the Night, programs, 1964 May 20-23 |
Box 19 | Folder 55 | Studio - The World of Sholom Aleichem, program, [1963-1964] |
Box 19 | Folder 56 | Children’s Theatre - promotional material, 1963-1964 |
Box 19 | Folder 57 | Children’s Theatre - Alice in Wonderland, cast and crew list, press releases and promotional material, programs, 1963 October-December |
Box 165 | Folder 8 | Children’s Theatre - Alice in Wonderland, photographs (3), negative (1), contact sheets (5), 1963 October-December |
Box 202 | Folder 4 | Children’s Theatre - Alice in Wonderland, photographs (2), 1963 October-December |
Oversize Folder 14 | Children’s Theatre - Alice in Wonderland, set designs, 1963 | |
Box 19 | Folder 58 | Children’s Theatre - Alice in Wonderland,script of Alice's Adventures Through the Looking Glass, 1963 |
Box 19 | Folder 59 | Children’s Theatre - Hans Brinker and the Silver Skates, correspondence, budget, press release and promotional material, news clippings, programs, 1963-1964 |
Box 165 | Folder 9 | Children’s Theatre - Hans Brinker and the Silver Skates, photographs (6), contact sheets (3), 1963 December-1964 January |
Box 202 | Folder 4 | Children’s Theatre - Hans Brinker and the Silver Skates, photographs (4), 1963 December-1964 January |
Oversize Folder 14 | Children’s Theatre - Hans Brinker and the Silver Skates, set designs, 1963 | |
Box 19 | Folder 60 | Children’s Theatre - Treasure Island, correspondence, budget, promotional materials, news clippings, programs, 1964 February-March |
Box 165 | Folder 10 | Children’s Theatre - Treasure Island, photograph (1), contact sheets (5), 1964 February-March |
Box 202 | Folder 4 | Children’s Theatre - Treasure Island, photograph (1), 1964 February-March |
Oversize Folder 14 | Children’s Theatre - Treasure Island, set designs, 1963-1964 | |
Box 19 | Folder 61 | Children’s Theatre - Treasure Island,script excerpts adapted for broadcast on WTTW Chicago, 1964 |
Box 165 | Folder 11 | Children’s Theatre - Puss in Boots, photograph (1), contact sheets (4), 1964 March-May |
Box 19 | Folder 62 | Children’s Theatre - Puss in Boots, press release and promotional material, programs, 1964 March-May |
Oversize Folder 14 | Children’s Theatre - Puss in Boots, set designs, 1964 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries H: 1964-1965 Season, 1964-1965
Arrangement
Subseries H is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 20 | Folder 1 | Press releases and promotional material, 1964-1965 |
Box 20 | Folder 2 | Excerpts from reviews, 1964-1965 |
Box 20 | Folder 3 | The Madwoman of Chaillot, correspondence, 1964 |
Box 20 | Folder 5 | The Madwoman of Chaillot, budget and related memo, 1964 |
Box 20 | Folder 8 | The Madwoman of Chaillot, music cues, 1964 |
Box 165 | Folder 12 | The Madwoman of Chaillot, photograph (1), negative (1), contact sheets (2), 1964 October-November |
Box 202 | Folder 5 | The Madwoman of Chaillot, photographs (2), 1964 October-November |
Box 83 | Folder 4 | The Madwoman of Chaillot, poster, 1964 |
Box 20 | Folder 9 | The Madwoman of Chaillot, press releases and promotional material, 1964 October-November |
Box 20 | Folder 11 | The Madwoman of Chaillot, programs, 1964 October-November |
Box 20 | Folder 4 | The Madwoman of Chaillot, research, 1964 |
Box 20 | Folder 7 | The Madwoman of Chaillot, research, rough sketches, production notes on scene design, 1964 |
Box 20 | Folder 10 | The Madwoman of Chaillot, reviews and news clippings, 1964 October-November |
Box 20 | Folder 6 | The Madwoman of Chaillot, set designs, 1964 |
Oversize Folder 15 | The Madwoman of Chaillot, set designs, 1964 | |
Box 165 | Folder 13 | Macbeth, photographs (12), negative (1), contact sheets (5), includes Sam Wanamaker, 1964 November-December |
Box 20 | Folder 13 | Macbeth, press releases and promotional material, 1964 November-December |
Box 20 | Folder 15 | Macbeth, programs, 1964 November-December |
Box 20 | Folder 14 | Macbeth, reviews and news clippings, 1964 |
Oversize Folder 9 | Macbeth, set designs, 1964 | |
Box 165 | Folder 14 | The Ballad of the Sade Café, photographs (18), contact sheets (2), includes Donald Davis and Gretchen Oehler, 1965 January |
Box 83 | Folder 4 | The Ballad of the Sad Cafe, poster, 1965 January |
Box 20 | Folder 16 | The Ballad of the Sad Cafe, press releases and promotional material, 1965 January |
Box 20 | Folder 18 | The Ballad of the Sad Cafe, programs, 1965 January |
Box 20 | Folder 17 | The Ballad of the Sad Cafe, reviews and news clippings, 1965 |
Box 165 | Folder 15 | Rashomon, photographs (4), negative (1), contact sheets (3) 1965 |
Box 83 | Folder 4 | Rashomon, poster, 1965 |
Box 20 | Folder 20 | Rashomon, press releases and promotional material, 1965 |
Box 20 | Folder 21 | Rashomon, programs, 1965 February-March |
Box 20 | Folder 22 | Rashomon, reviews and news clippings, 1965 |
Oversize Folder 15 | Rashomon, set designs, 1964 | |
Box 165 | Folder 16 | The Barretts of Wimpole Street, photographs (8), contact sheets (5), 1965 March-April |
Box 83 | Folder 4 | The Barretts of Wimpole Street, poster, 1965 |
Box 20 | Folder 25 | The Barretts of Wimpole Street, press releases and promotional material, 1965 March-April |
Box 20 | Folder 27 | The Barretts of Wimpole Street, programs, 1965 March-April |
Box 20 | Folder 24 | The Barretts of Wimpole Street, prop lists, 1965 |
Box 20 | Folder 26 | The Barretts of Wimpole Street, reviews and news clippings, 1965 |
Oversize Folder 9 | The Barretts of Wimpole Street, set designs, 1965 | |
Oversize Folder 15 | Anna Karenina, floor plans and elevations, 1965 | |
Box 166 | Folder 1 | Anna Karenina, photographs (12), contact sheets (4), includes Dolores Sutton, 1965 May |
Box 83 | Folder 4 | Anna Karenina, poster, 1965 May |
Box 20 | Folder 30 | Anna Karenina, press releases and promotional material, 1965 May |
Box 20 | Folder 32 | Anna Karenina, programs, 1965 May |
Box 20 | Folder 28 | Anna Karenina, prop lists, 1965 |
Box 20 | Folder 31 | Anna Karenina, reviews and news clippings, 1965 |
Oversize Folder 22 | Studio - Bedlam Galore, for Two or More and Jack, or The Submission, floor plans, 1964 | |
Box 166 | Folder 2 | Studio - Bedlam Galore, for Two or More and Jack, of The Submission, photograph contact sheets (2), 1964 October 26-29 |
Box 20 | Folder 33 | Studio - Bedlam Galore, for Two or More and Jack, or The Submission, programs, 1964 October 26-29 |
Box 166 | Folder 3 | Studio - To Damascus, photograph contact sheets (2), 1964 November 18-21 |
Box 20 | Folder 34 | Studio - To Damascus, programs, 1964 November 18-21 |
Box 20 | Folder 35 | Studio - The Miracle Worker, programs, 1964 November 30-December 3 |
Box 20 | Folder 36 | Studio - The Days and Nights of Beebee Fenstermaker, program, 1965 January 11-12 |
Box 166 | Folder 4 | Studio - He Who Gets Slapped, photograph contact sheets (2), 1965 January 11-14 |
Box 20 | Folder 37 | Studio - He Who Gets Slapped, programs, 1965 January 11-14 |
Box 20 | Folder 38 | Studio - Professor Taranne, programs, 1965 February 22-23 |
Box 20 | Folder 39 | Studio - Ten Blocks on the Camino Real, programs, 1965 February 22-25 |
Box 166 | Folder 5 | Studio - U.S.A., photograph contact sheets (2), 1965 March 15-18 |
Box 20 | Folder 40 | Studio - U.S.A., programs, 1965 March 15-18 |
Oversize Folder 22 | Studio - U.S.A., set designs, 1965 | |
Box 166 | Folder 6 | Studio - Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf, photograph contact sheets (3), [1965] |
Box 20 | Folder 41 | Studio - Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf, programs and floor plans, [1965] |
Box 20 | Folder 42 | Studio - Rhinoceros, programs, 1965 May 17-18 |
Box 166 | Folder 7 | Studio - The Heiress, photograph contact sheet (1), [1964-1965?] |
Box 166 | Folder 8 | Studio - The Sport of My Mad Mother, photograph contact sheets (2), [1964-1965?] |
Box 20 | Folder 43 | Studio - Hey You, Lightman, programs, 1965 May 24-29 |
Box 20 | Folder 44 | Children’s Theatre - press releases and promotional material, 1964-1965 |
Box 166 | Folder 9 | Children’s Theatre - Winnie the Pooh, photographs (3), contact sheet (1), copies of illustrations (2), 1964 October-December |
Box 83 | Children’s Theatre - Winnie the Pooh, poster, 1964 October-December | |
Box 20 | Folder 45 | Children’s Theatre - Winnie the Pooh, press releases and promotional material, 1964 October-December |
Box 20 | Folder 46 | Children’s Theatre - Winnie the Pooh, programs, 1964 October-December |
Box 166 | Folder 10 | Children’s Theatre - The Snow Queen and the Goblin, photographs (10), negative (1), contact sheets (2), 1964 December-1965 January |
Box 83 | Folder 4 | Children’s Theatre - The Snow Queen and the Goblin, poster, 1964-1965 |
Box 20 | Folder 47 | Children’s Theatre - The Snow Queen and the Goblin, press releases and promotional material, 1964 December-1965 January |
Box 20 | Folder 48 | Children’s Theatre - The Snow Queen and the Goblin, programs, 1964 December-1965 January |
Box 166 | Folder 11 | Children’s Theatre - Aladdin and His Wonderful Lamp, photographs (2), contact sheets (3), 1965 February-April |
Box 83 | Children’s Theatre - Aladdin and His Wonderful Lamp, poster, 1965 February-April | |
Box 20 | Folder 50 | Children’s Theatre - Aladdin and His Wonderful Lamp, press release, 1965 |
Box 20 | Folder 49 | Children’s Theatre - Aladdin and His Wonderful Lamp, production week schedules, 1965 |
Box 20 | Folder 51 | Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1965 February-April |
Oversize Folder 16 | Children’s Theatre - Aladdin and His Wonderful Lamp, set designs, 1965 | |
Box 20 | Folder 52 | Children’s Theatre - The Frog Princess and the Witch, fabric requisition, [1964-1965] |
Box 166 | Folder 12 | Children’s Theatre - The Frog Princess and the Witch, photographs (7), contact sheets (4), 1965 April-May |
Box 83 | Folder 4 | Children’s Theatre - The Frog Princess and the Witch, poster, 1965 April-May |
Box 20 | Folder 53 | Children’s Theatre - The Frog Princess and the Witch, press release, 1965 April-May |
Box 20 | Folder 54 | Children’s Theatre - The Frog Princess and the Witch, programs, 1965 April-May |
Oversize Folder 16 | Children’s Theatre - The Frog Princess and the Witch, set designs, 1965 | |
Box 20 | Folder 55 | Special Events - Dickens, correspondence, 1964 November 17-21 |
Box 166 | Folder 13 | Special Events - Dickens, photographs (7), copies of illustrations (2), includes Emlyn Williams, 1964 November 17-21 |
Box 20 | Folder 56 | Special Events - Dickens, programs and promotional clippings, 1964 November 17-21 |
Box 166 | Folder 14 | Special Events - La Comedie Francaise, photographs (11), copies of documents (5), includes Michel Bernardy, Micheline Boudet, Jacques Charron, Georges Descrieres and Jean Marchat, 1964 October 13-16 |
Box 20 | Folder 58 | Special Events - La Comedie Francaise, set designs, 1964 |
Oversize Folder 9 | Special Events - La Comedie Francaise, set designs, 1964 | |
Box 20 | Folder 59 | Special Events - Marian Anderson, house reports and notes, 1965 February 18 |
Box 20 | Folder 61 | Special Events - Marian Anderson, news clippings, promotional material, 1965 February 18 |
Box 20 | Folder 61 | Special Events - Marian Anderson, programs, 1965 February 18 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries I: 1965-1966 Season, 1965-1966
Arrangement
Subseries I is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 21 | Folder 1 | Press releases and promotional material, 1965-1966 |
Box 21 | Folder 2 | Excerpts from reviews, 1965-1966 |
Box 166 | Folder 15 | The Cocktail Party, photographs (13), contact sheets (2), 1965 October |
Box 83 | Folder 5 | The Cocktail Party, poster, 1965 |
Box 21 | Folder 6 | The Cocktail Party, press releases and promotional material, 1965 October |
Box 21 | Folder 7 | The Cocktail Party, programs, 1965 October |
Box 21 | Folder 8 | The Cocktail Party, reviews and news clippings, 1965 |
Oversize Folder 17 | The Cocktail Party, set designs, 1965 | |
Box 21 | Folder 3 | The Cocktail Party, technical notes, 1965 |
Box 166 | Folder 16 | The Winter’s Tale, photographs (4), contact sheets (2), 1965 November |
Box 83 | Folder 5 | The Winter’s Tale,poster, 1965 |
Box 21 | Folder 9 | The Winter's Tale, programs and promotional material, 1965 November |
Box 21 | Folder 10 | The Winter's Tale, reviews and news clippings, 1965 |
Box 166 | Folder 17 | The Pedestrian in the Air (Le Pieton de l’Air), photographs (4), contact sheets (2), includes Alvin Epstein, 1966 January |
Box 83 | Folder 5 | The Pedestrian in the Air (Le Pieton de l’Air), poster, 1966 |
Box 21 | Folder 14 | The Pedestrian in the Air (Le Pieton de l'Air), press releases and promotional material, 1966 January |
Box 21 | Folder 16 | The Pedestrian in the Air (Le Pieton de l'Air), programs, 1966 January |
Box 21 | Folder 15 | The Pedestrian in the Air (Le Pieton de l'Air), reviews and news clippings, 1966 |
Oversize Folder 17 | The Pedestrian in the Air (Le Pieton de l'Air), set designs, 1965 | |
Box 21 | Folder 11 | The Pedestrian in the Air (Le Pieton de l'Air), script, undated |
Box 21 | Folder 12 | The Pedestrian in the Air (Le Pieton de l'Air), technical notes, [1965-1966] |
Box 167 | Folder 1 | Dylan, photographs (6), contact sheets (3), includes Jerome Kilty, 1966 February |
Box 83 | Folder 5 | Dylan, poster, 1966 |
Box 21 | Folder 19 | Dylan, press releases and promotional material, 1966 February |
Box 21 | Folder 20 | Dylan, programs, 1966 February |
Box 21 | Folder 21 | Dylan, reviews, 1966 |
Box 21 | Folder 18 | Dylan, set designs, 1966 |
Oversize Folder 17 | Dylan, set designs, 1966 | |
Box 21 | Folder 17 | Dylan, technical notes, [1965-1966] |
Box 167 | Folder 2 | The Skin of Our Teeth, photographs (9), negatives (2), contact sheets (3), 1966 March |
Box 83 | Folder 5 | The Skin of Our Teeth, poster, 1966 |
Box 21 | Folder 24 | The Skin of Our Teeth, press releases and promotional material, 1966 March |
Box 21 | Folder 26 | The Skin of Our Teeth, programs, 1966 March |
Box 21 | Folder 25 | The Skin of Our Teeth, reviews and news clippings, 1966 |
Oversize Folder 17 | The Skin of Our Teeth, set designs, 1966 | |
Box 21 | Folder 22 | The Skin of Our Teeth, technical notes, 1966 |
Oversize Folder 17 | Galileo, floor plan, 1966 | |
Box 167 | Folder 3 | Galileo, photographs (21), negative (1), contact sheets (3), includes Morris Carnovsky, Al Fenske, Jeffrey Harris and John Towey, 1966 May |
Box 83 | Folder 5 | Galileo, poster, 1966 |
Box 21 | Folder 29 | Galileo, press releases and promotional material, 1966 May |
Box 21 | Folder 30 | Galileo, programs, 1966 May |
Box 21 | Folder 27 | Galileo, prop list, 1966 |
Box 21 | Folder 31 | Galileo, reviews and news clippings, 1966 |
Box 167 | Folder 4 | Studio - Alcestis, photograph contact sheets (3), 1965 October 25-28 |
Box 22 | Folder 1 | Studio - Alcestis, programs, 1965 October 25-28 |
Box 167 | Folder 5 | Studio - The House of Bernarda Alba, photograph contact sheets (2), 1965 November 29-December 2 |
Box 22 | Folder 2 | Studio - The House of Bernarda Alba, programs, 1965 November 29-December 2 |
Box 167 | Folder 6 | Studio - The Crucible, photograph contact sheets (2), 1966 January 10-13 |
Box 22 | Folder 3 | Studio - The Crucible, programs, 1966 January 10-13 |
Box 167 | Folder 7 | Studio - Spoon River Anthology, photograph contact sheets (2), 1966 February 21-24 |
Box 22 | Folder 4 | Studio - Spoon River Anthology, programs, 1966 February 21-24 |
Box 22 | Folder 5 | Studio - Summer of the Seventeenth Doll, program, 1966 April 4-5 |
Box 22 | Folder 6 | Studio - Many Moons, programs, 1966 May 9-10 |
Box 22 | Folder 7 | Studio - Activents and Happenchances – a Celebritual for 10/130; I Have a Lady in the Balcony, Doctor! Focus! Bofus?; and US(-a), programs, [1966 May 16-19] |
Box 22 | Folder 8 | Children’s Theatre - promotional material and press releases, 1965-1966 |
Box 22 | Folder 9 | Children’s Theatre - Summer Theatre Programs, press releases, clippings, and teacher's guides, 1965-1966 |
Box 22 | Folder 14 | Children’s Theatre - The Wind in the Willows, correspondence, flyers, schedule, 1965 |
Box 167 | Folder 8 | Children’s Theatre - The Wind in the Willows, photographs (14), contact sheets (2), 1965 October-December |
Box 22 | Folder 13 | Children’s Theatre - The Wind in the Willows, programs, 1965 October-December |
Box 22 | Folder 11 | Children’s Theatre - The Wind in the Willows, prop lists, 1965 |
Box 22 | Folder 10 | Children’s Theatre - The Wind in the Willows, script, 1965 |
Oversize Folder 22 | Children’s Theatre - The Wind in the Willows, set designs, 1965 | |
Box 167 | Folder 9 | Children’s Theatre - Rapunzel and the Witch, photographs (2), contact sheets (2), 1965 December-1966 March |
Box 83 | Folder 5 | Children’s Theatre - Rapunzel and the Witch, poster, 1965-1966 |
Box 22 | Folder 17 | Children’s Theatre - Rapunzel and the Witch, press releases, 1965 December-1966 March |
Box 22 | Folder 18 | Children’s Theatre - Rapunzel and the Witch, programs, 1965 December-1966 March |
Box 22 | Folder 15 | Children’s Theatre - Rapunzel and the Witch, prop lists, 1965 December-1966 March |
Oversize Folder 16 | Children’s Theatre - Rapunzel and the Witch, set designs, 1965 | |
Box 167 | Folder 10 | Children’s Theatre - Peter Pan, photographs (5), negatives (9), contact sheets (2), includes Linda Hunt, 1966 March 12-May 29 |
Box 83 | Folder 5 | Children’s Theatre - Peter Pan, poster, 1966 |
Box 22 | Folder 21 | Children’s Theatre - Peter Pan, press releases, 1966 March-May |
Box 22 | Folder 22 | Children’s Theatre - Peter Pan, programs, 1966 March-May |
Box 22 | Folder 19 | Children’s Theatre - Peter Pan, prop list, 1966 |
Oversize Folder 22 | Children’s Theatre - Peter Pan, set designs, 1966 | |
Box 22 | Folder 23 | Children’s Theatre - Reynard the Fox, correspondence, 1966 |
Box 22 | Folder 24 | Children’s Theatre - Reynard the Fox, programs (photocopies), 1966 June-August |
Box 22 | Folder 25 | Children’s Theatre - Hansel and Gretel, correspondence, 1966 |
Box 22 | Folder 26 | Children’s Theatre - Hansel and Gretel, news clipping, 1966 June-August |
Box 167 | Folder 11 | Children’s Theatre - Hansel and Gretel, photographs (5), 1966 June-August |
Box 22 | Folder 27 | Children’s Theatre - Hansel and Gretel, program, 1966 June-August |
Box 167 | Folder 12 | Special Events - The Misanthrope, photographs (2), 1966 |
Box 22 | Folder 28 | Special Events - The Misanthrope, reviews and news clippings, programs, 1966 |
Oversize Folder 17 | Special Events - The Misanthrope, set designs, 1966 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries J: 1966-1967 Season, 1966-1967
Arrangement
Subseries J is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 23 | Folder 2 | Excerpts from reviews, 1966-1967 |
Box 23 | Folder 1 | Press releases and promotional material, 1966-1967 |
Box 23 | Folder 3 | Production schedules and staffing, 1966-1967 |
Box 23 | Folder 4 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, correspondence, 1966 |
Box 167 | Folder 13 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, photographs (15), negative (1), contact sheets (4), 1966 October-November |
Box 23 | Folder 6 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, press release and promotional material, 1966 October-November |
Box 23 | Folder 8 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, programs, 1966 October-November |
Box 23 | Folder 7 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, reviews and news clippings, 1966 |
Oversize Folder 23 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, set designs, 1966 | |
Oversize Folder 31 | Tartuffe, floor plan, undated | |
Box 167 | Folder 14 | Tartuffe, photograph (1), contact sheets (2), includes Edgar Daniels, Jerome Kilty and Richard Wilbur, 1966 November-December |
Box 23 | Folder 10 | Tartuffe, press releases and promotional material, 1966 November-December |
Box 23 | Folder 11 | Tartuffe, programs, 1966 November-December |
Oversize Folder 18 | Tartuffe, set designs, 1966 | |
Box 167 | Folder 15 | The Eccentricities of a Nightingale, photographs (15), contact sheets (2), 1967 January-February |
Box 167 | Folder 16 | The Eccentricities of a Nightingale, rehearsal, photograph (1), includes Dolores Sutton, 1967 |
Box 23 | Folder 13 | The Eccentricities of a Nightingale, press releases and promotional material, 1967 January-February |
Box 23 | Folder 14 | The Eccentricities of a Nightingale, programs, 1967 January-February |
Oversize Folder 18 | The Eccentricities of a Nightingale, set designs, 1966 | |
Box 168 | Folder 1 | Much Ado About Nothing, photographs (23), 1967 February |
Box 23 | Folder 15 | Much Ado About Nothing, press releases and promotional material, 1967 February |
Box 23 | Folder 17 | Much Ado About Nothing, programs, 1967 February |
Box 23 | Folder 16 | Much Ado About Nothing, reviews and news clippings, 1967 |
Box 23 | Folder 20 | A Dream Play, floor plans, [1966-1967] |
Box 168 | Folder 2 | A Dream Play, photographs (9), contact sheets (2), 1967 March-April |
Box 23 | Folder 21 | A Dream Play, press releases and promotional material, 1967 March-April |
Box 23 | Folder 23 | A Dream Play, programs, 1967 March-April |
Box 23 | Folder 19 | A Dream Play, prop list, 1967 |
Box 23 | Folder 22 | A Dream Play, reviews and news clippings, 1967 |
Box 23 | Folder 18 | A Dream Play, script [annotated Goodman Theatre acting version by John Reich], 1967 |
Box 168 | Folder 3 | Oh, What a Lovely War, photographs (17), negatives (1), contact sheets (2), 1967 May |
Box 23 | Folder 27 | Oh, What a Lovely War, press releases and promotional material, 1967 May |
Box 23 | Folder 25 | Oh, What a Lovely War, prop list, 1967 |
Box 23 | Folder 28 | Oh, What a Lovely War, programs, 1967 May |
Oversize Folder 18 | Folder 26 | Oh, What a Lovely War, set designs, 1967 |
Box 23 | Folder 24 | Oh, What a Lovely War, script, undated |
Box 168 | Folder 4 | Studio - Auto-da-Fe, The Gnadiges and The Long Stay Cut Short, photograph contact sheets (5), 1966 October 24-30 |
Box 23 | Folder 29 | Studio - Auto-da-Fe, The Gnadiges Fraulein, and The Long Stay Cut Short, programs, 1966 October 24-30 |
Box 23 | Folder 30 | Studio - Three One-Act Plays: The Romantics, Pigeons, and Ginger Anne, program, 1966 December 1-2 |
Box 23 | Folder 31 | Studio - The Death and Life of Sneaky Fitch, programs, 1967 January 16-22 |
Box 23 | Folder 32 | Studio - The Long Christmas Dinner, programs, 1967 January 16-17 |
Box 168 | Folder 5 | Studio - The Chalk Garden, photograph contact sheets (2) 1967 February 20-26 |
Box 23 | Folder 33 | Studio - The Chalk Garden, programs, 1967 February 20-26 |
Box 23 | Folder 34 | Studio - Chamber Music, programs, 1967 February 27 |
Box 168 | Folder 6 | Studio - And So to Bed, photograph contact sheets (2), 1967 May 8-14 |
Box 23 | Folder 35 | Studio - And So to Bed, programs, 1967 May 8-14 |
Box 23 | Folder 36 | Children’s Theatre - promotional material, 1966-1967 |
Oversize Folder 18 | Children’s Theatre - The Puppet Prince, or Nicolo and Nicollette, floor plans, 1966 | |
Box 168 | Folder 7 | Children’s Theatre - The Puppet Prince, Nicolo and Nicollette, photographs (19), contact sheets (2), 1966 October-December |
Box 23 | Folder 37 | Children’s Theatre - The Puppet Prince, or Nicolo and Nicollette, press release, programs, 1966 October-December |
Box 168 | Folder 8 | Children’s Theatre - Androcles and the Lion, photographs (6), contact sheets (2), 1966 December-1967 March |
Box 83 | Folder 6 | Children’s Theatre - Androcles and the Lion, poster, 1966-1967 |
Box 23 | Folder 38 | Children’s Theatre - Androcles and the Lion, press releases and promotional material, programs, 1966 December-1967 March |
Oversize Folder 23 | Children’s Theatre - Androcles and the Lion, set designs, 1966 | |
Box 168 | Folder 9 | Children’s Theatre - Jack and the Beanstalk, photographs (14), contact sheets (2), 1967 March-May |
Box 23 | Folder 39 | Children’s Theatre - Jack and the Beanstalk, program, press release, 1967 March-May |
Oversize Folder 18 | Children’s Theatre - The Dancing Donkey and The Unwicked Witch, floor plans, 1967 | |
Box 23 | Folder 40 | Children’s Theatre - The Dancing Donkey and The Unwicked Witch, programs, 1967 July-September |
Box 168 | Folder 10 | Children’s Theatre - The Unwicked Witch, photographs (3), 1967 July-September |
Box 23 | Folder 41 | Special Events - Of What Use is a Serious Theatre, a lecture by Tyrone Guthrie, press release, 1967 February 12 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries K: 1967-1968 Season, 1962-1968
Arrangement
Subseries K is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 24 | Folder 2 | Excerpts from reviews, 1967-1968 |
Box 24 | Folder 1 | Press releases and promotional material, 1967-1968 |
Oversize Folder 19 | The Miser, floor plans, 1966 | |
Box 168 | Folder 11 | The Miser, photographs (4), contact sheets (2), 1967 October-November |
Box 202 | Folder 5 | The Miser, photographs (2), 1967 October-November |
Box 83 | Folder 6 | The Miser, poster, 1967 |
Box 24 | Folder 5 | The Miser, programs, 1967 October-November |
Box 24 | Folder 4 | The Miser, reviews and news clippings, 1967 |
Box 24 | Folder 8 | The Balcony, costume designs, [1967-1967] |
Box 24 | Folder 7 | The Balcony, floor plan, 1967 |
Oversize Folder 23 | The Balcony, floor plan, 1967 | |
Box 168 | Folder 12 | The Balcony, photographs (2), negative (1), contact sheets (2), 1967 November-December |
Box 83 | Folder 6 | The Balcony, poster (3), 1967 |
Box 24 | Folder 6 | The Balcony, pre-production research, [1966-1967] |
Box 24 | Folder 11 | The Balcony, press release, 1967 |
Box 24 | Folder 9 | The Balcony, production assignments and budget, 1967 |
Box 24 | Folder 13 | The Balcony, programs, 1967 November-December |
Box 24 | Folder 12 | The Balcony, reviews and news clippings, 1967 |
Box 24 | Folder 14 | Caesar and Cleopatra, correspondence, 1967 |
Box 24 | Folder 15 | Caesar and Cleopatra, floor plans, 1967 |
Oversize Folder 19 | Caesar and Cleopatra, floor plans, 1967 | |
Box 169 | Folder 1 | Caesar and Cleopatra, photographs (10), negative (1), contact sheets (3), includes Murrie Matheson and Carrie Snodgrass, 1968 January-February |
Box 83 | Folder 6 | Caesar and Cleopatra, poster, 1968 |
Box 24 | Folder 17 | Caesar and Cleopatra, press releases and promotional material, 1968 January-February |
Box 24 | Folder 19 | Caesar and Cleopatra, programs, 1968 January-February |
Box 24 | Folder 18 | Caesar and Cleopatra, reviews, news clippings, 1968 |
Box 24 | Folder 16 | Caesar and Cleopatra, technical notes, [1967-1968] |
Box 169 | Folder 2 | Othello, photographs (7), negatives (2), contact sheets (2), includes Len Cariou, James Earl Jones and Sandra Matthews, 1968 February-March |
Box 83 | Folder 6 | Othello, poster, 1968 |
Box 24 | Folder 23 | Othello, pre-production research, [1967-1968] |
Box 24 | Folder 20 | Othello, press releases and promotional material, 1968 February-March |
Box 24 | Folder 22 | Othello, programs, 1968 February-March |
Box 24 | Folder 21 | Othello, reviews and news clippings, 1968 |
Box 24 | Folder 24 | A Man's a Man, correspondence, 1962-1968 |
Box 169 | Folder 3 | A Man’s a Man, photograph contact sheets (3), 1968 March-April |
Box 83 | Folder 6 | A Man's a Man, poster, 1968 |
Box 24 | Folder 28 | A Man's a Man, pre-production research, [1967-1968] |
Box 24 | Folder 27 | A Man's a Man, press release, 1968 |
Box 24 | Folder 26 | A Man's a Man, programs, 1968 March-April |
Box 24 | Folder 25 | A Man's a Man, reviews and news clippings, 1968 |
Box 24 | Folder 29 | A Flea in Her Ear, correspondence, 1968 March |
Oversize Folder 19 | A Flea in Her Ear, floor plans, 1968 | |
Box 169 | Folder 4 | A Flea in Her Ear, photographs (11), negative (1), contact sheets (2), 1968 May 3-29 |
Box 202 | Folder 5 | A Flea in Her Ear, photograph contact sheet (1), 1968 May 3-29 |
Box 83 | Folder 6 | A Flea in Her Ear, poster, 1968 |
Box 24 | Folder 31 | A Flea in Her Ear, press releases and promotional material, 1968 May |
Box 24 | Folder 33 | A Flea in Her Ear, programs, 1968 May |
Box 24 | Folder 32 | A Flea in Her Ear, reviews and news clippings, 1968 |
Box 169 | Folder 5 | Studio - All the Way Home, photograph contact sheets (2), 1967 October 23-28 |
Box 24 | Folder 34 | Studio - All the Way Home, programs, 1967 October 23-28 |
Box 169 | Folder 6 | Studio - The Sea Gull, photograph contact sheets (2), 1967 November 27-December 2 |
Box 24 | Folder 35 | Studio - The Sea Gull, programs, 1967 November 27-December 2 |
Box 24 | Folder 36 | Studio - The Room and The Collection, programs, 1968 January 15-21 |
Box 24 | Folder 37 | Studio - The Women, programs, 1968 February 19-24 |
Box 24 | Folder 38 | Studio - The Collection, programs, 1968 March 26 |
Box 24 | Folder 39 | Studio - The Dog in the Manger, programs, 1968 April 1-6 |
Box 24 | Folder 40 | Studio - The Rimers of Eldritch, programs, 1968 May 6-11 |
Box 24 | Folder 41 | Studio - Viet Rock, programs, [1968 April 25] |
Box 24 | Folder 42 | Children’s Theatre - promotional material, 1967-1968 |
Box 24 | Folder 43 | Children’s Theatre - Trudi and the Minstrel, floor plans, prop lists, promotional materials, programs, 1967 October-December |
Box 169 | Folder 7 | Children’s Theatre - Trudi and the Minstrel, photographs (7), contact sheets (3), 1967 October-December |
Box 83 | Folder 6 | Children’s Theatre - Trudi and the Minstrel, poster, 1967 |
Box 24 | Folder 44 | The Hare and the Tortoise, or The Great Cross Country Race, floor plan, production assignments, clippings, promotional material, programs, 1967 December-1968 March |
Oversize Folder 23 | The Hare and the Tortoise, or The Great Cross Country Race, floor plan, 1967 | |
Box 169 | Folder 8 | Children’s Theatre - The Hare and the Tortoise, or The Great Cross Country Race, photographs (4), negative (1), contact sheets (2), 1967 December-1968 March |
Box 83 | Folder 6 | Children’s Theatre - The Hare and the Tortoise, or The Great Cross Country Race, poster, 1967-1968 |
Box 169 | Folder 9 | Children’s Theatre - A Midsummer Night’s Dream, photographs (10), contact sheets (2), 1968 March-May |
Box 202 | Folder 5 | Children’s Theatre - A Midsummer Night’s Dream, photograph (1), 1968 March-May |
Box 83 | Folder 6 | Children’s Theatre - A Midsummer Night's Dream, poster, 1968 |
Box 24 | Folder 45 | Children’s Theatre - A Midsummer Night's Dream, promotional material, news clippings, and programs, 1968 March-May |
Oversize Folder 19 | Children’s Theatre - The Magic Isle, floor plans, 1968 | |
Box 169 | Folder 10 | Children’s Theatre - The Magic Isle, photographs (4), contact sheets (2), 1968 July-August |
Box 83 | Folder 6 | Children’s Theatre - The Magic Isle, poster, 1968 |
Box 24 | Folder 46 | Children’s Theatre - The Magic Isle, study guide, promotional material, press release, programs, 1968 July-August |
Box 169 | Folder 12 | Children’s Theatre - Reynard the Fox, photographs (2), 1968 Summer |
Box 24 | Folder 47 | Special Events - Bramwell Fletcher as George Bernard Shaw, promotional material, 1967 November 13 |
Box 24 | Folder 48 | Special Events - The Vienna Burg Theatre in Der Junge Goethe, correspondence, 1968 March 18-19 |
Box 169 | Folder 11 | Special Events - The Vienna Burg Theatre in Der Junge Goethe, photographs (2), 1968 March 18-19 |
Box 24 | Folder 49 | Special Events - The Vienna Burg Theatre in Der Junge Goethe, promotional material and reviews, 1968 March 18-19 |
Box 24 | Folder 50 | Special Events - The Vienna Burg Theatre in Der Junge Goethe, script, 1968 March 18-19 |
Oversize Folder 23 | Special Events - The Misanthrope by Moliere, Ravinia, set designs, 1968 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries L: 1968-1969 Season, 1953-1969
Arrangement
Subseries L is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 25 | Folder 1 | Press releases and promotional material, 1968-1969 |
Oversize Folder 20 | The Salzburg Great Theatre of the World, floor plans, elevations, set designs, 1968 | |
Box 169 | Folder 13 | The Salzburg Great Theatre of the World, photographs (13), negative (1), contact sheet (1), 1968 October-November |
Box 202 | Folder 5 | The Salzburg Great Theatre of the World, photographs (12), contact sheet (1), 1968 October-November |
Box 83 | Folder 7 | The Salzburg Great Theatre of the World, poster, 1968 |
Box 25 | Folder 6 | The Salzburg Great Theatre of the World, press releases and promotional material, 1968 October-November |
Box 25 | Folder 8 | The Salzburg Great Theatre of the World, programs, 1968 October-November |
Box 25 | Folder 7 | The Salzburg Great Theatre of the World, reviews and news clippings, 1968 |
Box 25 | Folder 2 | The Salzburg Great Theatre of the World, script [ribbon copy with translation credited to John Reich], 1968 |
Box 25 | Folder 3 | The Salzburg Great Theatre of the World, script [master copy with translation credited to Lisel Mueller and John Reich], 1968 |
Oversize Folder 20 | The Death and Life of Sneaky Fitch, floor plans and elevations, 1968 | |
Box 169 | Folder 14 | The Death and Life of Sneaky Fitch, photographs (6), contact sheets (2), 1968 November-December |
Box 202 | Folder 6 | The Death and Life of Sneaky Fitch, photograph contact sheet (1), 1968 November-December |
Box 83 | Folder 7 | The Death and Life of Sneaky Fitch, poster, 1968 |
Box 25 | Folder 11 | The Death and Life of Sneaky Fitch, press releases and promotional material, 1968 November-December |
Box 25 | Folder 13 | The Death and Life of Sneaky Fitch, programs, 1968 November-December |
Box 25 | Folder 12 | The Death and Life of Sneaky Fitch, reviews and news clippings, 1968 |
Oversize Folder 20 | Red Roses for Me, floor plans, 1968 | |
Box 25 | Folder 17 | Red Roses for Me, A Note on the Play, by John O'Shaugnessy, author note, typescript, undated |
Box 170 | Folder 1 | Red Roses for Me, photographs (27), negative (1), color positives (2), includes Perry Baer, Marie Brady, Barry Cullison, Pauline Flanigan, Donna O’Connor and Harry Townes, 1969 January-February |
Box 202 | Folder 6 | Red Roses for Me, photograph (1), contact sheets (6), 1969 January-February |
Box 83 | Folder 7 | Red Roses for Me, poster (4), 1969 |
Box 25 | Folder 16 | Red Roses for Me, press releases and promotional material, 1969 January-February |
Box 25 | Folder 19 | Red Roses for Me, programs, 1969 January-February |
Box 25 | Folder 18 | Red Roses for Me, reviews and news clippings, 1969 |
Oversize Folder 20 | Measure for Measure, floor plans and elevations, 1969 | |
Box 170 | Folder 2 | Measure for Measure, photographs (6), includes Haskell Gordon and Donald Harron, 1969 February-March |
Box 202 | Folder 6 | Measure for Measure, photograph contact sheets (4), 1969 February-March |
Box 25 | Folder 21 | Measure for Measure, press releases and promotional material, 1969 February-March |
Box 25 | Folder 23 | Measure for Measure, programs, 1969 February-March |
Box 25 | Folder 22 | Measure for Measure, reviews and news clippings, 1969 |
Box 25 | Folder 24 | Tom Paine, correspondence, [1968-1969] |
Box 170 | Folder 3 | Tom Paine, photographs (7), negative (1), 1969 March-April |
Box 202 | Folder 6 | Tom Paine, photograph contact sheets (4), 1969 March-April |
Box 25 | Folder 26 | Tom Paine, press releases and promotional material, 1969 March-April |
Box 25 | Folder 28 | Tom Paine, programs, 1969 March-April |
Box 25 | Folder 25 | Tom Paine, research, 1953-1969 |
Box 25 | Folder 27 | Tom Paine, reviews and news clippings, 1969 |
Oversize Folder 20 | Tom Paine, set design, 1969 | |
Oversize Folder 20 | The Recruiting Officer, floor plan and set designs, 1969 | |
Box 170 | Folder 4 | The Recruiting Officer, photographs (10), negative (1), 1969 May-June |
Box 203 | Folder 1 | The Recruiting Officer, photograph (1), contact sheets (2), 1969 May-June |
Oversize Folder 20 | The Recruiting Officer, poster 1969 May-June | |
Box 25 | Folder 32 | The Recruiting Officer, press releases and promotional material, 1969 May-June |
Box 25 | Folder 34 | The Recruiting Officer, programs, 1969 May-June |
Box 25 | Folder 29 | The Recruiting Officer, research, undated |
Box 25 | Folder 33 | The Recruiting Officer, reviews and news clippings, 1969 |
Box 26 | Folder 2 | Studio - The Firebugs, correspondence, 1968 |
Box 26 | Folder 1 | Studio - The Firebugs, production assignment sheets and programs, 1968 October 7-12 |
Box 203 | Folder 1 | Studio - The Great Git-Away, photograph contact sheet (1), 1968 November 18-23 |
Box 26 | Folder 3 | Studio - The Great Git-Away, program, 1968 November 18-23 |
Box 170 | Folder 5 | Studio - Eh? Photograph contact sheet (1), 1969 February 17-22 |
Box 26 | Folder 4 | Studio - Eh? programs and production assignment sheets, 1969 February 17-22 |
Box 26 | Folder 5 | Studio - Brecht on Brecht, programs and correspondence, 1969 April 1-5 |
Box 26 | Folder 6 | Studio - After the Fall, program, [1969] |
Box 203 | Folder 1 | Studio - After the Fall, photograph contact sheets (6), [1969] |
Oversize Folder 24 | Studio - After the Fall, set designs, 1969 | |
Box 26 | Folder 7 | Studio - Red Cross, program, 1969 April 7 |
Box 26 | Folder 8 | Children’s Theatre - promotional material, 1968-1969 |
Box 170 | Folder 6 | Children’s Theatre - Tanuki, the Mischievous Raccoon, photographs (7), 1968 September-December |
Box 203 | Folder 1 | Children’s Theatre - Tanuki, the Mischievous Raccoon, photograph contact sheets (3), 1968 September-December |
Box 83 | Folder 7 | Children’s Theatre - Tanuki, the Mischievous Raccoon, poster, 1968 |
Box 26 | Folder 9 | Children’s Theatre - Tanuki, the Mischievous Raccoon, press releases and promotional material, clippings, programs, 1968 September-December |
Box 26 | Folder 10 | Children’s Theatre - The Man in the Moon, or A Trip to the Moon, press releases and promotional material, programs, 1968 December-1969 March |
Oversize Folder 19 | Children’s Theatre - The Man in the Moon, or A Trip to the Moon, set design, 1968 | |
Box 83 | Folder 7 | Children’s Theatre - The Man in the Moon, or A Trip to the Moon, poster, 1968-1969 |
Box 170 | Folder 7 | Children’s Theatre - The Man in the Moon, or A Trip to the Moon, photographs (19), contact sheets (6), 1968 December-1969 March |
Box 26 | Folder 11 | Children’s Theatre - Don Quixote de la Mancha, press releases and promotional material, reviews and clippings, programs, [1969] |
Box 83 | Folder 7 | Don Quixote de la Mancha, poster, 1969 |
Oversize Folder 19 | Children’s Theatre - Don Quixote de la Mancha, set design, 1969 | |
Box 170 | Folder 8 | Children’s Theatre - Don Quixote de la Mancha, photographs (5), 1969 |
Box 26 | Folder 12 | Children’s Theatre - The Canterville Ghost, actor sheets and cast list, 1969 July-August |
Box 170 | Folder 9 | Children’s Theatre - The Canterville Ghost, photographs (3), negative (1), 1969 July-August |
Box 83 | Folder 7 | Children’s Theatre - The Canterville Ghost, poster, 1969 |
Box 26 | Folder 14 | Children’s Theatre - The Canterville Ghost, press releases, programs, promotional material, reviews, news clippings, 1969 July-August |
Box 26 | Folder 13 | Children’s Theatre - The Canterville Ghost, script, 1969 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries M: 1969-1970 Season, 1969-1970
Arrangement
Subseries M is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 26 | Folder 15 | Press releases and promotional material, 1969-1970 |
Box 26 | Folder 16 | News clippings, 1969-1970 |
Box 170 | Folder 10 | Soldiers, photographs (5), contact sheets (6), includes Rolf Hochhuth, 1969 October-November |
Box 203 | Folder 2 | Soldiers, photographs (2), 1969 October-November |
Oversize Folder 24 | Soldiers, posters (2), 1969 October-November | |
Box 26 | Folder 17 | Soldiers, pre-production research, 1969 |
Box 26 | Folder 23 | Soldiers, press releases and promotional material, 1969 October-November |
Box 26 | Folder 25 | Soldiers, programs, 1969 October-November |
Box 26 | Folder 19 | Soldiers, production stage manager's book, script [incomplete], 1969 |
Box 26 | Folder 18 | Soldiers, production stage manager's book, technical notes, 1969 |
Box 26 | Folder 24 | Soldiers, reviews and news clippings, 1969 |
Box 26 | Folder 20 | Soldiers, script, 1969 |
Oversize Folder 21 | Soldiers, set designs, 1969 | |
Box 26 | Folder 21 | Soldiers, technical notes, 1969 |
Box 27 | Folder 1 | You Can't Take It with You, correspondence and pre-production research (July 23-November 6, 1969), 1969 |
Box 170 | Folder 11 | You Can’t Take It with You, photographs (14), contact sheets (7), includes Fionnuala Flanagan and David Whitaker, 1969 December |
Box 203 | Folder 2 | You Can’t Take It with You, photographs (3), 1969 December |
Box 27 | Folder 5 | You Can't Take It with You, press releases and promotional material, 1969 December |
Box 27 | Folder 7 | You Can't Take It with You, programs, 1969 December |
Box 27 | Folder 6 | You Can't Take It with You, reviews and news clippings, 1969 |
Oversize Folder 21 | You Can't Take It with You, set designs, 1969 | |
Box 27 | Folder 2 | You Can't Take It with You, script [annotated], 1969 |
Box 27 | Folder 4 | You Can't Take It with You, technical notes, 1969 |
Box 27 | Folder 16 | The Tempest, correspondence, 1970 |
Box 27 | Folder 9 | The Tempest, musical scores, 1970 |
Box 171 | Folder 1 | The Tempest, photographs (17), negatives (174), contact sheets (10), includes Ronald Bishop, Douglas Campbell, Ann Casson, Leonardo Cimino, Clayton Corbin, Fionnuala Flanagan, Max Howard, Fred Marlow, Vincent Park and William Vines, 1970 January-February |
Box 203 | Folder 2 | The Tempest, photographs (2), 1970 January-February |
Box 27 | Folder 13 | The Tempest, press releases and promotional material, 1970 January-February |
Box 27 | Folder 15 | The Tempest, programs, 1970 January-February |
Oversize Folder 21 | The Tempest, prop sketch (watercolor), [1969] | |
Box 27 | Folder 14 | The Tempest, reviews and news clippings, 1970 |
Oversize Folder 21 | The Tempest, set designs, 1969 | |
Box 27 | Folder 8 | The Tempest, script [annotated, with technical notes], 1970 |
Box 27 | Folder 12 | The Tempest, technical notes, [1969-1970] |
Box 28 | Folder 1 | The Basement and The Tea Party, correspondence, 1969 April 18-1970 February 12 |
Box 28 | Folder 5 | The Basement, floor plans and shift plots, [1969-1970] |
Box 171 | Folders 2-4 | The Basement and The Tea Party, photographs (30), negatives (250), contact sheets (14), includes Ronald Bishop, Aviva Crane, Douglas Campbell, Cordis Fejer, Alice Gealy, Max Howard, Geraldine Kay, Michael Liscinsky, Fred Marlow, Harold Pinter, Matthew Trucco, Patrick Trucco and David Whitaker, 1970 March-April |
Box 203 | Folder 2 | The Basement and The Tea Party, photographs (2), 1970 March-April |
Box 28 | Folder 7 | The Basement, press releases and promotional material, 1970 March-April |
Box 28 | Folder 9 | The Basement, programs, 1970 March-April |
Box 28 | Folder 8 | The Basement, reviews and news clippings, 1970 |
Oversize Folder 21A | The Basement, set designs, 1970 | |
Box 28 | Folder 2 | The Basement, stage manager's book, technical notes, 1970 |
Box 28 | Folder 3 | The Basement, stage manager's book, script, 1970 |
Box 28 | Folder 6 | The Basement, technical notes, 1970 |
Box 171 | Folder 5 | The Man in the Glass Booth, photographs (7), negatives (171), contact sheets (14), includes Leonardo Cimino, 1970 April-May |
Box 203 | Folder 2 | The Man in the Glass Booth, photographs (2), 1970 April-May |
Box 28 | Folder 16 | The Man in the Glass Booth, programs, 1970 April-May |
Box 28 | Folder 14 | The Man in the Glass Booth, promotional material, 1970 April-May |
Box 28 | Folder 15 | The Man in the Glass Booth, reviews and news clippings, 1970 |
Oversize Folder 21A | The Man in the Glass Booth, set designs with rendering in charcoal, 1970 | |
Box 28 | Folder 10 | The Man in the Glass Booth, stage manager's book, script, 1970 |
Box 28 | Folder 11 | The Man in the Glass Booth, stage manager's book, technical notes, 1970 |
Box 28 | Folder 12 | The Man in the Glass Booth, technical notes, [1969-1970] |
Box 28 | Folder 17 | Heartbreak House, correspondence, [1969-1970] |
Box 172 | Folder 1 | Heartbreak House, photographs (13), negatives (201), contact sheets (14), includes Ronald Bishop, Douglas Campbell, James Chiaro, Fionnuala Flanagan, Brenda Forbes and Paxton Whitehead, 1970 May-June |
Box 203 | Folder 3 | Heartbreak House, photographs (2), 1970 May-June |
Box 28 | Folder 24 | Heartbreak House, programs, 1970 May-June |
Box 28 | Folder 22 | Heartbreak House, promotional material, 1970 May-June |
Box 28 | Folder 23 | Heartbreak House, reviews and news clippings, 1970 |
Oversize Folder 21A | Heartbreak House, set designs, 1970 | |
Box 28 | Folder 18 | Heartbreak House, stage manager's book, technical notes and script, Act I, 1970 |
Box 28 | Folder 19 | Heartbreak House, stage manager's book, script, Acts II and III, 1970 |
Box 28 | Folder 21 | Heartbreak House, technical notes, [1969-1970] |
Box 29 | Folder 1 | Studio - press releases and promotional material, 1969-1970 |
Box 29 | Folder 2 | Studio - actors' biographies, 1969-1970 |
Box 172 | Folder 2 | Studio - The Marowitz Hamlet, photograph contact sheet (1), 1969 October 12-18 |
Box 203 | Folder 3 | Studio - The Marowitz Hamlet, photograph contact sheet (1), 1969 October 12-18 |
Box 29 | Folder 4 | Studio - The Marowitz Hamlet, programs, 1969 October 12-18 |
Box 29 | Folder 3 | Studio - The Marowitz Hamlet, reviews, 1969 October |
Box 172 | Folder 3 | Studio - Times Square, photographs (2), 1969 October 27-30 |
Box 203 | Folder 3 | Studio - Times Square, photograph contact sheet (1), 1969 October 27-30 |
Box 29 | Folder 5 | Studio - Times Square, press releases and promotional material, clipping, program, 1969 October 27-30 |
Box 29 | Folder 6 | Studio - Impressions of Grotowski, program, 1969 November 20-29 |
Box 29 | Folder 7 | Studio - The Empire Builders, program, 1969 December 8-11 |
Box 29 | Folder 8 | Studio - Celebration, press release and programs, 1970 January 11-17 |
Box 172 | Folder 4 | Studio - A Cry of the Players, photograph contact sheets (4), 1970 February 22-28 |
Box 29 | Folder 9 | Studio - A Cry of Players, promotional material and program, 1970 February 22-28 |
Box 29 | Folder 10 | Studio - Summertree, promotional material and program, 1970 March 15-21 |
Box 29 | Folder 11 | Studio - Many Loves, program, 1970 March 15-2 |
Box 29 | Folder 13 | Studio - Circus Minimus, program, [1969-1970] |
Box 29 | Folder 12 | Studio - Circus Minimus, promotional material, [1969-1970] |
Box 172 | Folder 9 | Studio - unidentified performances, contact sheets (5), [1969-1970] |
Box 29 | Folder 14 | Children’s Theatre - promotional material, 1969-1970 |
Box 29 | Folder 17 | Children’s Theatre - Rumpelstiltskin, actors' biographies, press releases, promotional material, clippings, and programs, 1969 October-December |
Box 172 | Folder 5 | Children’s Theatre - Rumpelstiltskin, photographs (6), 1969 October-December |
Box 203 | Folder 3 | Children’s Theatre - Rumpelstiltskin, photograph contact sheets (3), 1969 October-December |
Box 29 | Folder 16 | Children’s Theatre - Rumpelstiltskin, prop lists, floor plans and elevations, 1969 |
Oversize Folder 24 | Children’s Theatre - Rumpelstiltskin, prop lists, floor plans and elevations, 1969 | |
Box 29 | Folder 15 | Children’s Theatre - Rumpelstiltskin, script, 1969 |
Box 29 | Folder 20 | Children’s Theatre - Robin Hood, actors' biographies, press releases, promotional material, news clippings, programs, 1970 January-March |
Box 172 | Folder 6 | Children’s Theatre - Robin Hood, photographs (6), negatives (38), slides (2), 1970 January-March |
Box 203 | Folder 3 | Children’s Theatre - Robin Hood, photograph contact sheets (4), 1970 January-March |
Box 29 | Folder 19 | Children’s Theatre - Robin Hood, prop list, [1969-1970] |
Oversize Folder 24 | Children’s Theatre - Robin Hood, floor plans and elevations, 1969 | |
Box 29 | Folder 18 | Children’s Theatre - Robin Hood, script [annotated], 1970 January-March |
Box 172 | Folder 7 | Children’s Theatre - A Doctor in Spite of Himself, photograph (1), contact sheets (2), slides (2), includes Patrick Alveri and Richard Drioscoll, 1970 |
Box 83 | Folder 7 | Children’s Theatre - A Doctor in Spite of Himself, poster, 1970 |
Box 29 | Folder 23 | Children’s Theatre - A Doctor in Spite of Himself, press release, promotional material, teacher's guide, programs, 1970 |
Box 29 | Folder 22 | Children’s Theatre - A Doctor in Spite of Himself, prop list, [1969-1970] |
Oversize Folder 21 | Children’s Theatre - A Doctor in Spite of Himself, floor plans, 1970 | |
Box 29 | Folder 21 | Children’s Theatre - A Doctor in Spite of Himself, script, 1970 |
Box 172 | Folder 8 | Children’s Theatre - The Panda and the Spy, photographs (4), 1970 July-August |
Box 29 | Folder 24 | Children’s Theatre - The Panda and the Spy, press releases and promotional material, teacher's guides, programs, 1970 July-August |
Oversize Folder 21 | Children’s Theatre - The Panda and the Spy, set designs, 1970 | |
Box 29 | Folder 25 | Special Events - Lillian Gish and the Movies, programs and promotional material, 1969 September 30-October 4 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries N: 1970-1971 Season, 1969-1971
Arrangement
Subseries N is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 30 | Folder 1 | Confidential Repertory Study for the Season 1969-70 / 1970-71, by John Reich, 1970-1971 |
Box 30 | Folder 3 | News clippings, 1970-1971 |
Box 30 | Folder 2 | Press releases and promotional material, 1970-1971 |
Box 30 | Folder 4 | The Three Penny Opera, correspondence, 1969 March 21-1970 October 9 |
Box 30 | Folder 11 | The Three Penny Opera, director's notes, 1970 |
Box 172 | Folder 10 | The Three Penny Opera, photographs (13), negatives (237), contact sheets (14), includes Loyse Anderson, Susan Batson, Dale Benson, Ann Casson, Leonardo Cimino, Richard Curnock, Iris Lieberman, Michael Liscinsky, Anita Malberg, Fred Marlow, Nicholas Polus, LuAnn Post, Carol Ruth and Robert Theis, 1970 October-November |
Box 203 | Folder 4 | The Three Penny Opera, photographs (2), 1970 October-November |
Box 30 | Folder 10 | The Three Penny Opera, programs, 1970 October-November |
Box 30 | Folder 9 | The Three Penny Opera, reviews and news clippings, 1970 |
Oversize Folder 36 | The Three Penny Opera, set designs, 1970 | |
Box 30 | Folder 12 | The Three Penny Opera, score, 1970 |
Box 30 | Folder 7 | The Three Penny Opera, script [master ribbon copy], 1970 |
Box 30 | Folder 6 | The Three Penny Opera, stage manager's book, script, 1970 |
Box 30 | Folder 5 | The Three Penny Opera, stage manager's book, technical notes, 1970 |
Box 31 | Folder 1 | The Night Thoreau Spent in Jail, correspondence, 1970 January 21-November 18 |
Box 172 | Folder 11 | The Night Thoreau Spent in Jail, photographs (9), negatives (132), contact sheets (9), includes Douglas Campbell, Ann Casson, Richard Curnock, Jack Gooby, Jo Henderson, Patrick Henry, Gerald Alan Miller, Max Howard, Douglas Mellor, Nick Polus, Ira Rogers, Rebecca Taylor and Christopher Walken, 1971 January-February |
Box 31 | Folder 6 | The Night Thoreau Spent in Jail, programs, 1971 January-February |
Box 31 | Folder 5 | The Night Thoreau Spent in Jail, reviews and news clippings, 1971 |
Oversize Folder 36 | The Night Thoreau Spent in Jail, set designs, 1971 | |
Box 31 | Folders 2-3 | The Night Thoreau Spent in Jail, script, [assistant stage manager's], 1971 |
Box 31 | Folder 7 | Twelfth Night, correspondence, 1970 August-December |
Box 31 | Folder 9 | Twelfth Night, musical scores, undated |
Box 173 | Folder 1 | Twelfth Night, photographs (12), negatives (59), contact sheets (7), includes Dale Benson, Eric Berry, Ann Casson, Jo Henderson, Max Howard, Fred Marlow, Gerald Alan Miller, Vincent Park, Rebecca Taylor, Robert Theis, Douglas Seale and Donald Woods, 1970 November-1971 January |
Box 173 | Folder 2 | Twelfth Night, photographs of costume sketches (19), 1970 November-1971 January |
Box 31 | Folder 11 | Twelfth Night, press releases and promotional material, 1970 November-1971 January |
Box 31 | Folder 13 | Twelfth Night, programs, 1970 November-1971 January |
Box 31 | Folder 12 | Twelfth Night, reviews and news clippings, 1970 November-1971 January |
Box 31 | Folder 10 | Twelfth Night, script [stage manager's annotated], 1970-1971 |
Oversize Folder 36 | Twelfth Night, set designs, 1970-1971 | |
Box 31 | Folder 8 | Twelfth Night, technical lists and notes, 1970-1971 |
Box 32 | Folder 2 | Marching Song, lighting and sound plots, with daily reports, 1971 |
Box 173 | Folder 3 | Marching Song, photographs (12), negatives (98), contact sheets (8), includes Douglas Campbell, Richard Curnock and Rebecca Taylor, 1971 March-April |
Box 203 | Folder 4 | Marching Song, photographs (2), 1971 March-April |
Box 32 | Folder 7 | Marching Song, programs, 1971 March-April |
Box 32 | Folder 6 | Marching Song, reviews and news clippings, 1971 March-April |
Oversize Folder 36 | Marching Song, set designs, [1970-1971] | |
Box 32 | Folder 1 | Marching Song, stage manager's book, script, 1971 |
Box 32 | Folder 3 | Marching Song, stage manager's daily reports, 1971 |
Box 32 | Folder 4 | Marching Song, technical notes, [1970-1971] |
Box 32 | Folder 8 | Poor Bitos, correspondence, 1971 April-May |
Box 173 | Folder 4 | Poor Bitos, photographs (8), negatives (92), contact sheets (8), includes Ann Casson, Leonardo Cimino, Maurine Copeland, Richard Curnock, Ady Hasak, Jo Henderson, Max Howard, Art Kassul, Douglass Mellor, Vincent Park, Lu Ann Post and Joseph Shaw, 1971 April-May |
Box 203 | Folder 4 | Poor Bitos, photograph (1), 1971 April-May |
Box 32 | Folder 9 | Poor Bitos,pre-production research, [1971] |
Box 32 | Folder 11 | Poor Bitos, production stage manager's book, script, 1971 |
Box 32 | Folder 10 | Poor Bitos, production stage manager's book, technical notes, 1971 |
Box 32 | Folder 15 | Poor Bitos, programs, 1971 April-May |
Box 32 | Folder 14 | Poor Bitos, reviews and news clippings, 1971 April-May |
Oversize Folder 36 | Poor Bitos, set designs, [1970-1971] | |
Box 32 | Folder 12 | Poor Bitos, script [annotated script indicating dialogue omitted in the standard translation by Lucienne Hill], 1971 |
Box 32 | Folder 16 | Lady Audley's Secret, license agreement, 1971 April 14 |
Box 32 | Folder 23 | Lady Audley's Secret, material from the Washington Theatre Club production directed by Douglas Seale [with members of the original Goodman cast], 1972 May |
Box 32 | Folder 18 | Lady Audley's Secret, musical scores, 1971 |
Box 173 | Folder 5 | Lady Audley’s Secret, photographs (21), negatives (88), contact sheets (10), includes Donna Curtis, Russell Nype and LuAnn Post, 1971 May-June |
Box 203 | Folder 4 | Lady Audley’s Secret, photographs (2), 1971 May-June |
Box 173 | Folder 6 | Lady Audley’s Secret, photographs of costume drawings (21), negatives (24), contact sheets (2), 1971 May-June |
Box 32 | Folder 20 | Lady Audley's Secret, press releases and promotional material, 1971 May-June |
Box 32 | Folder 22 | Lady Audley's Secret, programs, 1971 May-June |
Box 32 | Folder 21 | Lady Audley's Secret, reviews and news clippings, 1971 May-June |
Oversize Folder 36 | Lady Audley's Secret, set designs, 1971 | |
Box 32 | Folder 17 | Lady Audley's Secret, script [annotated script indicates line changes], 1971 |
Box 32a | Folder 1 | Studio - memos, press releases, promotional material and clippings, 1970-1971 |
Box 174 | Folder 1 | Studio - The Amorous Flea, photograph contact sheet (1), negatives (3), 1970 October 12-24 |
Box 32a | Folder 2 | Studio - The Amorous Flea, programs, 1970 October 12-24 |
Box 174 | Folder 2 | Studio - The Trial, photograph contact sheets (3), negatives (25), 1970 October 2-14 |
Box 32a | Folder 3 | Studio - The Trial, promotional materials and program, 1970 October 2-14 |
Oversize Folder 25 | Studio - The Trial, set design, 1970 | |
Box 174 | Folder 3 | Studio - A Scent of Flowers, photograph contact sheets (4), negatives (38), 1970 December 7-19 |
Box 32a | Folder 4 | Studio - A Scent of Flowers, programs, 1970 December 7-19 |
Oversize Folder 25 | Studio - A Scent of Flowers, set design, 1970 | |
Box 174 | Folder 4 | Studio - All That Fall and Play, photograph contact sheets (3), negatives (32), 1971 February 1-13 |
Box 32a | Folder 5 | Studio - All That Fall and Play, programs, 1971 February 1-13 |
Oversize Folder 25 | Studio - All That Fall and Play, set design, [1970-1971] | |
Box 174 | Folder 5 | Studio - The Memorandum, photographs (2), contact sheets (2), negatives (20), includes Bruce Boxleitner, 1971 February 22-March 6 |
Box 32a | Folder 6 | Studio - The Memorandum, programs, promotional material, 1971 February 22-March 6 |
Box 174 | Folder 6 | Studio - The Cherry Orchard, photographs (4), contact sheets (3), negatives (34), 1971 April 5-May 8 |
Box 32a | Folder 7 | Studio - The Cherry Orchard, programs, 1971 April 5-May 8 |
Box 174 | Folder 7 | Studio - Narrow Road to the Deep North, photographs (2), negatives (31), 1971 April 26-May 8 |
Box 32a | Folder 8 | Studio - Narrow Road to the Deep North, promotional material and programs, 1971 April 26-May 8 |
Box 174 | Folder 8 | Studio - The Laundry, photograph contact sheets (2), negatives (21), 1971 May 18-29 |
Box 32a | Folder 9 | Studio - The Laundry, promotional material and programs, 1971 May 18-29 |
Oversize Folder 25 | Studio - The Laundry, set designs, 1971 | |
Box 32a | Folder 10 | Children’s Theatre - news clippings, 1970-1971 |
Box 174 | Folder 9 | Children’s Theatre - Sacramento Fifty Miles, photographs (3), contact sheets (5), negatives (60), includes Jim Engelhardt, Mitch Maurer and Kathleen Rastrom, 1970 September-November |
Box 83 | Folder 8 | Children’s Theatre - Sacramento Fifty Miles, poster (2), 1970 |
Box 32a | Folder 11 | Children’s Theatre - Sacramento Fifty Miles, programs, 1970 September-November |
Oversize Folder 35 | Children’s Theatre - Sacramento Fifty Miles, set designs, 1970 | |
Box 174 | Folder 10 | Children’s Theatre - Ali Baba and the Magic Cave, photographs (4), contact sheets (4), negatives (34), includes Judith Bergan, Richard Gilliland and Patrick Lavery, 1970 November-1971 January |
Box 83 | Folder 8 | Children’s Theatre - Ali Baba and the Magic Cave, poster (3), 1970-1971 |
Box 32a | Folder 12 | Children’s Theatre - Ali Baba and the Magic Cave, promotional material and programs, 1970 November-1971 January |
Oversize Folder 35 | Children’s Theatre - Ali Baba and the Magic Cave, set designs, [1970-1971] | |
Box 174 | Folder 11 | Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, photographs (6), contact sheets (5), negatives (87), includes Paul Butler, Michael Christensen, Robert Gibson, Laney Granger, Mark Lanos, Bruce MacBain, Trudene Rippe, Errol Strider and Ivory Stone, 1970 December-1971 January |
Box 83 | Folder 8 | Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, poster, 1970-1971 |
Box 32a | Folder 13 | Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, promotional materials and programs, 1970 December-1971 January |
Oversize Folder 35 | Children’s Theatre - A Threepenny Christmas, or the Legend of Nick the Saint, set designs, 1970 | |
Box 174 | Folder 12 | Children’s Theatre - Alice in Wonderland, photograph contact sheets (6), negatives (86), 1971 January-March |
Box 32a | Folder 14 | Children’s Theatre - Alice in Wonderland, promotional materials and programs, 1971 January-March |
Oversize Folder 35 | Children’s Theatre - Alice in Wonderland, set designs, 1970 | |
Box 174 | Folder 13 | Children’s Theatre - Aesop’s Falables, photographs (13), contact sheets (5), negatives (75), slides (2), includes Michael Gilliland, Michael Kearns, Cricket Parmalee and Janet Slavin, [1971] |
Box 32a | Folder 15 | Children’s Theatre - Aesop's Falables, promotional materials and programs, [1971] |
Oversize Folder 35 | Children’s Theatre - Aesop's Falables, set designs, 1971 | |
Box 175 | Folder 2 | Children’s Theatre - The Marvelous Misadventures of Sherlock Holmes, photograph contact sheets (2), negatives (103), 1971 July-August |
Box 32a | Folder 16 | Children’s Theatre - The Marvelous Misadventures of Sherlock Holmes, promotional material and programs, 1971 July-August |
Box 32a | Folder 17 | Children’s Theatre Touring Company - promotional material, 1970-1971 |
Box 175 | Folder 1 | Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew, photographs (8), contact sheets (20), negatives (158), includes Fred Butler, 1971 May-June |
Box 32a | Folder 19 | Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew, promotional material, programs, teacher's guide, 1971 May-June |
Box 32a | Folder 18 | Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew, script and cast list, 1971 May-June |
Box 32a | Folder 20 | Children’s Theatre Touring Company - How the First Letter Was Written, teacher's guide, [1970-1971] |
Box 175 | Folder 3 | Children’s Theatre Touring Company - The Hide and Seek Odyssey of Madeline Gimple, photographs (3), contact sheets (6), negatives (66), includes Alice Bauman, Bruce Boxleitner and Robert Neu, [1970-1971] |
Box 32a | Folder 21 | Children’s Theatre Touring Company - The Hide and Seek Odyssey of Madeline Gimple, script and teacher's guides, [1970-1971] |
Box 32a | Folder 22 | Special Events - As You Like It by William Shakespeare, adapted by John O'Shaughnessy, Goodman Theatre Touring Company, script, 1971 February |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries O: 1971-1972 Season, 1971-1972
Arrangement
Subseries O is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 33 | Folder 2 | News clippings, 1971-1972 |
Box 33 | Folder 1 | Subscription mailing and related correspondence, 1971-1972 |
Box 33 | Folder 3 | A Place Without Doors (L'Amante Anglaise), correspondence, 1971 March-August |
Box 175 | Folder 4 | A Place Without Doors (L’Amante Anglaise), photographs (8), negative (1), includes Mildred Dunnock, Alvin Epstein, Biran Murray and Hiram Sherman, 1971 September-October |
Box 33 | Folder 5 | A Place Without Doors (L'Amante Anglaise), press releases and promotional material, 1971 September-October |
Box 33 | Folder 7 | A Place Without Doors (L'Amante Anglaise), programs, 1971 September-October |
Box 33 | Folder 8 | A Place Without Doors (L'Amante Anglaise), research, 1971 |
Box 33 | Folder 6 | A Place Without Doors (L'Amante Anglaise), reviews and news clippings, 1971 September-October |
Box 33 | Folder 4 | A Place Without Doors (L'Amante Anglaise), script [annotated photocopy of Mildred Dunnock’s script], 1971 |
Box 33 | Folder 10 | Assassination 1865, actors’ biographies, 1971 |
Box 33 | Folder 14 | Assassination 1865, assistant stage manager's book, script, 1971 |
Box 33 | Folder 13 | Assassination 1865, assistant stage manager's book, technical notes, 1971 |
Box 33 | Folder 11 | Assassination 1865, budget for talent and projection equipment, 1971 |
Box 33 | Folder 9 | Assassination 1865, correspondence, 1970 October 29-1972 January 26 |
Box 175 | Folder 5 | Assassination 1865, photographs (2), contact sheets (4), negatives (81), 1971 October-November |
Box 34 | Folder 1 | Assassination 1865, press releases and promotional material, 1971 October-November |
Oversize Folder 26 | Assassination 1865, poster (2), 1971 October-November | |
Box 34 | Folder 3 | Assassination 1865, programs, 1971 October-November |
Box 175 | Folder 6 | Assassination 1865, research photographs (29), contact sheets (3), 1971 |
Box 34 | Folder 2 | Assassination 1865, reviews and news clippings, 1971 October-November |
Oversize Folder 37 | Assassination 1865, set designs, 1971 | |
Box 33 | Folder 15 | Assassination 1865, script, 1971 |
Box 34 | Folder 4 | The Importance of Being Earnest by Oscar Wilde, actors' biographies and resumes, 1971-1972 |
Box 176 | Folder 1 | The Importance of Being Earnest, photographs (9), contact sheets (6), negatives (72), 1971 December-1972 January |
Box 34 | Folder 9 | The Importance of Being Earnest, programs, 1971 December-1972 January |
Box 34 | Folder 6 | The Importance of Being Earnest, prompt book, 1971 December 2-19, 1971 December-1972 January |
Box 34 | Folder 7 | The Importance of Being Earnest, press releases and promotional material, 1971 December-1972 January |
Box 34 | Folder 8 | The Importance of Being Earnest, reviews and news clippings, 1971 December-1972 January |
Box 34 | Folder 5 | The Importance of Being Earnest, technical notes, with stage manager's daily reports, 1971-1972 |
Box 34 | Folder 11 | The Royal Family, actors' biographies, resumes, and salaries, 1971-1972 |
Box 34 | Folders 13-14 | The Royal Family, assistant stage manager's book, script, 1972 |
Box 34 | Folder 12 | The Royal Family, assistant stage manager's book, technical notes, 1972 |
Box 34 | Folder 10 | The Royal Family, correspondence, 1971 August 26-December 11 |
Box 176 | Folder 2 | The Royal Family, photographs (11), contact sheets (9), negatives (95), includes Rebecca Balding, Philip Kerr, Anne Meacham, Mike Nussbaum and Cathleen Nesbitt, 1972 January-February |
Box 35 | Folder 1 | The Royal Family, press releases and promotional material, 1972 January-February |
Box 35 | Folder 3 | The Royal Family, programs, 1972 January-February |
Box 35 | Folder 2 | The Royal Family, reviews and news clippings, 1972 January-February |
Box 35 | Folder 5 | The Ruling Class, actors' biographies, 1972 |
Box 35 | Folder 4 | The Ruling Class, correspondence, 1971 February-1972 March |
Box 176 | Folder 3 | The Ruling Class, photographs (24), contact sheets (11), negatives (124), includes Dale Benson, Pauline Brailsford, Eric Brotherson, Constance Cooper, Dalton Dearborn, Ralph Foody, Lawrence Guittand and Murray Mattheson, 1972 March-April |
Box 35 | Folder 11 | The Ruling Class, press releases and promotional material, 1972 March-April |
Box 35 | Folder 12 | The Ruling Class, programs, 1972 March-April |
Box 35 | Folder 6 | The Ruling Class, research, undated |
Box 35 | Folder 10 | The Ruling Class, reviews and news clippings, 1972 March-April |
Box 35 | Folders 8-9 | The Ruling Class, script [annotated], 1972 |
Box 35 | Folder 7 | The Ruling Class, technical notes and stage manager's daily reports, 1972 |
Box 35 | Folder 15 | The Boys from Syracuse, actors' biographies and resumes, 1972 |
Box 35 | Folder 13 | The Boys from Syracuse, correspondence, 1972 January-April |
Box 35 | Folder 21 | The Boys from Syracuse, gross earnings and budget, 1972 |
Box 176 | Folder 4 | The Boys from Syracuse, photographs (26), contact sheets (20), negatives (210), includes Don Amendolia, Lu Leonard and Melody Rogers, 1972 April-June |
Box 176 | Folder 5 | The Boys from Syracuse, photographs of costume drawings (6), contact sheets (2), negatives (11), 1972 April-June |
Oversize Folder 26 | The Boys from Syracuse, poster (3), 1972 April-June | |
Box 35 | Folder 14 | The Boys from Syracuse, pre-production research, [1972] |
Box 35 | Folder 19 | The Boys from Syracuse, press releases and promotional material, 1972 April-June |
Box 35 | Folder 22 | The Boys from Syracuse, programs, 1972 April-June |
Box 35 | Folder 16 | The Boys from Syracuse, rehearsal and production schedules, 1972 |
Box 35 | Folder 20 | The Boys from Syracuse, reviews and news clippings, 1972 April-June |
Oversize Folder 36 | The Boys from Syracuse, set designs, 1970 | |
Box 35 | Folders 17-18 | The Boys from Syracuse, stage manager's book, 1972 April-June |
Box 36 | Folder 1 | Studio - promotional material, 1971-1972 |
Box 177 | Folder 1 | Studio - A Macbeth, photograph contact sheets (4), negatives (33), 1971 October 16-24 |
Box 36 | Folder 4 | Studio - A Macbeth, programs, 1971 October 16-24 |
Oversize Folder 26 | Studio - A Macbeth, set designs, 1971 | |
Box 36 | Folder 2 | Studio - A Macbeth, script, 1971 |
Box 177 | Folder 2 | Studio - Baal, photograph contact sheets (2), negatives (33), 1971 November 13-21 |
Box 36 | Folder 5 | Studio - Baal, programs, promotional material, 1971 November 13-21 |
Oversize Folder 26 | Studio - Baal, set designs, 1971 | |
Box 36 | Folder 6 | Studio - Saved, programs, 1971 December 11-19 |
Box 36 | Folder 7 | Studio - Gas I and II, programs, 1972 January 15-23 |
Box 177 | Folder 3 | Studio - Jamie and the Nine 300, photograph contact sheets (2), 1972 February 12-20 |
Box 36 | Folder 8 | Studio - Jamie and the Nine 300, programs, 1972 February 12-20 |
Box 36 | Folder 9 | Studio - Jamie and the Nine 300, script, 1972 |
Box 36 | Folder 10 | Studio - Exit the King, programs, 1972 March 11-19 |
Box 36 | Folder 11 | Studio - Subject to Fits, program, 1972 April 8-16 |
Oversize Folder 26 | Studio - Subject to Fits, set designs, 1972 | |
Box 36 | Folder 12 | Studio - Kaspariana, programs, 1972 May 13-21 |
Oversize Folder 26 | Studio - Kaspariana, set designs, 1972 | |
Box 36 | Folder 13 | Children’s Theatre - promotional material, 1971-1972 |
Box 36 | Folder 14 | Children’s Theatre - The Pied Piper of Hamelin, correspondence (June 28, 1971), with production assignments and press releases, 1971 |
Box 177 | Folder 4 | Children’s Theatre - The Pied Piper of Hamelin, photographs (4), contact sheets (4), negatives (38), 1971 October-November |
Box 36 | Folder 17 | Children’s Theatre - The Pied Piper of Hamelin, programs, 1971 October-November |
Box 36 | Folder 16 | Children’s Theatre - The Pied Piper of Hamelin, reviews and news clippings, 1971 |
Oversize Folder 37 | Children’s Theatre - The Pied Piper of Hamelin, set designs, 1971 | |
Box 36 | Folder 18 | Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game. The Giving Tree, correspondence and press kits from the National Theatre of the Deaf, 1971 December |
Box 36 | Folder 19 | Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game,press releases and promotional material, 1971 December |
Box 36 | Folder 21 | Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game, programs, 1971 December |
Box 36 | Folder 20 | Children’s Theatre - The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game,reviews and news clippings, 1971 December |
Box 36 | Folder 22 | Children’s Theatre - The Snow Queen, correspondence (1971 May 12), with production assignments, 1971 November-1972 February |
Oversize Folder 26 | Children’s Theatre - The Snow Queen, scenic plans, 1971 | |
Box 36 | Folder 24 | Children’s Theatre - The Snow Queen, promotional material, clipping, programs, 1971 November-1972 February |
Box 177 | Folder 5 | Children’s Theatre - The Snow Queen, photographs (3), contact sheets (5), negatives (91) 1971 November-1972 February |
Box 36 | Folder 29 | Children’s Theatre - The Magic Isle, cast list, study guide and news clipping from the Touring Company Production, 1971 December-1972 January |
Box 36 | Folder 25 | Children’s Theatre - The Magic Isle, correspondence with tech week schedule, 1971 |
Box 177 | Folder 6 | Children’s Theatre - The Magic Isle, photographs (5), contact sheets (4), negatives (36), 1971 December-1972 January |
Box 36 | Folder 27 | Children’s Theatre - The Magic Isle, press releases, 1971 December-1972 January |
Box 36 | Folder 28 | Children’s Theatre - The Magic Isle, programs, 1971 December-1972 January |
Box 36 | Folder 26 | Children’s Theatre - The Magic Isle, script [published], circa 1970 |
Box 36 | Folder 30 | Children’s Theatre - Starman Jones, correspondence, 1971 |
Box 177 | Folder 7 | Children’s Theatre - Starman Jones, photographs (2), contact sheets (3), negatives (26), 1972 February-March |
Box 36 | Folder 34 | Children’s Theatre - Starman Jones, programs, 1972 February-March |
Box 36 | Folder 32 | Children’s Theatre - Starman Jones, promotional material, 1972 February-March |
Box 36 | Folder 33 | Children’s Theatre - Starman Jones, reviews and news clippings, 1972 February-March |
Box 36 | Folder 31 | Children’s Theatre - Starman Jones, script [first draft, second version], undated |
Box 36 | Folder 35 | Children’s Theatre - The 13 Clocks, correspondence with production assignments, 1971-1972 |
Box 177 | Folder 8 | Children’s Theatre - The 13 Clocks, photographs (3), negatives (33), 1972 April-May |
Box 36 | Folder 37 | Children’s Theatre - The 13 Clocks, programs and promotional material, 1972 April-May |
Box 36 | Folder 36 | Children’s Theatre - The 13 Clocks, script, 1972 |
Box 36 | Folder 38 | Children’s Theatre Touring Company - promotional material, 1971-1972 |
Box 36 | Folder 39 | Children’s Theatre Touring Company - The Thwarting of Baron Bolligrew by Robert Bolt, script, [1971-1972] |
Box 177 | Folder 9 | Special Events - The National Theatre for the Deaf, photographs (10), includes Linda Bove, Richard Kendall, Mary Beth Miller and Freda Norman, Joe Sarpy, [1971-1972] |
Box 36 | Folder 40 | Special Events - The National Theatre for the Deaf presents, My Third Eye, program and promotional material, [1971-1972] |
Box 36 | Folder 41 | Special Events - An Evening with Bobby Short, programs and promotional material, 1972 February 14 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries P: 1972-1973 Season, 1972-1973
Arrangement
Subseries P is arranged chronologically beginning with mainstage productions followed by studio, children’s and Museum of Science and Industry’s Science Playhouse productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 37 | Folder 1 | Press releases and promotional material, 1972-1973 |
Box 37 | Folder 2 | News clippings, 1972-1973 |
Box 177 | Folder 10 | Old Times, photographs (17), contact sheets (12), negatives (110), includes Harold Pinter, 1972 October-November |
Box 37 | Folder 5 | Old Times, programs, 1972 October-November |
Box 37 | Folder 3 | Old Times, promotional material, 1972 October-November |
Box 37 | Folder 4 | Old Times, reviews, 1972 October-November |
Box 178 | Folder 1 | Scenes from American Life, photographs (25), contact sheets (13), negatives (158), includes Susan [Mevson], Bill Wiley and Jerry Zafer, 1972 November-December |
Box 37 | Folder 9 | Scenes from American Life, press releases and promotional material, 1972 November-December |
Box 37 | Folder 10 | Scenes from American Life, programs, 1972 November-December |
Box 37 | Folder 8 | Scenes from American Life, reviews and news clippings, 1972 November-December |
Box 37 | Folders 6-7 | Scenes from American Life, stage manager's production book, script, 1972 |
Box 37 | Folder 18 | In the Matter of J. Robert Oppenheimer, casting notes, 1973 |
Box 37 | Folder 11 | In the Matter of J. Robert Oppenheimer, correspondence, 1973 January 20, February 12 |
Box 178 | Folder 2 | In the Matter of J. Robert Oppenheimer, photographs (18), contact sheets (11), negatives (154), includes Heinar Kipphardt, 1973 January-February |
Box 38 | Folder 1 | In the Matter of J. Robert Oppenheimer, press releases and promotional material, 1973 January-February |
Box 37 | Folders 13-14 | In the Matter of J. Robert Oppenheimer, production script photocopy, (Mark Taper Forum, Center Theatre Group, Los Angeles, California), circa 1968 |
Box 37 | Folders 15-16 | In the Matter of J. Robert Oppenheimer, production script, 1973 |
Box 38 | Folder 3 | In the Matter of J. Robert Oppenheimer, programs, 1973 January-February |
Box 37 | Folder 12 | In the Matter of J. Robert Oppenheimer, research, 1972-1973 |
Box 38 | Folder 2 | In the Matter of J. Robert Oppenheimer, reviews and news clippings, 1973 January-February |
Box 37 | Folder 17 | In the Matter of J. Robert Oppenheimer, technical lists and notes, 1972-1973 |
Box 38 | Folder 4 | Twentieth Century, audition and casting lists and notes, 1973 February 18-March 25 |
Box 38 | Folder 5 | Twentieth Century, correspondence 1973 February 14, 18 |
Box 178 | Folder 3 | Twentieth Century, photographs (14), contact sheets (17), negatives (261), includes Mary B. Best, Jerome Dempsy, Jan Farrand, Merwin Goldsmith and Joseph Leon, 1973 February-March |
Box 38 | Folder 10 | Twentieth Century, press releases and promotional material, 1973 February-March |
Box 38 | Folders 8-9 | Twentieth Century,production script, 1973 |
Box 38 | Folder 12 | Twentieth Century, programs, 1973 February-March |
Box 38 | Folder 6 | Twentieth Century,research, 1972-1973 |
Box 38 | Folder 11 | Twentieth Century, reviews and news clippings, 1973 February-March |
Box 38 | Folder 7 | Twentieth Century,theatrical lists and notes, 1972-1973 |
Box 179 | Folder 1 | The Lady’s Not for Burning, photographs (6), contact sheets (12), negatives (148), 1973 April-May |
Box 38 | Folder 13 | The Lady's Not for Burning, production script, 1973 |
Box 38 | Folder 18 | The Lady's Not for Burning, programs, 1973 April-May |
Box 38 | Folder 16 | The Lady's Not for Burning, promotional material, 1973 April-May |
Box 38 | Folder 17 | The Lady's Not for Burning, reviews and news clippings, 1973 April-May |
Box 38 | Folder 14 | The Lady's Not for Burning, stage manager's daily notes, 1973 |
Oversize Folder 37 | The Lady's Not for Burning, set designs, 1973 | |
Box 179 | Folder 2 | Pal Joey, photographs (24), contact sheets (23), negatives (182), includes Kelly Britt, Nancy Marchand and Anthony S. Teague, 1973 May-June |
Box 38 | Folder 20 | Pal Joey, press releases and promotional material, 1973 May-June |
Box 38 | Folder 22 | Pal Joey, programs, 1973 May-June |
Box 38 | Folder 21 | Pal Joey, reviews and news clippings, 1973 May 13-June 17 |
Boxes 38a-38b | Pal Joey, score, undated | |
Box 38 | Folder 19 | Pal Joey, typescript [annotated], with lighting cues, 1973 |
Box 39 | Folder 1 | Studio - promotional material, 1972-1973 |
Box 39 | Folder 2 | Studio - The Wild Duck, programs, 1972 October 31-November 12 |
Box 39 | Folder 3 | Studio - Who's Happy Now, programs and script, 1972 November 28-December 10 |
Box 39 | Folder 4 | Studio - A Touch of the Poet, programs, 1973 January 9-January 21 |
Oversize Folder 27 | Studio - A Touch of the Poet, set design, [1972] | |
Box 39 | Folder 5 | Studio - Ladies in Retirement, programs, 1973 February 6-February 14 |
Oversize Folder 27 | Studio - Ladies in Retirement, set design, 1972 | |
Box 39 | Folder 6 | Studio - The Taming of the Shrew, news clipping, programs, 1973 March-March |
Box 179 | Folder 3 | Studio - The Taming of the Shrew, photograph (1), contact sheet (1), 1973 March-March |
Oversize Folder 27 | Studio - The Taming of the Shrew, set design, 1973 | |
Box 39 | Folder 7 | Studio - Blood Wedding, programs, 1973 April-April |
Oversize Folder 27 | Studio - Blood Wedding, set designs, 1973 | |
Box 39 | Folder 8 | Studio - A Country Scandal, programs, 1973 May 8-May 20 |
Box 39 | Folder 9 | Children’s Theatre - press releases and promotional material, 1972-1973 |
Box 179 | Folder 4 | Children’s Theatre - Sleeping Beauty, of The Great Rose Taboo, photographs (7), contact sheets (3), negatives (23), 1972 October-November |
Box 39 | Folder 10 | Children’s Theatre - Sleeping Beauty, or The Great Rose Taboo, press releases, reviews and programs, 1972 October-November |
Oversize Folder 28 | Children’s Theatre - Sleeping Beauty, or The Great Rose Taboo, set designs, 1972 | |
Box 39 | Folder 19 | Children’s Theatre Touring Company - It Certainly Isn't Baked Beans! correspondence, 1972 |
Box 179 | Folder 5 | Children’s Theatre - It Certainly Isn’t Baked Beans, photograph (1), contact sheet (1), [1972-1973] |
Box 39 | Folder 12 | Children’s Theatre - It Certainly Isn't Baked Beans, press releases, promotional material, reviews, news clippings, 1972 |
Box 39 | Folder 11 | Children’s Theatre - It Certainly Isn't Baked Beans, script, [1972-1973] |
Box 179 | Folder 6 | Children’s Theatre - Little Red Riding Hood, photograph contact sheet (1), 1972 November-1973 January |
Box 39 | Folder 13 | Children’s Theatre - Little Red Riding Hood, press releases, promotional material, news clippings, programs, 1972 November-1973 January |
Oversize Folder 28 | Children’s Theatre - Little Red Riding Hood, set designs, 1972 | |
Box 179 | Folder 7 | Children’s Theatre - The Three Musketeers, photograph (1), 1973 January-March |
Box 39 | Folder 14 | Children’s Theatre - The Three Musketeers, press releases, promotional material, programs, 1973 January-March |
Oversize Folder 28 | Children’s Theatre - The Three Musketeers, set designs, 1973 | |
Box 179 | Folder 8 | Children’s Theatre - The Comical Tragedy, or The Tragical Comedy of Punch and Judy, photograph contact sheets (4), negatives (27), 1973 March-May |
Box 39 | Folder 15 | Children’s Theatre - The Comical Tragedy, or The Tragical Comedy of Punch and Judy, promotional material, clippings, programs, 1973 March-May |
Oversize Folder 28 | Children’s Theatre - The Comical Tragedy, or The Tragical Comedy of Punch and Judy, set designs, 1972-1973 | |
Box 180 | Folder 1 | Children’s Theatre - You’re a Good Man Charlie Brown, photographs (5), contact sheets (5), negatives (49), includes Alan Almeida and Maryann Kohler, [1973] |
Box 39 | Folder 16 | Children’s Theatre - You're a Good Man Charlie Brown, press releases, promotional material, clippings, programs, [1973] |
Oversize Folder 37 | Children’s Theatre - You're a Good Man Charlie Brown, set designs, 1972 | |
Box 39 | Folder 17 | Children’s Theatre - Tarradiddle Tales, or The Wise and Foolish Tales, programs, 1973 June-August |
Box 39 | Folder 17a | Children’s Theatre Touring Company - correspondence, 1972 |
Box 39 | Folder 18 | Children’s Theatre Touring Company - grant applications and notes, 1972-1973 |
Box 39 | Folder 22 | Children’s Theatre Touring Company - Speed Gets the Poppies, audition and casting notes, 1972 |
Box 39 | Folder 20 | Children’s Theatre Touring Company - Speed Gets the Poppies, contracts, promotional materials, 1972 |
Box 180 | Folder 2 | Children’s Theatre Touring Company - Speed Gets the Poppies, photographs (12), contact sheets (3), negatives (25), 1972 |
Box 39 | Folder 24 | Children’s Theatre Touring Company - Speed Gets the Poppies, press releases and promotional material, 1972 |
Box 39 | Folder 21 | Children’s Theatre Touring Company - Speed Gets the Poppies, research, 1972 |
Box 39 | Folder 23 | Children’s Theatre Touring Company - Speed Gets the Poppies, script, 1972 |
Oversize Folder 37 | Children’s Theatre Touring Company - Speed Gets the Poppies, set designs, 1972 | |
Box 39 | Folder 25 | Special Events - Monday Night Artist and Dance Series, promotional material, [1972-1973] |
Box 39 | Folder 32 | Special Events - The Mura Dehn Traditional Jazz Dance Theatre, programs, 1972 October 16 |
Box 39 | Folder 26 | Special Events - Emlyn Williams as Dylan Thomas Growing Up, programs, press release, promotional material, 1972 November 6 |
Box 39 | Folder 27 | Special Events - Utah Repertory Dance Theatre, correspondence, programs, promotional material, reviews, news clippings, 1972 December 11 |
Box 39 | Folder 29 | Special Events - The O'Neill Center's National Theatre of the Deaf, Gilgamesh, programs and promotional material, 1972 November 12-19 |
Box 180 | Folder 3 | Special Events - The O'Neill Center's National Theatre of the Deaf, Gilgamesh, photographs (2), includes Timothy Scanlon and Edmund Waterstreet, 1972 November 12-19 |
Box 39 | Folder 30 | Special Events - The O'Neill Center's Little Theatre of the Deaf, programs, 1972 November 19 |
Box 180 | Folder 4 | Special Events - National Theatre of the Deaf, photographs (8), includes Linda Bove, B. Bragg, C. Flemming, P. Frelich, Patrick Graybill, R. Kendall, Dorothy Miles, Mary Beth Miller, Joe Sarpy and Edmund Waterstreet, [1972 November] |
Box 39 | Folder 28 | Special Events - An Evening of Piano Rags with Eubie Blake and William Bolcom, programs, 1973 February 5 |
Box 39 | Folder 31 | Special Events - The Chicago Ballet, programs, 1973 March 5 |
Box 39 | Folder 33 | Special Events - The Preservation Hall Jazz Band, promotional material, [1972-1973] |
Box 39a | Folder 1 | Science Playhouse - news clippings and promotional material, 1972-1973 |
Box 39a | Folder 2 | Science Playhouse - Lamp at Midnight, correspondence, 1972-1973 |
Box 39a | Folder 3 | Science Playhouse - Lamp at Midnight, contracts and notes, 1972-1973 |
Box 180 | Folder 5 | Science Playhouse - Lamp at Midnight, photographs (7), 1972-1973 |
Box 39a | Folder 5 | Science Playhouse - Lamp at Midnight, programs and promotional material, 1972-1973 |
Box 39a | Folder 4 | Science Playhouse - Lamp at Midnight, script, 1972-1973 |
Box 39a | Folder 9 | Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, programs and promotional material, 1973 April 26-May 4 |
Box 39a | Folder 10 | Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, rehearsal schedule, 1972-1973 |
Box 39a | Folder 7 | Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, script [annotated typescript with revisions and staging notes], 1973 |
Box 39a | Folder 6 | Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery by Tom Zito, directed by Kelly Danford, script [revised typescript], 1973 |
Box 39a | Folder 8 | Science Playhouse - Dr. Dan: A Pioneer in Heart Surgery, scripts, 1973 |
Box 39a | Folder 12 | Science Playhouse - Thomas Edison and the Wonderful Why, programs, rehearsal schedules, audition notes, 1973 |
Box 39a | Folder 11 | Science Playhouse - Thomas Edison and the Wonderful Why by Faye Parker, directed by Kelly Danford, scripts, 1973 |
Box 39a | Folder 13 | Science Playhouse - Discovery by Douglas Liebman, prompt script, cast list, story outline, [1972-1973] |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries Q: 1973-1974 Season, 1973-1974, undated
Arrangement
Subseries Q is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 85 | Folder 1 | Auditions and Midwest Casting Center, 1973-1974 |
Box 40 | Folder 1 | Promotional material, 1973-1974 |
Box 85 | Folder 2 | The Freedom of the City, “Irish contacts,” undated |
Box 180 | Folder 6 | The Freedom of the City, photographs (4), negatives (198), includes Lenny Baker, Allan Carlson and Frances Hyland, 1973 October-November |
Box 40 | Folder 5 | The Freedom of the City, programs, 1973 October-November |
Box 40 | Folder 3 | The Freedom of the City, promotional material, 1973 October-November |
Box 85 | Folder 3 | The Freedom of the City, promotional material from other productions, 1973-1974 |
Box 40 | Folder 4 | The Freedom of the City, reviews and news clippings, 1973 |
Box 40 | Folder 2 | The Freedom of the City, script, undated |
Box 85 | Folder 4a | A Doll’s House, Paramount Pictures production information, 1973 |
Box 180 | Folder 7 | A Doll’s House, photographs (6), negatives (162), includes Philip Kerr, Anthony Mockus, Carole Shelley and Jeremiah Sullivan, 1973 November-December |
Box 40 | Folder 8 | A Doll's House, programs, 1973 November-December |
Box 40 | Folder 6 | A Doll's House, production script and lighting cues, 1973 |
Box 85 | Folder 4 | A Doll’s House, promotional material, 1973 November-December |
Box 40 | Folder 7 | A Doll's House, reviews and news clippings, 1973 |
Oversize Folder 44 | A Doll's House, set design, [1973] | |
Box 85 | Folder 5 | The Tooth of the Crime, critical audience correspondence, 1974 |
Oversize Folder 38 | The Tooth of the Crime, floor plan and elevations, 1973 | |
Box 180 | Folder 8 | The Tooth of the Crime, photographs (4), negatives (207), 1974 January-February |
Box 40 | Folder 14 | The Tooth of Crime, programs, 1974 January-February |
Box 40 | Folder 12 | The Tooth of Crime, promotional material, 1974 January-February |
Box 40 | Folder 13 | The Tooth of Crime, reviews and news clippings, 1974 |
Box 40 | Folder 9a | The Tooth of Crime, script (photocopy), undated |
Box 40 | Folder 9 | The Tooth of Crime, stage manager's script and contact list, 1974 |
Box 40 | Folder 10 | The Tooth of Crime, technical notes and memoranda, 1974 |
Box 181 | Folder 1 | Lorraine Hansberry’s to Be Young, Gifted and Black, photographs (3), contact sheets (2), negatives (161), includes Rueben Greene, Myron Natwick and Jackie Taylor, 1974 February-March |
Box 85 | Folder 6 | Lorraine Hansberry’s to Be Young, Gifted and Black, press releases, promotional material, 1974 February-March |
Box 40 | Folder 18 | Lorraine Hansberry's to Be Young, Gifted and Black, programs, 1974 February-March |
Box 40 | Folder 17 | Lorraine Hansberry's to Be Young, Gifted and Black, prop list and contact list, 1974 |
Box 40 | Folder 19 | Lorraine Hansberry's to Be Young, Gifted and Black, reviews and news clippings, 1974 |
Box 40 | Folder 16 | Lorraine Hansberry's to Be Young, Gifted and Black, script [annotated with lighting cues], 1974 |
Box 40 | Folder 15 | Lorraine Hansberry's to Be Young, Gifted and Black, script [master ribbon copy], [1974] |
Box 181 | Folder 2 | Henry IV, negatives (166), 1974 March-May |
Box 203 | Folder 4 | Henry IV, photograph (1), includes David Selby, 1974 March-May |
Box 41 | Folder 5 | Henry IV, press releases and promotional material, 1974 March-May |
Box 41 | Folder 7 | Henry IV, programs, 1974 March-May |
Box 41 | Folder 6 | Henry IV, reviews and news clippings, 1974 March-May |
Box 41 | Folder 2 | Henry IV, script [revised typescript, master copy], 1974 |
Box 41 | Folder 2a | Henry IV, script [revised typescript] (photocopy), 1974 |
Box 41 | Folder 1 | Henry IV, script [unrevised typescript], 1974 |
Box 41 | Folder 4 | Henry IV, stage manager's production book, script, 1974 |
Box 41 | Folder 3 | Henry IV, stage manager's production book, technical lists and notes, 1974 |
Box 181 | Folder 3 | Guys and Dolls, photograph (1), negatives (99), includes Terry Deck, Mary Louise and Sheilah Rae, 1974 May-June |
Oversize Folder 45 | Guys and Dolls, photographs on board (4), 1974 May-June | |
Box 203 | Folder 5 | Guys and Dolls, photographs (11), 1974 May-June |
Box 42 | Folder 5 | Guys and Dolls, press releases, reviews, news clippings, 1974 May-June |
Box 42 | Folder 6 | Guys and Dolls, programs, 1974 May-June |
Box 42 | Folders 1-2 | Guys and Dolls, script [annotated for blocking], 1974 |
Box 42 | Folders 3-4 | Guys and Dolls, script [annotated for light cues], 1974 |
Box 42 | Folder 7 | Unassigned folder |
Box 42 | Folder 8 | Studio - She Stoops to Conquer, programs, 1973 November |
Oversize Folder 29 | Studio - She Stoops to Conquer, set designs, 1973 | |
Box 181 | Folder 4 | Studio - Right You Are If You Think You Are, photograph (1), 1973 November 30-December 16 |
Box 42 | Folder 9 | Studio - Right You Are If You Think You Are, programs, 1973 November 30-December 16 |
Oversize Folder 38 | Studio - Right You Are If You Think You Are, set designs, 1974 | |
Box 42 | Folder 10 | Studio - The Killer, programs, 1974 February |
Box 42 | Folder 11 | Studio - As You Like It, programs, 1974 March |
Oversize Folder 29 | Studio - As You Like It, set design, 1974 | |
Box 42 | Folder 12 | Studio - Catch 22, programs, 1974 April |
Oversize Folder 38 | Studio - Catch 22, set design and light plot, 1974 | |
Box 42 | Folder 13 | Studio - Summer Brave, programs, 1974 May |
Oversize Folder 29 | Studio - Summer Brave, set design, 1974 | |
Box 42 | Folder 14 | Children’s Theatre - promotional material, 1973-1974 |
Box 203 | Folder 6 | Children’s Theatre - The Wind in the Willows, photographs (8), 1973 October-December |
Box 42 | Folder 15 | Children’s Theatre - The Wind in the Willows, programs and press releases, 1973 October-December |
Box 42 | Folder 16 | Children’s Theatre - The Emperor's New Clothes, correspondence, news clippings, programs, 1973 December-1974 January |
Box 181 | Folder 5 | Children’s Theatre - The Emperor’s New Clothes, photographs (2), contact sheets (9), negative (1), includes Judy Fields, Vinny Guastaferro and Greg Sullivan1973 December-1974 January |
Box 42 | Folder 17 | Children’s Theatre - Appleseed, press releases, news clippings and programs, 1974 January-March |
Box 181 | Folder 6 | Children’s Theatre - The Lion Who Wouldn’t, photographs (2), includes Krisha Fairchild and Ted Wass, 1974 March-May |
Box 42 | Folder 19 | Children’s Theatre - The Lion Who Wouldn't, programs, 1974 March-May |
Box 42 | Folder 18 | Children’s Theatre - The Lion Who Wouldn't, script, 1974 March-May |
Box 42 | Folder 20 | Children’s Theatre - The Popcorn Man, promotional material and programs, 1974 June-August |
Box 42 | Folder 21 | Special Events - Monday Evening Artists and Dance Series,press releases and promotional material, 1973-1974 |
Box 42 | Folder 22 | Special Events - Eubie Blake, press releases and clippings, 1973 October 22 |
Box 42 | Folder 23 | Special Events - Burr Tillstom's Kukla, Fran and Ollie: A Retrospective with All the Kuklapolitan Players, program, 1973 November 26 |
Box 85 | Folder 7 | Special Events - Burr Tillstom's Kukla, Fran and Ollie: A Retrospective with All the Kuklapolitan Players, promotional material, [1973-1974] |
Box 42 | Folder 24 | Special Events - Shay Duffin as Brendan Behan, programs and promotional material, 1973 December 17 |
Box 42 | Folder 25 | Special Events - The Metropolitan Opera Studio presents Vienna to Broadway, programs, 1974 February 25 |
Box 42 | Folder 26 | Special Events - The Lotte Goslar Pantomime Circus in Clowns and Other Fools, programs and promotional material, 1974 March 11 |
Box 42 | Folder 27 | Special Events - Joanna Simon (mezzo-soprano), programs and press releases, 1974 April 22 |
Box 42 | Folder 28 | Special Events - Amanda Ambrose in a Tribute to Chicago Composers, promotional material, 1974 March 22 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries R: 1974-1975 Season, 1974-1975, undated
Arrangement
Subseries R is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 43 | Folder 1 | General press releases and promotional materials, 1974-1975 |
Box 43 | Folder 2 | General clippings, 1974-1975 |
Box 85 | Folder 8 | Open Midwest auditions, 1974 July 24 |
Box 43 | Folder 3 | The Cherry Orchard, correspondence, 1974 September-October |
Box 181 | Folder 7 | The Cherry Orchard, photographs (4), negatives (148), 1974 October-November |
Box 43 | Folder 8 | The Cherry Orchard, press releases, 1974 October-November |
Box 43 | Folders 6-7 | The Cherry Orchard, production script, 1974 |
Box 43 | Folder 9 | The Cherry Orchard, programs, 1974 October-November |
Box 85 | Folder 9 | The Cherry Orchard, reviews and news clippings, 1974 |
Box 43 | Folder 7a | The Cherry Orchard, script [unmarked], 1974 |
Box 43 | Folder 4 | The Cherry Orchard, technical notes, 1974 |
Box 43 | Folder 5 | The Cherry Orchard, technical lists and notes, 1974 |
Box 85 | Folder 10 | The Sea, background, 1974 |
Box 43 | Folder 10 | The Sea, contact list, 1974 November-December |
Box 43 | Folder 12 | The Sea, news clippings, 1974 |
Box 181 | Folder 8 | The Sea, photographs (5), negatives (135), includes Lenny Baker, Rebecca Balding and Bruce Kornbluth, 1974 November-December |
Box 43 | Folder 11 | The Sea, press releases, promotional material, 1974 November-December |
Box 43 | Folder 13 | The Sea, programs, 1974 November-December |
Box 43 | Folder 13a | The Sea, script [marked with line changes, cuts and blocking], 1974 |
Box 85 | Folder 11 | ‘Tis Pity She’s a Whore, information on other productions, 1974 |
Box 181 | Folder 9 | ‘Tis Pity She’s a Whore, photograph (1), includes Christine Branski and Franklin Scales, 1975 January-February |
Box 43 | Folder 14 | 'Tis Pity She's a Whore, press release, 1975 January-February |
Box 43 | Folder 15 | 'Tis Pity She's a Whore, programs, 1975 January-February |
Box 85 | Folder 12 | ‘Tis Pity She’s a Whore, reviews and news clippings, 1975 |
Box 43 | Folder 16 | The Philanthropist, correspondence, 1975 |
Box 43 | Folder 20 | The Philanthropist, news clippings, 1975 |
Box 182 | Folder 1 | The Philanthropist, photographs (2), negatives (173), 1975 February-March |
Box 43 | Folder 19 | The Philanthropist, press releases, 1975 February-March |
Box 43 | Folder 22 | The Philanthropist, program from the National Theatre presentation of this production, 1975 April |
Box 43 | Folder 21 | The Philanthropist, programs, 1975 February-March |
Box 43 | Folder 18a | The Philanthropist, script [unmarked], 1975 |
Box 43 | Folder 17 | The Philanthropist, stage manager's book, script, 1975 |
Box 43 | Folder 18 | The Philanthropist, stage manager's book, technical lists and notes, 1974-1975 |
Box 43 | Folder 23 | The Resistible Rise of Arturo Ui, costume plots and contact list, 1975 |
Box 182 | Folder 2 | The Resistible Rise of Arturo Ui, photographs (20), negatives (97), includes George Brengel, George Hearn, Paul Larsen, Don Marston, Anthony M. Mockus, Charles Randall and Kenneth Welsh, 1975 March-May |
Box 203 | Folder 6 | The Resistible Rise of Arturo Ui, photograph (1), negative (1), includes Art Kassul, Anthony M. Mockus, Joe Rodgers and Kenneth Welsh, 1975 March-May |
Box 83 | Folder 8 | The Resistible Rise of Arturo Ui, poster (2), 1975 |
Box 43 | Folder 24 | The Resistible Rise of Arturo Ui, press release, 1975 March-May |
Box 43 | Folder 25 | The Resistible Rise of Arturo Ui, programs, 1975 March-May |
Box 85 | Folder 13 | The Resistible Rise of Arturo Ui, promotional material, 1975 March-May |
Box 43 | Folder 26 | The Resistible Rise of Arturo Ui, reviews and news clippings, 1975 |
Box 85 | Folder 14 | The Resistible Rise of Arturo Ui, script [unmarked copy of published script], undated |
Box 43 | Folder 27 | The Resistible Rise of Arturo Ui, script [unmarked], undated |
Box 44 | Folder 5 | Chemin de Fer, contacts, 1975 May-June |
Box 182 | Folder 3 | Chemin de Fer, photograph (1), negatives (90), includes Kathleen Doyle and Richard Kline, 1975 May-June |
Box 83 | Folder 8 | Chemin de Fer, poster (3), 1975 |
Box 44 | Folder 3 | Chemin de Fer, press release, 1975 May-June |
Box 44 | Folders 1-2 | Chemin de Fer, production script, 1975 |
Box 44 | Folder 4 | Chemin de Fer, programs, 1975 May-June |
Box 85 | Folder 15 | Chemin de Fer, reviews and news clippings, 1975 |
Oversize Folder 29 | Chemin de Fer, set design, 1975 | |
Box 44 | Folder 6 | Studio - promotional material, 1974-1975 |
Box 44 | Folder 8 | Studio - Merton of the Movies, programs, 1974 November 1-17 |
Oversize Folder 29 | Studio - Merton of the Movies, set design and light plot, 1974 | |
Box 44 | Folder 10 | Studio - Funeral Games, programs, 1974 November 29-December 15 |
Oversize Folder 38 | Studio - Funeral Games, set designs, 1974 | |
Box 44 | Folder 11 | Studio - Major Barbara, programs, 1975 January 31-February 16 |
Oversize Folder 29 | Studio - Major Barbara, set designs, 1974-1975 | |
Box 44 | Folder 13 | Studio - Romeo and Juliet, programs, 1975 February 28-March 16 |
Oversize Folder 29 | Studio - Romeo and Juliet, set designs, 1974 | |
Box 85 | Folder 16 | Studio - The Hot L Baltimore, correspondence, 1974-1975 |
Box 44 | Folder 14 | Studio - The Hot L Baltimore, programs, 1975 April 4-April 20 |
Box 44 | Folder 16 | Studio - The Liar, programs, 1975 May 2-May 18 |
Oversize Folder 38 | Studio - The Liar, set designs and light plot, 1975 | |
Box 182 | Folder 4 | Stage 2 - Winnebago, photographs (4), 1974 November 1-11 |
Box 44 | Folder 17 | Stage 2 - Winnebago, program and press release, 1974 November 1-11 |
Box 83 | Folder 8 | Stage 2 - The Son, poster, 1975 |
Box 44 | Folder 19 | Stage 2 - The Son, programs, press release and reviews, 1975 January 3-12 |
Box 83 | Folder 8 | Stage 2 - Once and For All, poster, 1975 |
Box 44 | Folder 21 | Stage 2 - Once and For All, programs, 1975 February 28-March 17 |
Box 44 | Folder 20 | Stage 2 - Once and For All, promotional material and reviews, 1975 February 28-March 17 |
Box 182 | Folder 5 | Stage 2 - Three Women, photographs (4), [1975] |
Box 83 | Folder 8 | Stage 2 - Three Women, poster (3), [1975] |
Box 44 | Folder 23 | Stage 2 - Three Women, programs, reviews and news clippings, [1975] |
Box 44 | Folder 22 | Stage 2 - Three Women, promotional material and correspondence, [1975] |
Box 44 | Folder 23a | Stage 2 - Three Women, script, [1975] |
Box 44 | Folder 24 | Children’s Theatre - promotional material, 1974-1975 |
Box 182 | Folder 6 | Children’s Theatre - The Prince, The Wolf and the Firebird, photograph (1), contact sheets (2), 1974 October-December |
Box 44 | Folder 26 | Children’s Theatre - The Prince, the Wolf and the Firebird, press release, 1974 October-December |
Box 44 | Folder 27 | Children’s Theatre - The Prince, the Wolf and the Firebird, programs, 1974 October-December |
Oversize Folder 39 | Children’s Theatre - The Prince, the Wolf and the Firebird, set designs and light plot, 1974 | |
Box 203 | Folder 6 | Children’s Theatre - Rags to Riches, photographs (6), contact sheets (3), 1974 December-1975 January |
Box 44 | Folder 29 | Children’s Theatre - Rags to Riches, press releases and promotional material, 1974 December-1975 January |
Box 44 | Folder 31 | Children’s Theatre - Rags to Riches, programs, 1974 December-1975 January |
Box 44 | Folder 30 | Children’s Theatre - Rags to Riches, review, 1974 December-1975 January |
Oversize Folder 39 | Children’s Theatre - Rags to Riches, set design and light plot, 1974 | |
Box 182 | Folder 7 | Children’s Theatre - Peck’s Bad Boy, photographs (2), contact sheet (1), 1975 January-March |
Box 44 | Folder 32 | Children’s Theatre - Peck's Bad Boy, press releases and promotional material, 1975 January-March |
Box 44 | Folder 33 | Children’s Theatre - Peck's Bad Boy, programs, 1975 January-March |
Oversize Folder 39 | Children’s Theatre - Peck's Bad Boy, set designs, 1974 | |
Box 182 | Folder 8 | Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, photographs (5), 1975 March-May |
Box 44 | Folder 35 | Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, press releases and promotional material, 1975 March-May |
Box 44 | Folder 36 | Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, programs, 1975 March-May |
Oversize Folder 39 | Children’s Theatre - The Great Cross-Country Race, or The Hare and the Tortoise, set designs and light plot, 1974-1975 | |
Box 182 | Folder 9 | Children’s Theatre - The Fabulous Fable Factory, photographs (9), 1975 June-August |
Box 44 | Folder 38 | Children’s Theatre - The Fabulous Fable Factory, programs, 1975 June-August |
Box 44 | Folder 37 | Children’s Theatre - The Fabulous Fable Factory, promotional material, 1975 June-August |
Box 44 | Folder 40 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), memos and notes, 1974-1975 |
Box 182 | Folder 10 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), photographs (21), slides (10), includes Eliot Feld Ballet, Leo Kottke, Carlos Montoya, Vermeer Quartet, William Windom, Andrew Wolf and Wolverines Jazz Band, 1975 August 8-28 |
Box 44 | Folder 39 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), press releases, news clippings, 1975 August 8-28 |
Box 44 | Folder 41 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials and correspondence for The Wolverines, 1975 August 8-28 |
Box 44 | Folder 42 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials and correspondence for Carlos Montoya, 1975 August 8-28 |
Box 44 | Folder 43 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials for the Feld Ballet, 1975 August 8-28 |
Box 44 | Folder 44 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials, correspondence and audio tape for William Windom as James Thurber, 1975 August 8-28 |
Box 44 | Folder 45 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials for Leo Lotke, 1975 August 8-28 |
Box 44 | Folder 46 | Special Events - Summer Festival of Theatre, Dance and Music (cancelled), promotional materials for the Vermeer Quartet, 1975 August 8-28 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries S: 1975-1976 Season, 1975-1976
Arrangement
Subseries S is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 45 | Folder 2 | Goodman News, vol. 1, no. 1, 1975-1976 |
Box 85 | Folder 17 | News clippings, 1975-1976 |
Box 45 | Folder 1 | Press releases and promotional material, 1975-1976 |
Box 85 | Folder 18 | Open auditions and Midwest Casting Center, 1975-1976 |
Box 45 | Folder 3 | Our Town, contact list, 1975 |
Box 85 | Folder 19 | Our Town, correspondence, 1975 |
Box 183 | Folder 1 | Our Town, photographs (2), 1975 October-November |
Box 45 | Folder 4 | Our Town by Thornton Wilder, press releases and promotional material, 1975 October-November |
Box 45 | Folder 5 | Our Town, programs, 1975 October-November |
Box 85 | Folder 20 | Our Town, prompt script with blocking notes and light cues, includes correspondence, 1975 |
Box 45 | Folder 6 | Our Town, reviews and news clippings, 1975 |
Box 45 | Folder 7 | Benito Cerino, contact lists, 1975 |
Box 183 | Folder 2 | Benito Cerino, photograph (1), includes Robert Guillaume and Frank Rice, 1975 November-December |
Box 45 | Folder 9 | Benito Cerino, programs, 1975 November-December |
Box 45 | Folder 8 | Benito Cerino, promotional material, 1975 November-December |
Box 45 | Folder 10 | Benito Cerino, reviews and news clippings, 1975 |
Box 183 | Folder 3 | Mourning Becomes Electra, photographs (2), includes Laura Esterman and Rosemary Murphy, 1976 January-February |
Box 45 | Folder 14 | Mourning Becomes Electra, press releases and promotional material, 1976 January-February |
Box 45 | Folder 15 | Mourning Becomes Electra, programs, 1976 January-February |
Box 45 | Folder 13a | Mourning Becomes Electra, prompt script, 1976 |
Box 45 | Folder 16 | Mourning Becomes Electra, reviews and news clippings, 1976 |
Box 45 | Folders 11-13 | Mourning Becomes Electra, script with contact lists, 1976, undated |
Box 45 | Folder 17 | The Last Meeting of the Knights of the White Magnolia, contact lists, 1976 |
Box 85 | Folder 21 | The Last Meeting of the Knights of the White Magnolia, correspondence, 1976 |
Box 85 | Folder 22 | The Last Meeting of the Knights of the White Magnolia, information on other productions, 1976 |
Box 183 | Folder 4 | The Last Meeting of the Knights of the White Magnolia, photograph (1), negative (1), includes Douglas Fisher, Frank Hamilton, Earl Sydnor and John Wardwell, 1976 February-March |
Box 45 | Folder 18 | The Last Meeting of the Knights of the White Magnolia, press releases and promotional material, 1976 February-March |
Box 45 | Folder 19 | The Last Meeting of the Knights of the White Magnolia, programs, 1976 February-March |
Box 45 | Folder 20 | The Last Meeting of the Knights of the White Magnolia, reviews and news clippings, 1976 |
Box 45 | Folders 21-22 | The Last Meeting of the Knights of the White Magnolia, scripts [unmarked], 1976 |
Box 85 | Folder 23 | Our Father’s Failing, background on Horovitz, 1976 |
Box 85 | Folder 24 | Our Father’s Failing, correspondence, 1976 |
Box 183 | Folder 5 | Our Father’s Failing, photograph (1), includes Dominic Chianese, Joseph Leon and Lanna Saunders, 1976 March-May |
Box 45a | Folder 11 | Our Father’s Failing, press releases and promotional material, 1976 March-May |
Box 45a | Folder 12 | Our Father’s Failing, programs, 1976 March-May |
Box 45a | Folder 13 | Our Father’s Failing, reviews, news clippings, 1976 |
Box 45a | Folders 1-2 | Our Father’s Failing, script, [revised] 1974 November |
Box 45a | Folders 3-4 | Our Father’s Failing, script, [revised], 1975 August |
Box 45a | Folder 5 | Our Father’s Failing, script, Act I [revised], [1976 March] |
Box 45a | Folder 6 | Our Father’s Failing, script, Act I, Scene 2, [1976 March] |
Box 45a | Folder 7 | Our Father’s Failing, script, [1976 March] |
Box 45a | Folders 8-9 | Our Father’s Failing, script, with contact lists, 1976 March 22 |
Box 45a | Folder 10 | Our Father’s Failing, script [complete, revised], 1976 March 22 |
Box 183 | Folder 6 | The Devil's Disciple, photographs (2), includes Eugene J. Anthony, Allison Giglio, Robert Murch and Kenneth Welsh, 1976 May-June |
Box 46 | Folder 1 | The Devil's Disciple, press releases and promotional material, 1976 May-June |
Box 46 | Folder 2 | The Devil's Disciple, programs, 1976 May-June |
Box 46 | Folder 3 | The Devil's Disciple, reviews and news clippings, 1976 |
Box 46 | Folder 4 | Studio - promotional material, 1975-1976 |
Box 46 | Folder 5 | Studio - Speak of the Devil, programs, 1975 November 6-16 |
Box 46 | Folder 6 | Studio - Camino Real, programs, 1975 December 4-14 |
Box 46 | Folder 7 | Studio - Tobacco Road, programs, 1976 February 5-15 |
Box 46 | Folder 8 | Studio - Macbeth, programs, 1976 March 4-20 |
Box 46 | Folder 10 | Studio - When You Comin' Back Red Ryder? programs, 1976 April 1-11 |
Oversize Folder 30 | Studio - When You Comin' Back Red Ryder? set design, 1976 | |
Box 46 | Folder 12 | Studio - Ah, Wilderness! programs, 1976 April 29-May 9 |
Oversize Folder 40 | Studio - Ah, Wilderness! set designs, 1976 | |
Box 46 | Folder 13 | Stage 2 - press releases and promotional material, 1975-1976 |
Box 46 | Folder 14 | Stage 2 - news clippings, material, 1975-1976 |
Box 203 | Folder 7 | Stage 2 - American Buffalo, photograph (1), includes J.J. Johnston, William H. Macy and Mike Nussbaum, 1975 October-November |
Box 46 | Folder 15 | Stage 2 - American Buffalo, press releases and promotional material, 1975 October-November |
Box 46 | Folder 17 | Stage 2 - American Buffalo, programs, 1975 October-November |
Box 46 | Folder 16 | Stage 2 - American Buffalo, reviews and news clippings, 1975 |
Box 46 | Folder 18 | Stage 2 - American Buffalo, script, 1975 |
Box 46 | Folder 19 | Stage 2 - Three Plays of the Yuan Dynasty, translated by Liu Jung-en, directed by June Pyskacek, music by Gerald Holbrook, set designs by Rick Paul and Uta Olson, lights by Robert Christen, contact list, 1975 December |
Box 83 | Folder 8 | Stage 2 - Three Plays of the Yuan Dynasty, press releases and promotional materials, 1975 December |
Box 46 | Folder 20 | Stage 2 - Three Plays of the Yuan Dynasty, poster, 1975 |
Box 46 | Folder 21 | Stage 2 - Three Plays of the Yuan Dynasty, programs, 1975 December |
Box 46 | Folder 22 | Stage 2 - Three Plays of the Yuan Dynasty, reviews and news clippings, 1975 December |
Box 183 | Folder 7 | Stage 2 - Chicago and The Local Stigmatic, photographs (2), includes Jim Jacobs, Warren Leming, Mark Nutter and Arlene Schulfer, [1976] |
Box 46 | Folder 23 | Stage 2 - Chicago and The Local Stigmatic, press releases and promotional materials, [1976] |
Box 46 | Folder 25 | Stage 2 - Chicago and The Local Stigmatic, programs, [1976] |
Box 46 | Folder 24 | Stage 2 - Chicago and The Local Stigmatic, reviews and news clippings, [1976] |
Box 46 | Folder 26 | Stage 2 - Dandelion Wine, contact lists, 1976 March-April |
Box 183 | Folder 8 | Stage 2 - Dandelion Wine, photograph (1), Scott Larsson, Tom MacDonald, Jane MacIver and Scott Stevens, 1976 March-April |
Box 203 | Folder 7 | Stage 2 - Dandelion Wine, photograph (1), 1976 March-April |
Box 46 | Folder 27 | Stage 2 - Dandelion Wine, press releases and promotional materials, 1976 March-April |
Box 46 | Folder 29 | Stage 2 - Dandelion Wine, programs, 1976 March-April |
Box 85 | Folder 25 | Stage 2 - Dandelion Wine, research on other productions and on Bradbury, 1976 March 18-April 4 |
Box 46 | Folder 28 | Stage 2 - Dandelion Wine, reviews and news clippings, 1976 March 18-April 4 |
Box 85 | Folder 26 | Stage 2 - Statues and The Bridge at Belharbour, correspondence, 1976 |
Box 183 | Folder 9 | Stage 2 - The Bridge at Belharbour, photograph (1), includes Mike Genovese and Judith Ivey, 1976 April-May |
Box 203 | Folder 7 | Stage 2 - Statues and The Bridge at Belharbour, photographs (12), 1976 April-May |
Box 46 | Folder 30 | Stage 2 - Statues and The Bridge at Belharbour, press releases and promotional material, 1976 April-May |
Box 46 | Folder 32 | Stage 2 - Statues and The Bridge at Belharbour, programs, 1976 April-May |
Box 46 | Folder 31 | Stage 2 - Statues and The Bridge at Belharbour, reviews and news clippings, 1976 |
Box 46 | Folder 32a | Stage 2 - The Bridge at Belharbour, script, 1975 |
Box 46 | Folder 32b | Stage 2 - Statues, script, undated |
Box 46 | Folder 33 | Children’s Theatre - promotional material, 1975-1976 |
Box 46 | Folder 34 | Children’s Theatre - Tom Sawyer, programs, 1975 October-November |
Box 46 | Folder 35 | Children’s Theatre - The Wizard of Oz, programs, 1975 December-1976 January |
Box 46 | Folder 36 | Children’s Theatre - Coyote and His Brothers, press releases, 1976 January-March |
Box 46 | Folder 37 | Children’s Theatre - Coyote and His Brothers, programs, 1976 January-March |
Box 46 | Folder 38 | Children’s Theatre - Yankee Doodle, programs, 1976 March-May |
Box 46 | Folder 39 | Special Events - Joseph Holmes Dance Theatre, professional debut, news clippings, 1975 October |
Box 46 | Folder 40 | Special Events - Breakfast in the Kitchen by James Dexter, programs, news clippings, 1975 October 7 |
Box 46 | Folder 41 | Special Events - Free Street Theatre presents Declaration '76, proposal, circa 1976 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries T: 1976-1977 Season, 1972-1977
Arrangement
Subseries T is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 85 | Folder 27 | Auditions and Midwest Casting Center, 1976-1977 |
Box 47 | Folder 1 | Press releases and promotional material, 1976-1977 |
Box 47 | Folder 2 | Design for Living, contact list, 1976 |
Box 85 | Folder 28 | Design for Living, correspondence and promotional material, 1976 |
Box 183 | Folder 10 | Design for Living, photograph (1), includes Richard Clarke, David Dukes, Brian Murray and Carrie Nye, 1976 October-November |
Box 47 | Folder 4 | Design for Living, programs, 1976 October-November |
Box 47 | Folder 3 | Design for Living, reviews and news clippings, 1976 |
Box 47 | Folder 5 | Long Day's Journey Into Night, contact list, 1976 |
Box 183 | Folder 11 | Long Day's Journey Into Night, photograph (1), includes Frances Hyland, John Shea and Drew Snyder, 1976 November-December |
Box 47 | Folder 6 | Long Day's Journey Into Night, press releases and promotional material, 1976 November-December |
Box 47 | Folder 8 | Long Day's Journey Into Night, programs, 1976 November-December |
Box 47 | Folder 7 | Long Day's Journey Into Night, reviews and news clippings, 1976 |
Box 47 | Folder 9 | The Show Off by George Kelly, contact list, 1976 December-1977 February |
Box 47 | Folder 10 | The Show Off, press releases and promotional material, 1976 December-1977 February |
Box 47 | Folder 12 | The Show Off, programs, 1976 December-1977 February |
Box 47 | Folder 11 | The Show Off, reviews and news clippings, 1976-1977 |
Box 85 | Folder 29 | The Show Off, script, [unmarked copy of published script], undated |
Box 47 | Folder 13 | Richard III, contact list, 1977 February-March |
Box 203 | Folder 7 | Richard III, photograph (1), 1977 February-March |
Box 47 | Folder 14 | Richard III, press releases and promotional material, 1977 February-March |
Box 47 | Folder 16 | Richard III, programs, 1977 February-March |
Box 85 | Folder 30 | Richard III, promotional material, 1977 February-March |
Box 47 | Folder 15 | Richard III, reviews, news clippings, 1977 |
Box 85 | Folder 31 | Richard III, script, [copy of a published script with line cuts and changes], undated |
Box 47 | Folder 17 | Streamers, contact list, 1977 |
Box 86 | Folder 1 | Streamers, information on previous productions, 1976 |
Box 47 | Folder 18 | Streamers, press releases and promotional material, 1977 March-May |
Box 47 | Folder 20 | Streamers, programs, 1977 March-May |
Box 47 | Folder 19 | Streamers, reviews and news clippings, 1977 |
Box 86 | Folder 2 | Streamers, script [unmarked], undated |
Box 47 | Folder 21 | Don Juan, contact list, 1977 May-June |
Box 183 | Folder 12 | Don Juan, photographs (3), includes Robert Guillaume, Fay Hauser, Judith Ivey, Andrew Rohrer and Nicholas Surovy, 1977 May-June |
Box 47 | Folder 22 | Don Juan, press releases and promotional materials, 1977 May-June |
Box 47 | Folder 23 | Don Juan, programs, 1977 May-June |
Box 86 | Folder 3 | Don Juan, reviews and news clippings, 1977 |
Box 47 | Folder 24 | Studio - The Hostage, programs, 1976 October-November |
Box 47 | Folder 25 | Studio - Summer of the Seventeenth Doll, programs, 1976 December 9-19 |
Box 47 | Folder 26 | Studio - The Mad Dog Blues, programs, 1977 February 3-13 |
Box 47 | Folder 27 | Studio - Hamlet, programs, 1977 March 3-19 |
Box 47 | Folder 28 | Studio - The Real Inspector Hound and Albert's Bridge, programs, 1977 April 7-17 |
Box 47 | Folder 29 | Studio - Spring's Awakening, programs, 1977 May 5-15 |
Box 47 | Folder 30 | Stage 2 - promotional material, news clippings, 1976-1977 |
Box 183 | Folder 13 | Stage 2 - Sizwe Bansi is Dead, photographs (3), includes Lionel Smith and Meshach Taylor, 1976 November 3 |
Box 47 | Folder 31 | Stage 2 - Sizwe Bansi is Dead, press releases and promotional material, 1976 November 3 |
Box 47 | Folder 32 | Stage 2 - Sizwe Bansi is Dead, programs, 1976 November 3 |
Box 86 | Folder 4 | Stage 2 - Sizwe Bansi is Dead, publicity and advertising, 1976 November 3 |
Box 86 | Folder 5 | Stage 2 - Sizwe Bansi is Dead, reviews and news clippings, 1976 November 3 |
Box 86 | Folder 6 | Stage 2 - Sizwe Bansi is Dead, promotional material, reviews and clippings from production at Victory Gardens Theater, 1977 May |
Box 86 | Folder 7 | Stage 2 - Sizwe Bansi is Dead, promotional material, reviews and clippings from Tour, 1978 Spring |
Box 47 | Folder 33 | Stage 2 - The Sport of My Mad Mother, contact list, 1976 December |
Box 183 | Folder 14 | Stage 2 - The Sport of My Mad Mother, photograph (1), includes Donald Corren and Judith Ivey, 1976 December |
Box 47 | Folder 35 | Stage 2 - The Sport of My Mad Mother, programs, 1976 December |
Box 47 | Folder 34 | Stage 2 - The Sport of My Mad Mother, promotional materials and press releases, 1976 December |
Box 86 | Folder 8 | Stage 2 - The Sport of My Mad Mother, reviews and news clippings, 1976 December |
Box 47 | Folder 36 | Stage 2 - A Life in the Theatre, contact list, 1977 February |
Box 183 | Folder 15 | Stage 2 - A Life in the Theatre, photograph (1), 1977 February |
Box 47 | Folder 37 | Stage 2 - A Life in the Theatre, press releases and promotional material, 1977 February |
Box 47 | Folder 39 | Stage 2 - A Life in the Theatre, programs, 1977 February |
Box 47 | Folder 38 | Stage 2 - A Life in the Theatre, reviews and news clippings, 1977 February |
Box 86 | Folder 9 | Stage 2 - A Life in the Theatre, script [revised with light cues], 1976 |
Box 86 | Folder 10 | Stage 2 - A Life in the Theatre script [revised, dated December 9, 1976, with additional revisions] (2 copies), 1977 January 17 |
Box 47 | Folder 40 | Stage 2 - Kaspar, contact list, 1977 March |
Box 86 | Folder 11 | Stage 2 - Kaspar, information on Peter Handke, 1977 March |
Box 183 | Folder 16 | Stage 2 - Kaspar, photograph (1), includes Mark Hutter, Christopher Raynolds and Randall Smith, 1977 March |
Box 47 | Folder 41 | Stage 2 - Kaspar, press releases and promotional material, 1977 March |
Box 47 | Folder 43 | Stage 2 - Kaspar, programs, 1977 March |
Box 47 | Folder 42 | Stage 2 - Kaspar, reviews, news clippings, 1977 March |
Box 47 | Folder 44 | Stage 2 - George Jean Nathan in Review, contact list, 1977 April-May |
Box 47 | Folder 45 | Stage 2 - George Jean Nathan in Review, press releases and promotional material, 1977 April-May |
Box 47 | Folder 47 | Stage 2 - George Jean Nathan in Review, programs, 1977 April-May |
Box 47 | Folder 46 | Stage 2 - George Jean Nathan in Review, reviews and news clippings, 1977 April-May |
Box 47 | Folder 48 | Stage 2 - George Jean Nathan in Review, script [unmarked], undated |
Box 47 | Folder 49 | Stage 2 - George Jean Nathan in Review, script, Act II [rough draft-modified], [1977] |
Box 47a | Folder 1 | Children’s Theatre - promotional material, 1976-1977 |
Box 47a | Folder 3 | Children’s Theatre - Just So Stories, programs, 1976-1977 |
Box 47a | Folder 2 | Children’s Theatre - Just So Stories, script, typescript, 1972 |
Box 47a | Folder 4 | Children’s Theatre - Aladdin and His Wonderful Lamp, programs, 1976 October-November |
Oversize Folder 40 | Children’s Theatre - Aladdin and His Wonderful Lamp, set designs, 1976 | |
Box 47a | Folder 6 | Children’s Theatre - The Adventures of Pinocchio, programs, 1976 December-1977 January |
Oversize Folder 30 | Children’s Theatre - The Adventures of Pinocchio, set designs, 1976 | |
Box 47a | Folder 8 | Children’s Theatre - The Unwicked Witch, programs, 1977 January-March |
Box 47a | Folder 9 | Children’s Theatre - Androcles and the Lion, programs, 1977 March-May |
Box 47a | Folder 10 | Special Events - As You Like It, Shakespeare in the Park, directed by Gregory Mosher, sets by Maher Ahmad, lights by Robert Christen, costumes by Marsha Kowal, music by Alaric Jans with Judith Ivey and Mike Nussbaum, news clippings and contact list, [1976-1977] |
Box 47a | Folder 10a | Special Events - New Playwright’s Project, promotional materials, news clippings, [1976-1977] |
Box 47a | Folder 11 | Special Events - Times Up by Lance Lee, directed by William Woodman with Jack Wallace, programs, [1976-1977] |
Box 47a | Folder 12 | Special Events - Times Up, script, [1976-1977] |
Box 47a | Folder 13 | Special Events - City Junket, directed by Mac McGuinnes, programs, [1976-1977] |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries U: 1977-1978 Season, 1977-1978
Arrangement
Subseries U is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 47a | Folder 14 | Press releases and promotional material, 1977-1978 |
Box 47a | Folder 14a | Reviews, news clippings, 1977-1978 |
Box 86 | Folder 12 | Open auditions and Midwest Casting Center, 1977-1978 |
Box 47a | Folder 15 | St. Joan, contact list, 1977 |
Box 86 | Folder 13 | St. Joan, information from other productions, 1977 |
Box 183 | Folder 17 | St. Joan, photographs (5), includes Joseph Bova, Lynn Redgrave and Paul Shyre, 1977 September-October |
Box 47a | Folder 17 | St. Joan, programs, 1977 September-October |
Box 86 | Folder 14 | St. Joan, promotional material, 1977 September-October |
Box 47a | Folder 16 | St. Joan, reviews and news clippings, 1977 |
Box 86 | Folder 15 | The Sea Gull, casting, 1977 |
Box 47a | Folder 18 | The Sea Gull, contact list, 1977 |
Box 183 | Folder 18 | The Sea Gull, photographs (7), includes Deborah Baltzell, Ruth Ford, Linda Kimbrough, Marge Kotlisky, William Mowry, Christopher Raynolds, Jack Roberts, Jeremiah Sullivan and Robert Thompson, 1977 November-December |
Box 47a | Folder 20 | The Sea Gull, programs, 1977 November-December |
Box 86 | Folder 16 | The Sea Gull, promotional material, 1977 November-December |
Box 86 | Folder 17 | The Sea Gull, prompt script with cues, rehearsal log and contact list, 1977 |
Box 86 | Folder 18 | The Sea Gull, prompt script with blocking, 1977 |
Box 47a | Folder 19 | The Sea Gull, reviews and news clippings, 1977 |
Box 86 | Folder 19 | A Christmas Carol, prompt script for the production at the Guthrie Theatre, Minneapolis, Minnesota, [1977] |
Box 47a | Folder 21 | Working, contact list, 1977 December-1978 February |
Box 183 | Folder 19 | Working, photographs (10), includes Steven Boockvor, Robin Lemont, Joe Montegna, Jay Flash Riley, Stephen Schwartz, Brad Sullivan and Studs Terkel, 1977 December-1978 February |
Box 204 | Folder 1 | Working, photographs of rehearsals (2), includes Robin Lemont, Bobo Lewis, Lynne Thigpen and Terri Treas, 1977 |
Oversize Folder 44 | Working, photograph on board (1), includes Studs Terkel, 1977 December-1978 February | |
Box 47a | Folder 23 | Working, programs, 1977 December-1978 February |
Box 86 | Folder 20 | Working, promotional material, 1977 December-1978 February |
Box 47a | Folder 22 | Working, reviews and news clippings, 1977-1978 |
Box 47a | Folder 24 | Working, reviews and news clippings from New York City production, [1977] |
Box 47a | Folder 25 | Much Ado About Nothing, contact list, 1978 February-March |
Box 183 | Folder 20 | Much Ado About Nothing, photographs (3), including Eugene J. Anthony, Laura Esterman, Patrick Hines, Judith Ivey, Dennis Kennedy, Linda Kimbrough, Matthew Kimbrough, Timothy Oman, Michael Tezla and John Walsh, 1978 February-March |
Box 47a | Folder 27 | Much Ado About Nothing, programs, 1978 February-March |
Box 86 | Folder 21 | Much Ado About Nothing, promotional material, 1978 February-March |
Box 47a | Folder 26 | Much Ado About Nothing, reviews and news clippings, 1978 |
Box 86 | Folder 22 | Much Ado About Nothing, script [published version of Zeffirelli production, National Theatre of Great Britain], undated |
Box 48 | Folder 1 | The Night of the Iguana, contact list, 1978 |
Box 183 | Folder 21 | The Night of the Iguana, photographs (5), includes Alan Mixon, Ruth Roman, Barbara Rush and Robert Thompson, 1978 March-May |
Box 204 | Folder 2 | The Night of the Iguana, photographs (5), includes George Keathley, David Mink, Alan Mixon, Barbara Rush, Robert Thompson and Tennessee Williams, 1978 March-May |
Box 48 | Folder 2 | The Night of the Iguana, press releases, reviews, news clippings, 1978 March-May |
Box 48 | Folder 3 | The Night of the Iguana, programs, 1978 March-May |
Box 86 | Folder 23 | Otherwise Engaged, casting, 1978 |
Box 48 | Folder 4 | Otherwise Engaged, contact list, 1978 May-June |
Box 183 | Folder 22 | Otherwise Engaged, photographs (6), includes Barry Boys, Sarah-Jane Gwillim, Benjamin Hendrickson, Philip Kerr and Marion Lines, 1978 May-June |
Box 48 | Folder 5 | Otherwise Engaged, press releases, news clippings, 1978 |
Box 48 | Folder 6 | Otherwise Engaged, programs, 1978 May-June |
Box 48 | Folder 7 | Otherwise Engaged, script [labeled “B”], 1978 May-June |
Box 48 | Folder 9 | Studio - The Playboy of the Western World, programs, 1977 October-November |
Box 48 | Folder 8 | Studio - The Playboy of the Western World, set design, 1977 |
Oversize Folder 30 | Studio - The Playboy of the Western World, set design, 1977 | |
Box 48 | Folder 11 | Studio - Six Characters in Search of an Author, programs and posters, [1977-1978] |
Oversize Folder 30 | Studio - Six Characters in Search of an Author, set design, 1977 | |
Box 48 | Folder 13 | Studio - Small Craft Warnings, programs and posters, 1977 December |
Oversize Folder 40 | Studio - Small Craft Warnings, set design, 1977 | |
Box 48 | Folder 15 | Studio - A Midsummer Night's Dream, programs and posters, 1978 March |
Oversize Folder 30 | Studio - A Midsummer Night's Dream, set designs, 1978 | |
Box 48 | Folder 16 | Studio - Jack, or The Submission and The Chairs, programs and poster, [1977-1978] |
Box 48 | Folder 17 | Stage 2 - promotional material and news clipping, 1977-1978 |
Box 183 | Folder 23 | Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, photographs (4), includes Gisli Bjorgvinsson, Claudia Bohard, Timothy Jenkins, Tom Mula and A.J. Waring, 1978 January |
Oversize Folder 44 | Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, photograph on board (1), 1978 January | |
Box 48 | Folder 18 | Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, programs, 1978 January |
Box 48 | Folder 19 | Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, reviews and news clippings, 1978 January |
Box 48 | Folder 20 | Stage 2 - Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs, script, 1978 |
Box 183 | Folder 24 | Stage 2 - Annulla Allen, the Autobiography of a Survivor, photograph (1), includes Barbara Bryne, 1978 March-April |
Box 48 | Folder 20a | Stage 2 - Annulla Allen, the Autobiography of a Survivor, programs, press releases and promotional material, 1978 March-April |
Box 48 | Folder 21 | Stage 2 - Annulla Allen, the Autobiography of a Survivor, reviews and news clippings, 1978 |
Box 48 | Folder 21a | Stage 2 - Annulla Allen, the Autobiography of a Survivor, reviews from other productions, circa 1978 |
Box 48 | Folder 22 | Stage 2 - Annulla Allen, the Autobiography of a Survivor, script [adapted for Earplay radio], [1978] |
Box 86 | Folder 24 | Stage 2 - Battering Ram, casting, 1978 |
Box 48 | Folder 23 | Stage 2 - Battering Ram, contact list, 1978 April |
Box 183 | Folder 25 | Stage 2 - Battering Ram, photographs (2), includes William H. Macy and Barbara Robertson, 1978 April |
Box 48 | Folder 24 | Stage 2 - Battering Ram, programs, press releases, promotional material, 1978 April |
Box 48 | Folder 25 | Stage 2 - Battering Ram, reviews and news clippings, 1978 |
Box 48 | Folder 26 | Stage 2 - Battering Ram, script, 1978 |
Box 183 | Folder 26 | Stage 2 - Sizwe Banzi is Dead, photographs (2), includes Lionel Smith and Meshach Taylor, 1978 March 14-19 |
Box 48 | Folder 27 | Stage 2 - Sizwe Banzi is Dead, programs, 1978 March |
Box 48 | Folder 28 | Stage 2 - Prague Spring, contact list, 1978 May-June |
Box 183 | Folder 27 | Stage 2 - Prague Spring, photographs (2), includes Mike Genovese, Roger Mueller and Lawrence Russo, 1978 May-June |
Box 204 | Folder 3 | Stage 2 - Prague Spring, photographs (2), includes Tony Flacco, Steve Fletcher, Mike Genovese, and Lawrence Russo, 1978 May-June |
Box 48 | Folder 29 | Stage 2 - Prague Spring, programs, press releases, promotional material, 1978 May-June |
Box 48 | Folder 29a | Stage 2 - Prague Spring, reviews and news clippings, 1978 |
Box 48 | Folder 30 | Stage 2 - Prague Spring, script, undated |
Box 48 | Folder 29b | Stage 2 - Prague Spring, program for the Cleveland Playhouse production, [1978] |
Box 48 | Folder 31 | Children’s Theatre - Beauty and the Beast, programs and poster, 1977 October-December |
Box 48 | Folder 32 | Children’s Theatre - Winterthing, flyer, 1978 January-March |
Box 48 | Folder 33 | Children’s Theatre - Cinderella, programs and poster, 1978 March-May |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries V: 1978-1979 Season, 1978-1979, undated
Arrangement
Subseries V is arranged chronologically beginning with mainstage productions followed by studio and Stage 2 productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 88 | Folder 1 | Auditions and Midwest Casting Center, 1978-1979 |
Box 49 | Folder 1 | Promotional material, 1978-1979 |
Box 88 | Folder 2 | Native Son, casting, 1978 |
Box 49 | Folder 2 | Native Son, contact lists, 1978 |
Box 184 | Folder 1 | Native Son, photographs (2), includes Meshach Taylor, 1978 October-November |
Oversize Folder 32 | Native Son, poster, 1978 October-November | |
Box 49 | Folder 3 | Native Son, programs and promotional material, 1978 October-November |
Box 88 | Folder 3 | Native Son, research, undated |
Box 49 | Folder 4 | Native Son, reviews and news clippings, 1978 |
Box 88 | Folder 4 | Native Son, script [unmarked with scene breakdown], 1978 |
Box 88 | Folder 5 | A Christmas Carol, casting, 1978 |
Box 184 | Folder 2 | A Christmas Carol, photograph (1), includes Val Bettin and William J. Norris, 1978 November-December |
Box 49 | Folder 5 | A Christmas Carol, programs and promotional material, 1978 November-December |
Box 88 | Folders 7-8 | A Christmas Carol, prompt script with blocking, 1978 |
Box 88 | Folder 6 | A Christmas Carol, reviews, 1978 November-December |
Box 88 | Folder 9 | Two-Part Inventions, contact list, reviews, news clippings, 1979 |
Box 184 | Folder 3 | Two-Part Inventions, photographs (6), includes Leonard Frey, Avril Gentles, Jerome Kilty and Jennifer Tipton, 1979 January-February |
Box 49 | Folder 6 | Two-Part Inventions, programs and promotional material, 1979 January-February |
Box 88 | Folder 10 | Two-Part Inventions, research, 1979 January-February |
Box 49 | Folder 6a | Two-Part Inventions, script [unmarked copy of published script], undated |
Box 49 | Folder 7 | Bosoms and Neglect, contact list, 1979 February-April |
Box 88 | Folder 11 | Bosoms and Neglect, information on other productions, 1979 |
Box 184 | Folder 4 | Bosoms and Neglect, photographs (6), includes Marian Mercer, Kate Reid and Paul Rudd, 1979 February-April |
Box 203 | Folder 7 | Bosoms and Neglect, photograph (1), 1979 February-April |
Oversize Folder 32 | Bosoms and Neglect, posters (2 copies), 1979 February-April | |
Box 49 | Folder 8 | Bosoms and Neglect, programs, news clippings, 1979 February-April |
Box 88 | Folder 12 | Bosoms and Neglect, promotional material, 1979 February-April |
Box 49 | Folder 8a | Bosoms and Neglect, script [revised], 1978 December 15 |
Box 49 | Folder 9 | Holiday, contact list, 1979 April-May |
Box 184 | Folder 5 | Holiday, photographs (4), includes Lindsay Crouse and Norman Snow, 1979 April-May |
Box 49 | Folder 10 | Holiday, programs, promotional material, news clippings, 1979 April-May |
Box 49 | Folder 10a | Holiday, script [copy of published script], undated |
Box 49 | Folder 11 | The Lone Canoe, or The Explorer, contact list, 1979 May-June |
Box 184 | Folder 6 | The Lone Canoe, or The Explorer, photographs (4), includes Susan Dafoe, David Mamet, Norman Snow, Colin Stinton and Sam Tsoutsouvas, 1979 May-June |
Box 49 | Folder 12 | The Lone Canoe, or The Explorer, programs and promotional material, 1979 May-June |
Box 88 | Folder 13 | The Lone Canoe, or The Explorer, research, 1975 |
Box 88 | Folder 14 | The Lone Canoe, or The Explorer, reviews and news clippings, 1979 |
Box 49 | Folder 13 | The Lone Canoe, or The Explorer, script [labeled “Early Draft”], [1979] |
Box 49 | Folder 14 | The Lone Canoe, or The Explorer, script [labeled “A-3rd Draft”], 1979 |
Box 49a | Folder 1 | The Lone Canoe, or The Explorer, script [labeled “B-Corrected 5/27/79”], 1979 May 27 |
Box 49a | Folder 2 | The Lone Canoe, or The Explorer, script [labeled “C-Draft 4”], 1979 |
Box 49a | Folder 3 | The Lone Canoe, or The Explorer, script [labeled “D,” photocopy of B], 1979 |
Box 49a | Folder 4 | The Lone Canoe, or The Explorer, script [labeled “E-Draft 5”], [1979 |
Box 49a | Folder 5 | The Lone Canoe, or The Explorer, script [labeled “B” and “F”], [1979] |
Box 49a | Folder 6 | Studio - The Royal Gambit, programs, 1978 November |
Box 49a | Folder 7 | Studio - Hold Me, programs, 1979 January-February |
Box 49a | Folder 8 | Studio - Antigone, programs, 1979 March |
Box 49a | Folder 9 | Studio - The Promise, programs, 1979 April |
Box 49a | Folder 10 | Studio - The Time of Your Life, promotional material, 1979 May |
Box 184 | Folder 7 | Stage 2 - Emigres, photograph (1), 1978 October-November |
Oversize Folder 44 | Stage 2 - Emigres, photograph on board (1), 1978 October-November | |
Box 49a | Folder 11 | Stage 2 - Emigres, programs, promotional materials and reviews (with reviews from other productions), 1978 October-November |
Box 49a | Folder 12 | Stage 2 - Curse of the Starving Class, contact list, 1979 January |
Box 184 | Folder 8 | Stage 2 - Curse of the Starving Class, photograph (1), includes Glenne Headley, 1979 January |
Oversize Folder 32 | Stage 2 - Curse of the Starving Class, poster, 1979 January | |
Box 49a | Folder 13 | Stage 2 - Curse of the Starving Class, programs, promotional material and reviews (with reviews from New York productions), 1979 January |
Box 49a | Folder 14 | Stage 2 - Scenes and Revelations, contact list and correspondence, 1979 March-April |
Box 184 | Folder 9 | Stage 2 - Scenes and Revelations, photographs (4), includes David Chadderson, Susan Dafoe, Tim Halligan, Sonja Lanzener, Janice St. John and Nan Wade, 1979 March-April |
Box 49a | Folder 15 | Stage 2 - Scenes and Revelations, programs and promotional material, 1979 March-April |
Box 49a | Folder 16 | Stage 2 - Scenes and Revelations, script, 1979 |
Box 49a | Folder 17 | Stage 2 - The Island by Athol Fugard, John Kani and Winston Nishona. Touring, contact list, 1979 March |
Box 184 | Folder 10 | Stage 2 - The Island, photograph (1), 1979 March |
Box 184 | Folder 11 | Stage 2 - Olatunji & Friends, photographs (2), includes Ed Bullins, Woodie King and Michael Babatunde Olatunji, [1979] |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries W: 1979-1980 Season, 1978-1980, undated
Arrangement
Subseries W is arranged chronologically beginning with mainstage productions followed by studio and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 50 | Folder 1 | Promotional material, 1979-1980 |
Box 88 | Folder 15 | Open auditions and Midwest Casting Center, 1979-1980 |
Box 88 | Folder 16 | Death and the King's Horseman, casting, 1979 |
Box 88 | Folder 17 | Death and the King's Horseman, contact list, 1979 October-November |
Box 88 | Folder 18 | Death and the King's Horseman, correspondence (invitations), 1979 |
Box 88 | Folder 19 | Death and the King's Horseman, costume and prop lists, script changes, sound plot, 1979 |
Box 88 | Folder 20 | Death and the King's Horseman, costuming, 1979 |
Box 50 | Folder 4 | Death and the King's Horseman, Goodman Guide, 1979 October-November |
Box 184 | Folder 12 | Death and the King's Horseman, photographs (5), includes Norman Matlock, Gregory Mosher and Wole Soyinka, 1979 October-November |
Box 204 | Folder 3 | Death and the King's Horseman, photograph (1), 1979 October-November |
Oversize Folder 32 | Death and the King's Horseman, posters (2 copies), 1979 October-November | |
Box 50 | Folder 3 | Death and the King's Horseman, press releases, promotional material, 1979 October-November |
Box 50 | Folder 5 | Death and the King's Horseman, programs, 1979 October-November |
Box 89 | Folder 1 | Death and the King's Horseman, prompt script, 1979 October-November |
Box 88 | Folder 21 | Death and the King's Horseman, publicity and advertising, 1979 October-November |
Box 50 | Folder 2 | Death and the King's Horseman, research, 1979 |
Box 88 | Folder 22 | Death and the King's Horseman, reviews and news clippings, 1979 |
Box 50 | Folder 5a | Death and the King's Horseman, script [marked with corrections], [folder missing] [1979] |
Box 88 | Folder 25 | Death and the King’s Horseman, script [copy of published script marked “with corrections,” some pages illegible], undated |
Box 88 | Folder 23 | Death and the King's Horseman, reviews and news clippings from performances at the Kennedy Center, Washington DC, 1979 |
Box 88 | Folder 24 | Death and the King's Horseman, programs, promotional material from performances at the Kennedy Center, Washington DC, 1979 December 4-23 |
Box 89 | Folder 2 | A Christmas Carol, casting, [1979] |
Box 184 | Folder 13 | A Christmas Carol, photographs (4), includes Frank Howard, Blaine Lesnick, Jeanine Morick, William J. Norris, Robert Scogin and Robert Thompson, [1979] |
Oversize Folder 32 | A Christmas Carol, poster, 1979 | |
Box 50 | Folder 7 | A Christmas Carol, programs, [1979] |
Box 50 | Folder 6 | A Christmas Carol, promotional material, reviews and news clippings, [1979] |
Box 89 | Folders 4-5 | A Christmas Carol, prompt script, [1979] |
Box 50 | Folder 7a | A Christmas Carol, script [labeled “B”], 1978 |
Box 50 | Folder 7b | A Christmas Carol, script, 1977 October |
Box 89 | Folder 3 | A Christmas Carol, script [marked “#6,” with Dickens chronology], [1979] |
Box 89 | Folder 6 | An Enemy of the People, casting, 1979 |
Box 89 | Folder 7 | An Enemy of the People, contact list, 1980 |
Box 89 | Folder 8 | An Enemy of the People, educational programs department, 1980 |
Box 50 | Folder 8 | An Enemy of the People, Goodman Guide, 1980 |
Box 89 | Folder 16 | An Enemy of the People, Goodman Guide (rehearsal and pre-show), 1980 |
Box 89 | Folder 9 | An Enemy of the People, information on Henrik Ibsen, 1978, undated |
Box 89 | Folder 10 | An Enemy of the People, information on other productions, undated |
Box 184 | Folder 14 | An Enemy of the People, photographs (3), includes Paul Winfield, 1980 January-February |
Oversize Folder 32 | An Enemy of the People, poster, 1980 January-February | |
Box 50 | Folder 9 | An Enemy of the People, promotional material, 1980 January-February |
Box 50 | Folder 10 | An Enemy of the People, programs, 1980 January-February |
Box 89 | Folder 11 | An Enemy of the People, prompt script with schedules and contact list, 1980 |
Box 89 | Folder 12 | An Enemy of the People, publicity and advertising, 1979-1980 |
Box 89 | Folder 13 | An Enemy of the People, reviews and news clippings, 1980 |
Box 50 | Folder 10a | An Enemy of the People, script (photocopy), undated |
Box 89 | Folder 14 | An Enemy of the People, script (photocopy), undated |
Box 89 | Folder 15 | An Enemy of the People, tech, prop and costume notes, 1979-1980 |
Box 89 | Folder 17 | An Enemy of the People, program, reviews and news clippings from performances at the Annenberg Center, University of Pennsylvania, 1980 March 4-15 |
Box 90 | Folder 1 | Bal, casting, 1979-1980 |
Box 90 | Folder 2 | Bal, correspondence, 1979-1980 |
Box 50 | Folder 11 | Bal, Goodman Guide, 1980 February |
Box 184 | Folder 15 | Bal, photographs (3), includes Jim Belushi, Caitlin Clarke, Del Close and Cosmo White, 1980 February-April |
Oversize Folder 32 | Bal, poster, 1980 February-April | |
Box 50 | Folder 13 | Bal, programs, 1980 February-April |
Box 50 | Folder 12 | Bal, promotional material, reviews and news clippings, 1980 |
Box 90 | Folder 4 | Bal, prompt script, [1980] |
Box 90 | Folder 5 | Bal, prompt script, with sound and light cues, 1980 |
Box 90 | Folder 6 | Bal, research on Bertolt Brecht, 1979-1980 |
Box 90 | Folder 7 | Bal, script [marked “originals”, with line cuts and notes], 1980 |
Box 90 | Folder 8 | Bal, script [unmarked draft], 1979 May |
Box 90 | Folder 3 | Bal, script [unmarked revised script], 1979 November |
Box 90 | Folder 9 | Bal, tech and rehearsal notes, time sheets, 1979-1980 |
Box 90 | Folder 10 | Talley's Folly, box office, 1980 April-May |
Box 90 | Folder 11 | Talley's Folly, casting, 1979 |
Box 90 | Folder 12 | Talley's Folly, contact list, 1980 |
Box 90 | Folder 13 | Talley's Folly, contracts and royalties, 1979-1980 |
Box 50 | Folder 14 | Talley's Folly, Goodman Guide, 1980 |
Box 90 | Folder 14 | Talley's Folly, information on performances at Circle Repertory, New York City, 1979-1980 |
Box 184 | Folder 16 | Talley's Folly, photographs (2), includes Jordan Charney, Debra Mooney, Cheryl Rhodes and Douglas Wood, 1980 April-May |
Oversize Folder 32 | Talley's Folly, poster, 1980 April-May | |
Box 50 | Folder 16 | Talley's Folly, programs, 1980 April-May |
Box 50 | Folder 15 | Talley's Folly, promotional material, 1980 April-May |
Box 91 | Folder 1 | Talley's Folly, prompt script with blocking [marked “Marsha Gitkind”], 1980 April-May |
Box 91 | Folder 2 | Talley's Folly, prompt script with blocking, 1980 |
Box 91 | Folder 4 | Talley's Folly, prompt script with blocking, 1980 |
Box 91 | Folder 3 | Talley's Folly, prompt script with sound and light cues, 1980 |
Box 91 | Folder 5 | Talley's Folly, publicity, 1980 April-May |
Box 91 | Folder 6 | Talley's Folly, reviews and news clippings, 1980 April-May |
Box 50 | Folder 17 | Talley's Folly, script [labeled “Library copy” and marked with line cuts and changes], [1980] |
Box 50 | Folder 18 | Talley's Folly, script [unmarked], undated |
Box 91 | Folder 7 | Cyrano de Bergerac, casting and staff, 1980 |
Box 91 | Folder 8 | Cyrano de Bergerac, correspondence, 1979-1980 |
Box 91 | Folder 9 | Cyrano de Bergerac, costume, light cues, time sheets, music and sound plot, 1980 |
Box 50a | Folder 1 | Cyrano de Bergerac, Goodman Guide, 1980 |
Box 184 | Folder 17 | Cyrano de Bergerac, photographs (2), includes Cara Duff-MacCormick, Larkin Malloy, Steven Sutherland and Kenneth Welsh, 1980 May-June |
Oversize Folder 32 | Cyrano de Bergerac, poster, 1980 May-June | |
Box 91 | Folder 10 | Cyrano de Bergerac, preset, prop and rehearsal notes, 1980 May-June |
Box 91 | Folder 11 | Cyrano de Bergerac, program draft and graphics, 1980 |
Box 50a | Folder 3 | Cyrano de Bergerac, programs, 1980 May-June |
Box 50a | Folder 2 | Cyrano de Bergerac, promotional material, reviews, news clippings, 1980 May-June |
Box 87 | Folders 1-2 | Cyrano de Bergerac, prompt script, 1980 |
Box 87 | Folders 3-5 | Cyrano de Bergerac, prompt script with blocking, 1980 |
Box 91 | Folder 12 | Cyrano de Bergerac, publicity and advertising, 1980 May-June |
Box 91 | Folder 13 | Cyrano de Bergerac, research and pre-production, 1900-1980 |
Box 50a | Folder 4 | Cyrano de Bergerac, script [adapted by Anthony Burgess], undated |
Box 50a | Folder 5 | Cyrano de Bergerac, script [labeled “B” and marked with line cuts and changes], undated |
Box 87 | Folder 6 | Cyrano de Bergerac, script [published], undated |
Box 87 | Folder 7 | Cyrano de Bergerac, script [marked with production cuts] 1980 April 29 |
Box 50a | Folder 6 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, press releases and publicity, 1979 December |
Box 50a | Folder 7 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, programs and promotional material, 1979 December |
Box 50a | Folder 8 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, reviews and news clippings, 1979 |
Box 184 | Folder 18 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, photographs (4), includes Burr Tillstrom, 1979 December 6-30 |
Oversize Folder 33 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, poster, 1979 December | |
Box 50a | Folder 9 | Studio - Krapp's Last Tape by Samuel Beckett, Goodman Guide, 1980 |
Box 184 | Folder 19 | Studio - Krapp’s Last Tape, photographs (3), includes Samuel Beckett and Rick Cluchey, 1980 January-February |
Oversize Folder 33 | Studio - Krapp's Last Tape, poster, 1980 January-February | |
Box 50a | Folder 10 | Studio - Krapp's Last Tape, programs and promotional material, 1980 January-February |
Box 50a | Folder 11 | Studio - Krapp's Last Tape, publicity and advertising, 1980 January-February |
Box 50a | Folder 12 | Studio - Krapp's Last Tape, reviews and news clippings, 1980 January-February |
Box 87 | Folder 8 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, general information on 1980 performances, 1980 |
Box 50a | Folder 13 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, programs, 1980 June |
Box184 | Folder 20 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, photographs (5), 1980 June |
Box 87 | Folder 9 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, press release, promotional material, 1980 June |
Box 87 | Folder 10 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, publicity and marketing, 1980 June |
Box 87 | Folder 11 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, review, 1980 June |
Box 87 | Folder 12 | Studio - Juggling Cheap Theatricks: The Karamazov Brothers, tickets and box office, 1980 June |
Box 50a | Folder 14 | Special Events - A Life in the Theatre, programs, press releases and promotional material, 1979 September |
Box 50a | Folder 15 | Special Events - A Life in the Theatre, publicity and advertising, 1979 September |
Box 50a | Folder 16 | Special Events - A Life in the Theatre, reviews and news clippings, 1979 |
Box 50a | Folder 17 | Special Events - A Life in the Theatre, information on the Philadelphia production, 1979 October 23-November 4 |
Box 50a | Folder 18 | Special Events - A Life in the Theatre, scripts (2 copies), [1979] |
Box 184 | Folder 21 | Special Events - A Life in the Theatre, photographs (6), includes Peter Evans, Michael Nussbaum, Ellis Rabb and Cosmo White, 1979 September |
Box 50a | Folder 19 | Special Events - Growing Up, by arrangement with Arthur Cantor, Emlyn Williams as Dylan Thomas, programs, promotional material, 1979 October 16 |
Box 50a | Folder 20 | Special Events - Growing Up, by arrangement with Arthur Cantor, Emlyn Williams as Dylan Thomas, correspondence and touring information, 1979 October 16 |
Box 184 | Folder 22 | Special Events - Growing Up, by arrangement with Arthur Cantor, Emlyn Williams as Dylan Thomas, photographs (3), includes Emlyn Williams, 1979 October 16 |
Box 50a | Folder 21 | Special Events - Judgment by Barry Collins, program, 1980 February 11 |
Box 50a | Folder 22 | Special Events - Season’s Reasons by Ron Milner, a production of the National Black Touring Circuit, Inc., promotional material, 1980 August 14-24 |
Box 184 | Folder 23 | Special Events - Season’s Reasons by Ron Milner, a production of the National Black Touring Circuit, Inc., photographs (4), includes Woodie King Jr., Vonetta McGee, Ron Milner, Gloria Mitchell, Shauneille Perry, Kaaran Ragland, Glynn Turman and Victor Willis, 1980 August 14-24 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries X: 1980-1981 Season, 1978-1981
Arrangement
Subseries X is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 51 | Folder 1 | Promotional material, 1980-1981 |
Box 92 | Folder 1 | Educational programming, 1980-1981 |
Box 92 | Folder 2 | Open auditions and Midwest Casting Center, 1980-1981 |
Box 92 | Folder 3 | The Suicide, casting, 1980 |
Box 51 | Folder 13 | The Suicide, correspondence and cast list, 1980 |
Box 185 | Folder 1 | The Suicide, photographs (2), 1980 October-November |
Oversize Folder 33 | The Suicide, poster, 1980 October-November | |
Box 51 | Folder 3 | The Suicide, programs, 1980 October-November |
Box 51 | Folder 14 | The Suicide, promotional material and advertising, 1980 October-November |
Box 92 | Folder 4 | The Suicide, prompt script, 1980 October-November |
Box 51 | Folder 15 | The Suicide, reviews and news clippings, 1980 |
Box 51 | Folder 4 | The Suicide, script [labeled “A”], Russian language version, [1980] |
Box 51 | Folder 5 | The Suicide, script [labeled “B, unmarked copy of published script translated by George Genereux and Jacob Volkov], [1980] |
Box 51 | Folder 6 | The Suicide, script [labeled “C,” copy of published script], translated by Peter Tegel, [1980] |
Box 51 | Folder 7 | The Suicide, script [labeled “D,” translated by Xenia Youhn, literal translation used by Richard Nelson in his adaptation], [1980] |
Box 51 | Folder 8 | The Suicide, script [labeled “E-Nelson,” original typescript first draft, with note from Nelson to Mosher], 1980 August 1 |
Box 51 | Folder 9 | The Suicide, script [labeled “F,” typescript with paste-up of Final Production Version], 1980 September |
Box 51 | Folder 10 | The Suicide, script [copy of script labeled “F”], [1980] |
Box 51 | Folder 11 | The Suicide, script [unmarked], [1980] |
Box 51 | Folder 2 | The Suicide, study guide, 1980 |
Box 51 | Folder 12 | The Suicide, background information, 1980 |
Box 92 | Folder 5 | The Suicide, time cue and running sheets, prop and costume lists, 1980 |
Box 92 | Folder 6 | A Christmas Carol, casting, 1980 |
Box 92 | Folder 7 | A Christmas Carol, correspondence, 1980 |
Box 92 | Folder 8 | A Christmas Carol, group sales, 1980 |
Box 185 | Folder 2 | A Christmas Carol, photographs (4), includes Aaron Kramer, David Kropp, Lauren Leeder and William J. Norris, 1980 |
Box 51a | Folder 1 | A Christmas Carol, press releases, promotional material, 1980 |
Box 51a | Folder 2 | A Christmas Carol, programs, 1980 |
Box 92 | Folder 9 | A Christmas Carol, prompt script, 1980-1981 |
Box 92 | Folder 10 | A Christmas Carol, publicity and advertising, 1980 |
Box 51a | Folder 3 | A Christmas Carol, reviews and news clippings, 1980-1981 |
Box 51a | Folder 4 | A Christmas Carol, script, 1977 |
Box 51a | Folder 5 | A Christmas Carol,Sun Times sponsorship information, 1980 |
Box 92 | Folder 11 | A Christmas Carol, tickets and box office, 1980 |
Box 51a | Folder 6 | Betrayal, press releases and promotional material, 1981 January-February |
Box 51a | Folder 7 | Betrayal, programs, 1981 January-February |
Box 51a | Folder 8 | Betrayal, reviews and news clippings, 1981 |
Box 51a | Folder 9 | Betrayal, Spotlight on Goodman, 1981 January 6 |
Box 51a | Folder 10 | Betrayal, study guide, 1981 January-February |
Box 185 | Folder 3 | Betrayal, photographs (3), includes Sean Griffin, Munson Hicks and Caroline Kava, 1981 January-February |
Box 92 | Folder 12 | Betrayal, casting, 1979 |
Oversize Folder 33 | Betrayal, poster, 1981 | |
Box 92 | Folder 13 | Betrayal, publicity and advertising, 1981 January-February |
Box 92 | Folder 14 | Betrayal, research and pre-production, 1980-1981 |
Box 92 | Folder 15 | Betrayal, tickets and box office, 1981 January-February |
Box 92 | Folder 16 | Betrayal, prompt script, Scenes 1-5, 1981 |
Box 92 | Folder 17 | Betrayal, prompt script, Scenes 6-9, with cue sheets, presets, plots and lists, 1981 |
Box 93 | Folder 1 | Plenty, casting, 1980-1981 |
Box 93 | Folder 2 | Plenty, contact list, 1981 February-April |
Box 185 | Folder 4 | Plenty, photographs (2), includes Caitlin Clarke, Alan Coates, Pippa Pearthree and Elaine Wong,1981 February-April |
Oversize Folder 33 | Plenty, poster, 1981 February-April | |
Box 51a | Folder 11 | Plenty, press releases and promotional material, 1981 February-April |
Box 51a | Folder 12 | Plenty, programs, 1981 February-April |
Box 93 | Folder 3 | Plenty, prompt script, with schedules, blocking, sound and light cues, 1981 |
Box 93 | Folder 4 | Plenty, prompt script, with blocking and cues, 1981 |
Box 93 | Folder 5 | Plenty, publicity and advertising, 1981 February-April |
Box 93 | Folder 6 | Plenty, research and pre-production, 1981 February-April |
Box 51a | Folder 13 | Plenty, reviews and news clippings, 1981 |
Box 51a | Folder 15 | Plenty, script, 1981 |
Box 51a | Folder 14 | Plenty, Spotlight on Goodman, 1981 February 3 |
Box 51a | Folder 16 | Plenty, study guides, 1981 February 22-April 5 |
Box 93 | Folder 7 | Play Mas, casting, [1981] |
Box 93 | Folder 8 | Play Mas, contact list, 1981 |
Box 185 | Folder 5 | Play Mas, photographs (4), includes Shelly Desai, Phillip East, Zaid Farid, Arthur French, Celestine Heard, Bina Sharif, James Spinks, Kim Sullivan and G. John Walsh, 1981 April-May |
Oversize Folder 33 | Play Mas, poster, 1981 April-May | |
Box 51a | Folder 17 | Play Mas, press releases, promotional material, 1981 April-May |
Box 51a | Folder 18 | Play Mas, programs, 1981 April-May |
Box 94 | Folder 1 | Play Mas, prompt script with blocking and light cues, 1981 |
Box 94 | Folder 2 | Play Mas, prompt script with blocking and sound cues, 1981 |
Box 93 | Folder 9 | Play Mas, publicity and advertising, 1981 April-May |
Box 93 | Folder 10 | Play Mas, research and pre-production, 1980-1981 |
Box 51a | Folder 19 | Play Mas, reviews and news clippings 1981 |
Box 51a | Folder 20 | Play Mas, script [labeled “Final Revision”], 1981 |
Box 93 | Folders 11-12 | Play Mas, stage manager's prompt script, 1981 |
Box 93 | Folder 13 | Play Mas, Study Guide, research material and related correspondence, 1980-1981 |
Box 51a | Folder 21 | Play Mas, study guides, with teacher’s supplement, 1981 |
Box 94 | Folder 3 | Play Mas, tickets and group sales, 1981 |
Box 94 | Folder 4 | Dwarfman: Master of a Million Shapes, casting, 1980-1981 |
Box 94 | Folder 6 | Dwarfman: Master of a Million Shapes, contact list, casting and schedules, 1980-1981 |
Box 94 | Folder 5 | Dwarfman: Master of a Million Shapes, contact lists, schedules, prop checks, 1981 |
Box 94 | Folder 7 | Dwarfman: Master of a Million Shapes, cue sheets and presets, 1981 |
Box 185 | Folder 6 | Dwarfman: Master of a Million Shapes, photographs (3), includes Marilyn Hamlin, Elizabeth McGovern, J. Pat Miller, Stephen Pearlman and Ian Trigger, 1981 May-June |
Oversize Folder 33 | Dwarfman: Master of a Million Shapes, poster, 1981 May-June | |
Box 51a | Folder 22 | Dwarfman: Master of a Million Shapes, press releases, promotional material, 1981 May-June |
Box 51a | Folder 23 | Dwarfman: Master of a Million Shapes, programs, 1981 May-June |
Box 94 | Folder 8 | Dwarfman: Master of a Million Shapes, prompt script with sound and light cues, 1981 |
Box 94 | Folder 9 | Dwarfman: Master of a Million Shapes, prompt script with presets, set renderings, cue sheets and schedules, 1981 |
Box 94 | Folder 12 | Dwarfman: Master of a Million Shapes, publicity and advertising, 1981 May-June |
Box 94 | Folder 13 | Dwarfman: Master of a Million Shapes, research and pre-production, 1979 |
Box 51a | Folder 24 | Dwarfman: Master of a Million Shapes, reviews and news clippings, 1981 |
Box 51a | Folder 25 | Dwarfman: Master of a Million Shapes, study guides, 1981 |
Box 51b | Folder 1 | Dwarfman: Master of a Million Shapes, script [unmarked], 1981 |
Box 51b | Folder 2 | Dwarfman: Master of a Million Shapes, script [labeled “Library copy”], [1981] |
Box 51b | Folder 3 | Dwarfman: Master of a Million Shapes, script, 1981 April 28 |
Box 51b | Folder 4 | Dwarfman: Master of a Million Shapes, script [revisions], [1981] |
Box 94 | Folder 10 | D Dwarfman: Master of a Million Shapes, script [typescript marked with scene and line changes, including original additions and deletions], circa 1981 |
Box 94 | Folder 11 | Dwarfman: Master of a Million Shapes, script pages [multiple versions marked with changes and cues], circa 1981 |
Box 94 | Folder 14 | Dwarfman: Master of a Million Shapes, tickets and group sales, 1981 May-June |
Box 185 | Folder 7 | Studio - Krapp's Last Tape and Endgame, photographs (7), includes Samuel Beckett, Rick Cluchey, Teresita Garcia, Alan Mandell, Gregory Mosher and Bud Thorpe, 1980 September-October |
Box 51c | Folder 1 | Studio - Krapp's Last Tape and Endgame, program, 1980 September-October |
Box 51c | Folder 1a | Studio - Krapp's Last Tape and Endgame, press release, promotional material, 1980 September-October |
Box 51c | Folder 2 | Studio - Krapp's Last Tape and Endgame, publicity and advertising, 1980 September-October |
Box 95 | Folder 1 | Studio - Krapp's Last Tape and Endgame, research, 1978-1980 |
Box 51c | Folder 3 | Studio - Krapp's Last Tape and Endgame, reviews and news clippings, 1980 |
Box 95 | Folder 2 | Studio - Still Life, casting, 1980 |
Box 95 | Folder 3 | Studio - Still Life, contact list, 1980 |
Box 51c | Folder 4 | Studio - Still Life, correspondence, 1980 |
Box 185 | Folder 8 | Studio - Still Life, photograph (1), includes Mary McConnell, Timothy Near and John Spenser1980 |
Box 51c | Folder 5 | Studio - Still Life, preproduction and research, 1980 |
Box 51c | Folder 6 | Studio - Still Life, press releases and promotional material, 1980 October-November |
Box 51c | Folder 7 | Studio - Still Life, program, 1980 October-November |
Box 95 | Folder 4 | Studio - Still Life, publicity and advertising, 1980 October-November |
Box 51c | Folder 8 | Studio - Still Life, reviews and news clippings, 1980 |
Box 95 | Folder 5 | Studio - Still Life, script [unmarked], 1979 |
Box 95 | Folder 6 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, auditions and casting, 1980 |
Box 51c | Folder 9 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, casting, 1980 |
Box 185 | Folder 9 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, photographs (2), 1980 November |
Box 51c | Folder 10 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, press release, promotional material, 1980 November |
Box 51c | Folder 11 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, program, program copy, 1980 November |
Box 51c | Folder 12 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, publicity and advertising, 1980 November |
Box 51c | Folder 13 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, reviews and news clippings, 1980 |
Box 51c | Folder 14 | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, script [unmarked], [1980] |
Box 51c | Folder 14a | Studio - Tennessee Laughs: Three One Act Plays by Tennessee Williams, script [photocopy of typescript], 1980 May |
Box 51c | Folder 14b | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, correspondence, 1980-1981 |
Box 51c | Folder 15 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, press release, publicity, 1980 December-1981 January |
Box 51c | Folder 16 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom programs, 1980 December-1981 January |
Box 51c | Folder 17 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, reviews and news clippings, 1980 December-1981 January |
Box 185 | Folder 10 | Studio - A House Not Meant to Stand, photographs (3), includes Bonnie Sue Arp, Marji Bank, Scott Jaeck, Leonard J. Kraft, Rachel Stephens and George Womack, 1981 April |
Box 51c | Folder 18 | Studio - A House Not Meant to Stand, press releases, 1981 April |
Box 51c | Folder 19 | Studio - A House Not Meant to Stand, programs, 1981 April |
Box 51c | Folder 20 | Studio - A House Not Meant to Stand, publicity and advertising, 1981 April |
Box 51c | Folder 21 | Studio - A House Not Meant to Stand, reviews and news clippings, 1981 |
Box 95 | Folder 7 | Studio - A House Not Meant to Stand, script, [titled “A Dancie Money (A Gothic Comedy)”], 1981 |
Box 51c | Folder 22 | Studio - Avner the Eccentric,group sales and box office, 1981 May-June |
Box 185 | Folder 11 | Studio - Avner the Eccentric, photographs (2), 1981 May-June |
Box 51c | Folder 23 | Studio - Avner the Eccentric, press releases, promotional material, 1981 May-June |
Box 51c | Folder 24 | Studio - Avner the Eccentric, program, 1981 May-June |
Box 51c | Folder 25 | Studio - Avner the Eccentric, publicity and advertising, 1981 May-June |
Box 51c | Folder 26 | Studio - Avner the Eccentric, research and preproduction, 1980-1981 |
Box 51c | Folder 27 | Studio - Avner the Eccentric, reviews and news clippings, 1981 May-June |
Box 95 | Folder 8 | Writers in Performance - press release, promotional material, 1980-1981 |
Box 95 | Folder 9 | Writers in Performance - An Evening with Tennessee Williams, press releases, promotional material, 1980 October 27 |
Box 95 | Folder 10 | Writers in Performance - An Evening with Tennessee Williams, reviews and news clippings, 1980 |
Box 95 | Folder 11 | Writers in Performance - An Evening of Yeats and Shakespeare, correspondence, 1980 |
Box 95 | Folder 12 | Writers in Performance - An Evening of Yeats and Shakespeare, press release, promotional material, 1980 |
Box 95 | Folder 13 | Writers in Performance - An Evening with Studs Terkel, press releases, promotional material, 1980 |
Box 95 | Folder 14 | Writers in Performance - An Evening with Studs Terkel, reviews and news clippings, 1980 |
Box 95 | Folder 15 | Writers in Performance - An Evening with Derek Wolcott, press release, promotional material, 1981 |
Box 185 | Folder 12 | Writers in Performance - An Evening with Stanley Elkin, photographs (7), 1981 May 4 |
Box 95 | Folder 16 | Writers in Performance - An Evening with Stanley Elkin, press release, promotional material, publicity, 1981 |
Box 95 | Folder 17 | Writers in Performance - An Evening with Stanley Elkin, programs, 1981 May 4 |
Box 95 | Folder 18 | Writers in Performance - An Evening with Chicago's Artistic Directors, press release, correspondence, 1981 |
Box 95 | Folder 19 | Special Events - Tennessee Williams’ 70th Birthday Party, news clippings, 1981 |
Box 95 | Folder 20 | Special Events - Tennessee Williams’ 70th Birthday Party, correspondence and notes, 1981 |
Box 95 | Folder 21 | Special Events - Tennessee Williams’ 70th Birthday Party, press kit, 1981 |
Box 95 | Folder 22 | Special Events - Tennessee Williams’ 70th Birthday Party, invitations, with lists, 1981 |
Box 185 | Folder 13 | Special Events - Flying Karamazov Brothers, photographs (2), 1981 May-June |
Oversize Folder 1 | Special Events - Flying Karamazov Brothers, poster (2), 1981 May-June | |
Box 95 | Folder 23 | Special Events - Flying Karamazov Brothers, press releases and promotional material, 1981 May-June |
Box 95 | Folder 24 | Special Events - Flying Karamazov Brothers, program, 1981 May-June |
Box 95 | Folder 25 | Special Events - Flying Karamazov Brothers, publicity, advertising, 1981 |
Box 95 | Folder 26 | Special Events - Flying Karamazov Brothers, reviews and news clippings, 1981 |
Box 95 | Folder 27 | Special Events - Flying Karamazov Brothers, research, pre-production, 1980 |
Box 95 | Folder 28 | Special Events - Lily Tomlin “Appearing Nightly,” program, promotional material and publicity, 1981 |
Box 95 | Folder 29 | Special Events - Lily Tomlin “Appearing Nightly,” reviews and news clippings, 1981 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries Y: 1981-1982 Season, 1928-1982
Arrangement
Subseries Y is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 96 | Folder 2 | Auditions, 1980-1982 |
Box 96 | Folder 1 | Press releases and promotional material, 1981-1982 |
Box 51c | Folder 28 | Promotional material, 1981-1982 |
Box 96 | Folder 3 | “Spotlight on the Goodman,” planning notes, 1981 |
Box 96 | Folder 9 | The Front Page, research, 1929-1981 |
Box 96 | Folder 11 | The Front Page, casting, 1981 |
Box 96 | Folder 5 | The Front Page, correspondence, 1981 |
Box 51c | Folder 29 | The Front Page, Goodman Guide, 1981 |
Box 97 | Folder 1 | The Front Page, Goodman Guide, 1981 |
Box 96 | Folder 7 | The Front Page, information on other productions, 1972-1981 |
Box 185 | Folder 14 | The Front Page, photographs (2), includes Guy Barile, William H. Macy, Gary Houston, Roer Mueller, Ted Raymond, Rob Riley and Colin Stinton, 1981 October-November |
Oversize Folder 33 | The Front Page, poster, 1981 October-November | |
Box 51c | Folder 30 | The Front Page, press releases and promotional material, 1981 October-November |
Box 97 | Folder 3 | The Front Page, press releases and promotional material, 1981 |
Box 51c | Folder 31 | The Front Page, programs, 1981 October-November |
Box 97 | Folder 2 | The Front Page, programs, 1981 October-November |
Box 96 | Folders 14-15 | The Front Page, prompt script, 1981 |
Box 96 | Folders 9-10 | The Front Page, research, 1929-1981, undated |
Box 51c | Folder 32 | The Front Page, reviews and news clippings, 1981 |
Box 96 | Folder 8 | The Front Page, reviews and news clippings, 1981 |
Box 96 | Folder 12 | The Front Page, running sheets, time sheets, stage manager’s daily reports, costume notes, 1981 |
Box 96 | Folder 13 | The Front Page, script, photocopy of published script [marked “#6”], 1928 |
Box 96 | Folder 6 | The Front Page, ticket sales (box office), 1981 |
Box 97 | Folder 4 | A Christmas Carol, casting, 1980-1981 |
Box 97 | Folder 8 | A Christmas Carol, cast history, 1981 |
Box 185 | Folder 15 | A Christmas Carol, photographs (5), includes Belinda Bremner, Geoffrey Herden, Aaron Kramer, Tony Lincoln, William J. Norris, Elizabeth Perkins and Robert Scogin, 1981 November-December |
Oversize Folder 33 | A Christmas Carol, poster, 1981 November-December | |
Box 97 | Folder 5 | A Christmas Carol, press releases and promotional material, 1981-1982 |
Box 97 | Folder 6 | A Christmas Carol, program, 1981 November-December |
Box 51c | Folder 34 | A Christmas Carol, programs, 1981 November-December |
Box 51c | Folder 33 | A Christmas Carol, promotional material and press releases, 1981 November-December |
Box 51c | Folder 36 | A Christmas Carol, publicity memos, 1981 November-December |
Box 51c | Folder 35 | A Christmas Carol, reviews and news clippings, 1981 |
Box 97 | Folder 7 | A Christmas Carol, reviews and news clippings, 1981 |
Box 97 | Folder 9 | A Christmas Carol, stage manager’s prompt script with light and sound cues, 1981 |
Box 97 | Folder 10 | A Christmas Carol, stage manager’s prompt script with blocking, 1981 |
Box 97 | Folder 11 | A Christmas Carol, prompt script with sound plot and costumes, 1981 |
Box 97 | Folder 12 | Panto, casting, 1981 |
Box 51d | Folder 1 | Panto, Goodman Guides, 1982 |
Box 185 | Folder 16 | Panto, photographs (3), includes Roscoe Lee Browne and Brian Murray, 1982 January-February |
Oversize Folder 33 | Panto, poster, 1982 January-February | |
Box 51d | Folder 2 | Panto, press releases and promotional material, 1982 January-February |
Box 51d | Folder 3 | Panto, programs, 1982 January-February |
Box 97 | Folder 13 | Panto, prompt script, with blocking, 1982 January-February |
Box 97 | Folder 14 | Panto, prompt script, with contact list, time sheets, light cues, score, 1982 |
Box 98 | Folders 1-2 | Panto, prompt script, with blocking and stage direction, 1982 |
Box 98 | Folder 3 | Panto, publicity and advertising, 1981-1982 |
Box 98 | Folder 4 | Panto, research and pre-production, 1980-1981, undated |
Box 51d | Folder 4 | Panto, reviews and news clippings, 1982 |
Box 51d | Folder 5 | Panto, script [marked “Revised 1/21/82”], 1982 January 21 |
Box 98 | Folders 5-6 | Panto, script, copies of published script Pantomime [unmarked], undated |
Box 98 | Folder 7 | Panto, tickets and group sales, 1982 |
Box 98 | Folder 8 | Panto, time sheets, rehearsal hours, correspondence, stage manager’s daily reports, 1981-1982 |
Box 98 | Folder 9 | Lakeboat, casting, 1981-1982 |
Box 98 | Folder 10 | Lakeboat, costuming, props, presets, lighting hookups, rehearsal hours, 1981-1982 |
Box 185 | Folder 17 | Lakeboat, photographs (4), includes Bruce Jarchow, Rob Knepper, Mike Nussbaum and Jack Wallace, 1982 February-April |
Oversize Folder 33 | Lakeboat, poster, 1982 February-April | |
Box 51d | Folder 6 | Lakeboat, press releases, promotional material, 1982 February-April |
Box 98 | Folder 11 | Lakeboat, press and publicity, 1982 February-April |
Box 51d | Folder 7 | Lakeboat, program, study guide, 1982 February-April |
Box 99 | Folders 1-2 | Lakeboat, prompt script, with blocking and light cues, 1982 |
Box 98 | Folder 12 | Lakeboat, research and pre-production, 1980-1982 |
Box 51d | Folder 8 | Lakeboat, reviews and news clippings, 1982 |
Box 98 | Folder 13 | Lakeboat, schedules, 1982 February-April |
Box 51d | Folder 9 | Lakeboat, script [labeled “Library Copy”], [1982] |
Box 98 | Folder 14 | Lakeboat, script [unmarked copy of typescript], 1971 |
Box 98 | Folders 15-16 | Lakeboat, script, with blocking, scene breakdown and director's notes, 1982 |
Box 99 | Folder 3 | Lakeboat, script [published copy with scene additions], undated |
Box 51d | Folder 10 | Lakeboat, study guides, 1982 |
Box 99 | Folder 4 | Lakeboat, tickets and group sales, 1982 February-April |
Box 99 | Folder 5 | A House Not Meant to Stand, audition and casting, 1982 |
Box 99 | Folder 6 | A House Not Meant to Stand, contact list, 1982 April-May |
Box 51d | Folder 11 | A House Not Meant to Stand, Goodman Guide, 1982 |
Box 185 | Folder 18 | A House Not Meant to Stand, photographs (6), includes Cynthia Baker, Marji Bank, Scott Bloch, Frank Hamilton, Scott Jaeck, Leonard J. Kraft, Peg Murray and Rachel Stephens, 1982 April-May |
Oversize Folder 33 | A House Not Meant to Stand, poster, 1982 April-May | |
Box 51d | Folder 12 | A House Not Meant to Stand, press releases and promotional material, 1982 April-May |
Box 51d | Folder 13 | A House Not Meant to Stand, programs, 1982 April-May |
Box 99 | Folder 7 | A House Not Meant to Stand, publicity and advertising, 1982 |
Box 51d | Folder 14 | A House Not Meant to Stand, reviews and news clippings, 1982 |
Box 99 | Folder 8 | A House Not Meant to Stand, schedules, 1982 |
Box 51d | Folders 15-20 | A House Not Meant to Stand, scripts [annotated], [1982] |
Box 51e | Folders 1-9 | A House Not Meant to Stand, scripts [annotated], [1982] |
Box 99 | Folders 9-11 | A House Not Meant to Stand, stage manager's (Joe Drummond) production script, 1982 |
Box 99 | Folder 12 | A House Not Meant to Stand, tickets and group sales, 1982 |
Box 99 | Folder 13 | Sgnarelle: An Evening of Moliere Farces, casting, 1982 |
Box 99 | Folder 14 | Sgnarelle: An Evening of Moliere Farces, contact list, schedules, 1982 |
Box 51f | Folder 1 | Sgnarelle: An Evening of Moliere Farces, Goodman Guides, 1982 |
Box 185 | Folder 19 | Sgnarelle: An Evening of Moliere Farces, photographs (7), includes John Bottoms, Cynthia Darlow, Richard Grusin, Karen MacDonald and Tony Shalhoub, 1982 May-July |
Oversize Folder 33 | Sgnarelle: An Evening of Moliere Farces, poster, 1982 May-July | |
Box 51f | Folder 2 | Sgnarelle: An Evening of Moliere Farces, press releases and promotional material, 1982 May-July |
Box 51f | Folder 3 | Sgnarelle: An Evening of Moliere Farces, programs, 1982 May-July |
Box 99 | Folder 15 | Sgnarelle: An Evening of Moliere Farces, publicity and advertising, 1982 |
Box 99 | Folder 16 | Sgnarelle: An Evening of Moliere Farces, research and pre-production, 1975-1982, undated |
Box 51f | Folder 4 | Sgnarelle: An Evening of Moliere Farces, reviews and news clippings, 1982 |
Box 51f | Folder 5 | Sgnarelle: An Evening of Moliere Farces, script [titled A Dumb Show],[1982] |
Box 51f | Folder 6 | Sgnarelle: An Evening of Moliere Farces, script [literal translations of Moliere one-acts], undated |
Box 51f | Folder 7 | Sgnarelle: An Evening of Moliere Farces, script [in gibberish], undated |
Box 51f | Folder 8 | Sgnarelle: An Evening of Moliere Farces, script [4 plays], undated |
Box 51f | Folder 9 | Sgnarelle: An Evening of Moliere Farces, script [titled A.R.T., revised], [1982] |
Box 51f | Folder 10 | Sgnarelle: An Evening of Moliere Farces, script [titled The Flying Doctor, and labeled “E”], [1982] |
Oversize Folder 1 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, poster, 1981 December | |
Box 51g | Folder 1 | Studio - Kukla and Ollie Live!: The Theatre of Burr Tillstrom, program, promotional material, 1981 December |
Box 100 | Folder 1 | Studio - Miss Margarida's Way, casting, 1981-1982 |
Box 185 | Folder 20 | Studio - Miss Margarida's Way, photographs (3), includes Estelle Parsons, 1982 January 19-31 |
Box 51g | Folder 2 | Studio - Miss Margarida's Way, press releases, promotional material, program, and reviews, 1982 January |
Box 185 | Folder 21 | Studio - Charlotte, photograph (1), includes Uta Hagen, 1982 February |
Box 51g | Folder 3 | Studio - Charlotte, promotional material, program and reviews, 1982 February |
Box 185 | Folder 22 | Studio - Gertrude Stein, Gertrude Stein, Gertrude Stein, photographs (2), includes Pat Carroll, 1982 March |
Box 51g | Folder 4 | Studio - Gertrude Stein, Gertrude Stein, Gertrude Stein, with Pat Carroll, promotional material, programs and reviews, 1982 March |
Box 51g | Folder 5 | Number not assigned |
Box 100 | Folder 2 | Studio - The Woolgatherer, casting, 1982 |
Box 185 | Folder 23 | Studio - The Woolgatherer, photograph (1), includes Emilie Borg and Jack Wallace, 1982 April-May |
Box 51g | Folder 6 | The Woolgatherer, press releases, promotional material, program, 1982 April-May |
Box 51g | Folder 7 | Studio - The Woolgatherer, reviews, 1982 April-May |
Box 100 | Folder 3 | Studio - Edmond, casting, 1982 |
Box 185 | Folder 24 | Studio - Edmond, photographs (2), includes Laura Innes and Colin Stinton, 1982 |
Box 51g | Folder 10 | Studio - Edmond, program, 1982 |
Box 51g | Folder 8 | Studio - Edmond, promotional material, 1982 |
Box 51g | Folder 9 | Studio - Edmond, reviews, 1982 |
Box 51g | Folder 11 | Studio - Edmond, script [labeled “A”], 1982 January 1 |
Box 51g | Folder 12 | Studio - Edmond, script [revised], 1982 June 4 |
Box 51g | Folder 13 | Studio - Edmond, script [copy of revised script], 1982 June 4 |
Box 51g | Folder 14 | Studio - Edmond, script with outtakes, 1982 June 4 |
Box 100 | Folder 4 | Studio - Edmond, script [marked with scene and line changes], 1980 December |
Box 100 | Folder 5 | Writers in Performance Series - Chicago Journalism: Then and Now, press releases, program, 1981 October 26 |
Box 100 | Folder 6 | Writers in Performance Series - Chicago Poets on Stage, promotional material, 1981 |
Box 100 | Folder 7 | Writers in Performance Series - Voices from Poland, press release, news clipping, 1982 |
Box 100 | Folder 8 | Writers in Performance Series - Chicago Songwriters: An Oral Tradition, press releases, promotional materials, 1982 |
Box 100 | Folder 9 | Writers in Performance Series - An Evening with David Mamet, program, promotional material, 1982 |
Box 100 | Folder 10 | Writers in Performance Series - Chicago’s Artistic Directors, program, 1982 June 8 |
Box 185 | Folder 25 | Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers, photographs (5), 1982 April 6-11 |
Box 100 | Folder 11 | Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric, press releases, promotional material, reviews, news clippings, 1980-1982 |
Box 100 | Folder 12 | Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric, reviews and news clippings, 1982 April 6-11 |
Box 100 | Folder 13 | Special Events - Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric, program, 1982 April 6-11 |
Box 52 | Folder 3 | Welcome to Our Living Room with the Karamazov Brothers, promotional material, 1982 September |
Box 100 | Folder 21 | Welcome to Our Living Room, programs and reviews, 1982 September |
Box 186 | Folder 1 | Other Events - Hubbard Street Dance Company, photographs (3), includes Claire Bataille, Gergory Begley, Rick Hilsabeck and Karen Frankel Jones, 1981 November 11-15 |
Box 100 | Folder 14 | Other Events - Hubbard Street Dance Company, press releases, promotional materials, 1981 November 11-15 |
Box 100 | Folder 15 | Other Events - Hubbard Street Dance Company, publicity and advertising, 1981 November 11-15 |
Box 100 | Folder 16 | Other Events - Hubbard Street Dance Company, research and pre-production, 1980-1982 |
Box 100 | Folder 17 | Other Events - Hubbard Street Dance Company, reviews and news clippings, 1981 |
Box 96 | Folder 4 | Other Events - Knock on Wood, casting, 1981 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries Z: 1982-1983 Season, 1951-1983, undated
Arrangement
Subseries Z is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 100 | Folder 19 | Auditions, 1982-1983 |
Box 100 | Folder 18 | Casting statistics, 1982-1983 |
Box 52 | Folder 1 | Press releases and promotional material, 1982-1983 |
Box 186 | Folder 2 | Ms. Margarida's Way, photographs (4), includes Estelle Parsons, 1982 August-September |
Box 52 | Folder 2 | Ms. Margarida's Way by Robert Athayde, with Estelle Parsons, promotional material, 1982 August-September |
Box 100 | Folder 20 | Ms. Margarida's Way, program, reviews, 1982 August-September |
Box 100 | Folder 22 | The Man Who Had Three Arms, advertising and ticket sales, 1982 |
Box 100 | Folder 23 | The Man Who Had Three Arms, casting, 1982 |
Box 100 | Folder 24 | The Man Who Had Three Arms, cuts and out-takes from the pre-opening in Miami, 1982 |
Box 52 | Folder 4 | The Man Who Had Three Arms, Goodman Guide, 1982 |
Box 100 | Folder 25 | The Man Who Had Three Arms, information from performances at the Lyceum Theatre, New York City, 1983 |
Box 100 | Folder 26 | The Man Who Had Three Arms, information from performances at the New World Festival of the Arts, Miami, circa 1982 |
Box 100 | Folder 27 | The Man Who Had Three Arms, information on Albee, 1963-1982, undated |
Box 186 | Folder 3 | The Man Who Had Three Arms, photographs (3), includes Robert Drivas and Wyman Pendleton, 1982 September-October |
Oversize Folder 34 | The Man Who Had Three Arms, poster, 1982 September-October | |
Box 101 | Folder 4 | The Man Who Had Three Arms, presets, costume and prop plots, light and slide cues, general show slides, 1982 |
Box 52 | Folder 5 | The Man Who Had Three Arms, press releases, promotional material, reviews, news clippings, 1982 |
Box 52 | Folder 6 | The Man Who Had Three Arms, programs, 1982 September-October |
Box 101 | Folder 1 | The Man Who Had Three Arms, prompt script, 1982 |
Box 101 | Folder 2 | The Man Who Had Three Arms, prompt script with blocking and stage direction, 1982 |
Box 101 | Folder 5 | The Man Who Had Three Arms, rehearsal hours, stage manager’s daily reports, 1982 |
Box 101 | Folder 6 | The Man Who Had Three Arms, reviews and news clippings, 1982 |
Box 52 | Folder 6a | The Man Who Had Three Arms, script, 1982 |
Box 52 | Folder 6b | The Man Who Had Three Arms, script with line cuts, 1982 |
Box 52 | Folder 6c | The Man Who Had Three Arms, script [revised], 1982 October 4 |
Box 52 | Folder 6d | The Man Who Had Three Arms, script [labeled “B,” revised], 1982 October 4 |
Box 101 | Folder 3 | The Man Who Had Three Arms, script [unmarked], 1982 |
Box 101 | Folder 7 | A Christmas Carol, advertising and ticket sales, 1982 |
Box 101 | Folder 8 | A Christmas Carol, casting, 1981-1982 |
Box 101 | Folder 9 | A Christmas Carol, correspondence, 1982 |
Box 186 | Folder 4 | A Christmas Carol, photographs (3), includes Dennis Kennedy, Lauren Leeder, Roger Mueller, William J. Norris and Mary Pat Sullivan, 1982 November-December |
Oversize Folder 34 | A Christmas Carol, poster, 1982 November-December | |
Box 52 | Folder 7 | A Christmas Carol, press releases and promotional material, 1982 November-December |
Box 52 | Folder 8 | A Christmas Carol, program, 1982 November-December |
Box 52 | Folder 9 | A Christmas Carol, program research, 1982 November-December |
Box 101 | Folders 10-11 | A Christmas Carol, prompt script revised typescript, 1982 |
Box 101 | Folder 12 | A Christmas Carol, research on Dickens and other productions, 1980, 1982, undated |
Box 101 | Folder 13 | A Christmas Carol, reviews, news clippings, revised typescript, revised typescript, 1982 |
Box 52 | Folder 10 | A Christmas Carol, script [labeled “A”], 1982 |
Box 52 | Folder 11 | A Christmas Carol, script [revised typescript labeled “B”], 1982 |
Box 102 | Folder 1 | The Comedy of Errors, advertising and ticket sales, 1983 January-February |
Box 102 | Folder 2 | The Comedy of Errors, casting, 1982-1983 |
Box 102 | Folder 3 | The Comedy of Errors, checklists, running sheets, presets, 1982-1983 |
Box 186 | Folder 5 | The Comedy of Errors, photographs (4), includes Paul Magid, Randy Nelson, Howard Jay Patterson and Samuel Ross Williams, 1983 January-February |
Box 204 | Folder 4 | The Comedy of Errors, photograph (1), 1983 January-February |
Oversize Folder 34 | The Comedy of Errors, poster, 1983 January-February | |
Box 52a | Folder 2 | The Comedy of Errors, press releases, promotional material, reviews and news clippings, 1983 |
Box 52a | Folder 1 | The Comedy of Errors, program, 1983 January-February |
Box 102 | Folders 4-5 | The Comedy of Errors, prompt script, 1982-1983 |
Box 102 | Folder 6 | The Comedy of Errors, prop lists, script and crew information, 1982-1983 |
Box 102 | Folder 7 | The Comedy of Errors, publicity and advertising, 1982-1983 |
Box 102 | Folder 8 | The Comedy of Errors, research on other productions, the playwright, 1981-1984, undated |
Box 102 | Folder 9 | The Comedy of Errors, reviews and news clippings, 1983 |
Box 102 | Folder 10 | The Comedy of Errors, running sheets, prop lists, presets, 1983 January-February |
Box 102 | Folder 11 | The Comedy of Errors, running sheets, presets, cue sheets, 1983 January-February |
Box 52a | Folder 3 | The Comedy of Errors, script [copy of published script], undated |
Box 102 | Folder 12 | The Comedy of Errors, teacher’s and Goodman Guide, 1982-1983 |
Box 102 | Folder 13 | The Comedy of Errors, materials from performances at the Olympic Arts Festival, Los Angeles, 1984 June-August |
Box 103 | Folder 1 | The Dining Room, box office, 1983 March-April |
Box 103 | Folder 2 | The Dining Room, casting, 1982-1983 |
Box 52a | Folder 4 | The Dining Room, Goodman Guide, 1983 |
Box 186 | Folder 6 | The Dining Room, photographs (3), includes Joseph Guzaldo, Cordis Heard, B.J. Jones, Linda Kimbrough, Paula Nyberg, and Rob Riley, 1983 March-April |
Oversize Folder 34 | The Dining Room, poster, 1983 March-April | |
Box 52a | Folder 5 | The Dining Room, press releases and promotional material, 1983 March-April |
Box 52a | Folder 6 | The Dining Room, program, 1983 March-April |
Box 103 | Folder 3 | The Dining Room, publicity and advertising, 1983 March-April |
Box 103 | Folder 4 | The Dining Room, research and pre-production (information on other productions), 1982, undated |
Box 103 | Folder 5 | The Dining Room, reviews and news clippings, 1982-1983 |
Box 52a | Folder 7 | The Dining Room, script [copy of published script], undated |
Box 103 | Folder 6 | Red River, advertising and ticket sales, 1983 April-May |
Box 103 | Folder 7 | Red River, budget, [1982] |
Box 103 | Folder 8 | Red River, cast list and correspondence, 1980-1983 |
Box 103 | Folder 9 | Red River, casting, 1982-1983 |
Box 52a | Folder 9 | Red River, Goodman Guide, 1983 |
Box 186 | Folder 7 | Red River, photographs (3), includes Roy Brocksmith, Christopher McCann, Mary McDonnell, Lionel Mark Smith and John Spenser, 1983 April-May |
Oversize Folder 34 | Red River, poster, 1983 April-May | |
Box 52a | Folder 10 | Red River, press releases and promotional material, 1983 April-May |
Box 52a | Folder 8 | Red River, program, 1983 April-May |
Box 52a | Folder 11 | Red River, research, 1980-1983, undated |
Box 103 | Folder 10 | Red River, research, [1982-1983] |
Box 103 | Folder 11 | Red River, reviews and news clippings, 1983 |
Box 52a | Folder 12 | Red River, script, labeled “A”; in French, with research material |
Box 52a | Folder 13 | Red River, script [partial with literal translation by Tilde Sankovitch] |
Box 52a | Folder 14 | Red River, script [original typescript with literal translation by Tilde Sankovitch], undated |
Box 52a | Folder 15 | Red River, script [copy of original typescript], 1983 |
Box 53 | Folder 1 | Red River, script [labeled “B,” translated by David Mamet], 11983 |
Box 53 | Folder 2 | Red River, script [revised 2/19/83 and 3/22/83], 1983 |
Box 103 | Folder 12 | A Soldier's Play, box office, 1983 June-July |
Box 103 | Folder 13 | A Soldier's Play, City of Chicago proclamation and opening night event, 1983 |
Box 53 | Folder 3 | A Soldier's Play, Goodman Guide, 1983 |
Box 103 | Folder 14 | A Soldier's Play, group sales, 1983 |
Box 186 | Folder 8 | A Soldier's Play, photographs (2), negatives (2), includes Charles Brown, Adolph Caesar, Benjamin E. Epps and James Pickens, 1983 June-July |
Oversize Folder 34 | A Soldier's Play, poster, 1983 June-July | |
Box 53 | Folder 4 | A Soldier's Play, press releases, promotional material, 1983 June-July |
Box 53 | Folder 6 | A Soldier's Play, program, 1983 June-July |
Box 103 | Folder 15 | A Soldier's Play, publicity and advertising, 1983 |
Box 103 | Folder 16 | A Soldier's Play, research and pre-production (information on the Negro Ensemble Company), 1982-1983 |
Box 103 | Folder 17 | A Soldier's Play, reviews and news clippings, 1982-1983 |
Box 53 | Folder 5 | A Soldier's Play, script, 1981 May |
Box 103 | Folder 18 | Studio - advertising and promotional, 1982-1983 |
Box 53 | Folder 7 | Studio - press releases and promotional material, 1982-1983 |
Box 103 | Folder 20 | Studio -Kukla and Ollie Live!: The Theatre of Burr Tillstrom, background and correspondence, 1951-1983, undated |
Box 53 | Folder 8 | Studio -Kukla and Ollie Live!: The Theatre of Burr Tillstrom, programs, reviews, news clippings, 1982 December |
Box 104 | Folder 1 | Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, background and information on the European Tour, 1981 |
Box 186 | Folder 9 | Studio -The Beckett Project:Endgame, photograph (1), includes Samuel Beckett and Bud Thorpe, 1980 |
Oversize Folder 33 | Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, poster (2 copies), [1982-1983] | |
Box 53 | Folder 9 | Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, press releases, promotional material and program, [1982-1983] |
Box 53 | Folder 10 | Studio -The Beckett Project:Ohio Impromptu, Eh, Joe and A Piece of Monologue, scripts, with contact lists, [1982-1983] |
Box 103 | Folder 19 | Studio -A Spaulding Gray Retrospective, background, 1980-1985, undated |
Box 186 | Folder 10 | Studio -A Spaulding Gray Retrospective, photographs (2), includes Spaulding Gray, 1982 October-December |
Box 53 | Folder 11 | Studio -A Spaulding Gray Retrospective, press release, promotional material, program, and reviews, 1982 October-December |
Box 104 | Folder 8 | Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla, background, correspondence, ticket sales, 1981-1983 |
Box 104 | Folder 9 | Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla,casting, 1983 |
Box 186 | Folder 11 | Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla, photographs (7), includes Peter Falk, Paul Guilfoyle, Joe Montegna, Norman Parker, Bruce Powell and Ron Silver, 1983 June |
Box 53 | Folder 12 | Studio -Three New Plays: The Disappearance of the Jews, Hot Line, and Gorilla, press release, promotional material, programs, reviews, news clippings, 1983 June 2-26 |
Box 53 | Folder 13 | Studio -Three New Plays,script, Disappearance [corrected and updated Joe Drummond], 1983 June 14 |
Box 53 | Folder 14 | Studio -Three New Plays,script, Disappearance [original typescript], 1983 June 14 |
Box 53a | Folder 2 | Studio -Three New Plays,script, Gorilla,[1983] |
Box 53a | Folder 1 | Studio -Three New Plays,script, Gorilla [reading copy], [1983 |
Box 113 | Folder 6 | Studio -Three New Plays, script Gorilla, [revised with extensive rewrites and outtakes], 1983 June 30 |
Box 53a | Folder 3 | Studio -Three New Plays,script, Hot Line [labeled “A, Original - Do Not Copy”], [1983] |
Box 53a | Folder 4 | Studio -Three New Plays,script, Hot Line, [labeled “C”], 1983 May 24-25 |
Box 53a | Folder 5 | Studio -Three New Plays,script, Hot Line [labeled “D,” copy of “C”], 1983 May 27 |
Box 53a | Folder 6 | Studio -Three New Plays,script, Hot Line [labeled “E”], (2 copies), 1983 July 3 |
Box 53a | Folder 7 | Studio -Three New Plays,script, Hot Line, 1983 May 8 |
Box 53a | Folder 8 | Studio -Three New Plays,script, Hot Line, undated |
Box 53a | Folder 11a | Studio -Jungle Coup, background and information on other publications |
Box 104 | Folder 2 | Studio -Jungle Coup, casting, 1982-1983 |
Box 186 | Folder 12 | Studio -Jungle Coup, photographs (3), includes Seth Allen, Mike Nussbaum and Jack Wallace, 1983 February-March |
Oversize Folder 33 | Studio -Jungle Coup, poster, 1983 February-March | |
Box 53a | Folder 9 | Studio -Jungle Coup, press release, promotional material, program, news clippings, 1983 February-March |
Box 104 | Folder 3 | Studio -Jungle Coup, prompt script, 1983 February-March |
Box 53a | Folder 11 | Studio -Jungle Coup, script [revised], 1982 December |
Box 104 | Folder 4 | Studio -Jungle Coup, script [revised, marked with “Library 3/2/82, Bula” with scene changes and cuts], 1982 December |
Box 53a | Folder 10 | Studio -Jungle Coup, script [ending revised], 1983 February 18 |
Box 53a | Folder 14 | Studio -Gardenia, background, 1983 April-May |
Box 104 | Folder 5 | Studio -Gardenia, casting, 1983 |
Box 186 | Folder 13 | Studio -Gardenia, photographs (3), 1983 April-May |
Box 204 | Folder 4 | Studio -Gardenia, photograph (1), 1983 April-May |
Oversize Folder 33 | Studio -Gardenia, poster, 1983 April-May | |
Box 53a | Folder 12 | Studio -Gardenia, press release, promotional material and program, 1983 April-May |
Box 104 | Folder 6 | Studio -Gardenia, prompt script with schedules and stage manager’s daily reports, 1983 |
Box 53a | Folder 15 | Studio -Gardenia, reviews and news clippings, 1983 |
Box 53a | Folder 13 | Studio -Gardenia, script and contact list, 1983 |
Box 104 | Folder 7 | Studio -Gardenia, script [unmarked, titled “Lydie Breeze, Part I: Gardenia”], undated |
Box 53a | Folder 16 | Studio -Gardenia, ticket giveaways and box office, 1983 April-May |
Box 104 | Folder 10 | Chicago Writers in Performance - press release and advertising, 1983 |
Box 104 | Folder 11 | Chicago Writers in Performance - An Evening with Saul Bellow, correspondence, news clippings, press release, promotional material, reviews, 1982 |
Box 186 | Folder 14 | Chicago Writers in Performance - An Evening with Saul Bellow, photographs (2), includes Saul Bellow and Walter Jacobson, 1982 |
Box 83 | Folder 9 | Chicago Writers in Performance - An Evening with Saul Bellow, poster, 1982 |
Box 104 | Folder 12 | Chicago Writers in Performance - Leon Forrest, Dennis Brutus, J.A. McPherson and Derek Wolcott, correspondence, news clippings, press release, promotional material, reviews, 1982-1983 |
Box 104 | Folder 13 | Chicago Writers in Performance - Chicago Composers: An Evening of Contemporary Music, correspondence, news clippings, press release, promotional material, reviews 198 |
Box 186 | Folder 15 | Special Events - Bill Robinson Tribute by Hubbard Street Dance Company, photograph (1), 1982 |
Box 104 | Folder 14 | Special Events - Hubbard Street Dance Company, reviews and news clippings, 1982 |
Box 104 | Folder 15 | Special Events - Hubbard Street Dance Company, press release, promotional material, 1981-1982 |
Box 104 | Folder 16 | Special Events - Mark Twain,Urban Gateways Project, correspondence, schedules and notes, 1982-1983 |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries AA: 1983-1984 Season, 1964-1984, undated
Arrangement
Subseries AA is arranged chronologically beginning with mainstage productions followed by studio, special and Merrill Lynch Dance productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 105 | Folder 1 | Casting statistics, 1983-1984 |
Box 105 | Folder 2 | Group sales, 1983-1984 |
Box 105 | Folder 3 | Open auditions, 1983 |
Box 54 | Folder 1 | Promotional material, 1983-1984 |
Box 105 | Folder 4 | Promotional material, 1983-1984 |
Box 105 | Folder 5 | Subscription campaign, 1983-1984 |
Box 105 | Folder 6 | A Raisin in the Sun, advertising, 1983 |
Box 105 | Folder 7 | A Raisin in the Sun, box office, 1983 September-October |
Box 105 | Folder 8 | A Raisin in the Sun, casting, 1983 |
Box 54 | Folder 2 | A Raisin in the Sun, correspondence and memos, 1983 |
Box 186 | Folder 16 | A Raisin in the Sun, photographs (4), negatives (3), includes Brent Jennings and Jackie Taylor, 1983 September-October |
Box 204 | Folder 4 | A Raisin in the Sun, photograph (1), 1983 September-October |
Oversize Folder 42 | A Raisin in the Sun, poster on board, 1983 September-October | |
Box 54 | Folder 3 | A Raisin in the Sun, programs and press releases, 1983 September-October |
Box 54 | Folders 4-5 | A Raisin in the Sun, research, circa 1983 |
Box 54 | Folder 6 | A Raisin in the Sun, reviews and news clippings, 1983 |
Box 54 | Folder 7 | A Raisin in the Sun, script [labeled “B,” copy of French edition with extensive revisions on separate sheets], 1983 |
Box 105 | Folder 9 | A Christmas Carol, advertising, 1983 |
Box 105 | Folder 10 | A Christmas Carol, casting, 1983 |
Box 105 | Folder 11 | A Christmas Carol, information on other productions, 1983 |
Box 186 | Folder 17 | A Christmas Carol, photographs (2), includes Roger Mueller, William J. Norris and Jamie Wild, 1983 November-December |
Box 204 | Folder 4 | A Christmas Carol, photograph (1), 1983 November-December |
Box 54 | Folder 10 | A Christmas Carol, press release, reviews, news clippings, promotional material, 1983 November-December |
Box 54 | Folder 8 | A Christmas Carol, programs, 1983 November-December |
Box 54 | Folder 9 | A Christmas Carol, rehearsal schedule, 1983 |
Box 105 | Folder 12 | A Christmas Carol, sales, single and group, 1983 November-December |
Box 54 | Folder 11 | A Christmas Carol, script [revision], 1983 |
Box 105 | Folder 13 | Candida, advertising, 1983-1984 |
Box 105 | Folder 14 | Candida, casting, 1983 |
Box 186 | Folder 18 | Candida, photographs (5), includes Wanda Bimson, Sara Botsford, James Hurdle and David Pierce, 1984 January-February |
Box 204 | Folder 4 | Candida, photograph (1), 1984 January-February |
Box 54 | Folder 12 | Candida, press releases, reviews and clippings, 1984 |
Box 105 | Folder 15 | Candida, programs, 1984 January-February |
Box 105 | Folders 16-17 | Candida, prompt script, 1983-1984 |
Box 106 | Folder 1 | Candida, research and pre-production, 1982, undated |
Box 54 | Folder 13 | Candida, script, undated |
Box 106 | Folder 2 | Candida, ticket giveaways, 1983 |
Box 108 | Folder 5 | Hey, Stay Awhile, box office, 1984 February-April |
Box 108 | Folder 7 | Hey, Stay Awhile, cast list and casting information, 1984 |
Box 108 | Folder 6 | Hey, Stay Awhile, casting, 1984 |
Box 108 | Folder 8 | Hey, Stay Awhile, notes and schedules, 1984 |
Box 186 | Folder 19 | Hey, Stay Awhile, photographs (2), contact sheets (4), 1984 February-April |
Box 54 | Folder 14 | Hey, Stay Awhile, press releases, promotional material, 1984 February-April |
Box 54 | Folder 15 | Hey, Stay Awhile, programs, 1984 February-April |
Box 108 | Folder 9 | Hey, Stay Awhile, publicity and advertising, 1984 |
Box 54 | Folder 16 | Hey, Stay Awhile, reviews and news clippings, 1984 |
Box 108 | Folder 11 | Hey, Stay Awhile, script [preliminary pages], [1983-1984] |
Box 108 | Folder 10 | Hey, Stay Awhile, score [unmarked photocopy], [1984] |
Box 106 | Folder 3 | The Time of Your Life, advertising and ticket sales, 1984 |
Box 106 | Folder 4 | The Time of Your Life, casting, 1984 |
Box 106 | Folder 5 | The Time of Your Life, information on other productions, 1983 |
Box 186 | Folder 20 | The Time of Your Life, photographs (3), includes Del Close, Amy Morton, William L. Petersen and Steve Prutting, 1984 March-April |
Box 204 | Folder 4 | The Time of Your Life, photograph (1), 1984 March-April |
Box 55 | Folder 1 | The Time of Your Life, programs, reviews and news clippings, 1984 |
Box 106 | Folder 6 | The Time of Your Life, promotional material, 1984 |
Box 55 | Folder 2 | The Time of Your Life, script [copy of published script], [1983-1984] |
Box 55 | Folder 3 | The Time of Your Life, script [original typescript, labeled “Acting Edition”], 1984 January 24 |
Box 55 | Folder 4 | The Time of Your Life, script [copy of original typescript with line cuts and changes], [1984] |
Box 55 | Folder 5 | The Time of Your Life, script [copy of original typescript with line cuts and changes, differs from Folder 4], [1984] |
Box 106 | Folder 7 | The Time of Your Life, script [unmarked copy of published script], undated |
Box 106 | Folder 8 | The Road, advertising and ticket sales, 1984 |
Box 106 | Folder 9 | The Road, casting, 1983-1984 |
Box 186 | Folder 21 | The Road, photographs (3), includes Reggie Montgomery, 1984 April-May |
Box 204 | Folder 4 | The Road, photograph (1), 1984 April-May |
Box 55 | Folder 6 | The Road, programs and teacher's supplement, 1984 April-May |
Box 106 | Folder 10 | The Road, research, 1964-1980 |
Box 55 | Folder 7 | The Road, reviews and news clippings, 1984 |
Box 55 | Folder 8 | The Road, script [labeled “Acting Edition”], [1983-1984] |
Box 55 | Folder 9 | The Road, script [corrected], 1984 April 9 |
Box 55 | Folder 10 | The Road, script [partial], [1983-1984] |
Box 106 | Folder 11 | The Three Moscowteers, advertising and ticket sales, 1984 |
Box 106 | Folder 12 | The Three Moscowteers, casting, 1984 |
Box 55a | Folder 5 | The Three Moscowteers, correspondence, 1983-1984 |
Box 55a | Folder 3 | The Three Moscowteers, memos, 1983 |
Box 55a | Folder 4 | The Three Moscowteers, notes, [1983] |
Box 186 | Folder 22 | The Three Moscowteers, photographs (7), includes Chas Elstner, Paul Magid and Randy Nelson, 1984 June-July |
Box 55a | Folder 1 | The Three Moscowteers, programs, promotional material, 1984 June-July |
Box 106 | Folder 13 | The Three Moscowteers, promotional material, 1984 |
Box 106 | Folder 14 | The Three Moscowteers, research, 1980-1984 |
Box 55a | Folder 2 | The Three Moscowteers, reviews and news clippings, 1984 |
Box 55a | Folder 6 | The Three Moscowteers, script [labeled “A,” preliminary working outline], [1984] |
Box 55a | Folder 7 | The Three Moscowteers, script [labeled “B,” first draft], [1984] |
Box 55a | Folder 8 | The Three Moscowteers, script [labeled “C,” second draft], 1984 January 28 |
Box 55a | Folder 9 | The Three Moscowteers, script [labeled “D,” typescript of working copy], 1984 March |
Box 55a | Folder 10 | The Three Moscowteers, script [labeled “E”, outline], 1984 March 10 |
Box 55a | Folder 11 | The Three Moscowteers, script [labeled “G,” final draft on word processor used to prepare first acting edition] |
Box 55a | Folder 12 | The Three Moscowteers, script [labeled “I,” acting edition, updated] 1984 May 26 |
Box 55a | Folder 13 | The Three Moscowteers, script [labeled “J,” acting edition, revised], 1984 May 26, June 11 |
Box 107 | Folder 3 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, box office, 1983 November |
Box 55a | Folder 14 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, written by Peter Schumann, directed by Peter Schumann, correspondence and notes, 1983 November |
Box 55a | Folder 15 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, notes, [1983] |
Box 187 | Folder 6 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, photographs (5), 1983 November |
Box 107 | Folder 4 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, program draft, 1983 |
Box 55a | Folder 16 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, programs, 1983 November |
Box 107 | Folder 5 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, publicity and advertising, 1983 |
Box 107 | Folder 6 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, research and pre-production, 1980-1983 |
Box 55a | Folder 17 | Studio - Bread and Puppet Theater's Diagonal Man: Theory and Practice, reviews and news clippings, 1983 |
Box 55a | Folder 18 | Studio - In the Belly of the Beast, programs, promotional material, 1983 November-December |
Box 55a | Folder 19 | Studio - In the Belly of the Beast, publicity and box office, 1983 November-December |
Box 107 | Folder 1 | Studio - Glengarry Glen Ross by David Mamet, premiere production at the Cottosloe Theatre, London, programs, promotional material, 1983 September |
Box 55b | Folder 1 | Studio - Glengarry Glen Ross, box office, 1984 January-March |
Box 55b | Folder 2 | Studio - Glengarry Glen Ross, casting, [1983-1984] |
Box 107 | Folder 7 | Studio - Glengarry Glen Ross, casting, 1983-1984 |
Box 55b | Folder 3 | Studio - Glengarry Glen Ross, contact lists, 1984 January-March |
Box 55b | Folder 4 | Studio - Glengarry Glen Ross, Joseph Jefferson nomination (director/play), [1984] |
Box 186 | Folder 23 | Studio - Glengarry Glen Ross, photographs (3), 1984 January-March |
Box 55b | Folder 5 | Studio - Glengarry Glen Ross, press releases, promotional materials, 1984 January 27-March 4 |
Box 55b | Folder 6 | Studio - Glengarry Glen Ross, programs, 1984 January-March |
Box 107 | Folders 8-9 | Studio - Glengarry Glen Ross, prompt script (Acting Edition), 1982-1984 |
Box 55b | Folder 7 | Studio - Glengarry Glen Ross, publicity and advertising, 1984 January-March |
Box 107 | Folder 2 | Studio - Glengarry Glen Ross, reviews and news clippings, 1984 |
Box 55b | Folder 8 | Studio - Glengarry Glen Ross, reviews and news clippings, 1984 |
Box 55b | Folder 11 | Studio - Glengarry Glen Ross, script [draft of second version], 1983 July |
Box 55b | Folder 12 | Studio - Glengarry Glen Ross, script [labeled “C,” copy of second version draft, amended], 1983 August 30 |
Box 55b | Folder 13 | Studio - Glengarry Glen Ross, script, [labeled “L” with outtakes], 1983 |
Box 107 | Folder 11 | Studio - Glengarry Glen Ross, script [revised, unmarked], 1983 October |
Box 107 | Folder 13 | Studio - Glengarry Glen Ross, script [revised], 1983 October |
Box 55b | Folder 14 | Studio - Glengarry Glen Ross, script [with correction], 1983 October 17, November 15 |
Box 107 | Folder 12 | Studio - Glengarry Glen Ross, script [revised October 1983, unmarked and labeled “Final Pre-Rehearsal Script”], 1983 November 30 |
Box 55b | Folder 15 | Studio - Glengarry Glen Ross, script [labeled “Acting Edition” with final corrections], 1983 December 13 |
Box 55c | Folder 1 | Studio - Glengarry Glen Ross, script [revised and corrected], 1984 January 31 |
Box 107 | Folder 10 | Studio - Glengarry Glen Ross, script [revised, unmarked] 1984 January 15 |
Box 55c | Folder 2 | Studio - Glengarry Glen Ross, script [labeled “N,” New York revisions], 1984 April 16 |
Box 55b | Folder 9 | Studio - Glengarry Glen Ross, special events, [1984] |
Box 55b | Folder 10 | Studio - Glengarry Glen Ross, tech schedules and costume note, [1983-1984] |
Box 108 | Folder 1 | Studio - Glengarry Glen Ross, time sheets, rehearsal hours, stage manager’s daily reports, 1983-1984 |
Box 108 | Folder 2 | Studio - Glengarry Glen Ross, programs and promotional material from the production at the John Golden Theatre, New York City, 1984 March |
Box 108 | Folder 3 | Studio - Glengarry Glen Ross, publicity from the production at the John Golden Theatre, New York City, 1984 |
Box 108 | Folder 4 | Studio - Glengarry Glen Ross, reviews and news clippings from the production at the John Golden Theatre, New York City, 1984 |
Box 108 | Folder 12 | Studio - Hurlyburly, casting, 1983-1984 |
Box 55c | Folder 3 | Studio - Hurlyburly, information on David Rabe, 1984 March-April |
Box 187 | Folder 1 | Studio - Hurlyburly, photograph (1), includes William Hurt and Harvey Keitel, 1984 March-April |
Oversize Folder 42 | Studio - Hurlyburly, poster on board, 1984 March-April | |
Box 55c | Folder 4 | Studio - Hurlyburly, press releases, promotional material, 1984 March-April |
Box 55c | Folder 5 | Studio - Hurlyburly, programs, 1984 March-April |
Box 55c | Folder 6 | Studio - Hurlyburly, publicity and advertising, 1984 March 23-April 22 |
Box 55c | Folder 7 | Studio - Hurlyburly, reviews and news clippings, 1984 |
Box 55c | Folder 8 | Studio - Hurlyburly, script [titled “Spin Off”], [1983-1984] |
Box 108 | Folder 15 | Studio - Hurlyburly, script [titled “Spin Off”], [1983-1984] |
Box 108 | Folders 13-14 | Studio - Hurlyburly, script [untitled, labeled “A New Play by David Rabe”], undated |
Box 55c | Folder 9 | Studio - Hurlyburly, reviews and news clippings from the production at the Promenade Theater, New York City, June 1984 |
Box 109 | Folder 1 | Studio - The Merry Guys Who Windsurf, Practical Theatre Company, promotional material, 1984 |
Box 55c | Folder 10 | Special Events - Vasilios Gaitanos in Concert, programs, promotional material, 1984 January 30 |
Box 55c | Folder 11 | Special Events - Vasilios Gaitanos in Concert, publicity and advertising, 1984 January 30 |
Box 55c | Folder 12 | Special Events - Vasilios Gaitanos in Concert, reviews and news clippings, 1984 |
Box 55c | Folder 13 | Merrill Lynch Dance Series - promotional material, press releases and clippings, 1983-1984 |
Box 109 | Folder 3 | Merrill Lynch Dance Series - publicity and advertising, 1983-1984 |
Box 109 | Folder 2 | Merrill Lynch Dance Series - Laura Dean Dancers and Musicians, performance and sponsorship agreements, 1984 |
Box 109 | Folder 4 | Merrill Lynch Dance Series - The Hubbard Street Dance Company, company press kit, 1983 |
Box 187 | Folder 2 | Merrill Lynch Dance Series - The Hubbard Street Dance Company, photographs (4), 1983 November |
Box 55c | Folder 14 | Merrill Lynch Dance Series - The Hubbard Street Dance Company, press releases, promotional material, 1983 November |
Box 109 | Folder 5 | Merrill Lynch Dance Series - The Hubbard Street Dance Company, program draft and research, 1983 |
Box 55c | Folder 14a | Merrill Lynch Dance Series - The Hubbard Street Dance Company, programs, reviews, news clippings, 1983 November |
Box 109 | Folder 6 | Merrill Lynch Dance Series - The Hubbard Street Dance Company, publicity and advertising, 1983 |
Box 109 | Folder 7 | Merrill Lynch Dance Series - Pilobus Dance Theater, information on the company, 1979-1984 |
Box 187 | Folder 3 | Merrill Lynch Dance Series - Pilobus Dance Theater, photographs (2), 1984 February |
Box 55c | Folder 15 | Merrill Lynch Dance Series - Pilobus Dance Theater, press releases, promotional material, 1984 February |
Box 55c | Folder 15a | Merrill Lynch Dance Series - Pilobus Dance Theater, program, reviews, news clippings, 1984 February |
Box 109 | Folder 8 | Merrill Lynch Dance Series - Pilobus Dance Theater, publicity and advertising, 1984 |
Box 109 | Folder 9 | Merrill Lynch Dance Series - Lars Lubovitch Dance Company, information on the company, 1982-1983, undated |
Box 187 | Folder 4 | Merrill Lynch Dance Series - Lars Lubovitch Dance Company, photographs (3), 1984 April |
Box 55c | Folder 16 | Merrill Lynch Dance Series - Lars Lubovitch Dance Company, press releases, promotional material, 1984 April |
Box 55c | Folder 16a | Merrill Lynch Dance Series - Lars Lubovitch Dance Company, programs, reviews, news clippings, 1984 April |
Box 109 | Folder 10 | Merrill Lynch Dance Series - Lars Lubovitch Dance Company, publicity and advertising, 1984 |
Box 55c | Folder 17 | Other Events - Mark Twain Project for Urban Gateways, general information, [1983-1984] |
Box 187 | Folder 5 | Other Events - The Comedy of Errors by William Shakespeare, Olympic Arts Festival, photographs (3), includes Laurel chronic, Paul Magid, Randy Nelson and Wendy Parkman, 1984 June-August |
Box 55c | Folder 19 | Other Events - The Comedy of Errors by William Shakespeare, Olympic Arts Festival, press kit, 1984 June-August |
Box 55c | Folder 18 | Other Events - The Comedy of Errors by William Shakespeare, Olympic Arts Festival, programs, 1984 June-August |
Series 2: Goodman Theatre Productions, 1928-2001, undated
Subseries BB: 1984-1985 Season, 1974-1985, undated
Arrangement
Subseries BB is arranged chronologically beginning with mainstage productions followed by New Theatre Company, Merrill Lynch Dance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.
Box 109 | Folder 11 | Casting statistics, 1984-1985 |
Box 109 | Folder 12 | Group sales, 1984-1985 |
Box 109 | Folder 13 | Open auditions, 1984 |
Box 56 | Folder 1 | Promotional material and news clippings, 1984-1985 |
Box 109 | Folder 14 | Subscription campaign, 1984-1985 |
Box 109 | Folder 15 | Telemarketing campaign, 1984-1985 |
Box 56 | Folder 5 | Candide, cast list and schedules, 1984 |
Box 109 | Folder 16 | Candide, casting, 1984 |
Box 56 | Folder 3 | Candide, correspondence, 1984 |
Box 56 | Folder 9 | Candide, libretto, undated |
Box 56 | Folder 4 | Candide, memos, 1984 |
Box 56 | Folder 7 | Candide, notes, [1984] |
Box 187 | Folder 7 | Candide, photograph (1), includes Eve Bennett-Gordon, 1984 September-October |
Box 56 | Folder 2 | Candide by Voltaire, programs, press releases and news clippings, 1984 September-October |
Box 56 | Folder 6 | Candide, scene breakdowns, 1984 September-October |
Box 109 | Folder 17 | Candide, promotion and publicity, correspondence and memos, 1984 |
Box 109 | Folder 18 | Candide, promotional material and advertising, 1984 |
Box 110 | Folders 1-2 | Candide, prompt script, 1984 |
Box 110 | Folders 3-4 | Candide, prompt script, score and cues, 1984 |
Box 109 | Folder 20 | Candide, research, 1974, 1984, undated |
Box 109 | Folder 19 | Candide, reviews and news clippings, 1984 |
Box 56 | Folder 8 | Candide, script, undated |
Box 110 | Folder 5 | Candide, script [unmarked photocopy], undated |
Box 56 | Folder 10 | Candide, score, undated |
Box 56 | Folders 11-12 | Candide, score and script, undated |
Box 110 | Folder 6 | A Christmas Carol, advertising and marketing-radio, 1984 December 18-29 |
Box 110 | Folder 7 | A Christmas Carol, advertising and ticket sales, 1984 December 18-29 |
Box 56 | Folder 13 | A Christmas Carol, casting, 1984 |
Box 110 | Folder 8 | A Christmas Carol, casting, 1984 |
Box 56 | Folder 14 | A Christmas Carol, correspondence, 1984-1985 |
Box 110 | Folder 10 | A Christmas Carol, group sales, 1984 December 18-29 |
Box 110 | Folder 9 | A Christmas Carol, marketing correspondence, 1984 |
Box 56 | Folder 15 | A Christmas Carol, memos, 1984-1985 |
Box 56 | Folder 16 | A Christmas Carol, notes, 1984 |
Box 187 | Folder 8 | A Christmas Carol, photographs (10), includes Maura Barosse, Joshua Barts, Del Close, Bekka Eaton, Frank Galati, Brad Hall, Nancy McFarland, Ruqaiyah Morris, Eric Styles and Daniel Swope, 1984 December |
Box 204 | Folder 5 | A Christmas Carol, photographs (6), includes Maura Barosse, Joshua Barts, Bekka Eaton, Kate Edmunds, Brad Hall, Deborah Hupert, Nancy McFarland, Ruqaiyah Morris, Gregory Mosher, Maya Solis, Eric Styles and Daniel Swope, 1984 December |
Box 56 | Folder 17 | A Christmas Carol, press releases, 1984 |
Box 110 | Folder 11 | A Christmas Carol, programs and promotional material, 1984 December 18-29 |
Box 111 | Folders 1-2 | A Christmas Carol, prompt script, with floor plan, scenery and effects plot, 1984 |
Box 111 | Folders 3-4 | A Christmas Carol, prompt script, assistant stage manager with costume notes, 1984 |
Box 110 | Folder 12 | A Christmas Carol, research on Dickens, undated |
Box 110 | Folder 13 | A Christmas Carol, reviews and news clippings, 1984 |
Box 56a | Folder 1 | A Christmas Carol, script [labeled “A - Rough draft”] 1984 May |
Box 56a | Folder 2 | A Christmas Carol, script [labeled “B”], 1984 August 27 |
Box 110 | Folder 14 | A Christmas Carol, set designs, [1984] |
Box 56 | Folder 18 | A Christmas Carol, survey, audience reaction, 1984-1985 |
Box 111 | Folder 5 | The Adventures of Huckleberry Finn, box office, student matinees and development, 1985 |
Box 56a | Folder 4 | The Adventures of Huckleberry Finn, casting, auditions and contact list, 1984 |
Box 111 | Folder 6 | The Adventures of Huckleberry Finn, casting, 1984-1985 |
Box 56a | Folder 8 | The Adventures of Huckleberry Finn, correspondence, [1984-1985] |
Box 56a | Folder 5 | The Adventures of Huckleberry Finn, direction, design and technical notes, [1984-1985] |
Box 111 | Folder 7 | The Adventures of Huckleberry Finn, panel discussion: “Racism, Censorship and Huckleberry Finn,” 1985 January 28 |
Box 187 | Folder 9 | The Adventures of Huckleberry Finn, photographs (2), includes John Cameron Mitchell and Meshach Taylor, 1985 January-March |
Oversize Folder 34 | The Adventures of Huckleberry Finn, poster and costume plot, 1985 | |
Box 111 | Folder 8 | The Adventures of Huckleberry Finn, pre-production and research, 1975-1985 |
Box 56a | Folder 9 | The Adventures of Huckleberry Finn, press releases, promotional material, 1985 January-March |
Box 56a | Folder 3 | The Adventures of Huckleberry Finn, programs, 1985 January-March |
Box 111 | Folder 9 | The Adventures of Huckleberry Finn, publicity and advertising, 1985 January-March |
Box 111 | Folder 10 | The Adventures of Huckleberry Finn, reviews and news clippings, 1985 |
Box 56a | Folder 6 | The Adventures of Huckleberry Finn, schedules, [1984-1985] |
Box 56a | Folder 7 | The Adventures of Huckleberry Finn, script [changes], [1984-1985] |
Box 56a | Folder 11 | The Adventures of Huckleberry Finn, script [original with changes], [1984-1985] |
Box 56a | Folder 12 | The Adventures of Huckleberry Finn, script, [1984-1985] |
Box 56a | Folder 13 | The Adventures of Huckleberry Finn, script [partial], [1984-1985] |
Box 56a | Folder 10 | The Adventures of Huckleberry Finn, script, performance, [1984-1985] |
Box 112 | Folder 1 | Ceremonies in Dark Old Men, casting, 19 |