This finding aid is split into two parts. Part 1 covers 1925-1986. Part 2 includes 1986-2000 and Photographs.
| Dates: | 1925-2001 |
| Size: | 84 linear feet, 7,484 photographs, 55 oversize folders |
| Repository: | Chicago Public Library, Harold Washington Library Center, Special Collections, 400 S. State Street, Chicago, IL 60605 |
| Collection Number: | SPE: Archives_CTC_GTA_PHF |
| Provenance: | Donated by the Art Institute of Chicago/Goodman Theatre in 1973 |
| Access: | No restrictions |
| Citation: | When quoting material from this collection the preferred citation is: Goodman Theatre Archive, Production History Files, [Box #, Folder #], Special Collections, Chicago Public Library |
Historical Note
The Gooman Theatre, winner of the Special Tony Award for Outstanding Regional Theatre, is known and respected internationally. It was established in July 1922 as a memorial to the late playwright Kenneth Sawyer Goodman by his parents William and Erna Goodman. The Goodmans donated $250,000 to the Art Institute of Chicago, which built the theater on its northeast corner, at Monroe and Columbus. The Goodman, which originally included a professional company and drama school, officially opened on October 20, 1925, with three plays by Goodman performed at the dedication ceremony.
Due to financial burden, the acting company was disbanded in 1930, but the drama school remained open. Over the next several decades, the Goodman School cultivated an impressive reputation and graduated many well regarded theater artists. In 1957, the Goodman began to re-establish its professional acting company, and by the 1969 season, the shows were performed by the Goodman's own company. The expense of this was prohibitive, though, and two years later, the theater began hiring actors by the production.
In 1976, the Goodman separated from the Art Institute, and in 1978, it split from the Goodman School, which was acquired by DePaul University. In the 1980s, the Goodman began looking for a new facility. An area that was the former site of two old commercial theaters on North Dearborn Street was available, and the Goodman began raising money for a building in the 1990s. A gift from distant family members of Kenneth Sawyer Goodman helped construction begin. The new Goodman Theatre opened in December 2000.
For more detailed information on the Goodman's past, please visit the Goodman Theatre’s website to read about their history and productions.
Scope and Content
The Goodman Theatre Archive, Production History Files document productions at the Goodman Theatre from its opening in 1925 through 2001. Materials are continually added to the collection. Please consult with the archivist for archives post-2001.
Files include programs, promotional materials, reviews, clippings, posters, scripts, prompt books, technical information, photographs and other associated items for productions mounted by the Goodman Theatre. There is information representing the theater’s mainstage and primary subscription series, as well as its smaller studio series and productions by the Goodman Children's Theatre.
Items of note in the collection include scripts by David Mamet and information about performances by notable actors who attended the Goodman School of Drama including: Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.
Arrangement
The Goodman Theatre Archive, Production History Files list productions and performances chronologically by theater season. Photographs, oversize and supplemental material have been listed intellectually with their associated productions in the primary container list. Photographs are also listed at the end of the finding guide as they are physically housed. Some photographs not associated with productions are only listed in the Photograph Series.
Related Materials
The Goodman Theatre Archive includes multiple series listed in individual finding guides. Please consult the following guides, available in the Special Collections' Reading Room, for more information:
- Goodman Theatre Archive, Producing and Artistic Director’s Files (PADF)
- Goodman Theatre Archive, Tom Creamer Papers
- Goodman Theatre Archive, Goodman Family Papers
- Goodman Theatre Archive, Administration Files
- Goodman Theatre Archive, John Reich Papers
- Goodman Theatre Archive, Goodman School of Drama
- Goodman Theatre Archive, Goodman/Art Institute of Chicago
Container List
Production History Files
| Box 1 | Folder 1 | Three Short Plays: The Day of the Diamond Pin by Hubbard Kirkpatrick, The Bear by Anton Chekhov, and The Man of Destiny by George Bernard Shaw. April 4, 11 and 18, 1925. Directed by Thomas Wood Stevens and Howard Southgate, lights by Arvid Crandall, costumes by Helen Forrest – Programs |
1925-1926 Season, Art Institute Members Series/Repertory Company
| Box 1 | Folder 2 | Announcement to the members of the Art Institute concerning the Goodman Theatre |
| Box 1 | Folder 3 | Three Plays by Kenneth Sawyer Goodman: Back of the Yards, The Green Scarf and The Game of Chess. October 20-[?], 1925. Directed by Thomas Wood Stevens and Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Programs |
| Box 1 | Folder 4 | The Forest by John Galsworthy. October 22-November 14, 1925. Directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Programs |
| Box 1 | Folder 5 | The Forest – Clippings |
| Photo Box 1 | Folders 9-14 | The Forest – 6 photographs |
| Box 1 | Folder 6 | The Romantic Young Lady by G. Martinez Sierra, English version by Granville-Barker. November 19-December 12, 1925. Directed by Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Programs |
| Box 1 | Folder 7 | An Heir at Large by Mary Aldis, dramatized from the cartoon story by John McCutcheon. December 17, 1925-January 16, 1926. Directed by Thomas Wood Stevens, sets designed by John McCutcheon, costumes by Helen Forrest, lights by Arvid Crandall – Promotional materials |
| Box 1 | Folder 8 | An Heir at Large – Reviews |
| Box 1 | Folder 9 | An Heir at Large – Programs |
| Photo Box 1 | Folders 15-20 | An Heir at Large – 6 photographs |
| Box 1 | Folder 10 | Gas by George Kaiser, translated by George Hexter. January 28-February 27, 1926. Directed by Marion Gering, sets by Louis Lozowick, costumes by Ruth Goodkind, lights by Arvid Crandall – Patrons and guarantor for Gas |
| Box 1 | Folder 11 | Gas – Reviews and clippings |
| Box 1 | Folder 12 | Gas – Programs |
| Box 1 | Folder 13 | Everyman. March 4-21, 1926. Directed by Redmond Flood and Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall – Promotional material |
| Box 1 | Folder 14 | Everyman. – Programs |
| Photo Box 1 | Folders 21-32 | Everyman – 12 photographs |
| Box 1 | Folder 15 | The Tragedy of Nan by John Masefield. March 25-April 10, 1926. Directed by Mrs. J. Elliott Jenkins Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Programs, reviews |
| Box 1 | Folder 16 | The Man of Destiny by George Bernard Shaw; and, Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens. April 15-May 1, 1926. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Review |
| Box 1 | Folder 17 | The Man of Destiny – Programs |
| Photo Box 1 | Folders 33-34 | The Man of Destiny – 2 photographs |
| Box 1 | Folder 18 | Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens; and The Dark Lady of the Sonnets by George Bernard Shaw. April 26-May 1, 1926. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Programs |
| Photo Box 1 | Folders 35-38 | Don Juan – 4 photographs |
| Photo Box 2 | Folders 1-2 | The Dark Lady of the Sonnets – 2 photographs |
| Box 1 | Folder 19 | A Midsummer Night's Dream by William Shakespeare. May 6-22, 1926. Directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Helen Forrest and Marie Wecker, lighting designed by Arvid Crandall – Programs |
| Photo Box 2 | Folders 3-34 | A Midsummer Night’s Dream – 32 photographs |
1925-1926 Season, Children’s Theatre
| Box 1 | Folder 20 | General promotional material |
| Box 1 | Folder 21 | The Golden Apple by Lady Gregory. December [?], 1925. Sets designed by Leslie Marzolf and Margaret Mitchell – Programs, clippings |
| Photo Box 2 | Folders 35-37 | The Golden Apple – 3 photographs |
| Box 1 | Folder 22 | Wappin' Wharf by Charles S. Brooks. [1926]. Costumes by Helen Forrest, lights by Gordon Ray – Programs |
| Box 1 | Folder 23 | The Captive Princess by Muriel Brown. [April 1926]. Costumes by Clara Baron and Hebilly West, sets by Leslie Marzolf, Marie Wecker and Charles Schlesinger, lighting by Gordon Ray – Programs |
| Photo Box 2 | Folders 38-39 | The Captive Princess – 2 photographs |
1925-1926 Season, Special Events
| Box 1 | Folder 24 | "Chicago Allied Artists, Inc. present a Programme of Ballet and Music" – Program |
| Box 1 | Folder 25 | The Friday Club presents: La Illinoisa, book by L.E. Laflin, Jr. November 4, 1925 – Libretto and program |
| Box 1 | Folder 25a | Kanellos: Festival of Hellenic Arts. April 11-13, 1926 – Programs and promotional material |
1926-1927 Season, Art Institute Members Series/Repertory Company
| Box 1 | Folder 26 | General promotional material |
| Box 1 | Folder 26a | Why Not? by Jesse Lynch Williams. October 13-[?], 1926. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall – Programs |
| Box 1 | Folder 27 | The Game of Love and Death by Romain Rolland. November 10-[?], 1926. Directed by Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall – Programs, clippings |
| Box 1 | Folder 28 | Don Juan by Moliere. November 1927. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall – Programs |
| Box 1 | Folder 29 | Fashion, or Life in New York by Anna Cora Mowett. December 1926. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes designed by Helen Forrest, lights by Arvid Crandall – Promotional materials (See: Oversize Folder 1 |
| Box 1 | Folder 30 | Fashion, or Life in New York by Anna Cora Mowett. December 1926. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes designed by Helen Forrest, lights by Arvid Crandall – Reviews and clippings |
| Box 1 | Folder 31 | Fashion, or Life in New York – Programs (See: Oversize Folder 1 |
| Photo Box 2 | Folders 51-53 | Fashion, or Life in New York – 3 photographs |
| Box 1 | Folder 32 | Juno and the Paycock by Sean O'Casey; and Dust of the Road by Kenneth Sawyer Goodman. December 29, 1926-January 22, 1927. Directed by Whitford Kane – Promotional material |
| Box 1 | Folder 33 | Juno and the Paycock – Reviews and clippings |
| Box 1 | Folder 34 | Juno and the Paycock – Program |
| Photo Box 3 | Folders 1-19 | Juno and the Paycock – 19 photographs |
| Box 1 | Folder 35 | Penelope by W. Somerset Maugham. February 9-19, 1927. Directed by Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall – Promotional material |
| Box 1 | Folder 36 | Penelope – Programs (See: also: Oversize Folder 1 |
| Photo Box 3 | Folder 20 | Penelope – 1 photograph |
| Box 1 | Folder 37 | Twelfth Night by William Shakespeare. March 9-[?], 1927. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Gordon Ray, music arranged by Julia LeVine – Promotional material |
| Box 1 | Folder 38 | Twelfth Night – Program (See: also: Oversize Folder 1 |
| Photo Box 3 | Folder 21-36 | Twelfth Night – 16 photographs |
| Box 1 | Folder 39 | Everyman. April 13 and 14, 1927. Directed by Redmond Flood and Thomas Wood Stevens – Programs |
| Box 1 | Folder 40 | The Pigeon by John Galsworthy; and Lonesome-Like by Harold Brighouse. April 1927. Directed by Whitford Kane, scenic design by Leslie Marzolf, costumes designed by Helen Forrest, lighting by Gordon Ray – Promotional material |
| Box 1 | Folder 41 | The Pigeon and Lonesome-Like – Programs |
| Photo Box 3 | Folders 37-49 | The Pigeon – 13 photographs |
| Box 1 | Folder 42 | As You Like It by William Shakespeare. May [?]-21, 1927. Directed by Alexandra Carlisle and Whitford Kane, costumes by Helen Forrest, incidental music by Hamilton Forrest and Dorothy James, chorus singing directed by Julia LeVine – Reviews |
| Box 1 | Folder 43 | As You Like It – Programs |
| Box 1 | Folder 44 | A Midsummer Night's Dream by William Shakespeare. May 23-28, 1927. Directed by Whitford Kane, sets by Leslie Marzolf, lights by Gordon Ray – Program |
1926-1927 Season, Studio
| Box 1 | Folder 45 | Miss Civilization by Richard Harding Davis; A Privy Council by Major W.P. Drury and Richard Pryce; and The Monkey's Paw by W.W. Jacobs, dramatized by Louis N. Parker. January 10 and 11, 1927. Directed by Alexandra Carlisle Jenkins – Programs |
| Box 1 | Folder 46 | The Devil Obliges by Louis E. Laflin, Jr. February 7, 8 and 14, 1927. Directed by Louis Laflin, Jr. and Thomas Wood Stevens – Programs |
| Box 1 | Folder 47 | Patty by Muriel Brown. March 21 and 22, 1927. Scenery by Richard Steele, lighting by Roman Bohnen – Programs |
| Box 1 | Folder 48 | Paolo and Francesca by Steven Phillips. May 16 and 17, 1927 – Program |
1926-1927 Season, Children’s Theatre
| Box 1 | Folder 49 | General promotional material |
| Box 1 | Folder 50 | Robin Hood, dramatized by Muriel Brown. [1926-1927]. Directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell – Program |
| Photo Box 4 | Folders 1-8 | Robin Hood – 8 photographs |
| Box 1 | Folder 51 | The Blue Bird by Maurice Maeterlinck. [1926-1927]. Directed by Muriel Brown, sets by Leslie Marzolf, lights by Thomas Ireland, costumes by Thomas Russell and Elizabeth Parsons – Program |
| Box 1 | Folder 51a | Six Cherry Tarts written and produced by Muriel Brown. [1926-1927]. Directed by Muriel Brown, sets by Charles Schlesinger, lights by Roman Bohnen, costumes by Helen Forrest, Knaves’ songs by Hamilton Forrest – Program and promotional material |
| Photo Box 4 | Folders 9-11 | Six Cherry Tarts – 3 photographs |
1927-1928 Season, Art Institute Members Series/Repertory Company
| Box 1 | Folder 52 | General promotional material |
| Box 1 | Folder 53 | The Tower of Nesle by Alexandre Dumas. October 17-[?], 1927. Directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine – Program (See: Oversize Folder 1 |
| Photo Box 4 | Folders 12-13 | The Tower of Nesle – 2 photographs |
| Box 1 | Folder 54 | Outbreak by L.W. Vedrenne [1927]. Directed by Whitford Kane, scenic design by Leslie Marzolf, costumes by Elizabeth Parsons, lighting designed by Arvid Crandall – Promotional material |
| Box 1 | Folder 55 | Outbreak – Program |
| Photo Box 4 | Folder 14 | Outbreak – 1 photograph |
| Box 1 | Folder 56 | The Mask and the Face by Luigi Chiarelli. [1927-1928] – Promotional material |
| Box 1 | Folder 57 | The Mask and the Face – Programs |
| Box 1 | Folder 57a | Camille in Roaring Camp by Bret Hart, translated by Matilda Heron. March 8-17, 1928. Directed by Thomas Wood Stevens – Programs, reviews and clippings (See also: Oversize Folder 1 – Program) |
| Box 1 | Folder 58 | The Wild Duck by Henrik Ibsen. February 1928. Directed by Whitford Kane, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall – Programs |
| Box 1 | Folder 59 | The Vikings at Helgeland by Henrik Ibsen. March 20-[?], 1928. Directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Leslie Marzolf and Elizabeth Parsons, lighting by Thomas Wilfred – Programs |
| Box 1 | Folder 59a | The Vikings at Helgeland – Reviews and clippings |
| Photo Box 4 | Folders 15-24 | The Vikings at Helgeland – 10 photographs |
| Box 1 | Folder 59b | Mixed Doubles by Louis Laflin. May 21, 1928. Directed by Thomas Wood Stevens – Review |
| Box 1 | Folder 60 | The Little Clay Cart, attributed to King Shudraka and translated by Arthur William Ryder. May 29-[?], 1928. Directed by Cloyd Head, sets by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, musical setting arranged by Julia LeVine – Programs |
| Photo Box 4 | Folders 25-27 | The Little Clay Cart – 3 photographs |
| Box 1 | Folder 61 | A Midsummer Night's Dream by William Shakespeare and directed by Whitford Kane; and The Masque of the Red Death by Edgar Allen Poe, adapted and directed by Neal Caldwell. [1928]. Costumes by Betty Parsons and Lurene Kingsbury, masks executed by Don Ament, sets by Leslie Marzolf and Don Ament, lighting by Arvid Crandall, music by Hamilton Forrest – Program |
| Photo Box 4 | Folders 28-29 | The Mask of the Red Death – 2 photographs |
| Oversize Folder 1 | She Stoops to Conquer by Oliver Goldsmith. [1927-1928] – Program | |
| Photo Box 4 | Folders 30-38 | She Stoops to Conquer – 9 photographs |
1927-1928 Season, Studio
| Box 1 | Folder 62 | The Topaz Amulet: A Christmas Masque, arranged by Roberta Louden from the play by Thomas Wood Stevens and Wallace Rice. December 1927 – Program |
| Photo Box 4 | Folders 39-42 | The Topaz Amulet – 4 photographs |
| Box 1 | Folder 63 | Evil Doers of Good by Jacinto Benavente. December 15, 1927, January 12, 1928 and February 23, 1928 – Promotional material |
| Box 1 | Folder 64 | Evil Doers of Good – Programs (January 12, 1928, directed by Peter MacFarlane) |
| Photo Box 4 | Folders 43-47 | Evil Doers of Good – 5 photographs |
| Box 1 | Folder 65 | Hindle Wakes by Stanley Houghton. January 26, 1928. Directed by Whitford Kane – Programs |
| Box 1 | Folder 66 | The Nursery Maid of Heaven adapted and directed by Thomas Wood Stevens from a story by Vernon Lee; and Caleb Stone's Death Watch by Martin Flavin and directed by Peter MacFarlane. February 9, 1928 – Promotional material |
| Box 1 | Folder 67 | The Nursery Maid of Heaven – Programs |
| Photo Box 4 | Folders 48-53 | The Nursery Maid of Heaven – 6 photographs |
| Box 1 | Folder 68 | My Lady's Dress by Edward Knoblock. April 5, 1928. Directed by Peter MacFarlane – Programs |
| Box 1 | Folder 69 | The Lilies of the Field by John Hastings Turner. [1927-1928]. Directed by Peter MacFarlane – Program |
1927-1928 Season, Children’s Theatre
| Box 1 | Folder 70 | Promotional material |
| Box 1 | Folder 70a | The Shining Island by Mary Austin, undated. Sets by Leslie Marzolf, lighting by George Stauch, costumes by Elizabeth Parsons – Program |
| Box 1 | Folder 71 | The Teller of Tales by Muriel Brown. [1927-1928]. Directed by Muriel Brown, sets by Peter Lundberg, costumes by Mary Elizabeth Evans and Elizabeth Parsons, lighting by Arvid Crandall, the "Song of Freedom" by Isaac Van Grove, the dance in Act II arranged by Bertha Ochsner – Programs |
| Photo Box 4 | Folders 54-56 | The Teller of Tales – 3 photographs |
| Box 1 | Folder 72 | The Blue Bird by Maurice Maeterlinck. [1927-1928]. Directed by Muriel Brown, lighting by Arvid Crandall, sets by Leslie Marzolf, costumes by Laurene Kingsbury and Marjorie Miller – Programs |
| Box 1 | Folder 73 | The Boy Who Grew Up – Without Knowing It by Louis E. Laflin, Jr. [1927-1928]. Directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets by Leslie Marzolf, Peter Martin and Donald Ament – Programs |
1927-1928 Season, Special Events
| Box 1 | Folder 74 | The Drama League of Chicago: Finals in the Play Contest. May 13, 1928 – Promotional material |
1928-1929 Season, Art Institute Members Series/Repertory Company
| Oversize Folder 1 | General promotional material | |
| Box 2 | Folder 1 | The Inspector General by Nikolai Gogol, translated by Constance Garnett. November 6-[?], 1928. Directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine – Programs, promotional material |
| Photo Box 5 | Folders 1-7 | The Inspector General – 7 photographs |
| Box 2 | Folder 1a | Dear Brutus by James Barrie. December 4-[?], 1928. Directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine – Program |
| Photo Box 5 | Folders 8-15 | Dear Brutus – 8 photographs |
| Box 2 | Folder 2 | Six Characters in Search of an Author by Luigi Pirandello; and Barbara by Kenneth Sawyer Goodman. January 7-[?], 1929. Directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine – Program |
| Photo Box 5 | Folders 16-18 | Six Characters in Search of an Author – 3 photographs |
| Box 2 | Folder 3 | Lizard Gap by Harry Lacy Hamilton. February 11-[?], 1929. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine – Programs |
| Box 2 | Folder 4 | When We Dead Awaken by Henrik Ibsen, translated by William Archer. February 26-[?], 1929. Directed by B. Iden Payne, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine – Program |
| Photo Box 5 | Folders 19-26 | When We Dead Awaken – 8 photographs |
| Box 2 | Folder 5 | The Critic by Richard Brinsley Sheridan. [1928-1929]. Directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, music arranged by Julia LeVine – Program |
| Photo Box 5 | Folder 27 | The Critic – 1 photograph |
| Box 2 | Folder 6 | The Shadow of a Gunman by Sean O’Casey; and, The Island of the Saints by St. John Ervine. April 10-[?], 1929. Directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, music by Julia LeVine – Programs |
| Box 2 | Folder 7 | The Golem by H. Leivick, translated by J.C. Augenlicht. May 7-June 8, 1929. Directed by Thomas Wood Stevens and David Itkin – Promotional material |
| Photo Box 5 | Folders 28-29 | The Trojan Women by Euripides. [1928-1929?] – 2 photographs |
1928-1929 Season, Studio
| Box 2 | Folder 8 | Plots and Playwrights by Edward Massey. March 28, 1929. Directed by Lawrence Paquin, costumes by Helen Ray – Program |
| Box 2 | Folder 9 | Pan and the Young Shepherd by Maurice Hewlett. June 5-6, 1929. Directed by B. Iden Payne – Program |
| Box 2 | Folder 10 | Les Femmes Savantes (The Learned Ladies) by Moliere, translated by Curtis Hidden Page. [1929?]. Directed by Lawrence Paquin, costumes by Marie Mackenzie – Programs |
1928-1929 Season, Children’s Theatre
| Box 2 | Folder 11 | Hans Brinker, or The Silver Skates by Louis E. Laflin, Jr., from the story by Mary Mapes Dodge. [1928-1929]. Directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lighting by Gordon Ray – Programs |
| Photo Box 5 | Folders 30-35 | Hans Brinker, or The Silver Skates – 6 photographs |
| Box 2 | Folder 11a | An Afternoon with Christopher Robin, adapted by Muriel Brown and Frances Preeve from A.A. Milne characters. November 17-[?], 1928. Directed by Muriel Brown, music by Julia LeVine, costumes and sets by Donald Ament, lighting by A.H. Feder – Programs and promotional material |
| Box 2 | Folder 12 | Robin Hood, dramatized by Muriel Brown. [1928-1929?]. Directed by Muriel Brown, sets by Don Ament, costumes by Elizabeth Parsons, lights by Gordon Ray – Programs |
| Box 2 | Folder 13 | Snow White and the Seven Dwarfs by H.M. Richardson. [1928-1929?]. Directed by Muriel Brown – Promotional material |
| Box 2 | Folder 14 | Snow White and the Seven Dwarfs – Program |
1929-1930 Season, Art Institute Members Series/Repertory Company
| Box 2 | Folder 15 | General promotional material |
| Box 2 | Folder 16 | Romeo and Juliet by William Shakespeare. October 8-[?], 1929. Directed by B. Iden Payne, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine – Programs and review |
| Box 2 | Folder 17 | The Mask and the Face by Luigi Chiarelli, translated by C.B. Fernald. November 4-[?], 1929. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine – Programs |
| Box 2 | Folder 18 | The Makropoulos Secret by Karel Capek. November 19-December 7, 1929. Directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall – Programs, promotional material |
| Photo Box 5 | Folders 36-42 | The Makropoulus Secret – 7 photographs |
| Box 2 | Folder 19 | Tour du Monde, or Around the World in 80 Days by Jules Verne and Alphonse d’Ennery, translated by Alden B. Stevens, stage version by Thomas Wood Stevens. December 17-[?], 1929. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting and light projections by Arvid Crandall, music by Julia LeVine – Programs |
| Photo Box 5 | Folder 43 | Tour du Monde, or Around the World in 80 Days – 1 photograph |
| Box 2 | Folder 20 | The Field God by Paul Green. January 28-[?], 1930. Directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall – Programs |
| Box 2 | Folder 21 | Holiday by Philip Barry. February 18-[?], 1930. Directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall – Programs |
| Box 2 | Folder 22 | The Rivals by Richard Brinsley Sheridan. March 11-[?], 1930. Directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall – Programs |
| Box 2 | Folder 23 | Kolpak Must Dance by Hellmuth Unger, translated by Derek Wulff. April 8-[?], 1930. Directed by Hubert Osborne, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lights by Arvid Crandall – Programs |
| Box 2 | Folder 24 | Escape by John Galsworthy. May 14-[?], 1930. Directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall – Programs |
| Box 2 | Folder 25 | The Poem of David by Kenneth Sawyer Goodman; Idyll of the Shop by Ben Hecht and Kenneth Sawyer Goodman; and The Home Coming by Ben Hecht and Kenneth Sawyer Goodman. June 9 and 10, 1930. Directed by David Itkin – Programs |
1929-1930 Season, Children’s Theatre
| Box 2 | Folder 26 | Ivanhoe, dramatized by Muriel Brown from the book by Sir Walter Scott. November 23, 1929. Directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Luarene Kingsbury, lights by Gordon Ray – Promotional material |
| Box 2 | Folder 27 | Scotch Twins by Lucy Fitch Perkins. [1929-1930?]. Directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray – Promotional material |
| Box 2 | Folder 28 | Little Women, adapted by Marion De Forest from the book by Louisa Mae Alcott. [1929-1930?]. Directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray – Programs |
| Box 2 | Folder 29 | The Poor Little Rich Girl by Eleanor Gates. [1929-1930?]. Directed by Muriel Brown, sets by Robert Van Deventer, costumes by Laurene Kingsbury, lighting by Gordon Ray – Programs |
1929-1930 Season, Special Events
| Box 2 | Folder 30 | Whitford Kane presents: Cathleen Ni Houlihan by W.B. Yeats and Loggerheads by Ralph Cullinan. March 17, 1930 – Program |
| Box 2 | Folder 30a | The 4th Annual Tournament of Plays. May 5-12, 1930 – Program |
1930-1931 Season, Art Institute Members Series/Repertory Company
| Box 2 | Folder 31 | Art Institute of Chicago Newsletter, May 2, 1931 |
| Box 2 | Folder 32 | The Firebrand by Edward Justus Mayer. [1930-1931]. Directed by Hubert Osborne, sets designed by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky – Programs |
| Box 2 | Folder 32a | Hotel Universe by Philip Barry. [1930] – Reviews and clippings |
| Box 2 | Folder 33 | The Sea Gull by Anton Chekhov, translated by Maurice Gnesin. [1930-1931]. Directed by Maurice Gnesin, scenic design by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky – Program |
| Box 2 | Folder 33a | Rebound by Donald Ogden Stewart. [1930-1931?] – Program |
| Box 2 | Folder 33b | Lazzaro by Luigi Pirandello. [1930-1931?] – Program |
| Box 2 | Folder 34 | Unassigned |
1931-1932 Season, Art Institute Members Series
| Box 2 | Folder 35 | This Fine Pretty World by Percy MacKaye. November 2-5, 1931. Directed by David Itkin, sets designed by Virginia Roediger, costumes by Marie MacKenzie, lights by Thelma Ham – Programs |
| Box 2 | Folder 36 | The Tidings Brought to Mary by Paul Claudel. December 7-10, 1931. Directed by Maurice Gnesin, scenery by Jack Whitney, costumes by Ardys Belisch – Programs |
| Photo Box 5 | Folders 45-46 | Tidings Brought to Mary – 2 photographs |
| Box 2 | Folder 37 | Lady Windermere's Fan by Oscar Wilde. May 23-27, 1932. Directed by Maurice Gnesin, sets and costumes designed by Virginia Roediger – Programs |
| Photo Box 5 | Folder 50 | Lady Windermere’s Fan – 1 photograph |
1931-1932 Season, Children’s Theatre
| Box 2 | Folder 38 | Treasure Island, dramatized by Jules Eckert Goodman from the book by Robert Louis Stevenson. November 14-[?], 1931. Directed by Muriel Brown – Promotional material |
| Photo Box 5 | Folder 51 | Treasure Island – 1 photograph |
| Box 2 | Folder 39 | A Kiss for Cinderella by James Barrie. January 16-[?], 1932. Directed by Muriel Brown, costumes by Ardys Belisch, sets by Rosalie Encell, lights by John Walley – Promotional material |
| Box 2 | Folder 40 | A Kiss for Cinderella – Programs |
| Photo Box 5 | Folders 52-55 | A Kiss for Cinderella – 4 photographs |
| Box 2 | Folder 41 | The Emperor's New Clothes by Mrs. C.B. Chorpenning. April [?], 1932. Directed by Maurice Gnesin, costumes by Virginia Roediger, sets by Rosalie Encell – Programs |
1932-1933 Season, Art Institute Members Series
| Box 2 | Folder 41a | The Cassilis Engagement by St. John Hankin. [June 3, 1933]. Directed by Howard Southgate, sets by Marie Wecker, lighting by Gordon Ray – Program |
| Photo Box 5 | Folders 56-59 | The Cassilis Engagement – 4 photographs |
| Box 2 | Folder 42 | Pillars of Society by Henrik Ibsen. December 5-8, 1932. Directed by David Itkin, sets designed by Virginia More Roediger – Program |
| Photo Box 5 | Folders 60-63 | Pillars of Society – 4 photographs |
| Box 2 | Folder 43 | The Nightingale by Julian F. Thompson. January 9-12, 1933. Directed by Maurice Gnesin, sets and costumes by Virginia More Roediger – Programs and contract between Thompson and the Goodman |
| Photo Box 5 | Folder 64 | The Nightingale – 1 photograph |
| Box 2 | Folder 44 | The Three Sisters by Anton Chekhov, translated by Maurice Gnesin. February 6-10, 1933. Directed by Maurice Gnesin, sets designed by Virginia Roediger – Programs |
| Photo Box 5 | Folders 65-68 | The Three Sisters – 4 photographs |
| Box 2 | Folder 45 | Pygmalion by George Bernard Shaw. March 13-17, 1933. Directed by David Itkin, sets designed by Virginia More Roediger – Programs |
| Photo Box 6 | Folders 1-3 | Pygmalion – 3 photographs |
| Box 2 | Folder 46 | Leonardo Da Vinci by Maurice Gnesin. April 22-28, 1933. Directed by David Itkin, scenic designs by Sam Russell and John Friedmann, Jr., costumes by Ardys Belisch – Programs |
| Photo Box 6 | Folders 4-6 | Leonardo Da Vinci – 3 photographs |
| Photo Box 6 | Folders 7-8 | Paris Bound. [1932-1933] – 2 photographs |
1932-1933 Season, Studio
| Box 2 | Folder 47 | The Show Off by George Kelley. March 7-9, 1933. Directed by Carl Johnson, sets by Spencer Davis, costumes by Shirley Zak, lighting by Dave Edwards – Programs |
| Box 2 | Folder 48 | Smokescreen directed by Adelaide Clyman; Riders to the Sea directed by Rosa Alexandra Knuuti; and King Arthur's Socks directed by Sidney Breese. April 13 and 14, 1933 – Programs |
| Box 2 | Folder 49 | At Mrs. Beam's directed by Charlotte Chorpenning. April 17, 1933 – Programs |
1932-1933 Season, Children’s Theatre
| Box 2 | Folder 50 | Jack and the Beanstalk, dramatized by Charlotte Chorpenning. December 24, 1932-January 14, 1933. Directed by Charlotte Chorpenning, sets by Beatrice Norton, costumes by Mary Ross, lighting by Joanne Meyers – Programs |
| Box 2 | Folder 51 | Tom Sawyer, adapted by Charlotte Chorpenning from the book by Mark Twain. January 28-[?], 1933. Directed by Charlotte Chorpenning, costumes by Mary Ross, lights by Howard Nelson – Programs |
| Box 2 | Folder 52 | Snow White and the Seven Dwarfs, adapted by Jessie Graham White from the story by the Brothers Grimm. March 4-[?], 1933. Directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger – Programs |
1932-1933 Season, Special Events
| Box 2 | Folder 52a | When Chicago Was Young by Alice Gerstenberg and Herma Clark. November 7, 1932. Directed by Mary Alice Foley – Program |
1933-1934 Season, Art Institute Members Series
| Box 2 | Folder 53 | The Romantic Young Lady by G. Martinez Sierra. October 31-November 4, 1933. Directed by David Itkin, scenic design by Spencer Davis, costumes by Beatrice Norton, lights by Robert Brower – Programs |
| Box 2 | Folder 54 | The Torch-Bearers by George Kelly. November 8, 9 and 19, 1933. Directed by Bradford Crocker – Programs |
| Box 2 | Folder 55 | Macbeth by William Shakespeare. December 12-16, 1933. Directed by Maurice Gnesin, sets and costumes designed by Virginia More Roediger – Programs |
| Photo Box 6 | Folder 17 | Macbeth – 1 photograph |
| Box 2 | Folder 56 | Anathema by Leonid Andreyev. March 6-10, 1934. Directed by Maurice Gnesin, sets designed by Spencer Davis, lights by Robert Brower and Otto Sheer – Programs |
| Photo Box 6 | Folder18 | Anathema – 1 photograph |
| Box 2 | Folder 57 | The Great Catherine and Augustus Does His Bit by George Bernard Shaw. April 3-7, 1934. Directed by Maurice Gnesin, settings and costumes designed by Virginia More Roediger – Programs |
| Photo Box 6 | Folders 19-22 | The Great Catherine – 4 photographs |
| Box 2 | Folder 58 | The Royal Family by George S. Kaufman and Edna Ferber. January 23-27, 1934. Directed by David Itkin, sets and costumes by Virginia Roediger – Programs |
| Photo Box 6 | Folders 23-25 | The Royal Family – 3 photographs |
| Box 2 | Folder 59 | The Farmer's Wife by Eden Phillpotts. May 22-25, 1934. Directed by Charlotte Chorpenning, lights by Leonard Safier – Programs |
| Photo Box 6 | Folders 26-29 | The Master Builder by Henrik Ibsen. [1933-1934] – 3 photographs |
1933-1934 Season, Studio
| Box 2 | Folder 60 | The Kingdom of God by G. Martinez Sierra. December 6-8, 1933. Directed by David Itkin – Program |
| Box 2 | Folder 61 | Lavender and the Red Pepper by Ruth Giorloff and directed by Bradford Crocker; Riders to the Sea by J.M. Synge and directed by Bradford Crocker; and, Twelve Pound Look by James M. Barrie and directed by Eunice Osborne – Programs |
1933-1934 Season, Children’s Theatre
| Box 2 | Folder 62 | The Pied Piper of Hamelin, adapted from a poem by Robert Browning. October 21-November 18, 1933. Directed by Charlotte Chorpenning, scenic and costume designs by Virginia Roediger – Programs |
| Photo Box 6 | Folders 30-31 | The Pied Piper of Hamelin – 2 photographs |
| Box 2 | Folder 63 | Cinderella, dramatized by Charlotte Chorpenning. December 2, 1933-January 6, 1934. Directed by Charlotte Chorpenning, sets by Spencer Davis, costumes by Beatrice Norton – Programs |
| Box 2 | Folder 64 | Mr. Dooley, Jr. by Rose Franken and Jane Lewin. January 13-February 24, 1934. Directed by Charlotte Barrows Chorpenning, sets designed by John Friedman, Jr – Programs |
| Photo Box 6 | Folders 32-33 | Mr. Dooley, Jr. – 2 photographs |
| Box 2 | Folder 65 | The Arkansas Bear by Albert Bigelow Paine, dramatized by Alderilla Beistle and Harriet Grover. February 24-[?], 1934. Directed by Charlotte Chorpenning, sets designed by John Friedman, Jr – Programs |
| Photo Box 6 | Folders 34-26 | The Arkansas Bear – 3 photographs |
| Box 2 | Folder 66 | Rumpelstiltskin, dramatized by Charlotte Chorpenning. April 14-May 12, 1934. Directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger – Scenic plans (See: Oversize Folder 1) |
| Box 2 | Folder 67 | Rumpelstiltskin – Programs |
| Photo Box 6 | Folder 37-40 | Rumpelstiltskin – 4 photographs |
1934-1935 Season, Art Institute Members Series
| Box 3 | Folder 1 | General promotional material |
| Box 3 | Folder 2 | The Second Man by S.N. Berman. November 5-9, 1934. Directed by David Itkin, sets designed by Friedrich von Dachenhausen, lights by Leonard Safier – Programs |
| Photo Box 6 | Folders 41-43 | The Second Man – 3 photographs |
| Box 3 | Folder 3 | For Services Rendered by W. Somerset Maugham. December 10-14, 1934. Directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Spencer Davies and William Boyer – Program |
| Photo Box 6 | Folders 44-47 | For Services Rendered – 4 photographs |
| Box 3 | Folder 4 | Twelfth Night by William Shakespeare. January 14-18, 1935. Directed by David Itkin, sets by Spencer Davies, costumes by Mildred Sutherland, lights by Robert Brower – Programs |
| Photo Box 6 | Folder 48 | Twelfth Night – 1 photograph |
| Box 3 | Folder 5 | The First Mrs. Fraser by St. John Ervine. February 11-15, 1935. Directed by Maurice Gnesin, sets by Mildred Sutherland, lighting by Robert Brower,...featuring Karl Malden – Program |
| Photo Box 6 | Folders 49-51 | The First Mrs. Fraser – 3 photographs |
| Box 3 | Folder 6 | The Head of the Family by Katherine Clugston. March 11-15, 1935, an American Premiere. Directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Robert Brower – Programs |
| Box 3 | Folder 7 | The Living Corpse by Leyf Tolstoy. April 22-26, 1935, an American Premiere. Directed by David Itkin, sets designed by Jean Sutherland, lighting by Robert Broward,...featuring Karl Malden – Program |
| Photo Box 6 | Folder 52 | The Living Corpse – 1 photograph |
| Box 3 | Folder 8 | Let Us Be Gay by Rachel Crothers. May 20-24, 1935. Directed by Eunice Osborne, sets and costumes by R. Llewellyn Hughes, lighting by Leonard Safier – Programs |
| Photo Box 6 | Folders 53-57 | Let Us Be Gay – 5 photographs |
| Box 3 | Folder 9 | The Master Builder by Henrik Ibsen. May 8-12, 1935. Directed by David Itkin, sets designed by Spencer Davies, lighting by Leonard Safier – Scenic plans (2 pencil sketches) |
| Box 3 | Folder 10 | The Master Builder – Programs |
| Box 3 | Folder 11 | The Kingdom of God by G. Martinez Sierra. October 8-12, 1934. Directed by David Itkin, sets by Spencer Davies, costumes executed by Lillian Wenzel, lighting by Leonard Safier – Programs |
| Photo Box 6 | Folders 58-59 | The Kingdom of God – 2 photographs |
1934-1935 Season, Studio
| Box 3 | Folder 12 | Craig's Wife by George Kelly. April 1-2, 1935. Directed by Eunice Osborne, sets by Robert Newman, lighting by Leonard Safier – Programs |
| Photo Box 6 | Folders 60-69 | Craig’s Wife – 10 photographs |
| Box 3 | Folder 13 | The Distaff Side by John Van Druten. April 4-5, 1935. Directed by Gene D. Blumberg – Programs |
| Photo Box 7 | Folders 4-6 | The Distaff Side – 3 photographs/negatives |
| Box 3 | Folder 14 | The Silver Cord by Sidney Howard. May 27-28, 1935. Directed by Irene Fojut, lighting by James Diehl – Programs |
| Box 3 | Folder 15 | The Nursery Maid of Heaven by Thomas Wood Stevens and directed by Gene D. Blumberg; Motherly Love by August Strindberg and directed by Warren Reid; Trifles by Susan Glaspell and directed by Frank Callender; and The First White Woman by Babette Hughes and directed by Frank Callender. Lighting by James Diehl. June 3-4, 1935 – Programs |
| Box 3 | Folder 16 | Seven Women by J.M. Barrie and directed by Lila Underwood; King Arthur's Socks by Floyd Dell and directed by Phillip Wayne; The Widdy's Mite by Dan Totheroh and directed by Helen Rezabek; and Dark Lady of the Sonnets by George Bernard Shaw and directed by Gene Yell. June 11, 1935 – Programs |
| Box 3 | Folder 17 | Cradle Song by G. Martinez Sierra. n.d. Directed by Eunice Osborne, lighting by Leonard Safier – Programs |
1934-1935 Season, Children’s Theatre
| Box 3 | Folder 18 | Aladdin and His Wonderful Lamp by James Norris. October 27-November 24, 1934. Directed by Charlotte Chorpenning; sets and costumes by Spencer Davies, dances arranged by Harriette Louis, lights by Robert Brower,...featuring Karl Malden – Programs |
| Photo Box 6 | Folders 70-71 | Aladdin and His Wonderful Lamp – 2 photographs |
| Box 3 | Folder 19 | Jolly Robin Hood, dramatized by Charlotte Chorpenning. December 1, 1934-January 5, 1935. Directed by Charlotte Chorpenning, sets designed by Friedrich von Dachenhausen, lighting by Esther Snowden, costumes executed by Millicent Kovalinka,...featuring Karl Malden – Programs |
| Photo Box 6 | Folders 72-74 | Jolly Robin Hood – 3 photographs |
| Box 3 | Folder 20 | Sleeping Beauty, dramatized by Charlotte Chorpenning. January 5-February 2, 1935. Directed by Charlotte Chorpenning, sets designed by Spencer Davies, lighting by Leonard Safier, costumes by Lila Underwood – Lighting cue sheets |
| Box 3 | Folder 21 | Sleeping Beauty – Scenic plans (See: Oversize Folder 2) |
| Box 3 | Folder 22 | Sleeping Beauty – Programs |
| Photo Box 6 | Folders 75-85 | Sleeping Beauty – 11 photographs/negatives |
| Box 3 | Folder 23 | Red Riding Hood, dramatized by Charlotte Chorpenning. February 23-March 23, 1935. Directed by Charlotte Chorpenning, sets and costumes designed by R. Llewellyn Hughes, lights by Leonard Safier,...featuring Karl Malden – Program |
| Box 3 | Folder 24 | Huckleberry Finn by Mark Twain and dramatized by Charlotte Chorpenning. March 30-May 11, 1935. Directed by Charlotte Chorpenning, sets and costumes by Jean Sutherland, lights by Leonard Safier – Programs |
| Photo Box 6 | Folders 86-88 | Huckleberry Finn – 3 photographs |
| Box 3 | Folder 25 | The Gondoliers, or The King of Barataria by Sir William Gilbert. Sponsored by the Chicago Comic Opera Company, undated. Directed by Ralph J. Helperin, composed by Sir Arthur Sullivan, choreography by Betty Joyce Kupfer – Program |
1935-1936 Season, Art Institute Members Series
| Box 3 | Folder 26 | Mr. Pim Passes By by A.A. Milne. September 30-October 4, 1935. Directed by Sidney Breese, sets designed by Jean Sutherland, lights by Robert Brower,...featuring Karl Malden – Programs |
| Box 3 | Folder 27 | Mr. Pim Passes By – Program from a Special Alumni Performance, October 29, 1935 |
| Photo Box 6 | Folders 89-90 | Mr. Pim Passes By – 2 photographs/negatives |
| Box 3 | Folder 28 | Liliom by Ferenc Molnar. January 20-25, 1936. Directed by Maurice Gnesin, sets by Jean Sutherland, lighting and technical direction by Robert Brower,...featuring Karl Malden – Program |
| Box 3 | Folder 29 | The Father by August Strindberg. March 16-21, 1936. Directed by David Itkin, sets designed by Jean Sutherland, lights by Robert Brower,...starring Sam Wanamaker – Program |
| Photo Box 6 | Folders 91-92 | The Father – 2 photographs/negatives |
| Box 3 | Folder 30 | The Animal Kingdom by Phillip Barry. April 20-26, 1936. Directed by Eunice Osborne; sets designed by Norman Grant, lighting by James Diehl,...featuring Karl Malden – Programs |
| Photo Box 6 | Folders 93-96 | The Animal Kingdom – 4 photographs/negatives |
| Box 3 | Folder 31 | The Chief Thing by Nikolai Evreinoff. May 18-23, 1936. Directed by Maurice Gnesin, sets designed and executed by Jean Sutherland, lighting by Robert Brower,...featuring Karl Malden – Scenic plans |
| Box 3 | Folder 32 | The Chief Thing – Programs |
| Photo Box 7 | Folders 1-3 | The Chief Thing – 3 photographs/negatives |
1935-1936 Season, Studio
| Box 3 | Folder 33 | The Enchanted April by Kane Campbell. November 12-14, 1935. Directed by Eunice Osborne, sets by Esther Snowden, lights by Marge Ferris – Programs |
| Box 3 | Folder 34 | Ladies in Waiting by Cyril Campion. November 26-27, 1935. Directed by Sidney Breese – Programs |
| Box 3 | Folder 35 | A Thief Tomorrow by Josephine Ardrey. February 24-25, 1936. Directed by Eunice Osborne, lights by James Webster – Programs |
| Box 3 | Folder 36 | Another Language by Rose Franken. April 7-8, 1936. Directed by Charles H. Gullickson, sets by Joel Simon, sculpture by Jay Norris – Program |
| Photo Box 7 | Folders 7-12 | Another Language – 6 photographs |
| Box 3 | Folder 37 | Fresh Fields by Ivor Novello. June 2-3, 1936. Directed by Sidney Breese, lights by Mary Monahan – Programs |
1935-1936 Season, Children’s Theatre
| Box 3 | Folder 38 | The Emperor's New Clothes, dramatized by Charlotte Chorpenning. October 19-November 16, 1935. Directed by Charlotte Chorpenning, sets by Spencer Davies, lights by Robert Brower – Programs |
| Box 3 | Folder 39 | Jack and the Beanstalk, dramatized by Charlotte Chorpenning. November 30, 1935-January 4, 1936. Directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Frances Lewis, lights by Robert Brower,...featuring Karl Malden as the Giant – Program |
| Photo Box 7 | Folders 13-16 | Jack and the Beanstalk – 4 photographs/negatives |
| Box 3 | Folder 40 | Heidi by Lucille Miller. January 11-February 29, 1936. Directed by Charlotte Chorpenning, sets designed by Ralph Alswang and Frances Lewis, lights by James Diehl – Programs |
| Photo Box 7 | Folder 17 | Heidi – 1 photograph/negative |
| Box 3 | Folder 41 | Rip Van Winkle, dramatized by Charlotte Chorpenning. March 7-April 4, 1936. Directed by Charlotte Chorpenning, sets and costumes by Norman Grant, lighting by Robert Brower,...featuring Karl Malden – Programs |
| Photo Box 7 | Folders 18-20 | Rip Van Winkle – 3 photographs |
| Box 3 | Folder 42 | Titian, the Boy Artist of Cadore by Nora B. Tully. April 11-May 9, 1936. Directed by Charlotte Chorpenning, sets by Signe Midelfort and Noel Barker, lighting by Marge Ferris – Programs |
1936-1937 Season, Art Institute Members Series
| Box 3 | Folder 43 | The Late Christopher Bean by Sidney Howard. October 5-10, 1936. Directed by Sidney Breese, sets by Spencer Davies, lighting by Robert Brower,...with Karl Malden – Scenic plan (See: Oversize Folder 2) |
| Box 3 | Folder 44 | The Late Christopher Bean – Programs |
| Box 3 | Folder 45 | The Show Off by George Kelly. December 7-15, 1936. Directed by Eunice Osborne, sets designed by Norman Grant, lights by James Webster,...featuring Karl Malden – Programs |
| Photo Box 7 | Folder 21-22 | The Show Off – 2 photographs/negatives |
| Photo Box 7 | Folder 23 | The Lower Depths by Maxim Gorki. January 11-19, 1937 – 1 photograph |
| Box 3 | Folder 46 | The Cradle Song by G. Martinez Sierra. February 8-15, 1937. Directed by David Itkin, sets by Spencer Davies, lighting by James Webster – Programs |
| Photo Box 7 | Folder 24 | The Cradle Song – 1 photograph |
| Box 3 | Folder 47 | The Winter's Tale by William Shakespeare. March 15-22, 1937. Directed by David Itkin, sets by Spencer Davies, dances by Harriette Louise, lights by James Webster,...with Karl Malden – Programs |
| Box 3 | Folder 48 | Hotel Universe by Phillip Barry. April 19-26, 1937. Directed by Eunice Osborne, sets designed by Spencer Davies, lights by James Webster – Programs |
| Photo Box 7 | Folder 25 | Hotel Universe – 1 photograph |
| Box 3 | Folder 49 | Dear Brutus by Sir James Barrie. May 24-29, 1937. Directed by Maurice Gnesin, sets designed by Norman Grant, lighting by James Webster, ...with Karl Malden – Programs |
1936-1937 Season, Studio
| Box 3 | Folder 50 | Sixteen by Aimee and Phillip Stewart. December 2, 1936. Directed by Dorothy Dixon, lighting by Frank Minatel – Program |
| Box 3 | Folder 51 | Sweet Aloes by Jay Mallory. February 4-5, 1937. Directed by Eunice Osborne, lights by Warren Pattinson – Programs |
| Box 3 | Folder 52 | The Trysting Place by Booth Tarkington and directed by Mary Elizabeth Aurelius; Good Vintage by Dan Totheroh and directed by Elizabeth E. Wolcott; "Op-o"-Me-Thumb by Frederick Fenn and Richard Price and directed by Nona Greenberg; and Bread by Fred Eastman and directed by Dorothy Konkowski. April 27, 1937 – Programs |
1936-1937 Season, Children’s Theatre
| Box 3 | Folder 53 | Penrod by Booth Tarkington, dramatized by Edward E. Rose. November 14-December 5, 1936. Directed by Charlotte B. Chorpenning, sets by Spencer Davies, costumes by Beryl Spinney, lights by Robert Brower – Scenic plan (floor plan) |
| Box 3 | Folder 54 | Penrod – Programs |
| Box 3 | Folder 55 | Penrod – Program from a benefit performances for Amity School Children's Aid |
| Photo Box 7 | Folders 26-27 | Penrod – 2 photographs |
| Box 3 | Folder 56 | Little Black Sambo by Helen Bannerman. December 19, 1936-January 23, 1937. Directed by Charlotte Chorpenning, choreography by Harriette Louise, sets by Norman Grant, lights by Robert Brower, costumes by Beryl Spinney – Programs |
| Photo Box 7 | Folder 28 | Little Black Sambo – 1 photograph |
| Box 3 | Folder 57 | The Prince and the Pauper by Mark Twain, dramatized by Charlotte Chorpenning. February 6-March 6, 1937. Directed by Charlotte Chorpenning, sets designed by Norman Grant, lights by James Webster, costumes by Kathryn Triplett,...with Karl Malden and Sam Wanamaker – Program |
| Box 3 | Folder 58 | A Midsummer Night's Dream by William Shakespeare. March 27-May 8, 1937. Directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett and Jane Coolidge, "Nocturne and Snapdragon's" dance by Harriette Louise,...with Sam Wanamaker – Program |
1937-1938 Season, Art Institute Members Series
| Box 4 | Folder 1 | Accent on Youth by Samson Raphaelson. October 4-12, 1937. Directed by David Itkin, sets by Spencer Davies, lighting by James Webster,...with Sam Wanamaker – Scenic plan (See: Oversize Folder 2) |
| Box 4 | Folder 2 | Accent on Youth – Programs |
| Photo Box 7 | Folders 32-34 | Accent on Youth – 3 photographs |
| Box 4 | Folder 3 | The Adding Machine by Elmer Rice. November 8-17, 1937. Directed by Maurice Gnesin, sets designed by Spencer Davies, lights by James Webster, costumes by Kathryn Triplett,...with Sam Wanamaker – Programs |
| Photo Box 7 | Folders 35-56 | The Adding Machine – 22 photographs |
| Box 4 | Folder 4 | The Joyous Season by Phillip Barry. December 6-14, 1937. Directed by David Itkin, sets by Norman Grant, lights by James Webster, costumes by Beryl Spinney,...with Sam Wanamaker – Program |
| Photo Box 7 | Folders 57-59 | The Joyous Season – 3 photographs |
| Box 4 | Folder 5 | Our American Cousin by Tom Taylor. January 10-18, 1938. Directed by Maurice Gnesin in association with Sidney Breese, sets designed by Spencer Davies, lights by James Webster,...with Sam Wanamaker – Programs |
| Photo Box 7 | Folders 60-64 | Our American Cousin– 5 photographs/negatives |
| Box 4 | Folder 6 | King Lear by William Shakespeare. February 14-23, 1938. Directed by David Itkin, sets by Spencer Davies, lights by James Webster, costumes by Beryl Spinney and Kathryn Triplett,...with Sam Wanamaker – Programs |
| Photo Box 7 | Folders 65-77 | King Lear – 13 photographs |
| Box 4 | Folder 7 | Electra by Euripides. April 25-May 3, 1938. Directed by Maurice Gnesin, settings by Spencer Davies, choral movements by Harriette Louise, costumes by Beryl Spinney and Spencer Davies, lighting by James Webster,...with Sam Wanamaker – Programs |
| Photo Box 8 | Folders 1-7 | Electra – 7 photographs |
| Box 4 | Folder 8 | You Never Can Tell by George Bernard Shaw. May 23-31, 1938. Directed by David Itkin, sets by Norman Grant, costumes by Kathryn Triplett, lights by James Webster,...with Sam Wanamaker – Program |
| Photo Box 8 | Folders 8-9 | You Never Can Tell – 2 photographs |
| Box 4 | Folder 9 | Storm Over Patsy by James Bridie. March 21-29, 1938. Directed by Sidney Breese, sets designed by Norman Grant, costumes by Kathryn Triplett, lighting by James Webster – Program |
| Photo Box 8 | Folders 10-11 | Storm Over Patsy – 2 photographs |
| Box 4 | Folder 10 | Ladies in Waiting by Cyril Campion. November 17-18, 1937. Directed by Doris Foley, sets by Henry Kurth, lighting by Mary Monahan – Programs |
| Box 4 | Folder 11 | Devil on Stilts by Ryerson and Clements and directed by Esther Snowden; Never Too Old by Ryerson and Clements and directed by Mary Evelyn Kootz; The First White Woman by Babette Hughes and directed by Henry Kurth; and Aria Da Capo by Edna St. Vincent Millay and directed by Charline Osgood. May 12, 1938. Sets by Joel Simon – Programs |
| Box 4 | Folder 12 | Trifles by Susan Glaspell and directed by Westley Johnson (sets by Robert Sailor); Feast of the Holy Innocents by Samuel Ilsley and directed by J. Colson Webster – sets by Joel Simon); "Op-o"-Me Thumb by Fenn and Pryce and directed by Esther Snowden (sets by Robert Sailor); and Not Smart by Wilbur Steele and directed by Sam Wanamaker (sets by Joel Simon, lights by Byron Taggert). June 7, 1938 – Programs |
| Box 4 | Folder 13 | Kind Lady by Edward Chodorov. June 10, 1938. Directed by Sidney Breese, sets by John MacMahon, lights by Michael Taylor – Programs |
| Box 4 | Folder 14 | The Second Man by S.N. Berman. June 14, 1938. Lighting by James Shimek – Programs |
| Box 4 | Folder 15 | Radio Rescue by Charlotte Chorpenning. October 16-November 6, 1937. Directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett, lights by James Webster – Programs |
| Photo Box 8 | Folder 12 | Radio Rescue – 1 photograph |
| Box 4 | Folder 16 | Hans Brinker, or The Silver Skates by Mary Mapes Dodge, dramatized by Charlotte Chorpenning. January 8, 1938. Directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Kathryn Triplett, lighting by James Webster – Programs |
| Photo Box 8 | Folders 13-14 | Hans Brinker, or The Silver Skates – 2 photographs |
| Box 4 | Folder 17 | Peter, Peter Pumpkin Eater by Martha King. January 15-February 26, 1938. Directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett, lights by James Webster – Programs |
| Photo Box 8 | Folders 15-18 | Peter, Peter Pumpkin Eater – 4 photographs |
| Photo Box 8 | Folders 19-21 | Indian Captive – 3 photographs |
1938-1939 Season, Art Institute Members Series
| Box 4 | Folder 18 | General promotional material |
| Box 4 | Folder 19 | Why Not? by Jesse Lynch Williams. October 3-12, 1938. Directed by Sydney Breese, sets by Spencer Davies, costumes by Virginia Opsvig,...with Sam Wanamaker – Programs |
| Photo Box 10 | Folders 23-40 | Why Not? – 18 photographs/negatives |
| Box 4 | Folder 20 | Street Scene by Elmer Rice. November 7-16, 1938. Directed by David Itkin, sets by David Itkin, costumes by Virginia Opsvig,...with Sam Wanamaker – Programs |
| Photo Box 8 | Folders 22-46 | Street Scene – 25 photographs/negatives |
| Box 4 | Folder 21 | Bees on the Boat Deck by J.B. Priestley. December 5-15, 1938. Directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig,...with Sam Wanamaker – Prop list |
| Box 4 | Folder 22 | Bees on the Boat Deck by J.B. Priestley. December 5-15, 1938. Directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig,...with Sam Wanamaker—Programs |
| Photo Box 8 | Folders 47-59 | Bees on the Boat Deck – 13 photographs/negatives |
| Box 4 | Folder 23 | The Circle by W. Somerset Maugham. January 9-19, 1939. Directed by Maurice Gnesin, sets by Spencer Davies, costumes by Virginia Opsvig,...starring Sam Wanamaker – Programs |
| Box 4 | Folder 24 | The Circle – Program for the Alumni House Performance |
| Photo Box 9 | Folders 1-5 | The Circle – 5 photographs |
| Box 4 | Folder 25 | Much Ado About Nothing by William Shakespeare. February 13-24, 1939. Directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 9 | Folders 6-17 | Much Ado About Nothing – 12 photographs |
| Box 4 | Folder 26 | Anna Christie by Eugene O'Neill. March 20-April 1, 1939. Directed by David Itkin, settings by Norman Grant, costumes by Virginia Opsvig – Programs |
| Photo Box 9 | Folders 18-19 | Anna Christie – 2 photographs |
| Box 4 | Folder 27 | Elizabeth the Queen by Maxwell Anderson. April 13-26, 1939. Directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig,...with Sam Wanamaker – Programs |
| Photo Box 9 | Folders 20-26 | Elizabeth, the Queen – 7 photographs |
| Box 4 | Folder 28 | First Lady by Katherine Dayton and George S. Kaufman. May 22-31, 1939. Directed by Charlotte Chorpenning, sets by John Nicholson, costumes by Mary Blair – Programs |
| Photo Box 9 | Folders 27-41 | First Lady – 15 photographs/negatives |
1938-1939 Season, Studio
| Box 4 | Folder 29 | Eugene O'Neill's Sea Plays: Ile, directed by W.R. Martini; In the Zone, directed by Frank Callender; Bound East for Cardiff, directed by Frank Callender; and Long Voyage Home, directed by Samuel Wanamaker. March 17, 1939. Sets by Mary Blair – Programs |
| Box 4 | Folder 30 | "A Bill of One Acts": A Room in the Tower by Hugh Stewart and directed by Samuel Wanamaker; Corn Shock by John Taylor and directed by Walter R. Martini; Roses and Rue by Winifred Fraser and directed by Walter R. Martini; The Twelve-Pound Look by Sir James Barrie and directed by Samuel Wanamaker. Sets by James Israel, costumes by Russell Lotterhos – Programs |
1938-1939 Season, Children’s Theatre
| Box 4 | Folder 31 | Tom Sawyer by Mark Twain, dramatized by Charlotte Chorpenning. November 12-December 24, 1938. Directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 10 | Folders 1-13 | Tom Sawyer – 13 photographs |
| Box 4 | Folder 32 | Rumpelstiltskin, dramatized by Charlotte Chorpenning. December 31, 1938-January 28, 1939. Directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Class in Costume Design – Promotional material |
| Box 4 | Folder 33 | Rumpelstiltskin – Programs |
| Photo Box 10 | Folders 14-19 | Rumpelstiltskin – 6 photographs |
| Box 4 | Folder 34 | Alice in Wonderland, dramatized by Charlotte Chorpenning. February 4-[?], 1939. Directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Virginia Opsvig, dances by Frank Callender – Scenic plans (See: Oversize Folder 2) |
| Box 4 | Folder 35 | Alice in Wonderland – Programs |
| Photo Box 10 | Folders 20-22 | Alice in Wonderland – 3 photographs |
1938-1939 Season, Special Events
| Box 4 | Folder 36 | The Graff Ballet. January 26-28, 1939 – Programs |
| Box 4 | Folder 37 | Dances of Spain, with Clarita Martin. May 10-13, 1939 – Promotional material and program |
| Box 4 | Folder 38 | Katherine Dunham. October 27-29, 1938 – Programs |
| Photo Box 10 | Folders 41-42 | Katherine Dunham, Haitian Dance – 2 photographs |
1939-1940 Season, Art Institute Member Series
| Box 5 | Folder 1 | General promotional material |
| Box 5 | Folder 2 | Holiday by Phillip Barry. October 2-14, 1939. Directed by Mary Elizabeth Aurelius, sets by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 11 | Folders 1-10 | Holiday – 10 photographs |
| Box 5 | Folder 3 | Our Town by Thornton Wilder. November 6-[?], 1939. Directed by David Itkin, costumes by Mary Blair – Programs |
| Box 5 | Folder 4 | Family Portrait by Lenore Coffee and William Joyce Cowen. December 4-17, 1939. Directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 11 | Folders 11-17 | Family Portrait – 7 photographs/negatives |
| Box 5 | Folder 5 | George and Margaret by Gerald Savory. January 15-[?], 1940. Directed by David Itkin, sets designed by John Nicholson, costumes by Richard von Albrecht – Programs |
| Photo Box 11 | Folders 18-31 | George and Margaret – 14 photographs |
| Box 5 | Folder 6 | Merry Wives of Windsor by William Shakespeare. February 12-25, 1940. Directed by David Itkin, sets by Spencer Davies, costumes by Virginia Opsvig – Scenic plan (See: Oversize Folder 2) |
| Box 5 | Folder 7 | Merry Wives of Windsor – Programs |
| Photo Box 11 | Folders 32-55 | Merry Wives of Windsor – 24 photographs/negatives |
| Box 5 | Folder 8 | He Who Gets Slapped by Leonid Andreyev, translated by Maurice Gnesin. March 18-31, 1940. Directed by Maurice Gnesin, sets by Mary Blair, costumes by John Nicholson – Programs |
| Photo Box 12 | Folders 1-20 | He Who Gets Slapped – 20 photographs |
| Box 5 | Folder 9 | Laburnum Grove by J.B. Priestley. April 15-28, 1940. Directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 12 | Folders 21-32 | Laburnum Grove – 12 photographs |
| Box 5 | Folder 10 | Goodbye Again by Allan Scott and George Haight. May 13-26, 1940. Directed by Maurice Gnesin, sets by John Nicholson, costumes by Mary Blair – Rehearsal and performance schedule |
| Box 5 | Folder 11 | Goodbye Again – Programs |
| Photo Box 12 | Folders 33-45 | Goodbye Again – 13 photographs |
1939-1940 Season, Studio
| Box 5 | Folder 12 | The Late Christopher Bean by Sidney Howard. October 18, 1939. Directed by Mary Elizabeth Aurelius, sets and costumes by Mary Blair – Programs |
| Box 5 | Folder 13 | Girls in Uniform by Christa Winsloe. October 26, 1939. Directed by Maurice Gnesin, sets by Russell Lotterhos, costumes by Richard von Albrecht – Programs |
| Box 5 | Folder 14 | The Whiteheaded Boy by Lennox Robinson. December 8, 1939. Directed by Roger Tracy, sets by Richard von Albrecht, costumes by Mary Blair – Programs |
| Box 5 | Folder 15 | Time and the Conways by J.B. Priestley. February 16, 1940. Directed by Frank Callender, scenery by Ade-Rolfe Floreen, costumes by Angelynn Berry – Programs |
| Box 5 | Folder 16 | Spring Dance by Phillip Barry. March 22, 1940. Directed by Mary Elizabeth Aurelius, scenery by Donald Powell, costumes by Russell Lotterhos – Programs |
| Box 5 | Folder 17 | The Good Hope by Herman Heijermans. April 19, 1940. Directed by David Itkin, sets by Richard von Albrecht, costumes by Angelynn Berry – Programs |
| Box 5 | Folder 18 | Mystery at Greenfingers by J.B. Priestley. April 30, 1940. Directed by Frank Callender, sets by Mary Blair, costumes by Joseph N. Carner – Programs |
| Box 5 | Folder 19 | Ladies in Waiting by Cyril Campion. May 10, 1940. Directed by Roger Tracy, scenery by Donald Powell, costumes by Russell Lotterhos – Programs |
| Box 5 | Folder 20 | Four One-Act Plays: Trifles by Susan Glaspell and directed by Robert Hoffman; Constant Lover by St. John Hankin and directed by Ernest Graves; Time Out for Matrimony by A.A. O'Keefe and directed Don L. Hammer; and Sham by Frank G. Tompkins and directed by Marion Barton. Sets by Ade-Rolfe Floreen, costumes by Richard von Albrecht – Programs |
| Box 5 | Folder 21 | The Distaff Side by John Van Druten. May 24, 1940. Directed by Mary Elizabeth Aurelius, scenery by Richard von Albrecht, costumes by Angelynn Berry – Programs |
| Box 5 | Folder 22 | Fresh Fields by Ivor Novello. June 5, 1940. Directed by Robert Thompson, sets by Russell Lotterhos, costumes by Mary Blair – Programs |
| Box 5 | Folder 23 | Candida by Gorge Bernard Shaw. June 7, 1940. Directed by Judith Jeffrey, sets by Tom Jewitt, costumes by Marion Barton – Programs |
1939-1940 Season, Children’s Theatre
| Box 5 | Folder 24 | Daniel Boone by Leona Baptist. November 4-[?], 1939. Directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 12 | Folders 46-55 | Daniel Boone – 10 photographs |
| Box 5 | Folder 25 | Cinderella, dramatized by Charlotte Chorpenning. December 23-[?], 1939. Directed by Charlotte Chorpenning, sets designed by Mary Blair, costumes by Virginia Opsvig – Programs |
| Photo Box 12 | Folders 56-65 | Cinderella – 10 photographs |
| Box 5 | Folder 26 | Little Women by Louisa Mae Alcott, adapted by Marian DeForest. February 3-March 9, 1940. Directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Russell Lotterhos – Director's memorandum on settings |
| Box 5 | Folder 27 | Little Women – Programs |
| Photo Box 12 | Folders 66-75 | Little Women – 10 photographs |
| Box 5 | Folder 28 | Robinson Crusoe by Daniel Defoe, dramatized by Charlotte Chorpenning. March 16-[?], 1940. Directed by Charlotte Chorpenning, sets by Spencer Davies, Costumes by Virginia Opsvig – Programs |
| Photo Box 13 | Folders 1-13 | Robinson Crusoe – 13 photographs |
1939-1940 Season, Special Events
| Box 5 | Folder 29 | Agnes de Mille and Her Dance Ensemble. October 30-November 2, 1939 – Program |
| Photo Box 13 | Folder 14 | Agnes de Mille and Her Dance Ensemble – 1 photograph |
| Box 5 | Folder 30 | Katherine Dunham. November 22-25, 1939 – Program |
| Box 5 | Folder 31 | Hanya Holm and Company. January 10-13, 1940 – Program |
| Box 5 | Folder 32 | Negro Singers. October 19-20, 1939 – Program |
| Box 5 | Folder 33 | Saveli Walevitch: Songs of the Russian People. February 28-29, 1940 – Programs |
| Box 5 | Folder 34 | The Saidenberg Sinfonietta with Four Dancers. March 6-9, 1940 – Program |
| Box 5 | Folder 35 | The Elizabethan Madrigal Singers. April 10-11, 1940 – Program |
| Box 5 | Folder 36 | Ten Years in the Dog House, a review in honor of Maurice Gnesin's tenth anniversary as Head of the Kenneth Sawyer Goodman Memorial Theatre. May 31, 1940 – Programs (See: Oversize Folder 1) |
1940-1941 Season, Art Institute Members Series
| Box 5 | Folder 37 | This Fine Pretty World by Percy MacKaye. October 3-16, 1940. Directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 13 | Folders 15-27 | This Fine Pretty World – 13 photographs |
| Box 5 | Folder 38 | Time and the Conways by J.B. Priestley. November 7-23, 1940. Directed by Frank Callender, sets by Spencer Davies, costumes by Angelynn Berry – Rehearsal and performance schedule |
| Box 5 | Folder 39 | Time and the Conways – Programs |
| Photo Box 13 | Folders 28-32 | Time and the Conways – 5 photographs |
| Box 5 | Folder 40 | Icebound by Owen Davis. November 26-28, 1940. Directed by David Itkin, sets by Richard von Albrecht, costumes by Virginia Opsvig – Program |
| Photo Box 13 | Folders 33-43 | Icebound – 11 photographs |
| Box 5 | Folder 41 | Night Must Fall by Emlyn Williams. December 5-21, 1940. Directed by Eunice Osborne, sets by Spencer Davies, costumes by Virginia Opsvig – Rehearsal and performance schedule |
| Box 5 | Folder 42 | Night Must Fall – Programs |
| Photo Box 13 | Folders 44-53 | Night Must Fall – 10 photographs |
| Box 5 | Folder 43 | The Admirable Crichton by Sir James Barrie. January 9-25, 1941. Directed by Maurice Gnesin, sets by Mary Blair, costumes by Angelynn Berry – Programs |
| Photo Box 13 | Folders 54-65 | The Admirable Crichton – 12 photographs |
| Box 5 | Folder 44 | The Swan by Ferenc Molnar. February 13-March 1, 1941. Directed by David Itkin, sets by Barbara Scott, costumes by Virginia Opsvig – Programs |
| Photo Box 14 | Folders 1-14 | The Swan – 14 photographs |
| Box 5 | Folder 45 | The Silver Cord by Sidney Howard. March 20-April 5, 1941. Directed by Mary Elizabeth Aurelius, sets Spencer by Davies, costumes by Angelynn Berry – Rehearsal and performance schedule |
| Box 5 | Folder 46 | The Silver Cord – Programs |
| Photo Box 14 | Folders 15-25 | The Silver Cord – 11 photographs |
| Box 5 | Folder 47 | Three Sisters by Anton Chekhov, translated by Maurice Gnesin. April 17-May 1, 1941. Directed by Maurice Gnesin, sets and costumes by Mary Blair – Programs |
| Photo Box 14 | Folders 26-46 | Three Sisters – 21 photographs |
| Box 5 | Folder 48 | The Youngest by Philip Barry. May 15-28, 1941. Directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Virginia Opsvig – Programs |
| Photo Box 14 | Folders 47-53 | The Youngest – 7 photographs |
1940-1941 Season, Studio
| Box 5 | Folder 49 | Finished by Katharine Clugson. November 29, 1940. Directed by Roger Tracy, sets by Barbara Scott, costumes by Angelynn Berry – Programs |
| Box 5 | Folder 50 | Tonight at 8:30 by Noel Coward: Ways and Means (featuring Bella Itkin), Still Life and Fumed Oak. March 22, 1941. Directed by Frank Callender, sets by Don Hermes, costumes by Patricia Mack – Costumes |
| Box 5 | Folder 51 | Forced Landing by Wilfred Massey. April 26, 1941. Directed by Doris Foley, sets by Patricia Mack, costumes by Bill Southwood – Program |
| Box 5 | Folder 52 | Three One-Act Plays: O'Flaherty V.C. by George Bernard Shaw and directed by Donald Davies; Riders to the Sea by John Millington Synge and directed by Judith Jeffrey; and The Twelve-Pound Look by Sir James Barrie and directed by John Taylor. May 9, 1941. Sets by Barbara Scott, costumes by Don Hermes – Programs |
| Box 5 | Folder 53 | The Far Off Hills by Lennox Robinson. May 17, 1941. Directed by Frank Callender, sets by Robert Katzman, costumes by Patricia Mack – Programs |
| Box 5 | Folder 54 | Let Us Be Gay by Rachel Crothers. May 23, 1941. Directed by Mary Elizabeth Aurelius, sets by Don Hermes, costumes by Angelynn Berry – Program |
| Box 5 | Folder 55 | Double Door by Elizabeth McFadden. May 29, 1941. Directed by Allan S. Hancock, sets by Patricia Mack, costumes by Robert Katzman – Programs |
| Box 5 | Folder 56 | Ghosts by Henrik Ibsen. June 6, 1941. Directed by John Kerr. Sets and costumes by Barbara Scott – Programs |
| Box 5 | Folder 57 | Hay Fever by Noel Coward. June 13, 1941. Directed by Joe Callaway, scenery by William Southwood, costumes by Angelynn Berry – Programs |
1940-1941 Season, Children’s Theatre
| Box 5 | Folder 58 | Aladdin and His Wonderful Lamp, dramatized by James Norris and Charlotte Chorpenning. October 26-[?], 1940. Directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig – Programs |
| Photo Box 18 | Folders 1-8 | Aladdin and His Wonderful Lamp – 8 photographs/negatives |
| Box 5 | Folder 59 | Red Riding Hood, dramatized by Charlotte Chorpenning. December 21, 1940-February 15, 1941. Directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig,...featuring Bella Itkin – Programs |
| Box 5 | Folder 60 | Abe Lincoln: New Salem Days. February 1-March 8, 1941. Directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Virginia Opsvig – Programs |
| Photo Box 15 | Folders 9-11 | Abe Lincoln: New Salem Days – 3 photographs |
| Box 5 | Folder 61 | Sleeping Beauty, dramatized by Charlotte Chorpenning. March 15-April 26, 1941. Directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig – Rehearsal and performance schedule |
| Box 5 | Folder 62 | Sleeping Beauty – Programs |
| Photo Box 15 | Folders 12-19 | Sleeping Beauty – 8 photographs/negatives |
1940-1941 Season, Special Events
| Box 5 | Folder 63 | Agnes de Mille and Her Ensemble. October 30-November 2, 1940 – Programs |
| Photo Box 15 | Folders 20-23 | The Graff Ballet. February 5-8, 1941 – 4 photographs |
1941-1942 Season, Art Institute Members Series
| Box 6 | Folder 1 | Fresh Fields by Ivor Novello. October 2-18, 1941. Directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Virginia Opsvig – Programs |
| Photo Box 15 | Folders 24-34 | Fresh Fields – 11 photographs/negatives |
| Box 6 | Folder 2 | Outward Bound by Sutton Vane. November 6-22, 1941. Directed by David Itkin, sets by Mary Blair von Albrecht, costumes by Angelynn Berry Davies – Programs |
| Photo Box 15 | Folders 35-42 | Outward Bound – 8 photographs/negatives |
| Box 6 | Folder 3 | Hay Fever by Noel Coward. November 25-28, 1941. Directed by Maurice Gnesin, sets by Donald Hermes, costumes by Virginia Opsvig – Programs |
| Photo Box 16 | Folders 1-11 | Hay Fever – 11 photographs |
| Box 6 | Folder 4 | Yes, My Darling Daughter by Mark Reed. December 4-20, 1941. Directed by Eunice Osborne, sets by Mary von Albrecht, costumes by Angelynn Davies – Programs |
| Photo Box 16 | Folders 12-16 | Yes, My Darling Daughter – 5 photographs |
| Box 6 | Folder 5 | Right You Are by Luigi Pirandello. January 8-24, 1942. Directed by Maurice Gnesin, sets and costumes by Barbara Scott – Programs |
| Photo Box 16 | Folders 17-23 | Right You Are – 7 photographs |
| Photo Box 16 | Folders 24-32 | In a Garden by Philip Barry. February 1942 – 9 photographs |
| Photo Box 16 | Folders 33-39 | The Romantic Young Lady by G. Martinez Sierra. 1941-1942 – 7 photographs |
| Box 6 | Folder 6 | Romeo and Juliet by William Shakespeare. April 16-May 2, 1942. Directed by Maurice Gnesin, sets by Mary Blair von Albrecht, costumes by Virginia Opsvig, dances directed by Ruth Hatfield – Programs |
| Box 6 | Folder 7 | Romeo and Juliet – Set designs (watercolors) (See: Oversize Folder 2) |
| Photo Box 16 | Folders 40-54 | Romeo and Juliet – 15 photographs |
| Box 6 | Folder 8 | The Farmer's Wife by Eden Philpotts. May 14-27, 1942. Directed by David Itkin, sets designed by Donald Frances Hermes, costumes by Barbara Scott – Programs |
| Photo Box 17 | Folders 1-10 | The Farmer’s Wife – 10 photographs |
1941-1942 Season, Studio
| Box 6 | Folder 9 | Old Acquaintance by John Van Druten. October 24, 1941. Directed by Eunice Osborne, sets by Donald Hermes, costumes by Joseph Carner – Programs |
| Box 6 | Folder 10 | Drawing Room by Thomas Browne. Directed by Mary Elizabeth Aurelius, sets by Joseph Carner, costumes by Virginia Opsvig – Programs |
| Box 6 | Folder 11 | Pillars of Society by Henrik Ibsen. December 11, 1941. Directed by David Itkin, sets by Joseph Carner, costumes by Donald Hermes – Programs |
| Box 6 | Folder 12 | The Distaff Side by John Van Druten. February 14, 1942. Directed by Donald Davies, sets by Angelynn Davies, costumes by Joseph Carner – Programs |
| Box 6 | Folder 13 | Ladies in Retirement by Edward Percy and Reginald Denham. February 24-28, 1942. Directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by Virginia Opsvig – Programs |
| Box 6 | Folder 14 | The Old Ladies by Rodney Ackland. Directed by Bernie Enslin, sets by Bernie Enslin, costumes by Cordelia Williams – Programs |
| Box 6 | Folder 15 | Beyond the Horizon by Eugene O'Neill. May 6, 1942. Directed by Eunice Osborne, sets by Donald Hermes, lighting by John Sorich, costumes by Cordelia Williams – Programs |
| Box 6 | Folder 16 | Ladies of the Jury by Fred Ballard. May 13¬17, 1942. Directed by Mary Elizabeth Aurelius, sets by Angelynn Davies, costumes by Virginia Opsvig – Programs |
| Box 6 | Folder 17 | Nine Till Six by Aimee and Philip Stuart. June 9, 1942. Directed by Doris Anne Foley, sets by Mary Blair von Albrecht, costumes by Jack Martin – Programs |
1941-1942 Season, Children’s Theatre
| Box 6 | Folder 18 | Hansel and Gretel, dramatized by Charlotte Chorpenning. October 25-December 13, 1941. Directed by Charlotte Chorpenning, sets by Mary von Albrecht, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig – Programs |
| Photo Box 17 | Folders 11-15 | Hansel and Gretel – 5 photographs |
| Box 6 | Folder 19 | The Three Bears, dramatized by Charlotte Chorpenning. December 20, 1941-February 7, 1942. Directed by Charlotte Chorpenning, sets by Barbara Scott, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig – Programs |
| Box 6 | Folder 20 | Huckleberry Finn by Mark Twain, dramatized by Charlotte Chorpenning. January 31-March 7, 1942. Directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Donald Hermes – Programs |
| Photo Box 17 | Folders 16-26 | Huckleberry Finn – 11 photographs |
| Box 6 | Folder 21 | The Squire's Bride, dramatized by Viola Van Zee and Charlotte Chorpenning. Directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Angelynn Davies, choreography by Barbara Berger – Programs |
| Photo Box 17 | Folders 27-37 | The Squire’s Bride – 11 photographs |
1941-1942 Season, Special Events
| Box 6 | Folder 22 | Hanya Holm and Dance Company. October 28-31, 1941 – Programs |
1942-1943 Season, Art Institute Members Series
| Box 6 | Folder 23 | George Washington Slept Here by George S. Kaufman and Moss Hart. October 1-17, 1942. Directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies – Programs |
| Photo Box 17 | Folders 38-42 | George Washington Slept Here – 5 photographs |
| Box 6 | Folder 24 | The Black Eye by James Bridie. November 5-21, 1942. Directed by Eunice Osborne, sets by Barbara Scott, costumes by Andrew Woods – Programs |
| Photo Box 17 | Folders 43-48 | The Black Eye – 6 photographs/negatives |
| Box 6 | Folder 25 | The Late Christopher Bean by Sidney Howard. January 7-23, 1943. Directed by Maurice Gnesin, sets by Angelynn Davies, costumes by Blair von Albrecht – Programs |
| Photo Box 17 | Folders 49-54 | The Late Christopher Bean – 6 photographs |
| Box 6 | Folder 26 | There's Always Juliet by John Van Druten. January 24-February 3, 1943. Directed by Eunice Osborne, sets designed by Wallis C. Smith, costumes by Angelynn Davies – Programs |
| Photo Box 18 | Folders 1-4 | There’s Always Juliet – 4 photographs |
| Photo Box 18 | Folders 4-10 | The Importance of Being Earnest by Oscar Wilde. 1942-1943 – 6 photographs |
| Box 6 | Folder 27 | Old Acquaintance by John Van Druten. February 11-27, 1943. Directed by Eunice Osborne, sets by Blair von Albrecht, costumes by Angelynn Davies – Programs |
| Photo Box 18 | Folders 11-17 | Old Acquaintance – 7 photographs |
| Box 6 | Folder 28 | Letters to Lucerne by Fritz Rotter and Allen Vincent. March 11-27, 1943. Directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies – Programs |
| Photo Box 18 | Folders 34-40 | Letters to Lucerne – 7 photographs |
| Box 6 | Folder 29 | The Shining Hour by Keith Winter. April 15-May 1, 1943. Directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Angelynn Davies – Programs |
| Photo Box 18 | Folders 18-23 | The Shining Hour – 6 photographs |
| Box 6 | Folder 30 | The Dover Road by A.A. Milne. May 13-26, 1943. Directed by David Itkin, sets by Blair von Albrecht, costumes by Andrew Woods – Programs |
| Photo Box 18 | Folders 24-33 | The Dover Road – 10 photographs |
1942-1943 Season, Studio
| Box 6 | Folder 31 | Letters to Lucerne by Fritz Rotter and Allen Vincent. December 4, 1942. Directed by David Itkin, sets by Harry Delipsy, costumes by Nat Rollins – Programs |
| Box 6 | Folder 32 | Sweet Aloes by Joy Mallory. December 11, 1942. Directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by William Steger – Programs |
| Box 6 | Folder 33 | The Lady Who Came to Stay by Kenneth White. February 16, 1943. Directed by David Itkin, sets by William Steger, costumes by Karsen Faye – Programs |
| Box 6 | Folder 34 | Nine Till Six by Aimee and Philip Stewart. May 5, 1943. Directed by Bella Itkin and Catherine Denny Phelps, sets by Karsen Faye, costumes by Blair von Albrecht – Programs |
| Box 6 | Folder 35 | Claudia by Rose Franken. May 15, 1943. Directed by Eunice Osborne, sets by William Steger, costumes by Blair von Albrecht – Programs |
| Box 6 | Folder 36 | Three One-Act Plays: Riders to the Sea by John Millington Synge, and directed by Charles Lewis Paetow (sets by Karsen Faye); The Violet by Ferenc Molnar and directed by Mary Elizabeth Aurelius (sets by William Steger); These Small Things by Marian Johnson and directed by Eunice Osborne (sets by Karsen Faye). May 28, 1943. Costumes by Blair von Albrecht – Programs |
| Box 6 | Folder 37 | Cradle Song by G. Martinez Sierra. June 3-4, 1943. Directed by Bella Itkin, sets by Karsen Faye, costumes by Blair von Albrecht – Programs |
1942-1943 Season, Children’s Theatre
| Box 6 | Folder 38 | Alice's New Wonderland, dramatized by Charlotte Chorpenning. October24-December 12, 1942. Directed by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Angelynn Davies – Programs |
| Photo Box 18 | Folders 41-46 | Alice’s New Wonderland – 6 photographs |
| Box 6 | Folder 39 | The Magic Horn by Anne Nicholson and Charlotte Chorpenning. December19, 1942-January 23, 1943. Directed by Charlotte Chorpenning, set designed by Blair von Albrecht, costumes by Angelynn Davies – Programs |
| Photo Box 18 | Folders 47-51 | The Magic Horn – 5 photographs/negatives |
| Box 6 | Folder 40 | Little Black Sambo, dramatized by Charlotte Chorpenning. January 30-March 20, 1943. Directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Angelynn Davies – Programs |
| Photo Box 19 | Folders 1-5 | Little Black Sambo – 5 photographs |
| Box 6 | Folder 41 | The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully. March 27-May 8, 1943. Directed by Charlotte Chorpenning, sets by Blair von Albrecht, dances directed by Dorothy Davies Miller, costumes by Andrew Woods – Programs |
| Photo Box 19 | Folders 5-12 | The Elves and the Shoemaker – 7 photographs |
1943-1944 Season, Art Institute Members Series
| Box 6 | Folder 42 | Three-Cornered Moon by Gertrude Tonkonogy. October 7-23, 1943. Directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods – Programs |
| Photo Box 19 | Folders 13-19 | Three-Cornered Moon – 7 photographs |
| Box 6 | Folder 43 | The Little Foxes by Lillian Hellman. November 4-28, 1943. Directed by David Itkin, sets by Barbara Scott, costumes by Andrew Woods – Programs |
| Photo Box 19 | Folders 20-24 | The Little Foxes – 5 photographs/negatives |
| Box 6 | Folder 44 | The Tidings Brought to Mary by Paul Claudel. December 2-19, 1943. Directed by Maurice Gnesin, sets and costumes by Blair von Albrecht – Programs |
| Photo Box 19 | Folders 25-29 | The Tiding Brought to Mary – 5 photographs |
| Box 6 | Folder 45 | The Whiteheaded Boy by Lennox Boy. January 13-February 5, 1944. Directed by David Itkin, set designed by Blair von Albrecht, costumes by Andrew Woods – Programs |
| Photo Box 19 | Folders 30-34 | The Whiteheaded Boy – 5 photographs |
| Box 6 | Folder 46 | Ah, Wilderness! by Eugene O'Neill. February 10-March 4, 1944. Directed by Eunice Osborne, set by Barbara Scott, costumes by Blair von Albrecht – Programs |
| Box 6 | Folder 47 | Mr. Pim Passes By by A.A. Milne. March 9-April 1, 1944. Directed by Eunice Osborne, set by Wallis Smith, costumes by Barbara Scott – Programs |
| Photo Box 19 | Folders 35-40 | Mr. Pim Passes By – 6 photographs |
| Box 6 | Folder 48 | King Lear by William Shakespeare. April 13-May 6, 1944. Directed by Maurice Gnesin, sets by Blair von Albrecht, costumes by John Nicholson – Programs |
| Photo Box 19 | Folders 41-43 | King Lear – 3 photographs |
| Box 6 | Folder 49 | What a Life by Clifford Goldsmith. May 11-27, 1944. Directed by Eunice Osborne, sets by William Steger, costumes by Barbara Scott – Programs |
| Photo Box 19 | Folders 44-48 | What a Life – 5 photographs |
1943-1944 Season, Studio
| Box 6 | Folder 50 | Russet Mantle by Lynn Riggs. December 14, 1943. Directed by Eunice Osborne, sets by Karsen Faye, costumes by William Steger – Programs |
| Box 6 | Folder 51 | Cry Havoc by Allan R. Kenward. February 16, 1944. Directed by David Itkin, sets by William Steger, costumes by Karsen Faye – Programs |
| Box 6 | Folder 52 | Girls in Uniform by Christa Winsloe. May 2, 1944. Directed by Suzanne Zimmerman (as an M.F.A. requirement), sets by Karsen Faye, costumes by Jinx Junkin, ...with Geraldine Page – Programs |
| Box 6 | Folder 53 | Craig's Wife by George Kelly. May 19, 1944. Directed by Helen Johnston (as an M.F.A. requirement), sets by Gloria Senge, costumes by Dale Newton – Programs |
| Box 6 | Folder 54 | The First Mrs. Fraser by St. John Ervine. June 1, 1944. Directed by Judith Jeffrey (as an M.F.A requirement), sets by Mac Kinander, costumes by Charlotte Tulchin – Programs |
1943-1944 Season, Children’s Theatre
| Box 6 | Folder 55 | General Promotional material |
| Box 6 | Folder 56 | Beauty and the Beast, dramatized by Nora Tully and Charlotte Chorpenning. October 30-December 11, 1943. Directed by Eunice Osborne, sets designed by Blair von Albrecht, dances arranged by Dorothy Davies Miller, puppets by Tom H. Marge, music arranged by Frances Benson, costumes by Andrew Woods, ...starring Geraldine Page – Programs |
| Photo Box 19 | Folders 49-53 | Beauty and the Beast – 5 photographs/negatives |
| Box 6 | Folder 57 | Radio Rescue by Charlotte Chorpenning. December 18, 1943-January 30, 1944. Directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Andrew Woods – Programs |
| Photo Box 19 | Folder 54 | Radio Rescue – 1 photograph |
| Box 6 | Folder 58 | The Snow Maiden by Anne Nicholson and Charlotte Chorpenning. February 5-March 26, 1944. Directed by Mary Elizabeth Aurelius, sets by Blair von Albrecht, dances by Dorothy Davies Miller, costumes by Andrew Woods, ...with Geraldine Page – Programs |
| Photo Box 19 | Folders 55-59 | The Snow Maiden – 5 photographs/negatives |
| Box 6 | Folder 59 | Jack and the Beanstalk, dramatized by Charlotte Chorpenning. April 1-May 13, 1944. Directed by Barbara Berger, sets by Blair von Albrecht, dances by Barbara Berger, costumes by Barbara Berger – Program |
| Photo Box 19 | Folders 60-62 | Jack and the Beanstalk – 3 photographs |
1944-1945 Season, Art Institute Members Series
| Box 7 | Folder 1 | Accent on Youth by Samson Raphaelson. October 5-21, 1944. Directed by Maurice Gnesin, sets designed by Barbara Scott, costumes by Rita Dhu Wray, ...with Geraldine Page – Programs |
| Photo Box 19 | Folder 63 | Accent on Youth – 1 photograph/negative |
| Box 7 | Folder 2 | The Sea Gull by Anton Chekhov. November 2-18, 1944. Directed by David Itkin, sets by Barbara Scott, costumes by Rita Dhu Wray, ...with Geraldine Page – Programs |
| Box 7 | Folder 3 | The Sea Gull – Program from performance in memory of Mrs. William Owen Goodman (Nov. 2, 1944) |
| Photo Box 19 | Folders 64-68 | The Sea Gull – 5 photographs/negatives |
| Box 7 | Folder 4 | You Can't Take it With You by Moss Hart and George S. Kaufman. November 30-December 17, 1944. Directed by Eunice Osborne, sets by William Steger, costumes by Rita Dhu Wray, ...with Geraldine Page, Shelley Berman, and Jose Quintero – Programs |
| Photo Box 19 | Folders 69-72 | You Can’t Take it With You – 4 photographs/negatives |
| Box 7 | Folder 5 | Craig's Wife by George Kelly. January 4-20, 1945. Directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Rita Dhu Wray – Programs |
| Photo Box 19 | Folders 73-76 | Craig’s Wife – 4 photographs |
| Box 7 | Folder 6 | Wappin' Wharf by Charles Stephen Brooks. February 8-24, 1945. Directed by Maurice Gnesin, sets designed by William Steger, costumes by Rita Dhu Wray, ...with Geraldine Page – Programs |
| Photo Box 19 | Folders 77-78 | Wappin’ Wharf – 2 photographs |
| Box 7 | Folder 7 | Winterset by Maxwell Anderson. March 8-24, 1945. Directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, ...with Geraldine Page, Shelley Berman, David Itkin, and Maurice Gnesin – Programs |
| Box 7 | Folder 8 | Hedda Gabler by Henrik Ibsen. April 12-28, 1945. Directed by David Itkin, sets designed by Barbara Scott, costumes by Shirley Seidel, ...with Shelley Berman – Programs |
| Photo Box 19 | Folders 79-85 | Hedda Gabler – 7 photographs |
| Box 7 | Folder 9 | Another Language by Rose Franken. May 10-26, 1945. Directed by Charlotte Chorpenning, sets by Alice Harmer, costumes by Rita Dhu Wray, ...with Geraldine Page and Shelley Berman – Programs |
1944-1945 Season, Studio
| Box 7 | Folder 10 | Ladies in Waiting by Cyril Campion. December 12, 1944. Directed by Helen Johnston, sets by Alice Harmer, costumes by William Steger – Programs |
| Box 7 | Folder 11 | Hotel Universe by Philip Barry. May 29, 1945. Directed by Emily Upton, sets and lights by David Reppa, costumes by William Steger – Programs |
| Box 7 | Folder 12 | The Distaff Side by John Van Druten. December 2, 1944. Directed by Mary Elizabeth Aurelius, sets by Frances McVey, costumes by Shirley Seidel – Program |
| Box 7 | Folder 13 | Fresh Fields by Ivor Novello. April 28, 1945. Directed by Marita Oppenheim (as an M.F.A. requirement), sets by Jac Venza, costumes by Louise Evans – Program |
| Box 7 | Folder 14 | Brief Music by Emmet Lavery. March 15, 1945. Directed by Helen Johnston, sets designed by Gloria White, costumes by Jac Venza – Program |
| Box 7 | Folder 15 | Nine Till Six by Aimee and Philip Stuart. May 9, 1945. Directed by Bella Itkin, sets by Frances McVey, costumes by Shirley Seidel – Program |
| Box 7 | Folder 16 | Night Must Fall by Emlyn Williams. June 7, 1945. Directed by Marie Sikorska (as an M.F.A. requirement), sets and lights by William McDowell Meade, costumes by Jac Venza – Program |
1944-1945 Season, Children’s Theatre
| Box 7 | Folder 17 | Hiawatha by Charlotte Chorpenning. October 21¬December 10, 1944. Directed by Charlotte Chorpenning, sets by Barbara Scott, animal puppets by Tom Margo, dances arranged by Dorothy Davies Miller, costumes by Rita Dhu Wray, ...with Shelley Berman – Programs |
| Photo Box 19 | Folders 79-85 | Hiawatha – 2 photographs |
| Box 7 | Folder 18 | The Emperor's New Clothes, dramatized by Charlotte Chorpenning. December 16, 1944-January 14, 1945. Directed by Charlotte Chorpenning, sets designed by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller – Programs |
| Photo Box 19 | Folders 88-89 | The Emperor’s New Clothes – 2 photographs |
| Box 7 | Folder 19 | King Midas and the Golden Touch, dramatized by Charlotte Chorpenning. January 27-March 17, 1945. Directed by Charlotte Chorpenning, sets by Frances McVey, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, Aithra's dance by Pat Kennell, ...with Shelley Berman and Jose Quintero – Programs |
| Photo Box 19 | Folder 90 | King Midas and the Golden Touch – 1 photograph |
| Box 7 | Folder 20 | Cinderella, dramatized by Charlotte Chorpenning. March 24-May 5, 1945. Directed by Charlotte Chorpenning, sets and costumes by William Steger, dances arranged by Dorothy Davies Miller – Programs |
| Box 7 | Folder 21 | Pedro and the Fighting Cocks, adapted by Dorothy Davies Miller. May 6-June 3, 1945. Ballet arranged and directed by Dorothy Davies Miller, sets by William Steger, costumes by Rita Dhu Wray, puppets by Tom Sanders – Programs |
| Photo Box 19 | Folders 91-97 | Pedro and the Fighting Cocks – 7 photographs/negatives |
1945-1946 Season, Art Institute Members Series
| Box 7 | Folder 22 | The Philadelphia Story by Philip Barry. October 4-20, 1945. Directed by David Itkin, sets designed by Alice Harmer, costumes by Shirley Seidel, ...with Shelley Berman – Programs |
| Photo Box 20 | Folders 1-4 | The Philadelphia Story – 4 photographs |
| Box 7 | Folder 23 | The Skin of Our Teeth by Thornton Wilder. November 1-17, 1945. Directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, ...with Shelley Berman – Programs |
| Photo Box 20 | Folder 5 | The Skin of Our Teeth – 1 photograph |
| Box 7 | Folder 24 | Blithe Spirit by Noel Coward. November 29-December 15, 1945. Directed by Eunice Osborne, sets by the von Albrechts, costumes by Rita Dhu Wray – Programs |
| Photo Box 20 | Folders 6-7 | Blithe Spirit – 2 photographs |
| Box 7 | Folder 25 | Heartbreak House by George Bernard Shaw. January 3-19, 1946. Directed by Maurice Gnesin, sets designed by the von Albrechts, costumes by Rita Dhu Wray, ...with Shelley Berman – Programs |
| Photo Box 20 | Folders 8-16 | Heartbreak House – 9 photographs/negatives |
| Box 7 | Folder 26 | The Taming of the Shrew by William Shakespeare. February 7-24, 1946. Directed by David Itkin, sets by Alice Harmer, costumes by Shirley Seidel, ...with Shelley Berman – Programs |
| Photo Box 20 | Folders 17-24 | The Taming of the Shrew – 8 photographs |
| Box 7 | Folder 27 | Claudia by Rose Franken. March 7-24, 1946. Directed by Mary Elizabeth Aurelius, sets by von Albrecht, costumes by Rita Dhu Wray – Programs |
| Photo Box 20 | Folders 25-29 | Claudia – 5 photographs |
| Box 7 | Folder 28 | Let Us Be Gay by Rachel Cruthers. May 9-25, 1946. Directed by David Itkin, sets by von Albrecht, costumes by Rita Dhu Wray – Programs |
| Photo Box 20 | Folders 30-33 | John Ferguson by St. John Ervine. [1945-1946?] – 4 photographs |
1945-1946 Season, Studio
| Box 7 | Folder 29 | Guest in the House by Hagar Wilde and Dale Eunson. November 17, 1945. Directed by David Itkin, sets by David Reppa, costumes by Bob Beck – Programs |
| Box 7 | Folder 30 | The Trial of Mary Dugan by Bayard Veiller. December 14, 1945. Directed by William Stigall, sets by Louise Evans, costumes by Joyce Burlingame – Programs |
| Box 7 | Folder 31 | The Male Animal by James Thurber and Elliott Nugent. March 16, 1946. Directed by Eunice Osborne, sets by Harry Delipsy, costumes by Sarah Herman – Programs |
| Box 7 | Folder 32 | The Good Hope by Herman Heijermans. April 16, 1946. Directed by William Stigall, sets by Shirley Seidel, costumes by Bob Beck – Programs |
| Box 7 | Folder 33 | The Distaff Side by John Van Druten. May 9, 1946. Directed by Bella Itkin, sets by Leonor Travis, costumes by Sam Feder – Programs |
| Box 7 | Folder 34 | As You Like It by William Shakespeare. June 6, 1946. Directed by William Stigall, sets by Alice Harmer, costumes by Elizabeth Birbari – Programs |
1945-1946 Season, Children’s Theatre
| Box 7 | Folder 35 | Rumpelstiltskin, dramatized by Charlotte Chorpenning. October 27-December 15, 1945. Directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, lullaby music and lyrics by Faith Locke Langley – Promotional material |
| Box 7 | Folder 36 | Rumpelstiltskin – Programs |
| Photo Box 20 | Folders 34-36 | Rumpelstiltskin – 3 photographs |
| Box 7 | Folder 37 | Paul Bunyan's First Christmas, dramatized by Charlotte Chorpenning. December 22, 1945-January 20, 1946. Directed by Charlotte Chorpenning, sets designed by Alice Harmer, costumes by Shirley Seidel, dances arranged by Dorothy Davies Miller – Programs |
| Photo Box 20 | Folders 37-38 | Paul Bunyan’s First Christmas – 2 photographs |
| Box 7 | Folder 38 | Tom Sawyer by Mark Twain, arranged by Charlotte Chorpenning. Directed by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Bob Beck – Programs |
| Photo Box 20 | Folders 39-41 | Tom Sawyer – 3 photographs/negatives |
| Box 7 | Folder 39 | Little Lee Bobo by Rose Hum Lee and Charlotte Chorpenning. March 30-May 25, 1946. Directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray – Promotional material |
| Box 7 | Folder 40 | Little Lee Bobo – Programs |
| Photo Box 20 | Folders 42-44 | Little Lee Bobo – 3 photographs |
1946-1947 Season, Art Institute Members Series
| Box 8 | Folder 1 | The Male Animal by James Thurber and Elliott Nugent. October 3-19, 1946. Directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Elizabeth Birbari – Programs |
| Photo Box 21 | Folders 1-7 | The Male Animal – 7 photographs |
| Box 8 | Folder 2 | Saint Joan by George Bernard Shaw. November 7-23, 1946. Directed by Maurice Gnesin (assistant director William Stigall), sets by Richard von Albrecht, costumes by Rita Dhu Wray, ...with Shelley Berman – Programs |
| Photo Box 21 | Folders 8-11 | Saint Joan – 4 photographs |
| Box 8 | Folder 3 | The Far-Off Hills by Lennox Robinson. December 5-21, 1946. Directed by David Itkin, sets by Blair von Albrecht, costumes by Leonor Travis – Programs |
| Box 8 | Folder 4 | French Without Tears by Terence Rattigan. January 9-25, 1947. Directed by Maurice Gnesin, sets by Joe Carner, costumes by Mary Gross – Programs |
| Photo Box 21 | Folders 12-20 | French Without Tears – 9 photographs |
| Box 8 | Folder 5 | Othello by William Shakespeare. February 6-23, 1947. Directed by David Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray – Program |
| Photo Box 21 | Folder 21 | Othello – 1 photograph |
| Box 8 | Folder 6 | End of Summer by S.N. Behrman. February 6-23, 1947. Directed by Maurice Gnesin, William Stigall as associate director, sets by Blair von Albrecht, costumes by Rita Dhu Wray – Programs |
| Photo Box 21 | Folders 22-30 | End of Summer – 9 photographs |
| Box 8 | Folder 7 | Yerma by Federico Garcia Lorca. April 10-27, 1947. Directed by Maurice Gnesin, William Stigall as associate director, lighting by Ade-Rolfe Floreen, sets designed by the von Albrechts, costumes by Rita Dhu Wray, choreography by Frances Allis, folk song direction by Louise Dale Spoor – Programs |
| Box 8 | Folder 8 | The Royal Family by George S. Kaufman and Edna Ferber. May 8-24, 1947. Directed by David Itkin, sets by Shirley Seidel, costumes by Donnie Zizzof – Programs |
| Photo Box 21 | Folders 31-34 | The Royal Family – 4 photographs |
1946-1947 Season, Studio
| Box 8 | Folder 9 | Laburnum Grove by J.B. Priestley. November 13, 1946. Directed by Bella Itkin, sets by Tom Steger, costumes by Leonor Travis – Programs |
| Box 8 | Folder 10 | A Bill of Divorcement by Clemence Dane. December 7, 1946. Directed by Eunice Osborne, sets by David Waters, lights and costumes by Donnie Zizzof and Mary Gross – Programs |
| Box 8 | Folder 11 | Holiday by Philip Barry. February 8, 1947. Directed by Robert Hopkins, sets by Donnie Zizzof, costumes by Bill Ritman – Programs |
| Box 8 | Folder 12 | The Father by August Strindberg. Directed by Bella Itkin, sets by Shirley Seidel, costumes by Bill Ritman – Programs |
| Box 8 | Folder 13 | Mr. Pim Passes By by A.A. Milne. Directed by Robert Hopkins, sets by Leonor Travis, costumes by Jack Cornwell – Programs |
| Box 8 | Folder 14 | The Circle by W. Somerset Maugham. May 10, 1947. Directed by Patricia Kennell (as an M.F.A. requirement), sets by Leonor Travis, costumes by Michael – Programs |
| Box 8 | Folder 15 | Ghosts by Henrik Ibsen. Directed by Michael Krause (as an M.F.A. requirement), sets by Donnie Zizzof, costumes by Shirley Seidel – Programs |
| Box 8 | Folder 16 | Three Plays of the Sea by Eugene O'Neill: Bound East for Cardiff, directed by Edward Fielding Nicholls; In the Zone, directed by L.T. Bethune; and The Long Voyage Home, directed by Robin M. League. Sets by Catherine Luce, lighting by H. Townsend Velie, costumes by George Fuller – Programs |
1946-1947 Season, Children’s Theatre
| Box 8 | Folder 17 | The Twelve Dancing Princesses by Nelson James. October 26-December 14, 1946. Directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, dances by Frances Allis – Programs |
| Photo Box 21 | Folders 35-36 | The Twelve Dancing Princesses – 2 photographs |
| Box 8 | Folder 18 | Sleeping Beauty, dramatized by Charlotte Chorpenning. December 12, 1946-January 27, 1947. Sets designed by Blair von Albrecht, costumes by Elizabeth Birbari, dances arranged by Frances Allis – Programs |
| Box 8 | Folder 19 | Red Riding Hood, dramatized by Charlotte Chorpenning. February 1-March 23, 1947. Directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Shirley Seidel, dances arranged by Frances Allis – Programs |
| Photo Box 21 | Folders 37-38 | Red Riding Hood – 2 photographs/negatives |
| Box 8 | Folder 20 | The Prince and the Pauper, dramatized by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Donnie Zizzof – Programs |
| Photo Box 21 | Folders 39-44 | The Prince and the Pauper – 6 photographs |
1947-1948 Season, Art Institute Members Series
| Box 8 | Folder 21 | Dear Ruth by Norman Krasna. October 2-18, 1947. Directed by Bella Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray – Programs |
| Photo Box 22 | Folders 1-6 | Dear Ruth – 6 photographs |
| Box 8 | Folder 22 | Shadow and Substance by Paul Vincent Carroll. November 6-22, 1947. Directed by David Itkin, sets designed by Blair von Albrecht, costumes by Rita Dhu Wray – Programs |
| Photo Box 22 | Folders 7-16 | Shadow and Substance – 10 photographs |
| Box 8 | Folder 23 | The Show-Off by George Kelly. December 4-20, 1947. Directed by William Stigall, sets by Shirley Seidel, costumes by Elizabeth Birbari – Programs |
| Photo Box 22 | Folders 17-25 | The Show-Off – 9 photographs |
| Box 8 | Folder 24 | Macbeth by William Shakespeare. January 8-24, 1948. Directed by Maurice Gnesin, Bella Itkin as associate director, sets by the von Albrechts, costumes by Rita Dhu Wray, lights by Ade-Rolfe Floreen, ...with Harvey Korman – Program |
| Photo Box 22 | Folders 26-32 | Macbeth – 7 photographs |
| Box 8 | Folder 25 | The Man Who Came to Dinner by George S. Kaufman and Moss Hart. February 5-22, 1948. Directed by David Itkin, E. Allyn Warren as assistant director, sets by Blair von Albrecht, costumes by Elizabeth Birbari – Programs |
| Photo Box 22 | Folders 33-41 | The Man Who Came to Dinner – 9 photographs |
| Box 8 | Folder 26 | The Wild Duck by Henrik Ibsen. March 4-20, 1948. Directed by David Itkin, Robert Hopkins as associate director, sets by Richard von Albrecht, costumes by Rita Dhu Wray – Programs |
| Photo Box 22 | Folders 42-49 | The Wild Duck – 8 photographs |
| Box 8 | Folder 27 | The Chief Thing by Nicholas Evreinov. April 8-25, 1948. Directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Jack Cornwell, costumes by Rita Dhu Wray – Programs |
| Photo Box 22 | Folders 50-57 | The Chief Thing – 8 photographs |
| Box 8 | Folder 28 | The Enchanted April by Kane Campbell. May 6-22, 1948. Directed by Robert Hopkins, sets by Bill Ritman, costumes by Stanley Rames, Larry Gentile as technician – Programs |
| Photo Box 23 | Folders 1-10 | The Enchanted April – 10 photographs/negatives |
| Box 8 | Folder 29 | Three One-Act Plays: Brothers, by Lewis Beach and directed by Gene Yell; On the High Road, by Anton Chekhov and directed by Robin League; Autumn Fires, by Gustav Weid and directed by R. Schmitt – Programs |
| Box 8 | Folder 30 | Three One-Act Plays: Cloey, by Loretto Carroll Bailey and directed by E. Van Cleave; Quare Medicine, by Paul Green and directed by Marilynn Harper; Ile, by Eugene O'Neill and directed by Thomas Boyd. Sets by Jack Cornwell, lights by Larry Gentile – Programs |
| Box 8 | Folder 31 | My Heart's in the Highlands by William Saroyan. December 12, 1947. Directed by Rea Warg and Hank DiRoma, sets by Jack Cornwell, costumes by Dave Ballou – Programs |
| Box 8 | Folder 32 | Three Cornered Moon by Gertrude Tonkonogy. March 12, 1948. Directed by Gene Yell, sets by C. Carleton Luce, costumes by Donald Crawford, lighting by Gatti-Casazza – Programs |
| Box 8 | Folder 33 | Time and the Conways by J.B. Priestley. April 6, 1948. Directed by Rea Warg, sets Stanley Ranes, costumes by Jack Hakman, ...with Harvey Korman – Program |
| Box 8 | Folder 34 | Outward Bound by Sutton Vane. April 13, 1948. Directed by W.R. Martini, sets by William Moore, costumes by Catherine Luce – Program |
| Box 8 | Folder 35 | The Dover Road by A.A. Milne. April 23, 1948. Directed by Lloyd T. Bethune, sets by Bob Hebbard, costumes by Oliver Allyn – Program |
| Box 8 | Folder 36 | Twelfth Night by William Shakespeare. May 25, 1948. Directed by Gene Yell (as an M.F.A. requirement), sets by C. Carleton Luce, costumes by David Ballou, ...with Harvey Korman – Programs |
| Box 8 | Folder 37 | Liliom by Ferenc Molnar. June 4, 1948. Directed by L.T. Bethune (as an M.F.A. requirement), sets by Jack Cornwell, costumes by William Moore – Programs |
1947-1948 Season, Children’s Theatre
| Box 8 | Folder 38 | The Return of Rip Van Winkle, dramatized by Charlotte Chorpenning from the story by Washington Irving. October 25-December 13, 1947. Directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, lighting by Ade-Rolfe Floreen, choreography by Frances Allis, ...with Harvey Korman – Program |
| Photo Box 23 | Folders 11-17 | The Return of Rip Van Winkle – 7 photographs |
| Box 8 | Folder 39 | The Three Bears, dramatized by Charlotte Chorpenning. December 20, 1947-January 25, 1948. Directed by Charlotte Chorpenning, Aristides Copulos as assistant director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, ...with Harvey Korman – Program |
| Box 8 | Folder 40 | The Squire's Bride by Viola Van Zee and Charlotte Chorpenning. January31-March 21, 1948. Directed by Aristides Copulos, sets designed by Richard von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis – Program |
| Photo Box 23 | Folders 18-21 | The Squire’s Bride – 4 photographs |
| Box 8 | Folder 41 | Flibbertygibbet, dramatized by Charlotte Chorpenning and Nora Tully. March 27-May 22, 1948. Directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Shirley Seidel, costumes by David Ballou, choreography by Francis Allis – Programs |
| Photo Box 23 | Folders 22-35 | Flibbertygibbet – 14 photographs |
1948-1949 Season, Art Institute Members Series
| Box 8 | Folder 42 | Arsenic and Old Lace by Joseph Kesselring. October 7-24, 1948. Directed by W.R. Martini, sets designed by Bill Ritman, costumes by Elizabeth Birbari, ...with Harvey Korman – Program |
| Photo Box 23 | Folders 36-40 | Arsenic and Old Lace – 5 photographs |
| Box 8 | Folder 43 | The Father by August Strindberg. November 4-20, 1948. Directed by David Itkin, Mary Laura Collins as assistant director, sets by Jack Cornwell, costumes by Elizabeth Birbari – Programs |
| Box 8 | Folder 44 | Major Barbara by George Bernard Shaw. December 2-19, 1948. Directed by Maurice Gnesin, Bella Itkin as associate director, sets by Norman Grant, costumes by Elizabeth Birbari, ...with Harvey Korman – Programs |
| Photo Box 23 | Folders 41-46 | Major Barbara – 6 photographs/negatives |
| Box 8 | Folder 45 | The Circle by W. Somerset Maugham. January 6-22, 1949. Directed by Bella Itkin, sets by Stanley Rames, costumes by Jack Cornwell – Programs |
| Photo Box 23 | Folders 47-60 | The Circle – 14 photographs |
| Box 8 | Folder 46 | Henry IV, Part I by William Shakespeare. February 10-March 4, 1949. Directed by David Itkin, William H. Bielfeldt as assistant director, sets designed by Bill Ritman, costumes by David Ballou, ...with Harvey Korman – Programs |
| Photo Box 23 | Folders 61-70 | Henry IV, Part I – 10 photographs |
| Box 8 | Folder 47 | A Sound of Hunting by Harry Brown. March 10-26, 1949. Directed by David Itkin, costumes and sets by Jack Cornwell, ...with Harvey Korman – Program |
| Photo Box 23 | Folders 71-75 | A Sound of Hunting – 5 photographs |
| Box 8 | Folder 48 | George and Margaret by Gerald Savory. April 7-24, 1949. Directed by William Stigall, sets by Paul Haney, costumes by Bill Ritman – Programs |
| Photo Box 23 | Folders 76-85 | George and Margaret – 10 photographs |
| Box 8 | Folder 49 | The Return to Earth by Miguel Lira. May 5-22, 1949. Directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by David Ballou, choreography by Frances Allis, folk song direction by Louise Dale Spoor, lighting by Ade-Rolfe Floreen – Program |
| Photo Box 24 | Folders 1-15 | The Return to Earth – 15 photographs |
| Box 8 | Folder 50 | Yes, My Darling Daughter by Mark Reed. October 30, 1948. Directed by Margaret Cameron Davies, sets by Stanley Rames, costumes by Jack Hakman – Program |
| Box 8 | Folder 51 | Dear Brutus by James M. Barrie. January 28, 1949. Directed by Rea Warg, sets by Oliver Allyn, costumes by Irene Harris – Programs |
| Box 8 | Folder 52 | The Glass Menagerie by Tennessee Williams. February 25, 1949. Directed by E. Alyn Warren, sets by Paul Haney, costumes by Adah Sorensen – Program |
| Box 8 | Folder 53 | All My Sons by Arthur Miller. March 8, 1949. Directed by Bella Itkin, sets by William Moore, costumes by William Fosser – Program |
| Box 8 | Folder 54 | The Linden Tree by J.B. Priestley. March 18, 1949. Directed by Judith Jeffrey, sets by Bob Hebbard, costumes by Bert Bliss – Program |
| Box 8 | Folder 55 | The Silver Cord by Sidney Howard. [1948-1949]. Directed by Margaret Davies Carner, sets designed by Dave Ballou, costumes by Irene Harris – Program |
| Box 8 | Folder 56 | Fresh Fields by Ivor Novello. April 5, 1949. Directed by James Zernecke, sets by Oliver Allyn, costumes by Robert Hebbard – Program |
| Box 8 | Folder 57 | Hay Fever by Noel Coward. April 14, 1949. Directed by Rea Warg, costumes by Bert Bliss – Program |
| Box 8 | Folder 58 | Petticoat Fever by Mark Reed. April 23, 1949. Directed by W.R. Martini, sets by William Casazza, costumes by William Banka – Program |
| Box 8 | Folder 59 | Four One-Act Plays: Quare Medicine, by Paul Green and directed by Terrell O. Everett; The Dark Lady of the Sonnets, by George Bernard Shaw and The Rehearsal, by Christopher Morley, directed by Betty Churchill; and The Flattering Word, by George Kelly and directed by Monroe Werthman. Sets designed by Stanley Rames, costumes by William Noffke – Program |
| Box 8 | Folder 60 | Hedda Gabler by Henrik Ibsen. May 13, 1949. Directed by James Zernecke, sets and lights by Walt Steinbrenner, costumes by Delbert Bliss – Program |
| Box 8 | Folder 61 | John Ferguson by St. John Ervine. May 20, 1949. Directed by Judith Jeffrey, sets and lights by William Monroe, costumes by Roberta West – Programs |
| Box 8 | Folder 62 | The Corn is Green by Emlyn Williams. May 27, 1949. Directed by William Stigall, sets by Jack Cornwell, costumes by William Fosser – Program |
| Box 8 | Folder 63 | Arms and the Man by George Bernard Shaw. June 7, 1949. Directed by Louise Dale Spoor, sets by Robert Hebbard, costumes by Bert Bliss – Programs |
| Box 8 | Folder 64 | Alice in Wonderland, dramatized by Charlotte Chorpenning. October 16, 1948-January 8, 1949. Directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, Thomas Jackson as technician, sets by Norman Grant, masks and costumes by Rita Dhu Ray – Programs |
| Photo Box 24 | Folders 16-18 | Alice in Wonderland – 3 photographs |
| Box 8 | Folder 65 | Hans Brinker and the Silver Skates, by Mary Mapes Dodge and dramatized by Charlotte Chorpenning. January 15-March 13, 1949. Directed by Charlotte Chorpenning, sets by William Ritman, costumes by William Moore – Program |
| Photo Box 24 | Folders 19-22 | Hans Brinker and the Silver Skates – 4 photographs |
| Box 8 | Folder 66 | The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully. March 19-June 5, 1949. Directed by Louise Dale Spoor, sets by Floyd Allan, costumes by Stanley Rames, Heckla's dance arranged by Frances Allis – Program |
| Photo Box 24 | Folders 23-30 | The Elves and the Shoemaker – 8 photographs |
1949-1950 Season, Art Institute Members Series
| Box 9 | Folder 1 | Memorandum regarding permanent reservations |
| Box 9 | Folder 2 | First Lady by Katherine Dayton and George S. Kaufman. September 29-October 16, 1949. Directed by W.R. Martini, sets designed by Paul Haney, costumes by Ballou, ...with Harvey Korman – Programs |
| Photo Box 24 | Folders 31-40 | First Lady – 9 photographs/negatives |
| Box 9 | Folder 3 | Joan of Lorraine by Maxwell Anderson. November 3-20, 1949. Directed by David B. Itkin, Betty Churchill as assistant director, sets by Jack Cornwell, costumes by William Moore, ...with Harvey Korman – Programs |
| Photo Box 24 | Folders 41-48 | Joan of Lorraine – 8 photographs/negatives |
| Box 9 | Folder 4 | Candida by George Bernard Shaw. December 1-28, 1949. Directed by David Itkin, Terrell Everett as assistant director, sets designed by Floyd Allan, costumes by Ballou, oil paintings executed by James Coil – Programs |
| Photo Box 24 | Folders 49-58 | Candida – 10 photographs |
| Box 9 | Folder 5 | Dark of the Moon by Howard Richardson and William Berney. January 5-22, 1950. Directed by William Stigall, sets and lights by Paul Haney, costumes by Ballou, choreography by Frances Allis – Programs |
| Photo Box 24 | Folders 59-62 | Dark of the Moon – 4 photographs |
| Box 9 | Folder 6 | Hamlet by William Shakespeare. February 9-March 3, 1950. Directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by Ballou, lighting by Ade-Rolfe Floreen,...with Harvey Korman – Programs |
| Photo Box 24 | Folders 63-74 | Hamlet – 12 photographs/negatives |
| Box 9 | Folder 7 | Goodbye Again by Allan Scott and George Haight. March 9-26, 1950. Directed by Maurice Gnesin, W.R. Martini as associate director, sets by William Moore, costumes by Paul Haney – Programs |
| Photo Box 24 | Folders 75-80 | Goodbye Again – 6 photographs |
| Box 9 | Folder 8 | All My Sons by Arthur Miller. April 13-30, 1950. Directed by Bella Itkin, sets by Mary Lou Denton, costumes by Ballou, ...with Harvey Korman – Programs |
| Photo Box 24 | Folders 81-89 | All My Sons – 9 photographs |
| Box 9 | Folder 9 | Jason by Samson Rafaelson. May 11-28, 1950. Directed by David Itkin, Jeanne Jerrems as assistant director, sets by Jack Cornwell, costumes by Ballou, ...with Harvey Korman – Program |
| Photo Box 24 | Folders 90-96 | Jason – 7 photographs |
1949-1950 Season, Studio
| Box 9 | Folder 10 | Three Irish One-Act Plays: In the Shadow of the Glen, by J.M. Synge and directed by Fred Finkl; The Pot of Broth, by W.B. Yeats and directed by Walter Beakel; Spreading the Word, by Lady Gregory and directed by Josef Hunley. October 18, 1949. Sets by William Moore, costumes by C.J. Bailey – Programs |
| Photo Box 25 | Folders 1-3 | Three Irish One-Act Plays – 3 photographs |
| Box 9 | Folder 11 | The Philadelphia Story by Philip Barry. October 25, 1949. Directed by Mary Laura Collins, sets by Robert Hebbard, costumes by George Fuller – Programs |
| Photo Box 25 | Folder 4 | The Philadelphia Story – 1 photograph |
| Box 9 | Folder 12 | An Inspector Calls by J.B. Priestley. November 2, 1949. Directed by Judith Jeffrey, sets designed by Adah Sorensen, costumes by George Fuller – Programs |
| Box 9 | Folder 13 | Three One-Act Plays by Eugene O'Neill: In the Zone, directed by M.J. Rotter; The Long Voyage Home, directed by Paul S. Haney; The Moon of the Caribbees, directed by Maxwell Kelly. November 12, 1949. Sets by C.J. Bailey, costumes by Robert Hebbard – Programs |
| Photo Box 25 | Folders 5-6 | Three One-Act Plays – 2 photographs |
| Box 9 | Folder 14 | The Master Builder by Henrik Ibsen. November 22, 1949. Directed by William Stigall, sets by Jack Cornwell, costumes by Adah Sorensen – Programs |
| Photo Box 25 | Folders 7-8 | The Master Builder – 2 photographs |
| Box 9 | Folder 15 | The Distaff Side by John Van Druten. December 3, 1949. Directed by Betty Churchill, sets designed by Paul Haney, costumes by Theoni Vachlioti – Programs |
| Photo Box 25 | Folder 9-10 | The Distaff Side – 2 photographs |
| Box 9 | Folder 16 | Tartuffe, or The Imposter, by Moliere. December 13, 1949. Directed by Margor Dayan Bernson, sets by Robert Hebbard – Programs |
| Photo Box 25 | Folders 11-22 | Tartuffe or The Imposter – 12 photographs |
| Box 9 | Folder 17 | Ladies in Retirement by Edward Percy and Reginald Denham. January 19, 1950. Directed by Terrell Everett, sets by William Moore, costumes by Ann Keeley – Programs |
| Box 9 | Folder 18 | The Male Animal by James Thurber and Elliott Nugent. January 31, 1950. Directed by Monroe Werthman, sets by James Maronek – Programs |
| Photo Box 25 | Folders 23-27 | The Male Animal – 5 photographs |
| Box 9 | Folder 19 | Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, directed by Walter Beakel; The Shewing Up of Blanco Posnet, directed by Betty Churchill; O'Flaherty V.C., directed by Fred Finkl. February 8, 1950. Sets by Robert Hebbard – Programs |
| Photo Box 25 | Folders 28-34 | Three One-Act Plays – 7 photographs |
| Box 9 | Folder 20 | Three One-Acts: The Happy Journey, by Thornton Wilder and directed by Ruth Shectman; Hello Out There by William Saroyan and directed by William H. Bielfeldt; The Boor, by Anton Tchekoff and directed by James Ritter. February 18, 1950. Sets and lights by Paul Haney, costumes by Theoni Vachlioti – Programs |
| Photo Box 25 | Folders 35-39 | Three One-Act Plays – 5 photographs |
| Box 9 | Folder 21 | Another Part of the Forest by Lillian Hellman. February 28, 1950. Directed by Henry Biedinger (as an M.F.A. requirement), sets by C.J. Bailey, costumes by Adah Sorensen – Programs |
| Photo Box 25 | Folder 40 | Another Part of the Forest – 1 photograph |
| Box 9 | Folder 22 | Home is Tomorrow by J.B. Priestley. March 11, 1950. Directed by William Stigall, sets by Joseph Holcombe, costumes by Ann Keeley – Programs |
| Photo Box 25 | Folders 41-46 | Home is Tomorrow – 6 photographs |
| Box 9 | Folder 23 | Hotel Universe by Philip Barry. March 25, 1950. Directed by Monroe Werthman (as an M.F.A. requirement), sets by Robert Hebbard, costumes by Theoni Vachlioti – Programs |
| Photo Box 25 | Folders 47-51 | Hotel Universe – 5 photographs |
| Box 9 | Folder 24 | The Old Ladies by Rodney Ackland. March 31, 1950. Directed by William Bielfeldt (as an M.F.A. requirement), sets by C.J. Bailey, costumes by Adah Sorensen – Programs |
| Photo Box 26 | Folders 1-3 | The Old Ladies – 3 photographs |
| Box 9 | Folder 25 | Rocket to the Moon by Clifford Odets. April 15, 1950. Directed by W.R. Martini, sets by Bob Hebbard – Programs |
| Photo Box 26 | Folders 4-9 | Rocket to the Moon – 6 photographs |
| Box 9 | Folder 26 | The Torch-Bearers by George Kelly. April 26, 1950. Directed by William Bielfeldt, sets by Ann Keeley, costumes by James Maronek – Programs |
| Photo Box 26 | Folders 10-12 | The Torch-Bearers – 3 photographs |
| Box 9 | Folder 27 | Antigone by Jean Anouilh. May 4, 1950. Directed by Joy Coghill (as an M.F.A. requirement), sets and costumes by designed by Adah Sorensen – Programs |
| Photo Box 26 | Folders 13-21 | Antigone – 9 photographs |
| Box 9 | Folder 28 | The Little Foxes by Lillian Hellman. May 16, 1950. Directed by Mary Laura Collins (as an M.F.A. requirement), sets designed by James Maronek, costumes by Adah Sorensen – Programs |
| Box 9 | Folder 29 | Shadow and Substance by Paul Vincent Carroll. May 25, 1950. Directed by Betty Churchill (as an M.F.A requirement), sets by William Moore, costumes by C.J. Bailey – Programs |
| Photo Box 26 | Folders 22-28 | Shadow and Substance – 7 photographs |
| Box 9 | Folder 30 | Pygmalion by George Bernard Shaw. June 2, 1950. Directed by Terrell Everett (as an M.F.A. requirement), sets, lights and costumes by Jack Cornwell – Programs |
| Box 9 | Folder 31 | Six Characters in Search of an Author by Luigi Pirandello. June 7, 1950. Directed by Bella Itkin, costumes by Adah Sorensen, sets and lights by William Moore – Programs |
| Photo Box 26 | Folders 29-34 | Six Characters in Search of an Author – 6 photographs |
1949-1950 Season, Children’s Theatre
| Box 9 | Folder 32 | Marco Polo and the Drum of Ahmad, dramatized by Charlotte Chorpenning. October 22-December 18, 1949. Directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, sets by Floyd Allan, costumes by Ballou, dances arranged by Frances Allis – Programs |
| Photo Box 26 | Folders 35-42 | Marco Polo and the Drum of Ahmad – 8 photographs |
| Box 9 | Folder 33 | The Indian Captive by Charlotte Chorpenning. December 22, 1949-January 29, 1950. Directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by C.J. Bailey, dance movement by Frances Allis – Programs |
| Photo Box 26 | Folders 43-52 | The Indian Captive – 10 photographs |
| Box 9 | Folder 34 | King Midas and the Golden Touch, dramatized by Charlotte Chorpenning. February 4-March 26, 1950. Directed by Joy Coghill, sets by Jack Cornwell, costumes by Adah Sorensen, dances arranged by Frances Allis – Programs |
| Box 9 | Folder 35 | Aladdin and His Wonderful Lamp, dramatized by Charlotte Chorpenning. April 1-May 28, 1950. Directed by Charlotte Chorpenning, Joy Coghill as assistant director, sets designed by Floyd Allan, costumes by Ballou, choreography by Frances Allis – Programs |
| Photo Box 26 | Folders 53-57 | Aladdin and His Wonderful Lamp – 5 photographs |
1950-1951 Season, Art Institute Members Series
| Box 9 | Folder 36 | General promotional material |
| Box 9 | Folder 37 | The Voice of the Turtle by John Van Druten. September 28-October 15, 1950. Directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Ballou – Programs |
| Photo Box 27 | Folders 1-9 | The Voice of the Turtle – 9 photographs/negatives |
| Box 9 | Folder 38 | The Moon Besieged by Seyril Schochen. November 2-18, 1950. Directed by David Itkin, Vernon Schwartz as assistant director, sets designed by Alice Harmer Martini, costumes by Ballou – Programs |
| Photo Box 27 | Folders 10-34 | The Moon Besieged – 25 photographs |
| Photo Box 28 | Folders 1-43 | The Moon Besieged, rehearsal – 43 photographs |
| Box 9 | Folder 39 | Dear Brutus by Sir James Barrie. November 30-December 16, 1950. Directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti – Programs |
| Photo Box 28 | Folders 44-59 | Dear Brutus – 16 photographs |
| Box 9 | Folder 40 | Street Scene by Elmer Rice. January 4-20, 1951. Directed by Bella Itkin, sets designed by Alice Harmer Martini, costumes by Ann Keeley – Programs |
| Photo Box 29 | Folders 1-13 | Street Scene – 13 photographs |
| Box 9 | Folder 41 | Twelfth Night by William Shakespeare. February 8-March 2, 1951. Directed by David Itkin, Phil Lawrence as assistant director, sets and costumes designed by Ballou – Programs |
| Photo Box 29 | Folders 14-23 | Twelfth Night – 10 photographs/negatives |
| Box 9 | Folder 42 | The House of Bernarda Alba by Federico Garcia Lorca. March 8-24, 1951. Directed by David Itkin, Ruth Schechtman as assistant director, sets by Mary Lou Denton, costumes by Ballou – Programs |
| Photo Box 29 | Folders 24-33 | The House of Bernarda Alba – 10 photographs |
| Box 9 | Folder 43 | Pygmalion by George Bernard Shaw. April 12-29, 1951. Directed by Maurice Gnesin, Bella Itkin as associate director, sets by Alice Harmer Martini, costumes by Adah Sorensen, Bill Winters as technician – Programs |
| Box 9 | Folder 44 | Goodbye, My Fancy by Fay Kanin. May 10-27, 1951. Directed by William Stigall, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti, Joseph Lantzy as technician – Programs |
| Photo Box 29 | Folders 34-44 | Goodbye, My Fancy – 11 photographs |
1950-1951 Season, Studio
| Box 9 | Folder 45 | Blithe Spirit by Noel Coward. November 4, 1950. Directed by William Robertson, costumes by Adah Sorensen, sets by C.J. Bailey – Programs |
| Photo Box 29 | Folders 51-57 | Blithe Spirit – 7 photographs |
| Box 9 | Folder 46 | Golden Boy by Clifford Odets. November 18, 1950. Directed by William Stigall, sets and lights by Walter Steinbrenner, costumes by Theoni Vachlioti – Programs |
| Photo Box 30 | Folders 1-7 | Golden Boy – 7 photographs |
| Box 9 | Folder 47 | Three One-Acts: The Talkative Barber, by Ludwig Holberg and directed by M.F. Robel; Parade at Devil's Bridge, by Henri Gheon and directed by Lee Richard; Aria Da Capo, by Edna St. Vincent Millay and directed by Jeanne Jerrems. December 2, 1950. Sets by John Holabird, costumes by Joseph Holcombe – Programs |
| Photo Box 30 | Folders 8-15 | Three One-Acts – 8 photographs |
| Box 9 | Folder 48 | Our Town by Thornton Wilder. December 8, 1950. Directed by W.R. Martini, sets and lights by James Maronek, costumes by Ann Keeley – Programs |
| Photo Box 30 | Folders 16-21 | Our Town – 6 photographs |
| Box 9 | Folder 49 | Thunder Rock by Robert Ardrey. April 5, 1951. Directed by William Robertson (as an M.F.A. requirement), sets and lights by Joseph Lantzy, costumes by Jack Bates – Programs |
| Photo Box 30 | Folders 22-29 | Thunder Rock – 8 photographs |
| Box 9 | Folder 50 | Biography by S.N. Behrman. February 1, 1951. Directed by Walter Beakel, sets and costumes by Joseph Holcombe – Programs |
| Photo Box 30 | Folders 30-36 | Biography – 7 photographs |
| Box 9 | Folder 51 | I Have Been Here Before by J.B. Priestley. February 13, 1951. Directed by W.R. Martini, sets and lights designed by Walter Steinbrenner, costumes by Theoni Vachlioti – Programs |
| Photo Box 30 | Folders 37-38 | I Have Been Here Before – 2 photographs |
| Box 9 | Folder 52 | The Adding Machine by Elmer Rice. February 28, 1951. Directed by Burt Liebert (as an M.F.A. requirement), sets by Adah Sorensen, costumes by Theoni Vachlioti, lights by Joseph Lantzy – Programs |
| Box 9 | Folder 53 | Of Mice and Men by John Steinbeck. March 10, 1951. Directed by H. James Ritter, sets and lights by Ann Keeley, costumes by James Maronek – Programs |
| Photo Box 30 | Folders 37-38 | Of Mice and Men – 8 photographs |
| Box 9 | Folder 54 | Venus Observed by Christopher Fry. March 21, 1951. Directed by William Stigall, sets and lights by Jack Bates, costumes by Joseph Holcombe – Programs |
| Photo Box 30 | Folders 47-53 | Venus Observed – 7 photographs |
| Box 9 | Folder 55 | Oedipus, King of Thebes by Sophocles, translated by Gilbert Murray. April 17, 1951. Directed by Walter Beakel (as an M.A. requirement), sets and lights by Bill Winters, costumes by Theoni Vachlioti, music by Adah Sorensen – Programs |
| Photo Box 31 | Folders 1-7 | Oedipus, King of Thebes – 7 photographs |
| Box 9 | Folder 56 | Watch on the Rhine by Lillian Hellman. April 28, 1951. Directed by Ruth Schectman (as an M.F.A. requirement), sets designed by James Maronek, costumes by Jack Brown – Programs |
| Photo Box 31 | Folders 8-11 | Watch on the Rhine – 4 photographs |
| Box 9 | Folder 57 | Rain by John Colton and Clemence Randolph. May 9, 1951. Directed by Vernon Schwartz (as an M.F.A. requirement), sets by Joseph Holcombe, lights by James Maronek, costumes by Ann Keeley – Programs |
| Photo Box 31 | Folders 12 | Rain – 1 photograph |
| Box 9 | Folder 58 | The Infernal Machine by Jean Cocteau. Directed by Philip Lawrence (as an M.F.A. requirement), sets and lighting by Ballou, costumes by Adah Sorensen – Programs |
| Photo Box 31 | Folders 13-17 | The Infernal Machine – 5 photographs |
| Box 9 | Folder 59 | Desire Under the Elms by Eugene O'Neill. May 23, 1951. Directed by Bella Itkin, sets and lights designed by Gerald Ritholz, costumes by Marge Liebert – Programs |
| Box 9 | Folder 60 | Rebecca by Daphne du Maurier. May 29, 1951. Directed by Millard Mack (as an M.F.A. requirement), sets by Ann Keeley, costumes by Adah Sorensen, lighting by David Zierk – Programs |
| Photo Box 31 | Folders 18-20 | Rebecca – 3 photographs |
| Box 9 | Folder 61 | He Who Gets Slapped by Leonid Andreyev. June 4, 1951. Directed by Maxwell Kelly (as an M.F.A. requirement), sets by Joseph Holcombe, costumes by Ann Keeley – Programs |
| Photo Box 31 | Folders 21-22 | He Who Gets Slapped – 2 photographs |
1950-1951 Season, Children’s Theatre
| Box 9 | Folder 62 | General promotional material |
| Box 9 | Folder 63 | Jack and the Beanstalk, dramatized by Charlotte Chorpenning. October 21-December 17, 1950. Directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, dances arranged by Frances Allis – Programs |
| Photo Box 31 | Folders 23-33 | Jack and the Beanstalk – 11 photographs/negatives |
| Box 9 | Folder 64 | Robinson Crusoe by Daniel Dafoe, dramatized by Charlotte Chorpenning. December 23, 1950-January 28, 1951. Directed by Louise Dale Spoor, sets by Walter Steinbrenner, costumes by Adah Sorensen – Programs |
| Photo Box 31 | Folders 34-40 | Robinson Crusoe – 7 photographs/negatives |
| Box 9 | Folder 65 | Abe Lincoln: New Salem Days, dramatized by Charlotte Chorpenning. February 3-March 24, 1951. Directed by Charlotte Chorpenning, Lee Richard as assistant director, sets by James Maronek, costumes by Theoni Vachlioti – Programs |
| Photo Box 32 | Folders 1-7 | Abe Lincoln: New Salem Days – 7 photographs |
| Box 9 | Folder 66 | Snow White and the Seven Dwarfs by Jessie Graham White. March 31-May 27, 1951. Directed by Charlotte Chorpenning, sets and lights by Walter Steinbrenner, costumes by Ballou, dances arranged by Frances Allis – Programs |
| Photo Box 31 | Folders 41-52 | Snow White and the Seven Dwarfs – 12 photographs |
1950-1951 Season, Special Events
| Box 9 | Folder 67 | L'Histoire du Soldat by Igor Stravinsky and Le Jeu de la Nativite by Alexander Tcherepnin. December 17, 1950-January 21, 1951. Conductor: Paul Stassevitch – Programs |
1951-1952 Season, Art Institute Members Series
| Box 10 | Folder 1 | Hay Fever by Noel Coward, October 4-21, 1951. Directed by W.R. Martini, sets designed by Alice Harmer Martini, costumes by Ballou – Programs |
| Photo Box 32 | Folders 8-17 | Hay Fever – 10 photographs |
| Box 10 | Folder 2 | The Corn is Green by Emlyn Williams. November 8-25, 1951. Directed by David Itkin, Barbara Keyes as assistant director, sets by Mary Lou Williams Denton, costumes by Ballou – Programs |
| Photo Box 32 | Folders 18-28 | The Corn is Green – 11 photographs |
| Box 10 | Folder 3 | The Master Builder by Henrik Ibsen. December 6-22, 1951. Sets by David Itkin, Ward Ohrman as assistant director, sets by Alice Harmer Martini, costumes by Leonor Travis, lighting by David Zierk – Programs |
| Photo Box 32 | Folders 29-37 | The Master Builder – 9 photographs |
| Box 10 | Folder 4 | Two Blind Mice by Samuel Spewak. January 10-27, 1952. Directed by Bella Itkin, sets by James Maronek, costumes by Joseph Holcombe – Programs |
| Photo Box 32 | Folders 38-43 | Two Blind Mice – 6 photographs |
| Box 10 | Folder 5 | Romeo and Juliet by William Shakespeare. February 7-24, 1952. Directed by Bella Itkin, sets by Mary Lou Denton, costumes by Ballou, choreography by Frances Allis – Programs |
| Photo Box 32 | Folders 44-57 | Romeo and Juliet – 14 photographs |
| Box 10 | Folder 6 | You Never Can Tell by George Bernard Shaw. March 6-23, 1952. Directed by David Itkin, James Paul as assistant director, sets and lights by Walter Steinbrenner – Programs |
| Photo Box 32 | Folders 58-62 | You Never Can Tell – 5 photographs |
| Box 10 | Folder 7 | Electra by Euripides. April 10-27, 1952. Directed by Maurice Gnesin, Bella Itkin as associate director, Louise Dale Spoor as associate director for chorus, choreography by Frances Allis, production designed by Ballou – Programs |
| Photo Box 32 | Folders 63-67 | Electra – 5 photographs/negatives |
| Box 10 | Folder 8 | Born Yesterday by Garson Kanin. May 8-25, 1952. Directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Joseph Holcombe – Programs |
| Photo Box 33 | Folders 1-3 | Born Yesterday – 3 photographs/negatives |
1951-1952 Season, Studio
| Box 10 | Folder 9 | The Father by August Strindberg. October 26, 1951. Directed by Jassim M. Al-Oboudi, sets and lights by Walter Steinbrenner, costumes by Ann Keeley – Programs |
| Photo Box 33 | Folders 4-7 | The Father – 4 photographs |
| Box 10 | Folder 10 | When We Are Married by J.B. Priestley. November 6, 1951. Directed by Norman Shucart, sets by James Maronek, costumes by Leonor Travis – Programs |
| Photo Box 33 | Folders 8-13 | When We Are Married – 6 photographs |
| Box 10 | Folder 11 | Craig's Wife by George Kelly. Directed by W.R. Martini, sets by Joseph Holcombe, costumes by Jack Bates – Programs |
| Photo Box 33 | Folders 14-18 | Craig’s Wife – 5 photographs |
| Box 10 | Folder 12 | A Bill of One-Acts: A Phoenix Too Frequent, by Christopher Fry and directed by Barbara Keyes; and Ten Blocks on the Camino Real, by Tennessee Williams and directed by Joseph Slowik. Sets and lights by Gerald Ritholz, costumes by Joseph Holcombe – Programs |
| Photo Box 33 | Folders 19-22 | A Bill of One-Acts – 4 photographs |
| Box 10 | Folder 13 | Three One-Acts by Anton Chekhov: Swan-Song, directed by Martin Kosofsky; The Proposal, directed by Julie Fitzgerald; and The Boor directed by Shauneille Perry. Sets and lights designed by Walter Steinbrenner, costumes by Ann Keeley – Programs |
| Photo Box 33 | Folders 23-33 | Three One-Acts – 11 photographs |
| Box 10 | Folder 14 | Ghosts by Henrik Ibsen. February 5, 1952. Directed by Westley Johnson, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe – Programs |
| Photo Box 33 | Folders 34-36 | Ghosts – 3 photographs |
| Box 10 | Folder 15 | Phaedra by Jean Racine. February 21, 1952. Directed by Jassim Al-Oboudi (as an M.F.A. requirement), sets and lights designed by James Maronek, costumes by Barta Hapgood – Programs |
| Photo Box 33 | Folders 37-40 | Phaedra – 4 photographs |
| Box 10 | Folder 16 | Death of a Salesman by Arthur Miller. March 8, 1952. Directed by Shauneille Perry (as an M.F.A. requirement), sets and lights by Alice Harmer Martini, costumes by Paul Winston – Programs |
| Photo Box 33 | Folders 41-48 | Death of a Salesman – 8 photographs/negatives |
| Box 10 | Folder 17 | The Little Foxes by Lillian Hellman. March 31, 1952. Directed by Martin Kosofsky, sets and lights by Jack Bates, costumes by Joseph Holcombe – Programs |
| Photo Box 33 | Folders 49-51 | The Little Foxes – 3 photographs |
| Box 10 | Folder 18 | The Lower Depths by Maxim Gorki. April 15, 1952. Directed by Joseph Slowik, sets and lights by Charles Muth, costumes by Gerald Ritholz – Programs |
| Photo Box 33 | Folders 52-54 | The Lower Depths – 3 photographs |
| Box 10 | Folder 19 | Hedda Gabler by Henrik Ibsen. May 3, 1952. Directed by James Paul (as an M.F.A. requirement), costumes by Joseph Holcombe, sets by James Maronek – Programs |
| Photo Box 33 | Folders 55-61 | Hedda Gabler – 7 photographs |
| Box 10 | Folder 20 | Murder in the Cathedral by T.S. Eliot. May 13, 1952. Directed by Barbara Keyes, sets by Ann Kelley, costumes by Jack Bates – Programs |
| Photo Box 33 | Folders 62-64 | Murder in the Cathedral – 3 photographs |
| Box 10 | Folder 21 | The Innocents by William Archibald. May 20, 1952. Directed by Norman Shucart (as an M.F.A. requirement, sets by Barta Hapgood, costumes by Paul Winston – Programs |
| Photo Box 33 | Folders 65-67 | The Innocents – 3 photographs |
| Box 10 | Folder 22 | The Skin of Our Teeth by Thornton Wilder. May 27, 1952. Directed by Fred Finkl, costumes by Barta Hapgood, sets and lights by Jack Bates – Programs |
| Box 10 | Folder 23 | Deep are the Roots by Arnaud d'Usseau and Earl James Gow. June 3, 1952. Directed by Donald Peggins, sets by William Lauterbach, costumes by Charles Muth – Programs |
| Photo Box 33 | Folders 68-69 | Deep are the Roots – 2 photographs |
1951-1952 Season, Children’s Theatre
| Box 10 | Folder 24 | Rama and the Tigers, dramatized by Charlotte Chorpenning. October 27-November 22, 1951. Directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou – Programs |
| Photo Box 34 | Folders 1-5 | Rama and the Tigers – 5 photographs |
| Box 10 | Folder 25 | Hansel and Gretel, dramatized by Charlotte Chorpenning. December 27, 1951-February 24, 1952. Directed by Charlotte Chorpenning, Martin Kosofsky as assistant director, sets designed by Joseph Holcombe, costumes by Ann Keeley – Programs |
| Photo Box 34 | Folders 6-10 | Hansel and Gretel – 5 photographs |
| Box 10 | Folder 26 | Lincoln's Secret Messenger by Charlotte Chorpenning. March 1-March 23, 1952. Directed by Charlotte Chorpenning, Danny Witt as assistant director, sets by Joseph Holcombe, costumes by Ann Keeley – Programs |
| Photo Box 34 | Folders 11-17 | Lincoln’s Secret Messenger – 7 photographs |
| Box 10 | Folder 27 | Puss in Boots by Rowena Bennett. March 29-May 25, 1952. Directed by Charlotte Chorpenning, Edward Udovich as assistant director, sets and lights by James Maronek, costumes by Ann Keeley, David Zierk as technical director – Programs |
| Photo Box 34 | Folders 18-23 | Puss in Boots – 6 photographs |
1952-1953 Season, Art Institute Members Series
| Box 10 | Folder 28 | The Royal Family by George S. Kaufman and Edna Ferber. October 3-19, 1952. Directed by David Itkin, sets designed by Mary Louise Denton, costumes by Leonor Travis – Programs |
| Photo Box 34 | Folders24-32 | The Royal Family – 9 photographs/negatives |
| Box 10 | Folder 29 | Mary of Scotland by Maxwell Anderson. November 7-23, 1952. Directed by Maurice Gnesin, sets by Alice Harmer Martini, costumes by Theoni Sousa Vachlioti – Programs |
| Photo Box 34 | Folders 33-42 | Mary of Scotland – 10 photographs/negatives |
| Box 10 | Folder 30 | When We Are Married by J.B. Preistley. December 5-20, 1952. Directed by W.R. Martini, sets by Gerald Ritholz, costumes by Leonor Travis – Programs |
| Photo Box 34 | Folders 43-48 | When We Are Married – 6 photographs |
| Box 10 | Folder 31 | Desire Under the Elms by Eugene O'Neill. January 9-25, 1953. Directed by David Itkin, sets by Alice Harmer Martini, costumes by Gerald Ritholz, choreography by Frances Allis – Programs |
| Photo Box 34 | Folders 49-59 | Desire Under the Elms – 11 photographs |
| Box 10 | Folder 32 | Merry Wives of Windsor by William Shakespeare. February 13-28, 1953. Directed by David Itkin, sets by Mary Lou Denton, costumes by Leonor Travis, choreography by Frances Allis – Programs |
| Photo Box 34 | Folders 60-68 | Merry Wives of Windsor – 9 photographs |
| Box 10 | Folder 33 | Bell, Book and Candle by John Van Druten. March 13-29, 1953. Directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Theoni Vachlioti – Programs |
| Photo Box 34 | Folders 69-76 | Bell, Book and Candle – 8 photographs |
| Box 10 | Folder 34 | Blood Wedding by Federico Garcia Lorca. April 17-May 2, 1953. Directed by Maurice Gnesin, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti, choreography by Frances Allis, folk music by Louise Dale Spoor – Programs |
| Photo Box 34 | Folders 77-81 | Blood Wedding – 5 photographs |
| Box 10 | Folder 35 | The Second Man by S.N. Berman. May 8-24, 1953. Directed by W.R. Martini, sets by Charles Muth, costumes by Mr. Clare – Programs |
| Photo Box 35 | Folders 1-6 | The Second Man – 6 photographs |
1952-1953 Season, Studio
| Box 10 | Folder 36 | Nine Till Six by Aimee and Philip Stuart. October 30, 1952. Directed by Vernon Schwartz, sets by Barta Hapgood, costumes by Charles Ritholz – Programs |
| Photo Box 35 | Folders 7-11 | Nine Till Six – 5 photographs |
| Box 10 | Folder 37 | All My Sons by Arthur Miller. November 15, 1952. Directed by Jassim M. Al-Oboudi, sets by William Earl Lautenbach, costumes by Mr. Clare – Programs |
| Photo Box 35 | Folders 12-17 | All My Sons – 6 photographs |
| Box 10 | Folder 38 | East Lynne, from the novel by Mrs. Henry Wood. December 10, 1952. Directed by Joy Coghill, sets by lights by Barta Hapgood, costumes by Theoni Vachlioti – Programs |
| Photo Box 35 | Folders 18-22 | East Lynne – 5 photographs |
| Box 10 | Folder 39 | Tomorrow the World by James Gow and Arnaud d'Usseau. January 31, 1953. Directed by William Shankweiler (as an M.F.A. requirement), sets and lights by Didi Jacobs, costumes by Clare – Programs |
| Photo Box 35 | Folders 23-28 | Tomorrow the World – 6 photographs |
| Box 10 | Folder 40 | Liliom by Ferenc Molnar, English text by Benjamin Glazer. February 12, 1953. Directed by W.R. Martini, sets by Alice Harmer Martini, lighting by Frank Nattrass, costumes by William Earl Lautenbach – Programs |
| Photo Box 35 | Folders 29-34 | Liliom – 6 photographs |
| Box 10 | Folder 41 | Mr. Gillie by James Bridie. March 12, 1953. Directed by Robert Quinn, sets and lights by Gerald Ritholz, costumes by Didi Jacobs – Programs |
| Photo Box 35 | Folders 35-40 | Mr. Gillie – 6 photographs |
| Box 10 | Folder 42 | Candle-Light by Siegfried Geyer. March 31, 1953. Directed by Ward Ohrman (as an M.F.A. requirement), sets and lights by William Earl Lautenbach, costumes by John Peters – Programs |
| Photo Box 35 | Folders 41-48 | Candle-Light – 8 photographs |
| Box 10 | Folder 43 | The Miser by Moliere. April 14, 1953. Directed by Jassim Al-Oboudi, sets and lights designed by Charles Muth, costumes by Mr. Clare – Programs |
| Photo Box 35 | Folders 49-56 | The Miser – 8 photographs |
| Box 10 | Folder 44 | Letters to Lucerne by Fritz Rotter and Allen Vincent. April 28, 1953. Directed by Jack Hollander (as an M.F.A. requirement), sets by Didi Jacobs, costumes by Barta Hapgood – Programs |
| Photo Box 35 | Folders 57-68 | Letters to Lucerne – 12 photographs |
| Box 10 | Folder 45 | The Circle by W. Somerset Maugham. May 19, 1953. Directed by J. Barton Hill (as an M.F.A. requirement), sets by John Peters, costumes by Molly Kunning – Programs |
| Photo Box 35 | Folders 69-74 | The Circle – 6 photographs |
| Box 10 | Folder 46 | The Misanthrope by Moliere. May 26, 1953. Directed by Jeanne Jerrems (as an M.F.A. requirement), sets and lights by Gerald Ritholz, costumes by Barta Hapgood – Programs |
| Photo Box 36 | Folders 1-5 | The Misanthrope – 5 photographs |
| Box 10 | Folder 47 | The Shining Hour by Keith Winter. June 2, 1953. Directed by Robert Quinn (as an M.F.A. requirement), sets by Francis Schriber, costumes by William Earl Lautenbach – Programs |
| Photo Box 36 | Folders 6-11 | The Shining Hour – 6 photographs |
| Box 10 | Folder 48 | Three One-Acts by Noel Coward: Still Life (sets by Bella Edindin, costumes by Francis Schriber) and Fumed Oak (sets and costumes by Barta Hapgood), directed by Vernon Schwartz; and Red Peppers (sets and costumes by Gerald Ritholz), directed by Joy Coghill – Programs |
| Photo Box 36 | Folders 12-14 | Three One-Acts – 3 photographs |
1952-1953 Season, Children’s Theatre
| Box 10 | Folder 49 | Rumpelstiltskin, dramatized by Charlotte Chorpenning. October 25-December 20, 1952. Directed by Louise Dale Spoor, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti, dances arranged by Frances Allis – Programs |
| Photo Box 36 | Folders 15-28 | Rumpelstiltskin – 14 photographs |
| Box 10 | Folder 50 | Greensleeves' Magic by Marian Johnson. December 23, 1952-January 25, 1953. Directed by Louise Dale Spoor, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis – Programs |
| Photo Box 36 | Folders 29-31 | Greensleeves’ Magic – 3 photographs |
| Box 10 | Folder 51 | Huckleberry Finn by Samuel Clemens, dramatized by Charlotte Chorpenning. January 31-March 29, 1953. Directed by Joy Coghill, sets by Barta Hapgood, costumes by Charles Muth – Programs |
| Photo Box 36 | Folders 32-41 | Huckleberry Finn – 10 photographs |
| Box 10 | Folder 52 | The Emperor's New Clothes, dramatized by Charlotte Chorpenning. April 4-May 24, 1953. Directed by Joy Coghill, sets designed by Mary Lou Denton, costumes by Barta Hapgood, Sheldon Janacek as technical director, Emperor's Dance by Frances Allis – Programs |
| Photo Box 36 | Folders 42-49 | The Emperor’s New Clothes – 8 photographs |
1953-1954 Season, Art Institute Members Series
| Box 11 | Folder 1 | General promotional material |
| Box 11 | Folder 2 | John Loves Mary by Norman Krasna. October 2-17, 1953. Directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Leonor Travis – Programs |
| Photo Box 36 | Folders 50-55 | John Loves Mary – 6 photographs |
| Box 11 | Folder 3 | Death of a Salesman by Arthur Miller. November 6-21, 1953. Directed by David Itkin, Herman Fell as assistant director, sets, costumes and lights by Gerald Ritholz – Programs |
| Photo Box 36 | Folders 56-63 | Death of a Salesman – 8 photographs |
| Box 11 | Folder 4 | The Philadelphia Story by Philip Barry. December 4-19, 1953. Directed by W.R. Martini, Richard Woosley as assistant director, sets by Oliver Allyn, costumes by Theoni Vachlioti – Programs |
| Photo Box 36 | Folders 64-68 | The Philadelphia Story – 5 photographs |
| Box 11 | Folder 5 | Anna Christie by Eugene O'Neill. January 8-23, 1954. Directed by David Itkin, Sidney Kraus as assistant director, sets by Mary Lou Denton, costumes by Charles Muth – Programs |
| Photo Box 36 | Folders 69-77 | Anna Christie – 9 photographs |
| Box 11 | Folder 6 | Richard III by Williams Shakespeare. February 12-28, 1954. Directed by David Itkin, Sidney Kraus as assistant director, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge – Programs |
| Photo Box 36 | Folders 78-83 | Richard III – 6 photographs |
| Box 11 | Folder 7 | The Lady's Not for Burning by Christopher Fry. April 16, May 1, 1954. Directed by David Itkin, Louise Dale Spoor as associate director, sets by Charles Muth, costumes by Leonor Travis – Programs |
| Photo Box 36 | Folders 84-88 | The Lady’s Not for Burning – 5 photographs |
| Box 11 | Folder 8 | Our American Cousin by Tom Taylor. Directed by Bella Itkin, H. Fell as assistant director, sets designed by Mary Lou Denton, costumes by Leonor Travis – Programs (oversize) |
| Photo Box 36 | Folders 89-90 | Our American Cousin – 2 photographs |
| Box 11 | Folder 9 | Harvey by Mary Chase. May 14-29, 1954. Directed by Bella Itkin, sets by Oliver Allyn, costumes by Molly Kunning – Programs |
| Photo Box 36 | Folders 91-97 | Harvey – 7 photographs |
1953-1954 Season, Studio
| Box 11 | Folder 10 | Ladies in Waiting by Cyril Campion. November 3, 1953. Directed by William Shankweiler, sets and lights by Didi Jacobs, costumes by John Peters – Programs |
| Box 11 | Folder 11 | The House of Bernarda Alba by Federico Garcia Lorca. December 9, 1953. Directed by Maurice Gnesin, Elizabeth Copwell as assistant director, sets and lights by Charles Muth, costumes by Clarence Wilson – Programs |
| Photo Box 36 | Folders 98-102 | The House of Bernarda Alba – 5 photographs |
| Box 11 | Folder 12 | The Farmer's Wife by Eden Philpotts. March 9, 1954. Directed by Joseph Slowik, sets and lights by William Earl Lautenbach, costumes by Oliver Allyn – Programs |
| Photo Box 37 | Folders 1-3 | The Farmer’s Wife – 3 photographs |
| Box 11 | Folder 13 | Cry Havoc by Allan R. Kenward. March 16, 1954. Directed by Elsie Kupka, sets by Bill Hargate, costumes by Jeannette Coffman – Programs |
| Photo Box 37 | Folders 4-7 | Cry Havoc – 4 photographs |
| Box 11 | Folder 14 | Medea by Robinson Jeffers. April 13, 1954. Directed by Sidney Kraus (as an M.F.A. requirement), sets and lights by Gerald Ritholz, costumes by Theoni Aldredge – Programs |
| Photo Box 37 | Folders 8-9 | Medea – 2 photographs |
| Box 11 | Folder 15 | A Bill of Divorcement by Clemence Dane. May 12, 1954. Directed by Elizabeth Capwell (as an M.F.A. requirement), sets and lighting by Didi Jacobs, costumes by Williams E. Lautenbach – Programs |
| Photo Box 37 | Folder 10 | A Bill of Divorcement – 1 photograph |
| Box 11 | Folder 16 | Shadow and Substance by Paul Vincent Carroll. May 26, 1954. Directed by Richard Woosley, sets and lights by James Boyce, costumes by John Peters – Programs |
| Photo Box 37 | Folders 11-12 | Shadow and Substance – 2 photographs |
| Box 11 | Folder 17 | The Importance of Being Earnest by Oscar Wilde. June 2, 1954. Directed by Elsie Kupka (as an M.F.A. requirement), sets and lights by William Lautenbach, costumes by Charles Muth – Programs |
| Photo Box 37 | Folders 13-14 | The Importance of Being Earnest – 2 photographs |
| Box 11 | Folder 18 | The Good Hope by Herman Heijermans. June 8, 1954. Directed by Joseph Slowik, sets designed by Jeannette Coffman, costumes by Bill Hargate – Programs |
| Photo Box 37 | Folders 15-19 | The Whiteheaded Boy by Lennox Robinson. [1953-1954?] – 5 photographs |
| Photo Box 37 | Folders 20-25 | The Cradle Song by G. Martinez Sierra. [1953-1954?] – 6 photographs |
| Photo Box 37 | Folders 26-27 | Awake and Sing by Clifford Odets. [1953/1954?] – 2 photographs |
1953-1954 Season, Children’s Theatre
| Box 11 | Folder 19 | Cinderella, dramatized by Charlotte Chorpenning. October 24-December 19, 1954. Directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by Charles Muth, costumes by Theoni Sousa A. Vachlioti – Programs |
| Photo Box 37 | Folders 28-36 | Cinderella – 9 photographs |
| Box 11 | Folder 20 | Flibbertygibbet by Charlotte Chorpenning and Nora Tully MacAlvay. December 23, 1953-January 31, 1954. Directed by Louise Dale Spoor, sets by Gerald Ritholz, costumes by Leonor Travis, dances by Frances Allis – Programs |
| Photo Box 37 | Folders 37-44 | Flibbertygibbet – 8 photographs |
| Box 11 | Folder 21 | Peter, Peter Pumpkin Eater by Martha B. King. February 6-March 14, 1954. Directed by Louise Dale Spoor, Florence Mishkin as assistant director, sets by John Peters, costumes by William Earl Lautenbach – Programs |
| Photo Box 37 | Folders 45-54 | Peter, Peter Pumpkin Eater – 10 photographs |
| Box 11 | Folder 22 | Rip Van Winkle by Washington Irving, dramatized by Charlotte Chorpenning. March 20, 1954-May 23, 1954. Directed by W.R. Martini, Westley Johnson as assistant director, sets by Gerald Ritholz, costumes by Molly Kunning, Don Owen as technical director – Programs |
| Photo Box 37 | Folders 55-60 | Rip Van Winkle – 6 photographs |
1954-1955 Season, Art Institute Members Series
| Box 11 | Folder 23 | Yes, My Darling Daughter by Mark Reed. October 1-17, 1954. Directed by Bella Itkin, sets by Gerald Ritholz, costumes by Theoni Aldredge – Programs |
| Photo Box 37 | Folders 61-63 | Yes My Darling Daughter – 3 photographs |
| Box 11 | Folder 24 | Thunder Rock by Robert Ardrey. November 5-21, 1954. Directed by David Itkin, sets designed by Charles Muth, costumes by William Earl Lautenbach – Programs |
| Photo Box 37 | Folders64-67 | Thunder Rock – 4 photographs |
| Box 11 | Folder 25 | Fresh Fields by Ivor Novello. December 3-19, 1954. Directed by W.R. Martini, sets by John Peters, costumes by Jeannette Coffman – Programs |
| Photo Box 37 | Folders 68-74 | Fresh Fields – 7 photographs |
| Box 11 | Folder 26 | The Crucible by Arthur Miller. January 7-23, 1955. Directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Theoni Aldredge – Programs |
| Photo Box 38 | Folder 1 | The Crucible – 1 photograph |
| Box 11 | Folder 27 | As You Like It by William Shakespeare. February 11-27, 1955. Directed by Bella Itkin, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis – Programs |
| Photo Box 38 | Folders 2-5 | As You Like It – 4 photographs |
| Box 11 | Folder 28 | Right You Are! by Luigi Pirandello. March 11-28, 1955. Directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Leonor Travis – Programs |
| Photo Box 38 | Folders 6-11 | Right You Are! – 6 photographs |
| Box 11 | Folder 29 | Mourning Becomes Electra: The Hunted by Eugene O'Neill. April 15-May 1, 1955. Directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Theoni Aldredge – Programs |
| Photo Box 38 | Folders 12-19 | Mourning Becomes Electra: The Hunted – 8 photographs |
| Box 11 | Folder 30 | Lady Windermere's Fan by Oscar Wilde. May 13-29, 1955. Directed by Maurice Gnesin, sets by Charles Muth, costumes by Leonor Travis – Programs |
| Photo Box 38 | Folders 20-25 | Lady Windermere’s Fan – 6 photographs |
1954-1955 Season, Studio
| Box 11 | Folder 31 | Our Town by Thornton Wilder. October 30, 1954. Directed by Maurice Gnesin, Barbara Haas as assistant director, costumes by Theoni Aldredge – Programs |
| Box 11 | Folder 32 | Claudia by Rose Franken. November 23, 1954. Directed by Sidney Kraus, sets by James Boyce, costumes by Carol Davis – Programs |
| Photo Box 38 | Folders 26-27 | Claudia – 2 photographs |
| Box 11 | Folder 33 | The Distaff Side by John Van Druten. December 7, 1954. Directed by Joseph Slowik, sets by Gerald Ritholz, costumes by Oliver Allyn – Programs |
| Box 11 | Folder 34 | The Late Christopher Bean by Sidney Howard. December 14, 1954. Directed by Meg Haege, sets by Oliver Allyn, costumes by Kiffi Wolcott – Programs |
| Photo Box 38 | Folders 28-29 | The Late Christopher Bean – 2 photographs |
| Box 11 | Folder 35 | Time and the Conways by J.B. Priestley. February 22, 1955. Directed by W.R. Martini, sets by Jim Boyce, costumes by John Peters – Programs |
| Photo Box 38 | Folders 30-31 | Time and the Conways – 2 photographs |
| Box 11 | Folder 36 | For Services Rendered by W. Somerset Maugham. March 8, 1955. Directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters – Programs |
| Photo Box 38 | Folders 32-34 | For Services Rendered – 3 photographs |
| Box 11 | Folder 37 | The Little Foxes by Lillian Hellman. May 18, 1955. Directed by Meg Haege (as an M.F.A. requirement), sets by Jim Boyce, costumes by Oliver Allyn – Programs |
| Photo Box 38 | Folders 35-37 | The Little Foxes – 3 photographs |
| Box 11 | Folder 38 | The Show Off by George Kelly. May 24, 1955. Directed by Dorothy Konkowski, sets by Helen Rolnide, costumes by Sheldon Haber – Programs |
| Photo Box 38 | Folder 38 | The Show Off – 1 photograph |
| Box 11 | Folder 39 | Summer and Smoke by Tennessee Williams. June 1, 1955. Directed by Bella Itkin, sets and lights designed by Oliver Allyn, costumes by Carol Davis – Programs |
| Photo Box 38 | Folders 39-40 | Summer and Smoke – 2 photographs |
| Box 11 | Folder 40 | The Male Animal by James Thurber and Elliott Nugent. June 7, 1955. Directed by Joseph Slowik, sets designed by Kiffi Wolcott, lights by Jim Cavanaugh, costumes by Helen Rolnick – Programs |
| Photo Box 38 | Folders 41-42 | The Male Animal – 2 photographs |
| Photo Box 38 | Folders 43-44 | The Happy Breed. [1954-1955 season?] – 2 photographs |
1954-1955 Season, Sub-Studio Production
| Box 11 | Folder 41 | Love and How to Cure It, directed by Barbara Haas; The Happy Journey to Trenton and Camden, directed by Gunderson; Long Xmas Dinner, directed by Ted Werner; and The Clod, directed by Roger Hamilton – Program |
1954-1955 Season, Children’s Theatre
| Box 11 | Folder 42 | Heidi, dramatized by Lucille Miller from the book by Johanna Spyri. October 23-December 19, 1954. Directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by Leonor Travis – Programs |
| Photo Box 38 | Folders 45-50 | Heidi – 6 photographs |
| Box 11 | Folder 43 | Beauty and the Beast, dramatized by Nora MacAlvay. December 23, 1954-February 13, 1955. Directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by William Earl Lautenbach, costumes by Charles Muth – Programs |
| Photo Box 38 | Folders 51-55 | Beauty and the Beast – 5 photographs |
| Box 11 | Folder 44 | The Magic Horn by Anne Nicholson and Charlotte Chorpenning. February 19-March 27, 1955. Directed by Louise Dale Spoor, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge – Programs |
| Photo Box 38 | Folders 56-59 | The Magic Horn – 4 photographs |
| Box 11 | Folder 45 | Tom Sawyer by Samuel Clemens, dramatized by Charlotte Chorpenning. April 2-May 29, 1955. Directed by Louise Dale Spoor, sets by John Peters, costumes by Jim Boyce – Programs |
| Photo Box 38 | Folders 60-66 | Tom Sawyer – 7 photographs |
1955-1956 Season, Art Institute Members Series
| Box 11 | Folder 46 | Sabrina Fair by Samuel Taylor. September 30-October 16, 1955. Directed by Bella Itkin, sets by Jack Cornwell, costumes by Theoni Aldredge – Programs |
| Photo Box 38 | Folders 67-73 | Sabrina Fair – 7 photographs |
| Box 11 | Folder 47 | Too True to be Good by George Bernard Shaw. November 4-20, 1955. Directed by Maurice Gnesin, sets and lighting designed by Oliver Allyn, costumes by Leonor Travis – Programs |
| Photo Box 38 | Folders 74-77 | Too True to be Good – 4 photographs |
| Box 11 | Folder 48 | The Rainmaker by N. Richard Nash. December 2-18, 1955. Directed by W.R. Martini, sets by Bill Ritman, costumes by Theoni Aldredge – Programs |
| Photo Box 38 | Folders 78-83 | The Rainmaker – 6 photographs |
| Box 11 | Folder 49 | Redemption by Leo Tolstoy. January 6-22, 1956. Directed by David and Bella Itkin, sets by Jack Cornwell, costumes by Leonor Travis – Programs |
| Photo Box 38 | Folders 84-92 | Redemption – 9 photographs |
| Box 11 | Folder 50 | My Three Angels by Sam and Bella Spewak. February 3-19, 1956. Directed by Bella Itkin, sets by John Peters, costumes by Oliver Allyn – Programs |
| Photo Box 38 | Folders 93-99 | My Three Angels – 7 photographs |
| Box 11 | Folder 51 | King Lear by William Shakespeare. March 9-25, 1956. Directed by Maurice Gnesin, sets designed by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, lighting by G.E. Naselius – Programs |
| Photo Box 39 | Folders 1-5 | King Lear – 5 photographs |
| Box 11 | Folder 52 | Ring Round the Moon by Jean Anouilh, translated by Christopher Fry. January 13-29, 1956. Directed by David Itkin, Don Gunderson as assistant director, sets by Jack Cornwell, costumes by Leonor Travis – Programs |
| Photo Box 39 | Folders 6-10 | Ring Round the Moon – 5 photographs |
| Box 11 | Folder 53 | Idiot's Delight by Herbert Sherwood. May 11-27, 1956. Directed by W.R. Martini, sets by Sheldon Haber, costumes by Stanley Kloth – Programs |
| Photo Box 39 | Folders 11-18 | Idiot’s Delight – 8 photographs |
1955-1956 Season, Studio
| Box 11 | Folder 54 | An Inspector Calls by J.B. Priestley. November 15, 1955. Directed by Dorothy Konkowski, sets and lights by Bill Hargate, costumes by Aden Rolnick – Programs |
| Box 11 | Folder 55 | The Velvet Glove by Rosemary Casey. November 29, 1955. Directed by Elizabeth Capwell, sets and lights by Sheldon Haber, costumes by Kiffi Wolcott – Programs |
| Photo Box 39 | Folders 19-22 | The Velvet Glove – 4 photographs |
| Box 11 | Folder 56 | The Time of the Cuckoo by Arthur Laurents. December 13, 1955. Directed by Patricia Washburn, sets by Jack Million, costumes by Kiffi Wolcott – Programs |
| Photo Box 39 | Folders 23-24 | The Time of the Cuckoo – 2 photographs |
| Box 11 | Folder 57 | A Bill of One-Acts: The Hungerers, by William Saroyan and directed by Dorothy Konkowski; Hello from Bertha, by Tennessee Williams and directed by Patricia Washburn; Queens of France, by Thornton Wilder and directed by Dorothy Konkowski; The Long Voyage Home, by Eugene O'Neill and directed by Joseph Slowik. January 31, 1956. Sets and lighting designed by Roger Hamilton, costumes by Stanley Kloth – Programs |
| Photo Box 39 | Folder 25 | The Hungerers – 1 photograph |
| Photo Box 39 | Folder 26 | Hello from Bertha – 1 photograph |
| Photo Box 39 | Folders 27-29 | Queens of France – 3 photographs |
| Box 11 | Folder 58 | Guest in the House by Hagar Wilde and Dale Eunson. February 7, 1956. Directed by Doug Winn, sets and lights by William Hargate, costumes by Sheldon Haber – Programs |
| Photo Box 39 | Folders 30-31 | Guest in the House – 2 photographs |
| Box 11 | Folder 59 | Antigone adapted by Lewis Galantiere from the play by Jean Anouilh. March 13, 1956. Directed by W.R. Martini, sets and lights by Oliver Allyn, costumes by Jim Boyce – Programs |
| Photo Box 39 | Folders 32-35 | Antigone – 4 photographs |
| Box 11 | Folder 60 | The Grass Harp by Truman Capote. March 20, 19456. Directed by Dorothy Konkowski, sets and lighting by Sheldon Haber, costumes by Leonard Boles – Programs |
| Photo Box 39 | Folders 36-39 | The Grass Harp – 4 photographs |
| Box 11 | Folder 61 | The Corn is Green by Emlyn Williams. April 4, 1956. Directed by Patricia Washburn (as an M.F.A. requirement), sets and lights by Jack Million, costumes by Moxey Powell – Programs |
| Photo Box 39 | Folder 40 | The Corn is Green – 1 photograph |
| Box 11 | Folder 62 | The Taming of the Shrew by William Shakespeare. April 21, 1956.Directed by Doug Winn (as an M.F.A. requirement), sets by Robert Hamlin, costumes by Bill Hargate, lights by William Weingart – Programs |
| Photo Box 39 | Folders 41-43 | The Taming of the Shrew – 3 photographs |
| Box 11 | Folder 63 | Hotel Universe by Philip Barry. May 3, 1956. Directed by Elizabeth Capwell, sets by Aaron Whisk, costumes by Paul Leonard, lighting by Jim Cavanaugh – Programs |
| Box 11 | Folder 64 | The Madwoman of Chaillot by Jean Giraudoux, adapted by Maurice Valency. Directed by Bella Itkin, dances arranged by Frances Allis, sets by Jim Boyce, lights by Sheldon Haber, costumes by Kert Lundell – Programs |
| Photo Box 39 | Folders 44-45 | The Madwoman of Chaillot – 2 photographs |
| Box 11 | Folder 65 | John Ferguson by St. John Ervine. May 29, 1956. Directed by Barbara Haas (as an M.F.A. requirement), sets and lights by Leonard Boles, costumes by Robert Hamlin – Programs |
| Photo Box 39 | Folders 46-47 | John Ferguson – 2 photographs |
| Box 11 | Folder 66 | The Women Have Their Way by the Quintero Brothers. June 5, 1956. Directed by Joseph Slowik, sets by Kert Lundell, costumes by Jack Million – Programs |
1955-1956 Season, Sub-Studio Productions
| Box 11 | Folder 67 | The Lark by Jean Anouilh. Directed by Joseph Slowik – Program |
| Box 11 | Folder 68 | Letters to Lucerne by Fritz Rotter and Allen Vincent. June 1, 1956. Directed by Don Gunderson – Program |
| Box 11 | Folder 69 | The Prince and the Pauper, dramatized by Charlotte Chorpenning from the book by Mark Twain. October 22-December 18, 1955. Directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Kiffi Wolcott – Programs |
| Photo Box 39 | Folders 48-54 | The Prince and the Pauper – 7 photographs |
| Box 11 | Folder 70 | The Three Bears, dramatized by Charlotte Chorpenning. December 23, 1955-February 19, 1956. Directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by John Peters, costumes by William Hargate – Programs |
| Photo Box 39 | Folder 55 | The Three Bears – 1 photograph |
| Box 11 | Folder 71 | The King of the Golden River by John Ruskin, dramatized by Margery Evernden. February 25-March 25, 1956. Directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Helen Rolnick – Programs |
| Photo Box 39 | Folders 56-59 | The King of the Golden River – 4 photographs |
| Box 11 | Folder 72 | Davy Crockett and His Coonskin Cap by Margery Evernden. March 31-May 27, 1956. Directed by Louise Dale Spoor, dances arranged by Frances Allis, sets designed by Bill Hargate, costumes by Kiffi Wolcott – Programs |
| Photo Box 39 | Folders 60-63 | Davy Crockett and His Coonskin Cap – 4 photographs |
1956-1957 Season, Art Institute Members Series
| Box 12 | Folder 1 | Reclining Figure by Harry Kurnitz. September 29-October [?], 1956. Directed by Bella Itkin, sets by James Royce, costumes by Leonor Travis – Programs |
| Photo Box 40 | Folders 32-35 | Reclining Figure – 4 photographs |
| Box 12 | Folder 2 | The Cherry Orchard by Anton Chekhov, translated by Maurice Gnesin. November 2-18, 1956. Directed by David Itkin, sets by Jack Cornwell, costumes by Theoni Aldredge – Programs |
| Photo Box 40 | Folders 1-8 | The Cherry Orchard – 8 photographs |
| Box 12 | Folder 3 | The Last Trump by James Bridie. November 30-December 16, 1956. Directed by W.R. Martini, sets by Bill Hargate, costumes by Leonor Travis – Scenic plan (See: Oversize Folder 2) |
| Box 12 | Folder 4 | The Last Trump – Programs |
| Photo Box 40 | Folders 9-14 | The Last Trump – 6 photographs |
| Box 12 | Folder 5 | Liliom by Ferenc Molnar. January 4-20, 1957. Directed by Maurice Gnesin, sets by James Maronek, costumes by Bill Hargate, lighting by G.E. Naselius – Programs |
| Photo Box 40 | Folder 15 | Liliom – 1 photograph |
| Box 12 | Folder 6 | Bustop by William Inge. February 8-24, 1957. Directed by Bella Itkin, sets by Jack Million, costumes by Sheldon Haber – Programs |
| Photo Box 40 | Folders 16-19 | Bustop – 4 photographs/negatives |
| Box 12 | Folder 7 | Another Part of the Forest by Lillian Hellman. March 8-24, 1957. Directed by W.R. Martini, sets by Sheldon Haber, costumes by Paul Leonard – Scenic plan/floor plan (See: Oversize Folder 2) |
| Box 12 | Folder 8 | Another Part of the Forest – Programs |
| Photo Box 40 | Folders 20-21 | Another Part of the Forest – 2 photographs |
| Box 12 | Folder 9 | Othello by William Shakespeare. April 12-27, 1957. Directed by David Itkin, sets by Jack Cornwell, costumes by Leonor Travis – Programs |
| Photo Box 40 | Folders 22-26 | Othello – 5 photographs |
| Box 12 | Folder 10 | The Importance of Being Earnest by Oscar Wilde. May 10-26, 1957. Directed by Bella Itkin, sets by James Maronek, costumes by Theoni Aldredge, music by Frank Roach – Programs |
| Photo Box 40 | Folders 27-31 | The Importance of Being Earnest – 5 photographs/negatives |
1956-1957 Season, Studio
| Box 12 | Folder 11 | Medea by Robinson Jeffers. December 10-12, 1956. Directed by Bella Itkin, sets by Paul Leonard, lights by Sheldon Haber, costumes by Robert Hamlin – Programs |
| Box 12 | Folder 12 | The Road to Rome by Robert E. Sherwood. February 11, 1957. A Sub-Studio Production directed by G.C. Forest, lights by Francis White – Programs |
| Box 12 | Folder 13 | Mister Roberts by Thomas Heggen and Joshua Logan. December 13, 1956. A Sub-Studio Production directed by Roger Hamilton – Programs |
| Box 12 | Folder 14 | Detective Story by Sidney Kingsley. March 13, 1957. Directed by Bella Itkin, sets and lighting by John Braden, costumes by C. Murawski – Programs |
| Box 12 | Folder 15 | Kind Lady by Edward Chodorov. March 27, 1957. Directed by Doug Winn, sets and lights designed by Hubert Braden, costumes by Jack Million – Programs |
| Box 12 | Folder 16 | Tovarich by Jacques Deval. April 5, 1957. A Sub-Studio Production directed by Charles Applegate – Program |
| Box 12 | Folder 17 | Beyond the Horizon by Eugene O'Neill. April 16, 1957. A Sub-Studio Production directed by Hani Snobar – Program |
| Box 12 | Folder 18 | The Autumn Garden by Lillian Hellman. April 17, 1957. Directed by Elizabeth Capwell, sets and lights by Robert Hamlin, costumes by Bill Hargate – Programs |
| Photo Box 40 | Folders 36-37 | The Autumn Garden – 2 photographs |
| Box 12 | Folder 19 | The Glass Menagerie by Tennessee Williams. April 24, 1957. A Sub-Studio Production directed by Richard Bailey – Program |
| Box 12 | Folder 20 | The Playboy of the Western World by John Synge. May 16, 1957. Directed by John Walker – Program |
| Box 12 | Folder 21 | The Trojan Women by Euripides, translated by Edith Hamilton. May 20, 1957. Directed by Don Gunderson (as an M.F.A. requirement), sets by James Harrington, costumes by Bill Hargate – Scenic plan (See: Oversize Folder 2) |
| Box 12 | Folder 22 | The Trojan Women – Programs |
| Photo Box 40 | Folders 38-39 | The Trojan Women – 2 photographs |
| Box 12 | Folder 23 | The Remarkable Incident at Carson Corners by Kristin Sergel, adapted from TV by Reginald Rose. May 21, 1957. A Sub-Studio Production directed by Hani Snobar – Programs |
| Box 12 | Folder 24 | The Ladies of the Corridor by Dorothy Parker and Arnaud d'Usseau. May 27, 1957. A Sub-Studio Production directed by Shauneille Perry – Programs |
| Box 12 | Folder 25 | They Knew What They Wanted by Sidney Howard. May 27, 1957. Directed by Jeanne Hubbard (as an M.F.A. requirement), sets and lights by C. Murawski, costumes by Dina Harris – Programs |
| Photo Box 40 | Folders 40-42 | They Knew What They Wanted – 3 photographs |
| Box 12 | Folder 26 | The Skin of Our Teeth by Thornton Wilder. June 3, 1957. Directed by Joseph Slowik, lighting by Kert Lundell, costumes by John Braden – Programs |
| Photo Box 40 | Folders 40-42 | They Knew What They Wanted – 3 photographs |
| Box 12 | Folder 27 | Hat Full of Rain by Michael Gazzo. June 4, 1957. A Sub-Studio Production directed by Roger Hamilton – Programs |
| Box 12 | Folder 28 | A Bill of Three One-Acts: The Kingdom of God, by G. Martinez Sierra and directed by Shauneille Perry; The Long Goodbye, by Tennessee Williams and directed by Elizabeth Capwell; Family Album, by Noel Coward and directed by Don Gunderson. Sets and lights by Bill Loomer, costumes by Aaron Yusko – Programs |
| Photo Box 40 | Folders 47-50 | Three One-Acts – 4 photographs |
| Box 12 | Folder 29 | Blithe Spirit by Noel Coward. February 4, 1957. Directed by Douglas Winn, sets designed by Maxey Powell, lights by William Weingart, costumes by Marsha Farley – Programs |
| Photo Box 40 | Folders 51-53 | Blithe Spirit – 3 photographs |
| Box 12 | Folder 30 | Electra. November 6, 1956. Directed by Maurice Gnesin and Theodore Werner, sets by Bill Hargate, costumes by Kert Lundell, lighting by William Weingart – Program |
| Photo Box 40 | Folders 54-55 | Electra – 2 photographs |
1956-1957 Season, Children’s Theatre
| Box 12 | Folder 31 | Treasure Island by Robert Louis Stevenson, dramatized by Dorothy Drew. October 20-December 16, 1956. Directed by Louise Dale Spoor, sets by Sheldon Haber, costumes by Paul Leonard – Programs |
| Photo Box 40 | Folders 56-58 | Treasure Island – 3 photographs |
| Box 12 | Folder 32 | The Snow Queen and the Goblin, dramatized by Martha Bennett King from the story by Hans Christian Anderson. December 22, 1956-January 27, 1957. Directed by Louise Dale Spoor, choreography by Frances Allis, sets designed by James Boyce, costumes by Maxey Powell – Programs |
| Photo Box 40 | Folders 59-63 | The Snow Queen and the Goblin – 5 photographs |
| Box 12 | Folder 33 | Robin Hood, dramatized by James Norris. February 2-March 24, 1957. Directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Robert Hamlin – Programs |
| Photo Box 40 | Folders 64-66 | Robin Hood – 3 photographs |
| Box 12 | Folder 34 | Sleeping Beauty (Sing Ho for a Prince!), based on the fairy tale by the Brothers Grimm, book and lyrics by Joe Grezeback, music by Haakon Bergh. March 30-May 26, 1957. Directed by Louise Dale Spoor, choreography by Francis Allis, costumes by Kert Lundell, sets by Bill Hargate – Programs |
| Photo Box 40 | Folders 67-74 | Sleeping Beauty (Sing Ho for a Prince!) – 8 photographs |
1957-1958 Season, Subscription Series
| Box 12 | Folder 35 | Budget |
| Box 12 | Folder 36 | General promotional material |
| Box 12 | Folder 37 | Ah, Wilderness! by Eugene O'Neill. Directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle – Programs, press releases, playing dates |
| Photo Box 40 | Folders 75-86 | Ah Wilderness! – 12 photographs |
| Box 12 | Folder 38 | The Salzburg Everyman by Hugo von Hofmannsthal, translated by John Reich. [1957-1958]. Directed by John Reich, sets designed by William Ryan, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, music by Bob Michaels, ...starring Donald Buka, Uka Diehl and Avery Schreiber – Script |
| Box 12 | Folder 39 | The Salzburg Everyman – Notes on music |
| Box 12 | Folder 40 | The Salzburg Everyman – Estimate of expenses |
| Box 12 | Folder 41 | The Salzburg Everyman – Press releases and promotional material |
| Box 12 | Folder 42 | The Salzburg Everyman – Programs |
| Box 12 | Folder 43 | The Salzburg Everyman – Reviews and clippings |
| Photo Box 40 | Folders 87-94 | The Salzburg Everyman – 8 photographs/negatives |
| Box 12 | Folder 44 | Tiger at the Gates by Jean Girardoux, translated by Christopher Fry. January 10-26, 1958. Directed by Bella Itkin, sets designed by Paul Leonard, costumes by Sylvia Wintle, lights by G.E. Naselius, ...starring Michael Hall – Press releases and promotional material |
| Box 12 | Folder 45 | Tiger at the Gates – Programs |
| Box 12 | Folder 46 | Tiger at the Gates – Reviews and clippings |
| Photo Box 41 | Folders 1-17 | Tiger at the Gates – 17 photographs |
| Box 12 | Folder 47 | The Man of Destiny and The Great Catherine by George Bernard Shaw. February 14-March 2, 1958. Man directed by Joseph Slowik, Catherine directed by Robert Quinn, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, ...starring Geraldine Kay – Press releases and promotional material |
| Box 12 | Folder 48 | The Man of Destiny and The Great Catherine – Reviews and clippings |
| Box 12 | Folder 49 | The Man of Destiny and The Great Catherine – Programs |
| Photo Box 41 | Folders 18-36 | The Man of Destiny and The Great Catherine – 19 photographs |
| Box 12 | Folder 50 | Camino Real by Tennessee Williams. March 21-April 6, 1958. Directed by Charles McGaw, sets designed by James Maronek, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis,...with Charles Grunwell, Beverly Younger, and Dorothy Konrad – Press releases and promotional material |
| Box 12 | Folder 51 | Camino Real – Reviews and clippings |
| Box 12 | Folder 52 | Camino Real – Programs |
| Photo Box 41 | Folders 47-44 | Camino Real – 8 photographs |
| Box 12 | Folder 53 | The Dream (A Midsummer Night's Dream) by William Shakespeare and The Fairie Queen by Henry Purcell, arranged by John Reich and Nicholas Goldsmith. May 9-25 and June 3-8, 1958. Directed by John Reich, Pas de Deux choreographed by Ruth Page, Dieter Kober as musical director, sets by William J. Ryan, costumes by Sylvia Wintle, dance direction by Frances Allis, lighting by G.E. Naselius, Lorenzo Gentile as technical director, ...with Kenneth Johnson, Etta Buro, and the Chicago Chamber Orchestra – Stage Manager's Book: script |
| Box 12 | Folder 54 | The Dream (A Midsummer Night's Dream) and The Fairie Queen – Stage Manager's Book: technical lists and notes |
| Box 12 | Folder 55 | The Dream (A Midsummer Night's Dream) and The Fairie Queen – Director's notes |
| Box 12 | Folder 56 | The Dream (A Midsummer Night's Dream) and The Fairie Queen – Press releases and promotional material |
| Box 12 | Folder 57 | The Dream (A Midsummer Night's Dream) and The Fairie Queen – Programs |
| Box 12 | Folder 58 | The Dream (A Midsummer Night's Dream) and The Fairie Queen – Reviews and clippings |
| Photo Box 41 | Folders 45-70 | The Dream – 26 photographs |
1957-1958 Season, Studio
| Box 13 | Folder 1 | General promotional material |
| Box 13 | Folder 2 | A Bill of Three One-Acts: The Shy and the Lonely, by Irwin Shaw and directed by Jim Cavanaugh; Hyacinth Halvey, by Lady Gregory and directed by Sue Ann Young; This Music Crept by Me Upon the Water, by Archibald MacLeish and directed by Hani Snobar. [1957-1958]. Sets and lighting by Kert Lundell, costumes by Hubert Braden, ...with Avery Schreiber – Program |
| Box 13 | Folder 3 | Bury the Dead by Irwin Shaw. October 25, 1957. A Sub-Studio Production directed by Jim Cavanaugh, lighting by William Weingart – Program |
| Box 13 | Folder 4 | Look Back in Anger by John Osborne. March 10-12, 1958. A Laboratory Workshop Production directed by Jim Cavanaugh, sets, costumes and lights by Walt Blind and Tony Eikenbarry – Promotional materials, production schedule and programs |
| Box 13 | Folder 5 | The Potting Shed by Graham Greene. April 21, 1958. A Laboratory Workshop Production directed by H. Theodore Werner (as an M.F.A. requirement), sets, costumes and lights designed by Kert Lundell – Promotional material and programs |
| Box 13 | Folder 6 | Light Up the Sky by Moss Hart. May 5, 1958. A Laboratory Workshop Production directed by Robert B. Quinn, sets, costumes and lights by James Harrington – Promotional material and programs |
| Photo Box 42 | Folders 1-2 | Light Up the Sky – 2 photographs |
| Box 13 | Folder 7 | See the Jaguar by Richard Nash. May 19, 1958. Directed by Hani Ibrahim Snobar (as an M.F.A. requirement), sets, costumes and lights by Hubert Braden – Programs |
| Photo Box 42 | Folders 3-4 | See the Jaguar – 2 photographs |
| Box 13 | Folder 8 | Roadside by Lynn Riggs. June 2, 1958. Directed by Charles Applegate (as an M.F.A. requirement), sets by John Braden, costumes by Tony Eikenbarry, lighting by Hubert Braden – Programs |
| Photo Box 42 | Folders 5-8 | Wingless Victory. [1957-1958?] – 4 photographs |
| Box 13 | Folder 9 | The Bloody Tenet by James Schevill. Chicago Premiere, [1957-1958]. Directed by Robert Quinn, choreographed by Frances Allis – Typescript |
| Box 13 | Folder 10 | The Bloody Tenet – Press releases |
| Photo Box 42 | Folders 9-17 | The Bloody Tenet – 9 photographs |
| Box 13 | Folder 11 | Yerma by Federico Garcia Lorca. Directed by Joseph Slowik, sets and lights by Jack Million, costumes by Tony Eikenbarry – Cast and crew list |
| Photo Box 42 | Folders 18-21 | Yerma – 4 photographs |
| Photo Box 42 | Folders 22-24 | The Time of Your Life by William Saroyan. [1957-1958?] – 3 photographs |
1957-1958 Season, Children’s Theatre
| Box 13 | Folder 12 | General promotional material |
| Box 13 | Folder 13 | Miscellaneous reviews and clippings |
| Box 13 | Folder 14 | Alice in Wonderland, dramatized by Charlotte Chorpenning. October 19-December 15, 1957. Directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Bill Hargate, dances arranged by Frances Allis,...with Avery Schreiber – Programs |
| Photo Box 42 | Folder 25 | Alice in Wonderland – 1 photograph |
| Box 13 | Folder 15 | The Red Shoes by Hans Christian Anderson, dramatized by Hans Joseph Schmidt. December 21, 1957-February 2, 1958. Directed by Joseph Slowik, sets designed by Kert Lundell, costumes by Hilton Brown, choreography by Frances Allis – Press releases and promotional material |
| Box 13 | Folder 16 | The Red Shoes – Reviews and clippings |
| Box 13 | Folder 17 | The Red Shoes – Programs |
| Box 13 | Folder 18 | Nobody's Boy by Isabel Burger and Constance DeBear, from the story Sans Famille by Hector Malot. February 8-April 5, 1958. Directed by Bella Itkin, dances arranged by Frances Allis, costumes by Paul Leonard, sets by Robert Hamlin – Press releases and promotional material |
| Box 13 | Folder 19 | Nobody's Boy – Clippings |
| Box 13 | Folder 20 | Nobody's Boy – Programs |
| Photo Box 42 | Folders 26-32 | Nobody’s Boy – 7 photographs/negatives |
| Box 13 | Folder 21 | Rapunzel and the Witch by Jack A. Melanos. April 12-June 1, 1958. Directed by Bella Itkin, dances arranged by Frances Allis, sets by John Braden, costumes by Robert Hamlin, ...with Avery Schreiber – Press releases and promotional material |
| Box 13 | Folder 22 | Rapunzel and the Witch – Programs |
| Photo Box 42 | Folders 33-36 | Rapunzel and the Witch – 4 photographs |
1957-1958 Season, Special Events
| Box 13 | Folder 23 | Lectures. Four Craftsmen Picture the Theatre, starring: Elmer Nagiz, Joseph Kramin, Eric Bentley, and Harold Clurman. February 21-March 14, 1958 – Press releases and program |
| Box 13 | Folder 24 | Lecture. Classical Theatre and Modern Realism, with Michel St. Denis. April 19, 1958 – Press release |
1958-1959 Season, Subscription Series
| Box 13 | Folder 25 | General press releases and promotional material |
| Box 13 | Folder 26 | Excerpts from reviews |
| Box 13 | Folder 27 | Production schedule |
| Box 13 | Folder 28 | Billy Budd by Louis O. Coxe and Richard Chapman, based on the novel by Herman Melville. October 31-November 16, 1958. Directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, ...with Fitzroy Davis, Sidney Breese and Avery Schreiber – Correspondence |
| Box 13 | Folder 29 | Billy Budd – Press releases and promotional material |
| Box 13 | Folder 30 | Billy Budd – Reviews and clippings |
| Box 13 | Folder 31 | Billy Budd – Programs |
| Photo Box 42 | Folders 37-43 | Billy Budd – 7 photographs |
| Box 13 | Folder 32 | Lady Precious Stream by Shi I. Hsiung. December 5-28, 1958. Directed by John Reich, stage designed by William J. Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, choreography by Frances Allis, ...with Carl Bingham, Maxine Stetson, and Avery Schreiber – Correspondence |
| Box 13 | Folder 33 | Lady Precious Stream – Audition and cast lists |
| Box 13 | Folder 34 | Lady Precious Stream – Research |
| Box 13 | Folder 35 | Lady Precious Stream – Director's notes to actors |
| Box 13 | Folder 36 | Lady Precious Stream – Sound cues |
| Box 13 | Folder 37 | Lady Precious Stream – Scenic plan (See: Oversize Folder 2) |
| Box 13 | Folder 38 | Lady Precious Stream – Press releases and promotional material |
| Box 13 | Folder 39 | Lady Precious Stream – Reviews and clippings |
| Box 13 | Folder 40 | Lady Precious Stream – Programs |
| Photo Box 42 | Folders 44-63 | Lady Precious Stream – 20 photographs |
| Box 13 | Folder 41 | The Young and the Fair by N. Richard Nash. January 16-February 1, 1959. Directed by Bella Itkin, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, ...with Beverly Younger – Press releases and promotional material |
| Box 13 | Folder 42 | The Young and the Fair – Reviews and clippings |
| Box 13 | Folder 43 | The Young and the Fair – Programs |
| Photo Box 42 | Folders 64-75 | The Young and the Fair – 12 photographs |
| Box 13 | Folder 44 | Purple Dust by Sean O'Casey. February 20-March 8, 1959. Directed by Joseph Slowik, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, ...with Louis Zorich and Avery Schreiber – Correspondence |
| Box 13 | Folder 45 | Purple Dust – Press releases and promotional material |
| Box 13 | Folder 46 | Purple Dust – Reviews and clippings |
| Box 13 | Folder 47 | Purple Dust – Programs |
| Photo Box 42 | Folders 76-82 | Purple Dust – 7 photographs |
| Box 13 | Folder 48 | The Trial, adapted by Andre Gide and Jean-Louis Barrault from the novel by Franz Kafka. April 3-19, 1959. Directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle,... with Dorothy Konrad and June Pyskacek – Correspondence |
| Box 13 | Folder 49 | The Trial – Research |
| Box 13 | Folder 50 | The Trial – Press releases and promotional material |
| Box 13 | Folder 51 | The Trial – Reviews and clippings |
| Box 13 | Folder 52 | The Trial – Programs |
| Photo Box 43 | Folders 1-13 | The Trial – 13 photographs/negatives |
| Box 13 | Folder 53 | The Imaginary Invalid by Moliere, translated by John Reich. May 8-24, 1959. Directed by John Reich, sets by William Ryan, lighting by G.E. Naselius, choreography by Frances Allis, costumes by Sylvia Wintle, music by M. Antoine Charpentier, ...starring Murray Matheson – Press releases and promotional material |
| Box 13 | Folder 54 | The Imaginary Invalid – Reviews and clippings |
| Box 13 | Folder 55 | The Imaginary Invalid – Programs |
| Photo Box 43 | Folders 14-18 | The Imaginary Invalid – 5 photographs |
1958-1959 Season, Studio
| Box 13 | Folder 56 | Three One-Act Plays by Kenneth Sawyer Goodman: A Man Can Only Do His Best, directed by Angelo Gabrielides; Back of the Yards, directed by J. Latrimore, Ephraim and the Winged Bear directed by Rilla Bergman. December 15-18, 1958. Sets by Jack Million, lighting by Lou Nesslar – Cast and crew list |
| Box 13 | Folder 57 | Three One-Act Plays by Kenneth Sawyer Goodman – Script: A Man Can Only Do His Best |
| Box 13 | Folder 58 | Three One-Act Plays by Kenneth Sawyer Goodman – Script: Back of the Yards |
| Box 13 | Folder 59 | Three One-Act Plays by Kenneth Sawyer Goodman – Program |
| Photo Box 43 | Folders 19-21 | Three One-Acts – 3 photographs |
| Photo Box 43 | Folders 22-25 | An Inspector Calls. [1958-1959?] – 4 photographs |
| Photo Box 43 | Folder 26 | Our Town by Thornton Wilder. [1958-1959?] – 1 photograph |
1958-1959 Season, Children’s Theatre
| Box 14 | Folder 1 | General promotional material |
| Box 14 | Folder 2 | Aladdin and His Wonderful Lamp by James Norris. October 18-December 13, 1958. Directed by Bella Itkin, costumes by Walter Blind, sets by Tony Eikenbarry, dances arranged by Frances Allis – Correspondence |
| Box 14 | Folder 3 | Aladdin and His Wonderful Lamp – Press releases and promotional material |
| Box 14 | Folder 4 | Aladdin and His Wonderful Lamp – Programs |
| Photo Box 43 | Folders 27-32 | Aladdin and His Wonderful Lamp – 6 photographs |
| Box 14 | Folder 5 | King Midas and the Golden Touch by Charlotte Chorpenning. December 20, 1958-February 1, 1959. Directed by Dorothy Konrad, choreography by Francis Allis, settings by Walter Blind, costumes by Tony Christopher, lights by G.E. Naselius – Press releases |
| Box 14 | Folder 6 | King Midas and the Golden Touch – Programs |
| Photo Box 43 | Folders 33-34 | King Midas and the Golden Touch – 2 photographs |
| Box 14 | Folder 7 | Huckleberry Finn by Mark Twain, adapted by Frank M. Whiting and Connie Rickert. February 7-March 15, 1959. Directed by Melvin Bernhardt, costumes by Uta Olson, sets by Jack Million, lighting by G.E. Naselius, ...with Avery Schreiber – Promotional material |
| Box 14 | Folder 8 | Huckleberry Finn – Programs |
| Photo Box 43 | Folders 35-37 | Huckleberry Finn – 3 photographs |
| Box 14 | Folder 9 | The Emperor's New Clothes, adapted by Charlotte Chorpenning. March 21-May 24, 1959. Directed by Bella Itkin, costumes by Tony Christopher, sets designed by James Harrington, lighting by G.E. Naselius, choreography by Frances Allis, music arranged by Dorothy Konkowski – Promotional material |
| Box 14 | Folder 10 | The Emperor's New Clothes – Programs |
| Photo Box 43 | Folders 38-41 | The Emperor’s New Clothes – 4 photographs |
1958-1959 Season, Special Events
| Box 14 | Folder 11 | Shakespeare's Ages of Man, with Sir John Gielgud. October 25, 30 and November 3, 1958 – Program |
1959-1960 Season, Subscription Series
| Box 14 | Folder 12 | General press releases and promotional material |
| Box 14 | Folder 13 | Excerpts from reviews |
| Box 14 | Folder 14 | The Merchant of Venice by William Shakespeare. October 30-November 15, 1959. Directed by Charles McGaw, sets designed by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, choreography by Frances Allis, ...starring Morris Carnovsky, with Mariette Hartley – Scenic plans (See: Oversize Folder 3) |
| Box 14 | Folder 15 | The Merchant of Venice – Press releases and promotional material |
| Box 14 | Folder 16 | The Merchant of Venice – Reviews and clippings |
| Box 14 | Folder 17 | The Merchant of Venice – Programs |
| Photo Box 43 | Folders 42-49 | The Merchant of Venice – 8 photographs |
| Box 14 | Folder 18 | The Cave Dwellers by William Saroyan. December 4-20, 1959. Directed by Eugenie Leontovich, costumes by Uta Olson, sets and lights by Walter Blind, music arranged by Studs Terkel, ...starring Eugenie Leontovich, Studs Terkel and Avery Schreiber – Press releases and promotional material |
| Box 14 | Folder 19 | The Cave Dwellers – Reviews and clippings |
| Box 14 | Folder 20 | The Cave Dwellers – Programs |
| Photo Box 43 | Folders 50-55 | The Cave Dwellers – 6 photographs/negatives |
| Box 14 | Folder 21 | Hippolytus by Euripides. January 3-24, 1960. Directed by Bella Itkin, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle Moss, music by Dieter Kober, choreography by Frances Allis, ...with Donald Buka and Charles Grunwell – Scenic plans (See: Oversize Folder 3) |
| Box 14 | Folder 22 | Hippolytus – Actors' biographies and resumes |
| Box 14 | Folder 23 | Hippolytus – Press releases and promotional material |
| Box 14 | Folder 24 | Hippolytus – Reviews and clippings |
| Box 14 | Folder 25 | Hippolytus – Programs |
| Photo Box 43 | Folders 56-63 | Hippolytus – 8 photographs |
| Box 14 | Folder 26 | Enrico IV by Luigi Pirandello, translated by John Reich. February 12-28, 1960. Directed by John Reich, music by James Maronek, lights by G.E. Naselius, costumes by Sylvia Wintle Moss, ...starring Ivor Harris, Beverly Younger, and Frank Savino – Scenic plans (See: Oversize Folder 3) |
| Box 14 | Folder 27 | Enrico IV – Press releases and promotional material |
| Box 14 | Folder 28 | Enrico IV – Reviews and clippings |
| Box 14 | Folder 29 | Enrico IV – Programs |
| Photo Box 44 | Folders 1-44 | Enrico IV – 44 photographs/negatives |
| Box 14 | Folder 30 | The Good Woman of Setzuan by Bertolt Brecht, translated by Eric Bentley. March 25-April 11, 1960. Directed by Charles McGaw, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by Stephan Wolpe, ...starring Frances Hyland, Dorothy Konrad, and Frank Savino – Correspondence |
| Box 14 | Folder 31 | The Good Woman of Setzuan – Scenic plans (See: Oversize Folder 3) |
| Box 14 | Folder 32 | The Good Woman of Setzuan – Press releases and promotional material |
| Box 14 | Folder 33 | The Good Woman of Setzuan – Reviews and clippings |
| Box 14 | Folder 34 | The Good Woman of Setzuan – Programs |
| Photo Box 44 | Folders 45-56 | The Good Woman of Setzuan – 12 photographs |
| Box 14 | Folder 35 | The Inspector General by Nikolai Gogol, translated by John Dolman, Jr. and Benjamin Rothberg, acting version by Joseph Buloff. May 13-22, 1960. Directed by Joseph Slowik, set designs by John Holabird, costumes by Jay Kobrin, lighting by G.E. Naselius, music by Bob Michaels, starring Joseph Buloff, ... with Thom Koutsoukos, Frank Savino, and Avery Schreiber – Correspondence |
| Box 14 | Folder 36 | The Inspector General – Scenic plans (See: Oversize Folder 3) |
| Box 14 | Folder 37 | The Inspector General – Press releases and promotional material |
| Box 14 | Folder 38 | The Inspector General – Reviews and clippings |
| Box 14 | Folder 39 | The Inspector General – Programs |
| Photo Box 45 | Folders 1-6 | The Inspector General – 6 photographs |
1959-1960 Season, Studio
| Box 14 | Folder 40 | A Phoenix Too Frequent by Christopher Fry. [1959-1960]. Directed by Rilla Bergman – Cast list |
| Box 14 | Folder 41 | Apollo of Bellac by Jean Girardoux. [1959-1960]. Directed by Harvey Landa – Cast list |
| Box 14 | Folder 42 | Candida by George Bernard Shaw. [1959-1960]. Directed by James Latrimore – Cast list |
| Box 14 | Folder 43 | A Clearing into the Woods by Arthur Laurents. [November 1959?]. Directed by Melvin Bernhardt – Programs |
| Box 14 | Folder 44 | Eurydice by Jean Anouilh. [Spring 1960?]. Directed by Rilla Bergman (as an M.F.A. requirement) – Program |
| Box 14 | Folder 45 | Rashomon, adapted from stories by Ryunosoke Akutagawa, by Fay and Michael Kanin. [Spring 1960?]. Directed by Patrick Henry (as an M.F.A. requirement), ...with Avery Schreiber – Cast list and programs |
| Photo Box 45 | Folders 7-8 | Rashomon – 2 photographs |
| Box 14 | Folder 46 | Royal Gambit by Herman Gressieker. [1959-1960]. Directed by Rilla Bergman – Cast list |
| Box 14 | Folder 47 | The Ticklish Acrobat by Robert Hivner. [1959-1960]. Directed by June Pyskacek – Cast list |
1959-1960 Season, Children’s Theatre
| Box 14 | Folder 48 | General promotional material |
| Box 14 | Folder 49 | Jack and the Beanstalk by Charlotte Chorpenning. October 17-December 12, 1959. Directed by Bella Itkin, sets by Tony Eikenbarry, lighting by Chuck Wolfram, costumes by James Harrington, choreography by Frances Allis – Promotional material and programs |
| Photo Box 45 | Folders 9-12 | Jack and the Beanstalk – 4 photographs/negatives |
| Box 14 | Folder 50 | Hansel and Gretel by Lillian and Robert Masters. December 19, 1959-January 31, 1960. Directed by Dorothy Konrad, sets by James Harrington, lighting by Tom Reissig, costumes by Jay Korbin, choreography by Frances Allis – Promotional material, clippings and programs |
| Photo Box 45 | Folders 13-15 | Hansel and Gretel – 3 photographs/negatives |
| Box 14 | Folder 51 | Young Ben Franklin by Faye Parker. February 6-March 13, 1960. Directed by Joseph Slowik, sets and lights by Jack Million, costumes by Miriam Rajk – Promotional material, clippings and programs |
| Photo Box 45 | Folders 16-22 | Young Ben Franklin – 7 photographs/negatives |
| Box 14 | Folder 52 | Rumpelstiltskin, dramatized by Charlotte Chorpenning. March 19-May 22, 1960. Directed by Bella Itkin, sets by Miriam Rajk, costumes by Tony Eikenbarry, lighting by G.E. Naselius, music by Bob Michaels, choreography by Frances Allis – Promotional material, clippings and programs |
| Photo Box 45 | Folders 23-55 | Rumpelstiltskin – 33 photographs/negatives |
1959-1960 Season, Special Events
| Box 14 | Folder 53 | Los Soles Truncos by Rene Marques. August 29-September 5, 1959 – Program |
| Box 14 | Folder 54 | Mark Twain Tonight, with Hal Holbrook. October 23-24, 1959 – Promotional material |
1960-1961 Season, Subscription Series
| Box 15 | Folder 1 | General press releases and promotional material |
| Box 15 | Folder 2 | Excerpts from reviews |
| Box 15 | Folder 3 | The Taming of the Shrew by William Shakespeare. October 28-[?], 1960. Directed by Charles McGaw, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Louis Russo, ...starring Leo Ciceri – Scenic plans (See: Oversize Folder 4) |
| Box 15 | Folder 4 | The Taming of the Shrew – Poster (See: Oversize box 1) |
| Box 15 | Folder 5 | The Taming of the Shrew – Press releases and promotional material |
| Box 15 | Folder 6 | The Taming of the Shrew – Programs |
| Photo Box 46 | Folders 1-9 | The Taming of the Shrew – 9 photographs |
| Box 15 | Folder 7 | Venus Observed by Christopher Fry. December 2-21, 1960. Directed by John Reich, sets and lights by James Harrington, costumes by Uta Olson, ...starring Tom Helmore, Avery Schreiber and Melinda Dillon – Audition scenes and rehearsal schedule |
| Box 15 | Folder 8 | Venus Observed – Research |
| Box 15 | Folder 9 | Venus Observed – Character sketches |
| Box 15 | Folder 10 | Venus Observed – Annotated director's script: Act I |
| Box 15 | Folder 11 | Venus Observed – Annotated director's script: Acts II and III |
| Box 15 | Folder 12 | Venus Observed – Director's notes |
| Box 15 | Folder 13 | Venus Observed – Technical list and notes |
| Box 15 | Folder 14 | Venus Observed – Scenic plans (See: Oversize Folder 4) |
| Box 15 | Folder 15 | Venus Observed – Press releases and promotional material |
| Box 15 | Folder 16 | Venus Observed – Review |
| Box 15 | Folder 17 | Venus Observed – Programs |
| Photo Box 46 | Folders 10-20 | Venus Observed – 11 photographs/negatives |
| Box 15 | Folder 18 | Royal Gambit (Henry VIII and His Wives) by Herman Gressieker, translated and adapted by George White. January 13-[?], 1961. Directed by Melvin Bernhardt, sets designed by Andre Wauters, costumes by Tom Eikenbarry, lighting by G.E. Naselius, ...starring Sam Wanamaker – Scenic plans (See: Oversize Folder 4) |
| Box 15 | Folder 19 | Royal Gambit (Henry VIII and His Wives) – Press releases and promotional material |
| Box 15 | Folder 20 | Royal Gambit (Henry VIII and His Wives) – Programs |
| Oversize Box 1 | Royal Gambit (Henry VIII and His Wives) – Poster | |
| Photo Box 46 | Folders 21-33 | Royal Gambit – 13 photographs/negatives |
| Box 15 | Folder 21 | Under Milkwood by Dylan Thomas. February 24-March 14, 1961. Directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, music by George Estevez, ...starring Ivor Harries – Scenic plans (See: Oversize Folder 4) |
| Box 15 | Folder 22 | Under Milkwood – Press releases and promotional material |
| Box 15 | Folder 23 | Under Milkwood – Programs |
| Oversize Box 1 | Under Milkwood – Poster | |
| Photo Box 46 | Folders 34-41 | Under Milkwood – 8 photographs |
| Box 15 | Folder 24 | Uncle Vanya by Anton Chekhov, translated by Stark Young. April 7-25, 1961. Directed by Alan Schneider, sets by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, ...starring Walter Abel, with Melinda Dillon – Scenic plans (See: Oversize Folder 4) |
| Box 15 | Folder 25 | Uncle Vanya – Press releases and promotional material |
| Box 15 | Folder 26 | Uncle Vanya – Programs |
| Photo Box 46 | Folders 42-51 | Uncle Vanya – 10 photographs |
| Box 15 | Folder 27 | On Borrowed Time by Paul Osborne. May 12-30, 1961. Directed by Joseph Slowik, sets designed by James Harrington, costumes by Tony Eikenbarry, lighting by G.E. Naselius, ...starring Leo G. Carroll – Scenic plans (See: Oversize Folder 4) |
| Box 15 | Folder 28 | On Borrowed Time – Press releases and promotional material |
| Box 15 | Folder 29 | On Borrowed Time – Programs |
| Photo Box 46 | Folders 52-53 | On Borrowed Time – 2 photographs |
1960-1961 Season, Studio
| Box 16 | Folder 1 | Clerambard by Marcel Ayme. November 7-10, 1960. Directed by Melvin Bernhardt, lighting by Jack Hickey, costumes by Rose-Marie Long – Programs |
| Photo Box 46 | Folders 54-56 | Clerambard – 3 photographs |
| Box 16 | Folder 2 | The Chalk Garden by Enid Bagnold. December 8-9, 1960. Directed by Melvin Bernhardt – Programs |
| Box 16 | Folder 3 | Look Homeward, Angel by Ketti Frings. December 11-17, 1960. Directed by Charles McGaw, costumes by Rose-Marie Long – Programs |
| Photo Box 46 | Folder 57 | Look Homeward Angel – 1 photograph |
| Box 16 | Folder 4 | Woyzeck by Georg Buechner. January 16-19, 1961. A Workshop production directed by Joseph Slowik, sets and lights by Thomas Barnes, costumes by James Swank, choreography by Charles Harris, music by Lawrence Kulig and Don Murray – Programs |
| Photo Box 46 | Folders 58-59 | Woyzeck – 2 photographs |
| Box 16 | Folder 5 | Dark of the Moon by Howard Richardson and William Berney. January 23-26, 1961. Directed and designed by Patrick Henry – Programs |
| Box 16 | Folder 6 | Hannele by Gerhart Hauptmann, English version by John Reich. March 1-4, 1961. A Workshop production directed by John Reich, sets and costumes by Thomas Barnes, choreography by Frances Allis, music by George Estevez, ...with Belinda Bremner – Programs |
| Photo Box 46 | Folders 60-66 | Hannele – 7 photographs |
| Box 16 | Folder 7 | Major Barbara by George Bernard Shaw. March 27-30, 1961. An Evening School production directed by Harvey Landa – Programs |
| Photo Box 46 | Folders 67-68 | Major Barbara – 2 photographs |
| Box 16 | Folder 8 | Twelfth Night by William Shakespeare. May 15-18, 1961. Directed by Melvin Bernhardt, sets and costumes by Thomas Barnes, lights by John Kohlman – Program |
| Photo Box 46 | Folders 69-70 | Twelfth Night – 2 photographs |
| Photo Box 47 | Folders 1-2 | All God's Children Got Wings. [1960-1961?] – 2 photographs |
1960-1961 Season, Children’s Theatre
| Box 16 | Folder 9 | General promotional material |
| Box 16 | Folder 10 | Red Riding Hood, dramatized by Charlotte Chorpenning. October 15-December 3, 1960. Directed by Bella Itkin, sets by James Harrington, costumes by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis – Press releases and promotional material |
| Box 16 | Folder 11 | Red Riding Hood – Programs |
| Oversize Box 1 | Red Riding Hood – Poster | |
| Oversize Folder 5 | Red Riding Hood – Scenic Plans | |
| Photo Box 47 | Folders 3-8 | Red Riding Hood – 6 photographs/negatives |
| Box 16 | Folder 12 | Cinderella, dramatized by Charlotte Chorpenning. December 10, 1960-February 4, 1961. Directed by Bella Itkin, sets by James Maronek, costumes by Tony Eikenbarry, lights by G.E. Naselius, choreography by Frances Allis – Light plot |
| Box 16 | Folder 13 | Cinderella – Promotional material |
| Box 16 | Folder 14 | Cinderella – Programs |
| Oversize Box 1 | Cinderella – Poster | |
| Oversize Folder 5 | Cinderella – Set designs | |
| Photo Box 47 | Folders 9-21 | Cinderella – 13 photographs |
| Box 16 | Folder 15 | The Wizard of Oz, dramatized by Adele Thane from the story by L. Frank Baum. March 18-May 29, 1961. Directed by Bella Itkin, sets by James Harrington, costumes by Uta Olson, lighting by Lou Nesslar, choreography by Frances Allis – Promotional material |
| Box 16 | Folder 16 | The Wizard of Oz – Programs |
| Oversize Box 1 | The Wizard of Oz – Poster | |
| Oversize Folder 5 | The Wizard of Oz – Set designs | |
| Photo Box 47 | Folders 41-50 | The Wizard of Oz – 19 photographs/negatives |
1960-1961 Season, Special Events
| Box 16 | Folder 17 | A Lovely Life, with Dorothy Stikney. October 7-11, 1960 – Correspondence |
| Box 16 | Folder 18 | A Lovely Life – Promotional material |
| Box 16 | Folder 19 | A Lovely Life – Programs |
| Box 16 | Folders 20 | Mark Twain Tonight – Correspondence |
| Box 16 | Folder 21 | Mark Twain Tonight – Promotional material |
| Box 16 | Folder 22 | Mark Twain Tonight – Programs |
| Photo Box 47 | Folders 41-50 | Mark Twain Tonight – 10 photographs |
1961-1962 Season, Subscription Series
| Box 16 | Folder 23 | Excerpts from reviews |
| Box 16 | Folder 24 | Faust by Johann Wolfgang von Goethe. October 27-November 14, 1961. Directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, music arranged by George Estevez, ...starring Bramwell Fletcher, with Michael O'Sullivan – Scenic plans (See: Oversize Folder 6) |
| Box 16 | Folder 25 | Faust – Slide projection schedule |
| Box 16 | Folder 26 | Faust – Annotated script; acting version by John Reich, Scenes I-IV |
| Box 16 | Folder 27 | Faust – Annotated script; acting version by John Reich, Scenes V-XVIII |
| Box 16 | Folder 28 | Faust – Press releases and promotional material |
| Box 16 | Folder 29 | Faust – Reviews and clippings |
| Box 16 | Folder 30 | Faust – Programs |
| Photo Box 48 | Folders 1-14 | Faust – 14 photographs |
| Box 16 | Folder 31 | The Lark by Jean Anouilh, adapted by Lillian Hellman. December 1-19, 1961. Directed by Bella Itkin, sets by Andre Wauters, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Manners – Costume sketches (See: Oversize Folder 6) |
| Box 16 | Folder 32 | The Lark – Scenic plans (See: Oversize Folder 6) |
| Box 16 | Folder 33 | The Lark – Poster (See: Oversize Folder 6) |
| Box 16 | Folder 34 | The Lark – Press releases and promotional material |
| Box 16 | Folder 35 | The Lark – Reviews and clippings |
| Box 16 | Folder 36 | The Lark – Programs |
| Photo Box 48 | Folders 15-18 | The Lark – 4 photographs |
| Box 16 | Folder 37 | My Heart's in the Highlands by Williams Saroyan and The American Dream by Edward Albee. January 12-30, 1962. Directed by Charles McGaw, sets by Francis Morigi, costumes by Uta Olson, lighting by G.E. Naselius, music arranged by Paul Bowles, ...starring Studs Terkel in Highlands, and Beverly Younger in Dream – Reviews and clippings |
| Box 16 | Folder 38 | My Heart's in the Highlands and The American Dream – Poster |
| Box 16 | Folder 39 | My Heart's in the Highlands and The American Dream – Programs |
| Oversize Folder 6 | My Heart's in the Highlands and The American Dream – Set designs | |
| Photo Box 48 | Folders 19-26 | My Heart’s in the Highlands and The American Dream – 8 photographs |
| Box 16 | Folder 40 | Hedda Gabler by Henrik Ibsen. February 23-March 13, 1962. Directed by Melvin Bernhardt, sets designed by James Maronek, costumes by Francis Morigi, lights by G.E. Naselius, Eva LeGallienne as translator, ...starring Signe Hasso – Set design (See: Oversize Folder 6) |
| Box 16 | Folder 41 | Hedda Gabler – Reviews and clippings |
| Box 16 | Folder 42 | Hedda Gabler – Press releases and promotional material |
| Box 16 | Folder 43 | Hedda Gabler – Programs |
| Photo Box 48 | Folders 27-36 | Hedda Gabler – 10 photographs |
| Box 16 | Folder 44 | As You Like It by William Shakespeare. March 25-[?], 1962. Directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Tom Morley and Thomas Arne, music directed by George Estevez – Scenic plans (See: Oversize Folder 6) |
| Box 16 | Folder 45 | As You Like It – Programs and promotional material |
| Photo Box 48 | Folders 37-40 | As You Like It – 4 photographs |
| Box 16 | Folder 46 | The Caucasian Chalk Circle by Bertolt Brecht, revised English version by Eric Bentley and Maja Apelman. May 11-29, 1962. Directed by John Reich, sets by Francis Morigi, costumes by Caley Summers, masks by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, music by George Estevez and Lewis Skalinder – Script: Master copy, Acts I & II |
| Box 16 | Folder 47 | The Caucasian Chalk Circle – Script: Master copy, Acts III & IV |
| Box 16 | Folder 48 | The Caucasian Chalk Circle – Costume sketches (See: Oversize Folder 6) |
| Box 16 | Folder 49 | The Caucasian Chalk Circle – Posters |
| Box 16 | Folder 50 | The Caucasian Chalk Circle – Reviews and clippings |
| Box 16 | Folder 51 | The Caucasian Chalk Circle – Programs |
| Photo Box 48 | Folders 41-48 | The Caucasian Chalk Circle – 8 photographs/negatives |
1961-1962 Season, Studio
| Box 17 | Folder 1 | The Bald Soprano and The Lesson by Eugene Ionesco. October 30-November 2, 1961. Directed by Joseph Slowik, sets by Bill Wilson, costumes by Peri Grenell – Programs |
| Oversize Folder 6 | The Bald Soprano and The Lesson – Set designs | |
| Photo Box 48 | Folders 49-52 | The Bald Soprano and The Lesson – 4 photographs |
| Box 17 | Folder 2 | Dinny and the Witches by William Gibson. November 13-16, 1961. Directed by Harvey Landa, sets by Francis Morigi, choreography by Charles Abbate, costumes by Adela Hamielec, lights by J. Van Eyck – Programs |
| Photo Box 48 | Folders 53-55 | Dinny and the Witches – 3 photographs |
| Box 17 | Folder 3 | The Children's Hour by Lillian Hellman. November 4-5, 1961. Directed by Judi Speer – Programs |
| Box 17 | Folder 4 | The Birthday Party by Harold Pinter. February 26-March [?], 1962. Directed by Patrick Henry, sets and lighting designed by Gene Lee – Programs |
| Photo Box 48 | Folders 56-67 | The Birthday Party – 2 photographs |
| Box 17 | Folder 5 | The Queen and the Rebels by Ugo Betti. April 2-5, 1962. Directed by Judith Ann Speer, sets by James Harrington – Programs |
| Photo Box 48 | Folders 58-59 | The Queen and the Rebels – 2 photographs |
| Box 17 | Folder 6 | The Matchmaker by Thornton Wilder. April 11-14, 1962. Directed by Herman Fell, costumes by Adele Hamilec, sets designed by Jack Million – Programs |
| Photo Box 49 | Folders 1-2 | The Matchmaker – 2 photographs |
| Box 17 | Folder 7 | The Grass Harp by Truman Capote. [1961-1962?] – Floor plan (See: Oversize Folder 6) |
| Photo Box 49 | Folders 3-4 | The Grass Harp – 2 photographs |
| Box 17 | Folder 8 | The House of Bernarda Alba by Federico Garcia Lorca. [1961-1962?]. A Sub-Studio Production – Cast list |
| Box 17 | Folder 9 | The Cold Wind and the Warm by S.N. Behrman. February 19-20, 1962. Directed by Thomas Heino – Program |
1961-1962 Season, Children’s Theatre
| Box 17 | Folder 10 | General promotional material |
| Box 17 | Folder 11 | Pinocchio by George T. Latshaw, from the story by Carlo Collodi. October 14-December 10, 1961. Directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lights by G.E. Naselius – Press releases and promotional material, clippings, and programs |
| Oversize Box 1 | Pinocchio – Poster | |
| Oversize Folder 7 | Pinocchio – Set designs | |
| Photo Box 49 | Folders 5-12 | Pinocchio – 8 photographs/negatives |
| Box 17 | Folder 12 | Snow White and the Seven Dwarfs by Marian Johnson, from the story by the Brothers Grimm. December 16, 1961-February 4, 1962. Directed by Patrick Henry, costumes by Peri Grenell, sets designed by Patrick Henry, lighting by Louis Nesslar, music by Richard Manners – Press release and programs |
| Oversize Box 1 | Snow White and the Seven Dwarfs – Poster | |
| Oversize Folder 7 | Snow White and the Seven Dwarfs – Set designs | |
| Photo Box 49 | Folders 13-23 | Snow White and the Seven Dwarfs – 11 photographs/negatives |
| Box 17 | Folder 13 | The Adventures of Tom Sawyer, dramatized by Charlotte Chorpenning from the book by Mark Twain. February 10-April 1, 1962. Directed by Bella Itkin, sets designed by James Maronek, costumes by Peri Grenell, lights by G.E. Naselius – Promotional material and programs |
| Oversize Box 1 | The Adventures of Tom Sawyer – Poster | |
| Oversize Folder 7 | The Adventures of Tom Sawyer – Set designs | |
| Photo Box 49 | Folders 24-35 | The Adventures of Tom Sawyer – 12 photographs |
| Box 17 | Folder 14 | Beauty and the Beast by Nora MacAlvay. April 7-May 27, 1962. Directed by Bella Itkin, sets by Eugene Lee, costumes by Peri Grinell, lighting by G.E. Naselius – Promotional material and programs |
| Oversize Box 1 | Beauty and the Beast – Poster | |
| Oversize Folder 7 | Beauty and the Beast – Set designs | |
| Photo Box 49 | Folders 36-38 | Beauty and the Beast – 3 photographs |
1961-1962 Season, Special Events
| Box 17 | Folder 15 | An Evening with Charles Laughton. January 31-February 3, 1962 – Promotional material and program |
| Box 17 | Folder 16 | An Evening with Charles Laughton – Clippings |
| Box 17 | Folder 17 | May Festival. May 1962 – Clippings, plans, program |
| Box 17 | Folder 18 | May Festival: The Living Gallerie. May Festival. May 1962 – Script and schedules |
| Box 17 | Folder 19 | May Festival: Three for the Show. May 1962 – Correspondence |
| Box 17 | Folder 20 | May Festival: Three for the Show. May 1962 – Press releases |
| Box 17 | Folder 21 | May Festival: Three for the Show. May 1962 – Script |
1962-1963 Season, Subscription Series
| Box 18 | Folder 1 | General press releases and promotional material |
| Box 18 | Folder 2 | Excerpts from reviews |
| Box 18 | Folder 3 | Becket, or The Honor of God by Jean Anouilh. October 26-November 13, 1962. Directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by George Estevez, ...starring Tod Andrews and Donald Davis – Cast list |
| Box 18 | Folder 4 | Becket, or The Honor of God – Actors' biographies |
| Box 18 | Folder 5 | Becket, or The Honor of God – Scenic plans (See: Oversize Folder 8) |
| Box 18 | Folder 6 | Becket, or The Honor of God – Poster (See: Oversize Poster Box 1) |
| Box 18 | Folder 7 | Becket, or The Honor of God – Press releases and promotional material |
| Box 18 | Folder 8 | Becket, or The Honor of God – Reviews and clippings |
| Box 18 | Folder 9 | Becket, or The Honor of God – Programs |
| Photo Box 49 | Folders 39-58 | Becket, of The Honor of God – 20 photographs |
| Box 18 | Folder 10 | The Comedy of Errors by William Shakespeare. November 30-December 18, 1962. Directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, music by Richard Manners – Costume sketches – oversize) |
| Box 18 | Folder 11 | The Comedy of Errors – Scenic plans (See: Oversize Folder 8) |
| Box 18 | Folder 12 | The Comedy of Errors – Press releases and promotional material |
| Box 18 | Folder 13 | The Comedy of Errors – Reviews and clippings |
| Box 18 | Folder 14 | The Comedy of Errors – Programs and artwork |
| Photo Box 50 | Folders 1-7 | The Comedy of Errors – 7 photographs |
| Box 18 | Folder 15 | A Passage to India by E.M. Forster, adapted for the stage by Santha Rama Rau. January 11-30, 1963. Directed by Charles McGaw, sets by James Maronek, costumes by Caley Summers, lighting by G.E. Naselius, ...starring Lillian Gish – Scenic plans (See: Oversize Folder 8) |
| Box 18 | Folder 16 | A Passage to India – Reviews and clippings |
| Box 18 | Folder 17 | A Passage to India – Press releases and promotional material |
| Box 18 | Folder 18 | A Passage to India – Programs |
| Oversize Box 1 | A Passage to India – Poster | |
| Photo Box 50 | Folders 8-26 | A Passage to India – 19 photographs/negatives |
| Box 18 | Folder 19 | Christopher C. by Michel de Ghelderode, and adapted into English by Lyon Phelps (directed by John Reich, choreography by Frances Allis, ...starring David Hurst); and The Lesson by Eugene Ionesco (directed by Joseph Slowik). February 15-March 5, 1963. Sets by Francis Morigi, lighting by G.E. Naselius, costumes by Uta Olson – Correspondence (Christopher C.) |
| Box 18 | Folder 20 | Christopher C. and The Lesson – Audition list |
| Box 18 | Folder 21 | Christopher C. and The Lesson – Research (Christopher C.) |
| Box 18 | Folder 22 | Christopher C. and The Lesson – Script pages (Christopher C.): Tableau Two, Inserts I and II |
| Box 18 | Folder 23 | Christopher C. and The Lesson – Music cues and plot shift |
| Box 18 | Folder 24 | Christopher C. and The Lesson – Scenic plans (See: Oversize Folder 8) |
| Box 18 | Folder 25 | Christopher C. and The Lesson – Director's notes (Christopher C.) |
| Box 18 | Folder 26 | Christopher C. and The Lesson – Press releases and promotional material |
| Box 18 | Folder 27 | Christopher C. and The Lesson – Reviews and clippings |
| Box 18 | Folder 28 | Christopher C. and The Lesson – Programs |
| Oversize Box 1 | Christopher C. and The Lesson – Poster | |
| Photo Box 50 | Folders 27-38 | Christopher C. and The Lesson – 12 photographs |
| Box 18 | Folder 29 | Tobias and the Angel by James Bridie. March 24-[?], 1963. Directed by Bella Itkin, sets by J. Van Eyck, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Francis Allis, music by John Towey – Scenic plans (See: Oversize Folder 8) |
| Box 18 | Folder 30 | Tobias and the Angel – Posters (See: Oversize Poster Box 1) |
| Box 18 | Folder 31 | Tobias and the Angel – Programs |
| Box 18 | Folder 32 | Tobias and the Angel – Reviews and clippings |
| Photo Box 50 | Folders 39-48 | Tobias and the Angel – 10 photographs |
| Box 18 | Folder 33 | The Rivals by Richard Brinsley Sheridan. May 3-21, 1963. Directed by Joseph Slowik, sets by Bruce Koenig, costumes by Uta Olson, lights by G.E. Naselius, ...starring Brenda Forbes, with Vincent Park – Scenic plans (See: Oversize Folder 8) |
| Box 18 | Folder 34 | The Rivals – Poster (See: Oversize Poster Box 1) |
| Box 18 | Folder 35 | The Rivals – Press releases and promotional material |
| Box 18 | Folder 36 | The Rivals – Reviews and clippings |
| Box 18 | Folder 37 | The Rivals – Programs |
| Photo Box 50 | Folders 49-65 | The Rivals – 17 photographs |
1962-1963 Season, Studio
| Box 18 | Folder 38 | The Playboy of the Western World by John Synge. October 29-November 1, 1962. Directed by Dan Clifford, sets designed by Amy Frank, costumes by Ford Larsen – Cast and crew list; programs |
| Photo Box 50 | Folders 66-67 | The Playboy of the Western World – 2 photographs |
| Box 18 | Folder 39 | Gallows Humor by Jack Richardson. November 12-15, 1962. Directed by Patrick Henry, sets by Patricia Taxman, lighting by John Retsek – Programs |
| Photo Box 50 | Folders 68-69 | Gallows Humor – 2 photographs |
| Box 18 | Folder 40 | Southern Exposure by Owen Crump. November 19-20, 1962. Directed by Steve Kardaleff – Programs |
| Box 18 | Folder 41 | Puntila and His Hired Man by Bertolt Brecht. December 3-7, 1962. Directed by Ibrahim Jalal, sets designed by Ford Larsen, costumes by Bruce Koenig – Script, labeled "Goodman Theatre Acting Version" |
| Box 18 | Folder 42 | Puntila and His Hired Man – Programs and script |
| Photo Box 51 | Folders 1-3 | Puntila and His Hired Man – 3 photographs |
| Box 18 | Folder 43 | Between Two Thieves by Warner LeRoy. January 14-17, 1963. An Evening School production directed by Bella Itkin, sets by James Harrington, costumes by Emily Mason, lighting by Terry Shevalenko – Programs |
| Photo Box 51 | Folders 4-5 | Between Two Thieves – 2 photographs |
| Box 18 | Folder 44 | The Prodigal by Jack Richardson. January 14-17, 1963. Directed by Steve Kardaleff, sets by J. Van Eyck, costumes by Pat Taxman – Cast and crew list and programs |
| Photo Box 51 | Folders 6-7 | The Prodigal – 2 photographs |
| Box 18 | Folder 45 | Night Must Fall by Emlyn Williams. January 17-18, 1963. Directed by David Morris – Program |
| Box 18 | Folder 46 | Picnic by William Inge. February 18-21, 1963. Directed by David Morris, sets by Ford Larsen, costumes by Amy Frank – Programs |
| Photo Box 51 | Folders 8-9 | Picnic – 2 photographs |
| Box 18 | Folder 47 | Teach Me How to Cry by Patricia Jourdy. February 25-26, 1963. Directed by Leo Maroules – Program |
| Box 18 | Folder 48 | The Beautiful People by William Saroyan. March 4-5, 1963. Directed by Robert Lowery – Program |
| Box 18 | Folder 49 | A Shot in the Dark by Marcel Achard. March 18-19, 1963. Directed by Lane Corvey – Program |
| Box 18 | Folder 50 | Arms and the Man by George Bernard Shaw. March 25-28, 1963. Directed by Steve Kardaleff, sets designed by Ford Larsen, costumes by Margaret Danielson – Programs |
| Photo Box 51 | Folders 10-11 | Arms and the Man – 2 photographs |
| Box 18 | Folder 51 | A Thurber Carnival by James Thurber. April 1-2, 1963. Directed by Michael Thompson – Program |
| Box 18 | Folder 52 | Death of a Salesman by Arthur Miller. April 3-6, 1963. Directed by Dan Clifford, sets designed by Neil Jampolis, costumes by Hedi Riemann – Programs |
| Photo Box 51 | Folders 12-13 | Death of a Salesman – 2 photographs |
| Box 18 | Folder 53 | The Chinese Wall by Max Frisch. May 4-7, 1963. Directed by Patrick Henry, costumes by Margaret Danielson, lighting by Al Jutzi, sets by Andrew Gilfillan – Programs |
| Photo Box 51 | Folders 14-15 | The Chinese Wall – 2 photographs |
| Box 18 | Folder 54 | The Glass Menagerie by Tennessee Williams. May 13-16, 1963. Directed by Robert Lowery, costumes by Janet Warren, lighting by Andrew Gilfillan, sets by J. Van Eyck – Programs |
| Photo Box 51 | Folders 16-18 | The Glass Menagerie – 3 photographs |
| Box 18 | Folder 55 | The Heroes by John Ashberry, and directed by Herb Felsenfeld; and Still Life by Noel Coward, and directed by Joseph Sax. May 20-21, 1963 – Programs |
| Box 18 | Folder 56 | Gigi by Anita Loos. May 22-25, 1963. Directed by Leo Maroules, sets designed by Pat Taxman, sets by Ford Larsen, lighting by Burt Rissman – Cast list and programs |
| Photo Box 51 | Folders 19-21 | Gigi – 3 photographs |
1962-1963 Season, Children’s Theatre
| Box 18 | Folder 57 | General promotional material |
| Box 18 | Folder 58 | The Blue Bird by Maurice Maeterlinck. October 13-December 16, 1962. Directed by Bella Itkin, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis – Correspondence |
| Box 18 | Folder 59 | The Blue Bird – Press releases, promotional material, and program |
| Oversize Box 1 | The Blue Bird – Poster | |
| Oversize Folder 9 | The Blue Bird – Scenic plans | |
| Photo Box 51 | Folders 22-29 | The Blue Bird – 8 photographs |
| Box 18 | Folder 60 | Ali Baba and the Forty Thieves by Wadeeha Atiyeh. December 22, 1962-January 27, 1963. Directed by Patrick Henry, sets by Amy Frank, costumes by David Rudish, lighting by Burton Rissman, choreography by Frances Allis – Press releases, promotional material and programs |
| Oversize Folder 9 | Ali Baba and the Forty Thieves – Scenic plans | |
| Photo Box 51 | Folders 30-33 | Ali Baba and the Forty Thieves – 4 photographs |
| Box 18 | Folder 61 | Sleeping Beauty, or Sing Ho for a Prince!, adapted by Leo Grenzeback from the story by the Brothers Grimm. February 2-April 7, 1963. Directed by Bella Itkin, music by Haakon Bergh, sets by Bruce Koenig, costumes by Heidemarie Rosendahl, lights by Jack Hickey, choreography by Frances Allis – Promotional material, clippings, programs |
| Oversize Box 1 | Sleeping Beauty, or Sing Ho for a Prince! – Poster | |
| Oversize Folder 9 | Sleeping Beauty, or Sing Ho for a Prince! – Scenic plans | |
| Photo Box 51 | Folders 34-40 | Sleeping Beauty, or Sing Ho for a Prince! – 7 photographs/negatives |
| Box 18 | Folder 62 | The Pied Piper of Hamelin, written by Melvin Bernhardt, and based on improvisations by the cast from Robert Browning's poem. April 13-May 26, 1963. Directed by Melvin Bernhardt, sets by Amy-Susan Frank, lights by William Dreasler, costumes by Heidimarie Rosendahl, choreography by Frances Allis, music by Gerry Grossman – Cast list, press releases, promotional material, programs |
| Oversize Box 1 | The Pied Piper of Hamelin – Poster | |
| Oversize Folder 9 | The Pied Piper of Hamelin – Scenic plans | |
| Photo Box 51 | Folders 41-51 | The Pied Piper of Hamelin – 11 photographs |
1963-1964 Season, Subscription Series
| Box 19 | Folder 1 | General press releases and promotional material |
| Box 19 | Folder 2 | Excerpts from reviews |
| Box 19 | Folder 3 | The Millionairess by George Bernard Shaw. October 25-November 12, 1963. Directed by John Reich, sets by Jacob Burch, lighting by G.E. Naselius, ...starring Patricia Jessel – Director's notes |
| Box 19 | Folder 4 | The Millionairess – Annotated director's script: Act I |
| Box 19 | Folder 5 | The Millionairess – Annotated director's script: Acts II and IV |
| Box 19 | Folder 6 | The Millionairess – Scenic plans (See: Oversize Folder 10) |
| Box 19 | Folder 7 | The Millionairess – Press releases and promotional material |
| Box 19 | Folder 8 | The Millionairess – Reviews and clippings |
| Box 19 | Folder 9 | The Millionairess – Programs |
| Photo Box 51 | Folders 52-67 | The Millionairess – 16 photographs |
| Box 19 | Folder 10 | Three Sisters by Anton Chekhov, translated by Tyrone Guthrie and Leonid Kipnis. November 29-December 18, 1963. Directed by Eugenie Leontovich, with Charles McGaw, sets designed by Richard Wilcox, costumes by Caley Summers, lights by G.E. Naselius, ...starring Richard Waring – Budget |
| Box 19 | Folder 11 | Three Sisters – Prop list |
| Box 19 | Folder 12 | Three Sisters – Scenic plans (See: Oversize Folder 10) |
| Box 19 | Folder 13 | Three Sisters – Press releases and promotional material |
| Box 19 | Folder 14 | Three Sisters – Reviews and clippings |
| Box 19 | Folder 15 | Three Sisters – Programs |
| Photo Box 52 | Folders 1-11 | Three Sisters – 11 photographs |
| Box 19 | Folder 16 | The Glass Menagerie by Tennessee Williams. January 10-29, 1964. Directed by Patrick Henry, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, ...starring Peggy Wood – Scenic plans (See: Oversize Folder 10) |
| Box 19 | Folder 17 | The Glass Menagerie – Press releases and promotional material |
| Box 19 | Folder 18 | The Glass Menagerie – Reviews and clippings |
| Box 19 | Folder 19 | The Glass Menagerie – Programs |
| Photo Box 52 | Folders 12-15 | The Glass Menagerie – 4 photographs |
| Photo Box 52 | Folders 16-26 | The Hollow Crown. The Royal Shakespeare Company, February 3-9, 1964 – 11 photographs |
| Box 19 | Folder 20 | A Far Country by Henry Denker. February 21-March 11, 1964. Directed by John Reich, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lighting by G.E. Naselius, ...starring William Smithers – Director's notes and research |
| Box 19 | Folder 21 | A Far Country – Press releases and promotional material |
| Box 19 | Folder 22 | A Far Country – Reviews and clippings |
| Box 19 | Folder 23 | A Far Country – Programs |
| Oversize Folder 10 | A Far Country – Set designs | |
| Photo Box 52 | Folders 27-33 | A Far Country – 7 photographs/negatives |
| Box 19 | Folder 24 | King Lear by William Shakespeare. April 3-25, 1964. Directed by Charles McGaw, sets by Richard Kent Wilcox, costumes by Caley Summers, ...starring Morris Carnovsky, with Maurice Copeland – Scenic plans (See: Oversize Folder 10) |
| Box 19 | Folder 25 | King Lear – Press releases and promotional material |
| Box 19 | Folder 26 | King Lear – Reviews and clippings |
| Box 19 | Folder 27 | King Lear – Programs |
| Photo Box 52 | Folders 34-40 | King Lear – 7 photographs/negatives |
| Box 19 | Folder 28 | Mother Courage and Her Children by Bertolt Brecht, English adaptation by Eric Bentley. May 8-27, 1964. Directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, original music by Paul Dessau, lighting by G.E. Naselius, ...starring Eugenie Leontovich – Correspondence |
| Box 19 | Folder 29 | Mother Courage and Her Children – Notes on Brecht |
| Box 19 | Folder 30 | Mother Courage and Her Children – Scenic plans |
| Box 19 | Folder 31 | Mother Courage and Her Children – Poster |
| Box 19 | Folder 32 | Mother Courage and Her Children – Press releases and promotional material |
| Box 19 | Folder 33 | Mother Courage and Her Children – Reviews and clippings |
| Box 19 | Folder 34 | Mother Courage and Her Children – Programs |
| Photo Box 52 | Folders 41-53 | Mother Courage and Her Children – 13 photographs |
| Box 19 | Folder 35 | Othello by William Shakespeare. Production cancelled – Correspondence and contract |
1963-1964 Season, Studio
| Box 19 | Folder 36 | him by e.e. cummings. October 28-31, 1963. Directed by Patrick Henry, sets designed by Kurt Wilhelm, lighting by Neil Jampolis, costumes by Patricia Taxman – Programs |
| Photo Box 53 | Folders 1-2 | him – 2 photographs |
| Box 19 | Folder 37 | The Rape of the Belt by Benn Levy. Directed by Joseph Sax. November 4-5, 1963 – Program |
| Box 19 | Folder 38 | The Diary of Ann Frank, dramatized by Frances Goodrich and Albert Hackett. November 11-14, 1963. Directed by Thomas Heino, sets and lights by Ford Larsen, costumes by Hedi Riemann – Programs |
| Box 19 | Folder 39 | Hat Full of Rain by Michael Gazzo. November 18-19, 1963. Directed by Parker Rushing – Programs |
| Box 19 | Folder 40 | The Boy Friend by Sandy Wilson. December 2-5, 1963. Directed by Michael Thompson, choreography by Dick Stephens, sets designed by John Retseck, lighting by Alfred Jutzi, costumes by John Buehler – Programs |
| Photo Box 53 | Folders 3-10 | The Boy Friend – 8 photographs |
| Box 19 | Folder 41 | The Italian Straw Hat by Eugene Labiche, with Marc-Michael. December 9-10, 1963. Directed by Robert Feingold – Program |
| Box 19 | Folder 42 | The Visit by Frederick Durrenmatt, adapted by Maurice Valency. January 5-8, 1964. Directed by Bella Itkin, sets designed by John Van Eyck, costumes by Hedi Riemann – Programs |
| Photo Box 53 | Folders 11-13 | The Visit – 3 photographs |
| Box 19 | Folder 43 | Rip Van Winkle, as played by Joseph Jefferson. January 13-16, 1963. Directed by Joseph Sax, sets and lighting by Neil Jampolis, costumes by John Retseck – Programs |
| Photo Box 53 | Folders 14-15 | Rip Van Winkle – 2 photographs |
| Box 19 | Folder 44 | Billy Liar by Keith Waterhouse and Willis Hall. January 15-16, 1964. Directed by Roy Clary – Program |
| Box 19 | Folder 45 | Machinal by Sophie Treadwell. February 24-27, 1964. Directed by Parker Ruching, sets and lights by John Retseck, costumes by Kurt Wilhelm – Programs |
| Photo Box 53 | Folder 16 | Machinal – 1 photograph |
| Box 19 | Folder 46 | Through a Glass Darkly by Gene Trayler. March 2-3, 1964. Directed by Susan Rae – Program |
| Box 19 | Folder 47 | Mademoiselle Colombe by Jean Anouilh, adapted by Louis Kronenberger. March 19-22, 1964. Directed by Thomas Bertholf, sets and lights by Neil Jampolis, costumes by Patricia Taxman – Programs |
| Box 19 | Folder 48 | The Long Voyage Home by Eugene O'Neill, and directed by Badry Fareed; and A Young Lady of Property by Horton Foote, and directed by Edward Ewald. March 23-24, 1964 – Programs |
| Box 19 | Folder 49 | I'm Talking About Jerusalem by Arnold Wesker. April 6-9, 1964. Directed by Thomas Heino, sets and lights by Bruce Koenig, costumes by John Buehler – Programs |
| Photo Box 53 | Folders 17-18 | I’m Talking About Jerusalem – 2 photographs |
| Box 19 | Folder 50 | Yerma by Federico Garcia Lorca. April 13-14, 1964. Directed by William Pappas – Programs |
| Box 19 | Folder 51 | The Infernal Machine by Jean Cocteau. May 11-14, 1964. Directed by Patrick Henry, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm – Programs |
| Photo Box 53 | Folders 19-20 | The Infernal Machine – 2 photographs |
| Box 19 | Folder 52 | Hotel Paradiso by Peter Glenville. May 18-19, 1964. Directed by William Pullinsi – Programs |
| Box 19 | Folder 53 | The Flowering Peach by Clifford Odets. May 21-22, 1964. Directed by Robert Feingold – Programs |
| Box 19 | Folder 54 | Middle of the Night by Paddy Chaevsky. May 20-23, 1964. Directed by Joseph Sax, sets designed by Ford Larsen, lighting by Jerrold Gorrell – Programs |
| Box 19 | Folder 55 | The World of Sholom Aleichem. [1963-1964]. Directed by William Pullinsi – Program |
1963-1964 Season, Children’s Theatre
| Box 19 | Folder 56 | General promotional material |
| Box 19 | Folder 57 | Alice in Wonderland by Lewis Carroll, adapted by Charlotte Chorpenning. October 12-December 15, 1963. Directed by Joseph Slowik, sets by J. van Eyck, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis – Cast and crew list, press releases and promotional material, programs |
| Box 19 | Folder 58 | Alice in Wonderland – Script: Alice's Adventures Through the Looking Glass, adapted for television by Anne Nicholson, and directed by Joseph Slowick for "Goodman Theatre Presents" |
| Oversize Folder 11 | Alice in Wonderland – Scenic plans | |
| Photo Box 53 | Folders 21-35 | Alice in Wonderland – 15 photographs/negatives |
| Box 19 | Folder 59 | Hans Brinker and the Silver Skates by Bruce Millan. December 21, 1963-January 26, 1964. Directed by James Bertholf, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lights by G.E. Naselius, choreography by Susan Rae – Correspondence, budget, press release and promotional material, clippings, programs |
| Oversize Folder 11 | Hans Brinker and the Silver Skates – Scenic plans | |
| Photo Box 53 | Folders 36-41 | Hans Brinker and the Silver Skates – 6 photographs |
| Box 19 | Folder 60 | Treasure Island by Dorothy Drew. February 1-March 22, 1964. Directed by Bella Itkin, sets by Ford Larsen, costumes by Patricia Taxman, lights by Erwin Schroeter, choreography by Frances Allis – Correspondence, budget, promotional materials, clippings, and programs |
| Box 19 | Folder 61 | Treasure Island – Script: excerpts adapted for broadcast on WTTW, Chicago (parts of Treasure Island were televised on February 4, 18, and March 3, 1964, 5:30 p.m., WTTW-Channel 11 through the cooperation of the Milk Fund) |
| Oversize Folder 11 | Treasure Island – Scenic plans | |
| Photo Box 53 | Folders 42-47 | Treasure Island – 6 photographs |
| Box 19 | Folder 62 | Puss in Boots, dramatized by Rowena Bennett. March 28-May 24, 1964. Directed by Bella Itkin, sets designed by John Van Eyck, costumes by Uta Olson, lighting by Alfred Jutzi, choreography by Frances Allis – Press release and promotional material, programs |
| Oversize Folder 11 | Puss in Boots – Scenic plans | |
| Photo Box 53 | Folders 48-52 | Puss in Boots – 5 photographs |
1964-19565 Season, Subscription Series
| Box 20 | Folder 1 | Press releases and promotional material |
| Box 20 | Folder 2 | Excerpts from reviews |
| Box 20 | Folder 3 | The Madwoman of Chaillot by Jean Giraudoux, translated by Maurice Valency. October 23-November 14, 1964. Directed by John Reich, sets designed by Richard Kent Wilcox, costumes by Uta Olson, music by Albert Hague, lighting by G.E. Naselius, choreography by Frances Allis, ...starring Zoe Caldwell, with Sue Ann Park – Correspondence |
| Box 20 | Folder 4 | The Madwoman of Chaillot – Research |
| Box 20 | Folder 5 | The Madwoman of Chaillot – Budget and related memo |
| Box 20 | Folder 6 | The Madwoman of Chaillot – Scenic plans (See: Oversize Folder 12) |
| Box 20 | Folder 7 | The Madwoman of Chaillot – Research, rough sketches and production notes on scene design |
| Box 20 | Folder 8 | The Madwoman of Chaillot – Music cues |
| Box 20 | Folder 9 | The Madwoman of Chaillot – Press releases and promotional material |
| Box 20 | Folder 10 | The Madwoman of Chaillot – Reviews and clippings |
| Box 20 | Folder 11 | The Madwoman of Chaillot – Programs |
| Oversize Box 1 | The Madwoman of Chaillot – Poster | |
| Photo Box 54 | Folders 1-3 | The Madwoman of Chaillot – 3 photographs/negatives |
| Box 20 | Folder 12 | Macbeth by William Shakespeare. November 27-December 20, 1964. Directed by Sam Wanamaker, Patrick Henry as associate director, sets by James Maronek, costumes by Yvonne Bronowicz, lights by G.E. Naselius, music by Donald Andrus, ...starring Sam Wanamaker, with Lillian Evans – Scenic plans (See: Oversize Folder 12) |
| Box 20 | Folder 13 | Macbeth – Press releases and promotional material |
| Box 20 | Folder 14 | Macbeth – Reviews and clippings |
| Box 20 | Folder 15 | Macbeth – Programs |
| Photo Box 54 | Folders 4-20 | Macbeth – 17 photographs/negatives |
| Box 20 | Folder 16 | The Ballad of the Sad Cafe by Carson McCullers, adapted for the stage by Edward Albee. January 8-30, 1965. Directed by Charles McGaw, sets designed by Richard Kent Wilcox, costumes by Heidimarie Rosendahl, lighting designed by G.E. Naselius, ...starring Donald Davis – Press releases and promotional material |
| Box 20 | Folder 17 | The Ballad of the Sad Cafe – Reviews and clippings |
| Box 20 | Folder 18 | The Ballad of the Sad Cafe – Programs |
| Oversize Box 1 | The Ballad of the Sad Cafe – Poster | |
| Photo Box 54 | Folders 21-40 | The Ballad of the Sade Cafe – 20 photographs |
| Box 20 | Folder 19 | Rashomon by Ryunosoke Akutagawa, adapted for the stage by Fay and Michael Kanin. [1964-1965]. Directed by Patrick Henry, sets by James Maronek, costumes by Kurt Wilhelm, lights by G.E. Naselius, music by Lawrence Rosenthal, ...starring Douglas Rain – Scenic plans (See: Oversize Folder 12) |
| Box 20 | Folder 20 | Rashomon – Press releases and promotional material |
| Box 20 | Folder 21 | Rashomon – Programs |
| Box 20 | Folder 22 | Rashomon – Reviews and clippings |
| Oversize Box 1 | Rashomon – Poster | |
| Photo Box 54 | Folders 41-47 | Rashomon – 7 photographs/negatives |
| Box 20 | Folder 23 | The Barretts of Wimpole Street by Rudolf Besier. March 26-April 16, 1965. Directed by Brenda Forbes, sets designed by Neil Jampolis, costumes by Uta Olson, lighting by G.E. Naselius, ...starring Leora Dana, with Maurice Copeland – Scenic plans (See: Oversize Folder 12) |
| Box 20 | Folder 24 | The Barretts of Wimpole Street – Prop lists |
| Box 20 | Folder 25 | The Barretts of Wimpole Street – Press releases and promotional material |
| Box 20 | Folder 26 | The Barretts of Wimpole Street – Reviews and clippings |
| Box 20 | Folder 27 | The Barretts of Wimpole Street – Programs |
| Oversize Box 1 | The Barretts of Wimpole Street – Poster | |
| Photo Box 54 | Folders 48-60 | The Barretts of Wimpole Street – 13 photographs |
| Box 20 | Folder 28 | Anna Karenina by Leo Tolstoy, dramatized by James Goodwin and Eugenie Leontovich. May 7-29, 1965. Directed by Eugenie Leontovich with Joseph Slowik, sets by Richard Kent Wilcox, costumes by Alvin Colt, lights by G.E. Naselius, ...starring Dolores Sutton – Prop lists |
| Box 20 | Folder 29 | Anna Karenina – Floor plans and elevations (See: Oversize Folder 12) |
| Box 20 | Folder 30 | Anna Karenina – Press releases and promotional material |
| Box 20 | Folder 31 | Anna Karenina – Reviews and clippings |
| Box 20 | Folder 32 | Anna Karenina – Programs |
| Oversize Box 1 | Anna Karenina – Poster | |
| Photo Box 55 | Folders 1-16 | Anna Karenina – 16 photographs |
1964-1965 Season, Studio
| Box 20 | Folder 33 | Bedlam Galore, for Two or More and Jack, or The Submission by Eugene Ionesco. October 26-29, 1964. Directed by Joseph Slowik, sets and costumes by designed by Kurt Wilhelm – Programs |
| Oversize Folder 13 | Bedlam Galore, for Two or More and Jack, or The Submission – Floor plans | |
| Photo Box 55 | Folders 17-18 | Bedlam Galore, for Two or More and Jack, of The Submission – 2 photographs |
| Box 20 | Folder 34 | To Damascus by August Strindberg. November 18-21, 1964. Directed by Bella Itkin, sets designed by Thomas Dorwart, lighting by Margaret Danielson – Programs |
| Photo Box 55 | Folders 19-20 | The Damascus – 2 photographs |
| Box 20 | Folder 35 | The Miracle Worker by William Gibson. November 30-December 3, 1964. Directed by William Pullinsi, sets by Reid Carlson, lights by Richard Cortright, costumes by James Larsen – Programs |
| Box 20 | Folder 36 | The Days and Nights of Beebee Fenstermaker by William Snyder. January 11-12, 1965. Directed by Herb Felsenfeld – Program |
| Box 20 | Folder 37 | He Who Gets Slapped by Leonid Andreyev. January 11-14, 1965. Directed by William Pappas, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm – Programs |
| Photo Box 55 | Folders 21-22 | He Who Gets Slapped – 2 photographs |
| Box 20 | Folder 38 | Professor Taranne by Arthur Adamov. February 22-23, 1965. Directed by Charles Likar, Jr – Programs |
| Box 20 | Folder 39 | Ten Blocks on the Camino Real by Tennessee Williams. February 22-25, 1965. Directed by Badry Fareed, sets by Reid Carlson, lights by John Retseck, costumes by Margaret Danielson – Programs |
| Box 20 | Folder 40 | U.S.A. by John Dos Passos and Paul Shyre. March 15-18, 1965. An Evening School production directed by Joseph Sax, sets and lights by Joseph Pettit – Programs |
| Oversize Folder 13 | U.S.A. – Scenic plans | |
| Photo Box 55 | Folders 23-24 | U.S.A. – 2 photographs |
| Box 20 | Folder 41 | Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf. An Evening School production directed by Joseph Sax, sets by Reid Carlson, lights by Margaret Danielson – Programs and floor plans |
| Photo Box 55 | Folders 25-27 | Four One-Act Plays by Bertolt Brecht – 3 photographs |
| Box 20 | Folder 42 | Rhinoceros by Eugene Ionesco. May 17-18, 1965. Directed by Charles Likar, Jr – Programs |
| Photo Box 55 | Folder 28 | The Heiress. [1964-1965?] – 1 photograph |
| Photo Box 55 | Folders 29-30 | The Sport of My Mad Mother by Ann Jellicoe. [1964-1965?] – 2 photographs |
| Box 20 | Folder 43 | Hey You, Lightman by Oliver Hailey. May 24-29, 1965. Directed by Trevellya Ford – Programs |
1964-1965 Season, Children’s Theatre
| Box 20 | Folder 44 | General press releases and promotional material |
| Box 20 | Folder 45 | Winnie the Pooh by A.A. Milne and Kristin Sergel, music by Allan J. Friedman. October 10-December 13, 1964. Directed by Bella Itkin, sets designed by Richard Kent Wilcox, costumes by Margaret Danielson, lights by G.E. Naselius, ...with Linda Hunt and Carrie Snodgrass – Press releases and promotional material |
| Box 20 | Folder 46 | Winnie the Pooh – Programs |
| Oversize Box 1 | Winnie the Pooh – Poster | |
| Photo Box 55 | Folders 31-36 | Winnie the Pooh – 6 photographs |
| Box 20 | Folder 47 | The Snow Queen and the Goblin, dramatized by Martha Bennett King, from the Hans Christian Anderson fairy tale. December 19, 1964-January 31, 1965. Directed by Bella Itkin, set designs by Neil Jampolis, costumes by Margaret Danielson, lights by G.E. Naselius, choreography by Frances Allis, ...with Linda Hunt – Press releases and promotional material |
| Box 20 | Folder 48 | The Snow Queen and the Goblin – Programs |
| Oversize Box 1 | The Snow Queen and the Goblin – Poster | |
| Photo Box 55 | Folders 37-48 | The Snow Queen and the Goblin – 12 photographs/negatives |
| Box 20 | Folder 49 | Aladdin and His Wonderful Lamp by James Norris. February 6-April 17, 1965. Directed by Joseph Sax, sets by John Retseck, costumes by Uta Olson, lights by Jerrold Gorrell – Production week schedules |
| Box 20 | Folder 50 | Aladdin and His Wonderful Lamp – Press release |
| Box 20 | Folder 51 | Aladdin and His Wonderful Lamp – Programs |
| Oversize Folder 14 | Aladdin and His Wonderful Lamp – Set designs | |
| Oversize Box 1 | Aladdin and His Wonderful Lamp – Poster | |
| Photo Box 55 | Folders 49-53 | Aladdin and His Wonderful Lamp – 5 photographs |
| Box 20 | Folder 52 | The Frog Princess and the Witch by Margery Evernden. April 24-May 29, 1965. Directed by Bella Itkin, set designed by John Retseck, costumes by Kurt Wilhelm, lights by Neil Jampolis, choreography by Francis Allis, ...with Linda Hunt – Fabric requisition |
| Box 20 | Folder 53 | The Frog Princess and the Witch – Press release |
| Box 20 | Folder 54 | The Frog Princess and the Witch – Programs |
| Oversize Folder 14 | The Frog Princess and the Witch – Set designs | |
| Oversize Box 1 | The Frog Princess and the Witch – Poster | |
| Photo Box 56 | Folders 1-11 | The Frog Princess and the Witch – 11 photographs |
1964-1965 Season, Special Events
| Box 20 | Folder 55 | Dickens, with Emlyn Williams. November 17-21, 1964 – Correspondence |
| Box 20 | Folder 56 | Dickens – Programs and promotional clippings |
| Photo Box 56 | Folders 12-20 | Dickens – 9 photographs |
| Box 20 | Folder 57 | La Comedie Francaise. October 13-16, 1964 – Set plans (See: Oversize Folder 14) |
| Photo Box 56 | Folders 21-36 | La Comedie Francaise – 16 photographs |
| Box 20 | Folder 58 | Marian Anderson. February 18, 1965 – House reports and notes |
| Box 20 | Folder 59 | Marian Anderson – Clippings, promotional material |
| Box 20 | Folder 60 | Marian Anderson – Programs |
1965-1966 Season, Subscription Series
| Box 21 | Folder 1 | Press releases and promotional material |
| Box 21 | Folder 2 | Excerpts from reviews |
| Box 21 | Folder 3 | The Cocktail Party by T.S. Eliot. October 22-[?], 1965. Directed by John Reich, sets by Richard Kent Wilcox, women's costumes by Russell Kohn and Millie Oppenheimer, lights by G.E. Naselius, ...starring Robert Flemyng, with Brenda Forbes – Technical notes |
| Box 21 | Folder 4 | The Cocktail Party – Scenic plans (See: Oversize Folder 16) |
| Box 21 | Folder 5 | The Cocktail Party – Poster (See: Oversize Poster Box 1) |
| Box 21 | Folder 6 | The Cocktail Party – Press releases and promotional material |
| Box 21 | Folder 7 | The Cocktail Party – Programs |
| Box 21 | Folder 8 | The Cocktail Party – Reviews and clippings |
| Photo Box 57 | Folders 1-15 | The Cocktail Pary – 15 photographs |
| Box 21 | Folder 9 | The Winter's Tale by William Shakespeare. November 26-[?], 1965. Directed by Bella Itkin, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Patrick Henry, choreography by Frances Allis, music by John Towney, ...starring Leo Ciceri, with Linda Hunt – Programs and promotional material |
| Box 21 | Folder 10 | The Winter's Tale – Reviews and clippings |
| Oversize Box 1 | The Winter’s Tale – Poster | |
| Photo Box 57 | Folders 16-21 | The Winter’s Tale – 6 photographs |
| Box 21 | Folder 11 | The Pedestrian in the Air (Le Pieton de l'Air) by Eugene Ionesco, translated by Donald Watson. American Premiere, January 7-[?], 1966. Directed by Joseph Slowik, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, ...starring Alvin Epstein – Script |
| Box 21 | Folder 12 | The Pedestrian in the Air (Le Pieton de l'Air) – Technical notes |
| Box 21 | Folder 13 | The Pedestrian in the Air (Le Pieton de l'Air) – Scenic plans (See: Oversize Folder 16) |
| Box 21 | Folder 14 | The Pedestrian in the Air (Le Pieton de l'Air) – Press releases and promotional material |
| Box 21 | Folder 15 | The Pedestrian in the Air (Le Pieton de l'Air) – Reviews and clippings |
| Box 21 | Folder 16 | The Pedestrian in the Air (Le Pieton de l'Air) – Programs |
| Oversize Box 1 | The Pedestrian in the Air (Le Pieton de l’Air) – Poster | |
| Photo Box 57 | Folders 22-27 | The Pedestrian in the Air – 6 photographs |
| Box 21 | Folder 17 | Dylan by Sidney Michaels. February [?], 1966. Directed by Charles McGaw, sets by George Pettit, costumes by Uta Olson, lights by G.E. Naselius, ...starring Jerome Kilty – Technical notes |
| Box 21 | Folder 18 | Dylan – Scenic plans (See: Oversize Folder 16) |
| Box 21 | Folder 19 | Dylan – Press releases and promotional material |
| Box 21 | Folder 20 | Dylan – Programs |
| Box 21 | Folder 21 | Dylan – Reviews |
| Oversize Box 1 | Dylan – Poster | |
| Photo Box 57 | Folders 28-36 | Dylan – 9 photographs |
| Box 21 | Folder 22 | The Skin of Our Teeth by Thornton Wilder. March [?], 1966. Directed by Patrick Henry, sets designed by Richard Kent Wilcox, costumes by Kurt Wilhelm, lights by G.E. Naselius, ...starring Edward Binn and Eugenie Leontovich, with Beverly Younger and Carrie Snodgrass – Technical notes |
| Box 21 | Folder 23 | The Skin of Our Teeth – Scenic plans (See: Oversize Folder 16) |
| Box 21 | Folder 24 | The Skin of Our Teeth – Press releases and promotional material |
| Box 21 | Folder 25 | The Skin of Our Teeth – Reviews and clippings |
| Box 21 | Folder 26 | The Skin of Our Teeth – Programs |
| Photo Box 57 | Folders 37-48 | The Skin of Our Teeth – 12 photographs/negatives |
| Oversize Box 1 | The Skin of Our Teeth – Poster | |
| Box 21 | Folder 27 | Galileo by Bertolt Brecht, last version of the play translated by Desmond I. Vesey. May [?], 1966. Directed by Howard da Silva, sets by James Maronek, costumes by D. Hudson Sheffield, music by Hans Eisler and William Mathieus, lights by G.E. Naselius, ...starring Morris Carnovsky, with Maurice Copeland – Prop list |
| Box 21 | Folder 28 | Galileo – Floor plans (See: Oversize Folder 16) |
| Box 21 | Folder 29 | Galileo – Press releases and promotional material |
| Box 21 | Folder 30 | Galileo – Programs |
| Box 21 | Folder 31 | Galileo – Reviews and clippings |
| Oversize Box 1 | Galileo – Poster | |
| Photo Box 58 | Folders 1-25 | Galileo – 25 photographs/negatives |
1965-1966 Season, Studio
| Box 22 | Folder 1 | Alcestis by Euripides. October 25-28, 1965. Directed by Charles Likar, Jr., sets and costumes by Kurt Wilhelm, lights by Woolley – Programs |
| Photo Box 58 | Folders 26-28 | Alcestis – 3 photographs |
| Box 22 | Folder 2 | The House of Bernarda Alba by Federico Garcia Lorca. November 29-December 2, 1965. Directed by William Pappas, sets by Reid Carlson, costumes by Joan Kleinbard, lights by Carmine Picarella,...with Carrie Snodgrass – Programs |
| Photo Box 58 | Folders 39-30 | The House of Bernarda Alba – 2 photographs |
| Box 22 | Folder 3 | The Crucible by Arthur Miller. January 10-13, 1966. Directed by Robert Loxley, sets by Erwin Schroeter, costumes by James Larsen, lights by Frank Kaufman – Programs |
| Photo Box 58 | Folders 31-32 | The Crucible – 2 photographs |
| Box 22 | Folder 4 | Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman. February 21-24, 1966. Directed by Robert Steinhauer, sets by Thomas Dorwart, costumes by Marianne Powell, lights by Richard Cortright – Programs |
| Photo Box 58 | Folders 33-34 | Spoon River Anthology – 2 photographs |
| Box 22 | Folder 5 | Summer of the Seventeenth Doll by Ray Lawler. April 4-5, 1966. Directed by Khalid Rahman – Program |
| Box 22 | Folder 6 | Many Moons by James Thurber, adapted by Charlotte Chorpenning. May 9-10, 1966. Directed by Jean Thornton, ...with Carrie Snodgrass – Programs |
| Box 22 | Folder 7 | Activents and Happenchances – a Celebritual for 10/130; I Have a Lady in the Balcony, Doctor!; Focus! Bofus?; and US(-a). [May 16-19, 1966]. Directed by Patrick Henry – Programs |
1965-1966 Season, Children’s Theatre
| Box 22 | Folder 8 | General promotional material and press releases |
| Box 22 | Folder 9 | Summer Theatre Programs: press releases, clippings, and teacher's guides |
| Box 22 | Folder 10 | The Wind in the Willows by Joseph Baldwin, adapted from the book by Kenneth Grahame. October 9-December 12, 1965. Directed by Joseph Slowik, sets designs by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, ...with Carrie Snodgrass – Script |
| Box 22 | Folder 11 | The Wind in the Willows – Prop lists |
| Box 22 | Folder 12 | The Wind in the Willows – Sketches (See: Oversize Folder 15) |
| Box 22 | Folder 13 | The Wind in the Willows – Programs |
| Box 22 | Folder 14 | The Wind in the Willows – Miscellany |
| Photo Box 58 | Folders 35-47 | The Wind in the Willows – 13 photographs |
| Box 22 | Folder 15 | Rapunzel and the Witch by Jack Melanos. December 18, 1965-March 6, 1966. Directed by Charles Likar, Jr., sets by George Pettit, costume design by Kurt Wilhelm, lights by Tom Bartlett – Prop lists |
| Box 22 | Folder 16 | Rapunzel and the Witch – Scenic plans (See: Oversize Folder 15) |
| Box 22 | Folder 17 | Rapunzel and the Witch – Press releases |
| Box 22 | Folder 18 | Rapunzel and the Witch – Programs |
| Oversize Box 1 | Rapunzel and the Witch – Poster | |
| Photo Box 58 | Folders 48-51 | Rapunzel and the Witch – 4 photographs |
| Box 22 | Folder 19 | Peter Pan by James M. Barrie. March 12-May 29, 1966. Directed by Bella Itkin, set designs by Reid Carlson, costumes by James Larsen, lighting by John Woolley, ...starring Linda Hunt, with Carrie Snodgrass – Prop list |
| Box 22 | Folder 20 | Peter Pan – Scenic plans (See: Oversize Folder 15) |
| Box 22 | Folder 21 | Peter Pan – Press releases |
| Box 22 | Folder 22 | Peter Pan – Programs |
| Oversize Box 1 | Peter Pan – Poster | |
| Photo Box 59 | Folders 1-9 | Peter Pan – 9 photographs/negatives |
| Box 22 | Folder 23 | Reynard the Fox by Arthur Fauquez. June 27-August 20, 1966. Directed by Bella Itkin, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius – Correspondence |
| Box 22 | Folder 24 | Reynard the Fox – Programs (photocopies) |
| Box 22 | Folder 25 | Hansel and Gretel by William Glennon. June 28-August 20, 1966. Directed by William Bennett Steinhauer, sets designed by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, ...with Carrie Snodgrass – Correspondence |
| Box 22 | Folder 26 | Hansel and Gretel – Clipping |
| Box 22 | Folder 27 | Hansel and Gretel – Program |
| Photo Box 59 | Folders 10-14 | Hansel and Gretel – 5 photographs |
1965-1966 Season, Special Events
| Box 22 | Folder 28 | The Misanthrope by Moliere, translated by Richard Wilbur. University of Chicago Professional Theatre Program, at the Law School Auditorium of the University of Chicago, [1965-1966]. Directed and produced by John Reich, sets by James Maronek, costumes by D. Hudson Sheffield, ...with George Grizzard and Barbara Boxley – Reviews, clippings, and programs |
| Oversize Folder 16 | The Misanthrope – Set designs | |
| Photo Box 59 | Folders 15-16 | The Misanthrope – 2 photographs |
1967-1968 Season, Subscription Series
| Box 23 | Folder 1 | Press releases and promotional material |
| Box 23 | Folder 2 | Excerpts from reviews |
| Box 23 | Folder 3 | Production schedules and staffing |
| Box 23 | Folder 4 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade by Peter Weiss. October 21-November 16, 1966. Directed by Charles McGaw, sets designed by James Maronek, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Peaslee, ...co-starring Jerome Kilty and James Ray – Correspondence |
| Box 23 | Folder 5 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade – Scenic plans (See: Oversize Folder 18) |
| Box 23 | Folder 6 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade – Press release and promotional material |
| Box 23 | Folder 7 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade – Reviews and clippings |
| Box 23 | Folder 8 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade – Programs |
| Photo Box 59 | Folders 17-34 | The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade – 18 photographs/negatives |
| Box 23 | Folder 9 | Tartuffe by Moliere, translated into English verse by Richard Wilbur. November 25-December 18, 1966. Directed by John Reich, sets by George Pettit, costumes by Uta Olson, lighting designed by G.E. Naselius, ...starring Jerome Kilty, with Edgar Daniels, Sue Ann Park, and Carrie Snodgrass – Scenic plans (See: Oversize Folder 18) |
| Box 23 | Folder 10 | Tartuffe – Press releases and promotional material |
| Box 23 | Folder 11 | Tartuffe – Programs |
| Photo Box 59 | Folders 35-37 | Tartuffe – 3 photographs |
| Box 23 | Folder 12 | The Eccentricities of a Nightingale (rewritten version of Summer and Smoke) by Tennessee Williams. World Premiere, January 13¬February 5, 1967. Directed by Bella Itkin, sets by Marc Cohen, costumes by Marna King, lights by G.E. Naselius, ...starring Dolores Sutton and Lee Richardson, with Beverly Younger – Scenic plans (See: Oversize Folder 18) |
| Box 23 | Folder 13 | The Eccentricities of a Nightingale – Press releases and promotional material |
| Box 23 | Folder 14 | The Eccentricities of a Nightingale – Programs |
| Photo Box 59 | Folders 38-52 | The Eccentricities of a Nightingale – 15 photographs |
| Phot Box 59 | Folder 53 | The Eccentricities of a Nightingale, rehearsal – 1 photograph |
| Box 23 | Folder 15 | Much Ado About Nothing by William Shakespeare. February 17-[?], 1967. Directed by Joseph Slowik, sets by George Pettit, costumes by Uta Olson, lights by Jerrold Gorrell, music by Nina Reta, ...co-starring Carrie Nye and James Ray, with Vincent Park – Press releases and promotional material |
| Box 23 | Folder 16 | Much Ado About Nothing – Reviews and clippings |
| Box 23 | Folder 17 | Much Ado About Nothing – Programs |
| Photo Box 60 | Folders 1-22 | Much Ado About Nothing – 22 photographs |
| Box 23 | Folder 18 | A Dream Play by August Strindberg, new translation by Evert Sprinchorn, verse scenes adapted by Lisel Mueller. World Premiere of Translation, March 31¬April 23, 1967. Directed by John Reich, production designed by James Maronek, costumes by Marna King, lights and choreography by Frances Allis, ...starring Gloria Foster with Frank Savino – Script: Annotated Goodman Theatre Acting Version, by John Reich |
| Box 23 | Folder 19 | A Dream Play – Prop list |
| Box 23 | Folder 20 | A Dream Play – Floor plans |
| Box 23 | Folder 21 | A Dream Play – Press releases and promotional material |
| Box 23 | Folder 22 | A Dream Play – Reviews and clippings |
| Box 23 | Folder 23 | A Dream Play – Programs |
| Photo Box 60 | Folders 23-33 | A Dream Play – 11 photographs |
| Box 23 | Folder 24 | Oh, What a Lovely War, by Joan Littlewood's Theatre Workshop. May 5-28, 1967. Directed by Patrick Henry, set designs by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by John Cina, ...starring Terry Lomax – Script |
| Box 23 | Folder 25 | Oh, What a Lovely War – Prop list |
| Box 23 | Folder 26 | Oh, What a Lovely War – Scenic plans (See: Oversize Folder 18) |
| Box 23 | Folder 27 | Oh, What a Lovely War – Press releases and promotional material |
| Box 23 | Folder 28 | Oh, What a Lovely War – Programs |
| Photo Box 60 | Folders 34-53 | Oh, What a Lovely War – 19 photographs/negatives |
1966-1967 Season, Studio
| Box 23 | Folder 29 | Auto-da-Fe, The Gnadiges Fraulein, and The Long Stay Cut Short by Tennessee Williams. October 24-30, 1966. Directed by Robert Leonard, sets by Michael Latoria, costumes by James Larsen, lighting by David Barton – Programs |
| Photo Box 60 | Folders 53-57 | Auto-da-Fe, The Gnadiges and The Long Stay Cut Short – 5 photographs |
| Box 23 | Folder 30 | Three One-Acts: The Romantics, by Mike Kactschman and directed by Ginger Flick; Pigeons, by Lawrence Osgood and directed by Martin Brenzell; and Ginger Anne, by Deric Washburn and directed by Al Fenske. December 1-2, 1966 – Program |
| Box 23 | Folder 31 | The Death and Life of Sneaky Fitch by James L. Roseberg. World Premiere, January 16-22, 1967. Directed by Patrick Henry, sets by Thomas Clark, costumes by Marianne Powell, lighting by Edgar Swift – Programs |
| Box 23 | Folder 32 | The Long Christmas Dinner by Thornton Wilder. January 16-17, 1967. Directed by John Towey, ...with Carrie Snodgrass – Programs |
| Box 23 | Folder 33 | The Chalk Garden by Enid Bagnold. February 20-26, 1967. Directed by Robert Leonard, sets by Mary Feindt, costumes by James Larsen, lighting by Len Sherwin – Programs |
| Photo Box 60 | Folders 58-59 | The Chalk Garden – 2 photographs |
| Box 23 | Folder 34 | Chamber Music by Arthur Kopit. February 27, 1967. Directed by Martin Brezell – Programs |
| Box 23 | Folder 35 | And So to Bed by J.B. Fagan. May 8-14, 1967. Directed by Eugenie Leontovich, sets designed by Linda Wukovich, costumes by Marcy Stein, lighting by Lawrence Dean – Programs |
| Photo Box 60 | Folders 60-61 | And So to Bed – 2 photographs |
1966-1967 Season, Children’s Theatre
| Box 23 | Folder 36 | General promotional material |
| Box 23 | Folder 37 | The Puppet Prince, or Nicolo and Nicollette by Alan Cullen. October 8-December 11, 1966. Directed by Bella Itkin, sets by Thomas Dorwart, costumes by Karen Cahill, lighting by Robert Cortright, choreography by Frances Allis – Press release, programs |
| Oversize Folder 17 | The Puppet Prince, or Nicolo and Nicollette – Floor plans | |
| Photo Box 61 | Folders 1-17 | The Puppet Prince, Nicolo and Nicollette – 17 photographs |
| Box 23 | Folder 38 | Androcles and the Lion by Aurand Harris. December 17, 1966-March 12, 1967. Directed by Paul Sills, sets designed by Thomas Dorwart, costumes by Marianne Powell, lights by Frank Kaufman, music adapted from the original score of Glenn Mack – Press releases and promotional material, programs |
| Oversize Folder 17 | Androcles and the Lion – Scenic plans | |
| Oversize Box 1 | Androcles and the Lion – Poster | |
| Photo Box 61 | Folders 18-25 | Androcles and the Lion – 8 photographs |
| Box 23 | Folder 39 | Jack and the Beanstalk, dramatized by Charlotte Chorpenning. March 18-May 28, 1967. Directed by Bella Itkin, set design by Tom Clark, costumes by James Larsen, lights by Carmen Picarello, choreography by Frances Allis |
| Photo Box 61 | Folders 26-39 | Jack and the Beanstalk – 14 photographs |
| Box 23 | Folder 40 | The Dancing Donkey, by Erik Vos and directed by Bella Itkin (with Carrie Snodgrass), and The Unwicked Witch, by Madge Miller and directed by Robert Leonard. July 5-September 3, 1967. Scene design by Marc Cohen, costume design by D. Hudson Sheffield, lights by G.E. Naselius. Music by John Towey – Programs |
| Oversize Folder 17 | The Dancing Donkey and The Unwicked Witch – Floor plans | |
| Photo Box 61 | Folders 40-42 | The Unwicked Witch – 3 photographs |
1966-1967 Season, Special Events
| Box 23 | Folder 41 | Of What Use is a Serious Theatre, a lecture by Tyrone Guthrie. February 12, 1967 – Press release |
1967-1968 Season, Subscription Series
| Box 24 | Folder 1 | General press releases and promotional material |
| Box 24 | Folder 2 | Excerpts from Reviews |
| Box 24 | Folder 3 | The Miser by Moliere, translated by George Gravely. October 20-November 15, 1967. Directed by John Reich, sets designed by Marc Cohen, costumes by D. Hudson Sheffield, lights by Edgar Swift, ...starring Bramwell Fletcher, with Donna Holabird – Floor plans (See: Oversize Folder 20) |
| Box 24 | Folder 4 | The Miser – Reviews and clippings |
| Box 24 | Folder 5 | The Miser – Programs |
| The Miser – Oversize Poster Box 1 | ||
| Photo Box 61 | Folders 43-53 | The Miser – 11 photographs/negatives |
| Box 24 | Folder 6 | The Balcony by Jean Genet, translated by Bernard Frechtman. November 24-December 20, 1967. Directed by Patrick Henry, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Bob Hartman, choreography by Thomas Jaremba, ...starring Delphi Lawrence, with Jay Lanin – Pre-production research |
| Box 24 | Folder 7 | The Balcony – Floor plan (See: Oversize Folder 20) |
| Box 24 | Folder 8 | The Balcony – Costume designs |
| Box 24 | Folder 9 | The Balcony – Production assignments and budget |
| Box 24 | Folder 10 | The Balcony – Poster (See: Oversize Poster Box 1) |
| Box 24 | Folder 11 | The Balcony – Press release |
| Box 24 | Folder 12 | The Balcony – Reviews and clippings |
| Box 24 | Folder 13 | The Balcony – Programs |
| Photo Box 61 | Folders 54-58 | The Balcony – 5 photographs/negatives |
| Box 24 | Folder 14 | Caesar and Cleopatra by George Bernard Shaw. January 12-February 7, 1968. Warren Enters as guest director, sets designed by George Pettit, costumes by D. Hudson Sheffield, lights by Jerold Gorell, music by Anthony Peraino, ...starring Murray Matheson, with Carrie Snodgrass and Joe Mantegna – Correspondence |
| Box 24 | Folder 15 | Caesar and Cleopatra – Floor plans (See: Oversize Folder 20) |
| Box 24 | Folder 16 | Caesar and Cleopatra – Technical notes |
| Box 24 | Folder 17 | Caesar and Cleopatra – Press releases and promotional material |
| Box 24 | Folder 18 | Caesar and Cleopatra – Reviews and clippings |
| Box 24 | Folder 19 | Caesar and Cleopatra – Programs |
| Oversize Box 1 | Caesar and Cleopatra – Poster | |
| Photo Box 62 | Folders 1-25 | Caesar and Cleopatra – 25 photographs/negatives |
| Box 24 | Folder 20 | Othello by William Shakespeare. February 16-March 13, 1968. Directed by Charles McGaw, sets by James Maronek, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, ...starring James Earl Jones and Len Cariou – Press releases and promotional material |
| Box 24 | Folder 21 | Othello – Reviews and clippings |
| Box 24 | Folder 22 | Othello – Programs |
| Box 24 | Folder 23 | Othello – Pre-production research |
| Oversize Box 1 | Othello – Poster | |
| Photo Box 62 | Folders 26-40 | Othello – 15 photographs/negatives |
| Box 24 | Folder 24 | A Man's a Man by Bertolt Brecht, translated by Eric Bentley. March 29-April 24, 1968. Directed by Joseph Slowik, sets designed by James Maronek, costumes by D. Hudson Sheffield, lights by G.E. Naselius, music by Joseph Raposo, ...starring Terry Lomax, with Helena Carroll – Correspondence |
| Box 24 | Folder 25 | A Man's a Man – Reviews and clippings |
| Box 24 | Folder 26 | A Man's a Man – Programs |
| Box 24 | Folder 27 | A Man's a Man – Press release |
| Box 24 | Folder 28 | A Man's a Man – Pre-production research |
| Oversize Box 1 | A Man's a Man – Poster | |
| Photo Box 62 | Folders 41-54 | A Man’s a Man – 14 photographs |
| Box 24 | Folder 29 | A Flea in Her Ear by Georges Feydeau, translated by John Mortimer. May 3-29, 1968. Warren Enters as guest director, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Jerrold Gorrell, ...starring Hiram Sherman – Correspondence |
| Box 24 | Folder 30 | A Flea in Her Ear – Floor plans (See: Oversize Folder 20) |
| Box 24 | Folder 31 | A Flea in Her Ear – Press releases and promotional material |
| Box 24 | Folder 32 | A Flea in Her Ear – Reviews and clippings |
| Box 24 | Folder 33 | A Flea in Her Ear – Programs |
| Oversize Box 1 | A Flea in Her Ear – Box | |
| Photo Box 62 | Folders55-73 | A Flea in Her Ear – 19 photographs/negatives |
1967-1968 Season, Studio
| Box 24 | Folder 34 | All the Way Home, by Tad Mosel, based on the novel A Death in the Family by James Agee. October 23-28, 1967. Warren Enters as guest director, sets by Gary Gorman, costumes by Marcy Stine, lighting by Lawrence Dean, ...with Carrie Snodgrass – Programs |
| Photo Box 63 | Folders 1-10 | All the Way Home – 20 photographs |
| Box 24 | Folder 35 | The Sea Gull by Anton Chekhov. November 27-December 2, 1967. Directed by Eugenie Leontovich, sets by Mary Feindt, costumes by D. Hudson Sheffield, lighting by Edgar Swift – Programs |
| Photo Box 63 | Folders 11-19 | The Sea Gull – 9 photographs |
| Box 24 | Folder 36 | The Room (set design by Robert Hartman) and The Collection (sets by Linda Wukovich) by Harold Pinter. January 15-21, 1968. Directed by Joseph Slowik, costumes by Al Tucci, lighting by Gerald Thamm – Programs |
| Box 24 | Folder 37 | The Women by Clare Booth Luce. February 19-24, 1968. Directed by Fred Wroblewski, sets designed by Warren Scott, lights by Lymon Dunning, costumes by Bupha Chuvisavaphongh – Programs |
| Box 24 | Folder 38 | The Collection by Harold Pinter. March 26, 1968. Directed by John Reich, lighting by Jerrold Gorrell, costumes by Al Tucci – Programs |
| Box 24 | Folder 39 | The Dog in the Manger by Lope de Vega. April 1-6, 1968. Directed by Eugenie Leontovich, sets by Joseph Nieminski, costumes by James Larsen, lights by John O'Connor – Programs |
| Box 24 | Folder 40 | The Rimers of Eldritch by Lanford Wilson. May 6-11, 1968. Directed by Patrick Henry, sets by Allan Traynor, costumes by Marcy Stine, lights by Lawrence Dean – Programs |
| Box 24 | Folder 41 | Viet Rock by Megan Terry. [April 25, 1968?]. A Sub-Studio production directed by Thomas Racina, ...with Joe Mantegna – Programs |
1967-1968 Season, Children’s Theatre
| Box 24 | Folder 42 | General promotional material |
| Box 24 | Folder 43 | Trudi and the Minstrel by Allen Cullen. October 7-December 10, 1967. Directed by Joseph Slowik, set designed by George Pettit, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, original music by Carey Gold and Roderick Horn – Floor plans, prop lists, promotional materials, programs |
| Oversize Box 1 | Trudi and the Minstrel – Poster | |
| Photo Box 63 | Folders 20-29 | Trudi and the Minstrel – 10 photographs |
| Box 24 | Folder 44 | The Hare and the Tortoise, or The Great Cross Country Race by Alan Broadhurst. December 16, 1967-March 10, 1968. Directed by Bella Itkin, sets by Warren Sodt, costumes by Virgil Johnson, lights by Edgar Swift, choreography by Thomas Jaremba – Floor plan, production assignments, clippings, promotional material, programs |
| Oversize Box 1 | The Hare and the Tortoise, or The Great Cross Country Race – Poster | |
| Photo Box 63 | Folders 30-42 | The Hare and the Tortoise, or The Great Cross Country Race – 13 photographs/negatives |
| Box 24 | Folder 45 | A Midsummer Night's Dream by William Shakespeare, adapted for children by Bella Itkin. March 16-May 26, 1968. Directed by Bella Itkin, sets and projections designed by Gary Gorman, costumes by designed by Mary Stine, lights by Lawrence Dean, choreography by Thomas Jaremba, original music and lyrics by Thom Racina – Promotional material, clippings, and programs |
| Oversize Box 1 | A Midsummer Night's Dream – Poster | |
| Photo Box 63 | Folders 43-60 | A Midsummer Night’s Dream – 18 photographs |
| Box 24 | Folder 46 | The Magic Isle by Wesley Van Tassel, with music and lyrics by Mark Ollington, adapted from original commedia materials created by Russell Graves. July 3-August 24, 1968. Directed by Bella Itkin, sets by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by Thom Racina – Study guide, promotional material, press release, programs |
| Oversize Folder 19 | The Magic Isle – Floor plans | |
| Oversize Box 1 | The Magic Isle – Poster | |
| Photo Box 63 | Folders 61-66 | The Magic Isle – 6 photographs |
| Photo Box 64 | Folders 1-2 | Reynard the Fox. Summer 1968 – 2 photographs |
1967-1968 Season, Special Events
| Box 24 | Folder 47 | Bramwell Fletcher as George Bernard Shaw. November 13, 1967 – Promotional material |
| Box 24 | Folder 48 | The Vienna Burg Theatre in Der Junge Goethe. March 18-19, 1968 – Correspondence |
| Box 24 | Folder 49 | The Vienna Burg Theatre in Der Junge Goethe – Promotional material and reviews |
| Box 24 | Folder 50 | The Vienna Burg Theatre in Der Junge Goethe – Script |
| The Misanthrope by Moliere. At Ravinia, [1967-1968] (See: Oversize Folder 20: Set designs |
1968-1969 Season, Subscription Series
| Box 25 | Folder 1 | General press releases and promotional material |
| Box 25 | Folder 2 | The Salzburg Great Theatre of the World by Hugo von Hofmannsthal, translated by Lisel Mueller and John Reich. World Premiere in English, October 4-November 2, 1968. Directed by John Reich, sets by James Maronek, costumes by E. Oliver Olsen, costumes by Alicia Finkel, choreography by Thomas Jaremba, lights by G.E. Naselius, music by Robert Lombardo, ...starring Edgar Daniels, with Dina Halpern and Maurice Copeland – Script: Ribbon copy with translation credited to John Reich |
| Box 25 | Folder 3 | The Salzburg Great Theatre of the World – Script: Master copy with translation credited to Lisel Mueller and John Reich |
| Box 25 | Folder 4 | The Salzburg Great Theatre of the World – Floor plans and elevations (See: Oversize Folder 23) |
| Box 25 | Folder 5 | The Salzburg Great Theatre of the World – Poster (See: Oversize Poster Box 1) |
| Box 25 | Folder 6 | The Salzburg Great Theatre of the World – Press releases and promotional material |
| Box 25 | Folder 7 | The Salzburg Great Theatre of the World – Reviews and clippings |
| Box 25 | Folder 8 | The Salzburg Great Theatre of the World – Programs |
| Photo Box 64 | Folders 3-16 | The Salzburg Great Theatre of the World – 14 photographs/negatives |
| Box 25 | Folder 9 | The Death and Life of Sneaky Fitch by James Rosenberg. November 15-December 14, 1968. Directed by Joseph Slowik, sets by Marc Cohen, costumes by E. Oliver Olsen, lighting by G.E. Naselius, choreography by Thomas Jaremba, ...starring Jerry Harper, with Win Stracke – Floor plans and elevations (See: Oversize Folder 23) |
| Box 25 | Folder 10 | The Death and Life of Sneaky Fitch – Poster (See: Oversize Poster Box 1) |
| Box 25 | Folder 11 | The Death and Life of Sneaky Fitch – Press releases and promotional material |
| Box 25 | Folder 12 | The Death and Life of Sneaky Fitch – Reviews and clippings |
| Box 25 | Folder 13 | The Death and Life of Sneaky Fitch – Programs |
| Photo Box 64 | Folders 17-24 | The Death and Life of Sneaky Fitch – 8 photographs |
| Box 25 | Folder 14 | Red Roses for Me by Sean O'Casey. January 3-February 1, 1969. John O'Shaugnessy as guest director, sets by James Maronek, costumes by E. Oliver Olsen, lights by Jerrold Gorrell, choreography by Thomas Jaremba, music by Robert Lombardo – Floor plans (See: Oversize Folder 23) |
| Box 25 | Folder 15 | Red Roses for Me – Poster (See: Oversize Poster Box 1) |
| Box 25 | Folder 16 | Red Roses for Me – Press releases and promotional material |
| Box 25 | Folder 17 | Red Roses for Me – A Note on the Play, by John O'Shaugnessy |
| Box 25 | Folder 18 | Red Roses for Me – Reviews and clippings |
| Box 25 | Folder 19 | Red Roses for Me – Programs |
| Photo Box 64 | Folders 25-51 | Red Roses for Me – 27 photographs/negatives |
| Box 25 | Folder 20 | Measure for Measure by William Shakespeare. February 14-March 15, 1969. Directed by Charles McGaw, sets by Marc Cohen, costumes by Alicia Finkel, lights by G.E. Naselius, music by Kelly Danford, ...with Donald Harron, Clayton Corzatte, and Haskel Gordon – Floor plans and elevations (See: Oversize Folder 23) |
| Box 25 | Folder 21 | Measure for Measure – Press releases and promotional material |
| Box 25 | Folder 22 | Measure for Measure – Reviews and clippings |
| Box 25 | Folder 23 | Measure for Measure – Programs |
| Photo Box 64 | Folders 52-59 | Measure for Measure – 8 photographs |
| Box 25 | Folder 24 | Tom Paine by Paul Foster. Midwest Premiere, March 28-April 26, 1969. Directed by Patrick Henry, sets by Joseph Nieminski, costumes by Virgil Johnson, lights by Jerold Gorell, music by Tom O'Horgan, ...starring Michael Higgins, with Ellen Travolta – Correspondence |
| Box 25 | Folder 25 | Tom Paine – Research |
| Box 25 | Folder 26 | Tom Paine – Press releases and promotional material |
| Box 25 | Folder 27 | Tom Paine – Reviews and clippings |
| Box 25 | Folder 28 | Tom Paine – Programs |
| Oversize Folder 23 | Tom Paine – Set designs | |
| Photo Box 25 | Folders 1-9 | Tom Paine – 9 photographs/negatives |
| Box 25 | Folder 29 | The Recruiting Officer by George Farquhar. May 9-June 7, 1969. John Harrison as guest director from London, set designed by James Maronek, costumes by Alicia Finkel, lighting by G.E. Naselius, ...co-starring Ronnie Graham and Jerome Kilty, with Maurice Copeland – Research |
| Box 25 | Folder 30 | The Recruiting Officer – Floor plan (See: Oversize Folder 23) |
| Box 25 | Folder 31 | The Recruiting Officer – Poster (See: Oversize Folder 21) |
| Box 25 | Folder 32 | The Recruiting Officer – Press releases and promotional material |
| Box 25 | Folder 33 | The Recruiting Officer – Reviews and clippings |
| Box 25 | Folder 34 | The Recruiting Officer – Programs |
| Photo Box 65 | Folders 10-26 | The Recruiting Officer – 17 photographs/negatives |
1968-1969 Season, Studio
| Box 26 | Folder 1 | The Firebugs by Max Frisch. Midwest Premiere, October 7-12, 1968. John O'Shaugnessy as guest director, sets by Alan Traynor, costumes by Al Tucci, lights by Gerald Thamm – Production assignment sheets and programs |
| Box 26 | Folder 2 | The Firebugs – Correspondence |
| Box 26 | Folder 3 | The Great Git-Away by Romeo Muller. World Premiere, November 18-23, 1968. Directed by Patrick Henry, lighting designed by Bengt Nygren, costumes by Jeanne Sinclaire – Program |
| Photo Box 65 | Folder 27 | The Great Git-Away – 1 photograph |
| Box 26 | Folder 4 | Eh? by Henry Livings. February 17-22, 1969. Directed by Jay Jans, sets by Oseloka Osadebe, costumes by Bupha Chuvisavaphong, lights by Robert McLay – Programs and production assignment sheets |
| Photo Box 65 | Folder 28 | Eh? – 1 photograph |
| Box 26 | Folder 5 | Brecht on Brecht by George Tabori. April 1-5, 1969. Directed by Lewis Musil, sets by Norbert Fend, costumes by Madeline Grigg, lights by Frank Warner – Programs and correspondence |
| Box 26 | Folder 6 | After the Fall by Arthur Miller. [1969]. Directed by Alice Cohen, sets by Oseloka Osadebe, costumes by Al Tucci, lighting by Joseph Pohnan, ...with Guy Giarrizzo – Program |
| Oversize Folder 23 | After the Fall – Set designs | |
| Photo Box 65 | Folders 29-31 | After the Fall – 3 photographs |
| Box 26 | Folder 7 | Red Cross by Sam Shepard. April 7, 1969. Directed by Grace Dacanay – Program |
1968-1969 Season, Children’s Theatre
| Box 26 | Folder 8 | General promotional material |
| Box 26 | Folder 9 | Tanuki, the Mischievous Raccoon by Clive Rickabaugh. World Premiere, September 21-December 15, 1968. Directed by Bella Itkin, sets by Joseph Nieminski, costumes by Bupha Chuvisavaphong, lights by Gerald Thamm, choreography by Shiro Katagiri, ...with Guy Giarrizzo, and Joe Mantegna – Press releases and promotional material, clippings, programs |
| Oversize Box 1 | Tanuki, the Mischievous Raccoon – Poster | |
| Photo Box 65 | Folders 32-38 | Tanuki, the Mischievous Raccoon – 7 photographs |
| Box 26 | Folder 10 | The Man in the Moon, or A Trip to the Moon by Alan Cullen. December 21, 1968-March 9, 1969. Directed by Kelly Danford, sets by Alan Traynor, costumes by Albert Tucci, lights by Lyman Dunning, choreography by Thomas Jaremba, music by Kelly Danford, ...with Guy Giarrizzo and Joseph Mantegna – Press releases and promotional material, programs |
| Oversize Folder 22 | The Man in the Moon, or A Trip to the Moon – Set designs | |
| Oversize Box 1 | The Man in the Moon, or A Trip to the Moon – Poster | |
| Photo Box 65 | Folders 39-61 | The Man in the Moon, or A Trip to the Moon – 23 photographs |
| Box 26 | Folder 11 | Don Quixote de la Mancha – Press releases and promotional material, reviews and clippings, programs |
| Oversize Box 1 | Don Quixote de la Mancha – Poster | |
| Oversize Folder 22 | Don Quixote de la Mancha – Set designs | |
| Photo Box 65 | Folders 62-66 | Don Quixote de la Mancha – 5 photographs |
| Box 26 | Folder 12 | The Canterville Ghost, dramatized by Darwin Reid Payne, from a short story by Oscar Wilde. July 8- August 16, 1969. Directed by Kelly Danford, sets by Joseph Nieminski, costumes by Virgil Johnson, lighting by G.E. Naselius, Act II ballet choreographed by Joseph Kuzniar, ...with Joe Mantegna – Actor sheets and cast list |
| Box 26 | Folder 13 | The Canterville Ghost – Script |
| Box 26 | Folder 14 | The Canterville Ghost – Press releases, programs, promotional material, reviews and clippings |
| Oversize Box 1 | The Canterville Ghost – Poster | |
| Photo Box 65 | Folders 67-69 | The Canterville Ghost – 3 photographs/negatives |
1969-1970 Season, Subscription Series
| Box 26 | Folder 15 | General press releases and promotional material |
| Box 26 | Folder 16 | General clippings |
| Box 26 | Folder 17 | Soldiers by Rolf Hochhuth. October 20-November 23, 1969. Directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lighting designed by G.E. Naselius, scenery painted by Robert Moody – Pre-production research |
| Box 26 | Folder 18 | Soldiers – Production Stage Manager's Book: Technical notes |
| Box 26 | Folder 19 | Soldiers – Production Stage Manager's Book: Script (incomplete) |
| Box 26 | Folder 20 | Soldiers – Script |
| Box 26 | Folder 21 | Soldiers – Technical notes |
| Box 26 | Folder 22 | Soldiers – Scenic plans (See: Oversize Folder 26a) |
| Box 26 | Folder 23 | Soldiers – Press releases and promotional material |
| Box 26 | Folder 24 | Soldiers – Reviews and clippings |
| Box 26 | Folder 25 | Soldiers – Programs |
| Oversize Folder 24 | Soldiers – Poster | |
| Photo Box 66 | Folders 1-19 | Soldiers – 19 photographs |
| Box 27 | Folder 1 | You Can't Take It With You by George S. Kaufman and Moss Hart. December 1-21, 1969. Directed by Edward Payson Call, sets by Marc Cohen, costume design by Virgil Johnson, lighting by G.E. Naselius, scenery painted by Robert Moody – Correspondence and pre-production research (July 23-November 6, 1969) |
| Box 27 | Folder 2 | You Can't Take It With You – Annotated script |
| Box 27 | Folder 3 | You Can't Take It With You – Scenic plans (See: Oversize Folder 26a) |
| Box 27 | Folder 4 | You Can't Take It With You – Technical notes |
| Box 27 | Folder 5 | You Can't Take It With You – Press releases and promotional material |
| Box 27 | Folder 6 | You Can't Take It With You – Reviews and clippings |
| Box 27 | Folder 7 | You Can't Take It With You – Programs |
| Photo Box 66 | Folders 20-41 | You Can’t Take It With You – 22 photographs |
| Box 27 | Folder 8 | The Tempest by William Shakespeare. January 19-February 22, 1970. Directed by Douglas Seale, sets by James Maronek, costumes by Alicia Finkel, scenery painted by Robert Moody, choreography by Wilbert Bradley, original music and electronic effects by Robert Lombardo, lighting design by Jerold Gorrell – Annotated script, with technical notes |
| Box 27 | Folder 9 | The Tempest – Musical scores |
| Box 27 | Folder 10 | The Tempest – Scenic plans (See: Oversize Folder 26a) |
| Box 27 | Folder 11 | The Tempest – Watercolor prop sketch (See: Oversize Folder 26a) |
| Box 27 | Folder 12 | The Tempest – Technical notes |
| Box 27 | Folder 13 | The Tempest – Press releases and promotional material |
| Box 27 | Folder 14 | The Tempest – Reviews and clippings |
| Box 27 | Folder 15 | The Tempest – Programs |
| Box 27 | Folder 16 | The Tempest – Correspondence |
| Photo Box 67 | Folders 1-71 | The Tempest – 71 photographs/negatives |
| Box 28 | Folder 1 | The Basement (directed by Joseph Slowik) and The Tea Party (directed by Patrick Henry) by Harold Pinter. March 2-April 5, 1970. Sets by Joseph Nieminski, costumes by Al Tucci, lights by G.E. Naselius – Correspondence (April 18, 1969-February 12, 1970) |
| Box 28 | Folder 2 | The Basement – Stage Manager's Book: Technical notes |
| Box 28 | Folder 3 | The Basement – Stage Manager's Book: Script |
| Box 28 | Folder 4 | The Basement – Scenic plans (See: Oversize Folder 26b) |
| Box 28 | Folder 5 | The Basement – Floor plans and shift plots |
| Box 28 | Folder 6 | The Basement – Technical notes |
| Box 28 | Folder 7 | The Basement – Press releases and promotional material |
| Box 28 | Folder 8 | The Basement –Reviews and clippings |
| Box 28 | Folder 9 | The Basement – Programs |
| Photo Box 68 | Folders 1-80 | The Basement – 80 photographs/negatives |
| Photo Box 69 | Folders 1-20 | The Basement – 20 photographs/negatives |
| Box 28 | Folder 10 | The Man in the Glass Booth by Robert Shaw. April 13-May 17, 1970. Directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, Robert Moody as scenic artist – Stage Manager's Book: Script |
| Box 28 | Folder 11 | The Man in the Glass Booth – Stage Manager's Book: Technical notes |
| Box 28 | Folder 12 | The Man in the Glass Booth – Technical notes |
| Box 28 | Folder 13 | The Man in the Glass Booth – Scenic plans (See: Oversize Folder 26b) |
| Box 28 | Folder 14 | The Man in the Glass Booth – Promotional material |
| Box 28 | Folder 15 | The Man in the Glass Booth – Reviews and clippings |
| Box 28 | Folder 16 | The Man in the Glass Booth – Programs |
| Photo Box 69 | Folders 21-81 | The Man in the Glass Booth – 61 photographs/negatives |
| Box 28 | Folder 17 | Heartbreak House by George Bernard Shaw. May 25-June 28, 1970. Directed by Douglas Seale, sets designed by Marc Cohen, costumes by Virgil Johnson, lights by Jerrold Gorrell, Robert Moody as scenic artist – Correspondence |
| Box 28 | Folder 18 | Heartbreak House – Stage Manager's Book: Technical notes and script, Act I |
| Box 28 | Folder 19 | Heartbreak House – Stage Manager's Book: Script, Acts II and III |
| Box 28 | Folder 20 | Heartbreak House – Scenic plans (See: Oversize Folder 26b) |
| Box 28 | Folder 21 | Heartbreak House – Technical notes |
| Box 28 | Folder 22 | Heartbreak House – Promotional material |
| Box 28 | Folder 23 | Heartbreak House – Reviews and clippings |
| Box 28 | Folder 24 | Heartbreak House – Programs |
| Photo Box 70 | Folders 1-74 | Heartbreak House – 74 photographs/negatives |
1969-1970 Season, Studio
| Box 29 | Folder 1 | General press releases and promotional material |
| Box 29 | Folder 2 | Actors' biographies |
| Box 29 | Folder 3 | The Marowitz Hamlet by Charles Marowitz. October 12-18, 1969. Directed by Patrick Henry, sets and lights by Herbert Schmoll, costumes by Madeline Grigg, music by Walter Lowe – Reviews |
| Box 29 | Folder 4 | The Marowitz Hamlet – Programs |
| Photo Box 71 | Folder 1 | The Marowitz Hamlet – 1 photograph |
| Box 29 | Folder 5 | Times Square, by Leonard Melfi and directed by Grace Dacanay; and Chicago by Sam Shepard, and directed by Alice Cohen. October 27-30, 1969. Sets and lights by Frank Bradley, costumes by Al Tucci, ...with Guy Giarrizzo – Press releases and promotional material, clipping, program |
| Photo Box 71 | Folders 2-3 | Times Square – 2 photographs |
| Box 29 | Folder 6 | Impressions of Grotowski by Joseph Slowik. November 20-29, 1969 – Program |
| Box 29 | Folder 7 | The Empire Builders by Boris Vian. December 8-11, 1969. Directed by Bella Itkin, sets by Norbert Fencl, costumes by Daniel Pugh, lighting by Joe Pohnan, choreography by Thomas Jaremba – Program |
| Box 29 | Folder 8 | Celebration by Tom Jones and Harvey Schmidt. January 11-17, 1970. Directed by Thom Racina, sets by Frank Bradley, lights by Bengt Nygren, costumes by Al Tucci and Ferruccio Garavaglia, choreography by Joel Kazar – Press release and programs |
| Box 29 | Folder 9 | A Cry of Players by William Gibson. February 22-28, 1970. Directed by Jack Jones, sets designed by Marc Cohen, costumes by Daniel Pugh, lights by Wayne Tignor, ...with Guy Giarrizzo and Bruce Boxleitner – Promotional material and program |
| Photo Box 71 | Folders 4-7 | A Cry of the Players – 4 photographs |
| Box 29 | Folder 10 | Summertree by Ron Cowen. March 15-21, 1970. Directed by Gene Falcetta, sets by Frank Bradley, costumes by Sam Smith – Promotional material and program |
| Box 29 | Folder 11 | Many Loves by William Carlos Williams. March 15-21, 1970. Directed by Charles McGaw, lights by John Nathan, costumes by Daniel Pugh, ...with Bruce Boxleitner – Program |
| Box 29 | Folder 12 | Circus Minimus – Promotional material |
| Box 29 | Folder 13 | Circus Minimus – Program |
1969-1970 Season, Children’s Theatre
| Box 29 | Folder 14 | General promotional material |
| Box 29 | Folder 15 | Rumpelstiltskin by Wesley Van Tassel. October 11-December 21, 1969. Directed by Bella Itkin, musical direction by Kelly Danford, sets by Oseloka Osadebe, costumes by Al Tucci, lights by John Nathan, choreography by Thomas Jaremba, ...with Bruce Boxleitner – Script |
| Box 29 | Folder 16 | Rumpelstiltskin – Prop lists, floor plans and elevations (See: Oversize Folder 25) |
| Box 29 | Folder 17 | Rumpelstiltskin – Actors' biographies, press releases, promotional material, clippings, and programs |
| Photo Box 71 | Folders 8-13 | Rumpelstiltskin – 6 photographs |
| Box 29 | Folder 18 | Robin Hood by James Norris. January 3-March 22, 1970. Directed by Kelly Danford, sets designed by Oseloka Osadebe, costumes by Madeline Grigg, lights by Herbert Schmoll, fight scenes staged by Michael Galson, ...with Guy Giarrizzo and Bruce Boxleitner – Annotated script |
| Box 29 | Folder 19 | Robin Hood – Prop list, floor plans and elevations (See: Oversize Folder 25) |
| Box 29 | Folder 20 | Robin Hood – Actors' biographies, press releases, promotional material, clippings, and programs |
| Photo Box 71 | Folders 14-35 | Robin Hood – 22 photographs |
| Box 29 | Folder 21 | A Doctor in Spite of Himself, adapted by Aurand Harris from Moliere. March 28-May 24, 1970. Directed by Bella Itkin, set designed by Norman Fencl, costumes by Virgil Johnson, lights by Joseph Pohnan, music by John Hogan, Henry Moran and James Pobiega – Script |
| Box 29 | Folder 22 | A Doctor in Spite of Himself – Prop list and floor plans (See: Oversize Folder 25) |
| Box 29 | Folder 23 | A Doctor in Spite of Himself – Press release, promotional material, teacher's guide, programs |
| Oversize Box 1 | A Doctor in Spite of Himself – Poster | |
| Box 29 | Folder 24 | The Panda and the Spy by Mary Virginia Heinlein. July 7-August 8, 1970. Directed by Kelly Danford, sets by James Maronek, costumes by Daniel Pugh, lights by G.E. Naselius, Robert Moody as scenic artist – Press releases and promotional material, teacher's guides, programs |
| Oversize Folder 25 | The Panda and the Spy – Set designs | |
| Photo Box 71 | Folders 40-43 | The Panda and the Spy – 4 photographs |
1969-1970 Season, Special Events
| Box 29 | Folder 25 | Lillian Gish and the Movies. September 30-October 4, 1969 – Programs and promotional material |
1970-1971 Season, Subscription Series (Professional Repertory Company)
| Box 30 | Folder 1 | Confidential Repertory Study for the Season 1969-70 / 1970-71, by John Reich |
| Box 30 | Folder 2 | General press releases and promotional material |
| Box 30 | Folder 3 | General clippings |
| Box 30 | Folder 4 | The Three Penny Opera by Bertolt Brecht and Kurt Weill, English adaptation by Marc Blitzstein. October 12-November 15, 1970. Directed by Douglas Seale, musical direction by Ronald Jones, scene design by James Maronek, costumes by Virgil Johnson, lights by G.E. Naselius, choreography by Wilbert Bradley – Correspondence (March 21, 1969-October 9, 1970) |
| Box 30 | Folder 5 | The Three Penny Opera – Production Stage Manager's Book: Technical notes |
| Box 30 | Folder 6 | The Three Penny Opera – Production Stage Manager's Book: Script |
| Box 30 | Folder 7 | The Three Penny Opera – Script: Master Ribbon Copy |
| Box 30 | Folder 8 | The Three Penny Opera – Scenic plans (See: Oversize Folder 29) |
| Box 30 | Folder 9 | The Three Penny Opera – Reviews and clippings |
| Box 30 | Folder 10 | The Three Penny Opera – Programs |
| Box 30 | Folder 11 | The Three Penny Opera – Director's notes |
| Box 30 | Folder 12 | The Three Penny Opera – Score |
| Photo Box 72 | Folders 1-83 | The Three Penny Opera – 83 photographs/negatives |
| Box 31 | Folder 1 | The Night Thoreau Spent in Jail by Jerome Lawrence and Robert E. Lee. January 18-February 21, 1971. Directed by Patrick Henry, scenic design by James Maronek, costumes by Daniel Pugh, lights by Bengt Nygren, ... starring Christopher Walken – Correspondence (January 21-November 18, 1970) |
| Box 31 | Folder 2 | The Night Thoreau Spent in Jail – Assistant Stage Manager's Script: Act I |
| Box 31 | Folder 3 | The Night Thoreau Spent in Jail – Assistant Stage Manager's Script: Act II |
| Box 31 | Folder 4 | The Night Thoreau Spent in Jail – Scenic plans (See: Oversize Folder 29) |
| Box 31 | Folder 5 | The Night Thoreau Spent in Jail – Reviews and clippings |
| Box 31 | Folder 6 | The Night Thoreau Spent in Jail – Programs |
| Photo Box 73 | Folders 1-47 | The Night Thoreau Spent in Jail – 47 photographs/negatives |
| Box 31 | Folder 7 | Twelfth Night by William Shakespeare. November 30, 1970-January 10, 1971. Directed by Douglas Seale, music by Robert Lombardo, sets designed by Sandro La Ferla, costumes by Alicia Finkel, lights by Jerrold Gorrell – Correspondence (August 7-December 5, 1970) |
| Box 31 | Folder 8 | Twelfth Night – Technical lists and notes |
| Box 31 | Folder 9 | Twelfth Night – Musical scores |
| Box 31 | Folder 10 | Twelfth Night – Stage Manager's annotated script |
| Box 31 | Folder 11 | Twelfth Night – Press releases and promotional material |
| Box 31 | Folder 12 | Twelfth Night – Reviews and clippings |
| Box 31 | Folder 13 | Twelfth Night – Programs |
| Oversize Folder 29 | Twelfth Night – Set designs | |
| Photo Box 74 | Folders 1-53 | Twelfth Night – 53 photographs/negatives |
| Box 32 | Folder 1 | Marching Song by John Whiting. March 1-April 4, 1971. Directed by Douglas Seale, sets by Sandro La Ferla, costume design by Alicia Finkel, lights by Jerrold Gorrell – Stage Manager's Book: Script |
| Box 32 | Folder 2 | Marching Song – Lighting and sound plots, with daily reports |
| Box 32 | Folder 3 | Marching Song – Stage Manager's Daily Reports: March 1-April 4, 1971 |
| Box 32 | Folder 4 | Marching Song – Technical notes |
| Box 32 | Folder 5 | Marching Song – Scenic plans (See: Oversize Folder 29) |
| Box 32 | Folder 6 | Marching Song – Reviews and clippings |
| Box 32 | Folder 7 | Marching Song – Programs |
| Photo Box 75 | Folders 1-42 | Marching Song – 42 photographs/negatives |
| Box 32 | Folder 8 | Poor Bitos (Pauvre Bitos) by Jean Anouilh. April 12-May 16, 1971. Directed by Douglas Campbell, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Wayne Tignor, hair design by Susan and James Chiaro – Correspondence, April 5-May 10, 1971 |
| Box 32 | Folder 9 | Poor Bitos – Pre-production research |
| Box 32 | Folder 10 | Poor Bitos – Production Stage Manager's Book: Technical notes |
| Box 32 | Folder 11 | Poor Bitos – Production Stage Manager's Book: Script |
| Box 32 | Folder 12 | Poor Bitos – Annotated script indicating dialogue omitted in the standard translation by Lucienne Hill |
| Box 32 | Folder 13 | Poor Bitos – Scenic plans (See: Oversize Folder 29) |
| Box 32 | Folder 14 | Poor Bitos – Reviews and clippings |
| Box 32 | Folder 15 | Poor Bitos – Programs |
| Photo Box 76 | Folders 1-50 | Poor Bitos – 50 photographs/negatives |
| Box 32 | Folder 16 | Lady Audley's Secret, adapted by Douglas Seale from the novel by Mary Elizabeth Braddon. May 24-June 27, 1971. Directed by Douglas Seale, costumes and scenic design by Alicia Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Jerry Tullos, John Cinas musical director and pianist – License Agreement, April 14, 1971 |
| Box 32 | Folder 17 | Lady Audley's Secret – Annotated script (indicates line changes) |
| Box 32 | Folder 18 | Lady Audley's Secret – Musical scores |
| Box 32 | Folder 19 | Lady Audley's Secret – Scenic plans (See: Oversize Folder 29) |
| Box 32 | Folder 20 | Lady Audley's Secret – Press releases and promotional material |
| Box 32 | Folder 21 | Lady Audley's Secret – Reviews and clippings |
| Box 32 | Folder 22 | Lady Audley's Secret – Programs |
| Box 32 | Folder 23 | Lady Audley's Secret – Material from the Washington Theatre Club production (directed by Douglas Seale with members of the original Goodman cast), May 1972 |
| Photo Box 77 | Folders 1-82 | Lady Audley’s Secret – 82 photographs/negatives |
1970-1971 Season, Studio
| Box 32a | Folder 1 | General memoranda, press releases, promotional material and clippings |
| Box 32a | Folder 2 | The Amorous Flea, based on Moliere's School for Wives, by Jerry Devine, music and lyrics by Bruce Montgomery. October 12-24, 1970. Directed by Kelly Danford, sets by James Reed, costumes by Sam Smith, lighting by James Hegwood – Programs |
| Photo Box 78 | Folders 1-2 | The Amorous Flea – 2 photographs/negatives |
| Box 32a | Folder 3 | The Trial, a dramatization of Franz Kafka's novel by Andre Gide and Jean-Louis Barrault. October 2-14, 1970. Directed by Mohammed Mohyaldeen, sets by Frank Bradley, costumes by Ferruccio Garavaglia, lights by Paul Thompson – Promotional materials and program |
| Oversize Folder 28 | The Trial – Set designs | |
| Photo Box 78 | Folders 3-12 | The Trial – 10 photographs/negatives |
| Box 32a | Folder 4 | A Scent of Flowers by James Saunders. December 7-19, 1970. Directed by Jerry Tullos, sets by Beverly Sobieski, costumes by Chris Valente, lights by Jay Sally – Programs |
| Oversize Folder 28 | A Scent of Flowers – Scenic plan | |
| Photo Box 78 | Folders 13-26 | The Scent of Flowers – 14 photographs/negatives |
| Box 32a | Folder 5 | All That Fall and Play by Samuel Beckett. February 1-13, 1971. Directed by Libby Appel, sets by Michael O'Kane, costumes by Dunja Ramicova, lighting by Robert Shook – Programs |
| Oversize Folder 28 | All That Fall and Play – Scenic plan | |
| Photo Box 78 | Folders 27-38 | All That Fall and Play – 12 photographs/negatives |
| Box 32a | Folder 6 | The Memorandum by Vaclav Havel. February 22-March 6, 1971. Directed by James Ostholhoff, sets designed by William Aupperlee, costumes by Dunja Ramicova, lighting by John Wilke, ...with Bruce Boxleitner – Programs, promotional material |
| Photo Box 78 | Folders 39-47 | The Memorandum – 9 photographs/negatives |
| Box 32a | Folder 7 | The Cherry Orchard by Anton Chekhov. April 5-May 8, 1971. Directed by Bella Itkin, sets by James Reed, lighting by Kenneth Peters, costumes by Daniel Pugh – Programs |
| Photo Box 78 | Folders 48-63 | The Cherry Orchard – 16 photographs/negatives |
| Box 32a | Folder 8 | Narrow Road to the Deep North by Edward Bond. April 26-May 8, 1971. Directed by Patrick Henry, sets by Beverly Sobieski, lights by Franklin Warner, costumes by Ferruccio Garavaglia – Promotional material and programs |
| Photo Box 79 | Folders 1-10 | Narrow Road to the Deep North – 10 photographs/negatives |
| Box 32a | Folder 9 | The Laundry by David Guerdon. May 18-29, 1971. Directed by Jack Jones, sets by Michael O'Kane, lights by David Stukey, costumes by John Szumigala and Julie Nagel – Promotional material and programs |
| Oversize Folder 28 | The Laundry – Set designs | |
| Photo Box 79 | Folders 11-18 | The Laundry – 8 photographs/negatives |
1970-1971 Season, Children’s Theatre
| Box 32a | Folder 10 | General clippings |
| Box 32a | Folder 11 | Sacramento Fifty Miles by Eleanor and Ray Harder. September 19-November 15, 1970. Directed by Jack Jones, sets designed by Frank Bradley, costumes by Nancy Ash, lights by Wayne Tignor, music preparation by Kelly Danford – Programs |
| Oversize Box 1 | Sacramento Fifty Miles – Poster | |
| Oversize Folder 27 | Sacramento Fifty Miles – Set designs | |
| Photo Box 79 | Folders 19-40 | Sacramento Fifty Miles – 22 photographs/negatives |
| Box 32a | Folder 12 | Ali Baba and the Magic Cave by William Glennon. November 21-December 13, 1970 and January 9-24, 1971. Directed by Bella Itkin, costume design by Sandra Tignor, sets by Marc Cohen, lights by Franklin Warner – Promotional material and programs |
| Oversize Box 1 | Ali Baba and the Magic Cave – Poster | |
| Oversize Folder 27 | Ali Baba and the Magic Cave – Set designs | |
| Photo Box 79 | Folders 41-60 | Ali Baba and the Magic Cave – 20 photographs/negatives |
| Box 32a | Folder 13 | A Threepenny Christmas, or the Legend of Nick the Saint by Stephen Lehner, music by Kenneth Wannberg. World Premiere, December 19, 1970-January 3, 1971. Directed by Kelly Danford, scenic design by Joseph Nieminski, costumes by Nancy Ash, lights by G.E. Naselius, James Engelhardt as script consultant, choreography by Kathleen Rostrom and Kelly Danford – Promotional materials and programs |
| Oversize Folder 27 | A Threepenny Christmas, or the Legend of Nick the Saint – Set designs | |
| Oversize Box 1 | A Threepenny Christmas, or the Legend of Nick the Saint – Poster | |
| Photo Box 80 | Folders 1-29 | A Threepenny Christmas, or the Legend of Nick the Saint – 29 photographs/negatives |
| Box 32a | Folder 14 | Alice in Wonderland by Thom Racina, based on the book by Lewis Carroll. January 3-March 21, 1971. Directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Joseph Nieminski, lights by J. Sally, original music and lyrics by Thom Racina – Promotional materials and programs |
| Oversize Folder 27 | Alice in Wonderland – Scenic plans | |
| Photo Box 80 | Folders 30-54 | Alice in Wonderland – 25 photographs/negatives |
| Box 32a | Folder 15 | Aesop's Falables by Ed Graczyk, music and lyrics by John Hogan, Henry Moran, Marty Conine, and Ed Graczyk. Directed by Kelly Danford, choreography and musical numbers staged by Jerry Earl Tullos, costumes by Sandra Tignor, sets by Frank Bradley, lights by G.E. Naselius – Promotional materials and programs |
| Oversize Folder 27 | Aesop's Falables – Set designs | |
| Photo Box 80 | Folders 55-90 | Aesop’s Falables – 36 photographs/negatives |
| Box 32a | Folder 16 | The Marvelous Misadventures of Sherlock Holmes by Thom Racina. July 6-August 14, 1971. Directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Alice Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Mark Ganzel, original music and lyrics by Thom Racina,...with Bruce Boxleitner – Promotional material and programs |
| Photo Box 82 | Folders 1-28 | The Marvelous Misadventures of Sherlock Holmes – 28 photographs/negatives |
1970-1971 Season, Children’s Theatre Touring Company
| Box 32a | Folder 17 | Promotional material |
| Box 32a | Folder 18 | The Thwarting of Baron Bolligrew by Robert Bolt. May 29-June 27, 1971. Directed by Joseph Slowik, costumes by Sandra Tignor, sets by Bennett Averyl, ...with Bruce Boxleitner – Script and cast list |
| Box 32a | Folder 19 | The Thwarting of Baron Bolligrew – Promotional material, programs, teacher's guide |
| Photo Box 81 | Folders 1-84 | The Thwarting of Baron Bolligrew – 84 photographs/negatives |
| Box 32a | Folder 20 | How the First Letter Was Written by Auran Harris, from Rudyard Kipling's Just So Stories. [1970-1971] – Teacher's guide |
| Box 32a | Folder 21 | The Hide and Seek Odyssey of Madeline Gimple by Frank Gagliano. [1970-1971] – Script and teacher's guides |
| Photo Box 82 | Folders 29-57 | The Hide and Seek Odyssey of Madeline Gimple – 29 photographs/negatives |
1970-1971 Season, Special Events
| Box 32a | Folder 22 | As You Like It by William Shakespeare, and adapted by John O'Shaughnessy. Goodman Theatre Touring Company, February 1971 – Script |
1971-1972 Season, Subscription Series
| Box 33 | Folder 1 | General subscription mailing and related correspondence |
| Box 33 | Folder 2 | General clippings |
| Box 33 | Folder 3 | A Place Without Doors (L'Amante Anglaise) by Marguerite Dumas. Midwest Premiere, September 21-October 10, 1971. Directed by Brian Murray, original lighting design by Ronald Wallace and adapted by G.E. Naselius, ...with Mildred Dunnock, Alvin Epstein, and Hiram Sherman – Correspondence (March 19-August 31, 1971) |
| Box 33 | Folder 4 | A Place Without Doors (L'Amante Anglaise) – Annotated script – photocopy of Mildred Dunnock's script) |
| Box 33 | Folder 5 | A Place Without Doors (L'Amante Anglaise) – Press releases and promotional material |
| Box 33 | Folder 6 | A Place Without Doors (L'Amante Anglaise) – Reviews and clippings |
| Box 33 | Folder 7 | A Place Without Doors (L'Amante Anglaise) – Programs |
| Box 33 | Folder 8 | A Place Without Doors (L'Amante Anglaise) – Research |
| Photo Box 82 | Folders 58-65 | A Place Without Doors – L’Amante Anglaise) – 8 photographs |
| Box 33 | Folder 9 | Assassination 1865 by Stuart Vaughn. World Premiere, October 26-November 28, 1971. Directed by Stuart Vaughn, sets by Sandro La Ferla, costumes by Virgil Johnson, lights and special effects by Bengt Nygren, ...with Shepperd Strudwick and Donald Woods – Correspondence (October 29, 1970-January 26, 1972) |
| Box 33 | Folder 10 | Assassination 1865 – Actors' biographies |
| Box 33 | Folder 11 | Assassination 1865 – Budget for talent and projection equipment |
| Box 33 | Folder 12 | Assassination 1865 – Scenic plans (See: Oversize Folder 31) |
| Box 33 | Folder 13 | Assassination 1865 – Assistant Stage Manager's Book: Technical notes |
| Box 33 | Folder 14 | Assassination 1865 – Assistant Stage Manager's Book: Script |
| Box 33 | Folder 15 | Assassination 1865 – Script |
| Box 34 | Folder 1 | Assassination 1865 – Press releases and promotional material |
| Box 34 | Folder 2 | Assassination 1865 – Reviews and clippings |
| Box 34 | Folder 3 | Assassination 1865 – Programs |
| Oversize Folder 30 | Assassination 1865 – Poster | |
| Photo Box 83 | Folders 1-50 | Assassination 1865 – 50 photographs/negatives |
| Box 34 | Folder 4 | The Importance of Being Earnest by Oscar Wilde. December 2-19, 1971 and December 28, 1971-January 16, 1972 – Actors' biographies and resumes |
| Box 34 | Folder 5 | The Importance of Being Earnest – Technical notes, with Stage Manager's daily reports |
| Box 34 | Folder 6 | The Importance of Being Earnest – Prompt book |
| Box 34 | Folder 7 | The Importance of Being Earnest – Press releases and promotional material |
| Box 34 | Folder 8 | The Importance of Being Earnest – Reviews and clippings |
| Box 34 | Folder 9 | The Importance of Being Earnest – Programs |
| Photo Box 84 | Folders 1-33 | The Importance of Being Earnest – 33 photographs/negatives |
| Box 34 | Folder 10 | The Royal Family by George S. Kaufman and Edna Ferber. January 20-February 27, 1972. Directed by Douglas Seale, costumes by Virgil Johnson, sets designed by James Maronek, lights by Jerrold Gorrell, Robert Moody as scenic artist, ...with Mike Nussbaum – Correspondence (August 26-December 11, 1971) |
| Box 34 | Folder 11 | The Royal Family – Actors' biographies, resumes, and salaries |
| Box 34 | Folder 12 | The Royal Family – Assistant Stage Manager's Book: Technical notes |
| Box 34 | Folder 13 | The Royal Family – Assistant Stage Manager's Book: Script, Act I |
| Box 34 | Folder 14 | The Royal Family – Assistant Stage Manager's Book: Script, Acts II and III |
| Box 35 | Folder 1 | The Royal Family – Press releases and promotional material |
| Box 35 | Folder 2 | The Royal Family – Reviews and clippings |
| Box 35 | Folder 3 | The Royal Family – Programs |
| Photo Box 84 | Folders 34-78 | The Royal Family – 45 photographs/negatives |
| Box 35 | Folder 4 | The Ruling Class by Peter Barnes. March 2-April 9, 1972. Directed by Patrick Henry, costumes by Virgil Johnson, sets by Sandro La Ferla, lighting by Wayne Tignor, Robert Moody as scenic artist, choreography by Gus Giordano – Correspondence (February 4, 1971-March 16, 1972) |
| Box 35 | Folder 5 | The Ruling Class – Actors' biographies |
| Box 35 | Folder 6 | The Ruling Class – Research |
| Box 35 | Folder 7 | The Ruling Class – Technical notes and Stage Manager's daily reports |
| Box 35 | Folder 8 | The Ruling Class – Annotated script: Act I |
| Box 35 | Folder 9 | The Ruling Class – Annotated script: Act II |
| Box 35 | Folder 10 | The Ruling Class – Reviews and clippings |
| Box 35 | Folder 11 | The Ruling Class – Press releases and promotional material |
| Box 35 | Folder 12 | The Ruling Class – Programs |
| Photo Box 85 | Folders 1-68 | The Ruling Class – 68 photographs/negatives |
| Box 35 | Folder 13 | The Boys from Syracuse by George Abbot, music and lyrics by Richard Rogers and Lawrence Hart. April 18-June [?], 1972. Production staged by Christopher Hewitt, choreography and musical numbers staged by Bob Herget, sets by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, John C. Cina as musical director – Correspondence (January 6-April 27, 1972) |
| Box 35 | Folder 14 | The Boys from Syracuse – Pre-production research |
| Box 35 | Folder 15 | The Boys from Syracuse – Actors' biographies and resumes |
| Box 35 | Folder 16 | The Boys from Syracuse – Rehearsal and production schedules |
| Box 35 | Folder 17 | The Boys from Syracuse – Stage Manager's Book: Act I |
| Box 35 | Folder 18 | The Boys from Syracuse – Stage Manager's Book: Act II |
| Box 35 | Folder 19 | The Boys from Syracuse – Press releases and promotional material |
| Box 35 | Folder 20 | The Boys from Syracuse – Reviews and clippings |
| Box 35 | Folder 21 | The Boys from Syracuse – Gross earnings and budget |
| Box 35 | Folder 22 | The Boys from Syracuse – Programs |
| Oversize Folder 30 | The Boys from Syracuse – Poster | |
| Photo Box 86 | Folders 1-61 | The Boys from Syracuse – 61 photographs/negatives |
| Photo Box 87 | Folders 1-54 | The Boys from Syracuse – 54 photographs/negatives |
1971-1972 Season, Studio
| Box 36 | Folder 1 | General promotional material |
| Box 36 | Folder 2 | A Macbeth by Charles Marowitz. October 16-24, 1971. Directed by Patrick Henry, costumes by Dunja Ramicova, sets by Michael O'Kane, lights by J. Sally – Script |
| Box 36 | Folder 3 | A Macbeth – Scenic plans (See: Oversize Folder 33) |
| Box 36 | Folder 4 | A Macbeth – Programs |
| Photo Box 88 | Folders 1-15 | A Macbeth – 15 photographs/negatives |
| Box 36 | Folder 5 | Baal by Bertolt Brecht. November 13-21, 1971. Directed by Charles McGaw, sets designed by Vincent Faust, costumes by Julie Nagel, lights by Paul Thompson, music by Reggie Schwander – Programs, promotional material |
| Oversize Folder 33 | Baal – Set designs | |
| Photo Box 88 | Folders 16-24 | Baal – 9 photographs/negatives |
| Box 36 | Folder 6 | Saved by Edward Bond. December 11-19, 1971. Directed by George Drayton Boyd, sets by Paul Appel, costumes by Martha Ferrara, lights by David Stukey – Programs |
| Box 36 | Folder 7 | Gas I and II by George Kaiser. January 15-23, 1972. Directed by Jean Louis Baldet, sets by William Auperlee, costumes by Kathleen Hollcraft, lights by Donald Schulman – Programs |
| Box 36 | Folder 8 | Jamie and the Nine 300 by Clifford Browder. February 12-20, 1972. Directed by Kelly Danford, sets designed by Joseph Nieminski, costumes by Julie Nagel, lights by Kenneth Peters – Programs |
| Box 36 | Folder 9 | Jamie and the Nine 300 – Script |
| Photo Box 88 | Folders 25-26 | Jamie and the Nine 300 – 2 photographs |
| Box 36 | Folder 10 | Exit the King by Eugene Ionesco. March 11-19, 1972. Directed by David Jewell, sets by Jeffrey Masters, costumes by Martha Ferrara, lights by Frank Waketsch – Programs |
| Box 36 | Folder 11 | Subject to Fits by Robert Montgomery. April 8-16, 1972. Directed by Libby Appel, lighting by Kathleen Kampp, sets by David Emmons, costumes by Kathleen Hollcraft – Scenic plans (See: Oversize Folder 33) |
| Box 36 | Folder 12 | Kaspariana, conceived and directed by Joseph Slowik, with textual excerpts from Georg Buechner, Peter Handke, Eugene Ionesco, and Jacob Wasserman. May 13-21, 1972. Sets by Ronald Morgan, costumes by Julie Nagel, lighting by James Highland – Programs |
| Oversize Folder 33 | Kaspariana – Scenic plans |
1971-1972 Season, Children’s Theatre
| Box 36 | Folder 13 | General promotional material |
| Box 36 | Folder 14 | The Pied Piper of Hamelin by William Glennon. October 10-November 21, 1971. Directed by Kelly Danford, costume design by Sandra Tignor, scenic design by Jim Reed, lights by Jim Hegwood, choreography by Jerry Tullos – Correspondence (June 28, 1971), with production assignments and press releases |
| Box 36 | Folder 15 | The Pied Piper of Hamelin – Scenic plans (See: Oversize Folder 32) |
| Box 36 | Folder 16 | The Pied Piper of Hamelin – Reviews and clippings |
| Box 36 | Folder 17 | The Pied Piper of Hamelin – Programs |
| Photo Box 88 | Folders 27-46 | The Pied Piper of Hamelin – 20 photographs/negatives |
| Box 36 | Folder 18 | The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game. The Giving Tree by Shel Silverstein, all other works created by the Company. December 13-23, 1971. Directed by Larry Arrick, J. Ranelli, Mary Beth Miller, and the Company, costumes by Fred Voelpel, sets by David Hays – Correspondence and press kits from the National Theatre of the Deaf |
| Box 36 | Folder 19 | The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game– Press releases and promotional material |
| Box 36 | Folder 20 | The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game– Reviews and clippings |
| Box 36 | Folder 21 | The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game – Programs |
| Box 36 | Folder 22 | The Snow Queen by Surgio Magito and Rudolf Weil, based on the story by Hans Christian Anderson. November 27-December 12, 1971 and January 8-February 6, 1972. Directed by Bella Itkin, costumes by Dunja Ramicova, sets designed by Beverly Sobieski, lighting by Robert Shook, choreography by Thomas Jaremba, original music by Phillip Kusie, Charles Fleischer, John McFayden, and Allan Almeida – Correspondence (May 12, 1971), with production assignments |
| Box 36 | Folder 23 | The Snow Queen – Scenic plans (See: Oversize Folder 32) |
| Box 36 | Folder 24 | The Snow Queen – Promotional material, clipping, programs |
| Photo Box 88 | Folders 47-76 | The Snow Queen – 26 photographs/negatives |
| Box 36 | Folder 25 | The Magic Isle by Wesley Van Tassel, music and lyrics by Mark Ollington. December 26, 1971-January 2, 1972. Directed by Kelly Danford, costumes by Sandra Tignor, sets by Joseph Nieminski, lights by John M. Hickey, ...with Bruce Boxleitner – Correspondence (July 21, 1971), with tech week schedule |
| Box 36 | Folder 26 | The Magic Isle – Published script, c. 1970 |
| Box 36 | Folder 27 | The Magic Isle – Press releases |
| Box 36 | Folder 28 | The Magic Isle – Programs |
| Box 36 | Folder 29 | The Magic Isle – Cast list, study guide and clipping from the Touring Company Production |
| Photo Box 89 | Folders 1-21 | The Magic Isle – 21 photographs/negatives |
| Box 36 | Folder 30 | Starman Jones by Douglas Lieberman, based on the novel by Robert Heinlein. World Premiere, February 12-March 26, 1972. Directed by Douglas Lieberman, costumes by Pepper Ross, scenic design by Michael O'Kane, lighting by Paul Thompson – Correspondence (August 23 and 24, 1971) |
| Box 36 | Folder 31 | Starman Jones – Script: First draft, second version, undated |
| Box 36 | Folder 32 | Starman Jones – Promotional material |
| Box 36 | Folder 33 | Starman Jones – Reviews and clippings |
| Box 36 | Folder 34 | Starman Jones – Programs |
| Photo Box 89 | Folders 22-23 | Starman Jones – 12 photographs/negatives |
| Box 36 | Folder 35 | The 13 Clocks by Elaine Berman, adapted from the book The Thirteen Clocks by James Thurber. April 1-May 20, 1972. Directed by Reggie Schwander, costumes by Dunja Ramicova, sets designed by William Schmiel, lighting by Kenneth Peters, original music by Reggie Schwander – Correspondence (June 2 and 29, 1971), with production assignments |
| Box 36 | Folder 36 | The 13 Clocks – Script |
| Box 36 | Folder 37 | The 13 Clocks – Programs and promotional material |
| Photo Box 89 | Folders 34-52 | The 13 Clocks – 19 photographs/negatives |
1971-1972 Season, Children’s Theatre Touring Company
| Box 36 | Folder 38 | General promotional material |
| Box 36 | Folder 39 | The Thwarting of Baron Bolligrew by Robert Bolt. [1971-1972] – Script |
1971-1972 Season, Special Events
| Box 36 | Folder 40 | The National Theatre for the Deaf presents, My Third Eye. [1971-1972] – Program and promotional material |
| Photo Box 89 | Folders 53-62 | The National Theatre for the Deaf – 10 photographs |
| Box 36 | Folder 41 | An Evening with Bobby Short. February 14, 1972 – Programs and promotional material |
1972-1973 Season, Subscription Series
| Box 37 | Folder 1 | General press releases and promotional material |
| Box 37 | Folder 2 | General clippings |
| Box 37 | Folder 3 | Old Times by Harold Pinter. October 8-November 12, 1972. Directed by Michael Kahn, scenic design by Marjorie Kellogg, lights by G.E. Naselius – Promotional material |
| Box 37 | Folder 4 | Old Times – Reviews |
| Box 37 | Folder 5 | Old Times – Programs |
| Photo Box 90 | Folders 1-61 | Old Times – 61 photographs/negatives |
| Box 37 | Folder 6 | Scenes from American Life by A.R. Gurney, Jr. November 26-December 31, 1972. Directed by Harold Stone, scenic design by David Jenkins, costumes by Alicia Finkel, lights by Beverly Emmons, Bill McCauley as musical director – Stage Manager's production book: Technical lists and notes |
| Box 37 | Folder 7 | Scenes from American Life – Stage Manager's production book: Script |
| Box 37 | Folder 8 | Scenes from American Life – Reviews and clippings |
| Box 37 | Folder 9 | Scenes from American Life – Press releases and promotional material |
| Box 37 | Folder 10 | Scenes from American Life – Programs |
| Photo Box 91 | Folders 1-77 | Scenes from American Life – 77 photographs/negatives |
| Box 37 | Folder 11 | In the Matter of J. Robert Oppenheimer by Heiner Kipphardt, translated by Ruth Speirs. January 7-February 11, 1973. Directed by Gene Lesser, scenic design and visual effects by Robert U. Taylor, costumes by Virgil Johnson, lights by William Mintzer – Correspondence (January 20 and February 12, 1973) |
| Box 37 | Folder 12 | In the Matter of J. Robert Oppenheimer – Research |
| Box 37 | Folder 13 | In the Matter of J. Robert Oppenheimer – Production script (photocopy): Act I (Mark Taper Forum, Center Theatre Group, Los Angeles, California, ca. 1968) |
| Box 37 | Folder 14 | In the Matter of J. Robert Oppenheimer – Production script (photocopy): Act II (as above) |
| Box 37 | Folder 15 | In the Matter of J. Robert Oppenheimer – Production script: Act I |
| Box 37 | Folder 16 | In the Matter of J. Robert Oppenheimer – Production script: Act II |
| Box 37 | Folder 17 | In the Matter of J. Robert Oppenheimer – Technical lists and notes |
| Box 37 | Folder 18 | In the Matter of J. Robert Oppenheimer – Casting notes |
| Box 38 | Folder 1 | In the Matter of J. Robert Oppenheimer – Press releases and promotional material |
| Box 38 | Folder 2 | In the Matter of J. Robert Oppenheimer – Reviews and clippings |
| Box 38 | Folder 3 | In the Matter of J. Robert Oppenheimer – Programs |
| Photo Box 92 | Folders 1-64 | In the Matter of J. Robert Oppenheimer – 64 photographs/negatives |
| Box 38 | Folder 4 | Twentieth Century by Ben Hecht and Charles MacArthur, with Bruce Milholland. February 18-March 25, 1973. Directed by William Woodman, sets and lights by Clarke Dunham, costumes by Virgil Johnson – Audition and casting lists and notes |
| Box 38 | Folder 5 | Twentieth Century – Correspondence – February 14 and 18, 1973) |
| Box 38 | Folder 6 | Twentieth Century – Research |
| Box 38 | Folder 7 | Twentieth Century – Theatrical lists and notes |
| Box 38 | Folder 8 | Twentieth Century – Production script: Act I |
| Box 38 | Folder 9 | Twentieth Century – Production script: Acts I and III |
| Box 38 | Folder 10 | Twentieth Century – Press releases and promotional material |
| Box 38 | Folder 11 | Twentieth Century – Reviews and clippings |
| Box 38 | Folder 12 | Twentieth Century – Programs |
| Photo Box 93 | Folders 1-87 | Twentieth Century – 87 photographs/negatives |
| Box 38 | Folder 13 | The Lady's Not for Burning by Christopher Fry. April 1-May 6, 1973. Directed by Stephen Porter, costume and scenic design by Alicia Finkel, lights by G.E. Naselius – Production script |
| Box 38 | Folder 14 | The Lady's Not for Burning – Stage Manager's daily notes |
| Box 38 | Folder 15 | The Lady's Not for Burning – Scenic plans (See: Oversize Folder 34) |
| Box 38 | Folder 16 | The Lady's Not for Burning – Promotional material |
| Box 38 | Folder 17 | The Lady's Not for Burning – Reviews and clippings |
| Box 38 | Folder 18 | The Lady's Not for Burning – Programs |
| Photo Box 94 | Folders 1-54 | The Lady’s Not for Burning – 54 photographs/negatives |
| Box 38 | Folder 19 | Pal Joey by John O'Hara. May 13-June 17, 1973. Directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, ...with Nancy Marchand – Annotated typescript, with lighting cues |
| Box 38 | Folder 20 | Pal Joey – Press releases and promotional material |
| Box 38 | Folder 21 | Pal Joey – Reviews and clippings |
| Box 38 | Folder 22 | Pal Joey – Programs |
| Photo Box 95 | Folders 1-96 | Pal Joey – 96 photographs/negatives |
1972-1973 Season, Studio
| Box 39 | Folder 1 | General promotional material |
| Box 39 | Folder 2 | The Wild Duck by Henrik Ibsen. October 31-November 12, 1972. Directed by Jack Jones, scene design by William Schmiel, costumes by Kathleen Hollcraft, lights by James Highland – Programs |
| Box 39 | Folder 3 | Who's Happy Now by Oliver Hailey. November 28-December 10, 1972. Directed by Joseph Slowik, sets by Calvin Churchman, costume designs by Martha Ferrara, lights by Marsha Hardy – Programs and script |
| Box 39 | Folder 4 | A Touch of the Poet by Eugene O'Neill. January 9-January 21, 1973. Directed by Linda Hardy, sets by Jeffrey Masters, costumes by Niki Rudisill, lighting by James Wischmeyer – Programs |
| Box 39 | Folder 5 | Ladies in Retirement by Edward Percy and Reginald Denham. February 6-February 14, 1973. Directed by Kelly Danford, scene design by Nancy Long, costumes by Julie Nagel, lights by William Kent – Programs |
| Box 39 | Folder 6 | The Taming of the Shrew by William Shakespeare. March 6-March 18, 1973. Directed by Charles McGaw, sets by David Emmons, choreography by Estelle Spector, costumes by Martha Ferrara, lights by Paul Gregory – Clipping, programs |
| Oversize Folder 35 | The Taming of the Shrew – Set design | |
| Photo Box 96 | Folders 1-2 | The Taming of the Shrew – 2 photographs |
| Box 39 | Folder 7 | Blood Wedding by Federico Garcia Lorca. April 10-April 22, 1973. Directed by Donald Biehn, scenic design by Vincent Faust, costumes by Susan Lopez, lights by Philip Evola – Programs |
| Oversize Folder 35 | Blood Wedding – Set designs | |
| Box 39 | Folder 8 | A Country Scandal by Anton Chekhov. May 8-May 20, 1973. Directed by Libby Appel, sets by William Kent, costumes by Gay Crusius, lighting designed by Charles Letts, musical direction by Carol Francis – Programs |
1972-1973 Season, Children’s Theatre
| Box 39 | Folder 9 | General press releases and promotional material |
| Box 39 | Folder 10 | Sleeping Beauty, or The Great Rose Taboo, books and lyrics by Barbara Fried, music by Norman Sachs. October 1-November 12, 1972. Directed and choreographed by Kelly Danford, set designs by David Emmons, costumes by Martha Ferrara, lights by Paul Gregory – Press releases, reviews and programs |
| Oversize Folder 36 | Sleeping Beauty, or The Great Rose Taboo – Set design | |
| Photo Box 96 | Folders 3-20 | Sleeping Beauty, of The Great Rose Taboo – 18 photographs |
| Box 39 | Folder 11 | It Certainly Isn't Baked Beans. [1972-1973] – Script |
| Box 39 | Folder 12 | It Certainly Isn't Baked Beans. [1972-1973] – Press releases, promotional material, reviews and clippings |
| Photo Box 96 | Folders 21-22 | It Certainly Isn’t Baked Beans – 2 photographs |
| Box 39 | Folder 13 | Little Red Riding Hood by Yevgeny Schwartz. November 19-December 17, 1972 and January 13-January 21, 1973. Directed by Libby Appel, music composed by Philip Kusie, choreography by Beth Caldwell, sets designed by Vincent Faust, costumes by Julie Nagel, lights by James Highland, animal puppets by David Emmons – Press releases, promotional material, clippings, programs |
| Oversize Folder 36 | Little Red Riding Hood – Set designs | |
| Photo Box 96 | Folder 23 | Little Red Riding Hood – 1 photograph |
| Box 39 | Folder 14 | The Three Musketeers by Brian Way, based on the novel by Alexandre Dumas. January 28-March 18, 1973. Directed by John Medici, choreography by Estelle Spector, scene design by William Schmiel, costumes by Pepper Ross, lights by Marsha Hardy, fencing muster by Marvin Nelson, Steve Fletcher as fencing coach, music by Philip Kusie – Press releases, promotional material, programs |
| Oversize Folder 36 | The Three Musketeers – Set designs | |
| Photo Box 96 | Folder 24 | The Three Musketeers – 1 photograph |
| Box 39 | Folder 15 | The Comical Tragedy, or The Tragical Comedy of Punch and Judy by Aurand Harris. March 25-May 26, 1973. Directed by Ned Schmidtke, choreography by Estelle Spector, scene design by Jeffrey Masters, costumes by Julie Nagel, lights by Phillip Evola, music by David Beaird – Promotional material, clippings, programs |
| Oversize Folder 36 | The Comical Tragedy, or The Tragical Comedy of Punch and Judy – Set designs | |
| Photo Box 96 | Folders 25-36 | The Comical Tragedy, or The Tragical Comedy of Punch and Judy – 12 photographs |
| Box 39 | Folder 16 | You're a Good Man Charlie Brown by Charles M. Schultz, music and lyrics by Clark Gesner. Directed by Kelly Danford, sets designed by Joseph Nieminski, lighting designed by G.E. Naselius, choreography by Mark Ganzal and Maryann Kohler – Press releases, promotional material, clippings, programs |
| Oversize Folder 36 | You're a Good Man Charlie Brown – Set designs | |
| Photo Box 96 | Folders 37-61 | You’re a Good Man Charlie Brown – 25 photographs/negatives |
| Box 39 | Folder 17 | Tarradiddle Tales, or The Wise and Foolish Tales by Flora Atkin. June 24-August 4, 1973. Directed by Kelly Danford, choreographed by Estelle Spector, sets by David Emmons, costumes by Julie Nagel, lights by G.E. Naselius – Programs |
1972-1973 Season, Children’s Theatre Touring Company
| Box 39 | Folder 17a | General correspondence |
| Box 39 | Folder 18 | Grant applications and notes |
| Box 39 | Folder 19 | It Certainly Isn't Baked Beans!, a dramatic anthology of children's literature. [1972-1973] – Contracts and promotional material |
| Photo Box 96 | Folders 21-22 | It Certianly Isn’t Baked Beans! – 2 photographs |
| Box 39 | Folder 20 | Speed Gets the Poppies by Lila Levant, music and lyrics by Lila Levant and Lorenzo Fuller. [1972-1973] – Pre-production research |
| Box 39 | Folder 21 | Speed Gets the Poppies – Audition and casting notes |
| Box 39 | Folder 22 | Speed Gets the Poppies – Script |
| Box 39 | Folder 23 | Speed Gets the Poppies – Press releases and promotional material |
| Box 39 | Folder 24 | Speed Gets the Poppies – Reviews and clippings |
| Oversize Folder 36 | Speed Gets the Poppies – Set designs | |
| Photo Box 96 | Folders 62-84 | Speed Gets the Poppies – 23 photographs/negatives |
1972-1973 Season, Special Events
| Box 39 | Folder 25 | Monday Night Artist and Dance Series. [1972-1973] – Promotional material |
| Box 39 | Folder 26 | Emlyn Williams as Dylan Thomas Growing Up. November 6, 1972 – Programs, press release, promotional material |
| Box 39 | Folder 27 | Utah Repertory Dance Theatre. December 11, 1972 – Correspondence, programs, promotional material, reviews and clippings |
| Box 39 | Folder 28 | An Evening of Piano Rags with Eubie Blake and William Bolcom. February 5, 1973 – Programs |
| Box 39 | Folder 29 | The O'Neill Center's National Theatre of the Deaf presents, Gilgamesh. November 12-19, 1972 – Programs and promotional material |
| Photo Box 97 | Folders 1-2 | Gilgamesh – 2 photographs |
| Box 39 | Folder 30 | The O'Neill Center's Little Theatre of the Deaf. November 19, 1972 – Programs |
| Photo Box 97 | Folders 3-10 | National Theatre of the Deaf – 8 photographs |
| Box 39 | Folder 31 | The Chicago Ballet. March 5, 1973 – Programs |
| Box 39 | Folder 32 | The Mura Dehn Traditional Jazz Dance Theatre. October 16, 1972 – Programs |
| Box 39 | Folder 33 | The Preservation Hall Jazz Band – Promotional material |
1972-1973 Season, Goodman Theatre and Museum of Science & Industry’s Science Playhouse
| Box 39a | Folder 1 | General clippings and promotional material |
| Box 39a | Folder 2 | Science Playhouse presents Lamp at Midnight – Correspondence |
| Box 39a | Folder 3 | Science Playhouse presents Lamp at Midnight – Contracts and notes |
| Box 39a | Folder 4 | Science Playhouse presents Lamp at Midnight – Script |
| Box 39a | Folder 5 | Science Playhouse presents Lamp at Midnight – Programs and promotional material |
| Photo Box 97 | Folders 11-17 | Lamp at Midnight – 7 photographs |
| Box 39a | Folder 6 | Science Playhouse presents Dr. Dan: A Pioneer in Heart Surgery by Tom Zito. April 26-May 4, 1973. Directed by Kelly Danford – Revised typescript |
| Box 39a | Folder 7 | Science Playhouse presents Dr. Dan: A Pioneer in Heart Surgery – Annotated typescript, with revisions and staging notes |
| Box 39a | Folder 8 | Science Playhouse presents Dr. Dan: A Pioneer in Heart Surgery – Scripts |
| Box 39a | Folder 9 | Science Playhouse presents Dr. Dan: A Pioneer in Heart Surgery – Programs and promotional material |
| Box 39a | Folder 10 | Science Playhouse presents Dr. Dan: A Pioneer in Heart Surgery – Rehearsal schedule |
| Box 39a | Folder 11 | Science Playhouse presents Thomas Edison and the Wonderful Why by Faye Parker. March 1-9, 1973. Directed by Kelly Danford – Scripts |
| Box 39a | Folder 12 | Science Playhouse presents Thomas Edison and the Wonderful Why – Programs, rehearsal schedules, audition notes |
| Box 39a | Folder 13 | Science Playhouse presents Discovery by Douglas Liebman. [1972-1973] – Prompt script, cast list, story outline |
1973-1974 Season, Mainstage
| Box 40 | Folder 1 | General promotional material |
| Supp. Box 1 | Folder 1 | Open auditions and Midwest Casting Center |
| Box 40 | Folder 2 | The Freedom of the City by Brian Friel. American Premiere, October 9-November 10, 1973. Directed by William Woodman, scenic designs by David Jenkins, costumes by Alicia Finkel, lights by F. Mitchell Dana – Script |
| Box 40 | Folder 3 | The Freedom of the City – Promotional material |
| Box 40 | Folder 4 | The Freedom of the City – Reviews and clippings |
| Box 40 | Folder 5 | The Freedom of the City – Programs |
| Photo Box 97 | Folders 18-72 | The Freedom of the City – 55 photographs/negatives |
| Supp. Box 1 | Folder 2 | The Freedom of the City – "Irish contacts" |
| Supp. Box 1 | Folder 3 | The Freedom of the City – Promotional material from other productions |
| Box 40 | Folder 6 | A Doll's House by Henrik Ibsen. November 20-December 23, 1973. Directed by Tormod Skagestead, sets by John Scheffler, costumes by Alicia Finkel, lights by G.E. Naselius – Production script and lighting cues |
| Box 40 | Folder 7 | A Doll's House – Reviews and clippings |
| Box 40 | Folder 8 | A Doll's House – Programs |
| Photo Box 98 | Folders 1-52 | A Doll’s House – 52 photographs/negatives |
| Supp. Box 1 | Folder 4 | A Doll’s House – Promotional material |
| Supp. Box 1 | Folder 4a | A Doll’s House – Paramount Pictures production information |
| Box 40 | Folder 9 | The Tooth of Crime by Sam Shepard. January 8-February 10, 1974. Directed by Michael Kahn, music composed by Tony Zito, sets designed by John Kasarda, costumes by John David Ridge, lights by Gilbert Hemsley – Stage Manager's script and contact sheet |
| Box 40 | Folder 9a | The Tooth of Crime – Script; unmarked Xerox |
| Box 40 | Folder 10 | The Tooth of Crime – Technical notes and memoranda |
| Box 40 | Folder 11 | The Tooth of Crime – Floor plan and elevations (See: Oversize Folder 38) |
| Box 40 | Folder 12 | The Tooth of Crime – Promotional material |
| Box 40 | Folder 13 | The Tooth of Crime – Reviews and clippings |
| Box 40 | Folder 14 | The Tooth of Crime – Programs |
| Photo Box 98 | Folders 53-84 | The Tooth of the Crime – 32 photographs/negatives |
| Photo Box 99 | Folders 1-32 | The Tooth of the Crime – 32 photographs |
| Supp. Box 1 | Folder 5 | The Tooth of the Crime – Critical audience correspondence |
| Box 40 | Folder 15 | Lorraine Hansberry's To Be Young, Gifted and Black, adapted by Robert Nemiroff. February 19-March 24, 1974. Directed by Patrick Henry, costumes by Andrea Kalish, set designs by Joseph Nieminski, lighting by Daniel Adams – Script; master ribbon copy |
| Box 40 | Folder 16 | Lorraine Hansberry's To Be Young, Gifted and Black – Annotated script with lighting cues |
| Box 40 | Folder 17 | Lorraine Hansberry's To Be Young, Gifted and Black – Prop list and contact sheet |
| Box 40 | Folder 18 | Lorraine Hansberry's To Be Young, Gifted and Black – Programs |
| Box 40 | Folder 19 | Lorraine Hansberry's To Be Young, Gifted and Black – Reviews and clippings |
| Photo Box 99 | Folders 33-80 | Lorraine Hansberry’s To Be Young, Gifted and Black – 48 photographs/negatives |
| Supp. Box 1 | Folder 6 | Lorraine Hansberry’s To Be Young, Gifted and Black – Press releases, promotional material |
| Box 41 | Folder 1 | Henry IV, a three act adaptation of William Shakespeare's work; Acts I and II adapted by Richard Matthews. March 29-May 5, 1974. Directed by William Woodman, sets and lights by Peter Wexler, costumes by Virgil Johnson, music by Nick Venden, Joseph Leon as associate director, fights by staged by Michael Tezla – Unrevised typescript |
| Box 41 | Folder 2 | Henry IV – Revised typescript; master copy |
| Box 41 | Folder 2a | Henry IV – Xerox of above |
| Box 41 | Folder 3 | Henry IV – Stage Manager's production book: technical lists and notes |
| Box 41 | Folder 4 | Henry IV – Stage Manager's production book: script |
| Box 41 | Folder 5 | Henry IV – Press releases and promotional material |
| Box 41 | Folder 6 | Henry IV – Reviews and clippings |
| Box 41 | Folder 7 | Henry IV – Programs |
| Photo Box 100 | Folder 1-49 | Henry IV – 49 photographs/negatives |
| Box 42 | Folder 1 | Guys and Dolls by Jo Swerling and Abe Burrows, music and lyrics by Frank Loesser. May 10-June 16, 1974. Directed by Gene Lesser, choreography by Elizabeth Keen, musical direction by David Richards, scenic design by James Maronek, costume design by Nancy Potts, lighting design by William Mintzer – Annotated script for blocking: Act I |
| Box 42 | Folder 2 | Guys and Dolls – Annotated script for blocking: Act II |
| Box 42 | Folder 3 | Guys and Dolls – Annotated script for light cues: Act I |
| Box 42 | Folder 4 | Guys and Dolls – Annotated script for light cues: Act II, with lighting notes |
| Box 42 | Folder 5 | Guys and Dolls – Press releases, reviews and clippings |
| Box 42 | Folder 6 | Guys and Dolls – Programs |
| Photo Box 100 | Folders 50-80 | Guys and Dolls – 31 photographs |
| Box 42 | Folder 7 | Unassigned |
1973-1974 Season, Studio
| Box 42 | Folder 8 | She Stoops to Conquer by Oliver Goldsmith. November 2- [?], 1973. Directed by Eleanor Logan, sets by David Emmons, costumes by Julie Nagel, lights by Terry Jenkins – Programs |
| Oversize Folder 38 | She Stoops to Conquer – Set designs | |
| Box 42 | Folder 9 | Right You Are If You Think You Are by Luigi Pirandello. November 30-December 16, 1973. Directed by Charles McGaw, scenic design by Greg Buch, costumes designed by Margaret Maggard, lights by Phillip Evola – Programs |
| Oversize Folder 38 | Right You Are If You Think You Are – Set designs | |
| Photo Box 100 | Folder 81 | Right You Are If You Think You Are – 1 photograph |
| Box 42 | Folder 10 | The Killer by Eugene Ionesco. February 1-February 17, 1974. Directed by Joseph Slowik, scenic design by Robert Skaggs, costumes by Susan Gayford, lighting by James Highland – Programs |
| Box 42 | Folder 11 | As You Like It by William Shakespeare. March 1-March 17, 1974. Directed by Jack Jones, sets designed by Brad Loman, costumes by Niki Rudisill, lighting by William C. Fox, choreography by Estelle Spector – Programs |
| Oversize Folder 38 | As You Like It – Set design | |
| Box 42 | Folder 12 | Catch 22 by Joseph Heller. April 5-April 21, 1974. Directed by James Engelhardt, scenic design by David Emmons, costumes by Nancy Grabowski, lighting by Neal Yablong – Programs |
| Oversize Folder 38 | Catch 22 – Set designs | |
| Box 42 | Folder 13 | Summer Brave by William Inge. May 13-May 19, 1974. Directed by Bella Itkin, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Steve Burgess – Programs |
| Oversize Folder 38 | Summer Brave – Set designs |
1973-1974 Season, Children’s Theatre
| Box 42 | Folder 14 | General promotional material |
| Box 42 | Folder 15 | The Wind in the Willows adapted by Joseph Baldwin, based on the book by Kenneth Grahame. October 20-December 2, 1973. Directed by Joseph Slowik, scenic design by Nancy Long, costumes by Niki Rudisill, lights by Phillip Evola, make-up by James Campbell, music by Kenneth Slowik – Programs and press releases |
| Box 42 | Folder 16 | Hans Christian Anderson's The Emperor's New Clothes, adapted by Allan Loernsen. December 8, 1973-January 20, 1974. Directed by Nick Schmidtke, sets designed by David Emmons, costumes by Julie Nagel, lighting by James Highland – Correspondence, clippings, programs |
| Photo Box 100 | Folders 82-89 | The Emperor’s New Clothes – 11 photographs/negatives |
| Box 42 | Folder 17 | Appleseed by Ed Graczyk, music and lyrics by Errol Pearlman. January 26-March 17, 1974. Directed by Bella Itkin, choreography by Estelle Spector, scenic design by Gregory Buch, costumes by Susan Lopez, lights by Steve Burgess and G.E. Naselius – Press releases, clippings and programs |
| Box 42 | Folder 18 | The Lion Who Wouldn't, book and lyrics by Gifford Wingate, music by David Coleman. March 23-May 19, 1974. Directed by Kelly Danford, sets by Brad Loman, costumes by Gay Crusius, lights by James Highland and William Fox, choreography by Gisli Bjorgvinsson, Bobbie Kingsly, and Frank Ventura – Script |
| Box 42 | Folder 19 | The Lion Who Wouldn't – Programs |
| Photo Box 100 | Folders 101-102 | The Lion Who Wouldn’t – 2 photographs |
| Box 42 | Folder 20 | The Popcorn Man, book and lyrics by Dodi Robb and Pat Patterson, music by Pat Patterson. June 24-August 3, 1974. Directed by Bella Itkin, choreography and musical coordination by Estelle Spector, additional music and lyrics by Errol Pearlman, sets and costumes by David Emmons, lights by Daniel Aberson and G.E. Naselius – Promotional material and programs |
1973-1974 Season, Special Events
| Box 42 | Folder 21 | Monday Evening Artists and Dance Series – Press releases and promotional material |
| Box 42 | Folder 22 | Eubie Blake. October 22, 1973 – Press releases and clippings |
| Box 42 | Folder 23 | Burr Tilstom's Kukla, Fran and Ollie: A Retrospective with All the Kuklapolitan Players. November 26, 1973 – Program |
| Supp. Box 1 | Folder 7 | Burr Tilstom's Kukla, Fran and Ollie: A Retrospective with All the Kuklapolitan Players – Promotional material |
| Box 42 | Folder 24 | Shay Duffin as Brendan Behan. December 17, 1973 – Programs and promotional material |
| Box 42 | Folder 25 | The Metropolitan Opera Studio presents Vienna to Broadway. February 25, 1974 – Programs |
| Box 42 | Folder 26 | The Lotte Goslar Pantomime Circus in Clowns and Other Fools. March 11, 1974 – Programs and promotional material |
| Box 42 | Folder 27 | Joanna Simon, Mezzo-Soprano. April 22, 1974 – Programs and press releases |
| Box 42 | Folder 28 | Amanda Ambrose in a Tribute to Chicago Composers. March 22, 1974 – Promotional material |
1974-1975 Season, Mainstage
| Box 43 | Folder 1 | General press releases and promotional materials |
| Box 43 | Folder 2 | General clippings |
| Supp. Box 1 | Folder 8 | Open Midwest auditions, July 24, 1974 |
| Box 43 | Folder 3 | The Cherry Orchard by Anton Chekhov. Translation by Tyrone Guthrie and Leonid Kipnis. October 4-November 10, 1974. Directed by Brian Murray, scenery by David Mitchell, costumes by Virgil Johnson, lights by Patricia Collins, ...with Nancy Marchand and Edward Herrmann – Correspondence (September 1-October 8, 1974) |
| Box 43 | Folder 4 | The Cherry Orchard – Technical notes |
| Box 43 | Folder 5 | The Cherry Orchard – Technical lists and notes |
| Box 43 | Folder 6 | The Cherry Orchard – Production script: Acts I and II |
| Box 43 | Folder 7 | The Cherry Orchard – Production script, Acts III and IV |
| Box 43 | Folder 7a | The Cherry Orchard – Script, unmarked |
| Box 43 | Folder 8 | The Cherry Orchard – Press releases |
| Box 43 | Folder 9 | The Cherry Orchard – Programs |
| Photo Box 101 | Folders 1-45 | The Cherry Orchard – 45 photographs/negatives |
| Supp. Box 1 | Folder 9 | The Cherry Orchard – Reviews and clippings |
| Box 43 | Folder 10 | The Sea by Edward Bond. American Premiere, November 15-December 22, 1974. Directed by William Woodman, sets designed by David Jenkins, costumes by James Brady, lights by F. Mitchell Dana, ...with Judith Ivey – Contact sheet |
| Box 43 | Folder 11 | The Sea – Press releases, promotional material |
| Box 43 | Folder 12 | The Sea – Clippings |
| Box 43 | Folder 13 | The Sea – Programs |
| Box 43 | Folder 13a | The Sea – Script; marked with line changes, cuts and blocking |
| Photo Box 101 | Folders 46-94 | The Sea – 49 photographs |
| Supp. Box 1 | Folder 10 | The Sea – Background |
| Box 43 | Folder 14 | 'Tis Pity She's a Whore by John Ford. January 3-February 9, 1975. Directed by Michael Kahn, scenic designs by Robert U. Taylor, costumes by Lawrence Casey, lighting by John McLain, fencing choreographed by Larry Carpenter, choreography by Beulah Abrahams – Press release |
| Box 43 | Folder 15 | 'Tis Pity She's a Whore – Programs |
| Photo Box 101 | Folder 95 | ‘Tis Pity She’s a Whore – 1 photograph |
| Supp. Box 1 | Folder 11 | ‘Tis Pity She’s a Whore – Information on other productions |
| Supp. Box 1 | Folder 12 | ‘Tis Pity She’s a Whore – Reviews and clippings |
| Box 43 | Folder 16 | The Philanthropist by Christopher Hampton. Midwest Premiere, February 14-March 23, 1975. Directed by Michael Montel, sets designed by Peter Wexler, costumes by John David Ridge, lights by Ken Billington, ...with Judith Ivey and Swoosie Kurtz – Correspondence |
| Box 43 | Folder 17 | The Philanthropist – Stage Manager's Book: script |
| Box 43 | Folder 18 | The Philanthropist – Stage Manager's Book: technical lists and notes |
| Box 43 | Folder 18a | The Philanthropist – Unmarked script |
| Box 43 | Folder 19 | The Philanthropist – Press releases |
| Box 43 | Folder 20 | The Philanthropist – Clippings |
| Box 43 | Folder 21 | The Philanthropist – Programs |
| Box 43 | Folder 22 | The Philanthropist – Program from the National Theatre presentation of this production, April 1975 |
| Photo Box 102 | Folders 1-46 | The Philanthropist – 46 photographs/negatives |
| Box 43 | Folder 23 | The Resistible Rise of Arturo Ui by Bertolt Brecht, and adapted by George Tabori. March 28-May 4, 1975. Directed by William Woodman, music by Hans-Dieter Hosalla, sets by Joseph Nieminski, costumes by John David Ridge, lights by Gilbert Hemsley, Jr – Costume plots and contact sheet – with negative |
| Box 43 | Folder 24 | The Resistible Rise of Arturo Ui – Press release |
| Box 43 | Folder 25 | The Resistible Rise of Arturo Ui – Programs |
| Box 43 | Folder 26 | The Resistible Rise of Arturo Ui – Reviews and clippings |
| Box 43 | Folder 27 | The Resistible Rise of Arturo Ui – Unmarked script |
| Oversize Box 1 | The Resistible Rise of Arturo Ui – Poster | |
| Photo Box 102 | Folders 47-94 | The Resistible Rise of Arturo Ui – 48 photographs/negatives |
| Supp. Box 1 | Folder 13 | The Resistible Rise of Arturo Ui – Promotional material |
| Supp. Box 1 | Folder 14 | The Resistible Rise of Arturo Ui – Published script; unmarked |
| Box 44 | Folder 1 | Chemin de Fer by Georges Feydeau. May 9-June 15, 1975. Directed by Stuart Gordon, sets by James Maronek, costumes by James Edmund Brady, lights by F. Mitchell Dana – Production script: Acts I and II |
| Box 44 | Folder 2 | Chemin de Fer – Production Script: Acts II and III |
| Box 44 | Folder 3 | Chemin de Fer – Press release |
| Box 44 | Folder 4 | Chemin de Fer – Programs |
| Box 44 | Folder 5 | Chemin de Fer – Contact sheet |
| Oversize Folder 11 | Chemin de Fer – Set designs | |
| Photo Box 103 | Folders 1-28 | Chemin de Fer – 28 photographs |
| Supp. Box 1 | Folder 15 | Chemin de Fer – Reviews and clippings |
1974-1975 Season, Studio
| Box 44 | Folder 6 | General promotional material |
| Box 44 | Folder 7 | Merton of the Movies by George Kaufman and Marc Connelly. November 1-17, 1974. Adapted and directed by Kelly Danford, music and lyrics by David Coleman, choreography by Frank Ventura, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Estelle Thompson, sound by Daniel Aberson – Set design (See: Oversize Folder 40) |
| Box 44 | Folder 8 | Merton of the Movies – Programs |
| Box 44 | Folder 9 | Funeral Games by Joe Orton and Vampire by Snoo Wilson. November 29-December 15, 1974. Adapted and directed by Joseph Slowik, sets by David Emmons, costumes by Ruth Deters, lighting by Rebecca Binks, music by Phillip Kusie – Set design (See: Oversize Folder 40) |
| Box 44 | Folder 10 | Funeral Games – Programs |
| Box 44 | Folder 11 | Major Barbara by George Bernard Shaw. January 31-February 16, 1975. Directed by John Clingerman, scenic design by Dean Taucher, costumes by Ruth Deters, lights by Marc Andrew Warshell – Programs |
| Oversize Folder 40 | Major Barbara – Set designs | |
| Box 44 | Folder 12 | Romeo and Juliet by William Shakespeare. February 28-March 16, 1975. Directed by Bella Itkin, sets by Eric Fielding, costumes by Nancy Grabowski, lights by Terry Jenkins, choreography by Estelle Spector, fights staged by Ron Piretti and Ted Wass – Set design (See: Oversize Folder 40) |
| Box 44 | Folder 13 | Romeo and Juliet – Programs |
| Box 44 | Folder 14 | The Hot L Baltimore by Lanford Wilson. April 4-April 20, 1975. Directed by Rae Allen, scenic design by Brad Loman, costume design by Sandi Kabins, lights by Dale Kovarik – Programs |
| Supp. Box 1 | Folder 16 | The Hot L Baltimore – Correspondence |
| Box 44 | Folder 15 | The Liar by Carlo Goldoni. May 2-May 18, 1975. Directed by Libby Appel, sets by Gary Cartwright, costumes by Julie Rutlin, lighting by Curtis M. Jacobson – Set design (See: Oversize Folder 40) |
| Box 44 | Folder 16 | The Liar – Programs |
1974-1975 Season, Stage 2
| Box 44 | Folder 17 | Winnebago by Frank Galati. November 1-11, 1974. Directed by Frank Galati, sets and costumes by Paul Appel, lights by Craig Miller, music and sound by Nick Jensen, choreography by Peter Amster – Program and press release |
| Photo Box 103 | Folders 29-32 | Winnebago – 4 photographs |
| Box 44 | Folder 18 | The Son by Gert Hoffman, translated by Jon Swan. January 3-12, 1975. Directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Maggie Bodwell, lights by Robert Christen – Poster (See: Oversize Poster Box 1) |
| Box 44 | Folder 19 | The Son – Programs, press release and reviews |
| Box 44 | Folder 20 | Once and For All by Robert Gordon. February 28-March 17, 1975. Directed by Patrick O'Gara – Promotional material and reviews |
| Box 44 | Folder 21 | Once and For All – Programs |
| Oversize Box 1 | Once and For All – Poster | |
| Box 44 | Folder 22 | Three Women by Cecil O'Neal, Cynthia Baker Johnson, Roberta Maguire and Sandy Lipton. Directed by Cecil O'Neal, lights by Robert Shook – Promotional material and correspondence |
| Box 44 | Folder 23 | Three Women – Programs, reviews and clippings |
| Box 44 | Folder 23a | Three Women – Script |
| Oversize Box 1 | Three Women – Poster | |
| Photo Box 103 | Folders 33-36 | Three Women – 4 photographs |
| Three Women (See: ALSO: Victory Gardens Theater Collection: PHF Box 1/Folder 7 |
1974-1975 Season, Children’s Theatre
| Box 44 | Folder 24 | General promotional material |
| Box 44 | Folder 25 | The Prince, the Wolf and the Firebird by Jackson Lacey. October 19-December 1, 1974. Directed by Bella Itkin, costumes by Susan Gayford, sets by Brad Loman, lights by William Fox, sound design by Steven Burgess, choreography by Estelle Spector, stage combat by Diane Parker – Set designs (See: Oversize Folder 39) |
| Box 44 | Folder 26 | The Prince, the Wolf and the Firebird – Press release |
| Box 44 | Folder 27 | The Prince, the Wolf and the Firebird – Programs |
| Photo Box 103 | Folders 37-39 | The Prince, The Wolf and the Firebird – 3 photographs |
| Box 44 | Folder 28 | Rags to Riches by Aurand Harris (suggested by two stories written by Horatio Alger). December 7, 1974-January 19, 1975. Directed by Eleanor Logan, scenic designs by Eric Fielding, costumes by Nancy Grabowski, lights by Steven Burgess, sound by William C. Fox, choreography by Diane Parker – Set design (See: Oversize Folder 39) |
| Box 44 | Folder 29 | Rags to Riches – Press releases and promotional material |
| Box 44 | Folder 30 | Rags to Riches – Review |
| Box 44 | Folder 31 | Rags to Riches – Programs |
| Photo Box 103 | Folders 40-48 | Rags to Riches – 9 photographs |
| Box 44 | Folder 32 | Peck's Bad Boy by Aurand Harris. Suggested by stories from Peck's Bad Boy, by George W. Peck. January 25-March 16, 1975. Directed by Kelly Danford, scenic design by Brad Loman, costumes by Richard Donnelly, lights by Neal Yablong – Press releases and promotional material |
| Box 44 | Folder 33 | Peck's Bad Boy – Programs |
| Oversize Folder 39 | Peck's Bad Boy – Set designs | |
| Photo Box 103 | Folders 49-51 | Peck’s Bad Boy – 3 photographs |
| Box 44 | Folder 34 | The Great Cross-Country Race, or The Hare and the Tortoise, adapted by Alan Broadhurst. March 22-May 18, 1985. Directed by David Avcollie, sets by Eric Fielding, costumes by Phyllis Hojnacki, lights by Terry Jenkins, sound design by Daniel Aberson – Set designs (See: Oversize Folder 39) |
| Box 44 | Folder 35 | The Great Cross-Country Race, or The Hare and the Tortoise – Press releases and promotional material |
| Box 44 | Folder 36 | The Great Cross-Country Race, or The Hare and the Tortoise – Programs |
| Photo Box 103 | Folders 52-56 | The Great Cross-Country Race, or The Hare and the Tortoise – 5 photographs |
| Box 44 | Folder 37 | The Fabulous Fable Factory by Joseph Robinette and Thomas Tierney. June 30-August 9, 1975. Directed by Bella Itkin, musical direction by Errol Pearlman, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Sandi Kabins, lights by Rebecca Binks – Promotional material |
| Box 44 | Folder 38 | The Fabulous Fable Factory – Programs |
| Photo Box 103 | Folders 57-65 | The Fabulous Fable Factory – 9 photographs |
1974-1975 Season, Special Events
| Box 44 | Folder 39 | Summer Festival of Theatre, Dance and Music. August 8-28, 1975. (Cancelled.) – Press releases and clippings |
| Box 44 | Folder 40 | Summer Festival of Theatre, Dance and Music – Memoranda and notes |
| Box 44 | Folder 41 | Summer Festival of Theatre, Dance and Music – Promotional materials and correspondence for The Wolverines |
| Box 44 | Folder 42 | Summer Festival of Theatre, Dance and Music – Promotional materials and correspondence for Carlos Montoya |
| Box 44 | Folder 43 | Summer Festival of Theatre, Dance and Music – Promotional materials for the Feld Ballet |
| Box 44 | Folder 44 | Summer Festival of Theatre, Dance and Music – Promotional materials, correspondence and audio tape for William Windom as James Thurber |
| Box 44 | Folder 45 | Summer Festival of Theatre, Dance and Music – Promotional materials for Leo Lotke |
| Box 44 | Folder 46 | Summer Festival of Theatre, Dance and Music – Promotional materials for the Vermeer Quartet |
| Photo Box 103 | Folders 66-86 | Summer Festival of Theatre, Dance and Music – 9 photographs |
| Photo Box 103 | Folder 87 | Summer Festival of Theatre, Dance and Music, slides – 21 photographs |
1975-1976 Season, Mainstage
| Box 45 | Folder 1 | General press releases and promotional material |
| Box 45 | Folder 2 | Goodman News; Volume 1, #1 |
| Supp. Box 1 | Folder 17 | Clippings |
| Supp. Box 1 | Folder 18 | Open auditions and Midwest Casting Center |
| Box 45 | Folder 3 | Our Town by Thornton Wilder. October 3-November 9, 1975. Directed by George Keathley, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Gilbert Hemsley – Contact sheet |
| Box 45 | Folder 4 | Our Town by Thornton Wilder – Press releases and promotional material |
| Box 45 | Folder 5 | Our Town – Programs |
| Box 45 | Folder 6 | Our Town – Reviews and clippings |
| Photo Box 104 | Folders 1-2 | Our Town – 2 photographs |
| Supp. Box 1 | Folder 19 | Our Town – Correspondence |
| Supp. Box 1 | Folder 20 | Our Town – Prompt script, blocking notes and light cues in pencil; with correspondence |
| Box 45 | Folder 7 | Benito Cerino, from The Old Glory by Robert Lowell, and based on the novella by Herman Melville. November 14-December 21, 1975. Directed by Michael Montel, sets designed by David Jenkins, costumes by James Edmund Brady, lights by George Hemsley, Jr., choreography by Darlene Blackburn – Contact sheets |
| Box 45 | Folder 8 | Benito Cerino – Promotional material |
| Box 45 | Folder 9 | Benito Cerino – Programs |
| Box 45 | Folder 10 | Benito Cerino – Reviews and clippings |
| Photo Box 104 | Folder 3 | Benito Cerino – 1 photograph |
| Box 45 | Folder 11 | Mourning Becomes Electra by Eugene O'Neill. January 2-February 8, 1976. Directed by William Woodman, sets by John Jensen, costumes by James Edmund Brady, lights by F. Mitchell Dana, music selected by Nick Venden, ...with Judith Ivey – Script; Act I |
| Box 45 | Folder 12 | Mourning Becomes Electra – Script; Act II |
| Box 45 | Folder 13 | Mourning Becomes Electra – Script; Act III, with contact sheets |
| Box 45 | Folder 13a | Mourning Becomes Electra – Prompt script |
| Box 45 | Folder 14 | Mourning Becomes Electra – Press releases and promotional material |
| Box 45 | Folder 15 | Mourning Becomes Electra – Programs |
| Box 45 | Folder 16 | Mourning Becomes Electra – Reviews and clippings |
| Photo Box 104 | Folders 4-5 | Mourning Becomes Electra – 2 photographs |
| Box 45 | Folder 17 | The Last Meeting of the Knights of the White Magnolia by Preston Jones. February 13-March 21, 1976. Directed by Harold Stone, sets by Joseph Nieminski, costumes by John David Ridge, lights by F. Mitchell Dana, ...with Jack Wallace and W.H. Macy – Contact sheets |
| Box 45 | Folder 18 | The Last Meeting of the Knights of the White Magnolia – Press releases and promotional material |
| Box 45 | Folder 19 | The Last Meeting of the Knights of the White Magnolia – Programs |
| Box 45 | Folder 20 | The Last Meeting of the Knights of the White Magnolia – Reviews and clippings |
| Box 45 | Folder 21 | The Last Meeting of the Knights of the White Magnolia – Unmarked script |
| Box 45 | Folder 22 | The Last Meeting of the Knights of the White Magnolia – Script, as above |
| Photo Box 104 | Folder 6 | The Last Meeting of the Knights of the White Magnolia – 1 photograph |
| Supp. Box 1 | Folder 21 | The Last Meeting of the Knights of the White Magnolia – Correspondence |
| Supp. Box 1 | Folder 22 | The Last Meeting of the Knights of the White Magnolia – Information on other productions |
| Box 45a | Folder 1 | Our Fathers Failing by Israel Horovitz. World Premiere, March 26-May 2, 1976. Directed by John Dillon, sets designed by Stuart Wurzel, costumes by John David Ridge, lighting by Arden Fingerhut – Script; Act I, revised November 1974 |
| Box 45a | Folder 2 | Our Fathers Failing – Script; Acts II and III, revised November 1974 |
| Box 45a | Folder 3 | Our Fathers Failing – Script; Act I, revised August 1975 |
| Box 45a | Folder 4 | Our Fathers Failing – Script; Acts II and III, revised August 1975 |
| Box 45a | Folder 5 | Our Fathers Failing – Script; Act I, revised circa March 1976 |
| Box 45a | Folder 6 | Our Fathers Failing – Script; Act I, Scene 2, circa March 1976 |
| Box 45a | Folder 7 | Our Fathers Failing – Script, circa March 1976 |
| Box 45a | Folder 8 | Our Fathers Failing – Script; Act I, March 22, 1976 |
| Box 45a | Folder 9 | Our Fathers Failing – Script; Acts II and III, March 22, 1976, with contact sheets |
| Box 45a | Folder 10 | Our Fathers Failing – Complete script, revised March 22, 1976 |
| Box 45a | Folder 11 | Our Fathers Failing – Press releases and promotional material |
| Box 45a | Folder 12 | Our Fathers Failing – Programs |
| Box 45a | Folder 13 | Our Fathers Failing – Reviews and clippings |
| Photo Box 104 | Folder 7 | Our Fathers Failing – 1 photograph |
| Supp. Box 1 | Folder 23 | Our Fathers Failing – Background on Horovitz |
| Supp. Box 1 | Folder 24 | Our Fathers Failing – Correspondence |
| Box 46 | Folder 1 | The Devil's Disciple by George Bernard Shaw. May 7-June 13, 1976. Directed by William Woodman, sets by James Maronek, costumes by Virgil Johnson, lights by Patricia Collins – Press releases and promotional material |
| Box 46 | Folder 2 | The Devil's Disciple – Programs |
| Box 46 | Folder 3 | The Devil's Disciple – Reviews and clippings |
| Photo Box 104 | Folders 8-9 | The Devil's Disciple – 2 photographs |
1975-1976 Season, Studio
| Box 46 | Folder 4 | General promotional material |
| Box 46 | Folder 5 | Speak of the Devil by Tom Sand and Herbert Hecht. November 6-16, 1975. Directed by Estelle Spector, musical direction by Errol Pearlman, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, lights by C.K. Kirk – Programs |
| Box 46 | Folder 6 | Camino Real by Tennessee Williams. December 4-14, 1975. Adapted and directed by Joseph Slowik, scenic design by Dean Taucher, costumes by Julie Jackson, lighting by Christine Decyk, sound design by Eric Strand – Programs |
| Box 46 | Folder 7 | Tobacco Road by Jack Kirkland, from the novel by Erskine Caldwell. February 5-15, 1976. Directed by Libby Appel, sets by Joe Hennessy, costumes by Bobbie Hodges, lights by Robert Frederick, sound design by Tom McCurdy – Programs |
| Box 46 | Folder 8 | Macbeth by William Shakespeare. March 4-20, 1976. Directed by Jack Jones, sets and lights by Eric Fielding, costumes by Sandi Kabins – Programs |
| Box 46 | Folder 9 | When You Comin' Back Red Ryder? by Mark Medoff. April 1-11, 1976. Directed by Anthony Petitto, scenic design by Robert Platte, costumes by Lise Griggs, lights by Eric Strand – Set designs (See: Oversize Folder 42) |
| Box 46 | Folder 10 | When You Comin' Back Red Ryder? – Programs |
| Box 46 | Folder 11 | Ah, Wilderness! by Eugene O'Neill. April 29-May 9, 1976. Directed by David Avcollie, sets by Thomas Beall, costumes by Bobbie Hodges, lights by Mary Lou Papada – Set designs (See: Oversize Folder 42) |
| Box 46 | Folder 12 | Ah, Wilderness! – Programs |
1975-1976 Season, Stage 2
| Box 46 | Folder 13 | General press releases and promotional material |
| Box 46 | Folder 14 | General clippings |
| Box 46 | Folder 15 | American Buffalo by David Mamet. October 23-November 9, 1975. Directed by Gregory Mosher, sets by Michael Merritt, lights by Robert Christen – Press releases and promotional material |
| Box 46 | Folder 16 | American Buffalo – Reviews and clippings |
| Box 46 | Folder 17 | American Buffalo – Programs |
| Box 46 | Folder 18 | American Buffalo – Script |
| Box 46 | Folder 19 | Three Plays of the Yuan Dynasty, translated by Liu Jung-en. December 4-21, 1975. Directed by June Pyskacek, music by Gerald Holbrook, set designs by Rick Paul and Uta Olson, lights by Robert Christen – Contact sheet |
| Box 46 | Folder 20 | Three Plays of the Yuan Dynasty – Press releases and promotional materials |
| Box 46 | Folder 21 | Three Plays of the Yuan Dynasty – Programs |
| Box 46 | Folder 22 | Three Plays of the Yuan Dynasty – Reviews and clippings |
| Box 46 | Folder 23 | Chicago, by Sam Shepard and directed by Dennis Zacek; and The Local Stigmatic, by Heathcote Williams and directed by Gary Houston. Sets and lights by Paul K. Basten (lights for Chicago by Robert Christen), costumes by Marsha Kowal – Press releases and promotional materials |
| Box 46 | Folder 24 | Chicago and The Local Stigmatic – Reviews and clippings |
| Box 46 | Folder 25 | Chicago and The Local Stigmatic – Programs |
| Photo Box 104 | Folders 10-11 | Chicago and The Local Stigmatic – 2 photographs |
| Box 46 | Folder 26 | Dandelion Wine, adapted for the stage by Peter John Bailey from the Ray Bradbury novel. March 18-April 4, 1976. Directed by William Woodman, sets by Michael Merritt, costumes by Maggie Bodwell, music by David Rice, lights by Robert Christen – Contact sheets |
| Box 46 | Folder 27 | Dandelion Wine – Press releases and promotional materials |
| Box 46 | Folder 28 | Dandelion Wine – Reviews and clippings |
| Box 46 | Folder 29 | Dandelion Wine – Programs |
| Photo Box 104 | Folders 12-13 | Dandelion Wine – 2 photographs |
| Supp. Box 1 | Folder 25 | Dandelion Wine – Research on other productions and on Bradbury |
| Box 46 | Folder 30 | Statues and The Bridge at Belharbour by Janet Neipris. World Professional Premiere, April 22-May 9, 1976. Directed by Gregory Mosher, sets by Brian Laczko, costume design by Marsha Kowal, lights by Robert Christen, ...with Judith Ivey – Press releases and promotional material |
| Box 46 | Folder 31 | Statues and The Bridge at Belharbour – Reviews and clippings |
| Box 46 | Folder 32 | Statues and The Bridge at Belharbour – Programs |
| Box 46 | Folder 32a | Statues and The Bridge at Belharbour – Script (The Bridge at Belharbour) |
| Box 46 | Folder 33a | Statues and The Bridge at Belharbour – Script (Statues) |
| Photo Box 104 | Folders 14-15 | Statues and The Bridge at Belharbour – 2 photographs |
| Supp. Box 1 | Folder 26 | Statues and The Bridge at Belharbour – Correspondence |
1975-1976 Season, Children’s Theatre
| Box 46 | Folder 33 | General promotional material |
| Box 46 | Folder 34 | Tom Sawyer, adapted from Mark Twain's The Adventures of Tom Sawyer, book and lyrics by Sarah Marie Schlesinger, musical score by Michael Dansicker. October 18-November 30, 1975. Directed by Dan Schmidtke, choreography by Diana Parker, scenic design by Eric Fielding, costumes by Sandi Kabins, lights by Dale Kovarik – Programs |
| Box 46 | Folder 35 | The Wizard of Oz, adapted from the story by Frank Baum by Adele Thane, original music and lyrics by Brian Alan Lasser. December 6, 1975-January 25, 1976. Directed by Dean Button, lights by Marc Warshell, sound by Curtis Jacobsen, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, choreography by Dawn Mora – Programs |
| Box 46 | Folder 36 | Coyote and His Brothers, adapted from Anna Moore Shaw's Tales of the Pima Indians. January 31-March 14, 1976. Directed by Eleanor Logan, sets designed by Eric Fielding, costumes by Julie Jackson, lights by Curtis Jacobson – Press releases |
| Box 46 | Folder 37 | Coyote and His Brothers – Programs |
| Box 46 | Folder 38 | Yankee Doodle by Aurand Harris, music by Mort Stine. March 20-May 16, 1976. Directed by Russell Chesson, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Judy Mackowsky, lights by G.E. Naselius – Programs |
1975-1976 Season, Special Events
| Box 46 | Folder 39 | Joseph Holmes Dance Theatre. Professional Debut, October [?], 1975 – Clippings |
| Box 46 | Folder 40 | Breakfast in the Kitchen by James Dexter. October 7, 1975 – Programs and clippings |
| Box 46 | Folder 41 | Free Street Theatre presents Declaration '76 – Proposal |
1976-1977 Season, Mainstage
| Box 47 | Folder 1 | General press releases and promotional material |
| Supp. Box 1 | Folder 27 | Open auditions and Midwest Casting Center |
| Box 47 | Folder 2 | Design for Living by Noel Coward. October 1-November 7, 1976. Directed by William Woodman, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Pat Collins,...with Judith Ivey – Contact sheet |
| Box 47 | Folder 3 | Design for Living – Reviews and clippings |
| Box 47 | Folder 4 | Design for Living – Programs |
| Photo Box 104 | Folder 16 | Design for Living – 1 photograph |
| Supp. Box 1 | Folder 28 | Design for Living – Correspondence and promotional material |
| Box 47 | Folder 5 | Long Day's Journey Into Night by Eugene O'Neill. November 12-December 19, 1976. Directed by George Keathley, sets by Joseph Nieminski, lights by F. Mitchell Dana, costumes by Virgil Johnson – Contact sheet |
| Box 47 | Folder 6 | Long Day's Journey Into Night – Press releases and promotional material |
| Box 47 | Folder 7 | Long Day's Journey Into Night – Reviews and clippings |
| Box 47 | Folder 8 | Long Day's Journey Into Night – Programs |
| Photo Box 104 | Folder 17 | Long Day's Journey Into Night – 1 photograph |
| Box 47 | Folder 9 | The Show Off by George Kelly. December 31, 1976-February 6, 1977. Directed by Gene Lesser, sets by Marjorie Kellogg, Lights by Pat Collins, costumes by James Edmund Brady,...with William H. Macy – Contact sheet |
| Box 47 | Folder 10 | The Show Off – Press releases and promotional material |
| Box 47 | Folder 11 | The Show Off – Reviews and clippings |
| Box 47 | Folder 12 | The Show Off – Programs |
| Supp. Box 1 | Folder 29 | The Show Off – Published script; unmarked Xerox |
| Box 47 | Folder 13 | Richard III by William Shakespeare. February 11-March 20, 1977. Directed by William Woodman, sets designed by John Jensen, lighting by F. Mitchell Dana, fights staged by Michael Tezla, costumes by James Edmund Brady, music composed by Alaric Jans – Contact sheet |
| Box 47 | Folder 14 | Richard III – Press releases and promotional material |
| Box 47 | Folder 15 | Richard III – Reviews and clippings |
| Box 47 | Folder 16 | Richard III – Programs |
| Photo Box 104 | Folder 18 | Richard III – 1 photograph |
| Supp. Box 1 | Folder 30 | Richard III – Promotional material costumes by James Edmund Brady, music composed by Alaric Jans |
| Supp. Box 1 | Folder 31 | Richard III – Published script; Xerox with line cuts and changes |
| Box 47 | Folder 17 | Streamers by David Rabe. Midwest Premiere, March 25-May 1, 1977. Directed by Gregory Mosher, sets designed by Joseph Nieminski, lights by Pat Collins, costumes by Marsha Kowal,...with William H. Macy and Meshach Taylor – Contact sheet |
| Box 47 | Folder 18 | Streamers – Press releases and promotional material |
| Box 47 | Folder 19 | Streamers – Reviews and clippings |
| Box 47 | Folder 20 | Streamers – Programs |
| Supp. Box 2 | Folder 1 | Streamers – Information on previous productions |
| Supp. Box 2 | Folder 2 | Streamers – Script; unmarked |
| Box 47 | Folder 21 | Don Juan by Moliere, translated by Christopher Hampton. May 6-June 12, 1977. Production supervised by William Woodman, sets by Joseph Nieminski, costume design by Virgil Johnson, fights staged by Michael Tezla,...with Judith Ivey and Robert Guillaume – Contact sheet |
| Box 47 | Folder 22 | Don Juan – Press releases and promotional materials |
| Box 47 | Folder 23 | Don Juan – Programs |
| Photo Box 104 | Folders 19-21 | Don Juan – 3 photographs |
| Supp. Box 2 | Folder 3 | Don Juan – Reviews and clippings |
1976-1977 Season, Studio
| Box 47 | Folder 24 | The Hostage by Brendan Behan. October 28-November 7, 1976. Adapted and directed by Joseph Slowik, scenic design by Stephen Packard, costumes by Irene Behrenfeld, lights by Tom Boucher – Programs |
| Box 47 | Folder 25 | Summer of the Seventeenth Doll by Ray Lawler. December 9-19, 1976. Directed by Bella Itkin, sets by Dean Taucher, costumes by Bobbie Hodges, lighting by Daniel Lesh, sound by Michael Barich – Programs |
| Box 47 | Folder 26 | The Mad Dog Blues by Sam Shepard. February 3-13, 1977. Directed by Edwin Schmidtke, original music composed by Elliot Delman, musical direction by June Shellene, stage fights by Bruce Rogers Wright, scenic design by Tom Beall, costumes by Lise Griggs, lights by Kathy Daly, sound production and design by Roger Dale Weissman – Programs |
| Box 47 | Folder 27 | Hamlet by William Shakespeare. March 3-19, 1977. Directed by Charles McGaw, duel staged by Bruce Rogers Wright, sets by Joe Hennessy, costumes by Ferruccio Garavaglia, lights by Ralph Lorenz, sound by Michael Merker – Programs |
| Box 47 | Folder 28 | The Real Inspector Hound and Albert's Bridge by Tom Stoppard. April 7-17, 1977. Directed by Dale McFadden, scenic design by Stephen Packard, costumes by Richard Parks, lighting designed by Mike Sarich – Programs |
| Box 47 | Folder 29 | Spring's Awakening by Frank Wedekind. May 5-15, 1977. Directed by Joseph Slowik, scenic design by Nels Anderson, lighting by Roger Weissman, sound design by Kathleen Daly, costumes by Hollis Levy, fighting staged by Bruce Rogers Wright – Programs |
1976-1977 Season, Stage 2
| Box 47 | Folder 30 | General promotional material and clippings |
| Box 47 | Folder 31 | Sizwe Banzi is Dead by Athol Fugard, John Kani, and Winston Ntshona. Chicago Premiere, November 3, 1976. Directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Michelle Demichelis, lights by Lionel Smith,...with Meshach Taylor – Press releases and promotional material |
| Box 47 | Folder 32 | Sizwe Banzi is Dead – Programs |
| Photo Box 104 | Folders 22-24 | Sizwe Banzi is Dead – 1 photograph |
| Supp. Box 2 | Folder 4 | Sizwe Banzi is Dead – Publicity and advertising |
| Supp. Box 2 | Folder 5 | Sizwe Banzi is Dead – Reviews and clippings |
| Supp. Box 2 | Folder 6 | Sizwe Banzi is Dead – Promotional material, reviews and clippings from production at Victory Gardens Theater, May 1977 |
| Supp. Box 2 | Folder 7 | Sizwe Banzi is Dead – Promotional material, reviews and clippings from Tour, Spring 1978 |
| Box 47 | Folder 33 | The Sport of My Mad Mother by Ann Jellicoe. December 1-19, 1976. Directed by Dennis Zacek, sets by Dean Taucher, costumes by Marsha Kowal, lights by Robert Christen,...with Judith Ivey – Contact sheet |
| Box 47 | Folder 34 | The Sport of My Mad Mother – Promotional materials and press releases |
| Box 47 | Folder 35 | The Sport of My Mad Mother – Programs |
| Photo Box 104 | Folder 25 | The Sport of My Mad Mother – 1 photograph |
| Supp. Box 2 | Folder 8 | The Sport of My Mad Mother – Reviews and clippings |
| Box 47 | Folder 36 | A Life in the Theatre by David Mamet. World Premiere, February 3-20, 1977. Directed by Gregory Mosher, sets by Michael Merritt, costumes by Marsha Kowal, lighting by Robert Christen, music by Stuart Klawans,...with Mike Nussbaum and Joe Mantegna – Contact sheet |
| Box 47 | Folder 37 | A Life in the Theatre – Press releases and promotional material |
| Box 47 | Folder 38 | A Life in the Theatre – Reviews and clippings |
| Box 47 | Folder 39 | A Life in the Theatre – Programs |
| Photo Box 104 | Folder 26 | A Life in the Theatre – 1 photograph |
| Supp. Box 2 | Folder 9 | A Life in the Theatre – Revised script; dated December 9, 1976, with light cues |
| Supp. Box 2 | Folder 10 | A Life in the Theatre – Revised script; dated December 9, 1976, with additional revisions dated January 17, 1977 (2 copies) |
| Box 47 | Folder 40 | Kaspar by Peter Handke, translated by Michael Roloff. March 3-20, 1977. Directed by Gary Houston, sets by Maher Ahmad, costume design by Michelle Demichelis, lighting design by Robert Christen, sound design by Gary Rotta – Contact sheet |
| Box 47 | Folder 41 | Kaspar – Press releases and promotional material |
| Box 47 | Folder 42 | Kaspar – Reviews and clippings |
| Box 47 | Folder 43 | Kaspar – Programs |
| Photo Box 104 | Folder 27 | Kaspar – 1 photograph |
| Supp. Box 2 | Folder 11 | Kaspar – Information on Handke |
| Box 47 | Folder 44 | George Jean Nathan in Review, conceived by Stanley Eden based on the writings of George Jean Nathan. April 21-May 8, 1977. Directed by Stanley Eden, sets designed by Michael Merritt, costumes by Marsha Kowal, lights by Robert Christen, sound by Gary Rotta – Contact sheet |
| Box 47 | Folder 45 | George Jean Nathan in Review – Press releases and promotional material |
| Box 47 | Folder 46 | George Jean Nathan in Review – Reviews and clippings |
| Box 47 | Folder 47 | George Jean Nathan in Review – Programs |
| Box 47 | Folder 48 | George Jean Nathan in Review – Script, unmarked |
| Box 47 | Folder 49 | George Jean Nathan in Review – Script: Act II, Rough Draft-modified |
1976-1977 Season, Children’s Theatre
| Box 47a | Folder 1 | General promotional material |
| Box 47a | Folder 2 | Just So Stories, dramatized by Aurand Harris. Directed by Joseph Slowik, sets and costumes designed by Thomas Beall, lighting by G.E. Naselius – Script |
| Box 47a | Folder 3 | Just So Stories – Programs |
| Box 47a | Folder 4 | Aladdin and His Wonderful Lamp by James Norris, music and lyrics by Errol Pearlman. October 16-November 28, 1976. Directed by Bella Itkin, choreography by Dawn Mora, fight sequence by Bruce Rogers Wright, scenic design by Thomas Beall, costume design by Bobbie Hodges, lighting design by G.E. Naselius – Programs |
| Box 47a | Folder 5 | Aladdin and His Wonderful Lamp – Set design (See: Oversize Folder 43) |
| Box 47a | Folder 6 | The Adventures of Pinocchio by Carlo Collodi. December 4, 1976-January 23, 1977. Conceived and directed by Terry Zehr, fight choreography by Bruce Rogers Wright, scene design by Bob Platte, costumes by Mary Lou Holmes, lights by Christine Decyk – Programs |
| Box 47a | Folder 7 | The Adventures of Pinocchio – Set design (See: Oversize Folder 43) |
| Box 47a | Folder 8 | The Unwicked Witch by Madge Miller. January 29-March 13, 1977. Directed by Stuart Hawk, scenic design by Joe Hennessey, costumes by Irene Behrenfeld, lighting by Eric Strand, sound design by Richard Young – Programs |
| Box 47a | Folder 9 | Androcles and the Lion, adapted by Aurand Harris. March 19-May 15, 1977. Directed and choreographed by Estelle Spector, scenic designs by Bob Platte, costumes by Lise Griggs, lights by Rochard Young, sound by Christine Decyk – Programs |
1976-1977 Season, Special Events
| Box 47a | Folder 10 | As you Like It. Shakespeare in the Park, [1976-1977]. Directed by Gregory Mosher, sets by Maher Ahmad, lights by Robert Christen, costumes by Marsha Kowal, music by Alaric Jans,...with Judith Ivey and Mike Nussbaum – Clippings and contact sheet |
| Box 47a | Folder 10a | New Playwright’s Project. [1976-1977] – General promotional materials and clippings |
| Box 47a | Folder 11 | Times Up by Lance Lee. Directed by William Woodman,...with Jack Wallace – Programs |
| Box 47a | Folder 12 | Times Up – Script |
| Box 47a | Folder 13 | City Junket. Directed by Mac McGuinnes – Programs |
1977-1978 Season, Mainstage
| Box 47a | Folder 14 | General press releases and promotional material |
| Box 47a | Folder 14a | Reviews and clippings |
| Supp. Box 2 | Folder 12 | Open auditions and Midwest Casting Center |
| Box 47a | Folder 15 | St. Joan by George Bernard Shaw. September 23-October 30, 1977. Directed by John Clark, scenery by David Jenkins, costumes by James Edmund Brady, lights by F. Mitchell Dana,...starring Lynn Redgrave – Contact sheet |
| Box 47a | Folder 16 | St. Joan – Reviews and clippings |
| Box 47a | Folder 17 | St. Joan – Programs |
| Photo Box 104 | Folders 28-32 | St. Joan – 5 photographs |
| Supp. Box 2 | Folder 13 | St. Joan – Information from other productions |
| Supp. Box 2 | Folder 14 | St. Joan – Promotional material |
| Box 47a | Folder 18 | The Sea Gull by Anton Chekhov. November 11-December 18, 1977. Directed by Gregory Mosher, sets designed by Joseph Nieminski, lighting by Pat Collins, costume design by Virgil Johnson – Contact sheet |
| Box 47a | Folder 19 | The Sea Gull – Reviews and clippings |
| Box 47a | Folder 20 | The Sea Gull – Programs |
| Photo Box 104 | Folders 33-39 | The Sea Gull – 7 photographs |
| Supp. Box 2 | Folder 15 | The Sea Gull – Casting |
| Supp. Box 2 | Folder 16 | The Sea Gull – Promotional material |
| Supp. Box 2 | Folder 17 | The Sea Gull – Prompt script; with cues, rehearsal log and contact sheet |
| Supp. Box 2 | Folder 18 | The Sea Gull – Prompt script; with blocking |
| Supp. Box 2 | Folder 19 | A Christmas Carol – Prompt script for the production at the Guthrie Theatre, Minneapolis, Minnesota |
| Box 47a | Folder 21 | Working, from the book by Studs Terkel, songs by Craig Carnelia, Micki Grant, Stephen Schwartz, and James Taylor, with additional songs by Susan Birkenhead and Mary Rogers. December 30, 1977-February 5, 1978. Adapted and directed by Stephen Schwartz, dance and incidental music by Michelle Brourman, sets by David Mitchell, costumes by Marjorie Slaiman, lighting by Pat Collins, musical direction and vocal arrangements by Stephen Reinhardt, sound design by Abe Jacobs, choreography by Graciela Daniele,...with Joe Mantegna – Contact sheet |
| Box 47a | Folder 22 | Working – Reviews and clippings |
| Box 47a | Folder 23 | Working – Programs |
| Box 47a | Folder 24 | Working – Reviews and clippings from New York City production |
| Photo Box 104 | Folders 40-49 | Working – 10 photographs |
| Supp. Box 2 | Folder 20 | Working – Promotional material |
| Box 47a | Folder 25 | Much Ado About Nothing by William Shakespeare. February 10-March 19, 1978. Directed by William Woodman, sets by Herbert Senn and Helen Pond, costumes by Virgil Johnson, lights by Stephen Ross, dances by Ruth Page, incidental music and songs by Alaric Jans,...with Judith Ivey – Contact sheet |
| Box 47a | Folder 26 | Much Ado About Nothing – Reviews and clippings |
| Box 47a | Folder 27 | Much Ado About Nothing – Programs |
| Photo Box 104 | Folders 50-52 | Much Ado About Nothing – 3 photographs |
| Supp. Box 2 | Folder 21 | Much Ado About Nothing – Promotional material |
| Supp. Box 2 | Folder 22 | Much Ado About Nothing – Published script of Zeffirelli production, National Theatre of Great Britain |
| Box 48 | Folder 1 | The Night of the Iguana by Tennessee Williams. March 31-May 7, 1978. Directed by George Keathley, sets designed by Joseph Nieminski, costumes by Marsha Kowal, lights by Robert Christen – Contact sheet |
| Box 48 | Folder 2 | The Night of the Iguana – Press releases, reviews and clippings |
| Box 48 | Folder 3 | The Night of the Iguana – Programs |
| Photo Box 104 | Folders 53-57 | The Night of the Iguana – 5 photographs |
| Box 48 | Folder 4 | Otherwise Engaged by Simon Gray. May 12-June 18, 1978. Directed by William Woodman, scenic design by Joseph Nieminski, lighting designed by F. Mitchell Dana, costumes by James Edmund Brady – Contact sheet |
| Box 48 | Folder 5 | Otherwise Engaged – Press releases and clippings |
| Box 48 | Folder 6 | Otherwise Engaged – Programs |
| Box 48 | Folder 7 | Otherwise Engaged – Script, labeled “B” |
| Photo Box 104 | Folders 58-63 | Otherwise Engaged – 6 photographs |
| Supp. Box 2 | Folder 23 | Otherwise Engaged – Casting |
1977-1978 Season, Studio
| Box 48 | Folder 8 | The Playboy of the Western World by John Millington Synge. October 27-November 6, 1977. Directed by Jack Jones, scenic design by George Caldwell, costumes by Curtis Flowers, light and sound design by Ralph Lorenz – Set design (See: Oversize Folder 44) |
| Box 48 | Folder 9 | The Playboy of the Western World – Programs |
| Box 48 | Folder 10 | Six Characters in Search of an Author by Luigi Pirandello. [1977-1978]. Directed by Jack Warner, S.J., sets by Janet Roller, lights by J.B. Spector – Set design (See: Oversize Folder 44) |
| Box 48 | Folder 11 | Six Characters in Search of an Author – Programs and posters |
| Box 48 | Folder 12 | Small Craft Warnings by Tennessee Williams. December 1-11, 1977. Directed by Michael Merker, sets and costumes designed by Brad Loman, lights by Kathleen Daly, sound design by J.B. Spector – Set design (See: Oversize Folder 44) |
| Box 48 | Folder 13 | Small Craft Warnings – Programs and posters |
| Box 48 | Folder 14 | A Midsummer Night's Dream by William Shakespeare. March 9-19, 1978. Directed by Bella Itkin, sets and lights by Nels Anderson, costumes by Curtis Flowers, music by Jeffrey Woods – Set designs (See: Oversize Folder 44) |
| Box 48 | Folder 15 | A Midsummer Night's Dream – Programs and posters |
| Box 48 | Folder 16 | Jack, or The Submission and The Chairs by Eugene Ionesco. Directed by Joseph Slowik, sets by James Maronek, costumes by Richard Parks, lighting by Daniel Lesh and Ralph Lorenz – Programs and poster |
1977-1978 Season, Stage 2
| Box 48 | Folder 17 | General promotional material and clipping |
| Box 48 | Folder 18 | Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs by David Halliwell. January 10-29, 1978. Directed by Michael Maggio, sets by Michael Merritt, costumes by Julie Jackson, lighting by Robert Christen – Programs |
| Box 48 | Folder 19 | Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs – Reviews and clippings |
| Box 48 | Folder 20 | Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs – Script |
| Photo Box 104 | Folders 64-67 | Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs – 4 photographs |
| Box 48 | Folder 20a | Annulla Allen, the Autobiography of a Survivor by Emily Mann and Annulla Allen. March 16-April 2, 1978 – Programs, press releases and promotional material |
| Box 48 | Folder 21 | Annulla Allen, the Autobiography of a Survivor – Reviews and clippings |
| Box 48 | Folder 21a | Annulla Allen, the Autobiography of a Survivor – Reviews from other productions |
| Box 48 | Folder 22 | Annulla Allen, the Autobiography of a Survivor – Script, adapted for Earplay radio |
| Photo Box 104 | Folder 68 | Annulla Allen, the Autobiography of a Survivor – 1 photograph |
| Box 48 | Folder 23 | Battering Ram by David Freeman. April 9-23, 1978. Directed by Gregory Mosher, costumes by Christa Scholtz, lighting by Robert Shook, sets by Maher Ahmad,...with W.H. Macy – Contact sheet |
| Box 48 | Folder 24 | Battering Ram – Programs, press releases, promotional material |
| Box 48 | Folder 25 | Battering Ram – Reviews and clippings |
| Box 48 | Folder 26 | Battering Ram – Script |
| Photo Box 104 | Folders 69-70 | Battering Ram – 2 photographs |
| Supp. Box 2 | Folder 24 | Battering Ram – Casting |
| Box 48 | Folder 27 | Sizwe Banzi is Dead by John Kani. March 14-19, 1978. Directed by Gregory Mosher, lights and sets designed by Robert Christen, costumes designed by Michelle Demichelis,...with Meshach Taylor – Programs |
| Photo Box 104 | Folders 71-72 | Sizwe Banzi is Dead – 2 photographs |
| Box 48 | Folder 28 | Prague Spring by Lee Kalcheim. May 23-June 11 l978. Directed by Dennis Zacek, sets by Maher Ahmad, costumes by Marsha Kowal, lights by Robert Christen – Contact sheet |
| Box 48 | Folder 29 | Prague Spring – Programs, press releases, promotional material |
| Box 48 | Folder 29a | Prague Spring – Reviews and clippings |
| Box 48 | Folder 29b | Prague Spring – Program for the Cleveland Playhouse production |
| Box 48 | Folder 30 | Prague Spring – Script |
| Photo Box 104 | Folders 73-74 | Prague Spring – 2 photographs |
1977-1978 Season, Children’s Theatre
| Box 48 | Folder 31 | Beauty and the Beast by Jesse Beers. October 22-December 22, 1977. Directed by Joe Guastaferro, sets by Nels Anderson, costumes by Richard Parks, sound design by Roger Weissmann, lights by Daniel Lesh – Programs and poster |
| Box 48 | Folder 32 | Winterthing by Joan Aiken. January 21-March 19, 1978. Directed by Gordon Kupperstein – Flyer |
| Box 48 | Folder 33 | Cinderella, dramatized by Phyllis Ward. March 25-May 7, 1978. Directed by Estelle Spector, music by Hans Wurman, sets by Brad Loman, lights by Daniel Lesh, costumes by Hollis Levy – Programs and poster |
1978-1979 Season, Mainstage
| Box 49 | Folder 1 | General promotional material |
| Supp. Box 4 | Folder 1 | Open auditions and Midwest Casting Center |
| Box 49 | Folder 2 | Native Son, adapted by Paul Green from the novel by Richard Wright. October 6-November 12, 1978. Directed by Gregory Mosher, scenery by Joseph Nieminski, costumes by Christa Scholtz, lighting by Pat Collins,...with Mike Nussbaum and Meshach Taylor – Contact sheets |
| Box 49 | Folder 3 | Native Son – Programs and promotional material |
| Box 49 | Folder 4 | Native Son – Reviews and clippings |
| Photo Box 105 | Folders 1-2 | Native Son – 2 photographs |
| Supp. Box 4 | Folder 2 | Native Son – Casting |
| Supp. Box 4 | Folder 3 | Native Son – Research |
| Supp. Box 4 | Folder 4 | Native Son – Script; unmarked, with scene breakdown |
| Oversize Folder 45 | Native Son – Poster | |
| Box 49 | Folder 5 | A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. November 24-December 31, 1978. Directed by Tony Mockus, choreography by Gus Giordano, music by Hiram Titus, scenery by Joseph Nieminski, costumes by James Edmund Brady, lights by Robert Christen, sound design by Henry Miller – Programs and promotional material |
| Photo Box 105 | Folder 3 | A Christmas Carol – 1 photograph |
| Supp. Box 4 | Folder 5 | A Christmas Carol – Casting |
| Supp. Box 4 | Folder 6 | A Christmas Carol – Reviews |
| Supp. Box 4 | Folder 7 | A Christmas Carol – Prompt script with blocking (1 of 2) |
| Supp. Box 4 | Folder 8 | A Christmas Carol – Prompt script with blocking (2 of 2) |
| Box 49 | Folder 6 | Two-Part Inventions by Richard Howard. January 12-February 18, 1979. Directed by Michael Feingold, scenery by David Lloyd Gropman, lights by Jennifer Tipton, costumes by Christa Scholtz – Programs and promotional material |
| Box 49 | Folder 6a | Two-Part Inventions – Script; Xerox of published version (Athenaeum) |
| Photo Box 105 | Folders 4-9 | Two-Part Inventions – 6 photographs |
| Supp. Box 4 | Folder 9 | Two-Part Inventions – Contact sheet, reviews and clippings |
| Supp. Box 4 | Folder 10 | Two-Part Inventions – Research |
| Box 49 | Folder 7 | Bosoms and Neglect by John Guare. February 23-April 1, 1979. Directed by Mel Shapiro, sets by John Wulp, costume designs by Willa Kim, lights by Jennifer Tipton – Contact sheet |
| Box 49 | Folder 8 | Bosoms and Neglect – Programs and clippings |
| Box 49 | Folder 8a | Bosoms and Neglect – Script; revised 12/15/78 |
| Photo Box 105 | Folders 10-15 | Bosoms and Neglect – 6 photographs |
| Supp. Box 4 | Folder 11 | Bosoms and Neglect – Information on other productions |
| Supp. Box 4 | Folder 12 | Bosoms and Neglect – Promotional material |
| Oversize Folder 45 | Bosoms and Neglect – Poster | |
| Box 49 | Folder 9 | Holiday by Philip Barry. April 12-May 13, 1979. Directed by Tony Tanner, costumes by Clifford Capone, lighting by Robert Christen, sets by Joseph Nieminski,...with Lindsay Crouse and W.H. Macy – Contact sheet |
| Box 49 | Folder 10 | Holiday – Programs, promotional material and clippings |
| Box 49 | Folder 10a | Holiday – Script; Xerox of published version |
| Photo Box 105 | Folders 16-19 | Holiday – 4 photographs |
| Box 49 | Folder 11 | The Lone Canoe, or The Explorer by David Mamet. May 18-June 24, 1979. Directed by Gregory Mosher, music and lyrics by Alaric Jans, sets by John Lee Beatty, costumes by Christa Scholtz, lighting by Pat Collins – Contact sheet |
| Box 49 | Folder 12 | The Lone Canoe, or The Explorer – Programs and promotional material |
| Box 49 | Folder 13 | The Lone Canoe, or The Explorer – Script, labeled “Early Draft” |
| Box 49 | Folder 14 | The Lone Canoe, or The Explorer – Script, labeled “A-3rd Draft” |
| Box 49a | Folder 1 | The Lone Canoe, or The Explorer by David Mamet. May 18-June 24, 1979. Directed by Gregory Mosher, music and lyrics by Alaric Jans, sets by John Lee Beatty, costumes by Christa Scholtz, lighting by Pat Collins – Script; labeled “B-Corrected 5/27/79” |
| Box 49a | Folder 2 | The Lone Canoe, or The Explorer – Script; labeled “C-Draft 4” |
| Box 49a | Folder 3 | The Lone Canoe, or The Explorer – Script; labeled “D” (Xerox of B) |
| Box 49a | Folder 4 | The Lone Canoe, or The Explorer – Script; labeled “E-Draft 5” |
| Box 49a | Folder 5 | The Lone Canoe, or The Explorer – Script’ labeled “B” and “F” |
| Photo Box 105 | Folders 20-23 | The Lone Canoe, or The Explorer – 4 photographs |
| Supp. Box 4 | Folder 13 | The Lone Canoe, or The Explorer – Research |
| Supp. Box 4 | Folder 14 | The Lone Canoe, or The Explorer – Reviews and clippings |
1978-1979 Season, Studio
| Box 49a | Folder 6 | The Royal Gambit by Hermann Gressieker. November 9-19, 1978. Directed by Jack Jones, costumes and sets by Virgil Johnson, lighting by G.E. Naselius – Programs |
| Box 49a | Folder 7 | Hold Me by Jules Feiffer. January 25-February 4, 1979. Directed by Estelle Spector, music by Erroll Pearlman and David Rush, choreography by Carol Delik, sets by Harriet M. Ball, costumes by Bobbie Hodges, lights by James Highland – Programs |
| Box 49a | Folder 8 | Antigone, adapted by Lewis Galatiere from the play by Jean Anouilh. March 8-18, 1979. Directed by A.C. Thomas, sets by James Maronek, costumes by Maggie Bodwell, lighting designed by G.E. Naselius – Programs |
| Box 49a | Folder 9 | The Promise by Aleksei Arbuzov. April 12-22, 1979. Directed by Bella Itkin, sets by Karl Kachvor, costumes by Dale Wibben, lights by Rob Rothstein – Programs |
| Box 49a | Folder 10 | The Time of Your Life by William Saroyan. May 17-27, 1979. Directed by Joseph Slowik, sets designed by Nels Anderson, costumes by Julie Jackson, lights by Karl Kachvor – Promotional material |
1978-1979 Season, Stage 2
| Box 49a | Folder 11 | Emigres by Slawomir Mrozek. October 24-November 5, 1978. Sets by Maher Ahmad, costumes by Jane Morgan Henry, lighting design by Robert Christen, sound by Henry Miller – Programs, promotional materials and reviews (with reviews from other productions) |
| Photo Box 105 | Folder 24 | Emigres – 1 photograph |
| Box 49a | Folder 12 | Curse of the Starving Class by Sam Shepard. Midwest Premiere, January 7-28, 1979. Directed by Robert Falls, sets by Michael Merritt, music by Leo Kotke, lights by Robert Christen, costumes by Marsha Kowal,...with John Malkovich, Glenne Headley and Jack Wallace – Contact sheet |
| Box 49a | Folder 13 | Curse of the Starving Class – Programs, promotional material and reviews (with reviews from New York productions) |
| Photo Box 105 | Folder 25 | Curse of the Starving Class – 1 photograph |
| Oversize Folder 45 | Curse of the Starving Class – Poster | |
| Box 49a | Folder 14 | Scenes and Revelations by Elan Garonzik. March 18-April 8, 1979. Directed by Betsy Carpenter, sets by James Guenther, costumes by Jessica Hahn, lighting by Robert Christen, music by Tom Bishop – Contact sheet and correspondence |
| Box 49a | Folder 15 | Scenes and Revelations – Programs and promotional material |
| Box 49a | Folder 16 | Scenes and Revelations – Script |
| Photo Box 105 | Folders 26-29 | Scenes and Revelations – 4 photographs |
| Box 49a | Folder 17 | The Island by Athol Fugard, John Kani and Winston Nishona. Touring, March 1979 – Contact Sheet |
| Photo Box 105 | Folder 30 | The Island – 1 photograph |
| Photo Box 105 | Folders 31-35 | Olatunji & Friends – 2 photographs |
1979-1980 Season, Mainstage
| Box 50 | Folder 1 | General promotional material |
| Supp. Box 4 | Folder 15 | Open auditions and Midwest Casting Center |
| Box 50 | Folder 2 | Death and the King's Horseman by Wole Soyinka. October 5-November 11, 1979. Directed by Wole Soyinka, costumes by Christa Scholtz, sets by David Gropman, lights by Pat Collins – Research |
| Box 50 | Folder 3 | Death and the King's Horseman – Press releases, promotional material |
| Box 50 | Folder 4 | Death and the King's Horseman – Goodman Guide |
| Box 50 | Folder 5 | Death and the King's Horseman – Programs |
| Box 50 | Folder 5a | Death and the King's Horseman – Script; marked with corrections |
| Photo Box 106 | Folders 1-5 | Death and the King's Horseman – 5 photographs |
| Supp. Box 4 | Folder 16 | Death and the King's Horseman – Casting |
| Supp. Box 4 | Folder 17 | Death and the King's Horseman – Contact sheet |
| Supp. Box 4 | Folder 18 | Death and the King's Horseman – Correspondence (invitations) |
| Supp. Box 4 | Folder 19 | Death and the King's Horseman – Costume and prop lists, script changes, sound plot, etc. |
| Supp. Box 4 | Folder 20 | Death and the King's Horseman – Costuming |
| Supp. Box 4 | Folder 21 | Death and the King's Horseman – Publicity and advertising |
| Supp. Box 4 | Folder 22 | Death and the King's Horseman – Reviews and clippings |
| Supp. Box 4 | Folder 23 | Death and the King's Horseman – Reviews and clippings from performances at the Kennedy Center, Washington D.C., December 4-23, 1979 |
| Supp. Box 4 | Folder 24 | Death and the King's Horseman – Programs, promotional material from performances at the Kennedy Center, Washington D.C., December 4-23, 1979 |
| Supp. Box 4 | Folder 25 | Death and the King’s Horseman – Published script; Xerox marked “with corrections” (some pages illegible) |
| Supp. Box 5 | Folder 1 | Death and the King's Horseman – Prompt script |
| Oversize Folder 46 | Death and the King's Horseman – Poster | |
| Box 50 | Folder 6 | A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. Directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen – Promotional material, reviews and clippings |
| Box 50 | Folder 7 | A Christmas Carol – Programs |
| Box 50 | Folder 7a | A Christmas Carol – Script; labeled “B”, and dated 1978 |
| Box 50 | Folder 7b | A Christmas Carol – Script, dated October 1977 |
| Photo Box 106 | Folders 6-9 | A Christmas Carol – 4 photographs |
| Supp. Box 5 | Folder 2 | A Christmas Carol – Casting |
| Supp. Box 5 | Folder 3 | A Christmas Carol – Script; marked “#6”, with Dickens chronology |
| Supp. Box 5 | Folder 4 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 5 | Folder 5 | A Christmas Carol – Prompt script (2 of 2) |
| Oversize Folder 46 | A Christmas Carol – Poster | |
| Box 50 | Folder 8 | An Enemy of the People by Henrik Ibsen, adapted by Arthur Miller. January 18-February 24, 1980. Directed by Gregory Mosher, sets designed by Joseph Nieminski, costumes by Jessica Hahn, lighting by Robert Christen,...with Terry Kinney and Paul Warfield – Goodman Guide |
| Box 50 | Folder 9 | An Enemy of the People – Promotional material |
| Box 50 | Folder 10 | An Enemy of the People – Programs |
| Box 50 | Folder 10a | An Enemy of the People – Script; Xerox of published script (Penguin) |
| Photo Box 106 | Folders 10-12 | An Enemy of the People – 3 photographs |
| Supp. Box 5 | Folder 6 | An Enemy of the People – Casting |
| Supp. Box 5 | Folder 7 | An Enemy of the People – Contact sheet |
| Supp. Box 5 | Folder 8 | An Enemy of the People – Educational programs department |
| Supp. Box 5 | Folder 9 | An Enemy of the People – Information on Ibsen |
| Supp. Box 5 | Folder 10 | An Enemy of the People – Information on other productions |
| Supp. Box 5 | Folder 11 | An Enemy of the People – Prompt script; with schedules and contact sheet |
| Supp. Box 5 | Folder 12 | An Enemy of the People – Publicity and advertising |
| Supp. Box 5 | Folder 13 | An Enemy of the People – Reviews and clippings |
| Supp. Box 5 | Folder 14 | An Enemy of the People – Published script; unmarked Xerox |
| Supp. Box 5 | Folder 15 | An Enemy of the People – Tech, prop and costume notes |
| Supp. Box 5 | Folder 16 | An Enemy of the People – Goodman Guide (rehearsal and pre-show) |
| Supp. Box 5 | Folder 17 | An Enemy of the People – Program, reviews and clippings from performances at the Annenberg Center, University of Pennsylvania, March 4-15, 1980 |
| Oversize Folder 46 | An Enemy of the People – Poster | |
| Box 50 | Folder 11 | Bal by Richard Nelson. February 29-April 6, 1980. Directed by Gregory Mosher, costumes by Dunja Ramicova, lights by Jennifer Tipton,...with Del Close and Jim Belushi – Goodman Guide |
| Box 50 | Folder 12 | Bal – Promotional material, reviews and clippings |
| Box 50 | Folder 13 | Bal – Programs |
| Photo Box 106 | Folders 13-15 | Bal – 3 photographs |
| Supp. Box 6 | Folder 1 | Bal – Casting |
| Supp. Box 6 | Folder 2 | Bal – Correspondence |
| Supp. Box 6 | Folder 3 | Bal – Unmarked revised script, dated November 1979 |
| Supp. Box 6 | Folder 4 | Bal – Prompt script |
| Supp. Box 6 | Folder 5 | Bal – Prompt script, with sound and light cues |
| Supp. Box 6 | Folder 6 | Bal – Research on Bertolt Brecht |
| Supp. Box 6 | Folder 7 | Bal – Script; marked “originals”, with line cuts and notes |
| Supp. Box 6 | Folder 8 | Bal – Draft script; unmarked, dated May 1979 |
| Supp. Box 6 | Folder 9 | Bal – Tech and rehearsal notes, time sheets |
| Oversize Folder 46 | Bal – Poster | |
| Box 50 | Folder 14 | Talley's Folly by Lanford Wilson. April 11-May 18, 1980. Directed by Marshall Mason, sets by John Lee Beatty, lighting designed by Dennis Parichy, costumes by Jennifer Von Mayrhauser, sound by Chuck London – Goodman Guide |
| Box 50 | Folder 15 | Talley's Folly – Promotional material |
| Box 50 | Folder 16 | Talley's Folly – Programs |
| Box 50 | Folder 17 | Talley's Folly – Script; labeled “Library copy” and marked with line cuts and changes |
| Box 50 | Folder 18 | Talley's Folly – Unmarked script, unmarked |
| Photo Box 106 | Folders 16-17 | Talley's Folly – 2 photographs |
| Supp. Box 6 | Folder 10 | Talley's Folly – Box office |
| Supp. Box 6 | Folder 11 | Talley's Folly – Casting |
| Supp. Box 6 | Folder 12 | Talley's Folly – Contact sheet |
| Supp. Box 6 | Folder 13 | Talley's Folly – Contracts and royalties |
| Supp. Box 6 | Folder 14 | Talley's Folly – Information on performances at Circle Repertory, New York City |
| Supp. Box 7 | Folder 1 | Talley's Folly – Prompt script; with blocking, marked “Marsha Gitkind” |
| Supp. Box 7 | Folder 2 | Talley's Folly – Prompt script; with blocking |
| Supp. Box 7 | Folder 3 | Talley's Folly – Prompt script; with sound and light cues |
| Supp. Box 7 | Folder 4 | Talley's Folly – Prompt script; with blocking |
| Supp. Box 7 | Folder 5 | Talley's Folly – Publicity |
| Supp. Box 7 | Folder 6 | Talley's Folly – Reviews and clippings |
| Oversize Folder 46 | Talley's Folly – Poster | |
| Box 50a | Folder 1 | Cyrano de Bergerac by Edmond Rostand. May 23-June 29, 1980. Directed by Michael Maggio, sets designed by John Lee Beatty, music by Ed Zelnis, fight sequences by David Boushey, costumes by Christa Scholtz, lighting by Duane Schuler – Goodman Guide |
| Box 50a | Folder 2 | Cyrano de Bergerac – Promotional material, reviews and clippings |
| Box 50a | Folder 3 | Cyrano de Bergerac – Programs |
| Box 50a | Folder 4 | Cyrano de Bergerac – Published script; adapted by Anthony Burgess |
| Box 50a | Folder 5 | Cyrano de Bergerac – Script; labeled “B”, and marked with line cuts and changes |
| Photo Box 106 | Folders 18-19 | Cyrano de Bergerac – 2 photographs |
| Supp. Box 3 | Folder 1 | Cyrano de Bergerac – Prompt script: Acts I and II |
| Supp. Box 3 | Folder 2 | Cyrano de Bergerac – Prompt script: Acts II and III |
| Supp. Box 3 | Folder 3 | Cyrano de Bergerac – Prompt script, with blocking: Act I |
| Supp. Box 3 | Folder 4 | Cyrano de Bergerac – Prompt script, with blocking: Act II |
| Supp. Box 3 | Folder 5 | Cyrano de Bergerac – Prompt script, with blocking: Act III |
| Supp. Box 3 | Folder 6 | Cyrano de Bergerac – Published script |
| Supp. Box 3 | Folder 7 | Cyrano de Bergerac – Script; marked with production cuts as of April 29, 1980 |
| Supp. Box 7 | Folder 7 | Cyrano de Bergerac – Casting and staff |
| Supp. Box 7 | Folder 8 | Cyrano de Bergerac – Correspondence |
| Supp. Box 7 | Folder 9 | Cyrano de Bergerac – Costume, light cues, time sheets, music and sound plot |
| Supp. Box 7 | Folder 10 | Cyrano de Bergerac – Preset, prop and rehearsal notes |
| Supp. Box 7 | Folder 11 | Cyrano de Bergerac – Program copy and promotional board |
| Supp. Box 7 | Folder 12 | Cyrano de Bergerac – Publicity and advertising |
| Supp. Box 7 | Folder 13 | Cyrano de Bergerac – Research and pre-production |
| Oversize Folder 46 | Cyrano de Bergerac – Poster |
1979-1980 Season, Studio
| Box 50a | Folder 6 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom. December 6-30, 1979 – Press releases and publicity |
| Box 50a | Folder 7 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – Programs and promotional material |
| Box 50a | Folder 8 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – Reviews and clippings |
| Photo Box 106 | Folders 20-23 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – 4 photographs |
| Oversize Folder 46 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – Poster | |
| Box 50a | Folder 9 | Krapp's Last Tape by Samuel Beckett. January 10-February 3, 1980. Directed by Samuel Beckett – Goodman Guide |
| Box 50a | Folder 10 | Krapp's Last Tape – Programs and promotional material |
| Box 50a | Folder 11 | Krapp's Last Tape – Publicity and advertising |
| Box 50a | Folder 12 | Krapp's Last Tape – Reviews and clippings |
| Photo Box 106 | Folders 24-26 | Krapp’s Last Tape – 3 photographs |
| Box 50a | Folder 13 | Juggling Cheap Theatricks: The Karamazov Brothers. June 5-29, 1980 – Programs |
| Photo Box 106 | Folders 27-31 | Juggling Cheap Theatricks: The Karamazov Brothers – 5 photographs |
| Supp. Box 3 | Folder 8 | Juggling Cheap Theatricks: The Karamazov Brothers – General information on 1980 performances |
| Supp. Box 3 | Folder 9 | Juggling Cheap Theatricks: The Karamazov Brothers – Press release, promotional material |
| Supp. Box 3 | Folder 10 | Juggling Cheap Theatricks: The Karamazov Brothers – Publicity and marketing |
| Supp. Box 3 | Folder 11 | Juggling Cheap Theatricks: The Karamazov Brothers – Review |
| Supp. Box 3 | Folder 12 | Juggling Cheap Theatricks: The Karamazov Brothers – Tickets and box office |
1979-1980 Season, Special Events
| Box 50a | Folder 14 | A Life in the Theatre by David Mamet. September 11-[?], 1979. Directed by Gregory Mosher, music by Stuart Klawans, costumes by Marsha Kowal, sets by Michael Merritt, lights by Robert Christen – Programs, press releases and promotional material |
| Box 50a | Folder 15 | A Life in the Theatre – Publicity and advertising |
| Box 50a | Folder 16 | A Life in the Theatre – Reviews and clippings |
| Box 50a | Folder 17 | A Life in the Theatre – Information on the Philadelphia production, October 23-November 4, 1979 |
| Box 50a | Folder 18 | A Life in the Theatre – Scripts (two copies) |
| Photo Box 106 | Folders 38-40 | A Life in the Theatre – 6 photographs |
| Box 50a | Folder 19 | Emlyn Williams as Dylan Thomas: Growing Up. By arrangement with Arthur Cantor, October 16, 1979 – Programs, promotional material |
| Box 50a | Folder 20 | Growing Up – Correspondence and touring information |
| Photo Box 106 | Folders 38-40 | Growing Up – 3 photographs |
| Box 50a | Folder 21 | Judgment by Barry Collins. February 11, 1980 – Program |
| Box 50a | Folder 22 | Season’s Reasons by Ron Milner. A production of the National Black Touring Circuit, Inc. August 14-24, 1980 – Promotional material |
| Photo Box 106 | Folders 41-44 | Season’s Reasons – 4 photographs |
1980-1981 Season, Mainstage
| Box 51 | Folder 1 | General promotional material |
| Supp. Box 8 | Folder 1 | Educational programming |
| Supp. Box 8 | Folder 2 | Open auditions and Midwest Casting Center |
| Box 51 | Folder 2 | The Suicide by Nikolai Erdman. October 3-November 9, 1980. Directed by Gregory Mosher, sets by Michael Merritt, lighting by Arden Fingerhut, costumes by Christa Scholtz, sound by Michael Schweppe – Study guide |
| Box 51 | Folder 3 | The Suicide – Programs |
| Box 51 | Folder 4 | The Suicide – Script; labeled “A”, Russian language version |
| Box 51 | Folder 5 | The Suicide – Script; labeled “B”, Xerox of published version (Ardis), translated by George Genereux and Jacob Volkov |
| Box 51 | Folder 6 | The Suicide – Script; labeled “C”, Xerox of published script (Pluto Plays), translated by Peter Tegel |
| Box 51 | Folder 7 | The Suicide – Script; labeled “D”, translated by Xenia Youhn, literal translation used by Richard Nelson in his adaptation |
| Box 51 | Folder 8 | The Suicide – Script; labeled “E-Nelson”, original typescript, dated 8/1/80 (first draft), with note from Nelson to Mosher |
| Box 51 | Folder 9 | The Suicide – Script; labeled “F”, typescript with paste-up of Final Production Version, dated 9/80 |
| Box 51 | Folder 10 | The Suicide – Script, Xerox of “F” |
| Box 51 | Folder 11 | The Suicide – Unmarked script |
| Box 51 | Folder 12 | The Suicide – Background information |
| Box 51 | Folder 13 | The Suicide – Correspondence and cast sheet |
| Box 51 | Folder 14 | The Suicide – Promotional material and advertising |
| Box 51 | Folder 15 | The Suicide – Reviews and clippings |
| Photo Box 107 | Folders 1-2 | The Suicide – 2 photographs |
| Supp. Box 8 | Folder 3 | The Suicide – Casting |
| Supp. Box 8 | Folder 4 | The Suicide – Prompt script |
| Supp. Box 8 | Folder 5 | The Suicide – Time cue and running sheets, prop and costume lists |
| Box 51a | Folder 1 | A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. [1980-1981]. Directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe,...with Del Close – Press releases, promotional material |
| Box 51a | Folder 2 | A Christmas Carol – Programs |
| Box 51a | Folder 3 | A Christmas Carol – Reviews and clippings |
| Box 51a | Folder 4 | A Christmas Carol – Script |
| Box 51a | Folder 5 | A Christmas Carol – Sun Times sponsorship information |
| Photo Box 107 | Folders 3-6 | A Christmas Carol – 4 photographs |
| Supp. Box 8 | Folder 6 | A Christmas Carol – Casting |
| Supp. Box 8 | Folder 7 | A Christmas Carol – Correspondence |
| Supp. Box 8 | Folder 8 | A Christmas Carol – Group sales |
| Supp. Box 8 | Folder 9 | A Christmas Carol – Prompt script |
| Supp. Box 8 | Folder 10 | A Christmas Carol – Publicity and advertising |
| Supp. Box 8 | Folder 11 | A Christmas Carol – Tickets and box office |
| Box 51a | Folder 6 | Betrayal by Harold Pinter. January 16-February 22, 1981. Directed by Andre Ernotte, sets designed by Joseph Nieminski, lighting designed by Paul Gallo, costumes by Christa Scholtz – Press releases and promotional material |
| Box 51a | Folder 7 | Betrayal – Programs |
| Box 51a | Folder 8 | Betrayal – Reviews and clippings |
| Box 51a | Folder 9 | Betrayal – Spotlight on Goodman, January 6, 1981 |
| Box 51a | Folder 10 | Betrayal – Study guide |
| Photo Box 107 | Folders 7-9 | Betrayal – 3 photographs |
| Supp. Box 8 | Folder 12 | Betrayal – Casting |
| Supp. Box 8 | Folder 13 | Betrayal – Publicity and advertising |
| Supp. Box 8 | Folder 14 | Betrayal – Research and pre-production |
| Supp. Box 8 | Folder 15 | Betrayal – Tickets and box office |
| Supp. Box 8 | Folder 16 | Betrayal – Prompt script: Scenes 1-5 |
| Supp. Box 8 | Folder 17 | Betrayal – Prompt script: Scenes 6-9, with cue sheets, presets, plots and lists |
| Box 51a | Folder 11 | Plenty by David Hare. February 22-April 5, 1981. Directed by Gregory Mosher, scenery by Marjorie Kellogg, costumes by Virgil Johnson, lighting by Jennifer Tipton, music by Nick Bicat – Press releases and promotional material |
| Box 51a | Folder 12 | Plenty – Programs |
| Box 51a | Folder 13 | Plenty – Reviews and clippings |
| Box 51a | Folder 14 | Plenty – Spotlight on Goodman, February 3, 1981 |
| Box 51a | Folder 15 | Plenty – Script |
| Box 51a | Folder 16 | Plenty – Study Guides |
| Photo Box 107 | Folders 10-11 | Plenty – 2 photographs |
| Supp. Box 9 | Folder 1 | Plenty – Casting |
| Supp. Box 9 | Folder 2 | Plenty – Contact sheet |
| Supp. Box 9 | Folder 3 | Plenty – Prompt script; with schedules, blocking, sound and light cues |
| Supp. Box 9 | Folder 4 | Plenty – Prompt script; with blocking and cues |
| Supp. Box 9 | Folder 5 | Plenty – Publicity and advertising |
| Supp. Box 9 | Folder 6 | Plenty – Research and pre-production |
| Box 51a | Folder 17 | Play Mas by Mustapha Matura. April 10©May 17, 1981. Directed by Derek Walcott, scenery and costumes designed by Adrienne Lobel, lighting by Robert Christen, sound by Michael Schweppe – Press releases, promotional material |
| Box 51a | Folder 18 | Play Mas – Programs |
| Box 51a | Folder 19 | Play Mas – Reviews and clippings |
| Box 51a | Folder 20 | Play Mas – Script; labeled “Final Revision” |
| Box 51a | Folder 21 | Play Mas – Study Guides, with teacher’s supplement |
| Photo Box 107 | Folders 12-15 | Play Mas – 4 photographs |
| Supp. Box 9 | Folder 7 | Play Mas – Casting |
| Supp. Box 9 | Folder 8 | Play Mas – Contact sheet |
| Supp. Box 9 | Folder 9 | Play Mas – Publicity and advertising |
| Supp. Box 9 | Folder 10 | Play Mas – Research and pre-production |
| Supp. Box 9 | Folder 11 | Play Mas – Stage Manager's prompt script (Act 1) |
| Supp. Box 9 | Folder 12 | Play Mas – Stage Manager's prompt script (Act 2) |
| Supp. Box 9 | Folder 13 | Play Mas – Study Guide, research material and related correspondence |
| Supp. Box 10 | Folder 1 | Play Mas – Prompt script; with blocking and light cues |
| Supp. Box 10 | Folder 2 | Play Mas – Prompt script; with blocking and sound cues |
| Supp. Box 10 | Folder 3 | Play Mas – Tickets and group sales |
| Oversize Folder 47 | Play Mas – Poster | |
| Box 51a | Folder 22 | Dwarfman Master of a Million Shapes by Michael Weller. May 22-June 28, 1981. Directed by Emily Mann, costumes by Rita Ryack, sets by Adrienne Lopel, lighting designed by Robert Christen, sound by Michael Schweppe,...with Elizabeth McGovern – Press releases, promotional material |
| Box 51a | Folder 23 | Dwarfman Master of a Million Shapes – Programs |
| Box 51a | Folder 24 | Dwarfman Master of a Million Shapes – Reviews and clippings |
| Box 51a | Folder 25 | Dwarfman Master of a Million Shapes – Study Guides |
| Box 51b | Folder 1 | Dwarfman Master of a Million Shapes by Michael Weller. May 22-June 28, 1981. Directed by Emily Mann, costumes by Rita Ryack, sets by Adrienne Lopel, lighting designed by Robert Christen, sound by Michael Schweppe,...with Elizabeth McGovern – Unmarked script |
| Box 51b | Folder 2 | Dwarfman Master of a Million Shapes – Script; labeled “Library copy” |
| Box 51b | Folder 3 | Dwarfman Master of a Million Shapes – Script, dated 4/28/81 |
| Box 51b | Folder 4 | Dwarfman Master of a Million Shapes – Script revisions |
| Photo Box 107 | Folders 16-18 | Dwarfman Master of a Million Shapes – 3 photographs |
| Supp. Box 10 | Folder 4 | Dwarfman Master of a Million Shapes – Casting |
| Supp. Box 10 | Folder 5 | Dwarfman Master of a Million Shapes – Contact sheets, schedules, prop checks |
| Supp. Box 10 | Folder 6 | Dwarfman Master of a Million Shapes – Contact sheet, casting and schedules |
| Supp. Box 10 | Folder 7 | Dwarfman Master of a Million Shapes – Cue sheets and presets |
| Supp. Box 10 | Folder 8 | Dwarfman Master of a Million Shapes – Prompt script; with sound and light cues |
| Supp. Box 10 | Folder 9 | Dwarfman Master of a Million Shapes – Prompt script; with presets, set renderings, cue sheets and schedules |
| Supp. Box 10 | Folder 10 | Dwarfman Master of a Million Shapes – Script; typescript marked with scene and line changes (including original additions and deletions) |
| Supp. Box 10 | Folder 11 | Dwarfman Master of a Million Shapes – Miscellaneous script pages (multiple versions marked with changes and cues) |
| Supp. Box 10 | Folder 12 | Dwarfman Master of a Million Shapes – Publicity and advertising |
| Supp. Box 10 | Folder 13 | Dwarfman Master of a Million Shapes – Research and pre-production |
| Supp. Box 10 | Folder 14 | Dwarfman Master of a Million Shapes – Tickets and group sales |
| Oversize Folder 47 | Dwarfman Master of a Million Shapes – Poster |
1980-1981 Season, Studio
| Box 51c | Folder 1 | Krapp's Last Tape and Endgame by Samuel Beckett. September 25-October 18, 1980. Directed by Samuel Beckett,...with Rick Cluchey and the San Quentin Drama Workshop – Program |
| Box 51c | Folder 1a | Krapp's Last Tape and Endgame – Press release, promotional material |
| Box 51c | Folder 2 | Krapp's Last Tape and Endgame – Publicity and advertising |
| Box 51c | Folder 3 | Krapp's Last Tape and Endgame – Reviews and clippings |
| Photo Box 107 | Folders 19-25 | Krapp's Last Tape and Endgame – 7 photographs |
| Supp. Box 11 | Folder 1 | Krapp's Last Tape and Endgame – Research |
| Box 51c | Folder 4 | Still Life by Emily Mann. October 21-November 2, 1980. Directed by Emily Mann, sets and costumes by Tom Lynch, lights by Robert Christen – Correspondence |
| Box 51c | Folder 5 | Still Life – Preproduction and research |
| Box 51c | Folder 6 | Still Life – Press releases and promotional material |
| Box 51c | Folder 7 | Still Life – Program |
| Box 51c | Folder 8 | Still Life – Reviews and clippings |
| Supp. Box 11 | Folder 2 | Still Life – Casting |
| Supp. Box 11 | Folder 3 | Still Life – Contact sheet |
| Supp. Box 11 | Folder 4 | Still Life – Publicity and advertising |
| Supp. Box 11 | Folder 5 | Still Life – Script; unmarked |
| Box 51c | Folder 9 | Tennessee Laughs: Three One Act Plays by Tennessee Williams (A Perfect Analysis Given by a Parrot, The Frosted Glass Coffin and Some Problems for the Moose Lodge). November 8-23, 1980. Directed by Gary Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lights by Robert Christen – Casting |
| Box 51c | Folder 10 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Press release, promotional material |
| Box 51c | Folder 11 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Program, program copy |
| Box 51c | Folder 12 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Publicity and advertising |
| Box 51c | Folder 13 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Reviews and clippings |
| Box 51c | Folder 14 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Unmarked script |
| Box 51c | Folder 14a | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Script; Xerox of typescript, dated May 1980 |
| Photo Box 107 | Folders 26-27 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – 2 photographs |
| Supp. Box 11 | Folder 6 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Auditions and casting |
| Oversize Folder 47 | Tennessee Laughs: Three One Act Plays by Tennessee Williams – Poster | |
| Box 51c | Folder 14b | Kukla and Ollie Live!: The Theatre of Burr Tillstrom. December 3, 1980-January 4, 1981 – Correspondence |
| Box 51c | Folder 15 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – Press release, publicity |
| Box 51c | Folder 16 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – Programs |
| Box 51c | Folder 17 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom – Reviews and clippings |
| Box 51c | Folder 18 | A House Not Meant To Stand by Tennessee Williams. April 1-12, 1981. Directed by Garry Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lighting by Robert Christen, sound by Michael Schweppe – Press releases |
| Box 51c | Folder 19 | A House Not Meant To Stand – Programs |
| Box 51c | Folder 20 | A House Not Meant To Stand – Publicity and advertising |
| Box 51c | Folder 21 | A House Not Meant To Stand – Reviews and clippings |
| Photo Box 107 | Folders 28-30 | A House Not Meant To Stand – 3 photographs |
| Supp. Box 11 | Folder 7 | A House Not Meant To Stand – Script; titled “A Dancie Money (A Gothic Comedy)” |
| Box 51c | Folder 22 | Avner the Eccentric. May 29-June 28, 1981 – Group sales and box office |
| Box 51c | Folder 23 | Avner the Eccentric – Press releases, promotional material |
| Box 51c | Folder 24 | Avner the Eccentric – Program |
| Box 51c | Folder 25 | Avner the Eccentric – Publicity and advertising |
| Box 51c | Folder 26 | Avner the Eccentric – Research and preproduction |
| Box 51c | Folder 27 | Avner the Eccentric – Reviews and clippings |
| Photo Box 107 | Folders 31-32 | Avner the Eccentric – 2 photographs |
1980-1981 Season, Writers in Performance
| Supp. Box 11 | Folder 8 | Press release, promotional material |
| Supp. Box 11 | Folder 9 | An Evening with Tennessee Williams. October 27, 1980 – Press releases, promotional material |
| Supp. Box 11 | Folder 10 | An Evening with Tennessee Williams – Reviews and clippings |
| Supp. Box 11 | Folder 11 | An Evening of Yeats and Shakespeare. November 17, 1980 – Correspondence |
| Supp. Box 11 | Folder 12 | An Evening of Yeats and Shakespeare – Press release, promotional material |
| Supp. Box 11 | Folder 13 | An Evening with Studs Terkel. December 15, 1980 – Press releases, promotional material |
| Supp. Box 11 | Folder 14 | An Evening with Studs Terkel – Reviews and clippings |
| Supp. Box 11 | Folder 15 | An Evening with Derek Wolcott. April 13, 1981 – Press release, promotional material |
| Photo Box 107 | Folders 33-39 | An Evening with Stanley Elkin. May 4, 1981 – 7 photographs |
| Supp. Box 11 | Folder 16 | An Evening with Stanley Elkin – Press release, promotional material, publicity |
| Supp. Box 11 | Folder 17 | An Evening with Stanley Elkin – Programs |
| Supp. Box 11 | Folder 18 | An Evening with Chicago's Artistic Directors. June 8, 1981 – Press release, correspondence |
1980-1981 Season, Special Events
| Supp. Box 11 | Folder 19 | Tennessee Williams’ 70th Birthday Party – Clippings |
| Supp. Box 11 | Folder 20 | Tennessee Williams’ 70th Birthday Party – Correspondence and notes |
| Supp. Box 11 | Folder 21 | Tennessee Williams’ 70th Birthday Party – Press kit |
| Supp. Box 11 | Folder 22 | Tennessee Williams’ 70th Birthday Party – Invitations, with lists |
| Photo Box 107 | Folders 40-41 | Flying Karamazov Brothers. May 27-June 28, 1981 – 2 photographs |
| Supp. Box 11 | Folder 23 | Flying Karamazov Brothers – Press releases and promotional material |
| Supp. Box 11 | Folder 24 | Flying Karamazov Brothers – Program |
| Supp. Box 11 | Folder 25 | Flying Karamazov Brothers – Publicity and advertising |
| Supp. Box 11 | Folder 26 | Flying Karamazov Brothers – Reviews and clippings |
| Supp. Box 11 | Folder 27 | Flying Karamazov Brothers – Research and pre-production |
| Supp. Box | Folder 28 | Lily Tomlin “Appearing Nightly.” [1980-1981] – Program, promotional material and publicity |
| Supp. Box 11 | Folder 29 | Lily Tomlin “Appearing Nightly.” – Reviews and clippings |
1981-1982 Season
| Box 51c | Folder 28 | General promotional material |
| Supp. Box 12 | Folder 1 | Press releases and promotional material |
| Supp. Box 12 | Folder 2 | Open auditions |
| Supp. Box 12 | Folder 3 | "Spotlight on the Goodman" (planning notes) |
| Box 51c | Folder 29 | The Front Page by Ben Hecht and Charles MacArthur. October 2-November 8, 1981. Directed by Michael Maggio, scenery by Joseph Nieminski, costumes by William Ivey Long, lights by Jennifer Tipton, sound design by Michael Schweppe,...with Jack Wallace and W.H. Macy – Goodman Guide |
| Box 51c | Folder 30 | The Front Page – Press releases and promotional material |
| Box 51c | Folder 31 | The Front Page – Programs |
| Box 51c | Folder 32 | The Front Page – Reviews and clippings |
| Photo Box 107 | Folders 42-43 | The Front Page – 2 photographs |
| Supp. Box 12 | Folder 5 | The Front Page – Correspondence |
| Supp. Box 12 | Folder 6 | The Front Page – Ticket sales (box office) |
| Supp. Box 12 | Folder 7 | The Front Page – Information on other productions |
| Supp. Box 12 | Folder 8 | The Front Page – Reviews and clippings |
| Supp. Box 12 | Folder 9 | The Front Page – Background |
| Supp. Box 12 | Folder 10 | The Front Page – Background |
| Supp. Box 12 | Folder 11 | The Front Page – Casting |
| Supp. Box 12 | Folder 12 | The Front Page – Running sheets, time sheets, stage manager’s daily reports, costume notes |
| Supp. Box 12 | Folder 13 | The Front Page – Published script; marked “#6” |
| Supp. Box 12 | Folder 14 | The Front Page – Prompt script: Acts I and II |
| Supp. Box 12 | Folder 15 | The Front Page – Prompt script: Act III |
| Supp. Box 13 | Folder 1 | The Front Page – Goodman Guide |
| Supp. Box 13 | Folder 2 | The Front Page – Programs |
| Supp. Box 13 | Folder 3 | The Front Page – Press releases and promotional material |
| Box 51c | Folder 33 | A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. November 27-December 30, 1981. Directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe,...with Del Close and Elizabeth Perkins – Promotional material and press releases |
| Box 51c | Folder 34 | A Christmas Carol – Programs |
| Box 51c | Folder 35 | A Christmas Carol – Reviews and clippings |
| Box 51c | Folder 36 | A Christmas Carol – Publicity memos |
| Photo Box 107 | Folders 44-48 | A Christmas Carol – 5 photographs |
| Supp. Box 13 | Folder 4 | A Christmas Carol – Casting |
| Supp. Box 13 | Folder 5 | A Christmas Carol – Press releases and promotional material |
| Supp. Box 13 | Folder 6 | A Christmas Carol – Program |
| Supp. Box 13 | Folder 7 | A Christmas Carol – Reviews and clippings |
| Supp. Box 13 | Folder 8 | A Christmas Carol – Cast listing |
| Supp. Box 13 | Folder 9 | A Christmas Carol – Stage Manager’s prompt script; with light and sound cues |
| Supp. Box 13 | Folder 10 | A Christmas Carol – Stage Manager’s prompt script; with blocking |
| Supp. Box 13 | Folder 11 | A Christmas Carol – Prompt script; with sound plot and costumes |
| Oversize Folder 48 | A Christmas Carol – Poster | |
| Box 51d | Folder 1 | Panto by Derek Wolcott. January 15-February 21, 1982. Directed by Gregory Mosher, scenery and costumes by David Gropman, lighting by Robert Christen, sound by Michael Schweppe,...with Roscoe Lee Brown – Goodman Guides |
| Box 51d | Folder 2 | Panto – Press releases and promotional material |
| Box 51d | Folder 3 | Panto – Programs |
| Box 51d | Folder 4 | Panto – Reviews and clippings |
| Box 51d | Folder 5 | Panto – Script; marked “Revised 1/21/82” |
| Photo Box 107 | Folders 49-51 | Panto – 3 photographs |
| Supp. Box 13 | Folder 12 | Panto – Casting |
| Supp. Box 13 | Folder 13 | Panto – Prompt script, with blocking |
| Supp. Box 13 | Folder 14 | Panto – Prompt script, with contact sheet, time sheets, light cues, score, etc. |
| Supp. Box 14 | Folder 1 | Panto – Prompt script: Act I; with blocking and stage direction |
| Supp. Box 14 | Folder 2 | Panto – Prompt script: Act II; with blocking and stage direction |
| Supp. Box 14 | Folder 3 | Panto – Publicity and advertising |
| Supp. Box 14 | Folder 4 | Panto – Research and pre-production |
| Supp. Box 14 | Folder 5 | Panto – Published script; unmarked, titled “Pantomime” |
| Supp. Box 14 | Folder 6 | Panto – Published script; unmarked, titled “Pantomime” |
| Supp. Box 14 | Folder 7 | Panto – Tickets and group sales |
| Supp. Box 14 | Folder 8 | Panto – Time sheets, rehearsal hours, correspondence, stage manager’s daily reports, etc. |
| Oversize Folder 48 | Panto – Poster | |
| Box 51d | Folder 6 | Lakeboat by David Mamet. February 26-April 4, 1982. Directed by Gregory Mosher, scenery by Michael Merritt, costumes by Christa Scholtz, lights by F. Mitchell Dana, sound by Michael Schweppe,...with Mike Nussbaum and Jack Wallace – Press releases, promotional material |
| Box 51d | Folder 7 | Lakeboat – Program Study guide |
| Box 51d | Folder 8 | Lakeboat – Reviews and clippings |
| Box 51d | Folder 9 | Lakeboat – Script; labeled “Library Copy” |
| Box 51d | Folder 10 | Lakeboat – Study Guides |
| Photo Box 107 | Folders 52-53 | Lakeboat – 4 photographs |
| Supp. Box 14 | Folder 9 | Lakeboat – Casting |
| Supp. Box 14 | Folder 10 | Lakeboat – Costuming, props, presets, lighting hookups, rehearsal hours |
| Supp. Box 14 | Folder 11 | Lakeboat – Press and publicity |
| Supp. Box 14 | Folder 12 | Lakeboat – Research and pre-production |
| Supp. Box 14 | Folder 13 | Lakeboat – Schedules |
| Supp. Box 14 | Folder 14 | Lakeboat – Script; unmarked Xerox of original script |
| Supp. Box 14 | Folder 15 | Lakeboat – Script: Scenes 1-15; with blocking, scene breakdown and director's notes |
| Supp. Box 14 | Folder 16 | Lakeboat – Script: Scenes 16-28; with blocking |
| Supp. Box 15 | Folder 1 | Lakeboat – Prompt script: Scenes 1-13; with blocking and light cues |
| Supp. Box 15 | Folder 2 | Lakeboat – Prompt script: Scenes 14-28; with blocking and light cues |
| Supp. Box 15 | Folder 3 | Lakeboat – Published script, with scene additions |
| Supp. Box 15 | Folder 4 | Lakeboat – Tickets and group sales |
| Oversize Folder 48 | Lakeboat – Poster | |
| Box 51d | Folder 11 | A House Not Meant to Stand by Tennessee Williams. April 16-May 23, 1982. Directed by Andre Ernotte, scenery by Karen Schulz, costumes by Christa Scholtz, lights by Rachel Budin, sound by Michael Schweppe – Goodman Guide |
| Box 51d | Folder 12 | A House Not Meant to Stand – Press releases and promotional material |
| Box 51d | Folder 13 | A House Not Meant to Stand – Programs |
| Box 51d | Folder 14 | A House Not Meant to Stand – Reviews and clippings |
| Box 51d | Folder 15-20 | A House Not Meant to Stand – Annotated scripts |
| Box 51e | Folder 1-9 | A House Not Meant to Stand – Annotated scripts |
| Photo Box 107 | Folders 56-61 | A House Not Meant to Stand – 6 photographs |
| Supp. Box 15 | Folder 5 | A House Not Meant to Stand – Audition and casting |
| Supp. Box 15 | Folder 6 | A House Not Meant to Stand – Contact sheet |
| Supp. Box 15 | Folder 7 | A House Not Meant to Stand – Publicity and advertising |
| Supp. Box 15 | Folder 8 | A House Not Meant to Stand – Schedules |
| Supp. Box 15 | Folder 9 | A House Not Meant to Stand – Stage Manager's (Joe Drummond) production script: Act I, 1982 (1of 3) |
| Supp. Box 15 | Folder 10 | A House Not Meant to Stand – Stage Manager's (Joe Drummond) production script: Act I, 1982 (2 of 3) |
| Supp. Box 15 | Folder 11 | A House Not Meant to Stand – Stage Manager's (Joe Drummond) production script: Act I, 1982 (3 of 3) |
| Supp. Box 15 | Folder 12 | A House Not Meant to Stand – Tickets and group sales |
| Oversize Folder 48 | A House Not Meant to Stand – Poster | |
| Box 51f | Folder 1 | Sgnarelle: A Evening of Moliere Farces, translated by Albert Bermel. May 28-July 3, 1982. Directed by Andre Serben, sets by Michael Yeargan, lights by James Ingalls, costumes by Dunja Ramicova, music by Stephen Drury – Goodman Guides |
| Box 51f | Folder 2 | Sgnarelle: A Evening of Moliere Farces – Press releases and promotional material |
| Box 51f | Folder 3 | Sgnarelle: A Evening of Moliere Farces – Programs |
| Box 51f | Folder 4 | Sgnarelle: A Evening of Moliere Farces – Reviews and clippings |
| Box 51f | Folder 5 | Sgnarelle: A Evening of Moliere Farces – Script; titled A Dumb Show |
| Box 51f | Folder 6 | Sgnarelle: A Evening of Moliere Farces – Script; literal translations of Moliere one-acts |
| Box 51f | Folder 7 | Sgnarelle: A Evening of Moliere Farces – Script; in gibberish |
| Box 51f | Folder 8 | Sgnarelle: A Evening of Moliere Farces – Script; 4 plays |
| Box 51f | Folder 9 | Sgnarelle: A Evening of Moliere Farces – Script; titled A.R.T., revised |
| Box 51f | Folder 10 | Sgnarelle: A Evening of Moliere Farces – Script; titled The Flying Doctor, and labeled “E” |
| Photo Box 108 | Folders 1-7 | Sgnarelle: A Evening of Moliere Farces – 7 photographs |
| Supp. Box 15 | Folder 13 | Sgnarelle: A Evening of Moliere Farces – Casting |
| Supp. Box 15 | Folder 14 | Sgnarelle: A Evening of Moliere Farces – Contact sheet, schedules |
| Supp. Box 15 | Folder 15 | Sgnarelle: A Evening of Moliere Farces – Publicity and advertising |
| Supp. Box 15 | Folder 16 | Sgnarelle: A Evening of Moliere Farces – Research and pre-production |
| Oversize Folder 48 | Sgnarelle: A Evening of Moliere Farces – Poster |
1981-1982 Season, Studio
| Box 51g | Folder 1 | Kukla and Ollie Live!: The Theatre of Burr Tillstrom. December 18-30, 1981 – Program, promotional material |
| Box 51g | Folder 2 | Miss Margarida's Way by Roberto Athayde. January 19-31, 1982. Directed by Roberto Athayde,...with Estelle Parsons – Press releases, promotional material, program, and reviews |
| Photo Box 108 | Folders 8-10 | Miss Margarida's Way – 3 photographs |
| Supp. Box 16 | Folder 1 | Miss Margarida's Way – Casting |
| Box 51g | Folder 3 | Charlotte by Peter Hacks. February 8-14, 1982. Directed by Herbert Bergof,...with Uta Hagen – Promotional material, program and reviews |
| Photo Box 108 | Folder 11 | Charlotte – 1 photograph |
| Box 51g | Folder 4 | Gertrude Stein, Gertrude Stein, Gertrude Stein,...with Pat Carroll. March 3-14, 1982 – Promotional material, programs and reviews |
| Photo Box 108 | Folders 12-13 | Gertrude Stein, Gertrude Stein, Gertrude Stein,...– 2 photographs |
| Supp. Box | Gertrude Stein, Gertrude Stein, Gertrude Stein,...with Pat Carroll. March 3-14, 1982 | |
| Box 51g | Folder 5 | Unassigned |
| Box 51g | Folder 6 | The Woolgatherer by William Mastrosimone. April 8-May 2, 1982. Directed by Sandra Grand, sets and costumes by Philip Eickhoff, lights by Kevin Rigdon,...with Jack Wallace – Press releases, promotional material, program |
| Box 51g | Folder 7 | The Woolgatherer – Reviews |
| Photo Box 108 | Folder 14 | The Woolgatherer – 1 photograph |
| Supp. Box 16 | Folder 2 | The Woolgatherer – Casting |
| Box 51g | Folder 8 | Edmond by David Mamet. [1981-1982]. Directed by Gregory Mosher, scenery by Bill Bartel, costumes by Marsha Kowal, lights by Kevin Rigdon, fight choreography by David Wooley,...with Jack Wallace – Promotional material |
| Box 51g | Folder 9 | Edmond – Reviews |
| Box 51g | Folder 10 | Edmond – Program |
| Box 51g | Folder 11 | Edmond – Script; labeled “A” and dated Jan. 1, 1982 |
| Box 51g | Folder 12 | Edmond – Script; revised 6/4/82 |
| Box 51g | Folder 13 | Edmond – Xerox of above |
| Box 51g | Folder 14 | Edmond – Script; dated 6/4/82, with out takes |
| Photo Box 108 | Folders 15-16 | Edmond – 2 photographs |
| Supp. Box 16 | Folder 3 | Edmond – Casting |
| Supp. Box 16 | Folder 4 | Edmond – Script; dated December 1980, and marked with scene and line changes |
1981-1982 Season, Writers in Performance Series
| Supp. Box 16 | Folder 5 | Chicago Journalism: Then and Now. October 26, 1981 – Press releases and program |
| Supp. Box 16 | Folder 6 | Chicago Poets on Stage. December 7, 1981 – Promotional material |
| Supp. Box 16 | Folder 7 | Voices from Poland. February 15, 1982 – Press release and clipping |
| Supp. Box 16 | Folder 8 | Chicago Songwriters: An Oral Tradition. March 29, 1982 – Press releases |
| Supp. Box 16 | Folder 9 | An Evening with David Mamet. May 17, 1982 – Program |
| Supp. Box 16 | Folder 10 | Chicago’s Artistic Directors. June 8, 1982 – Program |
1981-1982 Season, Special Events
| Photo Box 108 | Folders 17-19 | Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric. April 6-11, 1982 – 3 photographs |
| Supp. Box 16 | Folder 11 | Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric – Press releases and promotional material |
| Supp. Box 16 | Folder 12 | Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric – Reviews and clippings |
| Supp. Box 16 | Folder 13 | Welcome to Our Living Room: The Flying Karamazov Brothers and Avner the Eccentric – Program |
1981-1982 Season, Other
| Photo Box 108 | Folders 20-22 | Hubbard Street Dance Company. November 11-15, 1981 – 3 photographs |
| Supp. Box 16 | Folder 14 | Hubbard Street Dance Company – Press releases |
| Supp. Box 16 | Folder 15 | Hubbard Street Dance Company – Publicity and advertising |
| Supp. Box 16 | Folder 16 | Hubbard Street Dance Company – Research and pre-production |
| Supp. Box 16 | Folder 17 | Hubbard Street Dance Company – Reviews and clippings |
| Supp. Box 12 | Folder 4 | Knock on Wood. [1981-1982] – Casting |
1982-1983 Season, Mainstage (Pre-Season)
| Box 52 | Folder 1 | General press releases and promotional material |
| Supp. Box 16 | Folder 18 | Casting statistics |
| Supp. Box 16 | Folder 19 | Open auditions |
| Box 52 | Folder 2 | Ms. Margarida's Way by Robert Athayde. August 31-September 5, 1982. With Estelle Parsons – Promotional material |
| Photo Box 108 | Folders 23-26 | Ms. Margarida's Way – 4 photographs |
| Supp. Box 16 | Folder 20 | Ms. Margarida's Way – Program and reviews |
| Box 52 | Folder 3 | Welcome to Our Living Room with the Karamazov Brothers. September 7-19, 1982 – Promotional material |
| Photo Box 108 | Folders 27-31 | Welcome to Our Living Room – 5 photographs |
| Supp. Box 16 | Folder 21 | Welcome to Our Living Room – Programs and reviews |
1982-1983 Season, Mainstage
| Box 52 | Folder 4 | The Man Who Had Three Arms by Edward Albee. September 24-October 31, 1982. Directed by Edward Albee, sets designed by John Jensen, costumes by Barbara A. Bell, lights by F. Mitchell Dana – Goodman Guide |
| Box 52 | Folder 5 | The Man Who Had Three Arms – Press releases, promotional material, reviews and clippings |
| Box 52 | Folder 6 | The Man Who Had Three Arms – Programs |
| Box 52 | Folder 6a | The Man Who Had Three Arms – Script, dated 1982 |
| Box 52 | Folder 6b | The Man Who Had Three Arms – Script, dated 1982; with line cuts in pencil |
| Box 52 | Folder 6c | The Man Who Had Three Arms – Script, revised Oct. 4, 1982 |
| Box 52 | Folder 6d | The Man Who Had Three Arms – Script, labeled "B", revised October 4, 1982 |
| Photo Box 108 | Folders 32-35 | The Man Who Had Three Arms – 4 photographs |
| Supp. Box 16 | Folder 22 | The Man Who Had Three Arms – Advertising and ticket sales |
| Supp. Box 16 | Folder 23 | The Man Who Had Three Arms – Casting |
| Supp. Box 16 | Folder 24 | The Man Who Had Three Arms – Cuts and out-takes from the pre-opening in Miami |
| Supp. Box 16 | Folder 25 | The Man Who Had Three Arms – Information from performances at the Lyceum Theatre, New York City |
| Supp. Box 16 | Folder 26 | The Man Who Had Three Arms – Information from performances at the New World Festival of the Arts, Miami |
| Supp. Box 16 | Folder 27 | The Man Who Had Three Arms – Information on Albee |
| Supp. Box 17 | Folder 1 | The Man Who Had Three Arms – Prompt script |
| Supp. Box 17 | Folder 2 | The Man Who Had Three Arms – Prompt script; with blocking and stage direction |
| Supp. Box 17 | Folder 3 | The Man Who Had Three Arms – Script; unmarked, dated 1982 |
| Supp. Box 17 | Folder 4 | The Man Who Had Three Arms – Presets, costume and prop plots, light and slide cues, general show slides |
| Supp. Box 17 | Folder 5 | The Man Who Had Three Arms – Rehearsal hours, stage manager’s daily reports |
| Supp. Box 17 | Folder 6 | The Man Who Had Three Arms – Reviews and clippings |
| Oversize Folder 50 | The Man Who Had Three Arms – Poster | |
| Box 52 | Folder 7 | A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. November 26-December 31, 1982. Directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano – Press releases and promotional material |
| Box 52 | Folder 8 | A Christmas Carol – Program |
| Box 52 | Folder 9 | A Christmas Carol – Program research |
| Box 52 | Folder 10 | A Christmas Carol – Script, labeled "A" and dated 1982 |
| Box 52 | Folder 11 | A Christmas Carol – Script, labeled "B" revised typescript |
| Photo Box 108 | Folders 36-38 | A Christmas Carol – 3 photographs |
| Supp. Box 17 | Folder 7 | A Christmas Carol – Advertising and ticket sales |
| Supp. Box 17 | Folder 8 | A Christmas Carol – Casting |
| Supp. Box 17 | Folder 9 | A Christmas Carol – Correspondence |
| Supp. Box 17 | Folder 10 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 17 | Folder 11 | A Christmas Carol – Prompt script (2 of 2) |
| Supp. Box 17 | Folder 12 | A Christmas Carol – Research on Dickens and other productions |
| Supp. Box 17 | Folder 13 | A Christmas Carol – Reviews and clippings |
| Oversize Folder 50 | A Christmas Carol – Poster | |
| Box 52a | Folder 1 | The Comedy of Errors by William Shakespeare. January 14-February 27, 1983. Directed by Robert Woodruff, sets designed by David Gropman, costumes designed by Susan Hilferty, lighting by Paul Gallo – Program |
| Box 52a | Folder 2 | The Comedy of Errors – Press releases, promotional material, reviews and clippings |
| Box 52a | Folder 3 | The Comedy of Errors – Script; Xerox of published version (Arden edition) |
| Supp. Box 18 | Folder 1 | The Comedy of Errors – Advertising and ticket sales |
| Supp. Box 18 | Folder 2 | The Comedy of Errors – Casting |
| Supp. Box 18 | Folder 3 | The Comedy of Errors – Checklists, running sheets, presets |
| Supp. Box 18 | Folder 4 | The Comedy of Errors – Prompt script: Act I |
| Supp. Box 18 | Folder 5 | The Comedy of Errors – Prompt script: Acts II and III |
| Supp. Box 18 | Folder 6 | The Comedy of Errors – Prop lists, script and crew information |
| Supp. Box 18 | Folder 7 | The Comedy of Errors – Publicity and advertising |
| Supp. Box 18 | Folder 8 | The Comedy of Errors – Research on other productions, the playwright, etc. |
| Supp. Box 18 | Folder 9 | The Comedy of Errors – Reviews and clippings |
| Supp. Box 18 | Folder 10 | The Comedy of Errors – Running sheets, prop lists, presets |
| Supp. Box 18 | Folder 11 | The Comedy of Errors – Running sheets, presets, cue sheets |
| Supp. Box 18 | Folder 12 | The Comedy of Errors – Teacher’s and Goodman Guide |
| Supp. Box 18 | Folder 13 | The Comedy of Errors – Materials from performances at the Olympic Arts Festival, Los Angeles, June 1-August 12, 1984 |
| Oversize Folder 50 | The Comedy of Errors – Poster | |
| Box 52a | Folder 4 | The Dining Room by A.R. Gurney. March 4-April 10, 1983. Directed by Michael Maggio, scenic design by Joseph Nieminski, costumes by Marsha Kowal, lighting by Robert Christen – Goodman Guide |
| Box 52a | Folder 5 | The Dining Room – Press releases and promotional material |
| Box 52a | Folder 6 | The Dining Room – Program |
| Box 52a | Folder 7 | The Dining Room – Script; Xerox of published script (DPS) |
| Photo Box 108 | Folders 44-46 | The Dining Room – 3 photographs |
| Supp. Box 19 | Folder 1 | The Dining Room – Box office |
| Supp. Box 19 | Folder 2 | The Dining Room – Casting |
| Supp. Box 19 | Folder 3 | The Dining Room – Publicity and advertising |
| Supp. Box 19 | Folder 4 | The Dining Room – Research and pre-production (information on other productions) |
| Supp. Box 19 | Folder 5 | The Dining Room – Reviews and clippings |
| Oversize Folder 50 | The Dining Room – Poster | |
| Box 52a | Folder 8 | Red River by Pierre Laville, translated by David Mamet. April 22-May 29, 1983. Directed by Robert Woodruff, sets designed by Karen Schulz, costumes by Susan Hilferty, lighting by Paul Gallo, choreography by Charles Vernon – Program |
| Box 52a | Folder 9 | Red River – Goodman Guide |
| Box 52a | Folder 10 | Red River – Press releases and promotional material |
| Box 52a | Folder 11 | Red River – Research |
| Box 52a | Folder 12 | Red River – Script, labeled "A"; in French, with research material |
| Box 52a | Folder 13 | Red River – Partial script; with literal translation by Tilde Sankovitch |
| Box 52a | Folder 14 | Red River – Original typescript (literal translation by Tilde Sankovitch) |
| Box 52a | Folder 15 | Red River – Script (Xerox of above) |
| Box 53 | Folder 1 | Red River – Script, labeled "B"; translated by David Mamet |
| Box 53 | Folder 2 | Red River – Script, revised 2/19/83 and 3/22/83 |
| Photo Box 108 | Folders 47-49 | Red River – 3 photographs |
| Supp. Box 19 | Folder 6 | Red River – Advertising and ticket sales |
| Supp. Box 19 | Folder 7 | Red River – Budget |
| Supp. Box 19 | Folder 8 | Red River – Cast contact sheet and correspondence |
| Supp. Box 19 | Folder 9 | Red River – Casting |
| Supp. Box 19 | Folder 10 | Red River – Research |
| Supp. Box 19 | Folder 11 | Red River – Reviews and clippings |
| Oversize Folder 50 | Red River – Poster | |
| Box 53 | Folder 3 | A Soldier's Play by Charles Fuller. June 13-July 24, 1983. Directed by Douglas Turner Ward, sets by Felix Cochren, costumes by Judy Dearing, lights by Allen Lee Hughes, ...featuring Adolph Caesar and the Negro Ensemble Company – Goodman Guide |
| Box 53 | Folder 4 | A Soldier's Play – Press releases, promotional material |
| Box 53 | Folder 5 | A Soldier's Play – Script, dated May 1981 |
| Box 53 | Folder 6 | A Soldier's Play – Program |
| Photo Box 108 | Folders 50-51 | A Soldier's Play – 2 photographs/negatives |
| Supp. Box 19 | Folder 12 | A Soldier's Play – Box office |
| Supp. Box 19 | Folder 13 | A Soldier's Play – Correspondence and opening night |
| Supp. Box 19 | Folder 14 | A Soldier's Play – Group sales |
| Supp. Box 19 | Folder 15 | A Soldier's Play – Publicity and advertising |
| Supp. Box 19 | Folder 16 | A Soldier's Play – Research and pre-production (information on the Negro Ensemble Company) |
| Supp. Box 19 | Folder 17 | A Soldier's Play – Reviews and clippings |
1982-1983 Season, Studio
| Box 53 | Folder 7 | General press releases and promotional material |
| Supp. Box 19 | Folder 18 | Advertising and promotional |
| Box 53 | Folder 8 | Kukla and Ollie Live!, created by Burr Tillstrom. December 17-24, 1982 – Programs, reviews and clippings |
| Supp. Box 19 | Folder 20 | Kukla and Ollie Live! – Background and correspondence |
| Box 53 | Folder 9 | The Beckett Project (3 plays by Samuel Beckett): Ohio Impromptu, directed by Alan Schneider (sets and lights by Rocky Greenberg); Eh, Joe, directed by Rick Cluchey (sets and lights by Kevin Rigdon); and A Piece of Monologue, directed by Alan Schneider (staged by Rocky Greenberg and David Warrilow) – Press releases, promotional material and program |
| Box 53 | Folder 10 | The Beckett Project – Scripts, with contact sheets |
| Photo Box 108 | Folder 52 | The Beckett Project – 1 photograph |
| Supp. Box 20 | Folder 1 | The Beckett Project – Background and information on the European Tour, 1981 |
| Oversize Folder 49 | The Beckett Project – Poster | |
| Box 53 | Folder 11 | A Spaulding Gray Retrospective by Spaulding Gray. October 28-December 19, 1982 – Press release, promotional material, program, and reviews |
| Photo Box 108 | Folders 53-54 | A Spaulding Gray Retrospective – 2 photographs |
| Supp. Box 19 | Folder 19 | A Spaulding Gray Retrospective – Background |
| Box 53 | Folder 12 | Three New Plays: The Disappearance of the Jews, by David Mamet and directed by Gregory Mosher (starring Joe Mantegna); Hot Line, by Elaine May and directed by Art Wolff (starring Elaine May, Peter Falk and Del Close); and Gorilla, by Shel Silverstein and directed by Art Wolff (starring Ron Silver). June 2-26, 1983. Scenery and costumes designed by Franne Lee, lights by Rita Pietraczek – Press release, promotional material, programs, reviews and clippings |
| Box 53 | Folder 13 | Three New Plays – Script (Disappearance), corrected and updated Joe Drummond, June 14, 1983 |
| Box 53 | Folder 14 | Three New Plays – Original typescript (Disappearance), dated June 14, 1983 |
| Box 53a | Folder 1 | Three New Plays – Script (Gorilla, from Very, Very Serious Plays); reading copy |
| Box 53a | Folder 2 | Three New Plays – Script (Gorilla) |
| Box 53a | Folder 3 | Three New Plays – Script (Hot Line), labeled "A" "Original - Do Not Copy" |
| Box 53a | Folder 4 | Three New Plays – Script (Hot Line), labeled "C" and dated 5/24-5/25/83 |
| Box 53a | Folder 5 | Three New Plays – Script (Hot Line), labeled "D"; Xerox of most of above but ending dated 5/27/83 |
| Box 53a | Folder 6 | Three New Plays – Script (Hot Line), labeled "E" and dated 7/3/83 – two copies) |
| Box 53a | Folder 7 | Three New Plays – Script (Hot Line), dated 5/8/83 |
| Box 53a | Folder 8 | Three New Plays – Script (Hot Line), undated |
| Photo Box 108 | Folders 55-61 | Three New Plays – 7 photographs |
| Supp. Box 20 | Folder 8 | Three New Plays – Background, correspondence and ticket sales |
| Supp. Box 20 | Folder 9 | Three New Plays – Casting |
| Supp. Box 29 | Folder 6 | Three New Plays – Original script titled “Gorilla,” by Shel Silverstein; revised, dated June 30, 1983, with extensive rewrites and outtakes |
| Box 53a | Folder 9 | Jungle Coup by Richard Nelson. February 18-March 20, 1983. Directed by David Chambers, sets designed by Kevin Rigdon, costumes by Marsha Kowal, lighting by Jennifer Tipton, ...with Mike Nussbaum, Jack Wallace – Press release, promotional material, program, clippings |
| Box 53a | Folder 10 | Jungle Coup – Script, ending revised 2/18/83 |
| Box 53a | Folder 11 | Jungle Coup – Script, revised 12/82 |
| Box 53a | Folder 11a | Jungle Coup – Background and information on other publications |
| Photo Box 108 | Folders 62-64 | Jungle Coup – 3 photographs |
| Supp. Box 20 | Folder 2 | Jungle Coup – Casting |
| Supp. Box 20 | Folder 3 | Jungle Coup – Prompt script |
| Supp. Box 20 | Folder 4 | Jungle Coup – Revised script; dated December 1982, marked with “Library 3/2/82, Bula”, with scene changes and cuts |
| Oversize Folder 49 | Jungle Coup – Poster | |
| Box 53a | Folder 12 | Gardenia by John Guare. April 25-May 15, 1983. Directed by Gregory Mosher, costumes by Nan Cibula, lighting by Kevin Rigdon, scenic design by David Emmons and Gregory Mosher, ...with Gary Cole and Elizabeth Perkins, William L. Petersen, and Jack Wallace – Press release, promotional material and program |
| Box 53a | Folder 13 | Gardenia – Script and contact sheet |
| Box 53a | Folder 14 | Gardenia – Background |
| Box 53a | Folder 15 | Gardenia – Reviews and clippings |
| Box 53a | Folder 16 | Gardenia – Ticket giveaways and box office |
| Photo Box 108 | Folders 65-67 | Gardenia – 3 photographs |
| Supp. Box 20 | Folder 5 | Gardenia – Casting |
| Supp. Box 20 | Folder 6 | Gardenia – Prompt script; with schedules and stage manager’s daily reports |
| Supp. Box 20 | Folder 7 | Gardenia – Script; unmarked, titled “Lydie Breeze, Part I: Gardenia” |
| Oversize Folder 49 | Gardenia – Poster |
1982-1983 Season, Writers in Performance Series
| Photo Box 108 | Folders 68-69 | Chicago Writer’s in Performance – 2 photographs |
| Supp. Box 20 | Folder 10 | Press release and advertising |
| Supp. Box 20 | Folder 11 | An Evening with Saul Bellow. October 25, 1982 – Press release, promotional material, correspondence, reviews and clippings |
| Supp. Box 20 | Folder 12 | Leon Forrest, Dennis Brutus, J.A. McPherson and Derek Wolcott. February 21, 1983 – Press release, promotional material, correspondence, reviews and clippings |
| Supp. Box 20 | Folder 13 | Chicago Composers: An Evening of Contemporary Music. April 4, 1983 – Press release, promotional material, correspondence, reviews and clippings |
1982-1983 Season, Special Events
| Photo Box 108 | Folder 70 | Bill Robinson Tribute – 1 photograph |
| Supp. Box 20 | Folder 14 | Hubbard Street Dance Company. [1982-1983] – Reviews and clippings |
| Supp. Box 20 | Folder 15 | Hubbard Street Dance Company – Press release, promotional material |
| Supp. Box 20 | Folder 16 | Mark Twain / Urban Gateways Project – Correspondence, schedules and notes |
1983-1984 Season
| Box 54 | Folder 1 | General promotional material |
| Supp. Box 21 | Folder 1 | Casting statistics |
| Supp. Box 21 | Folder 2 | Group sales |
| Supp. Box 21 | Folder 3 | Open auditions |
| Supp. Box 21 | Folder 4 | Subscriptions, advertising, press and publicity |
| Supp. Box 21 | Folder 5 | Subscription campaign |
| Box 54 | Folder 2 | A Raisin in the Sun by Lorraine Hansberry. September 23-October 30, 1983. Directed by Thomas Bullard, sets by Karen Schulz, lights by Dennis Parichy, costumes by Judy Dearing, ...with Jackie Taylor and Ernest Perry, Jr. – Correspondence and memos |
| Box 54 | Folder 3 | A Raisin in the Sun – Programs and press releases |
| Box 54 | Folder 4 | A Raisin in the Sun – Research |
| Box 54 | Folder 5 | A Raisin in the Sun – Research |
| Box 54 | Folder 6 | A Raisin in the Sun – Reviews and clippings |
| Box 54 | Folder 7 | A Raisin in the Sun – Script, labeled "B" (copy of French edition); with extensive revisions on separate sheets |
| Photo Box 109 | Folders 1-4 | A Raisin in the Sun – 4 photographs/negatives |
| Supp. Box 21 | Folder 6 | A Raisin in the Sun – Advertising |
| Supp. Box 21 | Folder 7 | A Raisin in the Sun – Box office |
| Supp. Box 21 | Folder 8 | A Raisin in the Sun – Casting |
| Oversize Folder 51 | A Raisin in the Sun – Poster | |
| Box 54 | Folder 8 | A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. November 25-December 31, 1983. Directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano – Programs |
| Box 54 | Folder 9 | A Christmas Carol – Rehearsal schedule |
| Box 54 | Folder 10 | A Christmas Carol – Press release, reviews and clippings, promotional material |
| Box 54 | Folder 11 | A Christmas Carol – Script; 1983 revision |
| Photo Box 109 | Folders 5-6 | A Christmas Carol – 2 photographs |
| Supp. Box 21 | Folder 9 | A Christmas Carol – Advertising |
| Supp. Box 21 | Folder 10 | A Christmas Carol – Casting |
| Supp. Box 21 | Folder 11 | A Christmas Carol – Information on other productions |
| Supp. Box 21 | Folder 12 | A Christmas Carol – Single and group sales |
| Box 54 | Folder 12 | Candida by George Bernard Shaw. January 23-February 19, 1984. Directed by Munson Hicks, lighting by Robert Christen, sets designed by Joseph Nieminski, costumes by Nan Cibula – Press releases, reviews and clippings |
| Box 54 | Folder 13 | Candida – Script |
| Photo Box 109 | Folders 7-11 | Candida – 5 photographs |
| Supp. Box 21 | Folder 13 | Candida – Advertising |
| Supp. Box 21 | Folder 14 | Candida – Casting |
| Supp. Box 21 | Folder 15 | Candida – Programs |
| Supp. Box 21 | Folder 16 | Candida – Prompt script: Acts I and II |
| Supp. Box 21 | Folder 17 | Candida – Prompt script: Act III |
| Supp. Box 22 | Folder 1 | Candida – Research and pre-production |
| Supp. Box 22 | Folder 2 | Candida – Ticket giveaways |
| Box 54 | Folder 14 | Hey Stay Awhile by John Guare, music by Galt MacDermot, John Guare, and Jim Warner. February 19-April 14, 1984. Directed by Larry Sloan, ...with Kevin Anderson – Press releases, promotional material |
| Box 54 | Folder 15 | Hey Stay Awhile – Programs |
| Box 54 | Folder 16 | Hey Stay Awhile – Reviews and clippings |
| Photo Box 109 | Folders 12-17 | Hey Stay Awhile – 6 photographs |
| Supp. Box 24 | Folder 5 | Hey Stay Awhile – Box office |
| Supp. Box 24 | Folder 6 | Hey Stay Awhile – Casting |
| Supp. Box 24 | Folder 7 | Hey Stay Awhile – Cast list and casting information |
| Supp. Box 24 | Folder 8 | Hey Stay Awhile – Notes and schedules |
| Supp. Box 24 | Folder 9 | Hey Stay Awhile – Publicity and advertising |
| Supp. Box 24 | Folder 10 | Hey Stay Awhile – Score; unmarked Xerox |
| Supp. Box 24 | Folder 11 | Hey Stay Awhile – Preliminary script pages |
| Box 55 | Folder 1 | The Time of Your Life by William Saroyan. March 2-April 8, 1984, featuring the Remains Theatre Ensemble. Directed by Donald Moffett, sets designed by Thomas Lynch, costume by Nan Cibula, lighting by Robert Christen, ...with Del Close, Dennis Farina, Amy Morton and William L. Petersen – Programs, reviews and clippings |
| Box 55 | Folder 2 | The Time of Your Life – Script, Xerox of published script |
| Box 55 | Folder 3 | The Time of Your Life – Original typescript, labeled "Acting Edition", and dated Jan. 24, 1984 |
| Box 55 | Folder 4 | The Time of Your Life – Script, Xerox of above; with line cuts and changes in pencil |
| Box 55 | Folder 5 | The Time of Your Life – Script, Xerox of above; with line cuts and changes in pencil (differs from folder 4) |
| Photo Box 109 | Folders 18-20 | The Time of Your Life – 3 photographs |
| Supp. Box 22 | Folder 3 | The Time of Your Life – Advertising and ticket sales |
| Supp. Box 22 | Folder 4 | The Time of Your Life – Casting |
| Supp. Box 22 | Folder 5 | The Time of Your Life – Information on other productions |
| Supp. Box 22 | Folder 6 | The Time of Your Life – Promotional material |
| Supp. Box 22 | Folder 7 | The Time of Your Life – Published script; unmarked |
| Box 55 | Folder 6 | The Road by Wole Soyinka. April 20-May 27, 1984. Directed by Wole Soyinka, sets by Patricia Woodbridge, costumes by Judy Dearing, lights by Stephen Strawbridge, ...with Ernest Perry, Jr. and Ivory Ocean – Programs and Teacher's Supplement |
| Box 55 | Folder 7 | The Road – Reviews and clippings |
| Box 55 | Folder 8 | The Road – Script, labeled "Acting Edition" |
| Box 55 | Folder 9 | The Road – Script, corrected 4/9/84 |
| Box 55 | Folder 10 | The Road – Partial script |
| Photo Box 109 | Folders 21-23 | The Road – 3 photographs |
| Supp. Box 22 | Folder | The Road – Advertising and ticket sales |
| Supp. Box 22 | Folder | The Road – Casting |
| Supp. Box 22 | Folder | The Road – Research |
| Box 55a | Folder 1 | The Three Moscowteers by Dmitri Karamazov. June 1-July 8, 1984. Directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls – Programs, promotional material |
| Box 55a | Folder 2 | The Three Moscowteers – Reviews and clippings |
| Box 55a | Folder 3 | The Three Moscowteers – Memos |
| Box 55a | Folder 4 | The Three Moscowteers – Notes |
| Box 55a | Folder 5 | The Three Moscowteers – Correspondence |
| Box 55a | Folder 6 | The Three Moscowteers – Script, labeled "A" - Preliminary Working Outline |
| Box 55a | Folder 7 | The Three Moscowteers – Script, labeled "B" - First Draft |
| Box 55a | Folder 8 | The Three Moscowteers – Script, labeled "C" - Second Draft, dated 1/28/84 |
| Box 55a | Folder 9 | The Three Moscowteers – Script, labeled "D" - typescript of working copy, dated 3/84 |
| Box 55a | Folder 10 | The Three Moscowteers – Script, labeled "E" - Outline, dated 3/10/84 |
| Box 55a | Folder 11 | The Three Moscowteers – Script, labeled "G" - Final draft on word processor used to prepare first Acting Edition |
| Box 55a | Folder 12 | The Three Moscowteers – Script, labeled "I" - Acting Edition, updated 5/26 |
| Box 55a | Folder 13 | The Three Moscowteers – Script, labeled "J" - Acting Edition, revised 5/26, 6/11 |
| Photo Box 109 | Folders 24-30 | The Three Moscowteers – 7 photographs |
| Supp. Box 22 | Folder 11 | The Three Moscowteers – Advertising and ticket sales |
| Supp. Box 22 | Folder 12 | The Three Moscowteers – Casting |
| Supp. Box 22 | Folder 13 | The Three Moscowteers – Promotional material |
| Supp. Box 22 | Folder 14 | The Three Moscowteers – Research |
1983-1984 Season, Studio
| Box 55a | Folder 14 | Bread and Puppet Theater's Diagonal Man: Theory and Practice, written by Peter Schumann. November 2-20, 1983. Directed by Peter Schumann – Correspondence and notes |
| Box 55a | Folder 15 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Notes |
| Box 55a | Folder 16 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Programs |
| Box 55a | Folder 17 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Reviews and clippings |
| Oversize Folder 51 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Poster | |
| Supp. Box 23 | Folder 3 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Box office |
| Supp. Box 23 | Folder 4 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Program copy |
| Supp. Box 23 | Folder 5 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Publicity and advertising |
| Supp. Box 23 | Folder 6 | Bread and Puppet Theater's Diagonal Man: Theory and Practice – Research and pre-production |
| Box 55a | Folder 18 | In the Belly of the Beast, arranged and directed by Robert Falls. A Wisdom Bridge Theatre production, November 30-December 31, 1983 – Programs, promotional material |
| Box 55a | Folder 19 | In the Belly of the Beast – Publicity and box office |
| Supp. Box 23 | Folder 1 | Glengarry Glen Ross by David Mamet. Premiere production at the Cottosloe Theatre, London, September 21-[?], 1983 – Programs, promotional material |
| Supp. Box 23 | Folder 2 | Glengarry Glen Ross – Reviews and clippings |
| Box 55b | Folder 1 | Glengarry Glen Ross by David Mamet. January 27-March 4, 1984. Directed by Gregory Mosher, sets by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, ...with Robert Prosky, Joe Mantegna, William L. Petersen, and Jack Wallace – Box office |
| Box 55b | Folder 2 | Glengarry Glen Ross – Casting |
| Box 55b | Folder 3 | Glengarry Glen Ross – Contact sheets |
| Box 55b | Folder 4 | Glengarry Glen Ross – Joseph Jefferson nomination (Director/Play) |
| Box 55b | Folder 5 | Glengarry Glen Ross – Press releases, promotional materials |
| Box 55b | Folder 6 | Glengarry Glen Ross – Programs |
| Box 55b | Folder 7 | Glengarry Glen Ross – Publicity and advertising |
| Box 55b | Folder 8 | Glengarry Glen Ross – Reviews and clippings |
| Box 55b | Folder 9 | Glengarry Glen Ross – Special events |
| Box 55b | Folder 10 | Glengarry Glen Ross – Tech. schedules and costume note |
| Box 55b | Folder 11 | Glengarry Glen Ross – Script, draft of second version, dated July 1983 |
| Box 55b | Folder 12 | Glengarry Glen Ross – Script, labeled "C"; Xerox of above, amended 8/30/83 |
| Box 55b | Folder 13 | Glengarry Glen Ross – Script, labeled "L"; with outtakes (See: Oversize Box 2) |
| Box 55b | Folder 14 | Glengarry Glen Ross – Script; with correction dated 10/17/83 and 11/15/83 |
| Box 55b | Folder 15 | Glengarry Glen Ross – Script; labeled "Acting Edition"; with final corrections 12/13/83 (per Methuen edition) |
| Box 55c | Folder 1 | Glengarry Glen Ross – Script, revised and corrected Jan. 31, 1984 |
| Box 55c | Folder 2 | Glengarry Glen Ross – Script, labeled "N" - New York revisions, 4/16/84 |
| Photo Box 109 | Folders 31-33 | Glengarry Glen Ross – 3 photographs |
| Supp. Box 23 | Folder 7 | Glengarry Glen Ross – Casting |
| Supp. Box 23 | Folder 8 | Glengarry Glen Ross – Prompt script (Acting Edition): Act I |
| Supp. Box 23 | Folder 9 | Glengarry Glen Ross – Prompt script (Acting Edition): Act II |
| Supp. Box 23 | Folder 10 | Glengarry Glen Ross – Revised script; unmarked and dated as of January 15, 1984 |
| Supp. Box 23 | Folder 11 | Glengarry Glen Ross – Revised script; unmarked and dated October 1983, with further revisions dated October 17, 1983 |
| Supp. Box 23 | Folder 12 | Glengarry Glen Ross – Revised script; unmarked, dated October 1983, and labeled “Final Pre-Rehearsal Script, November 30, 1983” |
| Supp. Box 23 | Folder 13 | Glengarry Glen Ross – Revised script; dated October 1983 |
| Supp. Box 24 | Folder 1 | Glengarry Glen Ross – Time sheets, rehearsal hours, stage manager’s daily reports, etc. |
| Supp. Box 24 | Folder 2 | Glengarry Glen Ross – Programs and promotional material from the production at the John Golden Theatre, New York City, March 25-[?], 1984 |
| Supp. Box 24 | Folder 3 | Glengarry Glen Ross – Publicity from the production at the John Golden Theatre, New York City, March 25-[?], 1984 |
| Supp. Box 24 | Folder 4 | Glengarry Glen Ross – Reviews and clippings from the production at the John Golden Theatre, New York City, March 25-[?], 1984 |
| Box 55c | Folder 3 | Hurlyburly by David Rabe. March 23-April 22, 1984 Directed by Mike Nichols, sets designed by Tony Walton, costumes by Ann Roth, lighting by Jennifer Tipton, ...with Harvey Keitel, William Hurt, Christopher Walken, Jerry Stiller, Cynthia Nixon, Judith Ivey, and Sigourney Weaver – Information on David Rabe |
| Box 55c | Folder 4 | Hurlyburly – Press releases, promotional material |
| Box 55c | Folder 5 | Hurlyburly – Programs |
| Box 55c | Folder 6 | Hurlyburly – Publicity and advertising |
| Box 55c | Folder 7 | Hurlyburly – Reviews and clippings |
| Box 55c | Folder 8 | Hurlyburly – Script (titled Spin Off) |
| Box 55c | Folder 9 | Hurlyburly – Reviews and clippings from the production at the Promenade Theater, New York City, June 1984 |
| Photo Box 109 | Folder 34 | Hurlyburly – 1 photograph |
| Supp. Box 24 | Folder 12 | Hurlyburly – Casting |
| Supp. Box 24 | Folder 13 | Hurlyburly – Script; as yet untitled, labeled “A New Play by David Rabe” |
| Supp. Box 25 | Folder 1 | The Merry Guys Who Windsurf. Practical Theatre Company, May 17-July 1, 1984 – Promotional material |
1983-1984 Season, Special Events
| Box 55c | Folder 10 | Vasilios Gaitanos in Concert. January 30, 1984 – Programs, promotional material |
| Box 55c | Folder 11 | Vasilios Gaitanos in Concert – Publicity and advertising |
| Box 55c | Folder 12 | Vasilios Gaitanos in Concert – Reviews and clippings |
1983-1984 Season, Merrill Lynch Dance Series
| Box 55c | Folder 13 | General promotional material, press releases and clippings |
| Supp. Box 25 | Folder 3 | Publicity and advertising |
| Supp. Box 25 | Folder 2 | Laura Dean Dancers and Musicians. September 12-16, 1983 – Performance and sponsorship agreements |
| Box 55c | Folder 14 | The Hubbard Street Dance Company. November 1-19. 1983 – Press releases, promotional material |
| Box 55c | Folder 14a | The Hubbard Street Dance Company – Programs, reviews and clippings |
| Photo Box 109 | Folders 35-38 | The Hubbard Street Dance Company – 4 photographs |
| Supp. Box 25 | Folder 4 | The Hubbard Street Dance Company. November 1-19. 1983 – Information on the company |
| Supp. Box 25 | Folder 5 | The Hubbard Street Dance Company – Program copy |
| Supp. Box 25 | Folder 6 | The Hubbard Street Dance Company – Publicity and advertising |
| Box 55c | Folder 15 | Pilobus Dance Theater. February 21-26, 1984 – Press releases, promotional material |
| Box 55c | Folder 15a | Pilobus Dance Theater – Program, reviews and clippings |
| Photo Box 110 | Folders 1-2 | Pilobus Dance Theater – 2 photographs |
| Supp. Box 25 | Folder 7 | Pilobus Dance Theater – Information on the company |
| Supp. Box 25 | Folder 8 | Pilobus Dance Theater – Publicity and advertising |
| Box 55c | Folder 16 | Lars Lubovitch Dance Company. April 11-15, 1984 – Press releases, promotional material |
| Box 55c | Folder 16a | Lars Lubovitch Dance Company – Programs, reviews and clippings |
| Photo Box 110 | Folders 3-5 | Lars Lubovitch Dance Company – 3 photographs |
| Supp. Box 25 | Folder 9 | Lars Lubovitch Dance Company – Information on the company |
| Supp. Box 25 | Folder 10 | Lars Lubovitch Dance Company – Publicity and advertising |
1983-1984 Season, Other
| Box 55c | Folder 17 | Mark Twain Project for Urban Gateways. [1983-1984] – General information |
| Box 55c | Folder 18 | The Comedy of Errors by William Shakespeare. At the Olympic Arts Festival, June 1-August 12, 1984 – Programs |
| Box 55c | Folder 19 | The Comedy of Errors – Press kit |
| Photo Box 110 | Folders 6-8 | The Comedy of Errors – 3 photographs |
1984-1985 Season, Mainstage
| Box 56 | Folder 1 | Promotional material and clippings |
| Supp. Box 25 | Folder 11 | Casting statistics |
| Supp. Box 25 | Folder 12 | Group sales |
| Supp. Box 25 | Folder 13 | Open auditions |
| Supp. Box 25 | Folder 14 | Subscription campaign |
| Supp. Box 25 | Folder 15 | Telemarketing campaign |
| Box 56 | Folder 2 | Candide by Voltaire, adapted by Hugh Wheeler. Music by Leonard Bernstein, lyrics by Richard Wilbur, additional lyrics by Stephen Sondheim and John Latouche. September 21-October 28, 1984. Directed by Munson Hicks, sets designed by John Lee Beatty, lighting by Judy Rasmuson, costumes by Christa Scholtz – Programs, press releases and clippings |
| Box 56 | Folder 3 | Candide – Correspondence |
| Box 56 | Folder 4 | Candide – Memos |
| Box 56 | Folder 5 | Candide – Cast list and schedules |
| Box 56 | Folder 6 | Candide – Scene breakdowns |
| Box 56 | Folder 7 | Candide – Notes |
| Box 56 | Folder 8 | Candide – Script |
| Box 56 | Folder 9 | Candide – Libretto |
| Box 56 | Folder 10 | Candide – Score |
| Box 56 | Folder 11 | Candide – Score and script |
| Box 56 | Folder 12 | Candide – Score and script |
| Photo Box 110 | Folder 14 | Candide – 1 photograph |
| Supp. Box 25 | Folder 16 | Candide – Casting |
| Supp. Box 25 | Folder 17 | Candide – Correspondence and memos (promotion and publicity) |
| Supp. Box 25 | Folder 18 | Candide – Promotional material and advertising |
| Supp. Box 25 | Folder 19 | Candide – Reviews and clippings |
| Supp. Box 25 | Folder 20 | Candide – Research |
| Supp. Box 26 | Folder 1 | Candide – Prompt script: Scenes 1-10 |
| Supp. Box 26 | Folder 2 | Candide – Prompt script: Scenes 10-22 |
| Supp. Box 26 | Folder 3 | Candide – Prompt script, score and cues |
| Supp. Box 26 | Folder 4 | Candide – Prompt script, score and cues |
| Supp. Box 26 | Folder 5 | Candide – Script; unmarked Xerox |
| Box 56 | Folder 13 | A Christmas Carol, adapted by Gregory Mosher and Larry Sloan from the novel by Charles Dickens. December 18-29, 1984. Directed by Gregory Mosher, music by Larry Schanker, sets by Kate Edmunds, lighting by Duane Schuler, costumes by Christa Scholtz, ...with Frank Galati and Del Close – Casting |
| Box 56 | Folder 14 | A Christmas Carol adapted by Gregory Mosher and Larry Sloan from the novel by Charles Dickens. December 18-29, 1984. Directed by Gregory Mosher, music by Larry Schanker, sets by Kate Edmunds, lighting by Duane Schuler, costumes by Christa Scholtz, ...with Frank Galati and Del Close – Correspondence |
| Box 56 | Folder 15 | A Christmas Carol – Memos |
| Box 56 | Folder 16 | A Christmas Carol – Notes |
| Box 56 | Folder 17 | A Christmas Carol – Press releases |
| Box 56 | Folder 18 | A Christmas Carol – Survey: Audience reaction to 1984-85 A Christmas Carol |
| Box 56a | Folder 1 | A Christmas Carol – Script, labeled "A - Rough draft", and dated 5/84 |
| Box 56a | Folder 2 | A Christmas Carol – Script, labeled "B", and dated 8/27/84 |
| Photo Box 110 | Folders 15-24 | A Christmas Carol – 10 photographs |
| Supp. Box 26 | Folder 6 | A Christmas Carol – Advertising and marketing-radio |
| Supp. Box 26 | Folder 7 | A Christmas Carol – Advertising and ticket sales |
| Supp. Box 26 | Folder 8 | A Christmas Carol – Casting |
| Supp. Box 26 | Folder 9 | A Christmas Carol – Correspondence-marketing |
| Supp. Box 26 | Folder 10 | A Christmas Carol – Group sales |
| Supp. Box 26 | Folder 11 | A Christmas Carol – Programs and promotional material |
| Supp. Box 26 | Folder 12 | A Christmas Carol – Research on Dickens |
| Supp. Box 26 | Folder 13 | A Christmas Carol – Reviews and clippings |
| Supp. Box 26 | Folder 14 | A Christmas Carol – Set designs |
| Supp. Box 27 | Folder 1 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 27 | Folder 2 | A Christmas Carol – Prompt script (2 of 2); with floor plan, scenery and effects plot |
| Supp. Box 27 | Folder 3 | A Christmas Carol – Assistant Stage Manager’s prompt script (1 of 2); with costume notes |
| Supp. Box 27 | Folder 4 | A Christmas Carol – Assistant Stage Manager’s prompt script (2 of 2) |
| Box 56a | Folder 3 | The Adventures of Huckleberry Finn by Mark Twain. Adapted by the Organic Theater Company, January 25-March 3, 1985. Directed by Stuart Gordon, sets and costumes by designed by Mary Griswold and John Paoletti, lighting by Geoffrey Bushor, music by Jonathan Pearthree, ...with Meshach Taylor – Programs |
| Box 56a | Folder 4 | The Adventures of Huckleberry Finn – Casting, auditions and contact sheet |
| Box 56a | Folder 5 | The Adventures of Huckleberry Finn – Direction, design and tech. notes |
| Box 56a | Folder 6 | The Adventures of Huckleberry Finn – Schedules |
| Box 56a | Folder 7 | The Adventures of Huckleberry Finn – Script changes |
| Box 56a | Folder 8 | The Adventures of Huckleberry Finn – Correspondence |
| Box 56a | Folder 9 | The Adventures of Huckleberry Finn – Press releases, promotional material |
| Box 56a | Folder 10 | The Adventures of Huckleberry Finn – Performance script |
| Box 56a | Folder 11 | The Adventures of Huckleberry Finn – Original script; with changes |
| Box 56a | Folder 12 | The Adventures of Huckleberry Finn – Script |
| Box 56a | Folder 13 | The Adventures of Huckleberry Finn – Partial script |
| Photo Box 110 | Folders 25-26 | The Adventures of Huckleberry Finn – 2 photographs |
| Supp. Box 27 | Folder 5 | The Adventures of Huckleberry Finn – Box office, student matinees and development |
| Supp. Box 27 | Folder 6 | The Adventures of Huckleberry Finn – Casting |
| Supp. Box 27 | Folder 7 | The Adventures of Huckleberry Finn – Panel discussion: “Racism, Censorship and Huckleberry Finn,” January 28, 1985 |
| Supp. Box 27 | Folder 8 | The Adventures of Huckleberry Finn – Pre-production and research |
| Supp. Box 27 | Folder 9 | The Adventures of Huckleberry Finn – Publicity and advertising |
| Supp. Box 27 | Folder 10 | The Adventures of Huckleberry Finn – Reviews and clippings |
| Oversize Folder 52 | The Adventures of Huckleberry Finn – Poster and costume plot | |
| Box 56b | Folder 1 | Ceremonies in Dark Old Men by Lonnie Elder, III. A production of the Negro Ensemble Company, March 18-April 14, 1985. Directed by Douglas Turner Ward, sets by Charles Henry McClennahan, lighting designed by Shirley Prendergast, costumes by Judy Dearing – Correspondence |
| Box 56b | Folder 2 | Ceremonies in Dark Old Men – Memos |
| Box 56b | Folder 3 | Ceremonies in Dark Old Men – Notes |
| Box 56b | Folder 4 | Ceremonies in Dark Old Men – Programs |
| Box 56b | Folder 5 | Ceremonies in Dark Old Men – Schedules |
| Box 56b | Folder 6 | Ceremonies in Dark Old Men – Script, labeled "B" |
| Photo Box 110 | Folders 27-29 | Ceremonies in Dark Old Men – 3 photographs |
| Supp. Box 28 | Folder 1 | Ceremonies in Dark Old Men – Casting |
| Supp. Box 28 | Folder 2 | Ceremonies in Dark Old Men – Promotional material |
| Supp. Box 28 | Folder 3 | Ceremonies in Dark Old Men – Research (background on the Negro Ensemble Company) |
| Supp. Box 28 | Folder 4 | Ceremonies in Dark Old Men – Reviews and clippings |
| Oversize Folder 52 | Ceremonies in Dark Old Men – Poster | |
| Box 56b | Folder 7 | The Water Engine by David Mamet. May 6-June 2, 1985. Directed by Steven Schachter, sets by John Lee Beatty, lights by Dennis Parichy, costumes by Jessica Hahn, music by Alaric Jans, ...with William H. Macy – Programs |
| Box 56b | Folder 8 | The Water Engine – Script (Xerox of published script) |
| Box 56b | Folder 9 | The Water Engine – Script, labeled "St. Nicholas Edition" |
| Box 56b | Folder 10 | The Water Engine – Script, Public Theater version, dated Dec. 6, 1977; with line cuts and changes |
| Box 56b | Folder 11 | The Water Engine – Script, revised April 2, 1985 |
| Box 56b | Folder 12 | The Water Engine – Script, labeled "D", manuscript of pre-show warm-up, dated 4/2/85 |
| Box 56b | Folder 13 | The Water Engine – Script, labeled "F", revised ending dated 4/19/85 |
| Box 56b | Folder 14 | The Water Engine – Script, labeled "G", manuscript and Xerox of cuts and revisions, dated 4/2-20/85 |
| Box 56b | Folder 15 | The Water Engine – Script, labeled "H", revisions dated 4/5 and 4/19/85 |
| Photo Box 110 | Folders 30-31 | The Water Engine – 2 photographs |
| Supp. Box 28 | Folder 5 | The Water Engine – Casting |
| Supp. Box 28 | Folder 6 | The Water Engine – Contact sheet |
| Supp. Box 28 | Folder 7 | The Water Engine – Correspondence |
| Supp. Box 28 | Folder 8 | The Water Engine – Press releases, promotional material |
| Supp. Box 28 | Folder 9 | The Water Engine – Publicity and advertising |
| Supp. Box 28 | Folder 10 | The Water Engine – Research |
| Supp. Box 28 | Folder 11 | The Water Engine – Reviews and clippings |
| Supp. Box 28 | Folder 12 | The Water Engine – Published script; unmarked |
| Supp. Box 28 | Folder 13 | The Water Engine – Prompt script |
| Supp. Box 28 | Folder 14 | The Water Engine – Prompt script: Act I |
| Supp. Box 28 | Folder 15 | The Water Engine – Prompt script: Act II |
| Supp. Box 28 | Folder 16 | The Water Engine – Hours, Stage Manager's daily reports |
| Box 56c | Folder 1 | Six Characters in Search of an Author by Luigi Pirandello. A production of the American Repertory Theatre, June 7-July 14, 1985. Directed Robert Brustein, sets and costumes by Michael Yeargan, lights by Jennifer Tipton – Programs and clippings |
| Box 56c | Folder 2 | Six Characters in Search of an Author – Script (translated by Paul Avila Mayer) |
| Box 56c | Folder 3 | Six Characters in Search of an Author – Script (adapted by Robert Brustein) |
| Photo Box 110 | Folders 32-36 | Six Characters in Search of an Author – 5 photographs |
| Supp. Box 29 | Folder 1 | Six Characters in Search of an Author – Casting |
| Supp. Box 29 | Folder 2 | Six Characters in Search of an Author – Correspondence |
| Supp. Box 29 | Folder 3 | Six Characters in Search of an Author – Promotional material |
| Supp. Box 29 | Folder 4 | Six Characters in Search of an Author – Research |
| Supp. Box 29 | Folder 5 | Six Characters in Search of an Author – Prompt script |
1984-1985 Season, New Theatre Company
| Box 56c | Folder 4 | General press releases, promotional material, and clippings |
| Supp. Box 29 | Folder 7 | Lakeview Central and Lake View East Development Corporation |
| Box 56c | Folder 5 | Two Radio Plays on WNUR: Goldberg Street and Cross Patch by David Mamet. March 1985. With member of the New Theatre Company – Promotional materials, reviews and clippings |
| Box 56c | Folder 6 | Two Radio Plays on WNUR: Goldberg Street and Cross Patch – Script |
| Box 56c | Folder 7 | The Cherry Orchard by Anton Chekhov, adapted by David Mamet. March 1985. Directed by Gregory Mosher, sets designed by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, ...with Lindsay Crouse, W.H. Macy, and Mike Nussbaum – Programs, reviews and clippings |
| Box 56c | Folder 8 | Unassigned |
| Box 56c | Folder 9 | The Cherry Orchard – Script (literal translation by Peter Neller), labeled "B" |
| Box 56c | Folder 10 | The Cherry Orchard – Script (adapted by David Mamet) |
| Box 56c | Folder 11 | The Cherry Orchard – Script (adapted by David Mamet), labeled "C", and dated 3/14/85 |
| Photo Box 111 | Folders 1-3 | The Cherry Orchard – 3 photographs |
| Supp. Box 29 | Folder 8 | The Cherry Orchard – Background on Chekhov |
| Supp. Box 29 | Folder 8a | The Cherry Orchard – Casting |
| Supp. Box 29 | Folder 9 | The Cherry Orchard – Promotional material |
| Supp. Box 29 | Folder 10 | The Cherry Orchard – Prompt script |
| Supp. Box 29 | Folder 11 | The Cherry Orchard – Prompt script, with stage manager’s daily reports |
| Oversize Folder 52 | The Cherry Orchard – Poster | |
| Box 56c | Folder 12 | The Spanish Prisoner and The Shawl by David Mamet. April 19-May 19, 1985, at the Briar Street Theatre. Directed by Gregory Mosher, sets designed by Michael Merritt, costumes designed by Nan Cibula, lights by Kevin Rigdon, ...with Mike Nussbaum, Lindsay Crouse, and Gary Cole – Program, reviews and clippings |
| Box 56c | Folder 13 | The Spanish Prisoner and The Shawl – Script: The Shawl |
| Box 56c | Folder 14 | The Spanish Prisoner and The Shawl – Scripts: The Shawl and The Spanish Prisoner, labeled "D", updated 4/4/85 |
| Box 56c | Folder 15 | The Spanish Prisoner and The Shawl – Scripts: The Shawl and The Spanish Prisoner, labeled "E", dated 3/29/85 |
| Box 56c | Folder 16 | The Spanish Prisoner and The Shawl – Script: The Spanish Prisoner, revised March 1985 |
| Photo Box 111 | Folders 4-9 | The Spanish Prisoner and The Shawl – 6 photographs |
| Supp. Box 29 | Folder 12 | The Spanish Prisoner and The Shawl – Information on other productions |
| Supp. Box 29 | Folder 13 | The Spanish Prisoner and The Shawl – Promotional material and advertising |
| Oversize Folder 52 | The Spanish Prisoner and The Shawl – Poster | |
| Box 56d | Folder 1 | Swimming to Cambodia, Part I and II, by Spaulding Gray. June 18-30, 1985, at the Briar Street Theatre – Jean Nathan interview with Spaulding Gray |
| Box 56d | Folder 2 | Swimming to Cambodia, Part I and II – Press releases, promotional material |
| Box 56d | Folder 3 | Swimming to Cambodia, Part I and II – Programs |
| Box 56d | Folder 4 | Swimming to Cambodia, Part I and II – Research and preproduction |
| Box 56d | Folder 5 | Swimming to Cambodia, Part I and II – Reviews and clippings |
| Photo Box 111 | Folders 10-14 | Swimming to Cambodia, Part I and II – 5 photographs |
| Supp. Box 29 | Folder 14 | Swimming to Cambodia, Part I and II – Publicity and advertising |
| Supp. Box 29 | Folder 15 | Swimming to Cambodia, Part I and II – Schedules |
1984-1985 Season, Special Events
| Box 56d | Folder 6 | Baby with the Bathwater by Christopher Durang. A production of the Remains Theatre, [1984-1985]. Directed by D.W. Moffatt, sets and lights designed by Michael Phillipi, costumes by Marsha Kowal, ...with Amy Morton – Programs |
1984-1985 Season, Merrill Lynch Dance Series
| Supp. Box 30 | Folder 1 | Box office and subscriptions |
| Supp. Box 30 | Folder 2 | Press and publicity |
| Supp. Box 30 | Folder 3 | Promotional material |
| Box 56d | Folder 7 | Laura Dean Dancers and Musicians. September 12-16, 1984 – Programs, promotional material |
| Box 56d | Folder 8 | Laura Dean Dancers and Musicians – Reviews and clippings |
| Photo Box 111 | Folders 15-16 | Laura Dean Dancers and Musicians – 2 photographs |
| Supp. Box 30 | Folder 4 | Laura Dean Dancers and Musicians – Box office |
| Supp. Box 30 | Folder 5 | Laura Dean Dancers and Musicians – General company information |
| Supp. Box 30 | Folder 6 | Laura Dean Dancers and Musicians – Press and publicity |
| Supp. Box 30 | Folder 7 | Laura Dean Dancers and Musicians – Contracts and agreements |
| Box 56d | Folder 9 | Hubbard Street Dance Company. October 30-November 18, 1984 – Press releases, promotional material |
| Box 56d | Folder 10 | Hubbard Street Dance Company – Programs |
| Box 56d | Folder 11 | Hubbard Street Dance Company – Reviews and clippings |
| Photo Box 111 | Folders 17-19 | Hubbard Street Dance Company – 3 photographs |
| Supp. Box 30 | Folder 8 | Hubbard Street Dance Company – General company information |
| Supp. Box 30 | Folder 9 | Hubbard Street Dance Company – Press and publicity |
| Supp. Box 30 | Folder 10 | Hubbard Street Dance Company – Agreements (contract) |
| Supp. Box 30 | Folder 11 | Hubbard Street Dance Company – Box office |
| Box 56d | Folder 12 | Feld Ballet. January 8-20, 1985 – Correspondence and memos |
| Box 56d | Folder 13 | Feld Ballet – Press releases, promotional material |
| Box 56d | Folder 14 | Feld Ballet – Programs |
| Box 56d | Folder 15 | Feld Ballet – Reviews and clippings |
| Photo Box 111 | Folders 20-21 | Feld Ballet – 2 photographs |
| Supp. Box 30 | Folder 12 | Feld Ballet – General company information |
| Supp. Box 30 | Folder 13 | Feld Ballet – Press and publicity |
| Box 56d | Folder 16 | Merce Cunningham Dance Company. April 16-21, 1985 – Correspondence |
| Box 56d | Folder 17 | Merce Cunningham Dance Company – Press releases, promotional material |
| Box 56d | Folder 18 | Merce Cunningham Dance Company – Programs |
| Box 56d | Folder 19 | Merce Cunningham Dance Company – Reviews and clippings |
| Photo Box 111 | Folders 22-24 | Merce Cunningham Dance Company – 3 photographs |
| Supp. Box 30 | Folder 14 | Merce Cunningham Dance Company – Agreement (contract) |
| Supp. Box 30 | Folder 15 | Merce Cunningham Dance Company – General company information |
1984-1985 Season, Special Events
| Box 56d | Folder 20 | Very, Very, Serious Plays by Shel Silverstein. A production of the Practical Aesthetics Workshop, April 12-21, 1985 – Programs |
| Box 56d | Folder 21 | Very, Very, Serious Plays – Promotional material |
| Supp. Box 30 | Folder 18 | Very, Very, Serious Plays – Memos |
| Supp. Box 30 | Folder 19 | Very, Very, Serious Plays – Notes |
| Box 56d | Folder 22 | Marge Markin Theatre Forum: The Humans and the Artist. Lecture, March 26, 1985 – Program |
| Supp. Box 30 | Folder 17 | Marge Markin Theatre Forum: The Humans and the Artist – Press releases, promotional material |
1985-1986 Season, Mainstage
| Box 56d | Folder 25 | The Government Inspector by Nikolai Gogol, translated by Milton Ehre and Fruma Gottschalk. October 4-November 10, 1985. Directed by Frank Galati, sets by Michael Merritt, costumes by Virgil Johnson, lights by Kevin Rigdon, sound design by Robert Neuhaus, ...with Jack Wallace – Programs |
| Box 56d | Folder 26 | The Government Inspector – Notes |
| Photo Box 111 | Folder 25 | The Government Inspector – 1 photograph |
| Supp. Box 30 | Folder 22 | The Government Inspector – Casting |
| Supp. Box 30 | Folder 23 | The Government Inspector – Director correspondence |
| Supp. Box 30 | Folder 24 | The Government Inspector – Research and production information |
| Supp. Box 30 | Folder 25 | The Government Inspector – Unmarked published script |
| Supp. Box 31 | Folder 1 | The Government Inspector – Prompt script (1 of 2) |
| Supp. Box 31 | Folder 2 | The Government Inspector – Prompt script (2 of 2) |
| Box 56d | Folder 27 | A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens. November 22-December 29, 1985. Directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, ...with Ernest Perry, Jr. – Correspondence |
| Box 56d | Folder 28 | A Christmas Carol – Press releases |
| Box 56d | Folder 29 | A Christmas Carol – Programs |
| Photo Box 111 | Folder 26 | A Christmas Carol – 1 photograph |
| Supp. Box 31 | Folder 3 | A Christmas Carol – Script; marked "B" |
| Supp. Box 31 | Folder 4 | A Christmas Carol – Script; dated 1985, and marked with extensive line changes |
| Oversize Folder 53 | A Christmas Carol – Poster | |
| Box 56d | Folder 30 | Fences by August Wilson. A production of the Yale Repertory Theatre, January 31-March 9, 1986. Directed by Lloyd Richards, sets by James Sandefur, costumes by Candace Donnelly, lighting by Danianne Mizzy, ...starring James Earl Jones – Press releases, promotional material |
| Box 56d | Folder 31 | Fences by August Wilson – Programs |
| Photo Box 111 | Folder 27 | Fences – 1 photograph |
| Supp. Box 31 | Folder 5 | Fences – Unmarked script; labeled “updated 1/10/86” |
| Oversize Folder 53 | Fences – Poster | |
| Box 57 | Folder 1 | Happy Days by Samuel Beckett. Presented as part of the International Theatre Festival of Chicago, April 4-May 11, 1986. Directed by Andre Belgrader, sets by Douglas Stein, costumes by Candice Donnelly, lights by Frances Aronson – Programs and promotional material |
| Box 57 | Folder 2 | Happy Days – Scripts, Xerox of published script (Grove edition) |
| Box 57 | Folder 3 | Happy Days – Research |
| Photo Box 111 | Folders 28-32 | Happy Days – 3 photographs |
| Supp. Box 31 | Folder 6 | Happy Days – Publicity and advertising |
| Box 57 | Folder 4 | Orchards, seven American playwrights present stories by Anton Chekhov: Marie Irene Fornes, Spaulding Gray, John Guare, David Mamet, Wendy Wasserstein, Michael Weller, and Samm-Art Williams. An Acting Company production, May 23-June 29, 1986. Directed by Robert Falls, sets by Adrianne Lobel, costumes by Laura Crow, lights by Paul Gallo, music by Louis Rosen – Programs and promotional material |
| Photo Box 111 | Folders 33-34 | Orchards – 2 photographs |
| Supp. Box 31 | Folder 7 | Orchards – Notes on casting and production |
| Supp. Box 31 | Folder 8 | Orchards – Reviews and clippings |
| Supp. Box 31 | Folder 9 | Orchards – Script; unmarked Xerox of galley proofs, labeled “original” |
| Oversize Folder 53 | Orchards – Posters |
1985-1986 Season, Studio
| Box 57 | Folder 5 | The Nest by Franz X. Kroetz, translated by Roger Downey. Presented by the Remains Theatre in a U.S. Premiere, August 27-[?], 1985. Directed by Ted Levine, music by Lloyd King, sets by Patrick Kerwin, lights by Kevin Rigdon, costumes by Natalie West – Programs |
| Box 57 | Folder 6 | Seventy Scenes of Halloween by Jeffrey Jones. Presented by the Remains Theatre, [1985-1986]. Directed by James Roach, sets by Patrick Kerwin, lighting by Mary McAuliffe, costumes by Kathryn Kerch – Program |
1985-1986 Season, Merrill Lynch Dance Series
| Supp. Box 32 | Folder 1 | Promotional material |
| Box 57 | Folder 7 | Changing Times Tap Company. September 3-15, 1985. Directed by Carol Tanzman, Jane Goldberg as artistic director – Promotional material, press releases, programs |
| Photo Box 111 | Folder 35 | Changing Times Tap Company – 1 photograph |
| Supp. Box 32 | Folder 2 | Changing Times Tap Company – Press and publicity |
| Supp. Box 32 | Folder 3 | Changing Times Tap Company – General company information |
| Box 57 | Folder 8 | Feld Ballet, with Karen Kain. January 14-26, 1986 – Promotional materials and programs |
| Supp. Box | Feld Ballet, with Karen Kain. January 14-26, 1986 | |
| Box 57 | Folder 9 | Pilobolus Dance Theatre. March 11-23, 1986 – Promotional material and programs |
| Supp. Box 32 | Folder 5 | Pilobolus Dance Theatre – Press and publicity |
1985-1986 Season, Special Events
| Box 57 | Folder 10 | The Water Engine by David Mamet. September 17-21, 1985, at Ravinia. Directed by Steven Schachter, sets by John Lee Beatty, costumes by Jessica Hahn, lights by Dennis Parichy, music by Alaric Jans – Programs and promotional material |
| Supp. Box 32 | Folder 6 | The Water Engine – Casting |
| Supp. Box 32 | Folder 7 | The Water Engine – Prompt script: Act I |
| Supp. Box 32 | Folder 8 | The Water Engine – Prompt script: Act II |
| Supp. Box 32 | Folder 9 | The Water Engine – Prompt script: Act I; with stage manager’s daily reports |
| Supp. Box 32 | Folder 10 | The Water Engine – Prompt script: Act II |
| Box 57 | Folder 11 | King Lear and Twelfth Night by William Shakespeare. Presented for the International Theatre Festival of Chicago by the Stratford Shakespearean Festival of Canada, at the Blackstone Theatre, November 27-December 22, 1985. John Hirsch, artistic director – Programs and press releases |
| Box 57 | Folder 12 | King Lear and Twelfth Night – Promotional and educational material |
| Photo Box 111 | Folders 36-41 | King Lear and Twelfth Night – 6 photographs |
| Supp. Box 32 | Folder 11 | King Lear and Twelfth Night – Planning memos |
| Supp. Box 32 | Folder 12 | Glengarry Glen Ross by David Mamet. March 7-29, 1986 at the Blackstone Theatre – Program, promotional material |
Continued in Goodman Theatre Archive, Production History Files, Part 2.
