Goodman Theatre Archive. Production History Files

Abstract

Established in 1922, the Goodman Theatre has continuously mounted performances for decades in Chicago. The Production History Files document the theater’s mainstage, studio and children’s stage productions primarily through programs, press releases, promotional materials, reviews, news clippings and photographs. From the 1960s onward, correspondence, notes, prompt books, scripts, stage management materials, technical plans and videotapes are also included for various productions.

Biographical/Historical

The Goodman Theatre, winner of the Special Tony Award for Outstanding Regional Theatre, is known and respected internationally. It was established in July 1922 as a memorial to the late playwright Kenneth Sawyer Goodman by his parents William and Erna Goodman. The Goodmans donated $250,000 to the Art Institute of Chicago, which built the theater on its northeast corner, at Monroe Street and S. Columbus Drive that combined a professional company and drama school. The theater opened on October 20, 1925, with three plays by Kenneth Sawyer Goodman performed at the dedication ceremony. The first artistic director, Thomas Woods Stevens, filled the first seasons with a mix of classics, contemporary hits and new plays.

Due to financial burden, the professional acting company was disbanded in 1930, but the drama school remained open. Over the next several decades, the Goodman School cultivated an impressive reputation and graduated many well-regarded theater artists including Maurice Gnesin and David Itkin in the drama school and Charlotte Chorpenning who headed the Children’s Theatre. Notable drama school graduates include Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.

In 1957, the Goodman began to re-establish its professional acting company under a new artistic director, John Reich. By the 1969 season, the shows were performed by the Goodman’s own acting company. The expense of this was prohibitive, though, and two years later, the theater began hiring actors by the productions.

In 1976, the Goodman separated from the Art Institute, and in 1978, it split from the Goodman School, which was acquired by DePaul University. Artistic director William Woodman had other visions for expanding production opportunities and began Stage 2, a platform for up-and-coming Chicago actors, directors and writers, one of whom was David Mamet, whose play American Buffalo premiered in 1975.

In the 1980s, Robert Falls took over the artistic direction of the theater and led in this capacity for the next 35 years. The Goodman also began looking for a new facility. An area that was the former site of two commercial theaters on North Dearborn Street was available, and the Goodman began raising money for a building in the 1990s. A gift from distant family members of Kenneth Sawyer Goodman helped construction begin. The New Goodman Theatre opened in December 2000 at 170 N. Dearborn Street.

Scope and Contents

The Goodman Theatre Archive, Production History Files document mainstage, studio, and children’s theater productions at the Goodman Theatre from 1925 to 2001. The Production History Files document the theater’s mainstage, studio and children’s stage productions primarily through programs, press releases, promotional materials, reviews, news clippings and photographs. In 1957, John Reich took the helm of the Goodman Theatre with a mandate to reorganize it and transform it into a professional theater company with semi-permanent members. From 1957 onward, the production documentation also includes various correspondence, notes, prompt books, scripts, stage management materials, technical plans and videotapes.

Items of note in the collection include scripts by David Mamet and information about performances by such notable actors who attended the Goodman School of Drama as Karl Malden, Sam Wanamaker, Geraldine Page, Shelley Berman, Harvey Korman, José Quintero, Linda Hunt and Joe Mantegna.

Appraisal

The original finding aid was reviewed in 2023-2024. The collection box numbers were made sequential. Previous box numbering started over with each series. The collection contents were reviewed for sensitive information, dates were inserted for file descriptions, and photographs and posters were integrated into the collection guide. The bulk of the original collection processing was retained. Materials with sensitive personal or financial identifiers were discarded or redacted.

Arrangement

The Goodman Theatre Archive, Production History Files are arranged into two series by producing group.

• Series 1: Art Institute Members/Repertory Company, 1925-1957
• Series 2: Goodman Theatre Productions, 1928-2001, undated

Subject Headings

• Aldredge, Theoni V.
• Children’s theater -- Illinois -- Chicago
• Chorpenning, Charlotte B. (Charlotte Barrows)
• Creamer, Tom
• Falls, Robert
• Galati, Frank
• Gnesin, Maurice, 1896-1957
• Goodman, Kenneth Sawyer, 1883-1918
• Goodman Theatre (Chicago, Ill.)
• Griswold, Mary
• Henry, Patrick (1936-1989)
• Itkin, Bella
• Itkin, David
• Johnson, Virgil C.
• Maggio, Michael, 1951-2000
• Malden, Karl
• Nieminski, Joseph
• Page, Geraldine
• Petrarca, David
• Reich, John
• Slowik, Joseph
• Smith, Chuck, 1938-
• Theater -- Illinois -- Chicago -- 20th century -- Sources
• Theater -- History -- Sources
• Theater production and direction
• Theater programs -- Illinois -- Chicago
• Zimmerman, Mary

Related Materials

• Goodman Theatre Archive. Goodman/Art Institute of Chicago
• Goodman Theatre Archive. Goodman Family Papers
• Goodman Theatre Archive. Goodman School of Drama
• Goodman Theatre Archive. John Reich Papers
• Goodman Theatre Archive. Producing and Artistic Director’s Files
• Goodman Theatre Archive. Tom Creamer Dramaturgy Papers
• Joseph Nieminski Papers
• Virgil C. Johnson Papers

Collection Inventory

Series 1: Art Institute Members/Repertory Company, 1925-1957

Scope and Contents

Series 1 includes news clippings, photographs, programs, reviews and scripts for productions created by the Goodman Repertory Company at the Art Institute from 1925 to 1957. The main season production list is followed by lists of studio and other special productions.

Main season productions include:

• Accent on Youth by Samson Raphaelson, directed by David Itkin, sets by Spencer Davies, lighting by James Webster, with Sam Wanamaker, 1937 October 4-12
• Accent on Youth by Samson Raphaelson, directed by Maurice Gnesin, sets designed by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, 1944 October 5-21
• The Adding Machine by Elmer Rice, directed by Maurice Gnesin, sets designed by Spencer Davies, lights by James Webster, costumes by Kathryn Triplett, with Sam Wanamaker, 1937 November 8-17
• The Admirable Crichton by Sir James Barrie, directed by Maurice Gnesin, sets by Mary Blair, costumes by Angelynn Berry, 1941 January 9-25
• Ah, Wilderness! by Eugene O'Neill, directed by Eunice Osborne, set by Barbara Scott, costumes by Blair von Albrecht, 1944 February 10-March 4
• All My Sons by Arthur Miller, directed by Bella Itkin, sets by Mary Lou Denton, costumes by Ballou, with Harvey Korman, 1950 April 13-30
• Anathema by Leonid Andreyev, directed by Maurice Gnesin, sets designed by Spencer Davis, lights by Robert Brower and Otto Sheer, 1934 March 6-10
• The Animal Kingdom by Phillip Barry, directed by Eunice Osborne, sets designed by Norman Grant, lighting by James Diehl, featuring Karl Malden, 1936 April 20-26
• Anna Christie by Eugene O'Neill, directed by David Itkin, settings by Norman Grant, costumes by Virginia Opsvig, 1939 March 20-April 1
• Anna Christie by Eugene O'Neill, directed by David Itkin, Sidney Kraus as assistant director, sets by Mary Lou Denton, costumes by Charles Muth, 1954 January 8-23
• Another Language by Rose Franken, directed by Charlotte Chorpenning, sets by Alice Harmer, costumes by Rita Dhu Wray, with Geraldine Page and Shelley Berman, 1945 May 10-26
• Another Part of the Forest by Lillian Hellman, directed by W.R. Martini, sets by Sheldon Haber, costumes by Paul Leonard, 1957 March 8-24
• Arsenic and Old Lace by Joseph Kesselring, directed by W.R. Martini, sets designed by Bill Ritman, costumes by Elizabeth Birbari, with Harvey Korman, 1948 October 7-24
• As You Like It by William Shakespeare, directed by Alexandra Carlisle and Whitford Kane, costumes by Helen Forrest, incidental music by Hamilton Forrest and Dorothy James, chorus singing directed by Julia LeVine, 1927 May [?]-21
• As You Like It by William Shakespeare, directed by Bella Itkin, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis, 1955 February 11-27
• Back of the Yards, The Green Scarf and The Game of Chess by Kenneth Sawyer Goodman, directed by Thomas Wood Stevens and Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1925 October 20-[?]
• Bees on the Boat Deck by J.B. Priestley, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 December 5-15
• Bell, Book and Candle by John Van Druten, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Theoni Vachlioti, 1953 March 13-29
• The Black Eye by James Bridie, directed by Eunice Osborne, sets by Barbara Scott, costumes by Andrew Woods, 1942 November 5-21
• Blithe Spirit by Noel Coward, directed by Eunice Osborne, sets by the von Albrechts, costumes by Rita Dhu Wray, 1945 November 29-December 15
• Blood Wedding by Federico Garcia Lorca, directed by Maurice Gnesin, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, choreography by Frances Allis, folk music by Louise Dale Spoor, 1953 April 17-May 2
• Born Yesterday by Garson Kanin, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Joseph Holcombe, 1952 May 8-25
• Bustop by William Inge, directed by Bella Itkin, sets by Jack Million, costumes by Sheldon Haber, 1957 February 8-24
• Camille in Roaring Camp by Bret Hart, translated by Matilda Heron, directed by Thomas Wood Stevens, 1928 March 8-17
• Candida by George Bernard Shaw, directed by David Itkin, Terrell Everett as assistant director, sets designed by Floyd Allan, costumes by Ballou, oil paintings executed by James Coil, 1949 December 1-28
• The Cassilis Engagement by St. John Hankin, directed by Howard Southgate, sets by Marie Wecker, lighting by Gordon Ray, [1933 June 3]
• The Cherry Orchard by Anton Chekhov, translated by Maurice Gnesin, directed by David Itkin, sets by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, 1956 November 2-18
• The Chief Thing by Nicholas Evreinov, directed by Maurice Gnesin, sets designed and executed by Jean Sutherland, lighting by Robert Brower, featuring Karl Malden, 1936 May 18-23
• The Chief Thing by Nicholas Evreinov, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Jack Cornwell, costumes by Rita Dhu Wray, 1948 April 8-25
• The Circle by W. Somerset Maugham, directed by Maurice Gnesin, sets by Spencer Davies, costumes by Virginia Opsvig, starring Sam Wanamaker, 1939 January 9-19
• The Circle by W. Somerset Maugham, directed by Bella Itkin, sets by Stanley Rames, costumes by Jack Cornwell, 1949 January 6-22
• Claudia by Rose Franken, directed by Mary Elizabeth Aurelius, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 March 7-24
• The Corn is Green by Emlyn Williams, directed by David Itkin, Barbara Keyes as assistant director, sets by Mary Lou Williams Denton, costumes by Ballou, 1951 November 8-25
• The Cradle Song by G. Martinez Sierra, directed by David Itkin, sets by Spencer Davies, lighting by James Webster, 1937 February 8-15
• Craig's Wife by George Kelly, directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Rita Dhu Wray, 1945 January 4-20
• The Critic by Richard Brinsley Sheridan, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, music arranged by Julia LeVine, [1928-1929]
• The Crucible by Arthur Miller, directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1955 January 7-23
• The Day of the Diamond Pin by Hubbard Kirkpatrick, The Bear by Anton Chekhov, and The Man of Destiny by George Bernard Shaw, directed by Thomas Wood Stevens and Howard Southgate, lights by Arvid Crandall, costumes by Helen Forrest, 1925 April 4, 11, 18
• Dear Brutus by James Barrie, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1928 December 4-[?]
• Devil on Stilts by Ryerson and Clements and directed by Esther Snowden, Never Too Old by Ryerson and Clements and directed by Mary Evelyn Kootz, The First White Woman by Babette Hughes and directed by Henry Kurth, and Aria Da Capo by Edna St. Vincent Millay and directed by Charline Osgood, sets by Joel Simon, 1938 May 12
• Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens, and The Dark Lady of the Sonnets by George Bernard Shaw, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 April 26-May 1
• Dark of the Moon by Howard Richardson and William Berney, directed by William Stigall, sets and lights by Paul Haney, costumes by Ballou, choreography by Frances Allis, 1950 January 5-22
• Dear Brutus by Sir James Barrie, directed by Maurice Gnesin, sets designed by Norman Grant, lighting by James Webster with Karl Malden, 1937 May 24-29
• Dear Brutus by Sir James Barrie, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1950 November 30-December 16
• Dear Ruth by Norman Krasna, directed by Bella Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1947 October 2-18
• Death of a Salesman by Arthur Miller, directed by David Itkin, Herman Fell as assistant director, sets, costumes and lights by Gerald Ritholz, 1953 November 6-21
• Desire Under the Elms by Eugene O'Neill, directed by David Itkin, sets by Alice Harmer Martini, costumes by Gerald Ritholz, choreography by Frances Allis, 1953 January 9-25
• Don Juan by Moliere, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1927 November
• The Dover Road by A.A. Milne, directed by David Itkin, sets by Blair von Albrecht, costumes by Andrew Woods, 1943 May 13-26
• The Enchanted April by Kane Campbell, directed by Robert Hopkins, sets by Bill Ritman, costumes by Stanley Rames, Larry Gentile as technician, 1948 May 6-22
• End of Summer by S.N. Behrman, directed by Maurice Gnesin, William Stigall as associate director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, 1947 February 6-23
• Electra by Euripides, directed by Maurice Gnesin, settings by Spencer Davies, choral movements by Harriette Louise, costumes by Beryl Spinney and Spencer Davies, lighting by James Webster, with Sam Wanamaker, 1938 April 25-May 3
• Electra by Euripides, directed by Maurice Gnesin, Bella Itkin as associate director, Louise Dale Spoor as associate director for chorus, choreography by Frances Allis, production designed by Ballou, 1952 April 10-27
• Elizabeth the Queen by Maxwell Anderson, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1939 April 13-26
• Escape by John Galsworthy, directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 May 14-[?]
• Everyman, directed by Redmond Flood and Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1926 March 4-21
• Everyman, directed by Redmond Flood and Thomas Wood Stevens, 1927 April 13-14
• Family Portrait by Lenore Coffee and William Joyce Cowen, directed by Maurice Gnesin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1939 December 4-17
• The Far-Off Hills by Lennox Robinson, directed by David Itkin, sets by Blair von Albrecht, costumes by Leonor Travis, 1946 December 5-21
• The Farmer's Wife by Eden Phillpotts, directed by Charlotte Chorpenning, lights by Leonard Safier, 1934 May 22-25
• The Farmer's Wife by Eden Philpotts, directed by David Itkin, sets designed by Donald Frances Hermes, costumes by Barbara Scott, 1942 May 14-27
• Fashion, or Life in New York by Anna Cora Mowett, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes designed by Helen Forrest, lights by Arvid Crandall, 1926 December
• The Father by August Strindberg, directed by David Itkin, sets designed by Jean Sutherland, lights by Robert Brower, starring Sam Wanamaker, 1936 March 16-21
• The Father by August Strindberg, directed by David Itkin, Mary Laura Collins as assistant director, sets by Jack Cornwell, costumes by Elizabeth Birbari, 1948 November 4-20
• The Field God by Paul Green, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 January 28-[?]
• The Firebrand by Edward Justus Mayer, directed by Hubert Osborne, sets designed by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky, [1930-1931]
• First Lady by Katherine Dayton and George S. Kaufman, directed by Charlotte Chorpenning, sets by John Nicholson, costumes by Mary Blair, 1939 May 22-31
• First Lady by Katherine Dayton and George S. Kaufman, directed by W.R. Martini, sets designed by Paul Haney, costumes by Ballou, with Harvey Korman, 1949 September 29-October 16
• The First Mrs. Fraser by St. John Ervine, directed by Maurice Gnesin, sets by Mildred Sutherland, lighting by Robert Brower, featuring Karl Malden, 1935 February 11-15
• For Services Rendered by W. Somerset Maugham, directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Spencer Davies and William Boyer, 1934 December 10-14
• The Forest by John Galsworthy, directed by Thomas Wood Stevens, sets designed by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1925 October 22-November 14
• French Without Tears by Terence Rattigan, directed by Maurice Gnesin, sets by Joe Carner, costumes by Mary Gross, 1947 January 9-25
• Fresh Fields by Ivor Novello, directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Virginia Opsvig, 1941 October 2-18
• Fresh Fields by Ivor Novello, directed by W.R. Martini, sets by John Peters, costumes by Jeannette Coffman, 1954 December 3-19
• The Game of Love and Death by Romain Rolland, directed by Thomas Wood Stevens, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1926 November 10-[?]
• Gas by George Kaiser, translated by George Hexter, directed by Marion Gering, sets by Louis Lozowick, costumes by Ruth Goodkind, lights by Arvid Crandall, 1926 January 28-February 27
• George and Margaret by Gerald Savory, directed by David Itkin, sets designed by John Nicholson, costumes by Richard von Albrecht, 1940 January 15-[?]
• George and Margaret by Gerald Savory, directed by William Stigall, sets by Paul Haney, costumes by Bill Ritman, 1949 April 7-24
• George Washington Slept Here by George S. Kaufman and Moss Hart, directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies, 1942 October 1-17
• The Golem by H. Leivick, translated by J.C. Augenlicht, directed by Thomas Wood Stevens and David Itkin, 1927 May 7-June 8
• Goodbye Again by Allan Scott and George Haight, directed by Maurice Gnesin, sets by John Nicholson, costumes by Mary Blair, 1940 May 13-26
• Goodbye Again by Allan Scott and George Haight, directed by Maurice Gnesin, W.R. Martini as associate director, sets by William Moore, costumes by Paul Haney, 1950 March 9-26
• Goodbye, My Fancy by Fay Kanin, directed by William Stigall, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, Joseph Lantzy as technician, 1951 May 10-27
• The Great Catherine and Augustus Does His Bit by George Bernard Shaw, directed by Maurice Gnesin, settings and costumes designed by Virginia More Roediger, 1934 April 3-7
• Hamlet by William Shakespeare, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by Ballou, lighting by Ade-Rolfe Floreen, with Harvey Korman, 1950 February 9-March 3
• Hans Brinker, or The Silver Skates by Mary Mapes Dodge, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Kathryn Triplett, lighting by James Webster, 1938 January 8
• Harvey by Mary Chase, directed by Bella Itkin, sets by Oliver Allyn, costumes by Molly Kunning, 1954 May 14-29
• Hay Fever by Noel Coward, directed by Maurice Gnesin, sets by Donald Hermes, costumes by Virginia Opsvig, 1941 November 25-28
• Hay Fever by Noel Coward, directed by W.R. Martini, sets designed by Alice Harmer Martini, costumes by Ballou, 1951 October 4-21
• He Who Gets Slapped by Leonid Andreyev, translated by Maurice Gnesin, directed by Maurice Gnesin, sets by Mary Blair, costumes by John Nicholson, 1940 March 18-31
• The Head of the Family by Katherine Clugston, American Premiere directed by Maurice Gnesin, sets designed by Spencer Davies, lights by Robert Brower, 1935 March 11-15
• Heartbreak House by George Bernard Shaw, directed by Maurice Gnesin, sets designed by the von Albrechts, costumes by Rita Dhu Wray, with Shelley Berman, 1946 January 3-19
• Hedda Gabler by Henrik Ibsen, directed by David Itkin, sets designed by Barbara Scott, costumes by Shirley Seidel, with Shelley Berman, 1945 April 12-28
• An Heir at Large by Mary Aldis, dramatized from the cartoon story by John McCutcheon, directed by Thomas Wood Stevens, sets designed by John McCutcheon, costumes by Helen Forrest, lights by Arvid Crandall, 1925 December 17-1926 January 16
• Henry IV, Part I by William Shakespeare, directed by David Itkin, William H. Bielfeldt as assistant director, sets designed by Bill Ritman, costumes by David Ballou, with Harvey Korman, 1949 February 10-March 4
• Holiday by Philip Barry, directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 February 18-[?]
• Holiday by Phillip Barry, directed by Mary Elizabeth Aurelius, sets by Spencer Davies, costumes by Virginia Opsvig, 1939 October 2-14
• Hotel Universe by Philip Barry, [1930]
• Hotel Universe by Phillip Barry, directed by Eunice Osborne, sets designed by Spencer Davies, lights by James Webster, 1937 April 19-26
• The House of Bernarda Alba by Federico Garcia Lorca, directed by David Itkin, Ruth Schechtman as assistant director, sets by Mary Lou Denton, costumes by Ballou, 1951 March 8-24
• Icebound by Owen Davis, directed by David Itkin, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1940 November 26-28
• Idiot's Delight by Herbert Sherwood, directed by W.R. Martini, sets by Sheldon Haber, costumes by Stanley Kloth, 1956 May 11-27
• The Importance of Being Earnest by Oscar Wilde, 1942-1943
• The Importance of Being Earnest by Oscar Wilde, directed by Bella Itkin, sets by James Maronek, costumes by Theoni Vachlioti Aldredge, music by Frank Roach, 1957 May 10-26
• In a Garden by Philip Barry, 1942 February
• Indian Captive, [1937-1938]
• The Inspector General by Nikolai Gogol, translated by Constance Garnett, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1928 November 6-[?]
• Jason by Samson Rafaelson, directed by David Itkin, Jeanne Jerrems as assistant director, sets by Jack Cornwell, costumes by David Ballou, with Harvey Korman, 1950 May 11-28
• Joan of Lorraine by Maxwell Anderson, directed by David B. Itkin, Betty Churchill as assistant director, sets by Jack Cornwell, costumes by William Moore, with Harvey Korman, 1949 November 3-20
• John Ferguson by St. John Ervine, [1945-1946?]
• John Loves Mary by Norman Krasna, directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Leonor Travis, 1953 October 2-17
• The Joyous Season by Phillip Barry, directed by David Itkin, sets by Norman Grant, lights by James Webster, costumes by Beryl Spinney, with Sam Wanamaker, 1937 December 6-14
• Juno and the Paycock by Sean O'Casey; and Dust of the Road by Kenneth Sawyer Goodman, directed by Whitford Kane, 1926 December 29-1927 January 22
• Kind Lady by Edward Chodorov, directed by Sidney Breese, sets by John MacMahon, lights by Michael Taylor, 1938 June 10
• King Lear by William Shakespeare, directed by David Itkin, sets by Spencer Davies, lights by James Webster, costumes by Beryl Spinney and Kathryn Triplett, with Sam Wanamaker, 1938 February 14-23
• King Lear by William Shakespeare, directed by Maurice Gnesin, sets by Blair von Albrecht, costumes by John Nicholson, 1944 April 13-May 6
• King Lear by William Shakespeare, directed by Maurice Gnesin, sets designed by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, lighting by G.E. Naselius, 1956 March 9-25
• The Kingdom of God by G. Martinez Sierra, directed by David Itkin, sets by Spencer Davies, costumes executed by Lillian Wenzel, lighting by Leonard Safier, 1934 October 8-12
• Kolpak Must Dance by Hellmuth Unger, translated by Derek Wulff, directed by Hubert Osborne, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lights by Arvid Crandall, 1930 April 8-[?]
• Laburnum Grove by J.B. Priestley, directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1940 April 15-28
• Ladies in Waiting by Cyril Campion, directed by Doris Foley, sets by Henry Kurth, lighting by Mary Monahan, 1937 November 17-18
• Lady Windermere's Fan by Oscar Wilde, directed by Maurice Gnesin, sets and costumes designed by Virginia Roediger, 1932 May 23-27
• Lady Windermere's Fan by Oscar Wilde, directed by Maurice Gnesin, sets by Charles Muth, costumes by Leonor Travis, 1955 May 13-29
• The Lady's Not for Burning by Christopher Fry, directed by David Itkin, Louise Dale Spoor as associate director, sets by Charles Muth, costumes by Leonor Travis, 1954 April 16, May 1
• The Last Trump by James Bridie, directed by W.R. Martini, sets by Bill Hargate, costumes by Leonor Travis, 1956 November 30-December 16
• The Late Christopher Bean by Sidney Howard, directed by Sidney Breese, sets by Spencer Davies, lighting by Robert Brower, with Karl Malden, 1936 October 5-10
• The Late Christopher Bean by Sidney Howard, directed by Maurice Gnesin, sets by Angelynn Davies, costumes by Blair von Albrecht, 1943 January 7-23
• Lazzaro by Luigi Pirandello, [1930-1931?]
• Leonardo Da Vinci by Maurice Gnesin, directed by David Itkin, scenic designs by Sam Russell and John Friedmann, Jr., costumes by Ardys Belisch, 1933 April 22-28
• Let Us Be Gay by Rachel Crothers, directed by Eunice Osborne, sets and costumes by R. Llewellyn Hughes, lighting by Leonard Safier, 1935 May 20-24
• Let Us Be Gay by Rachel Cruthers, directed by David Itkin, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 May 9-25
• Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by David Itkin, sets by Blair von Albrecht, costumes by Angelynn Davies, 1943 March 11-27
• Liliom by Ferenc Molnar, directed by Maurice Gnesin, sets by Jean Sutherland, lighting and technical direction by Robert Brower, featuring Karl Malden, 1936 January 20-25
• Liliom by Ferenc Molnar, directed by Maurice Gnesin, sets by James Maronek, costumes by Bill Hargate, lighting by G.E. Naselius, 1957 January 4-20
• The Little Clay Cart, attributed to King Shudraka and translated by Arthur William Ryder, directed by Cloyd Head, sets by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, musical setting arranged by Julia LeVine, 1928 May 29-[?]
• The Little Foxes by Lillian Hellman, directed by David Itkin, sets by Barbara Scott, costumes by Andrew Woods, 1943 November 4-28
• The Living Corpse by Leyf Tolstoy, American Premiere, directed by David Itkin, sets designed by Jean Sutherland, lighting by Robert Broward, featuring Karl Malden, 1935 April 22-26
• Lizard Gap by Harry Lacy Hamilton, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1929 February 11-[?]
• The Lower Depths by Maxim Gorki, 1937 January 11-19
• Macbeth by William Shakespeare, directed by Maurice Gnesin, sets and costumes designed by Virginia More Roediger, 1933 December 12-16
• Macbeth by William Shakespeare, directed by Maurice Gnesin, Bella Itkin as associate director, sets by the von Albrechts, costumes by Rita Dhu Wray, lights by Ade-Rolfe Floreen, with Harvey Korman, 1948 January 8-24
• Major Barbara by George Bernard Shaw, directed by Maurice Gnesin, Bella Itkin as associate director, sets by Norman Grant, costumes by Elizabeth Birbari, with Harvey Korman, 1948 December 2-19
• The Makropoulos Secret by Karel Capek, directed by Hubert Osborne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1929 November 19-December 7
• The Male Animal by James Thurber and Elliott Nugent, directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Elizabeth Birbari, 1946 October 3-19
• The Man of Destiny by George Bernard Shaw and, Don Juan, or The Stone Guest by Moliere, translated by Thomas Wood Stevens, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 April 15-May 1
• The Man Who Came to Dinner by George S. Kaufman and Moss Hart, directed by David Itkin, E. Allyn Warren as assistant director, sets by Blair von Albrecht, costumes by Elizabeth Birbari, 1948 February 5-22
• Mary of Scotland by Maxwell Anderson, directed by Maurice Gnesin, sets by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, 1952 November 7-23
• The Mask and the Face by Luigi Chiarelli, [1927-1928]
• The Mask and the Face by Luigi Chiarelli, translated by C.B. Fernald, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine, 1929 November 4-[?]
• The Master Builder by Henrik Ibsen, [1933-1934]
• The Master Builder by Henrik Ibsen, directed by David Itkin, sets designed by Spencer Davies, lighting by Leonard Safier, 1935 May 8-12
• The Master Builder by Henrik Ibsen, sets by David Itkin, Ward Ohrman as assistant director, sets by Alice Harmer Martini, costumes by Leonor Travis, lighting by David Zierk, 1951 December 6-22
• Merry Wives of Windsor by William Shakespeare, directed by David Itkin, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 February 12-25
• Merry Wives of Windsor by William Shakespeare, directed by David Itkin, sets by Mary Lou Denton, costumes by Leonor Travis, choreography by Frances Allis, 1953 February 13-28
• A Midsummer Night'sDream by William Shakespeare, directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Helen Forrest and Marie Wecker, lighting designed by Arvid Crandall, 1926 May 6-22
• A Midsummer Night's Dream by William Shakespeare, directed by Whitford Kane, sets by Leslie Marzolf, lights by Gordon Ray, 1927 May 23-28
• A Midsummer Night's Dream by William Shakespeare and directed by Whitford Kane and The Masque of the Red Death by Edgar Allen Poe, adapted and directed by Neal Caldwell, costumes by Betty Parsons and Lurene Kingsbury, masks executed by Don Ament, sets by Leslie Marzolf and Don Ament, lighting by Arvid Crandall, music by Hamilton Forrest, [1928]
• Mixed Doubles by Louis Laflin, directed by Thomas Wood Stevens, 1928 May 21
• The Moon Besieged by Seyril Schochen, directed by David Itkin, Vernon Schwartz as assistant director, sets designed by Alice Harmer Martini, costumes by Ballou, 1950 November 2-18
• Mourning Becomes Electra: The Hunted by Eugene O'Neill, directed by Bella Itkin, sets designed by Mary Lou Denton, costumes by Theoni Vachlioti Aldredge, 1955 April 15-May 1
• Pim Passes By by A.A. Milne, directed by Sidney Breese, sets designed by Jean Sutherland, lights by Robert Brower, featuring Karl Malden, 1935 September 30-October 4
• Pim Passes By by A.A. Milne, directed by Eunice Osborne, set by Wallis Smith, costumes by Barbara Scott, 1944 March 9-April 1
• Much Ado About Nothing by William Shakespeare, directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1939 February 13-24
• My Three Angels by Sam and Bella Spewak, directed by Bella Itkin, sets by John Peters, costumes by Oliver Allyn, 1956 February 3-19
• Old Acquaintance by John Van Druten, directed by Eunice Osborne, sets by Blair von Albrecht, costumes by Angelynn Davies, 1943 February 11-27
• Othello by William Shakespeare, directed by David Itkin, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1947 February 6-23
• Othello by William Shakespeare, directed by David Itkin, sets by Jack Cornwell, costumes by Leonor Travis, 1957 April 12-27
• Our American Cousin by Tom Taylor, directed by Maurice Gnesin in association with Sidney Breese, sets designed by Spencer Davies, lights by James Webster, with Sam Wanamaker, 1938 January 10-18
• Our American Cousin by Tom Taylor, directed by Bella Itkin, H. Fell as assistant director, sets designed by Mary Lou Denton, costumes by Leonor Travis, [1953-1954]
• Our Town by Thornton Wilder, directed by David Itkin, costumes by Mary Blair, 1939 November 6-[?]
• Outbreak by L.W. Vedrenne, directed by Whitford Kane, scenic design by Leslie Marzolf, costumes by Elizabeth Parsons, lighting designed by Arvid Crandall, [1927]
• Outward Bound by Sutton Vane, directed by David Itkin, sets by Mary Blair von Albrecht, costumes by Angelynn Berry Davies, 1941 November 6-22
• Night Must Fall by Emlyn Williams, directed by Eunice Osborne, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 December 5-21
• The Nightingale by Julian F. Thompson, directed by Maurice Gnesin, sets and costumes by Virginia More Roediger, 1933 January 9-12
• Paris Bound, [1932-1933]
• Penelope by W. Somerset Maugham, directed by Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lighting by Arvid Crandall, 1927 February 9-19
• Peter, Peter Pumpkin Eater by Martha King, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett, lights by James Webster, 1938 January 15-February 26
• The Philadelphia Story by Philip Barry, directed by David Itkin, sets designed by Alice Harmer, costumes by Shirley Seidel, with Shelley Berman, 1945 October 4-20
• The Philadelphia Story by Philip Barry, directed by W.R. Martini, Richard Woosley as assistant director, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge, 1953 December 4-19
• The Pigeon by John Galsworthy; and Lonesome-Like by Harold Brighouse, directed by Whitford Kane, scenic design by Leslie Marzolf, costumes designed by Helen Forrest, lighting by Gordon Ray, 1927 April
• Pillars of Society by Henrik Ibsen, directed by David Itkin, sets designed by Virginia More Roediger, 1932 December 5-8
• The Poem of David by Kenneth Sawyer Goodman, Idyll of the Shop by Ben Hecht and Kenneth Sawyer Goodman and The Home Coming by Ben Hecht and Kenneth Sawyer Goodman, directed by David Itkin, 1930 June 9-10
• Pygmalion by George Bernard Shaw, directed by David Itkin, sets designed by Virginia More Roediger, 1933 March 13-17
• Pygmalion by George Bernard Shaw, directed by Maurice Gnesin, Bella Itkin as associate director, sets by Alice Harmer Martini, costumes by Adah Sorensen, Bill Winters as technician, 1951 April 12-29
• The Rainmaker by N. Richard Nash, directed by W.R. Martini, sets by Bill Ritman, costumes by Theoni Vachlioti Aldredge, 1955 December 2-18
• Rebound by Donald Ogden Stewart, [1930-1931?]
• Reclining Figure by Harry Kurnitz, directed by Bella Itkin, sets by James Royce, costumes by Leonor Travis, 1956 September 29-October [?]
• Redemption by Leo Tolstoy, directed by David and Bella Itkin, sets by Jack Cornwell, costumes by Leonor Travis, 1956 January 6-22
• The Return to Earth by Miguel Lira, directed by Maurice Gnesin, Bella Itkin as associate director, sets designed by Floyd Allan, costumes by David Ballou, choreography by Frances Allis, folk song direction by Louise Dale Spoor, lighting by Ade-Rolfe Floreen, 1949 May 5-22
• Richard III by Williams Shakespeare, directed by David Itkin, Sidney Kraus as assistant director, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 February 12-28
• Right You Are! by Luigi Pirandello, directed by Maurice Gnesin, sets and costumes by Barbara Scott, 1942 January 8-24
• Right You Are! by Luigi Pirandello, directed by Maurice Gnesin, sets by Mary Lou Denton, costumes by Leonor Travis, 1955 March 11-28
• Ring Round the Moon by Jean Anouilh, translated by Christopher Fry, directed by David Itkin, Don Gunderson as assistant director, sets by Jack Cornwell, costumes by Leonor Travis, 1956 January 13-29
• The Rivals by Richard Brinsley Sheridan, directed by B. Iden Payne, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, 1930 March 11-[?]
• The Romantic Young Lady by G. Martinez Sierra, English version by Granville-Barker, directed by Howard Southgate, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid, 1925 November 19-December 12
• The Romantic Young Lady by G. Martinez Sierra, directed by David Itkin, scenic design by Spencer Davis, costumes by Beatrice Norton, lights by Robert Brower, 1933 October 31-November 4
• The Romantic Young Lady by G. Martinez Sierra, 1941-1942
• Romeo and Juliet by William Shakespeare, directed by B. Iden Payne, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine, 1929 October 8-[?]
• Romeo and Juliet by William Shakespeare, directed by Maurice Gnesin, sets by Mary Blair von Albrecht, costumes by Virginia Opsvig, dances directed by Ruth Hatfield, 1942 April 16-May 2
• Romeo and Juliet by William Shakespeare, directed by Bella Itkin, sets by Mary Lou Denton, costumes by David Ballou, choreography by Frances Allis, 1952 February 7-24
• The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets and costumes by Virginia Roediger, 1934 January 23-27
• The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets by Shirley Seidel, costumes by Donnie Zizzof, 1947 May 8-24
• The Royal Family by George S. Kaufman and Edna Ferber, directed by David Itkin, sets designed by Mary Louise Denton, costumes by Leonor Travis, 1952 October 3-19
• Sabrina Fair by Samuel Taylor, directed by Bella Itkin, sets by Jack Cornwell, costumes by Theoni Vachlioti Aldredge, 1955 September 30-October 16
• Saint Joan by George Bernard Shaw, directed by Maurice Gnesin (assistant director William Stigall), sets by Richard von Albrecht, costumes by Rita Dhu Wray, with Shelley Berman, 1946 November 7-23
• The Sea Gull by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, scenic design by Don Ament, costumes by Maxine Levy, lights by LeRoy Stransky, [1930-1931]
• The Sea Gull by Anton Chekhov, directed by David Itkin, sets by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, 1944 November 2-18
• The Second Man by S.N. Berman, directed by David Itkin, sets designed by Friedrich von Dachenhausen, lights by Leonard Safier, 1934 November 5-9
• The Second Man by S.N. Berman, directed by W.R. Martini, sets by Charles Muth, costumes by Mr. Clare, 1953 May 8-24
• Shadow and Substance by Paul Vincent Carroll, directed by David Itkin, sets designed by Blair von Albrecht, costumes by Rita Dhu Wray, 1947 November 6-22
• The Shadow of a Gunman by Sean O’Casey and The Island of the Saints by St. John Ervine, directed by Whitford Kane, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, music by Julia LeVine, 1929 April 10-[?]
• She Stoops to Conquer by Oliver Goldsmith, [1927-1928]
• The Shining Hour by Keith Winter, directed by Mary Elizabeth Aurelius, sets designed by Barbara Scott, costumes by Angelynn Davies, 1943 April 15-May 1
• The Show Off by George Kelly, directed by Eunice Osborne, sets designed by Norman Grant, lights by James Webster, featuring Karl Malden, 1936 December 7-15
• The Show-Off by George Kelly, directed by William Stigall, sets by Shirley Seidel, costumes by Elizabeth Birbari, 1947 December 4-20
• The Silver Cord by Sidney Howard, directed by Mary Elizabeth Aurelius, sets Spencer by Davies, costumes by Angelynn Berry, 1941 March 20-April 5
• Six Characters in Search of an Author by Luigi Pirandello and Barbara by Kenneth Sawyer Goodman, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes designed by Elizabeth Parsons, lighting by Arvid Crandall, music arranged by Julia LeVine, 1929 January 7-[?]
• The Skin of Our Teeth by Thornton Wilder, directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, with Shelley Berman, 1945 November 1-17
• A Sound of Hunting by Harry Brown, directed by David Itkin, costumes and sets by Jack Cornwell, with Harvey Korman, 1949 March 10-26
• Storm Over Patsy by James Bridie, directed by Sidney Breese, sets designed by Norman Grant, costumes by Kathryn Triplett, lighting by James Webster, 1938 March 21-29
• Street Scene by Elmer Rice, directed by David Itkin, sets by David Itkin, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 November 7-16
• Street Scene by Elmer Rice, directed by Bella Itkin, sets designed by Alice Harmer Martini, costumes by Ann Keeley, 1951 January 4-20
• The Swan by Ferenc Molnar, directed by David Itkin, sets by Barbara Scott, costumes by Virginia Opsvig, 1941 February 13-March 1
• The Taming of the Shrew by William Shakespeare, directed by David Itkin, sets by Alice Harmer, costumes by Shirley Seidel, with Shelley Berman, 1946 February 7-24
• There's Always Juliet by John Van Druten, directed by Eunice Osborne, sets designed by Wallis C. Smith, costumes by Angelynn Davies, 1943 January 24-February 3
• This Fine Pretty World by Percy MacKaye, directed by David Itkin, sets designed by Virginia Roediger, costumes by Marie MacKenzie, lights by Thelma Ham, 1931 November 2-5
• Three One-Act Plays: Brothers by Lewis Beach and directed by Gene Yell, On the High Road by Anton Chekhov and directed by Robin League and Autumn Fires by Gustav Weid and directed by R. Schmitt, [1947-1948]
• Three One-Act Plays: Cloey by Loretto Carroll Bailey and directed by E. Van Cleave, Quare Medicine by Paul Green and directed by Marilynn Harper Ile, by Eugene O'Neill and directed by Thomas Boyd, sets by Jack Cornwell, lights by Larry Gentile, [1947-1948]
• The Three Sisters by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, sets designed by Virginia Roediger, 1933 February 6-10
• Three Sisters by Anton Chekhov, translated by Maurice Gnesin, directed by Maurice Gnesin, sets and costumes by Mary Blair, 1941 April 17-May 1
• This Fine Pretty World by Percy MacKaye, directed by David Itkin, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1940 October 3-16
• Three-Cornered Moon by Gertrude Tonkonogy, directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods, programs, 1943 October 7-23
• Three-Cornered Moon by Gertrude Tonkonogy, directed by Mary Elizabeth Aurelius, sets designed by Blair von Albrecht, costumes by Andrew Woods, 1943 October 7-23
• Thunder Rock by Robert Ardrey, directed by David Itkin, sets designed by Charles Muth, costumes by William Earl Lautenbach, 1954 November 5-21
• The Tidings Brought to Mary by Paul Claudel, directed by Maurice Gnesin, scenery by Jack Whitney, costumes by Ardys Belisch, 1931 December 7-10
• The Tidings Brought to Mary by Paul Claudel, directed by Maurice Gnesin, sets and costumes by Blair von Albrecht, 1943 December 2-19
• Time and the Conways by J.B. Priestley, directed by Frank Callender, sets by Spencer Davies, costumes by Angelynn Berry, 1940 November 7-23
• Too True to be Good by George Bernard Shaw, directed by Maurice Gnesin, sets and lighting designed by Oliver Allyn, costumes by Leonor Travis, 1955 November 4-20
• The Torch-Bearers by George Kelly, directed by Bradford Crocker, 1933 November 8, 9, 19
• Tour du Monde, or Around the World in 80 Days by Jules Verne and Alphonse d’Ennery, translated by Alden B. Stevens, stage version by Thomas Wood Stevens, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lighting and light projections by Arvid Crandall, music by Julia LeVine, 1929 December 17-[?]
• The Tower of Nesle by Alexandre Dumas, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, music arranged by Julia LeVine, 1927 October 17-[?]
• Trifles by Susan Glaspell and directed by Westley Johnson (sets by Robert Sailor); Feast of the Holy Innocents by Samuel Ilsley and directed by J. Colson Webster, sets by Joel Simon), "Op-o"-Me Thumb by Fenn and Pryce and directed by Esther Snowden (sets by Robert Sailor) and Not Smart by Wilbur Steele and directed by Sam Wanamaker (sets by Joel Simon, lights by Byron Taggert), 1938 June 7
• The Trojan Women by Euripides, [1928-1929?]
• Twelfth Night by William Shakespeare, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Gordon Ray, music arranged by Julia LeVine, 1927 March 9-[?]
• Twelfth Night by William Shakespeare, directed by David Itkin, sets by Spencer Davies, costumes by Mildred Sutherland, lights by Robert Brower, 1935 January 14-18
• Twelfth Night by William Shakespeare, directed by David Itkin, Phil Lawrence as assistant director, sets and costumes designed by Ballou, 1951 February 8-March 2
• The Tragedy of Nan by John Masefield, directed by Mrs. J. Elliott Jenkins Alexandra Carlisle, scenic design by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 March 25-April 10
• Two Blind Mice by Samuel Spewak, directed by Bella Itkin, sets by James Maronek, costumes by Joseph Holcombe, 1952 January 10-27
• The Vikings at Helgeland by Henrik Ibsen, directed by Thomas Wood Stevens, settings by Leslie Marzolf, costumes by Leslie Marzolf and Elizabeth Parsons, lighting by Thomas Wilfred, 1928 March 20-[?]
• The Voice of the Turtle by John Van Druten, directed by W.R. Martini, sets by Alice Harmer Martini, costumes by Ballou, 1950 September 28-October 15
• Wappin' Wharf by Charles Stephen Brooks, directed by Maurice Gnesin, sets designed by William Steger, costumes by Rita Dhu Wray, with Geraldine Page, 1945 February 8-24
• What a Life by Clifford Goldsmith, directed by Eunice Osborne, sets by William Steger, costumes by Barbara Scott, 1944 May 11-27
• When We Are Married by J.B. Preistley, directed by W.R. Martini, sets by Gerald Ritholz, costumes by Leonor Travis, 1952 December 5-20
• When We Dead Awaken by Henrik Ibsen, translated by William Archer, directed by B. Iden Payne, sets designed by Leslie Marzolf, costumes by Elizabeth Parsons, lighting by Arvid Crandall, music by Julia LeVine, 1929 February 26-[?]
• The Whiteheaded Boy by Lennox Boy, directed by David Itkin, set designed by Blair von Albrecht, costumes by Andrew Woods, 1944 January 13-February 5
• Why Not? by Jesse Lynch Williams, directed by Sydney Breese, sets by Spencer Davies, costumes by Virginia Opsvig, with Sam Wanamaker, 1938 October 3-12
• The Wild Duck by Henrik Ibsen, directed by Whitford Kane, sets by Leslie Marzolf, costumes by Elizabeth Parsons, lights by Arvid Crandall, 1928 February
• The Wild Duck by Henrik Ibsen, directed by David Itkin, Robert Hopkins as associate director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, 1948 March 4-20
• The Winter's Tale by William Shakespeare, directed by David Itkin, sets by Spencer Davies, dances by Harriette Louise, lights by James Webster, with Karl Malden, 1937 March 15-22
• Winterset by Maxwell Anderson, directed by Eunice Osborne, sets by Barbara Scott, costumes by Rita Dhu Wray, with Geraldine Page, Shelley Berman, David Itkin, and Maurice Gnesin, 1945 March 8-24
• Yerma by Federico Garcia Lorca, directed by Maurice Gnesin, William Stigall as associate director, lighting by Ade-Rolfe Floreen, sets designed by the von Albrechts, costumes by Rita Dhu Wray, choreography by Frances Allis, folk song direction by Louise Dale Spoor, 1947 April 10-27
• Yes, My Darling Daughter by Mark Reed, directed by Eunice Osborne, sets by Mary von Albrecht, costumes by Angelynn Davies, 1941 December 4-20
• Yes, My Darling Daughter by Mark Reed, directed by Bella Itkin, sets by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 October 1-17
• You Can't Take It with You by Moss Hart and George S. Kaufman, directed by Eunice Osborne, sets by William Steger, costumes by Rita Dhu Wray, with Geraldine Page, Shelley Berman, and Jose Quintero, 1944 November 30-December 17
• You Never Can Tell by George Bernard Shaw, directed by David Itkin, sets by Norman Grant, costumes by Kathryn Triplett, lights by James Webster, with Sam Wanamaker, 1938 May 23-31
• You Never Can Tell by George Bernard Shaw, directed by David Itkin, James Paul as assistant director, sets and lights by Walter Steinbrenner, 1952 March 6-23
• The Youngest by Philip Barry, directed by Eunice Osborne, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1941 May 15-28

Studio productions include:

• The Adding Machine by Elmer Rice, directed by Burt Liebert (as an MFA requirement), sets by Adah Sorensen, costumes by Theoni Vachlioti Aldredge, lights by Joseph Lantzy, 1951 February 28
• All My Sons by Arthur Miller, directed by Bella Itkin, sets by William Moore, costumes by William Fosser, 1949 March 8
• All My Sons by Arthur Miller, directed by Jassim M. Al-Oboudi, sets by William Earl Lautenbach, costumes by Mr. Clare, 1952 November 15
• Another Language by Rose Franken, directed by Charles H. Gullickson, sets by Joel Simon, sculpture by Jay Norris, 1936 April 7-8
• Another Part of the Forest by Lillian Hellman, directed by Henry Biedinger (as an MFA requirement), sets by C.J. Bailey, costumes by Adah Sorensen, 1950 February 28
• Antigone by Jean Anouilh, directed by Joy Coghill (as an MFA requirement), sets and costumes by designed by Adah Sorensen, 1950 May 4
• Antigone adapted by Lewis Galantiere from the play by Jean Anouilh, directed by W.R. Martini, sets and lights by Oliver Allyn, costumes by Jim Boyce, 1956 March 13
• Arms and the Man by George Bernard Shaw, directed by Louise Dale Spoor, sets by Robert Hebbard, costumes by Bert Bliss, 1949 June 7
• As You Like It by William Shakespeare, directed by William Stigall, sets by Alice Harmer, costumes by Elizabeth Birbari, 1946 June 6
• At Mrs. Beam's directed by Charlotte Chorpenning, 1933 April 17
• The Autumn Garden by Lillian Hellman, directed by Elizabeth Capwell, sets and lights by Robert Hamlin, costumes by Bill Hargate, 1957 April 17
• Awake and Sing by Clifford Odets, [1953/1954?]
• Beyond the Horizon by Eugene O'Neill, directed by Eunice Osborne, sets by Donald Hermes, lighting by John Sorich, costumes by Cordelia Williams, 1942 May 6
• Beyond the Horizon by Eugene O'Neill, a Sub-Studio Production directed by Hani Snobar,
• 1957 April 16
• A Bill of Divorcement by Clemence Dane, directed by Eunice Osborne, sets by David Waters, lights and costumes by Donnie Zizzof and Mary Gross, 1946 December 7
• A Bill of Divorcement by Clemence Dane, directed by Elizabeth Capwell (as an MFA requirement), sets and lighting by Didi Jacobs, costumes by Williams E. Lautenbach, 1954 May 12
• A Bill of One-Acts: A Phoenix Too Frequent by Christopher Fry and directed by Barbara Keyes; and Ten Blocks on the Camino Real by Tennessee Williams and directed by Joseph Slowik, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe, [1951-1952]
• A Bill of One-Acts: The Hungerers by William Saroyan and directed by Dorothy Konkowski; Hello from Bertha by Tennessee Williams and directed by Patricia Washburn; Queens of France by Thornton Wilder and directed by Dorothy Konkowski; The Long Voyage Home by Eugene O'Neill and directed by Joseph Slowik, sets and lighting designed by Roger Hamilton, costumes by Stanley Kloth, 1956 January 31
• A Bill of Three One-Acts: The Kingdom of God by G. Martinez Sierra and directed by Shauneille Perry; The Long Goodbye by Tennessee Williams and directed by Elizabeth Capwell; Family Album by Noel Coward and directed by Don Gunderson, sets and lights by Bill Loomer, costumes by Aaron Yusko, [1956-1957]
• Biography by S.N. Behrman, directed by Walter Beakel, sets and costumes by Joseph Holcombe, 1951 February 1
• Blithe Spirit by Noel Coward, directed by William Robertson, costumes by Adah Sorensen, sets by C.J. Bailey, 1950 November 4
• Blithe Spirit by Noel Coward, directed by Douglas Winn, sets designed by Maxey Powell, lights by William Weingart, costumes by Marsha Farley, 1957 February 4
• Brief Music by Emmet Lavery, directed by Helen Johnston, sets designed by Gloria White, costumes by Jac Venza, 1945 March 15
• Candida by Gorge Bernard Shaw, directed by Judith Jeffrey, sets by Tom Jewitt, costumes by Marion Barton, 1940 June 7
• Candle-Light by Siegfried Geyer, directed by Ward Ohrman (as an MFA requirement), sets and lights by William Earl Lautenbach, costumes by John Peters, 1953 March 31
• Cradle Song by G. Martinez Sierra, directed by Bella Itkin, sets by Karsen Faye, costumes by Blair von Albrecht, 1943 June 3-4
• The Cradle Song by G. Martinez Sierra, [1953-1954?]
• The Circle by W. Somerset Maugham, directed by Patricia Kennell (as an MFA requirement), sets by Leonor Travis, costumes by Michael, 1947 May 10
• The Circle by W. Somerset Maugham, directed by J. Barton Hill (as an MFA requirement), sets by John Peters, costumes by Molly Kunning, 1953 May 19
• Claudia by Rose Franken, directed by Eunice Osborne, sets by William Steger, costumes by Blair von Albrecht, 1943 May 15
• Claudia by Rose Franken, directed by Sidney Kraus, sets by James Boyce, costumes by Carol Davis, 1954 November 23
• The Corn is Green by Emlyn Williams, directed by William Stigall, sets by Jack Cornwell, costumes by William Fosser, 1949 May 27
• The Corn is Green by Emlyn Williams, directed by Patricia Washburn (as an MFA requirement), sets and lights by Jack Million, costumes by Moxey Powell, 1956 April 4
• Cradle Song by G. Martinez Sierra, directed by Eunice Osborne, lighting by Leonard Safier, 1934-1935]
• Craig's Wife by George Kelly, directed by Eunice Osborne, sets by Robert Newman, lighting by Leonard Safier, 1935 April 1-2
• Craig's Wife by George Kelly, directed by Helen Johnston (as an MFA requirement), sets by Gloria Senge, costumes by Dale Newton, 1944 May 19
• Craig's Wife by George Kelly, directed by W.R. Martini, sets by Joseph Holcombe, costumes by Jack Bates, [1951]
• Cry Havoc by Allan R. Kenward, directed by David Itkin, sets by William Steger, costumes by Karsen Faye, 1944 February 16
• Cry Havoc by Allan R. Kenward, directed by Elsie Kupka, sets by Bill Hargate, costumes by Jeannette Coffman, 1954 March 16
• Dear Brutus by James M. Barrie, directed by Rea Warg, sets by Oliver Allyn, costumes by Irene Harris, 1949 January 28
• Death of a Salesman by Arthur Miller, directed by Shauneille Perry (as an MFA requirement), sets and lights by Alice Harmer Martini, costumes by Paul Winston, 1952 March 8
• Deep are the Roots by Arnaud d’Usseau and Earl James Gow, directed by Donald Peggins, sets by William Lauterbach, costumes by Charles Muth, 1952 June 3
• The Devil Obliges by Louis E. Laflin, Jr., directed by Louis Laflin, Jr. and Thomas Wood Stevens, 1927 February 7, 8, 14
• Desire Under the Elms by Eugene O'Neill, directed by Bella Itkin, sets and lights designed by Gerald Ritholz, costumes by Marge Liebert, 1951 May 23
• Detective Story by Sidney Kingsley, directed by Bella Itkin, sets and lighting by John Braden, costumes by C. Murawski, 1957 March 13
• The Distaff Side by John Van Druten, directed by Gene D. Blumberg, 1935 April 4-5
• The Distaff Side by John Van Druten, directed by Mary Elizabeth Aurelius, scenery by Richard von Albrecht, costumes by Angelynn Berry, 1940 May 24
• The Distaff Side by John Van Druten, directed by Donald Davies, sets by Angelynn Davies, costumes by Joseph Carner, 1942 February 14
• The Distaff Side by John Van Druten, directed by Mary Elizabeth Aurelius, sets by Frances McVey, costumes by Shirley Seidel, 1944 December 2
• The Distaff Side by John Van Druten, directed by Bella Itkin, sets by Leonor Travis, costumes by Sam Feder, 1946 May 9
• The Distaff Side by John Van Druten, directed by Betty Churchill, sets designed by Paul Haney, costumes by Theoni Vachlioti Aldredge, 1949 December 3
• The Distaff Side by John Van Druten, directed by Joseph Slowik, sets by Gerald Ritholz, costumes by Oliver Allyn, 1954 December 7
• Double Door by Elizabeth McFadden, directed by Allan S. Hancock, sets by Patricia Mack, costumes by Robert Katzman, 1941 May 29
• The Dover Road by A.A. Milne, directed by Lloyd T. Bethune, sets by Bob Hebbard, costumes by Oliver Allyn, 1948 April 23
• Drawing Room by Thomas Browne, directed by Mary Elizabeth Aurelius, sets by Joseph Carner, costumes by Virginia Opsvig, [1941]
• East Lynne, from the novel by Mrs. Henry Wood, directed by Joy Coghill, sets by lights by Barta Hapgood, costumes by Theoni Vachlioti Aldredge, 1952 December 10
• Electra, directed by Maurice Gnesin and Theodore Werner, sets by Bill Hargate, costumes by Kert Lundell, lighting by William Weingart, 1956 November 6
• The Enchanted April by Kane Campbell, directed by Eunice Osborne, sets by Esther Snowden, lights by Marge Ferris, 1935 November 12-14
• Evil Doers of Good by Jacinto Benavente, 1927 December 15, 1928 January 12, February 28
• The Far Off Hills by Lennox Robinson, directed by Frank Callender, sets by Robert Katzman, costumes by Patricia Mack, 1941 May 17
• The Farmer's Wife by Eden Philpotts, directed by Joseph Slowik, sets and lights by William Earl Lautenbach, costumes by Oliver Allyn, 1954 March 9
• The Father by August Strindberg, directed by Bella Itkin, sets by Shirley Seidel, costumes by Bill Ritman, [1946-1947]
• The Father by August Strindberg, directed by Jassim M. Al-Oboudi, sets and lights by Walter Steinbrenner, costumes by Ann Keeley, 1951 October 26
• Finished by Katharine Clugson, directed by Roger Tracy, sets by Barbara Scott, costumes by Angelynn Berry, 1940 November 29
• The First Mrs. Fraser by St. John Ervine, directed by Judith Jeffrey (as an MFA requirement), sets by Mac Kinander, costumes by Charlotte Tulchin, 1944 June 1
• For Services Rendered by W. Somerset Maugham, directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters, 1955 March 8
• Forced Landing by Wilfred Massey, directed by Doris Foley, sets by Patricia Mack, costumes by Bill Southwood, 1941 April 26
• For Services Rendered by W. Somerset Maugham, directed by Dorothy Konkowski (Evening School), costumes by Kiffi Wolcott, sets by John Peters, 1955 March 8
• Four One-Act Plays: Quare Medicine by Paul Green and directed by Terrell O. Everett, The Dark Lady of the Sonnets by George Bernard Shaw and The Rehearsal by Christopher Morley, directed by Betty Churchill and The Flattering Word by George Kelly and directed by Monroe Werthman, sets designed by Stanley Rames, costumes by William Noffke, [1948-1949]
• Fresh Fields by Ivor Novello, directed by Sidney Breese, lights by Mary Monahan, 1936 June 2-3
• Fresh Fields by Ivor Novello, directed by Robert Thompson, sets by Russell Lotterhos, costumes by Mary Blair, 1940 June 5
• Fresh Fields by Ivor Novello, directed by Marita Oppenheim (as an MFA requirement), sets by Jac Venza, costumes by Louise Evans, 1945 April 28
• Fresh Fields by Ivor Novello, directed by James Zernecke, sets by Oliver Allyn, costumes by Robert Hebbard, 1949 April 5
• Ghosts by Henrik Ibsen, directed by John Kerr, sets and costumes by Barbara Scott, 1941 June 6
• Ghosts by Henrik Ibsen, directed by Michael Krause (as an MFA requirement), sets by Donnie Zizzof, costumes by Shirley Seidel, [1946-1947]
• Ghosts by Henrik Ibsen, directed by Westley Johnson, sets and lights by Gerald Ritholz, costumes by Joseph Holcombe, 1952 February 5
• Girls in Uniform by Christa Winsloe, directed by Maurice Gnesin, sets by Russell Lotterhos, costumes by Richard von Albrecht, 1939 October 26
• Girls in Uniform by Christa Winsloe, directed by Suzanne Zimmerman (as an MFA requirement), sets by Karsen Faye, costumes by Jinx Junkin, with Geraldine Page, 1944 May 2
• The Glass Menagerie by Tennessee Williams, directed by E. Alyn Warren, sets by Paul Haney, costumes by Adah Sorensen, 1949 February 25
• The Glass Menagerie by Tennessee Williams, a Sub-Studio Production directed by Richard Bailey, 1957 April 24
• Golden Boy by Clifford Odets, directed by William Stigall, sets and lights by Walter Steinbrenner, costumes by Theoni Vachlioti Aldredge, 1950 November 18
• The Good Hope by Herman Heijermans, directed by David Itkin, sets by Richard von Albrecht, costumes by Angelynn Berry, 1940 April 19
• The Good Hope by Herman Heijermans, directed by William Stigall, sets by Shirley Seidel, costumes by Bob Beck, 1946 April 16
• The Good Hope by Herman Heijermans, directed by Joseph Slowik, sets designed by Jeannette Coffman, costumes by Bill Hargate, 1954 June 8
• The Grass Harp by Truman Capote, directed by Dorothy Konkowski, sets and lighting by Sheldon Haber, costumes by Leonard Boles, 1956 March 20
• Guest in the House by Hagar Wilde and Dale Eunson, directed by David Itkin, sets by David Reppa, costumes by Bob Beck, 1945 November 17
• Guest in the House by Hagar Wilde and Dale Eunson, directed by Doug Winn, sets and lights by William Hargate, costumes by Sheldon Haber, 1956 February 7
• Hat Full of Rain by Michael Gazzo, a Sub-Studio Production directed by Roger Hamilton, 1957 June 4
• Hay Fever by Noel Coward, directed by Joe Callaway, scenery by William Southwood, costumes by Angelynn Berry, 1941 June 13
• Hay Fever by Noel Coward, directed by Rea Warg, costumes by Bert Bliss, 1949 April 14
• He Who Gets Slapped by Leonid Andreyev, directed by Maxwell Kelly (as an MFA requirement), sets by Joseph Holcombe, costumes by Ann Keeley, 1951 June 4
• Hedda Gabler by Henrik Ibsen, directed by James Zernecke, sets and lights by Walt Steinbrenner, costumes by Delbert Bliss, 1949 May 13
• Hedda Gabler by Henrik Ibsen, directed by James Paul (as an MFA requirement), costumes by Joseph Holcombe, sets by James Maronek, 1952 May 3
• Hindle Wakes by Stanley Houghton, directed by Whitford Kane, 1928 January 26
• Holiday by Philip Barry, directed by Robert Hopkins, sets by Donnie Zizzof, costumes by Bill Ritman, 1947 February 8
• Home is Tomorrow by J.B. Priestley, directed by William Stigall, sets by Joseph Holcombe, costumes by Ann Keeley, 1950 March 11
• The House of Bernarda Alba by Federico Garcia Lorca., directed by Maurice Gnesin, Elizabeth Copwell as assistant director, sets and lights by Charles Muth, costumes by Clarence Wilson, 1953 December 9
• Hotel Universe by Philip Barry, directed by Emily Upton, sets and lights by David Reppa, costumes by William Steger, 1945 May 29
• Hotel Universe by Philip Barry, directed by Monroe Werthman (as an MFA requirement), sets by Robert Hebbard, costumes by Theoni Vachlioti Aldredge, 1950 March 25
• Hotel Universe by Philip Barry, directed by Elizabeth Capwell, sets by Aaron Whisk, costumes by Paul Leonard, lighting by Jim Cavanaugh, 1956 May 3
• I Have Been Here Before by J.B. Priestley, directed by W.R. Martini, sets and lights designed by Walter Steinbrenner, costumes by Theoni Vachlioti Aldredge, 1951 February 13
• Ile, directed by W.R. Martini; In the Zone, directed by Frank Callender; Bound East for Cardiff, directed by Frank Callender; and Long Voyage Home, directed by Samuel Wanamaker, sets by Mary Blair, 1939 March 17
• The Importance of Being Earnest by Oscar Wilde, directed by Elsie Kupka (as an MFA requirement), sets and lights by William Lautenbach, costumes by Charles Muth, 1954 June 2
• The Infernal Machine by Jean Cocteau. Directed by Philip Lawrence (as an MFA requirement), sets and lighting by Ballou, costumes by Adah Sorensen, [1951]
• The Innocents by William Archibald, directed by Norman Shucart (as an MFA requirement, sets by Barta Hapgood, costumes by Paul Winston, 1952 May 20
• An Inspector Calls by J.B. Priestley, directed by Judith Jeffrey, sets designed by Adah Sorensen, costumes by George Fuller, 1949 November 2
• An Inspector Calls by J.B. Priestley, directed by Dorothy Konkowski, sets and lights by Bill Hargate, costumes by Aden Rolnick, 1955 November 15
• John Ferguson by St. John Ervine, directed by Judith Jeffrey, sets and lights by William Monroe, costumes by Roberta West, 1949 May 20
• John Ferguson by St. John Ervine, directed by Barbara Haas (as an MFA requirement), sets and lights by Leonard Boles, costumes by Robert Hamlin, 1956 May 29
• Kind Lady by Edward Chodorov, directed by Doug Winn, sets and lights designed by Hubert Braden, costumes by Jack Million, 1957 March 27
• The Kingdom of God by G. Martinez Sierra, directed by David Itkin, 1933 December 6-8
• Ladies in Retirement by Edward Percy and Reginald Denham, directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by Virginia Opsvig, 1942 February 24-28
• Laburnum Grove by J.B. Priestley, directed by Bella Itkin, sets by Tom Steger, costumes by Leonor Travis, 1946 November 13
• Ladies in Retirement by Edward Percy and Reginald Denham, directed by Terrell Everett, sets by William Moore, costumes by Ann Keeley, 1950 January 19
• Ladies in Waiting by Cyril Campion, directed by Sidney Breese, 1935 November 26-27
• Ladies in Waiting by Cyril Campion, directed by Roger Tracy, scenery by Donald Powell, costumes by Russell Lotterhos, 1940 May 10
• Ladies in Waiting by Cyril Campion, directed by Helen Johnston, sets by Alice Harmer, costumes by William Steger, 1944 December 12
• Ladies in Waiting by Cyril Campion, directed by William Shankweiler, sets and lights by Didi Jacobs, costumes by John Peters, 1953 November 3
• The Ladies of the Corridor by Dorothy Parker and Arnaud d'Usseau, a Sub-Studio Production directed by Shauneille Perry, 1957 May 27
• Ladies of the Jury by Fred Ballard, directed by Mary Elizabeth Aurelius, sets by Angelynn Davies, costumes by Virginia Opsvig, 1942 May 13-17
• The Lady Who Came to Stay by Kenneth White, directed by David Itkin, sets by William Steger, costumes by Karsen Faye, 1943 February 16
• The Lark by Jean Anouilh, directed by Joseph Slowik, [1955-1956]
• The Late Christopher Bean by Sidney Howard, directed by Mary Elizabeth Aurelius, sets and costumes by Mary Blair, 1939 October 18
• The Late Christopher Bean by Sidney Howard, directed by Meg Haege, sets by Oliver Allyn, costumes by Kiffi Wolcott, 1954 December 14
• Lavender and the Red Pepper by Ruth Giorloff and directed by Bradford Crocker, Riders to the Sea by J.M. Synge and directed by Bradford Crocker and Twelve Pound Look by James M. Barrie and directed by Eunice Osborne, [1933-1934]
• Les Femmes Savantes (The Learned Ladies) by Moliere, translated by Curtis Hidden Page, directed by Lawrence Paquin, costumes by Marie Mackenzie, [1929?]
• Let Us Be Gay by Rachel Crothers, directed by Mary Elizabeth Aurelius, sets by Don Hermes, costumes by Angelynn Berry, 1941 May 23
• Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by David Itkin, sets by Harry Delipsy, costumes by Nat Rollins, 1942 December 4
• Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Jack Hollander (as an MFA requirement), sets by Didi Jacobs, costumes by Barta Hapgood, 1953 April 28
• Letters to Lucerne by Fritz Rotter and Allen Vincent, directed by Don Gunderson, 1956 June 1
• The Lilies of the Field by John Hastings Turner, directed by Peter MacFarlane, [1927-1928]
• Liliom by Ferenc Molnar, directed by L.T. Bethune (as an MFA requirement), sets by Jack Cornwell, costumes by William Moore, 1948 June 4
• Liliom by Ferenc Molnar, English text by Benjamin Glazer, directed by W.R. Martini, sets by Alice Harmer Martini, lighting by Frank Nattrass, costumes by William Earl Lautenbach, 1953 February 12
• The Linden Tree by J.B. Priestley, directed by Judith Jeffrey, sets by Bob Hebbard, costumes by Bert Bliss, 1949 March 18
• The Little Foxes by Lillian Hellman, directed by Mary Laura Collins (as an MFA requirement), sets designed by James Maronek, costumes by Adah Sorensen, 1950 May 16
• The Little Foxes by Lillian Hellman, directed by Martin Kosofsky, sets and lights by Jack Bates, costumes by Joseph Holcombe, 1952 March 31
• The Little Foxes by Lillian Hellman, directed by Meg Haege (as an MFA requirement), sets by Jim Boyce, costumes by Oliver Allyn, 1955 May 18
• Love and How to Cure It, directed by Barbara Haas; The Happy Journey to Trenton and Camden, directed by Gunderson; Long Xmas Dinner, directed by Ted Werner; and The Clod, directed by Roger Hamilton, [1954-1955]
• The Lower Depths by Maxim Gorki, directed by Joseph Slowik, sets and lights by Charles Muth, costumes by Gerald Ritholz, 1952 April 15
• The Madwoman of Chaillot by Jean Giraudoux, adapted by Maurice Valency, directed by Bella Itkin, dances arranged by Frances Allis, sets by Jim Boyce, lights by Sheldon Haber, costumes by Kert Lundell, [1956]
• The Male Animal by James Thurber and Elliott Nugent, directed by Eunice Osborne, sets by Harry Delipsy, costumes by Sarah Herman, 1946 March 16
• The Male Animal by James Thurber and Elliott Nugent., directed by Monroe Werthman, sets by James Maronek, 1950 January 31
• The Male Animal by James Thurber and Elliott Nugent, directed by Joseph Slowik, sets designed by Kiffi Wolcott, lights by Jim Cavanaugh, costumes by Helen Rolnick, 1955 June 7
• The Master Builder by Henrik Ibsen, directed by William Stigall, sets by Jack Cornwell, costumes by Adah Sorensen, 1949 November 22
• Medea by Robinson Jeffers, directed by Sidney Kraus (as an MFA requirement), sets and lights by Gerald Ritholz, costumes by Theoni Vachlioti Aldredge, 1954 April 13
• Medea by Robinson Jeffers, directed by Bella Itkin, sets by Paul Leonard, lights by Sheldon Haber, costumes by Robert Hamlin, 1956 December 10-12
• The Misanthrope by Moliere, directed by Jeanne Jerrems (as an MFA requirement), sets and lights by Gerald Ritholz, costumes by Barta Hapgood, 1953 May 26
• The Miser by Moliere, directed by Jassim Al-Oboudi, sets and lights designed by Charles Muth, costumes by Mr. Clare, 1953 April 14
• Miss Civilization by Richard Harding Davis; A Privy Council by Major W.P. Drury and Richard Pryce; and The Monkey's Paw by W.W. Jacobs, dramatized by Louis N. Parker, directed by Alexandra Carlisle Jenkins, 1927 January 10-11
• Mister Roberts by Thomas Heggen and Joshua Logan, a Sub-Studio Production directed by Roger Hamilton, 1956 December 13
• Gillie by James Bridie, directed by Robert Quinn, sets and lights by Gerald Ritholz, costumes by Didi Jacobs, 1953 March 12
• Pim Passes By by A.A. Milne, directed by Robert Hopkins, sets by Leonor Travis, costumes by Jack Cornwell, [1946-1947]
• Murder in the Cathedral by T.S. Eliot, directed by Barbara Keyes, sets by Ann Kelley, costumes by Jack Bates, 1952 May 13
• My Heart's in the Highlands by William Saroyan, directed by Rea Warg and Hank DiRoma, sets by Jack Cornwell, costumes by Dave Ballou, 1947 December 12
• My Lady's Dress by Edward Knoblock, directed by Peter MacFarlane, 1928 April 5
• Mystery at Greenfingers by J.B. Priestley, directed by Frank Callender, sets by Mary Blair, costumes by Joseph N. Carner, 1940 April 30
• Night Must Fall by Emlyn Williams, directed by Marie Sikorska (as an MFA requirement), sets and lights by William McDowell Meade, costumes by Jac Venza, 1945 June 7
• Nine Till Six by Aimee and Philip Stuart, directed by Doris Anne Foley, sets by Mary Blair von Albrecht, costumes by Jack Martin, 1942 June 9
• Nine Till Six by Aimee and Philip Stewart, directed by Bella Itkin and Catherine Denny Phelps, sets by Karsen Faye, costumes by Blair von Albrecht, 1943 May 5
• Nine Till Six by Aimee and Philip Stuart, directed by Bella Itkin, sets by Frances McVey, costumes by Shirley Seidel, 1945 May 9
• Nine Till Six by Aimee and Philip Stuart, directed by Vernon Schwartz, sets by Barta Hapgood, costumes by Charles Ritholz, 1952 October 30
• The Nursery Maid of Heaven adapted and directed by Thomas Wood Stevens from a story by Vernon Lee; and Caleb Stone's Death Watch by Martin Flavin and directed by Peter MacFarlane, 1928 February 9
• The Nursery Maid of Heaven by Thomas Wood Stevens and directed by Gene D. Blumberg; Motherly Love by August Strindberg and directed by Warren Reid; Trifles by Susan Glaspell and directed by Frank Callender; and The First White Woman by Babette Hughes and directed by Frank Callender, lighting by James Diehl, 1935 June 3-4
• Oedipus, King of Thebes by Sophocles, translated by Gilbert Murray, directed by Walter Beakel (as an M.A. requirement), sets and lights by Bill Winters, costumes by Theoni Vachlioti Aldredge, music by Adah Sorensen, 1951 April 17
• Of Mice and Men by John Steinbeck, directed by H. James Ritter, sets and lights by Ann Keeley, costumes by James Maronek, 1951 March 10
• O'Flaherty V.C. by George Bernard Shaw and directed by Donald Davies; Riders to the Sea by John Millington Synge and directed by Judith Jeffrey; and The Twelve-Pound Look by Sir James Barrie and directed by John Taylor, sets by Barbara Scott, costumes by Don Hermes, 1941 May 9
• Old Acquaintance by John Van Druten, directed by Eunice Osborne, sets by Donald Hermes, costumes by Joseph Carner, 1941 October 24
• The Old Ladies by Rodney Ackland, directed by Bernie Enslin, sets by Bernie Enslin, costumes by Cordelia Williams, [1942]
• The Old Ladies by Rodney Ackland, directed by William Bielfeldt (as an MFA requirement), sets by C.J. Bailey, costumes by Adah Sorensen, 1950 March 31
• Our Town by Thornton Wilder, directed by W.R. Martini, sets and lights by James Maronek, costumes by Ann Keeley, 1950 December 8
• Our Town by Thornton Wilder, directed by Maurice Gnesin, Barbara Haas as assistant director, costumes by Theoni Vachlioti Aldredge, 1954 October 30
• Outward Bound by Sutton Vane, directed by W.R. Martini, sets by William Moore, costumes by Catherine Luce, 1948 April 13
• Pan and the Young Shepherd by Maurice Hewlett, directed by B. Iden Payne, 1929 June 5-6
• Paolo and Francesca by Steven Phillips, 1927 May 16-17
• Patty by Muriel Brown, scenery by Richard Steele, lighting by Roman Bohnen, 1927 March 21-22
• Petticoat Fever by Mark Reed, directed by W.R. Martini, sets by William Casazza, costumes by William Banka, 1949 April 23
• Phaedra by Jean Racine, directed by Jassim Al-Oboudi (as an MFA requirement), sets and lights designed by James Maronek, costumes by Barta Hapgood, 1952 February 21
• The Philadelphia Story by Philip Barry, directed by Mary Laura Collins, sets by Robert Hebbard, costumes by George Fuller, 1949 October 25
• Pillars of Society by Henrik Ibsen, directed by David Itkin, sets by Joseph Carner, costumes by Donald Hermes, 1941 December 11
• The Playboy of the Western World by John Synge, directed by John Walker, 1957 May 16
• Plots and Playwrights by Edward Massey, directed by Lawrence Paquin, costumes by Helen Ray, 1929 March 28
• Pygmalion by George Bernard Shaw, directed by Terrell Everett (as an MFA requirement), sets, lights and costumes by Jack Cornwell, 1950 June 2
• Rain by John Colton and Clemence Randolph, directed by Vernon Schwartz (as an MFA requirement), sets by Joseph Holcombe, lights by James Maronek, costumes by Ann Keeley, 1951 May 9
• Rebecca by Daphne du Maurier, directed by Millard Mack (as an MFA requirement), sets by Ann Keeley, costumes by Adah Sorensen, lighting by David Zierk, 1951 May 29
• The Remarkable Incident at Carson Corners by Kristin Sergel, adapted from TV by Reginald Rose, a Sub-Studio Production directed by Hani Snobar, 1957 May 21
• Riders to the Sea by John Millington Synge and directed by Charles Lewis Paetow (sets by Karsen Faye); The Violet by Ferenc Molnar and directed by Mary Elizabeth Aurelius (sets by William Steger); These Small Things by Marian Johnson and directed by Eunice Osborne (sets by Karsen Faye), costumes by Blair von Albrecht, 1943 May 28
• The Road to Rome by Robert E. Sherwood, a Sub-Studio Production directed by G.C. Forest, lights by Francis White, 1957 February 11
• Rocket to the Moon by Clifford Odets, directed by W.R. Martini, sets by Bob Hebbard, 1950 April 15
• A Room in the Tower by Hugh Stewart and directed by Samuel Wanamaker; Corn Shock by John Taylor and directed by Walter R. Martini; Roses and Rue by Winifred Fraser and directed by Walter R. Martini; The Twelve-Pound Look by Sir James Barrie and directed by Samuel Wanamaker, sets by James Israel, costumes by Russell Lotterhos, [1938-1939]
• Russet Mantle by Lynn Riggs, directed by Eunice Osborne, sets by Karsen Faye, costumes by William Steger, 1943 December 14
• Seven Women by J.M. Barrie and directed by Lila Underwood; King Arthur's Socks by Floyd Dell and directed by Phillip Wayne; The Widdy's Mite by Dan Totheroh and directed by Helen Rezabek; and Dark Lady of the Sonnets by George Bernard Shaw and directed by Gene Yell, 1935 June 11
• Shadow and Substance by Paul Vincent Carroll, directed by Betty Churchill (as an MFA requirement), sets by William Moore, costumes by C.J. Bailey, 1950 May 25
• Shadow and Substance by Paul Vincent Carroll, directed by Richard Woosley, sets and lights by James Boyce, costumes by John Peters, 1954 May 26
• The Shining Hour by Keith Winter, directed by Robert Quinn (as an MFA requirement), sets by Francis Schriber, costumes by William Earl Lautenbach, 1953 June 2
• The Show Off by George Kelley, directed by Carl Johnson, sets by Spencer Davis, costumes by Shirley Zak, lighting by Dave Edwards, 1933 March 7-9
• The Show Off by George Kelly, directed by Dorothy Konkowski, sets by Helen Rolnide, costumes by Sheldon Haber, 1955 May 24
• The Silver Cord by Sidney Howard, directed by Irene Fojut, lighting by James Diehl, 1935 May 27-28
• The Silver Cord by Sidney Howard, directed by Margaret Davies Carner, sets designed by Dave Ballou, costumes by Irene Harris, [1948-1949]
• Six Characters in Search of an Author by Luigi Pirandello, directed by Bella Itkin, costumes by Adah Sorensen, sets and lights by William Moore, 1950 June 7
• Sixteen by Aimee and Phillip Stewart, directed by Dorothy Dixon, lighting by Frank Minatel, 1936 December 2
• The Skin of Our Teeth by Thornton Wilder, directed by Fred Finkl, costumes by Barta Hapgood, sets and lights by Jack Bates, 1952 May 27
• The Skin of Our Teeth by Thornton Wilder, directed by Joseph Slowik, lighting by Kert Lundell, costumes by John Braden, 1957 June 3
• Smokescreen directed by Adelaide Clyman, Riders to the Sea directed by Rosa Alexandra Knuuti and King Arthur's Socks directed by Sidney Breese, 1933 April 13-14
• Spring Dance by Phillip Barry, directed by Mary Elizabeth Aurelius, scenery by Donald Powell, costumes by Russell Lotterhos, 1940 March 22
• Summer and Smoke by Tennessee Williams, directed by Bella Itkin, sets and lights designed by Oliver Allyn, costumes by Carol Davis, 1955 June 1
• Sweet Aloes by Jay Mallory, directed by Eunice Osborne, lights by Warren Pattinson, 1937 February 4-5
• Sweet Aloes by Joy Mallory, directed by Mary Elizabeth Aurelius, sets by Donald Hermes, costumes by William Steger, 1942 December 11
• The Taming of the Shrew by William Shakespeare, directed by Doug Winn (as an MFA requirement), sets by Robert Hamlin, costumes by Bill Hargate, lights by William Weingart, 1956 April 21
• Tartuffe, or The Imposter by Moliere, directed by Margor Dayan Bernson, sets by Robert Hebbard, 1949 December 13
• They Knew What They Wanted by Sidney Howard, directed by Jeanne Hubbard (as an MFA requirement), sets and lights by C. Murawski, costumes by Dina Harris, 1957 May 27
• A Thief Tomorrow by Josephine Ardrey, directed by Eunice Osborne, lights by James Webster, 1936 February 24-25
• Three Cornered Moon by Gertrude Tonkonogy, directed by Gene Yell, sets by C. Carleton Luce, costumes by Donald Crawford, lighting by Gatti-Casazza, 1948 March 12
• Three Irish One-Act Plays: In the Shadow of the Glen by J.M. Synge and directed by Fred Finkl; The Pot of Broth by W.B. Yeats and directed by Walter Beakel; Spreading the Word by Lady Gregory and directed by Josef Hunley, sets by William Moore, costumes by C.J. Bailey, 1949 October 18
• Three One-Act Plays: The Happy Journey by Thornton Wilder and directed by Ruth Shectman; Hello Out There by William Saroyan and directed by William H. Bielfeldt; The Boor by Anton Tchekoff and directed by James Ritter, sets and lights by Paul Haney, costumes by Theoni Vachlioti Aldredge, 1950 February 18
• Three One-Act Plays: The Talkative Barber by Ludwig Holberg and directed by M.F. Robel; Parade at Devil's Bridge by Henri Gheon and directed by Lee Richard; Aria Da Capo by Edna St. Vincent Millay and directed by Jeanne Jerrems, sets by John Holabird, costumes by Joseph Holcombe, 1950 December 2
• Three One-Act Plays by George Bernard Shaw: Augustus Does His Bit, directed by Walter Beakel; The Shewing Up of Blanco Posnet, directed by Betty Churchill; O'Flaherty V.C., directed by Fred Finkl, sets by Robert Hebbard, 1950 February 8
• Three One-Act Plays by Eugene O'Neill: In the Zone, directed by M.J. Rotter; The Long Voyage Home, directed by Paul S. Haney; The Moon of the Caribbees, directed by Maxwell Kelly, sets by C.J. Bailey, costumes by Robert Hebbard, 1949 November 12
• Three One-Act Plays by Anton Chekhov: Swan-Song, directed by Martin Kosofsky; The Proposal, directed by Julie Fitzgerald; and The Boor directed by Shauneille Perry, sets and lights designed by Walter Steinbrenner, costumes by Ann Keeley, [1951-1952]
• Three One-Act Plays by Noel Coward: Still Life (sets by Bella Edindin, costumes by Francis Schriber) and Fumed Oak (sets and costumes by Barta Hapgood), directed by Vernon Schwartz; and Red Peppers (sets and costumes by Gerald Ritholz), directed by Joy Coghill, [1952-1953]
• Three Plays of the Sea by Eugene O'Neill: Bound East for Cardiff, directed by Edward Fielding Nicholls, In the Zone, directed by L.T. Bethune and The Long Voyage Home, directed by Robin M. League, dets by Catherine Luce, lighting by H. Townsend Velie, costumes by George Fuller, [1946-1947]
• Thunder Rock by Robert Ardrey, directed by William Robertson (as an MFA requirement), sets and lights by Joseph Lantzy, costumes by Jack Bates, 1951 April 5
• Time and the Conways by J.B. Priestley, directed by Frank Callender, scenery by Ade-Rolfe Floreen, costumes by Angelynn Berry, 1940 February 16
• Time and the Conways by J.B. Priestley, directed by Rea Warg, sets Stanley Ranes, costumes by Jack Hakman, with Harvey Korman, 1948 April 6
• Time and the Conways by J.B. Priestley, directed by W.R. Martini, sets by Jim Boyce, costumes by John Peters, 1955 February 22
• The Time of the Cuckoo by Arthur Laurents, directed by Patricia Washburn, sets by Jack Million, costumes by Kiffi Wolcott, 1955 December 13
• Tomorrow the World by James Gow and Arnaud d'Usseau, directed by William Shankweiler (as an MFA requirement), sets and lights by Didi Jacobs, costumes by Clare, 1953 January 31
• Tonight at 8:30 by Noel Coward: Ways and Means (featuring Bella Itkin), Still Life and Fumed Oak, directed by Frank Callender, sets by Don Hermes, costumes by Patricia Mack, 1941 March 22
• The Topaz Amulet: A Christmas Masque, arranged by Roberta Louden from the play by Thomas Wood Stevens and Wallace Rice, 1927 December
• The Torch-Bearers by George Kelly, directed by William Bielfeldt, sets by Ann Keeley, costumes by James Maronek, 1950 April 26
• Tovarich by Jacques Deval, a Sub-Studio Production directed by Charles Applegate, 1957 April 5
• The Trial of Mary Dugan by Bayard Veiller, directed by William Stigall, sets by Louise Evans, costumes by Joyce Burlingame, 1945 December 14
• Trifles by Susan Glaspell and directed by Robert Hoffman; Constant Lover by St. John Hankin and directed by Ernest Graves, Time Out for Matrimony by A.A. O'Keefe and directed Don L. Hammer; and Sham by Frank G. Tompkins and directed by Marion Barton. Sets by Ade-Rolfe Floreen, costumes by Richard von Albrecht, [1940]
• The Trojan Women by Euripides, translated by Edith Hamilton, directed by Don Gunderson (as an MFA requirement), sets by James Harrington, costumes by Bill Hargate, 1957 May 20
• The Trysting Place by Booth Tarkington and directed by Mary Elizabeth Aurelius; Good Vintage by Dan Totheroh and directed by Elizabeth E. Wolcott, "Op-o"-Me-Thumb by Frederick Fenn and Richard Price and directed by Nona Greenberg; and Bread by Fred Eastman and directed by Dorothy Konkowski, 1937 April 27
• Twelfth Night by William Shakespeare, directed by Gene Yell (as an MFA requirement), sets by C. Carleton Luce, costumes by David Ballou, with Harvey Korman, 1948 May 25
• The Velvet Glove by Rosemary Casey, directed by Elizabeth Capwell, sets and lights by Sheldon Haber, costumes by Kiffi Wolcott, 1955 November 29
• Venus Observed by Christopher Fry, directed by William Stigall, sets and lights by Jack Bates, costumes by Joseph Holcombe, 1951 March 21
• Watch on the Rhine by Lillian Hellman, directed by Ruth Schectman (as an MFA requirement), sets designed by James Maronek, costumes by Jack Brown, 1951 April 28
• When We Are Married by J.B. Priestley, directed by Norman Shucart, sets by James Maronek, costumes by Leonor Travis, 1951 November 6
• The Whiteheaded Boy by Lennox Robinson, directed by Roger Tracy, sets by Richard von Albrecht, costumes by Mary Blair, 1939 December 8
• The Whiteheaded Boy by Lennox Robinson, [1953-1954?]
• The Women Have Their Way by the Quintero Brothers, directed by Joseph Slowik, sets by Kert Lundell, costumes by Jack Million, 1956 June 5
• Yes, My Darling Daughter by Mark Reed, directed by Margaret Cameron Davies, sets by Stanley Rames, costumes by Jack Hakman, 1948 October 30

Children’s Theatre productions include:

• Abe Lincoln: New Salem Days, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Virginia Opsvig, 1941 February 1-March 8
• Abe Lincoln: New Salem Days, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Lee Richard as assistant director, sets by James Maronek, costumes by Theoni Vachlioti Aldredge, 1951 February 3-March 24
• An Afternoon with Christopher Robin, adapted by Muriel Brown and Frances Preeve from A.A. Milne characters, directed by Muriel Brown, music by Julia LeVine, costumes and sets by Donald Ament, lighting by A.H. Feder, 1928 November 17-[?]
• Aladdin and His Wonderful Lamp by James Norris, directed by Charlotte Chorpenning; sets and costumes by Spencer Davies, dances arranged by Harriette Louis, lights by Robert Brower, featuring Karl Malden, 1934 October 27-November 24
• Aladdin and His Wonderful Lamp, dramatized by James Norris and Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1940 October 26-[?]
• Aladdin and His Wonderful Lamp, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Joy Coghill as assistant director, sets designed by Floyd Allan, costumes by Ballou, choreography by Frances Allis, 1950 April 1-May 28
• Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Virginia Opsvig, dances by Frank Callender, 1939 February 4-[?]
• Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, Thomas Jackson as technician, sets by Norman Grant, masks and costumes by Rita Dhu Ray, 1948 October 16-1949 January 8
• Alice's New Wonderland, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Angelynn Davies, 1942 October24-December 12
• The Arkansas Bear by Albert Bigelow Paine, dramatized by Alderilla Beistle and Harriet Grover, directed by Charlotte Chorpenning, sets designed by John Friedman, Jr., 1934 February 24-[?]
• Beauty and the Beast, dramatized by Nora Tully and Charlotte Chorpenning, directed by Eunice Osborne, sets designed by Blair von Albrecht, dances arranged by Dorothy Davies Miller, puppets by Tom H. Marge, music arranged by Frances Benson, costumes by Andrew Woods, starring Geraldine Page, 1943 October 30-December 11
• Beauty and the Beast, dramatized by Nora MacAlvay, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by William Earl Lautenbach, costumes by Charles Muth, 1954 December 23-1955 February 13
• The Blue Bird by Maurice Maeterlinck, directed by Muriel Brown, sets by Leslie Marzolf, lights by Thomas Ireland, costumes by Thomas Russell and Elizabeth Parsons, [1926-1927]
• The Blue Bird by Maurice Maeterlinck, directed by Muriel Brown, lighting by Arvid Crandall, sets by Leslie Marzolf, costumes by Laurene Kingsbury and Marjorie Miller, [1927-1928]
• The Boy Who Grew Up – Without Knowing It by Louis E. Laflin, Jr., directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets by Leslie Marzolf, Peter Martin and Donald Ament, [1927-1928]
• The Captive Princess by Muriel Brown, costumes by Clara Baron and Hebilly West, sets by Leslie Marzolf, Marie Wecker and Charles Schlesinger, lighting by Gordon Ray, [1926 April]
• Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davis, costumes by Beatrice Norton, 1933 December 2-1934 January 6
• Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Mary Blair, costumes by Virginia Opsvig, 1939 December 23-[?]
• Cinderella, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by William Steger, dances arranged by Dorothy Davies Miller, 1945 March 24-May 5
• Cinderella, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by Charles Muth, costumes by Theoni Vachlioti Aldredge, 1954 October 24-December 19
• Daniel Boone by Leona Baptist, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1939 November 4-[?]
• Davy Crockett and His Coonskin Cap by Margery Evernden, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets designed by Bill Hargate, costumes by Kiffi Wolcott, 1956 March 31-May 27
• The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully, directed by Charlotte Chorpenning, sets by Blair von Albrecht, dances directed by Dorothy Davies Miller, costumes by Andrew Woods, 1943 March 27-May 8
• The Elves and the Shoemaker, dramatized by Charlotte Chorpenning and Nora Tully, directed by Louise Dale Spoor, sets by Floyd Allan, costumes by Stanley Rames, Heckla's dance arranged by Frances Allis, 1949 March 19-June 5
• The Emperor's New Clothes by Charlotte Chorpenning, directed by Maurice Gnesin, costumes by Virginia Roediger, sets by Rosalie Encell, 1932 April
• The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, lights by Robert Brower, 1935 October 19-November 16
• The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, 1944 December 16-1945 January 14
• The Emperor's New Clothes, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets designed by Mary Lou Denton, costumes by Barta Hapgood, Sheldon Janacek as technical director, Emperor's Dance by Frances Allis, 1953 April 4-May 24
• Flibbertygibbet, dramatized by Charlotte Chorpenning and Nora Tully, directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Shirley Seidel, costumes by David Ballou, choreography by Francis Allis, 1948 March 27-May 22
• Flibbertygibbet by Charlotte Chorpenning and Nora Tully MacAlvay, directed by Louise Dale Spoor, sets by Gerald Ritholz, costumes by Leonor Travis, dances by Frances Allis, 1953 December 23-1954 January 31
• The Golden Apple by Lady Gregory, sets designed by Leslie Marzolf and Margaret Mitchell, 1925 December [?]
• The Gondoliers, or The King of Barataria by Sir William Gilbert, sponsored by the Chicago Comic Opera Company, directed by Ralph J. Helperin, composed by Sir Arthur Sullivan, choreography by Betty Joyce Kupfer, [1934-1935]
• Greensleeves' Magic by Marian Johnson, directed by Louise Dale Spoor, sets by Charles Muth, costumes by Leonor Travis, dances arranged by Frances Allis, 1952 December 23-1953 January 25
• Hans Brinker, or The Silver Skates by Louis E. Laflin, Jr., from the story by Mary Mapes Dodge, directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lighting by Gordon Ray, [1928-1929]
• Hans Brinker and the Silver Skates, by Mary Mapes Dodge and dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by William Ritman, costumes by William Moore, 1949 January 15-March 13
• Hansel and Gretel, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Mary von Albrecht, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig, 1941 October 25-December 13
• Hansel and Gretel, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Martin Kosofsky as assistant director, sets designed by Joseph Holcombe, costumes by Ann Keeley, 1952 December 27, 1951-February 24
• Heidi by Lucille Miller, directed by Charlotte Chorpenning, sets designed by Ralph Alswang and Frances Lewis, lights by James Diehl, 1936 January 11-February 29
• Heidi, dramatized by Lucille Miller from the book by Johanna Spyri, directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by Leonor Travis, 1954 October 23-December 19
• Hiawatha by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, animal puppets by Tom Margo, dances arranged by Dorothy Davies Miller, costumes by Rita Dhu Wray, with Shelley Berman, 1944 October 21-December 10
• Huckleberry Finn by Mark Twain and dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Jean Sutherland, lights by Leonard Safier, 1935 March 30-May 11
• Huckleberry Finn by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Donald Hermes, 1942 January 31-March 7
• Huckleberry Finn by Samuel Clemens, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets by Barta Hapgood, costumes by Charles Muth, 1953 January 31-March 29
• The Indian Captive by Charlotte Chorpenning, directed by Louise Dale Spoor, sets designed by Mary Lou Denton, costumes by C.J. Bailey, dance movement by Frances Allis, 1949 December 22-1950 January 29
• Ivanhoe, dramatized by Muriel Brown from the book by Sir Walter Scott, directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Luarene Kingsbury, lights by Gordon Ray, 1929 November 23
• Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Beatrice Norton, costumes by Mary Ross, lighting by Joanne Meyers, 1932 December 24-1933 January 14
• Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Norman Grant, costumes by Frances Lewis, lights by Robert Brower, featuring Karl Malden as the Giant, 1935 November 30-1936 January 4
• Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Barbara Berger, sets by Blair von Albrecht, dances by Barbara Berger, costumes by Barbara Berger, 1944 April 1-May 13
• Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, dances arranged by Frances Allis, 1950 October 21-December 17
• Jolly Robin Hood, dramatized by Charlotte Chorpenning., directed by Charlotte Chorpenning, sets designed by Friedrich von Dachenhausen, lighting by Esther Snowden, costumes executed by Millicent Kovalinka, featuring Karl Malden, 1934 December 1-1935 January 5
• King Midas and the Golden Touch, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Frances McVey, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, Aithra's dance by Pat Kennell, with Shelley Berman and Jose Quintero, 1945 January 27-March 17
• King Midas and the Golden Touch, dramatized by Charlotte Chorpenning, directed by Joy Coghill, sets by Jack Cornwell, costumes by Adah Sorensen, dances arranged by Frances Allis, 1950 February 4-March 26
• The King of the Golden River by John Ruskin, dramatized by Margery Evernden, directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Helen Rolnick, 1956 February 25-March 25
• A Kiss for Cinderella by James Barrie, directed by Muriel Brown, costumes by Ardys Belisch, sets by Rosalie Encell, lights by John Walley, 1932 January 16-[?]
• Lincoln's Secret Messenger by Charlotte Chorpenning, directed by Charlotte Chorpenning, Danny Witt as assistant director, sets by Joseph Holcombe, costumes by Ann Keeley, 1952 March 1-March 23
• Little Black Sambo by Helen Bannerman, directed by Charlotte Chorpenning, choreography by Harriette Louise, sets by Norman Grant, lights by Robert Brower, costumes by Beryl Spinney, 1936 December 19-1937 January 23
• Little Black Sambo, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Angelynn Davies, 1943 January 30-March 20
• Little Lee Bobo by Rose Hum Lee and Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, 1946 March 30-May 25
• Little Women, adapted by Marion De Forest from the book by Louisa Mae Alcott, directed by Muriel Brown, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray, [1929-1930?]
• Little Women by Louisa Mae Alcott, adapted by Marian DeForest, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Russell Lotterhos, 1940 February 3-March 9
• The Magic Horn by Anne Nicholson and Charlotte Chorpenning, directed by Charlotte Chorpenning, set designed by Blair von Albrecht, costumes by Angelynn Davies, 1942 December19-1943 January 23
• The Magic Horn by Anne Nicholson and Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Oliver Allyn, costumes by Theoni Vachlioti Aldredge, 1955 February 19-March 27
• Marco Polo and the Drum of Ahmad, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Louise Dale Spoor as associate director, sets by Floyd Allan, costumes by Ballou, dances arranged by Frances Allis, 1949 October 22-December 18
• A Midsummer Night's Dream by William Shakespeare, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Kathryn Triplett and Jane Coolidge, “Nocturne and Snapdragon's” dance by Harriette Louise, with Sam Wanamaker, 1937 March 27-May 8
• Dooley, Jr. by Rose Franken and Jane Lewin, directed by Charlotte Barrows Chorpenning, sets designed by John Friedman, Jr., 1934 January 13-February 24
• Paul Bunyan's First Christmas, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Alice Harmer, costumes by Shirley Seidel, dances arranged by Dorothy Davies Miller, 1945 December 22-1946 January 20
• Pedro and the Fighting Cocks, adapted by Dorothy Davies Miller, ballet arranged and directed by Dorothy Davies Miller, sets by William Steger, costumes by Rita Dhu Wray, puppets by Tom Sanders, 1945 May 6-June 3
• Penrod by Booth Tarkington, dramatized by Edward E. Rose, directed by Charlotte B. Chorpenning, sets by Spencer Davies, costumes by Beryl Spinney, lights by Robert Brower, 1936 November 14-December 5
• Peter, Peter Pumpkin Eater by Martha B. King, directed by Louise Dale Spoor, Florence Mishkin as assistant director, sets by John Peters, costumes by William Earl Lautenbach, 1954 February 6-March 14
• The Pied Piper of Hamelin, adapted from a poem by Robert Browning, directed by Charlotte Chorpenning, scenic and costume designs by Virginia Roediger, 1933 October 21-November 18
• The Poor Little Rich Girl by Eleanor Gates, directed by Muriel Brown, sets by Robert Van Deventer, costumes by Laurene Kingsbury, lighting by Gordon Ray, [1929-1930?]
• The Prince and the Pauper by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Norman Grant, lights by James Webster, costumes by Kathryn Triplett with Karl Malden and Sam Wanamaker, 1937 February 6-March 6
• The Prince and the Pauper, dramatized by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Donnie Zizzof, [1946-1947]
• The Prince and the Pauper, dramatized by Charlotte Chorpenning from the book by Mark Twain., 1955. Directed by Louise Dale Spoor, sets by Jack Cornwell, costumes by Kiffi Wolcott, 1955 October 22-December 18
• Puss in Boots by Rowena Bennett, directed by Charlotte Chorpenning, Edward Udovich as assistant director, sets and lights by James Maronek, costumes by Ann Keeley, David Zierk as technical director, 1952 March 29-May 25
• Radio Rescue by Charlotte Chorpenning, directed by Mary Elizabeth Aurelius, sets by Barbara Scott, costumes by Andrew Woods, 1943 December 18-1944 January 30
• Rama and the Tigers, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Alice Harmer Martini, costumes by Ballou, 1951 October 27-November 22
• Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes designed by R. Llewellyn Hughes, lights by Leonard Safier, featuring Karl Malden, 1935 February 23-March 23
• Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, featuring Bella Itkin, 1940 December 21-1941 February 15
• Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Richard von Albrecht, costumes by Shirley Seidel, dances arranged by Frances Allis, 1947 February 1-March 23
• The Return of Rip Van Winkle, dramatized by Charlotte Chorpenning from the story by Washington Irving, directed by Charlotte Chorpenning, Louise Dale Spoor as assistant director, sets by Richard von Albrecht, costumes by Rita Dhu Wray, lighting by Ade-Rolfe Floreen, choreography by Frances Allis, with Harvey Korman, 1947 October 25-December 13
• Rip Van Winkle, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Norman Grant, lighting by Robert Brower, featuring Karl Malden, 1936 March 7-April 4
• Rip Van Winkle by Washington Irving, dramatized by Charlotte Chorpenning, directed by W.R. Martini, Westley Johnson as assistant director, sets by Gerald Ritholz, costumes by Molly Kunning, Don Owen as technical director, 1954 March 20-May 23
• Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell, [1926-1927]
• Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, costumes by Elizabeth Parsons, lighting by Gordon Ray, sets designed by Thomas Russell, [1926-1927]
• Robin Hood, dramatized by Muriel Brown, directed by Muriel Brown, sets by Don Ament, costumes by Elizabeth Parsons, lights by Gordon Ray, [1928-1929?]
• Robin Hood, dramatized by James Norris, directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Robert Hamlin, 1957 February 2-March 24
• Robinson Crusoe by Daniel Defoe, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, Costumes by Virginia Opsvig, 1940 March 16-[?]
• Robinson Crusoe by Daniel Dafoe, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Walter Steinbrenner, costumes by Adah Sorensen, 1950 December 23-1951 January 28
• Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger, 1934 April 14-May 12
• Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Norman Grant, costumes by Class in Costume Design, 1938 December 31-1939 January 28
• Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, costumes by Rita Dhu Wray, dances arranged by Dorothy Davies Miller, lullaby music and lyrics by Faith Locke Langley, 1945 October 27-December 15
• Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets designed by Alice Harmer Martini, costumes by Theoni Vachlioti Aldredge, dances arranged by Frances Allis, 1952 October 25-December 20
• Scotch Twins by Lucy Fitch Perkins, directed by Muriel Brown and Whitford Kane, sets by Don Ament, costumes by Laurene Kingsbury, lights by Gordon Ray, [1929-1930?]
• The Shining Island by Mary Austin, sets by Leslie Marzolf, lighting by George Stauch, costumes by Elizabeth Parsons, [1927-1928]
• Six Cherry Tarts written and produced by Muriel Brown, directed by Muriel Brown, sets by Charles Schlesinger, lights by Roman Bohnen, costumes by Helen Forrest, Knaves’ songs by Hamilton Forrest, [1926-1927]
• Sleeping Beauty, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Spencer Davies, lighting by Leonard Safier, costumes by Lila Underwood, 1935 January 5-February 2
• Sleeping Beauty, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets designed by Spencer Davies, costumes by Virginia Opsvig, 1941 March 15-April 26
• Sleeping Beauty, dramatized by Charlotte Chorpenning, sets designed by Blair von Albrecht, costumes by Elizabeth Birbari, dances arranged by Frances Allis, 1946 December 12-1947 January 27
• Sleeping Beauty (Sing Ho for a Prince!), based on the fairy tale by the Brothers Grimm, book and lyrics by Joe Grezeback, music by Haakon Bergh, directed by Louise Dale Spoor, choreography by Francis Allis, costumes by Kert Lundell, sets by Bill Hargate, 1957 March 30-May 26
• The Snow Maiden by Anne Nicholson and Charlotte Chorpenning, directed by Mary Elizabeth Aurelius, sets by Blair von Albrecht, dances by Dorothy Davies Miller, costumes by Andrew Woods, with Geraldine Page, 1944 February 5-March 26
• The Snow Queen and the Goblin, dramatized by Martha Bennett King from the story by Hans Christian Anderson, directed by Louise Dale Spoor, choreography by Frances Allis, sets designed by James Boyce, costumes by Maxey Powell, 1956 December 22-1957 January 27
• Snow White and the Seven Dwarfs by H.M. Richardson, directed by Muriel Brown, [1928-1929?]
• Snow White and the Seven Dwarfs, adapted by Jessie Graham White from the story by the Brothers Grimm, directed by Charlotte Chorpenning, sets and costumes by Virginia More Roediger, 1933 March 4-[?]
• Snow White and the Seven Dwarfs by Jessie Graham White, directed by Charlotte Chorpenning, sets and lights by Walter Steinbrenner, costumes by Ballou, dances arranged by Frances Allis, 1951 March 31-May 27
• The Squire's Bride, dramatized by Viola Van Zee and Charlotte Chorpenning. Directed by Charlotte Chorpenning, sets by Mary von Albrecht, costumes by Angelynn Davies, choreography by Barbara Berger, [1942]
• The Squire's Bride by Viola Van Zee and Charlotte Chorpenning, directed by Aristides Copulos, sets designed by Richard von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, 1948 January 31-March 21
• The Teller of Tales by Muriel Brown, directed by Muriel Brown, sets by Peter Lundberg, costumes by Mary Elizabeth Evans and Elizabeth Parsons, lighting by Arvid Crandall, the “Song of Freedom” by Isaac Van Grove, the dance in Act II arranged by Bertha Ochsner, [1927-1928]
• The Three Bears, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Barbara Scott, dancing directed by Ruth Hatfield, costumes by Virginia Opsvig, 1941 December 20-1942 February 7
• The Three Bears, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, Aristides Copulos as assistant director, sets by Blair von Albrecht, costumes by Rita Dhu Wray, choreography by Frances Allis, with Harvey Korman, 1947 December 20-1948 January 25
• The Three Bears, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, dances arranged by Frances Allis, sets by John Peters, costumes by William Hargate, 1955 December 23-1956 February 19
• Titian, the Boy Artist of Cadore by Nora B. Tully, directed by Charlotte Chorpenning, sets by Signe Midelfort and Noel Barker, lighting by Marge Ferris, 1936 April 11-May 9
• Tom Sawyer, adapted by Charlotte Chorpenning from the book by Mark Twain, directed by Charlotte Chorpenning, costumes by Mary Ross, lights by Howard Nelson, 1933 January 28-[?]
• Tom Sawyer by Mark Twain, dramatized by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Spencer Davies, costumes by Virginia Opsvig, 1938 November 12-December 24
• Tom Sawyer by Mark Twain, arranged by Charlotte Chorpenning, directed by Charlotte Chorpenning, sets by Blair von Albrecht, costumes by Bob Beck, [1946]
• Tom Sawyer by Samuel Clemens, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by John Peters, costumes by Jim Boyce, 1955 April 2-May 29
• Treasure Island, dramatized by Jules Eckert Goodman from the book by Robert Louis Stevenson, directed by Muriel Brown, 1931 November 14-[?]
• Treasure Island by Robert Louis Stevenson, dramatized by Dorothy Drew, directed by Louise Dale Spoor, sets by Sheldon Haber, costumes by Paul Leonard, 1956 October 20-December 16
• The Twelve Dancing Princesses by Nelson James, directed by Charlotte Chorpenning, sets by von Albrecht, costumes by Rita Dhu Wray, dances by Frances Allis, 1946 October 26-December 14
• Wappin' Wharf by Charles S. Brooks, costumes by Helen Forrest, lights by Gordon Ray, [1926]
• Why Not? by Jesse Lynch Williams, directed by Thomas Wood Stevens, sets by Leslie Marzolf, costumes by Helen Forrest, lights by Arvid Crandall, 1926 October 13-[?]

Arrangement

Series 1 is arranged into 32 subseries chronologically by season:

• Subseries A: 1925-1926 Season, 1925-1926
• Subseries B: 1926-1927 Season, 1926-1927
• Subseries C: 1927-1928 Season, 1927-1928
• Subseries D: 1928-1929 Season, 1928-1929
• Subseries E: 1929-1930 Season, 1929-1930
• Subseries F: 1930-1931 Season, 1930-1931
• Subseries G: 1931-1932 Season, 1931-1932
• Subseries H: 1932-1933 Season, 1932-1933
• Subseries I: 1933-1934 Season, 1933-1934
• Subseries J: 1934-1935 Season, 1934-1935
• Subseries K: 1935-1936 Season, 1935-1936
• Subseries L: 1936-1937 Season, 1936-1937
• Subseries M: 1937-1938 Season, 1937-1938
• Subseries N: 1938-1939 Season, 1938-1939
• Subseries O: 1939-1940 Season, 1939-1940
• Subseries P: 1940-1941 Season, 1940-1941
• Subseries Q: 1941-1942 Season, 1941-1942
• Subseries R: 1942-1943 Season, 1942-1943
• Subseries S: 1943-1944 Season, 1943-1944
• Subseries T: 1944-1945 Season, 1944-1945
• Subseries U: 1945-1946 Season, 1945-1946
• Subseries V: 1946-1947 Season, 1946-1947
• Subseries W: 1947-1948 Season, 1947-1948
• Subseries X: 1948-1949 Season, 1948-1949
• Subseries Y: 1949-1950 Season, 1949-1950
• Subseries Z: 1950-1951 Season, 1950-1951
• Subseries AA: 1951-1952 Season, 1951-1952
• Subseries BB: 1952-1953 Season, 1952-1953
• Subseries CC: 1953-1954 Season, 1953-1954
• Subseries DD: 1954-1955 Season, 1954-1955
• Subseries EE: 1955-1956 Season, 1955-1956
• Subseries FF: 1956-1957 Season, 1956-1957

Subseries A: 1925-1926 Season, 1925-1926

Arrangement

Subseries A is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries B: 1926-1927 Season, 1926-1927

Arrangement

Subseries B is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries C: 1927-1928 Season, 1927-1928

Arrangement

Subseries C is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries D: 1928-1929 Season, 1928-1929

Arrangement

Subseries D is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries E: 1929-1930 Season, 1929-1930

Arrangement

Subseries E is arranged chronologically beginning with mainstage productions followed by children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries F: 1930-1931 Season, 1930-1931

Arrangement

Subseries F is arranged chronologically.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries G: 1931-1932 Season, 1931-1932

Arrangement

Subseries G is arranged chronologically beginning with mainstage productions followed by children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries H: 1932-1933 Season, 1932-1933

Arrangement

Subseries H is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries I: 1933-1934 Season, 1933-1934

Arrangement

Subseries I is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries J: 1934-1935 Season, 1934-1935

Arrangement

Subseries J is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries K: 1935-1936 Season, 1935-1936

Arrangement

Subseries K is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries L: 1936-1937 Season, 1936-1937

Arrangement

Subseries L is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries M: 1937-1938 Season, 1937-1938

Arrangement

Subseries M is arranged chronologically. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries N: 1938-1939 Season, 1938-1939

Arrangement

Subseries N is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries O: 1939-1940 Season, 1939-1940

Arrangement

Subseries O is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries P: 1940-1941 Season, 1940-1941

Arrangement

Subseries P is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries Q: 1941-1942 Season, 1941-1942

Arrangement

Subseries Q is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries R: 1942-1943 Season, 1942-1943

Arrangement

Subseries R is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries S: 1943-1944 Season, 1943-1944

Arrangement

Subseries S is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries T: 1944-1945 Season, 1944-1945

Arrangement

Subseries T is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries U: 1945-1946 Season, 1945-1946

Arrangement

Subseries U is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries V: 1946-1947 Season, 1946-1947

Arrangement

Subseries V is arranged chronologically beginning with mainstage productions followed by children’s productions. The number of images with the same description is indicated in parentheses.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries W: 1947-1948 Season, 1947-1948

Arrangement

Subseries W is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries X: 1948-1949 Season, 1948-1949

Arrangement

Subseries X is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries Y: 1949-1950 Season, 1949-1950

Arrangement

Subseries Y is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries Z: 1950-1951 Season, 1950-1951

Arrangement

Subseries Z is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries AA: 1951-1952 Season, 1951-1952

Arrangement

Subseries AA is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries BB: 1952-1953 Season, 1952-1953

Arrangement

Subseries BB is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries CC: 1953-1954 Season, 1953-1954

Arrangement

Subseries CC arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries DD: 1954-1955 Season, 1954-1955

Arrangement

Subseries DD arranged chronologically beginning with mainstage productions followed by studio, sub-studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries EE: 1955-1956 Season, 1955-1956

Arrangement

Subseries EE arranged chronologically beginning with mainstage productions followed by studio and sub-studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 1: Art Institute Members/Repertory Company, 1925-1957

Subseries FF: 1956-1957 Season, 1956-1957

Arrangement

Subseries FF arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Scope and Contents

Main season productions include:

• The Adventures of Huckleberry Finn by Mark Twain, adapted by the Organic Theater Company, directed by Stuart Gordon, sets and costumes by designed by Mary Griswold and John Paoletti, lighting by Geoffrey Bushor, music by Jonathan Pearthree, with Meshach Taylor, 1985 January 25-March 3
• Ah, Wilderness! by Eugene O'Neill, directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, 1957-1958
• All the Rage by Keith Reddin, directed by Michael Maggio, sets by Linda Buchanan, costumes by Nan Cibula-Jenkins, lights by Pat Collins, sound design and original music by Michael Bodeen and Rob Milburn, 1997 May 12-June 7
• All's Well That Ends Well by William Shakespeare, directed by Mary Zimmerman, sets designed by Riccardo Hernandez, costumes by Nan Cibula Jenkins, lighting by T.J. Gerckens, sound by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1995 October 2-November 4
• The Amen Corner by James Baldwin, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Robert Christen, sound design by Rob Milburn and Michael Bodeen, original music composed by William Kilgore, 2001 March 23-April 28
• Anna Karenina by Leo Tolstoy, dramatized by James Goodwin and Eugenie Leontovich, directed by Eugenie Leontovich with Joseph Slowik, sets by Richard Kent Wilcox, costumes by Alvin Colt, lights by G.E. Naselius, starring Dolores Sutton, 1965 May 7-29
• Another Midsummer Night, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, directed by Michael Maggio, sets by Linda Buchanan, costumes design by Catherine Zuber, lighting by Robert Christen, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, orchestrations by Bruce Coughlin, 1995 June 16-July 22
• Arcadia by Tom Stoppard, directed by Michael Maggio, sets designed by Linda Buchanan, costumes by Nan Cibula-Jenkins, lighting by Robert Christen, sound by Richard Woodbury, with musical composition by Jeffrey Lunden, 1996 March 11-April 14
• As You Like It by William Shakespeare, directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Tom Morley and Thomas Arne, music directed by George Estevez, 1962 March 25-[?]
• As You Like It by William Shakespeare, directed by Michael Maggio, set design by John Culbert, costume design by Virgil Johnson, lighting design by Kevin Rigdon, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1997 September 29-October 25
• Assassination 1865 by Stuart Vaughn, World Premiere, directed by Stuart Vaughn, sets by Sandro La Ferla, costumes by Virgil Johnson, lights and special effects by Bengt Nygren, with Shepperd Strudwick and Donald Woods, 1971 October 26-November 28
• Bal by Richard Nelson, directed by Gregory Mosher, costumes by Dunja Ramicova, lights by Jennifer Tipton with Del Close and Jim Belushi, 1980 February 29-April 6
• The Balcony by Jean Genet, translated by Bernard Frechtman, directed by Patrick Henry, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Bob Hartman, choreography by Thomas Jaremba, starring Delphi Lawrence, with Jay Lanin, 1967 November 24-December 20
• The Ballad of the Sad Cafe by Carson McCullers, adapted for the stage by Edward Albee, directed by Charles McGaw, sets designed by Richard Kent Wilcox, costumes by Heidimarie Rosendahl, lighting designed by G.E. Naselius, starring Donald Davis, 1965 January 8-30
• The Barretts of Wimpole Street by Rudolf Besier, directed by Brenda Forbes, sets designed by Neil Jampolis, costumes by Uta Olson, lighting by G.E. Naselius, starring Leora Dana, with Maurice Copeland, 1965 March 26-April 16
• The Basement, directed by Joseph Slowik and The Tea Party by Harold Pinter, directed by Patrick Henry, sets by Joseph Nieminski, costumes by Al Tucci, lights by G.E. Naselius, 1970 March 2-April 5
• Becket, or The Honor of God by Jean Anouilh, directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by George Estevez, starring Tod Andrews and Donald Davis, 1962 October 26-November 13
• Benito Cerino, from The Old Glory by Robert Lowell, and based on the novella by Herman Melville, directed by Michael Montel, sets designed by David Jenkins, costumes by James Edmund Brady, lights by George Hemsley, Jr., choreography by Darlene Blackburn, 1975 November 14-December 21
• Betrayal by Harold Pinter, directed by Andre Ernotte, sets designed by Joseph Nieminski, lighting designed by Paul Gallo, costumes by Christa Scholtz, 1981 January 16-February 22
• Billy Budd by Louis O. Coxe and Richard Chapman, based on the novel by Herman Melville, directed by Charles McGaw, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, with Fitzroy Davis, Sidney Breese and Avery Schreiber, 1958 October 31-November 16
• Black Snow, adapted by Keith Reddin from the novel by Mikhail Bulgakov, World Premiere, staged by Michael Maggio, set design by Linda Buchanan, costume design by Martin Pakledinaz, lighting design by James F. Ingalls, sound design by Rob Milburn, music composed by Rob Milburn, Miriam Sturm and Michael Bodeen, 1993 April 30-June 5
• Black Star Line by Charles Smith, directed by Paul Tazewell, set design by Joseph Tazewell, costume design by Kay Kurta Silva, lighting by T.J. Gerckens, sound design and music composed by Fabian Obispo, 1996 January 22-February 17
• Blues for an Alabama Sky by Pearl Cleage, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, and sound design by Rob Milburn, 1998 March 16-April 18
• Book of the Night, by Louis Rosen and Thom Bishop, World Premiere, directed by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Michael S. Philippi, costume design by Gabriel Berry, lighting by James F. Ingalls, sound by Rob Milburn, instrumental and vocal arrangements by Louis Rosen, musical direction by Mark Mitchell, orchestrations by Bruce Coughlin, 1991 June 14-August 11
• Bosoms and Neglect by John Guare, directed by Mel Shapiro, sets by John Wulp, costume designs by Willa Kim, lights by Jennifer Tipton, 1979 February 23-April 1
• Boy Gets Girl by Rebecca Gilman, directed by Michael Maggio, set design by Michael Philippi, costume design by Nan Cibula-Jenkins, lighting design by John Culbert, sound design and original music composed by Rob Milburn and Michael Bodeen, 2000 March 13-April 8
• The Boys from Syracuse by George Abbot, music and lyrics by Richard Rogers and Lawrence Hart, production staged by Christopher Hewitt, choreography and musical numbers staged by Bob Herget, sets by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, John C. Cina as musical director, 1972 April 18-June [?]
• Caesar and Cleopatra by George Bernard Shaw, Warren Enters as guest director, sets designed by George Pettit, costumes by D. Hudson Sheffield, lights by Jerold Gorell, music by Anthony Peraino, starring Murray Matheson, with Carrie Snodgrass and Joe Mantegna, 1968 January 12-February 7
• Camino Real by Tennessee Williams, directed by Charles McGaw, sets designed by James Maronek, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, with Charles Grunwell, Beverly Younger, and Dorothy Konrad, 1958 March 21-April 6
• Candide by Voltaire, adapted by Hugh Wheeler, music by Leonard Bernstein, lyrics by Richard Wilbur, additional lyrics by Stephen Sondheim and John Latouche, directed by Munson Hicks, sets designed by John Lee Beatty, lighting by Judy Rasmuson, costumes by Christa Scholtz, 1984 September 21-October 28
• Candida by George Bernard Shaw, directed by Munson Hicks, lighting by Robert Christen, sets designed by Joseph Nieminski, costumes by Nan Cibula, 1984 January 23-February 19
• The Caucasian Chalk Circle by Bertolt Brecht, revised English version by Eric Bentley and Maja Apelman, directed by John Reich, sets by Francis Morigi, costumes by Caley Summers, masks by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, music by George Estevez and Lewis Skalinder, 1962 May 11-29
• The Cave Dwellers by William Saroyan, directed by Eugenie Leontovich, costumes by Uta Olson, sets and lights by Walter Blind, music arranged by Studs Terkel, starring Eugenie Leontovich, Studs Terkel and Avery Schreiber, 1959 December 4-20
• Ceremonies in Dark Old Men by Lonnie Elder, III, a production of the Negro Ensemble Company, directed by Douglas Turner Ward, sets by Charles Henry McClennahan, lighting designed by Shirley Prendergast, costumes by Judy Dearing, 1985 March 18-April 14
• Chemin de Fer by Georges Feydeau, directed by Stuart Gordon, sets by James Maronek, costumes by James Edmund Brady, lights by F. Mitchell Dana, 1975 May 9-June 15
• The Cherry Orchard by Anton Chekhov. Translation by Tyrone Guthrie and Leonid Kipnis, directed by Brian Murray, scenery by David Mitchell, costumes by Virgil Johnson, lights by Patricia Collins, with Nancy Marchand and Edward Herrmann, 1974 October 4-November 10
• A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, music by Hiram Titus, scenery by Joseph Nieminski, costumes by James Edmund Brady, lights by Robert Christen, sound design by Henry Miller, 1978 November 24-December 31
• A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens. Directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, [1979]
• A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe, with Del Close, [1980-1981]
• A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, choreography by Gus Giordano, sets by Joseph Nieminski, costumes by James Edmund Brady, lighting by Robert Christen, sound by Michael Schweppe with Del Close and Elizabeth Perkins, 1981 November 27-December 30
• A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano, 1982 November 26-December 31
• A Christmas Carol, adapted by Barbara Field from the novel by Charles Dickens, directed by Tony Mockus, sets by Joseph Nieminski, lighting by Robert Christen, costumes by James Edmund Brady, choreography by Gus Giordano, 1983 November 25-December 31
• A Christmas Carol, adapted by Gregory Mosher and Larry Sloan from the novel by Charles Dickens, directed by Gregory Mosher, music by Larry Schanker, sets by Kate Edmunds, lighting by Duane Schuler, costumes by Christa Scholtz, with Frank Galati and Del Close, 1984 December 18-29
• A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, with Ernest Perry, Jr., 1985 November 22-December 29
• A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, choreography by Beatrix Porter, with Ernest Perry, Jr. and Jim True, 1986 November 25-December 31
• A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, directed by Michael Maggio, sets designed by Joseph Nieminski, costumes by Christa Scholtz, lights by Robert Christen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Beatrix Rashid, 1987 November 21-December 30
• A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens, sets designed by Joseph Nieminski, costumes by Julie Jackson, lighting by Robert Christen, sound by Robert Neuhaus, choreography by Beatrix Rashid, music by Larry Schanker, 1988 November 18-December 28
• A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, set design by Joseph Nieminski, costumes by Julie Jackson, lighting design by Robert Christen, sound by Rob Milburn, original music and traditional carols arranged by Larry Schanker, choreography by Beatrix Rashid, 1989 November 17-December 30
• A Christmas Carol, by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, costume design by Julie Jackson, lighting by Rob Milburn, sound design by David Naughton, choreography by Beatrix Rashid, original music and traditional carols composed and arranged by Larry Schanker, 1990 November 16-December 30
• A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Beatrix Rashid, 1991 November 25-December 31
• A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, 1992 November 13-1993 January 3
• A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, 1993 November 11-1994 January 2
• A Christmas Carol by Charles Dickens, adapted by Tom Creamer, directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, associate musical director William Schwarz, 1994 November 11-December 30
• A Christmas Carol by Charles Dickens and adapted by Tom Creamer, 1995 November 20-December 30
• A Christmas Carol by Charles Dickens, adapted by Tom Creamer. 19th Annual production, directed by Henry Godinez, set design by Joseph Nieminski, lighting by Robert Christen, sound design by Rob Milburn and David Naunton, musical direction and composition by Larry Schanker, 1996 November 18-December 30
• A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker, 1997 November 8-December 30
• A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker, 1998 November 22-December 29
• A Christmas Carol by Charles Dickens and adapted by Tom Creamer, directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Ray Nardelli, musical composition and traditional carols by John Kamys, 1999 November 21-2000 January 2
• Christopher C. by Michel de Ghelderode, and adapted into English by Lyon Phelps, directed by John Reich, choreography by Frances Allis, starring David Hurst) and The Lesson by Eugene Ionesco, directed by Joseph Slowik, sets by Francis Morigi, lighting by G.E. Naselius, costumes by Uta Olson, 1963 February 15-March 5
• The Cocktail Party by T.S. Eliot, directed by John Reich, sets by Richard Kent Wilcox, women's costumes by Russell Kohn and Millie Oppenheimer, lights by G.E. Naselius, starring Robert Flemyng, with Brenda Forbes1965 October 22-[?]
• The Comedy of Errors by William Shakespeare, directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, music by Richard Manners, 1962 November 30-December 18
• The Comedy of Errors by William Shakespeare, directed by Robert Woodruff, sets designed by David Gropman, costumes designed by Susan Hilferty, lighting by Paul Gallo, 1983 January 14-February 27
• Cry, The Beloved Country, based on the novel by Alan Paton, with music by Kurt Weill, lyrics by Maxwell Anderson., adapted and directed by Frank Galati, sets designed by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound by Rob Milburn, musical direction by Edward Zelnis, 1993 June 18-August 8
• Cyrano de Bergerac by Edmond Rostand, directed by Michael Maggio, sets designed by John Lee Beatty, music by Ed Zelnis, fight sequences by David Boushey, costumes by Christa Scholtz, lighting by Duane Schuler, 1980 May 23-June 29
• Dancing at Lughnasa by Brian Friel, directed by Kyle Donnelly, set design by Linda Buchanan, costumes by Paul Tazewell, lighting design by Rita Pietraszek, sound by Rob Milburn, Jim Corti, 1993 September 27-October 31
• The Death and Life of Sneaky Fitch by James Rosenberg, directed by Joseph Slowik, sets by Marc Cohen, costumes by E. Oliver Olsen, lighting by G.E. Naselius, choreography by Thomas Jaremba, starring Jerry Harper, with Win Stracke, 1968 November 15-December 14
• Death and the King's Horseman by Wole Soyinka, directed by Wole Soyinka, costumes by Christa Scholtz, sets by David Gropman, lights by Pat Collins, 1979 October 5-November 11
• Death of a Salesman by Arthur Miller, directed by Robert Falls, set design by Mark Wendland, costume design by Birgit Rattenborg Wise, lighting design by Michael Philippi, and sound design and music composed by Richard Woodbury, 1998 September 18-November 7
• Design for Living by Noel Coward, directed by William Woodman, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Pat Collins, with Judith Ivey, 1976 October 1-November 7
• Design for Living by Noel Coward, directed by David Petrarca, set design by Michael Yeargan, costume design by Jane Greenwood, lighting design by Duane Schuler, sound design and original music by Rob Milburn and Michael Bodeen, 1998 May 11-June 6
• The Devil's Disciple by George Bernard Shaw, directed by William Woodman, sets by James Maronek, costumes by Virgil Johnson, lights by Patricia Collins, 1976 May 7-June 13
• Dinah Was by Oliver Goldstick, directed by David Petrarca at the WPA Theater in New York, 1998 April
• The Dining Room by A.R. Gurney, directed by Michael Maggio, scenic design by Joseph Nieminski, costumes by Marsha Kowal, lighting by Robert Christen, 1983 March 4-April 10
• A Doll's House by Henrik Ibsen, directed by Tormod Skagestead, sets by John Scheffler, costumes by Alicia Finkel, lights by G.E. Naselius, 1973 November 20-December 23
• Don Juan by Moliere, translated by Christopher Hampton, production supervised by William Woodman, sets by Joseph Nieminski, costume design by Virgil Johnson, fights staged by Michael Tezla with Judith Ivey and Robert Guillaume, 1977 May 6-June 12
• The Dream (A Midsummer Night's Dream) by William Shakespeare and The Fairie Queen by Henry Purcell, arranged by John Reich and Nicholas Goldsmith, directed by John Reich, Pas de Deux choreographed by Ruth Page, Dieter Kober as musical director, sets by William J. Ryan, costumes by Sylvia Wintle, dance direction by Frances Allis, lighting by G.E. Naselius, Lorenzo Gentile as technical director, with Kenneth Johnson, Etta Buro, and the Chicago Chamber Orchestra, 1958 May 9-25, June 3-8
• A Dream Play by August Strindberg, new translation by Evert Sprinchorn, verse scenes adapted by Lisel Mueller, World Premiere of translation, directed by John Reich, production designed by James Maronek, costumes by Marna King, lights and choreography by Frances Allis, starring Gloria Foster with Frank Savino, 1967 March 31-April 23
• Dwarfman: Master of a Million Shapes by Michael Weller, directed by Emily Mann, costumes by Rita Ryack, sets by Adrienne Lopel, lighting designed by Robert Christen, sound by Michael Schweppe, with Elizabeth McGovern, 1981 May 22-June 28
• Dylan by Sidney Michaels, directed by Charles McGaw, sets by George Pettit, costumes by Uta Olson, lights by G.E. Naselius, starring Jerome Kilty, 1966 February [?]
• The Eccentricities of a Nightingale (rewritten version of Summer and Smoke) by Tennessee Williams. World Premiere, directed by Bella Itkin, sets by Marc Cohen, costumes by Marna King, lights by G.E. Naselius, starring Dolores Sutton and Lee Richardson, with Beverly Younger, 1967 January 13-February 5
• An Enemy of the People by Henrik Ibsen, adapted by Arthur Miller, directed by Gregory Mosher, sets designed by Joseph Nieminski, costumes by Jessica Hahn, lighting by Robert Christen with Terry Kinney and Paul Warfield, 1980 January 18-February 24
• Enrico IV by Luigi Pirandello, translated by John Reich, directed by John Reich, music by James Maronek, lights by G.E. Naselius, costumes by Sylvia Wintle Moss, starring Ivor Harris, Beverly Younger, and Frank Savino, 1960 February 12-28
• A Far Country by Henry Denker, directed by John Reich, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lighting by G.E. Naselius, starring William Smithers, 1964 February 21-March 11
• Faust by Johann Wolfgang von Goethe, directed by John Reich, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, music arranged by George Estevez, starring Bramwell Fletcher, with Michael O'Sullivan, 1962 October 27-November 14
• Faust, music and lyrics by Randy Newman, book by Randy Newman and David Mamet, directed by Michael Greif, sets by Tom Lynch, costumes by Mark Wendland, lighting by Chris Akerlind, sound by Steve Canyon Kennedy, projections by Jan Hartley, choreography by Lynn Taylor-Corbett, 1996 September 30-November 2
• Fences by August Wilson, Yale Repertory Theatre, directed by Lloyd Richards, sets by James Sandefur, costumes by Candace Donnelly, lighting by Danianne Mizzy, starring James Earl Jones, 1986 January 31-March 9
• A Flea in Her Ear by Georges Feydeau, translated by John Mortimer, Warren Enters as guest director, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Jerrold Gorrell, starring Hiram Sherman, 1968 May 3-29
• A Flea in Her Ear by Georges Feydeau, adapted by Frank Galati, directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Lindsay Davis, lighting by Robert Christen, sound by Rob Milburn, choreography by David Wooley, 1988 April 25-May 21
• Floyd Collins by Adam Guettel and Tina Landau, directed by Tina Landau, scenic design by James Schuette, costume design by Melina Root, lighting design by Scott Zielinski, sound design by Dan Moses Schreier, musical direction by Ted Sperling and Rob Berman, 1999 May 3-June 5
• The Freedom of the City by Brian Friel, American Premiere, directed by William Woodman, scenic designs by David Jenkins, costumes by Alicia Finkel, lights by F. Mitchell Dana, 1973 October 9-November 10
• The Front Page by Ben Hecht and Charles MacArthur, directed by Michael Maggio, scenery by Joseph Nieminski, costumes by William Ivey Long, lights by Jennifer Tipton, sound design by Michael Schweppe, with Jack Wallace and W.H. Macy, 1981 October 2-November 8
• A Funny Thing Happened on the Way to the Forum, book by Burt Shevelove and Larry Gelbart, music and lyrics by Stephen Sondheim, directed by Frank Galati, choreography and musical staging by Chet Walker, sets and costumes designed by Mary Griswold and John Paoletti, lights by Jeffrey Bushor, sound by Rob Milburn, musical direction by Janet Alcock, 1989 June 2-August 8
• Galileo by Bertolt Brecht, last version of the play translated by Desmond I. Vesey, directed by Howard da Silva, sets by James Maronek, costumes by D. Hudson Sheffield, music by Hans Eisler and William Mathieus, lights by G.E. Naselius, starring Morris Carnovsky, with Maurice Copeland, 1966 May
• Galileo by Bertolt Brecht, translated by Adrian Hall and James Schevill, directed by Robert Falls, music by Louis Rosen, sets by George Tsypin, costumes by Jessica Hahn, lighting by James F. Ingalls, starring Brian Dennehy, with Frank Galati, Ernest Perry, Jr. and James O' Reilly, 1986 September 26-November 1
• Ghost on Fire by Michael Weller, directed by Les Waters, sets designed Loren Sherman, costumes by Martin Pakledinaz, lighting designed by Stephen Strawbridge, 1987 January 9-February 14
• The Glass Menagerie by Tennessee Williams, directed by Patrick Henry, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, starring Peggy Wood, 1964 January 10-29
• The Good Woman of Setzuan by Bertolt Brecht, translated by Eric Bentley, directed by Charles McGaw, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, music by Stephan Wolpe, starring Frances Hyland, Dorothy Konrad, and Frank Savino, 1960 March 25-April 11
• The Good Person of Setzuan by Bertolt Brecht, English translation by Sheldon Patinkin, with Tom Creamer, directed by Frank Galati, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Rob Milburn, choreography by Peter Amster, original music and musical direction by Claudia Schmidt, 1992 April 24-May 30
• The Gospel at Colonus by Lee Breuer and Bob Telson, composer, directed by Lee Breuer, musical direction by Bob Telson, production and set design by Alison Yerxa, costume design by Ghretta Hynd, lighting design by Robert Christen, sound design by Rob Milburn, 1990 June 8-August 12
• The Government Inspector by Nikolai Gogol, translated by Milton Ehre and Fruma Gottschalk, directed by Frank Galati, sets by Michael Merritt, costumes by Virgil Johnson, lights by Kevin Rigdon, sound design by Robert Neuhaus, with Jack Wallace, 1985 October 4-November 10
• Griller by Eric Bogosian, directed by Robert Falls, set design by Derek McLane, costume design by Mara Blumenfeld, lighting design by Kenneth Posner, and sound design by Richard Woodbury, 1998 January 19-February 21
• Guys and Dolls by Jo Swerling and Abe Burrows, music and lyrics by Frank Loesser, directed by Gene Lesser, choreography by Elizabeth Keen, musical direction by David Richards, scenic design by James Maronek, costume design by Nancy Potts, lighting design by William Mintzer, 1974 May 10-June 16
• Happy Days by Samuel Beckett, International Theatre Festival of Chicago, directed by Andre Belgrader, sets by Douglas Stein, costumes by Candice Donnelly, lights by Frances, 1986 April 4-May 11
• Heartbreak House by George Bernard Shaw, directed by Douglas Seale, sets designed by Marc Cohen, costumes by Virgil Johnson, lights by Jerrold Gorrell, Robert Moody as scenic artist, 1970 May 25-June 28
• Hedda Gabler by Henrik Ibsen, directed by Melvin Bernhardt, sets designed by James Maronek, costumes by Francis Morigi, lights by G.E. Naselius, Eva LeGallienne as translator, starring Signe Hasso, 1962 February 23-March 13
• Henry IV, a three-act adaptation of William Shakespeare's work; Acts I and II adapted by Richard Matthews, directed by William Woodman, sets and lights by Peter Wexler, costumes by Virgil Johnson, music by Nick Venden, Joseph Leon as associate director, fights by staged by Michael Tezla, 1974 March 29-May 5
• Hey Stay Awhile by John Guare, music by Galt MacDermot, John Guare, and Jim Warner., 1984. Directed by Larry Sloan, with Kevin Anderson, 1984 February 19-April 14
• Hippolytus by Euripides, directed by Bella Itkin, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle Moss, music by Dieter Kober, choreography by Frances Allis, with Donald Buka and Charles Grunwell, 1960 January 3-24
• Holiday by Philip Barry, directed by Tony Tanner, costumes by Clifford Capone, lighting by Robert Christen, sets by Joseph Nieminski with Lindsay Crouse and W.H. Macy, 1979 April 12-May 13
• House Arrest: First Edition, by Anna Deavere Smith, 1998 Fall
• A House Not Meant to Stand by Tennessee Williams, directed by Andre Ernotte, scenery by Karen Schulz, costumes by Christa Scholtz, lights by Rachel Budin, sound by Michael Schweppe, 1982 April 16-May 23
• The House of Martin Guerre by Leslie Arden and Anna Cascio, directed by David Petrarca, sets by Robert Brill, costumes designed by Susan Hilferty, lighting designed by James F. Ingalls, sound by Rob Milburn, musical direction by Jeffrey Klitz, choreography by David Marques, orchestrations by Bruce Coughlin, 1996 July 1-August 4
• The House of Martin Guerre by Leslie Arden and Anne Theresa Cascio, directed by David Petrarca in Toronto, 1997 September 25-October 25
• Hurlyburly by David Rabe, directed by Mike Nichols, sets designed by Tony Walton, costumes by Ann Roth, lighting by Jennifer Tipton, with Harvey Keitel, William Hurt, Christopher Walken, Jerry Stiller, Cynthia Nixon, Judith Ivey, and Sigourney Weaver, 1984 March 23-April 22
• I Am a Man by OyamO, directed by Marion McClinton, set design by Scott Bradley, costume design by Caryn Neman, lighting by Pat Dignan, sound design by Michael Bodeen and Rob Milburn, music composed by Olu Dara, 1994 April 22-June 4
• The Iceman Cometh by Eugene O'Neill, directed by Robert Falls, sets designed by John Conklin, costumes by Merrily Murray-Walsh, lighting designed by James F. Ingalls, sound designed by Rob Milburn, featuring Brian Dennehy, Jim True and Denis O'Hare, 1990 September 24-November 4
• The Imaginary Invalid by Moliere, translated by John Reich, directed by John Reich, sets by William Ryan, lighting by G.E. Naselius, choreography by Frances Allis, costumes by Sylvia Wintle, music by M. Antoine Charpentier, starring Murray Matheson, 1959 May 8-24
• The Importance of Being Earnest, 1971 December 2-19, 1971 December 28-1972 January 16
• In the Matter of J. Robert Oppenheimer by Heiner Kipphardt, translated by Ruth Speirs, directed by Gene Lesser, scenic design and visual effects by Robert U. Taylor, costumes by Virgil Johnson, lights by William Mintzer, 1973 January 7-February 11
• The Inspector General by Nikolai Gogol, translated by John Dolman, Jr. and Benjamin Rothberg, acting version by Joseph Buloff, directed by Joseph Slowik, set designs by John Holabird, costumes by Jay Kobrin, lighting by G.E. Naselius, music by Bob Michaels, starring Joseph Buloff, with Thom Koutsoukos, Frank Savino, and Avery Schreiber, 1960 May 13-22
• Jitney by August Wilson, directed by Marion McClinton, set design by David Gallo, costume design by Susan E. Mickey, lighting design by Donald Holder, sound design by Rob Milburn, 1999 June 28-August 1
• Joe Turner's Come and Gone by August Wilson, directed by Jonathan Wilson, set design by Michael S. Philippi, costume design by Claudia Boddy, lighting by Robert Christen, sound design by Rob Milburn, original music and traditional arrangements by Rob Milburn and Elihoenai, 1991 January 11-February 23
• Journey to the West, adapted by Mary Zimmerman based on the translation of Anthony C. Yu of Hsi Yu Chi, directed by Mary Zimmerman, set design by Scott Bradley, costumes by Allison Reeds, lighting design by T.J. Gerckens, sound design by Michael Bodeen, original music composed by William Schwarz, Miriam Sturm and Michael Bodeen, 1995 April 28-June 3
• King Hedley II by August Wilson, directed by Marion Isaac McClinton, set design by David Gallo, costume design by Toni-Leslie James, lighting design by Donald Holder, sound design by Rob Milburn, waltz choreographed by Diane McIntyre, 2000 November 30-2001 January 13
• King Lear by William Shakespeare, directed by Charles McGaw, sets by Richard Kent Wilcox, costumes by Caley Summers, starring Morris Carnovsky, with Maurice Copeland, 1964 April 3-25
• King Lear and Twelfth Night by William Shakespeare, International Theatre Festival of Chicago by the Stratford Shakespearean Festival of Canada, at the Blackstone Theatre, John Hirsch, artistic director, 1985 November 27-December 22
• Lady Audley's Secret, adapted by Douglas Seale from the novel by Mary Elizabeth Braddon, directed by Douglas Seale, costumes and scenic design by Alicia Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Jerry Tullos, John Cinas musical director and pianist, 1971 May 24-June 27
• Lady Precious Stream by Shi I. Hsiung, directed by John Reich, stage designed by William J. Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, choreography by Frances Allis, with Carl Bingham, Maxine Stetson, and Avery Schreiber, 1958 December 5-28
• The Lady's Not for Burning by Christopher Fry, directed by Stephen Porter, costume and scenic design by Alicia Finkel, lights by G.E. Naselius, 1973 April 1-May 6
• Lakeboat by David Mamet, directed by Gregory Mosher, scenery by Michael Merritt, costumes by Christa Scholtz, lights by F. Mitchell Dana, sound by Michael Schweppe, with Mike Nussbaum and Jack Wallace, 1982 February 26-April 4
• Landscape of the Body by John Guare, directed by Robert Falls, sets by George Tsypin, costumes designed by Dunja Ramicova, lighting by Jennifer Tipton, sound design by Rob Milburn, with Gary Cole, 1988 February 26-April
• The Lark by Jean Anouilh, adapted by Lillian Hellman, directed by Bella Itkin, sets by Andre Wauters, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Manners, 1961 December 1-19
• The Last Meeting of the Knights of the White Magnolia by Preston Jones, directed by Harold Stone, sets by Joseph Nieminski, costumes by John David Ridge, lights by F. Mitchell Dana, with Jack Wallace and W.H. Macy, 1976 February 13-March 21
• A Life in the Theatre by David Mamet, directed by Gregory Mosher, music by Stuart Klawans, costumes by Marsha Kowal, sets by Michael Merritt, lights by Robert Christen, 1979 September 11-[?]
• Light Up the Sky by Moss Hart, directed by David Petrarca, sets by Michael Yeargan, costumes by Jess Goldstein, lighting by Duanne Schuler, sound design by Rob Milburn, 1997 March 24-April 19
• A Little Night Music by Steven Sondheim and Hugh Wheeler, directed by Michael Maggio, sets by John Lee Beatty, costumes by Virgil C. Johnson, lighting by Michael S. Philippi, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, 1994 June 17-August 21
• The Lone Canoe, or The Explorer by David Mamet, directed by Gregory Mosher, music and lyrics by Alaric Jans, sets by John Lee Beatty, costumes by Christa Scholtz, lighting by Pat Collins, 1979 May 18-June 24
• Long Day's Journey into Night by Eugene O'Neill, directed by George Keathley, sets by Joseph Nieminski, lights by F. Mitchell Dana, costumes by Virgil Johnson, 1976 November 12-December 19
• Lorraine Hansberry's to Be Young, Gifted and Black, adapted by Robert Nemiroff, directed by Patrick Henry, costumes by Andrea Kalish, set designs by Joseph Nieminski, lighting by Daniel Adams, 1974 February 19-March 2
• Ma Rainey’s Black Bottom by August Wilson, directed by Chuck Smith. Sets by Scott Bradley, costumes by Paul Tazewell, lighting by Robert Christen, sound by Rob Milburn, musical direction by Kimo Williams, 1997 June 30-July 27
• Macbeth by William Shakespeare, directed by Sam Wanamaker, Patrick Henry as associate director, sets by James Maronek, costumes by Yvonne Bronowicz, lights by G.E. Naselius, music by Donald Andrus, starring Sam Wanamaker, with Lillian Evans, 1964 November 27-December 20
• The Madwoman of Chaillot by Jean Giraudoux, translated by Maurice Valency, directed by John Reich, sets designed by Richard Kent Wilcox, costumes by Uta Olson, music by Albert Hague, lighting by G.E. Naselius, choreography by Frances Allis, starring Zoe Caldwell, with Sue Ann Park, 1964 October 23-November 14
• The Man in the Glass Booth by Robert Shaw, directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lights by G.E. Naselius, Robert Moody as scenic artist, 1970 April 13-May 17
• The Man of Destiny and The Great Catherine by George Bernard Shaw, Man of Destiny directed by Joseph Slowik, Great Catherine directed by Robert Quinn, sets by William Ryan, costumes by Sylvia Wintle, lighting by G.E. Naselius, starring Geraldine Kay, 1958 February 14-March 2
• A Man's a Man by Bertolt Brecht, translated by Eric Bentley, directed by Joseph Slowik, sets designed by James Maronek, costumes by D. Hudson Sheffield, lights by G.E. Naselius, music by Joseph Raposo, starring Terry Lomax, with Helena Carroll, 1968 March 29-April 24
• The Man Who Had Three Arms by Edward Albee, directed by Edward Albee, sets designed by John Jensen, costumes by Barbara A. Bell, lights by F. Mitchell Dana, 1982 September 24-October 31
• Marching Song by John Whiting, directed by Douglas Seale, sets by Sandro La Ferla, costume design by Alicia Finkel, lights by Jerrold Gorrell, 1971 March 1-April 4
• Marvin's Room by Scott McPherson, directed by David Petrarca, sets by Linda Buchanan, costume design by Claudia Boddy, lights by Robert Christen, musical composition and sound design by Rob Milburn, 1993 March 22-April 18
• Measure for Measure by William Shakespeare, directed by Charles McGaw, sets by Marc Cohen, costumes by Alicia Finkel, lights by G.E. Naselius, music by Kelly Danford, with Donald Harron, Clayton Corzatte, and Haskel Gordon, 1969 February 14-March 15
• The Merchant of Venice by William Shakespeare, directed by Charles McGaw, sets designed by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, choreography by Frances Allis, starring Morris Carnovsky, with Mariette Hartley, 1959 October 30-November 15
• The Merchant of Venice by William Shakespeare, directed by Peter Sellars, costume design by Dunya Ramicova, lighting by James F. Ingalls, sound design by Bruce Odland, 1994 September 30-November 5
• A Midsummer Night's Dream by William Shakespeare, directed by Michael Maggio and co-directed by Steve Scott, sets by John Conklin, costumes by Susan Hilferty, lighting design by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O’Slynne, with Joan Cusack, 1991 March 8-April 13
• The Misanthrope by Moliere, in a new version by Neil Bartlett, and further adapted by Robert Falls, presented with the La Jolla Playhouse, directed By Robert Falls, set design by George Tsypin, costume design by Susan Hilferty, lighting by James F. Ingalls, and sound design by Rob Milburn, 1989 September 29-November 4
• The Miser by Moliere, translated by George Gravely, directed by John Reich, sets designed by Marc Cohen, costumes by D. Hudson Sheffield, lights by Edgar Swift, starring Bramwell Fletcher, with Donna Holabird, 1967 October 20-November 15
• Miss Evers' Boys by David Feldshuh, directed by Kenny Leon (artistic director, Alliance Theatre, Atlanta), set design by Michael Olich, costumes by Susan E. Mickey, lighting by Robert D. Peterson, choreography by Darlene Blackburn, and sound designer, composer and musical director, Dwight Andrews, 1991 September 13-October 27
• Mother Courage and Her Children by Bertolt Brecht, English adaptation by Eric Bentley, directed by Joseph Slowik, sets by James Maronek, costumes by Uta Olson, original music by Paul Dessau, lighting by G.E. Naselius, starring Eugenie Leontovich, 1964 May 8-27
• The Millionairess by George Bernard Shaw, directed by John Reich, sets by Jacob Burch, lighting by G.E. Naselius, starring Patricia Jessel, 1963 October 25-November 12
• Moon for the Misbegotten by Eugene O’Neill, directed by Daniel Sullivan, set design by Eugene Lee, costume design by Jane Greenwood, lighting design by Pat Collins, original music composed and sound design by Richard Woodbury, 2000 January 24-February 19
• Morning, Noon and Night by Spaulding Gray, 1999 September 7-12
• Mourning Becomes Electra by Eugene O'Neill, directed by William Woodman, sets by John Jensen, costumes by James Edmund Brady, lights by F. Mitchell Dana, music selected by Nick Venden, with Judith Ivey, 1976 January 2-February 8
• Margarida's Way, 1982 August 31-September 5
• Much Ado About Nothing by William Shakespeare, directed by Joseph Slowik, sets by George Pettit, costumes by Uta Olson, lights by Jerrold Gorrell, music by Nina Reta, co-starring Carrie Nye and James Ray, with Vincent Park, 1967 February 17-[?]
• Much Ado About Nothing by William Shakespeare, directed by William Woodman, sets by Herbert Senn and Helen Pond, costumes by Virgil Johnson, lights by Stephen Ross, dances by Ruth Page, incidental music and songs by Alaric Jans with Judith Ivey, 1978 February 10-March 19
• My Heart's in the Highlands by Williams Saroyan and The American Dream by Edward Albee, directed by Charles McGaw, sets by Francis Morigi, costumes by Uta Olson, lighting by G.E. Naselius, music arranged by Paul Bowles, starring Studs Terkel in Highlands, and Beverly Younger in Dream, 1962 January 12-30
• Native Son, adapted by Paul Green from the novel by Richard Wright, directed by Gregory Mosher, scenery by Joseph Nieminski, costumes by Christa Scholtz, lighting by Pat Collins with Mike Nussbaum and Meshach Taylor, 1978 October 6-November 12
• The Night of the Iguana by Tennessee Williams, directed by George Keathley, sets designed by Joseph Nieminski, costumes by Marsha Kowal, lights by Robert Christen, 1978 March 31-May 7
• The Night of the Iguana by Tennessee Williams, directed by Robert Falls, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Richard Woodbury, featuring William L. Petersen and Cherry Jones, 1994 March 4-April 10
• The Night Thoreau Spent in Jail by Jerome Lawrence and Robert E. Lee, directed by Patrick Henry, scenic design by James Maronek, costumes by Daniel Pugh, lights by Bengt Nygren, starring Christopher Walken, 1971 January 18-February 21
• The Odyssey by Homer, directed by Mary Zimmerman, set design by Daniel Ostling, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Willie Schwarz, 1999 September 27-November 6
• Oh, What a Lovely War, by Joan Littlewood's Theatre Workshop, directed by Patrick Henry, set designs by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by John Cina, starring Terry Lomax, 1967 May 5-28
• The Old Religion by David Mamet, 1997 November 10
• The Old Settler by John Henry Redwood, 1998 March 16-April 18
• Old Times by Harold Pinter, directed by Michael Kahn, scenic design by Marjorie Kellogg, lights by G.E. Naselius, 1972 October 8-November 12
• On Borrowed Time by Paul Osborne, directed by Joseph Slowik, sets designed by James Harrington, costumes by Tony Eikenbarry, lighting by G.E. Naselius, starring Leo G. Carroll, 1961 May 12-30
• On the Open Road by Steve Tesich, World Premiere, directed by Robert Falls, sets by George Tsypin, costumes by Gabriel Berry, lighting design by Michael Philippi, sound design by Rob Milburn, projections by John Boesche, 1992 March 6-April 11
• Oo-Bla-Dee by Regina Taylor, directed by Regina Taylor and Susan V. Booth, set design by Donald Eastman, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Coleridge-Taylor Perkinson, 1999 March 15-April 17
• Orchards, seven American playwrights present stories by Anton Chekhov: Marie Irene Fornes, Spaulding Gray, John Guare, David Mamet, Wendy Wasserstein, Michael Weller, and Samm-Art Williams, An Acting Company production, directed by Robert Falls, sets by Adrianne Lobel, costumes by Laura Crow, lights by Paul Gallo, music by Louis Rosen, 1986 May 23-June 29
• Othello by William Shakespeare [production cancelled], [1964]
• Othello by William Shakespeare, directed by Charles McGaw, sets by James Maronek, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, starring James Earl Jones and Len Cariou, 1968 February 16-March 13
• Otherwise Engaged by Simon Gray, directed by William Woodman, scenic design by Joseph Nieminski, lighting designed by F. Mitchell Dana, costumes by James Edmund Brady, 1978 May 12-June 18
• Our Fathers Failing by Israel Horovitz, World Premiere, directed by John Dillon, sets designed by Stuart Wurzel, costumes by John David Ridge, lighting by Arden Fingerhut, 1976 March 26-May 2
• Our Town by Thornton Wilder, directed by George Keathley, sets by Joseph Nieminski, costumes by James Edmund Brady, lights by Gilbert Hemsley, 1975 October 3-November 9
• Pal Joey by John O'Hara, music by Richard Rogers, lyrics by Florenz Hart, directed by Robert Falls, choreography by Ann Reinking and Chet Walker, sets by Thomas Lynch, costumes designed by Marty Pakledinaz, with Kevin Anderson, Ivory Ocean and Del Close, 1988 June 3-July 24
• A Passage to India by E.M. Forster, adapted for the stage by Santha Rama Rau, directed by Charles McGaw, sets by James Maronek, costumes by Caley Summers, lighting by G.E. Naselius, starring Lillian Gish, 1963 January 11-30
• Pal Joey by John O'Hara, directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, with Nancy Marchand, 1973 May 13-June 17
• Panto by Derek Wolcott, directed by Gregory Mosher, scenery and costumes by David Gropman, lighting by Robert Christen, sound by Michael Schweppe, with Roscoe Lee Brown, 1982 January 15-February 21
• Passion Play by Peter Nichols, directed by Frank Galati, sets by John Conklin, costumes by Jessica Hahn, lights by Kevin Rigdon, sound by Rob Milburn, 1988 January 8-February 13
• The Pedestrian in the Air (Le Pieton de l'Air) by Eugene Ionesco, translated by Donald Watson. American Premiere, directed by Joseph Slowik, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, starring Alvin Epstein, 1966 January 7-[?]
• The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade by Peter Weiss, directed by Charles McGaw, sets designed by James Maronek, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, choreography by Frances Allis, music by Richard Peaslee, co-starring Jerome Kilty and James Ray, 1966 October 21-November 16
• The Philanthropist by Christopher Hampton, Midwest Premiere, directed by Michael Montel, sets designed by Peter Wexler, costumes by John David Ridge, lights by Ken Billington, with Judith Ivey and Swoosie Kurtz, 1975 February 14-March 23
• The Piano Lesson by August Wilson, directed by Lloyd Richards, sets by David Cosier, Jr., costumes designed by Constanza Romero, lighting by Christopher Akerlind, sound design by J. Scott Servheen, music by Dwight Andrews, 1989 January 6-February 18
• A Place Without Doors (L'Amante Anglaise) by Marguerite Dumas, Midwest Premiere, directed by Brian Murray, original lighting design by Ronald Wallace and adapted by G.E. Naselius, with Mildred Dunnock, Alvin Epstein, and Hiram Sherman, 1971 September 21-October 10
• Play Mas by Mustapha Matura, directed by Derek Walcott, scenery and costumes designed by Adrienne Lobel, lighting by Robert Christen, sound by Michael Schweppe, 1981 April 10-May 17
• Play On! conceived by Sheldon Epps, based on the book by Cheryl L. West, with the songs of Duke Ellington, directed by Sheldon Epps, choreography by Mercedes Ellington, set design by James Leonard Joy, costume design by Marianna Elliott, lighting design by Michael Gilliam, sound design by Rob Milburn, and music direction by J. Leonard Oxley, 1998 June 19-August 16
• Plenty by David Hare, directed by Gregory Mosher, scenery by Marjorie Kellogg, costumes by Virgil Johnson, lighting by Jennifer Tipton, music by Nick Bicat, 1981 February 22-April 5
• Poor Bitos (Pauvre Bitos) by Jean Anouilh, directed by Douglas Campbell, sets by Marc Cohen, costumes by Virgil Johnson, lighting by Wayne Tignor, hair design by Susan and James Chiaro, 1971 April 12-May 16
• Purple Dust by Sean O'Casey, directed by Joseph Slowik, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, with Louis Zorich and Avery Schreiber, 1959 February 20-March 8
• Red Noses by Peter Barnes, American Premiere, directed by Jeff Steitzer, sets designed by Scott Weldin, costumes by Laura Crow, lighting by Robert Paulsen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Jim Corti, 1987 September 25-October 31
• A Raisin in the Sun by Lorraine Hansberry, directed by Thomas Bullard, sets by Karen Schulz, lights by Dennis Parichy, costumes by Judy Dearing, with Jackie Taylor and Ernest Perry, Jr., 1983 September 23-October 30
• A Raisin in the Sun by Lorraine Hansberry, directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, sound design by Rob Milburn, 2000 May 1-June 3
• Rashomon by Ryunosoke Akutagawa, adapted for the stage by Fay and Michael Kanin, directed by Patrick Henry, sets by James Maronek, costumes by Kurt Wilhelm, lights by G.E. Naselius, music by Lawrence Rosenthal, starring Douglas Rain, [1964-1965]
• The Recruiting Officer by George Farquhar, John Harrison as guest director from London, set designed by James Maronek, costumes by Alicia Finkel, lighting by G.E. Naselius, co-starring Ronnie Graham and Jerome Kilty, with Maurice Copeland, 1969 May 9-June
• Red River by Pierre Laville, translated by David Mamet, directed by Robert Woodruff, sets designed by Karen Schulz, costumes by Susan Hilferty, lighting by Paul Gallo, choreography by Charles Vernon, 1983 April 22-May 29
• Red Roses for Me by Sean O'Casey, John O'Shaugnessy as guest director, sets by James Maronek, costumes by E. Oliver Olsen, lights by Jerrold Gorrell, choreography by Thomas Jaremba, music by Robert Lombardo, 1969 January 3-February 1
• The Resistible Rise of Arturo Ui by Bertolt Brecht and adapted by George Tabori, directed by William Woodman, music by Hans-Dieter Hosalla, sets by Joseph Nieminski, costumes by John David Ridge, lights by Gilbert Hemsley, Jr, 1975 March 28-May 4
• Richard II by William Shakespeare, directed by David Petrarca, sets by Russell Metheny, costume design by Virgil C. Johnson, lighting design by James F. Ingalls, sound by Rob Milburn, music composed by Miriam Sturm and Rob Milburn, featuring Mike Nussbaum and Martha Lavey, 1994 January 14-February 19
• Richard III by William Shakespeare, directed by William Woodman, sets designed by John Jensen, lighting by F. Mitchell Dana, fights staged by Michael Tezla, costumes by James Edmund Brady, music composed by Alaric Jans, 1977 February 11-March 20
• The Rivals by Richard Brinsley Sheridan, directed by Joseph Slowik, sets by Bruce Koenig, costumes by Uta Olson, lights by G.E. Naselius, starring Brenda Forbes, with Vincent Park, 1963 May 3-21
• Riverview: A Melodrama with Music, by John Logan, World Premiere, staged by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Thomas Lynch, costume design by Nan Cibula, lighting by Michael S. Philippi, sound by Richard Woodbury, vocal and dance arrangements by Larry Schanker, musical direction by Helen Gregory, orchestrations by David Siegel, musical supervision and original music by Larry Schanker, 1992 June 12-August 9
• The Road by Wole Soyinka, directed by Wole Soyinka, sets by Patricia Woodbridge, costumes by Judy Dearing, lights by Stephen Strawbridge, with Ernest Perry, Jr. and Ivory Ocean, 1984 April 20-May 27
• Romeo and Juliet by William Shakespeare, directed by Michael Maggio, sets by Michael Merritt, costumes by Nan Cibula, lights by Jennifer Tipton, sound by Rob Milburn, music by Larry Schanker, choreography by Beatrix Rashid, fight choreography by Steve Pickering, with Phoebe Cates, 1988 October 3-November 5
• The Rover by Aphra Behn, adapted by John Barton, directed by Kyle Donnelly, sets by John Lee Beatty, costumes by Lyndsay Davis, lighting by Judy Rasmuson, sound by Rob Milburn, music by Rob Milburn and Larry Schanker, combat and masque staging by Michael Sokoloff, 1989 February 24-April
• The Royal Family by George S. Kaufman and Edna Ferber, directed by Douglas Seale, costumes by Virgil Johnson, sets designed by James Maronek, lights by Jerrold Gorrell, Robert Moody as scenic artist, with Mike Nussbaum, 1972 January 20-February 27
• Royal Gambit (Henry VIII and His Wives) by Herman Gressieker, translated and adapted by George White, directed by Melvin Bernhardt, sets designed by Andre Wauters, costumes by Tom Eikenbarry, lighting by G.E. Naselius, starring Sam Wanamaker, 1961 January 13-[?]
• The Ruling Class by Peter Barnes, directed by Patrick Henry, costumes by Virgil Johnson, sets by Sandro La Ferla, lighting by Wayne Tignor, Robert Moody as scenic artist, choreography by Gus Giordano, 1972 March 2-April 9
• The Salzburg Everyman by Hugo von Hofmannsthal, translated by John Reich, directed by John Reich, sets designed by William Ryan, costumes by Sylvia Wintle, lights by G.E. Naselius, choreography by Frances Allis, music by Bob Michaels, starring Donald Buka, Uka Diehl and Avery Schreiber, [1957-1958]
• The Salzburg Great Theatre of the World by Hugo von Hofmannsthal, translated by Lisel Mueller and John Reich, World Premiere in English, directed by John Reich, sets by James Maronek, costumes by E. Oliver Olsen, costumes by Alicia Finkel, choreography by Thomas Jaremba, lights by G.E. Naselius, music by Robert Lombardo, starring Edgar Daniels, with Dina Halpern and Maurice Copeland, 1968 October 4-November 2
• The Sea Gull by Anton Chekhov, directed by Gregory Mosher, sets designed by Joseph Nieminski, lighting by Pat Collins, costume design by Virgil Johnson, 1977 November 11-December 18
• Scenes from American Life by A.R. Gurney, Jr, directed by Harold Stone, scenic design by David Jenkins, costumes by Alicia Finkel, lights by Beverly Emmons, Bill McCauley as musical director, 1972 November 26-December 31
• The Sea by Edward Bond, American Premiere, directed by William Woodman, sets designed by David Jenkins, costumes by James Brady, lights by F. Mitchell Dana, with Judith Ivey, 1974 November 15-December 22
• The Seagull by Anton Chekhov, adapted by Regina Taylor, 2001 April 27-May 27
• Seven Guitars by August Wilson, World Premiere, directed by Walter Dallas, sets by Scott Bradley, costume design by Constanza Romero, lighting by Christopher Akerlind, sound by Tom Clark, musical direction by Dwight Andrews, 1995 January 13-February 18
• Sgnarelle: An Evening of Moliere Farces, translated by Albert Bermel, directed by Andre Serben, sets by Michael Yeargan, lights by James Ingalls, costumes by Dunja Ramicova, music by Stephen Drury, 1982 May 28-July 3
• She Always Said, Pablo, words by Gertrude Stein, conceived by Frank Galati, directed by Frank Galati, production designed by John Paoletti, Geoffrey Bushor and Mary Griswold, choreography by Steven Ivcich and Peter Amster, music by Virgil Thomson and Igor Stravinsky, 1987 February 27-April 4
• She Always Said, Pablo, conceived and directed by Frank Galati. At the Kennedy Center for the Performing Arts, Eisenhower Theater, production design by John Paoletti, Mary Griswold and Geoffrey Bushor, sound design by Robert Neuhaus, choreography by Peter Amster, musical direction and arrangements by Edward Zelnis, 1990 June 28-July 22
• The Show Off by George Kelly, directed by Gene Lesser, sets by Marjorie Kellogg, lights by Pat Collins, costumes by James Edmund Brady, with William H. Macy, 1976 December 31-1977 February 6
• Six Characters in Search of an Author by Luigi Pirandello, American Repertory Theatre, directed Robert Brustein, sets and costumes by Michael Yeargan, lights by Jennifer Tipton, 1985 June 7-July 14
• The Skin of Our Teeth by Thornton Wilder, directed by Patrick Henry, sets designed by Richard Kent Wilcox, costumes by Kurt Wilhelm, lights by G.E. Naselius, starring Edward Binn and Eugenie Leontovich, with Beverly Younger and Carrie Snodgrass, 1966 March
• The Skin of Our Teeth by Thornton Wilder, directed by David Petrarca, sets by Michael Yeargan, costume design by Catherine Zuber, lighting by Christopher Akerland, sound design by Rob Milburn, 1992 September 25-October 31
• Soldiers by Rolf Hochhuth, directed by Douglas Seale, sets designed by James Maronek, costumes by Alicia Finkel, lighting designed by G.E. Naselius, scenery painted by Robert Moody, 1969 October 20-November 23
• A Soldier's Play by Charles Fuller, directed by Douglas Turner Ward, sets by Felix Cochren, costumes by Judy Dearing, lights by Allen Lee Hughes, featuring Adolph Caesar and the Negro Ensemble Company, 1983 June 13-July 24
• The Speed of Darkness by Steve Tesich, directed by Robert Falls, sets by Thomas Lynch, costumes designed by Nan Cibula, lighting designed by Michael Phillipi, sound and music by Rob Milburn, 1989 April 14-May 20
• Joan by George Bernard Shaw, directed by John Clark, scenery by David Jenkins, costumes by James Edmund Brady, lights by F. Mitchell Dana starring Lynn Redgrave, 1977 September 23-October 30
• Streamers by David Rabe, Midwest Premiere, directed by Gregory Mosher, sets designed by Joseph Nieminski, lights by Pat Collins, costumes by Marsha Kowal with William H. Macy and Meshach Taylor, 1977 March 25-May 1
• The Suicide by Nikolai Erdman, directed by Gregory Mosher, sets by Michael Merritt, lighting by Arden Fingerhut, costumes by Christa Scholtz, sound by Michael Schweppe, 1980 October 3-November 9
• Sunday in the Park with George by James Lapine, music and lyrics by Stephen Sondheim, directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Nan Cibula, lights by Robert Christen and John Boesche, choreography by Michael Sokoloff, 1987 June 15-September 6
• Talley's Folly by Lanford Wilson, directed by Marshall Mason, sets by John Lee Beatty, lighting designed by Dennis Parichy, costumes by Jennifer Von Mayrhauser, sound by Chuck London, 1980 April 11-May 18
• The Taming of the Shrew by William Shakespeare, directed by Charles McGaw, sets designed by James Maronek, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, music by Louis Russo, starring Leo Ciceri, 1960 October 28-[?]
• Tartuffe by Moliere, translated into English verse by Richard Wilbur, directed by John Reich, sets by George Pettit, costumes by Uta Olson, lighting designed by G.E. Naselius, starring Jerome Kilty, with Edgar Daniels, Sue Ann Park, and Carrie Snodgrass, 1966 November 25-December 18
• The Tempest by William Shakespeare, directed by Douglas Seale, sets by James Maronek, costumes by Alicia Finkel, scenery painted by Robert Moody, choreography by Wilbert Bradley, original music and electronic effects by Robert Lombardo, lighting design by Jerold Gorrell, 1970 January 19-February 22
• The Tempest by William Shakespeare, directed by Robert Falls, sets designed by Adrianne Lobel, costumes designed by Jessica Hahn, lights by James F. Ingalls and John Boesche, music by Louis Rosen, with James O'Reilly, Del Close and Ivory Ocean, 1987 April 17-May 29
• The Three Moscowteers by Dmitri Karamazov, directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls, 1984 June 1-July 8
• The Three Moscowteers by Dmitri Karamazov, directed by Robert Woodruff, music by Douglas Wieselman, sets designed by Kate Edmunds, costumes by Susan Hilferty, lights by James Ingalls, 1984 June 1-July 8
• The Three Penny Opera by Bertolt Brecht and Kurt Weill, English adaptation by Marc Blitzstein, directed by Douglas Seale, musical direction by Ronald Jones, scene design by James Maronek, costumes by Virgil Johnson, lights by G.E. Naselius, choreography by Wilbert Bradley, 1970 October 12-November 15
• Three Sisters by Anton Chekhov, translated by Tyrone Guthrie and Leonid Kipnis, directed by Eugenie Leontovich, with Charles McGaw, sets designed by Richard Wilcox, costumes by Caley Summers, lights by G.E. Naselius, starring Richard Waring, 1963 November 29-December 18
• Three Sisters by Anton Chekhov, new English translation by Richard Nelson, directed by Robert Falls, set and costume design by Santo Loquasto, lighting design by James F. Ingalls, sound by Richard Woodbury, musical direction and arrangements by Larry Schanker, 1995 March 10-April 15
• Tiger at the Gates by Jean Girardoux, translated by Christopher Fry, directed by Bella Itkin, sets designed by Paul Leonard, costumes by Sylvia Wintle, lights by G.E. Naselius, starring Michael Hall, 1958 January 10-26
• The Time of Your Life by William Saroyan, featuring the Remains Theatre Ensemble, directed by Donald Moffett, sets designed by Thomas Lynch, costume by Nan Cibula, lighting by Robert Christen, with Del Close, Dennis Farina, Amy Morton and William L. Petersen, 1984 March 2-April 8
• ‘Tis Pity She's a Whore by John Ford, directed by Michael Kahn, scenic designs by Robert U. Taylor, costumes by Lawrence Casey, lighting by John McLain, fencing choreographed by Larry Carpenter, choreography by Beulah Abrahams, 1975 January 3-February 9
• 'Tis Pity She's a Whore by John Ford, directed by JoAnne Akalatis, set design by John Conklin, costume design by Gabriel Berry, lighting by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O'Slynne, fight direction by David Leong, and original music composed by Jan A. Kaczmarek, 1990 March 2-April 7
• Tobias and the Angel by James Bridie, directed by Bella Itkin, sets by J. Van Eyck, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Francis Allis, music by John Towey, 1963 March 24-[?]
• Tom Paine by Paul Foster, Midwest Premiere, directed by Patrick Henry, sets by Joseph Nieminski, costumes by Virgil Johnson, lights by Jerold Gorell, music by Tom O'Horgan, starring Michael Higgins, with Ellen Travolta, 1969 March 28-April 26
• The Tooth of Crime by Sam Shepard, directed by Michael Kahn, music composed by Tony Zito, sets designed by John Kasarda, costumes by John David Ridge, lights by Gilbert Hemsley, 1974 January 8-February 10
• A Touch of the Poet by Eugene O'Neill, directed by Robert Falls, set design by Derek McLane, costume design by Birgit Rattenborg Wise, lighting design by Kenneth Posner, with Brian Dennehy, 1996 April 26-June 8
• The Trial, adapted by Andre Gide and Jean-Louis Barrault from the novel by Franz Kafka, directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, costumes by Sylvia Wintle, with Dorothy Konrad and June Pyskacek, 1959 April 3-19
• Twelfth Night by William Shakespeare, directed by Douglas Seale, music by Robert Lombardo, sets designed by Sandro La Ferla, costumes by Alicia Finkel, lights by Jerrold Gorrell, 1970 November 30-1971 January 10
• Twelfth Night by William Shakespeare, directed by Neil Bartlett, music composed and directed by Nicholas Bloomfield, movement directed by Leah Hausman, set and costume design by Richard Hudson, lighting design by Scott Zielinski, sound design by Rob Milburn, 1992 January 10-February 22
• Twentieth Century by Ben Hecht and Charles MacArthur, with Bruce Milholland, directed by William Woodman, sets and lights by Clarke Dunham, costumes by Virgil Johnson, 1973 February 18-March 25
• Two-Part Inventions by Richard Howard, directed by Michael Feingold, scenery by David Lloyd Gropman, lights by Jennifer Tipton, costumes by Christa Scholtz, 1979 January 12-February 18
• Two Trains Running by August Wilson, Chicago Premiere, (extended March 4-14, 1993 at the New Regal Theater), directed by Lloyd Richards, sets by Tony Fanning, costumes by Chrisi Karvonides-Dushenko, lighting design by Geoff Korf, sound design by Rob Milburn, with Roscoe Lee Brown, 1993 January 15-February 27
• Uncle Vanya by Anton Chekhov, translated by Stark Young, directed by Alan Schneider, sets by James Maronek, lights by G.E. Naselius, costumes by Uta Olson, starring Walter Abel, with Melinda Dillon, 1961 April 7-25
• Uncle Vanya, by Anton Chekhov, adapted by David Mamet from an English translation by Vlada Chernomirdik, directed by Michael Maggio, sets by Linda Buchanan, costume design by Nan Cibula, lighting by James F. Ingalls, sound design by Rob Milburn, with John Mahoney, 1990 April 20-May 26
• Under Milkwood by Dylan Thomas, directed by Charles McGaw, sets by James Maronek, lighting by G.E. Naselius, music by George Estevez, starring Ivor Harries, 1961 February 24-March 14
• Venus Observed by Christopher Fry, directed by John Reich, sets and lights by James Harrington, costumes by Uta Olson, starring Tom Helmore, Avery Schreiber and Melinda Dillon, 1960 December 2-21
• The Visit by Frederich Duerrenmatt, adaptation by Maurice Valency, directed by David Petrarca, set design by Paul Steinberg, costume design by Virgil Johnson, lighting design by James F. Ingalls, sound design by Rob Milburn, original music composed by Rob Milburn and Larry Schanker, musical direction by Larry Schanker, 1991 April 26-June 2
• Waiting for Godot by Samuel Beckett, directed by Michael Maggio, set design by Riccardo Hernandez, costume design by Nan Cibula-Jenkins, and lighting design by Donald Holder, 1999 January 18-February 20
• The Water Engine by David Mamet, directed by Steven Schachter, sets by John Lee Beatty, lights by Dennis Parichy, costumes by Jessica Hahn, music by Alaric Jans, with William H. Macy, 1985 May 6-June 2
• The Water Engine by David Mamet, Ravinia, directed by Steven Schachter, sets by John Lee Beatty, costumes by Jessica Hahn, lights by Dennis Parichy, music by Alaric Jans, 1985 September 17-21
• Welcome to Our Living Room, 1982 September 7-19
• The Winter's Tale by William Shakespeare, directed by Bella Itkin, sets by James Maronek, costumes by Uta Olson, lighting by G.E. Naselius, masks by Patrick Henry, choreography by Frances Allis, music by John Towney, starring Leo Ciceri, with Linda Hunt, 1965 November 26-[?]
• The Winter's Tale by William Shakespeare, directed by Frank Galati, set design by John Conklin, costumes by Virgil Johnson, lighting by Jennifer Tipton, sound design by Rob Milburn, original music composed by Rob Milburn, Willy Schwarz and Miriam Sturm, 1990 January 12-February 17
• Working, from the book by Studs Terkel, songs by Craig Carnelia, Micki Grant, Stephen Schwartz, and James Taylor, with additional songs by Susan Birkenhead and Mary Rogers, adapted and directed by Stephen Schwartz, dance and incidental music by Michelle Brourman, sets by David Mitchell, costumes by Marjorie Slaiman, lighting by Pat Collins, musical direction and vocal arrangements by Stephen Reinhardt, sound design by Abe Jacobs, choreography by Graciela Daniele with Joe Mantegna, 1977 December 30-1978 February 5
• You Can't Take It with You by George S. Kaufman and Moss Hart, directed by Edward Payson Call, sets by Marc Cohen, costume design by Virgil Johnson, lighting by G.E. Naselius, scenery painted by Robert Moody, 1969 December 1-21
• The Young and the Fair by N. Richard Nash, directed by Bella Itkin, sets designed by William Ryan, lights by G.E. Naselius, costumes by Sylvia Wintle, with Beverly Younger, 1959 January 16-February 1
• The Young Man from Atlanta by Horton Foote, directed by Robert Falls, set design by Thomas Lynch, costumes by David C. Woolard, lighting by James F. Ingalls, and sound design and musical composition by Richard Woodbury, starring Shirley Knight and Rip Torn, 1997 January 27-March 1
• Zoot Suit by Luis Valdez, directed by Henry Godinez, set design by Christopher Acebo, costume design by Nan Zabriskie, lighting design by Michael Philippi, sound design by Michael Bodeen, original music composed by Daniel Valdez, songs composed by Lalo Guerrero, 2000 June 16-July 30

Studio productions include:

• Activents and Happenchances – a Celebritual for 10/130; I Have a Lady in the Balcony, Doctor!; Focus! Bofus?; and US(-a), directed by Patrick Henry, [1966 May 16-19]
• After the Fall by Arthur Miller, directed by Alice Cohen, sets by Oseloka Osadebe, costumes by Al Tucci, lighting by Joseph Pohnan, with Guy Giarrizzo, [1969]
• Ah, Wilderness! by Eugene O'Neill, directed by David Avcollie, sets by Thomas Beall, costumes by Bobbie Hodges, lights by Mary Lou Papada, 1976 April 29-May 9
• Alcestis by Euripides, directed by Charles Likar, Jr., sets and costumes by Kurt Wilhelm, lights by Woolley, 1965 October 25-28
• All That Fall and Play by Samuel Beckett, directed by Libby Appel, sets by Michael O'Kane, costumes by Dunja Ramicova, lighting by Robert Shook, 1971 February 1-13
• All the Way Home by Tad Mosel, based on the novel A Death in the Family by James Agee, Warren Enters as guest director, sets by Gary Gorman, costumes by Marcy Stine, lighting by Lawrence Dean, with Carrie Snodgrass, 1967 October 23-28
• And So to Bed by J.B. Fagan, directed by Eugenie Leontovich, sets designed by Linda Wukovich, costumes by Marcy Stein, lighting by Lawrence Dean, 1967 May 8-14
• All God's Children Got Wings, [1960-1961?]
• The Amorous Flea, based on Moliere's School for Wives, by Jerry Devine, music and lyrics by Bruce Montgomery, directed by Kelly Danford, sets by James Reed, costumes by Sam Smith, lighting by James Hegwood, 1970 October 12-24
• Antigone, adapted by Lewis Galatiere from the play by Jean Anouilh, directed by A.C. Thomas, sets by James Maronek, costumes by Maggie Bodwell, lighting designed by G.E. Naselius, 1979 March 8-18
• Apollo of Bellac by Jean Girardoux, directed by Harvey Landa, [1959-1960]
• Arms and the Man by George Bernard Shaw, directed by Steve Kardaleff, sets designed by Ford Larsen, costumes by Margaret Danielson, 1963 March 25-28
• As You Like It by William Shakespeare, directed by Jack Jones, sets designed by Brad Loman, costumes by Niki Rudisill, lighting by William C. Fox, choreography by Estelle Spector, 1974 March 1-March 17
• Auto-da-Fe, The Gnadiges Fraulein, and The Long Stay Cut Short by Tennessee Williams, directed by Robert Leonard, sets by Michael Latoria, costumes by James Larsen, lighting by David Barton, 1966 October 24-30
• Avner the Eccentric,1981 May 29-June 28
• Avner the Eccentric, performed by Avner Eisenberg, 1988 February 16-28
• Baal by Bertolt Brecht, directed by Charles McGaw, sets designed by Vincent Faust, costumes by Julie Nagel, lights by Paul Thompson, music by Reggie Schwander, 1971 November 13-21
• Bad Moon by Rick Cleveland, American Blues Theatre production, directed by William Payne, sets by James Dardenne, lights by Mary Badger, costumes by Erin Quigley, music by James Schneider, 1988 June 29-[?]
• The Bald Soprano and The Lesson by Eugene Ionesco, directed by Joseph Slowik, sets by Bill Wilson, costumes by Peri Grenell, 1961 October 30-November 2
• The Baltimore Waltz by Paula Vogel, directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by Rita Pietraszek, sound design by Michael Bodeen, original music composed by Michael Bodeen, William Schwarz and Miriam Sturm 1993 April 2-May 2
• The Beautiful People by William Saroyan, directed by Robert Lowery, 1963 March 4-5
• The Beckett Project (3 plays by Samuel Beckett): Ohio Impromptu, directed by Alan Schneider, sets and lights by Rocky Greenberg; Eh, Joe, directed by Rick Cluchey, sets and lights by Kevin Rigdon; and A Piece of Monologue, directed by Alan Schneider, staged by Rocky Greenberg and David Warrilow, [1982-1983]
• Bedlam Galore, for Two or More and Jack, or The Submission by Eugene Ionesco, directed by Joseph Slowik, sets and costumes by designed by Kurt Wilhelm, 1964 October 26-29
• Between Two Thieves by Warner LeRoy, an Evening School production directed by Bella Itkin, sets by James Harrington, costumes by Emily Mason, lighting by Terry Shevalenko, 1963 January 14-17
• Bigtime by Keith Reddin, Remains Theatre production, directed by Larry Sloan, sets and lights by Kevin Rigdon, costumes by Laura Cunningham, sound design by Rob Milburn, 1987 November 4-December 20
• A Bill of Three One-Acts: The Shy and the Lonely, by Irwin Shaw and directed by Jim Cavanaugh; Hyacinth Halvey, by Lady Gregory and directed by Sue Ann Young; This Music Crept by Me Upon the Water, by Archibald MacLeish and directed by Hani Snobar, sets and lighting by Kert Lundell, costumes by Hubert Braden, with Avery Schreiber, [1957-1958]
• Billy Liar by Keith Waterhouse and Willis Hall, directed by Roy Clary, 1964 January 15-16
• The Birthday Party by Harold Pinter, directed by Patrick Henry, sets and lighting designed by Gene Lee, programs, 1962 February 26-March [?]
• Blood Wedding by Federico Garcia Lorca, directed by Donald Biehn, scenic design by Vincent Faust, costumes by Susan Lopez, lights by Philip Evola, 1973 April 10-April 22
• The Bloody Tenet by James Schevill. Chicago Premiere, directed by Robert Quinn, choreographed by Frances Allis, [1957-1958?]
• The Boy Friend by Sandy Wilson, directed by Michael Thompson, choreography by Dick Stephens, sets designed by John Retseck, lighting by Alfred Jutzi, costumes by John Buehler, 1963 December 2-5
• Bread and Puppet Theater's Diagonal Man: Theory and Practice, written by Peter Schumann, directed by Peter Schumann, 1983 November 2-20
• Brecht on Brecht by George Tabori, directed by Lewis Musil, sets by Norbert Fend, costumes by Madeline Grigg, lights by Frank Warner, 1969 April 1-5
• Brutality of Fact by Keith Reddin, World Premiere, directed by Michael Maggio, set design by Linda Buchanan, lighting design by Robert Christen, 1994 February 11-March 13
• Bury the Dead by Irwin Shaw, a Sub-Studio Production directed by Jim Cavanaugh, lighting by William Weingart, 1957 October 25
• Camino Real by Tennessee Williams, adapted and directed by Joseph Slowik, scenic design by Dean Taucher, costumes by Julie Jackson, lighting by Christine Decyk, sound design by Eric Strand, 1975 December 4-14
• Candida by George Bernard Shaw, directed by James Latrimore, [1959-1960]
• Catch 22 by Joseph Heller, directed by James Engelhardt, scenic design by David Emmons, costumes by Nancy Grabowski, lighting by Neal Yablong, 1974 April 5-April 21
• Celebration by Tom Jones and Harvey Schmidt, directed by Thom Racina, sets by Frank Bradley, lights by Bengt Nygren, costumes by Al Tucci and Ferruccio Garavaglia, choreography by Joel Kazar, 1970 January 11-17
• The Chalk Garden by Enid Bagnold, directed by Melvin Bernhardt, 1960 December 8-9
• A Clearing into the Woods by Arthur Laurents, directed by Melvin Bernhardt, [1959 November?]
• The Chalk Garden by Enid Bagnold, directed by Robert Leonard, sets by Mary Feindt, costumes by James Larsen, lighting by Len Sherwin, 1967 February 20-26
• Chamber Music by Arthur Kopit, directed by Martin Brezell, 1967 February 27
• Charlotte by Peter Hacks, directed by Herbert Bergof, with Uta Hagen, 1982 February 8-14
• The Cherry Orchard by Anton Chekhov, directed by Bella Itkin, sets by James Reed, lighting by Kenneth Peters, costumes by Daniel Pugh, 1971 April 5-May 8
• The Children's Hour by Lillian Hellman, directed by Judi Speer, 1961 November 4-5
• The Chinese Wall by Max Frisch, directed by Patrick Henry, costumes by Margaret Danielson, lighting by Al Jutzi, sets by Andrew Gilfillan, 1963 May 4-7
• Circus Minimus, [1969-1970]
• Clerambard by Marcel Ayme, directed by Melvin Bernhardt, lighting by Jack Hickey, costumes by Rose-Marie Long, 1960 November 7-10
• Cloud Tectonics by Jose Rivera, co-produced with Teatro Vista, directed by Henry Godinez, sets by Robert C. Martin, costumes by Sharon Sachs, lighting design by Robert Shook, sound by Robert Neuhaus, 1995 September 18-October 8
• The Cold Wind and the Warm by S.N. Behrman, directed by Thomas Heino, 1962 February 19-20
• The Collection by Harold Pinter, directed by John Reich, lighting by Jerrold Gorrell, costumes by Al Tucci, 1968 March 26
• Commencement Exercises by Steve Tesich, World Premiere, directed by Robert Falls, 1991 November 11-December 1
• A Country Scandal by Anton Chekhov, directed by Libby Appel, sets by William Kent, costumes by Gay Crusius, lighting designed by Charles Letts, musical direction by Carol Francis, 1973 May 8-May 20
• The Crucible by Arthur Miller, directed by Robert Loxley, sets by Erwin Schroeter, costumes by James Larsen, lights by Frank Kaufman, 1966 January 10-13
• A Cry of Players by William Gibson, directed by Jack Jones, sets designed by Marc Cohen, costumes by Daniel Pugh, lights by Wayne Tignor, with Guy Giarrizzo and Bruce Boxleitner, 1970 February 22-28
• Dark of the Moon by Howard Richardson and William Berney, directed and designed by Patrick Henry, 1961 January 23-26
• The Days and Nights of Beebee Fenstermaker by William Snyder, directed by Herb Felsenfeld, 1965 January 11-12
• Death of a Salesman by Arthur Miller, directed by Dan Clifford, sets designed by Neil Jampolis, costumes by Hedi Riemann, 1963 April 3-6
• The Death and Life of Sneaky Fitch by James L. Roseberg, World Premiere, directed by Patrick Henry, sets by Thomas Clark, costumes by Marianne Powell, lighting by Edgar Swift, 1967 January 16-22
• Deep in a Dream of You, written by David Cale, music by Roy Nathanson, World Premiere, directed by David Petrarca, production design by Linda Buchanan, sound design by Rob Milburn, 1991 January 25-February 24
• The Diary of Ann Frank, dramatized by Frances Goodrich and Albert Hackett, directed by Thomas Heino, sets and lights by Ford Larsen, costumes by Hedi Riemann, 1963 November 11-14
• Dinny and the Witches by William Gibson, directed by Harvey Landa, sets by Francis Morigi, choreography by Charles Abbate, costumes by Adela Hamielec, lights by J. Van Eyck, 1961 November 13-16
• The Dog in the Manger by Lope de Vega, directed by Eugenie Leontovich, sets by Joseph Nieminski, costumes by James Larsen, lights by John O'Connor, 1968 April 1-6
• Down the Shore by Tom Donaghy, World Premiere, directed by David Petrarca, set and costume design by Linda Buchanan, lighting design by Robert Christen, sound design by Rob Milburn, 1992 February 7-March 8
• Edmond by David Mamet, directed by Gregory Mosher, scenery by Bill Bartel, costumes by Marsha Kowal, lights by Kevin Rigdon, fight choreography by David Wooley, with Jack Wallace, [1981-1982]
• Eh? by Henry Livings, directed by Jay Jans, sets by Oseloka Osadebe, costumes by Bupha Chuvisavaphong, lights by Robert McLay, 1969 February 17-22
• Elliot Loves by Jules Feiffer, World Premiere, directed by Mike Nichols, sets by Tony Walton, costume design by Ann Roth, lighting design by Paul Gallo, sound by Rob Milburn, 1990 April 13-May 13
• The Empire Builders by Boris Vian, directed by Bella Itkin, sets by Norbert Fencl, costumes by Daniel Pugh, lighting by Joe Pohnan, choreography by Thomas Jaremba, 1969 December 8-11
• Escape from Paradise by Regina Taylor, directed by Shirley Jo Finney, sets by Scott Cooper, lighting by Robert Christen, sound by Michael Bodeen, projections by Royd Climenhaga, 1995 October 30-November 19
• Eurydice by Jean Anouilh, directed by Rilla Bergman (as an MFA requirement), [1960? Spring]
• Exit the King by Eugene Ionesco, directed by David Jewell, sets by Jeffrey Masters, costumes by Martha Ferrara, lights by Frank Waketsch, 1972 March 11-19
• The Firebugs by Max Frisch, Midwest Premiere, John O'Shaugnessy as guest director, sets by Alan Traynor, costumes by Al Tucci, lights by Gerald Thamm, 1968 October 7-12
• The Flowering Peach by Clifford Odets, directed by Robert Feingold, 1964 May 21-22
• Four One-Act Plays by Bertolt Brecht: The Jewish Wife, The Exception and the Rule, The Informer, and The Elephant Calf. An Evening School production directed by Joseph Sax, sets by Reid Carlson, lights by Margaret Danielson, [1965]
• Freak, written and performed by John Leguziamo, in workshop, 1997 March 12-30
• From the Mississippi Delta by Dr. Endesha Ida Mae Holland, directed by Jonathan Wilson, sets by Michael S. Philippi, costume design by Jeffrey Kelly, lighting by Chris Phillips, sound design by Robert Schoellhorn, 1990 October 12-November 25
• Funeral Games by Joe Orton and Vampire by Snoo Wilson, adapted and directed by Joseph Slowik, sets by David Emmons, costumes by Ruth Deters, lighting by Rebecca Binks, music by Phillip Kusie, 1974 November 29-December 15
• Gallows Humor by Jack Richardson, directed by Patrick Henry, sets by Patricia Taxman, lighting by John Retsek, 1962 November 12-15
• Gardenia by John Guare, directed by Gregory Mosher, costumes by Nan Cibula, lighting by Kevin Rigdon, scenic design by David Emmons and Gregory Mosher, with Gary Cole and Elizabeth Perkins, William L. Petersen, and Jack Wallace, 1983 April 25-May 15
• Gas I and II by George Kaiser, directed by Jean Louis Baldet, sets by William Auperlee, costumes by Kathleen Hollcraft, lights by Donald Schulman, 1972 January 15-23
• Gertrude Stein, Gertrude Stein, Gertrude Stein, 1982 March 3-14
• Gertrude Stein: Each One as She May, adapted by Frank Galati, directed by Frank Galati, music composed by Reginald Robinson and Miriam Sturm, set design by Mary Griswold, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Rob Milburn, music arranged and directed by Rob Milburn and Miriam Sturm, 1995 February 3-March 5
• Gigi by Anita Loos, directed by Leo Maroules, sets designed by Pat Taxman, sets by Ford Larsen, lighting by Burt Rissman, 1963 May 22-25
• The Glass Menagerie by Tennessee Williams, directed by Robert Lowery, costumes by Janet Warren, lighting by Andrew Gilfillan, sets by J. Van Eyck, 1963 May 13-16
• Glengarry Glen Ross by David Mamet, directed by Gregory Mosher, sets by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, with Robert Prosky, Joe Mantegna, William L. Petersen, and Jack Wallace, 1984 January 27-March 4
• The Grass Harp by Truman Capote, [1961-1962?]
• The Great Git-Away by Romeo Muller, World Premiere, directed by Patrick Henry, lighting designed by Bengt Nygren, costumes by Jeanne Sinclaire, 1968 November 18-23
• Hamlet by William Shakespeare, directed by Charles McGaw, duel staged by Bruce Rogers Wright, sets by Joe Hennessy, costumes by Ferruccio Garavaglia, lights by Ralph Lorenz, sound by Michael Merker, 1977 March 3-19
• Hannele by Gerhart Hauptmann, English version by John Reich, a Workshop production directed by John Reich, sets and costumes by Thomas Barnes, choreography by Frances Allis, music by George Estevez, with Belinda Bremner, 1961 March 1-4
• Hat Full of Rain by Michael Gazzo, directed by Parker Rushing, 1963 November 18-19
• He Who Gets Slapped by Leonid Andreyev, directed by William Pappas, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm, 1965 January 11-14
• The Heiress, [1964-1965?]
• The Heroes by John Ashberry, directed by Herb Felsenfeld and Still Life by Noel Coward, directed by Joseph Sax, 1963 May 20-21
• Hey You, Lightman by Oliver Hailey, directed by Trevellya Ford, 1965 May 24-29
• him by e.e. cummings, directed by Patrick Henry, sets designed by Kurt Wilhelm, lighting by Neil Jampolis, costumes by Patricia Taxman, 1963 October 28-31
• Hold Me by Jules Feiffer, directed by Estelle Spector, music by Erroll Pearlman and David Rush, choreography by Carol Delik, sets by Harriet M. Ball, costumes by Bobbie Hodges, lights by James Highland, 1979 January 25-February 4
• Home and Away, written and performed by Kevin Kling, directed by Steven Dietz, lighting design by Robert Christen, 1992 March 18-[?]
• The Hostage by Brendan Behan, adapted and directed by Joseph Slowik, scenic design by Stephen Packard, costumes by Irene Behrenfeld, lights by Tom Boucher, 1976 October 28-November 7
• The Hot L Baltimore by Lanford Wilson, directed by Rae Allen, scenic design by Brad Loman, costumes by Sandi Kabins, lights by Dale Kovarik, 1975 April 4-April 20
• Hotel Paradiso by Peter Glenville, directed by William Pullinsi, 1964 May 18-19
• The House of Bernarda Alba by Federico Garcia Lorca, a Sub-Studio Production, [1961-1962?]
• A House Not Meant to Stand by Tennessee Williams, directed by Garry Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lighting by Robert Christen, sound by Michael Schweppe, 1981 April 1-12
• The House of Bernarda Alba by Federico Garcia Lorca, directed by William Pappas, sets by Reid Carlson, costumes by Joan Kleinbard, lights by Carmine Picarella, with Carrie Snodgrass, 1965 November 29-December 2
• I'm Talking About Jerusalem by Arnold Wesker, directed by Thomas Heino, sets and lights by Bruce Koenig, costumes by John Buehler, 1964 April 6-9
• Impressions of Grotowski by Joseph Slowik, 1969 November 20-29
• In the Belly of the Beast, arranged and directed by Robert Falls, a Wisdom Bridge Theatre production, 1983 November 30-December 31
• The Infernal Machine by Jean Cocteau, directed by Patrick Henry, sets and lights by Neil Jampolis, costumes by Kurt Wilhelm, 1964 May 11-14
• The Italian Straw Hat by Eugene Labiche, with Marc-Michael, directed by Robert Feingold, 1963 December 9-10
• Jack, or The Submission and The Chairs by Eugene Ionesco, directed by Joseph Slowik, sets by James Maronek, costumes by Richard Parks, lighting by Daniel Lesh and Ralph Lorenz, [1977-1978]
• Jacob Marley’s Christmas Carol by Tim Mula, 1998 December 4-27
• Jacob Marley’s Christmas Carol by Tim Mula, directed by Steve Scott, set and lighting design by John Culbert, sound design by Robert Neuhaus, original musical composition by Larry Schanker, 1999 December 1-19
• Jamie and the Nine 300 by Clifford Browder, directed by Kelly Danford, sets designed by Joseph Nieminski, costumes by Julie Nagel, lights by Kenneth Peters, 1972 February 12-20
• Juggling Cheap Theatricks: The Karamazov Brothers, 1980 June 5-29
• Jungle Coup by Richard Nelson, directed by David Chambers, sets designed by Kevin Rigdon, costumes by Marsha Kowal, lighting by Jennifer Tipton, with Mike Nussbaum, Jack Wallace, 1983 February 18-March 20
• Kaspariana, conceived and directed by Joseph Slowik, with textual excerpts from Georg Buechner, Peter Handke, Eugene Ionesco, and Jacob Wasserman, sets by Ronald Morgan, costumes by Julie Nagel, lighting by James Highland, 1972 May 13-21
• The Killer by Eugene Ionesco, directed by Joseph Slowik, scenic design by Robert Skaggs, costumes by Susan Gayford, lighting by James Highland, 1974 February 1-February 17
• Krapp's Last Tape by Samuel Beckett, directed by Samuel Beckett, 1980 January 10-February 3
• Krapp's Last Tape and Endgame by Samuel Beckett, directed by Samuel Beckett, with Rick Cluchey and the San Quentin Drama Workshop, 1980 September 25-October 18
• Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1979 December 6-30
• Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1980 December 3, 1980-January 4
• Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1981 December 18-30
• Kukla and Ollie Live!: The Theatre of Burr Tillstrom, 1982 December 17-24
• Ladies in Retirement by Edward Percy and Reginald Denham, directed by Kelly Danford, scene design by Nancy Long, costumes by Julie Nagel, lights by William Kent, 1973 February 6-February 14
• The Laundry by David Guerdon, directed by Jack Jones, sets by Michael O'Kane, lights by David Stukey, costumes by John Szumigala and Julie Nagel, 1971 May 18-29
• Let Me Live by Oyamo, directed by Ron OJ Parson, set design by Lori Fong, costume design by Christine Pascual, lighting design by Kathy A. Perkins, and sound design by Matt Kozlowki, 1998 April 20-May 10
• The Liar by Carlo Goldoni, directed by Libby Appel, sets by Gary Cartwright, costumes by Julie Rutlin, lighting by Curtis M. Jacobson, 1975 May 2-May 18
• Light Up the Sky by Moss Hart, a Laboratory Workshop Production directed by Robert B. Quinn, sets, costumes and lights by James Harrington, 1958 May 5
• Lillian by David Cale, directed by Joe Mantello, 1997 October 27-November 16
• Lloyd's Prayer by Kevin Kling, Remains Theatre production, directed by David Petrarca, scenery by Tamara Turchetta, costumes by Frances Maggio, sound by Richard Woodbury, lighting by Robert Christen, 1988 September 19-October 23
• The Long Voyage Home by Eugene O'Neill, directed by Badry Fareed; and A Young Lady of Property by Horton Foote, and directed by Edward Ewald, 1964 March 23-24
• Look Back in Anger by John Osborne, a Laboratory Workshop Production directed by Jim Cavanaugh, sets, costumes and lights by Walt Blind and Tony Eikenbarry, 1958 March 10-12
• Look Homeward, Angel by Ketti Frings, directed by Charles McGaw, costumes by Rose-Marie Long, 1960 December 11-17
• The Long Christmas Dinner by Thornton Wilder, directed by John Towey, with Carrie Snodgrass, 1967 January 16-17
• Macbeth by William Shakespeare, directed by Jack Jones, sets and lights by Eric Fielding, costumes by Sandi Kabins, 1976 March 4-20
• A Macbeth by Charles Marowitz, directed by Patrick Henry, costumes by Dunja Ramicova, sets by Michael O'Kane, lights by J. Sally, 1971 October 16-24
• Machinal by Sophie Treadwell, directed by Parker Ruching, sets and lights by John Retseck, costumes by Kurt Wilhelm, 1964 February 24-27
• The Mad Dog Blues by Sam Shepard, directed by Edwin Schmidtke, original music composed by Elliot Delman, musical direction by June Shellene, stage fights by Bruce Rogers Wright, scenic design by Tom Beall, costumes by Lise Griggs, lights by Kathy Daly, sound production and design by Roger Dale Weissman, 1977 February 3-13
• Mademoiselle Colombe by Jean Anouilh, adapted by Louis Kronenberger, directed by Thomas Bertholf, sets and lights by Neil Jampolis, costumes by Patricia Taxman, 1964 March 19-22
• Major Barbara by George Bernard Shaw, an Evening School production directed by Harvey Landa, 1961 March 27-30
• Major Barbara by George Bernard Shaw, directed by John Clingerman, scenic design by Dean Taucher, costumes by Ruth Deters, lights by Marc Andrew Warshell, 1975 January 31-February 16
• Many Loves by William Carlos Williams, directed by Charles McGaw, lights by John Nathan, costumes by Daniel Pugh, with Bruce Boxleitner, 1970 March 15-2
• Many Moons by James Thurber, adapted by Charlotte Chorpenning, directed by Jean Thornton, with Carrie Snodgrass, 1966 May 9-10
• The Marowitz Hamlet by Charles Marowitz, directed by Patrick Henry, sets and lights by Herbert Schmoll, costumes by Madeline Grigg, music by Walter Lowe, 1969 October 12-18
• The Matchmaker by Thornton Wilder, directed by Herman Fell, costumes by Adele Hamilec, sets designed by Jack Million, 1962 April 11-14
• Marvin's Room by Scott McPherson, World Premiere, directed by David Petrarca, set design by Linda Buchanan, costumes by Claudia Boddy, lighting design by Robert Christen, sound design and original music composed by Rob Milburn, 1990 February 9-March 11
• The Meeting by Jeff Stetson, directed by Chuck Smith, sets and lights designed by Tim Oien, costumes designed by Glen Billings, sound design by Corbiere T. Boynes, 1989 November 21-December 24
• The Memorandum by Vaclav Havel, directed by James Ostholhoff, sets designed by William Aupperlee, costumes by Dunja Ramicova, lighting by John Wilke, with Bruce Boxleitner, 1971 February 22-March 6
• The Merry Guys Who Windsurf, Practical Theatre Company, 1984 May 17-July 1
• Merton of the Movies by George Kaufman and Marc Connelly, adapted and directed by Kelly Danford, music and lyrics by David Coleman, choreography by Frank Ventura, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Estelle Thompson, sound by Daniel Aberson, 1974 November 1-17
• Middle of the Night by Paddy Chaevsky, directed by Joseph Sax, sets designed by Ford Larsen, lighting by Jerrold Gorrell, 1964 May 20-23
• A Midsummer Night's Dream by William Shakespeare, directed by Bella Itkin, sets and lights by Nels Anderson, costumes by Curtis Flowers, music by Jeffrey Woods, 1978 March 9-19
• Mill Fire by Sally Nemeth, World Premiere, directed by David Petrarca, sets by Linda Buchanan, costumes by Laura Cunningham, lighting by Robert Christen, sound by Rob Milburn, 1989 April 3-May 14
• Millennium Mambo: A Collection of Short Works conceived by Regina Taylor, directed by Henry Godinez, set design by Linda Buchanan, costume design by Brenda Rousseau, lighting design by Robert Christen, sound design and original music composed by Joe Cerqua, 2000 February 14-March 5
• The Miracle Worker by William Gibson, directed by William Pullinsi, sets by Reid Carlson, lights by Richard Cortright, costumes by James Larsen, 1964 November 30-December 3
• Mirror of the Invisible World, adapted by Mary Zimmerman from the Persian epic, Haft Paykar, set design by Dan Ostling, costumes by Mara Blumenfeld, lighting by John Culbert, sound by Michael Bodeen, 1997 April 21-May 11
• The Misanthrope by Moliere, translated by Richard Wilbur, University of Chicago Professional Theatre Program, at the Law School Auditorium of the University of Chicago, directed and produced by John Reich, sets by James Maronek, costumes by D. Hudson Sheffield, with George Grizzard and Barbara Boxley, [1965-1966]
• Miss Margarida's Way by Roberto Athayde, directed by Roberto Athayde, with Estelle Parsons, 1982 January 19-31
• Monster in a Box and Terrors of Pleasure, written and performed by Spaulding Gray; Monster in a Box directed by Renee Shafransky, 1990 September 4-9
• Narrow Road to the Deep North by Edward Bond, directed by Patrick Henry, sets by Beverly Sobieski, lights by Franklin Warner, costumes by Ferruccio Garavaglia, 1971 April 26-May 8
• The Nest by Franz X. Kroetz, translated by Roger Downey, Remains Theatre in a U.S. Premiere, directed by Ted Levine, music by Lloyd King, sets by Patrick Kerwin, lights by Kevin Rigdon, costumes by Natalie West, 1985 August 27-[?]
• Night Must Fall by Emlyn Williams, directed by David Morris, 1963 January 17-18
• The Notebooks of Leonardo da Vinci, adapted by Mary Zimmerman, directed by Mary Zimmerman, sets by Scott Bradley, costume design by Allison Reeds, lighting by T.J. Gerckens, sound by Michael Bodeen, music composed by Miriam Sturm and Michael Bodeen, 1993 October 29-December 19
• The Notebooks of Leonardo Da Vinci adapted by Mary Zimmerman, directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm, 1997 December 15-1998 January 25
• On the Road: The Search for American Character by Anna Devere Smith [scheduled to be performed in 1997 but was cancelled], [1997]
• Our Town by Thornton Wilder, [1958-1959?]
• The Pain of Macho, written and performed by Rick Najera, directed by John Bowab, lighting design by T.J. Gerckens, sound by David Naunton, 1993 July 6-18
• A Phoenix Too Frequent by Christopher Fry, directed by Rilla Bergman, [1959-1960]
• Picnic by William Inge, directed by David Morris, sets by Ford Larsen, costumes by Amy Frank, 1963 February 18-21
• A Pirate’s Lullaby by Jessica Litwik, directed by Susan V. Booth, set designed by John Culbert, costumes by Linda Roethke, lighting by Michael S. Philippi, sound by Rob Milburn, 1996 April 8-28
• The Playboy of the Western World by John Synge, directed by Dan Clifford, sets designed by Amy Frank, costumes by Ford Larsen, 1962 October 29-November 1
• The Playboy of the Western World by John Millington Synge, directed by Jack Jones, scenic design by George Caldwell, costumes by Curtis Flowers, light and sound design by Ralph Lorenz, 1977 October 27-November 6
• The Potting Shed by Graham Greene, a Laboratory Workshop Production directed by H. Theodore Werner (as an MFA requirement), sets, costumes and lights designed by Kert Lundell, 1958 April 21
• The Prodigal by Jack Richardson, directed by Steve Kardaleff, sets by J. Van Eyck, costumes by Pat Taxman, 1963 January 14-17
• Professor Taranne by Arthur Adamov, directed by Charles Likar, Jr, 1965 February 22-23
• The Promise by Aleksei Arbuzov, directed by Bella Itkin, sets by Karl Kachvor, costumes by Dale Wibben, lights by Rob Rothstein, 1979 April 12-22
• Puddin N' Pete by Cheryl L. West, World Premiere, directed by Gilbert Wadadazaf McCauley, sets by Clay Snider, costume design by Yslan Hicks, lighting by Robert Shook, sound by Richard Woodbury, 1993 February 5-March 7
• Puntila and His Hired Man by Bertolt Brecht, directed by Ibrahim Jalal, sets designed by Ford Larsen, costumes by Bruce Koenig, 1962 December 3-7
• The Queen and the Rebels by Ugo Betti, directed by Judith Ann Speer, sets by James Harrington, 1962 April 2-5
• The Rape of the Belt by Benn Levy, directed by Joseph Sax, 1963 November 4-5
• Rashomon, adapted from stories by Ryunosoke Akutagawa, by Fay and Michael Kanin, directed by Patrick Henry (as an MFA requirement), with Avery Schreiber, [1960 Spring?]
• The Real Inspector Hound and Albert's Bridge by Tom Stoppard, directed by Dale McFadden, scenic design by Stephen Packard, costumes by Richard Parks, lighting designed by Mike Sarich, 1977 April 7-17
• Red by Chay Yew, directed by David Petrarca, performed at the Long Warf Theater, New Haven, Connecticut, 1999 January-February 7
• Red Cross by Sam Shepard, directed by Grace Dacanay, 1969 April 7
• The Redthroats, written and performed by David Cale, production management, lighting adaptation and execution by Sandra Hamilton, lighting design by Carol McDowell, 1988 February 2-7
• Reno Once Removed, conceived, written and performed by Reno, developed with and directed by Evan Yionoulis, original music by Evan Yionoulis, lighting by Dan Kotlowitz, 1992 September 9-27
• Rhinoceros by Eugene Ionesco, directed by Charles Likar, Jr, 1965 May 17-18
• Right You Are If You Think You Are by Luigi Pirandello, directed by Charles McGaw, scenic design by Greg Buch, costumes designed by Margaret Maggard, lights by Phillip Evola, 1973 November 30-December 16
• Rip Van Winkle, as played by Joseph Jefferson, directed by Joseph Sax, sets and lighting by Neil Jampolis, costumes by John Retseck, 1963 January 13-16
• The Rimers of Eldritch by Lanford Wilson, directed by Patrick Henry, sets by Allan Traynor, costumes by Marcy Stine, lights by Lawrence Dean, 1968 May 6-11
• Roadside by Lynn Riggs, directed by Charles Applegate (as an MFA requirement), sets by John Braden, costumes by Tony Eikenbarry, lighting by Hubert Braden, 1958 June 2
• Romeo and Juliet by William Shakespeare, directed by Bella Itkin, sets by Eric Fielding, costumes by Nancy Grabowski, lights by Terry Jenkins, choreography by Estelle Spector, fights staged by Ron Piretti and Ted Wass, 1975 February 28-March 16
• The Room (set design by Robert Hartman) and The Collection (sets by Linda Wukovich) by Harold Pinter, directed by Joseph Slowik, costumes by Al Tucci, lighting by Gerald Thamm, 1968 January 15-21
• Royal Gambit by Herman Gressieker, directed by Rilla Bergman, [1959-1960]
• The Royal Gambit by Hermann Gressieker, directed by Jack Jones, costumes and sets by Virgil Johnson, lighting by G.E. Naselius, 1978 November 9-19
• Saved by Edward Bond, directed by George Drayton Boyd, sets by Paul Appel, costumes by Martha Ferrara, lights by David Stukey, 1971 December 11-19
• A Scent of Flowers by James Saunders, directed by Jerry Tullos, sets by Beverly Sobieski, costumes by Chris Valente, lights by Jay Sally, 1970 December 7-19
• Schoolgirl Figure by Wendy MacLeod, directed by David Petrarca, set design by Todd Rosenthal, costume design 2000 March 31-April 30
• The Sea Gull by Anton Chekhov, directed by Eugenie Leontovich, sets by Mary Feindt, costumes by D. Hudson Sheffield, lighting by Edgar Swift, 1967 November 27-December 2
• See the Jaguar by Richard Nash, directed by Hani Ibrahim Snobar (as an MFA requirement), sets, costumes and lights by Hubert Braden, 1958 May 19
• Seeking the Genesis by Kia Corthron, directed by Walter Dallas, set design by Robert C. Martin, costumes by Karin Kopischke, lighting by Kathy Perkins, and sound by Rob Milburn, 1996 October 28-November 17
• Seventy Scenes of Halloween by Jeffrey Jones, presented by the Remains Theatre, directed by James Roach, sets by Patrick Kerwin, lighting by Mary McAuliffe, costumes by Kathryn Kerch, [1985-1986]
• “Shall We Go? Yes, Let’s Go,” Three Plays by Samuel Beckett, directed by Samuel Beckett, Rick Cluchey and Michael Maggio, lighting design by B. Emil Boulos, 1999 January 29-February 7
• She Stoops to Conquer by Oliver Goldsmith, directed by Eleanor Logan, sets by David Emmons, costumes by Julie Nagel, lights by Terry Jenkins, 1973 November 2- [?]
• A Shot in the Dark by Marcel Achard, directed by Lane Corvey, 1963 March 18-19
• Sin by Wendy MacLeod, World Premiere, directed by David Petrarca, set design by Scott Bradley, costumes by Allison Reeds, lighting design by Robert Christen, sound by Rob Milburn, with Amy Morton, 1994 October 21-November 27
• Six Characters in Search of an Author by Luigi Pirandello, directed by Jack Warner, S.J., sets by Janet Roller, lights by J.B. Spector, [1977-1978]
• Small Craft Warnings by Tennessee Williams, directed by Michael Merker, sets and costumes designed by Brad Loman, lights by Kathleen Daly, sound design by J.B. Spector, 1977 December 1-11
• Smooch Music, words by David Cale, music by Roy Nathanson, lighting design by Carol McDowell, production management and lights by Sabrina Hamilton, 1989 March 7-26
• Southern Exposure by Owen Crump, directed by Steve Kardaleff, 1962 November 19-20
• A Spaulding Gray Retrospective by Spaulding Gray, 1982 October 28-December 19
• Spinning into Butter by Rebecca Gilman, directed by Lee Waters, 1999 May 16-June 27
• Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, directed by Robert Steinhauer, sets by Thomas Dorwart, costumes by Marianne Powell, lights by Richard Cortright, 1966 February 21-24
• Speak of the Devil by Tom Sand and Herbert Hecht, directed by Estelle Spector, musical direction by Errol Pearlman, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, lights by C.K. Kirk, 1975 November 6-16
• Spic-O-Rama: A Dysfunctional Comedy, written and performed by John Leguziamo, in association with Latino Chicago, (extended January 28-March 15, 1992 at the Briar Street Theatre), developed and directed by Peter Askin, lighting design by Ken Bowen, 1992 January 16-26
• The Sport of My Mad Mother by Ann Jellicoe, [1964-1965?]
• Spring's Awakening by Frank Wedekind, directed by Joseph Slowik, scenic design by Nels Anderson, lighting by Roger Weissman, sound design by Kathleen Daly, costumes by Hollis Levy, fighting staged by Bruce Rogers Wright, 1977 May 5-15
• Spunk: Three Tales by Zora Neal Hurston, adapted for the stage by George C. Wolfe, music by Chic Street Man, Chicago Premiere, directed and choreographed by Donald Douglass, set design by Amy Smith, costumes by Birgit Rattenborg Wise, lighting design by Ken Bowen, mask and puppet design by Barbara Pollitt, sound by David Naunton, 1992 April 3-June 7
• Still Life by Emily Mann, directed by Emily Mann, sets and costumes by Tom Lynch, lights by Robert Christen, 1980 October 21-November 2
• Straight As a Line by Luis Alfaro, directed by Henry Godinez, set and production design by John Boesche, costume design by Nan Zabriskie, lighting design by David Gipson, sound design by Robert Neuhaus, and musical composition by KAMYS, 1998 September 22-October 11
• Stuff as Dreams are Made On, performed and adapted by Fred Curchack, 1988 March 9-20
• Subject to Fits by Robert Montgomery, directed by Libby Appel, lighting by Kathleen Kampp, sets by David Emmons, costumes by Kathleen Hollcraft, 1972 April 8-16
• Summer Brave by William Inge, directed by Bella Itkin, scenic design by Donna Thompson, costumes by Phyllis Hojnacki, lights by Steve Burgess, 1974 May 13-May 19
• Summer of the Seventeenth Doll by Ray Lawler, directed by Khalid Rahman, 1966 April 4-5
• Summer of the Seventeenth Doll by Ray Lawler, directed by Bella Itkin, sets by Dean Taucher, costumes by Bobbie Hodges, lighting by Daniel Lesh, sound by Michael Barich, 1976 December 9-19
• Summertree by Ron Cowen, directed by Gene Falcetta, sets by Frank Bradley, costumes by Sam Smith, 1970 March 15-21
• The Taming of the Shrew by William Shakespeare, directed by Charles McGaw, sets by David Emmons, choreography by Estelle Spector, costumes by Martha Ferrara, lights by Paul Gregory, news clipping, 1973 March 6-March 18
• Teach Me How to Cry by Patricia Jourdy, directed by Leo Maroules, 1963 February 25-26
• Ten Blocks on the Camino Real by Tennessee Williams, directed by Badry Fareed, sets by Reid Carlson, lights by John Retseck, costumes by Margaret Danielson, 1965 February 22-25
• Three One-Act Plays by Kenneth Sawyer Goodman: A Man Can Only Do His Best, directed by Angelo Gabrielides; Back of the Yards, directed by J. Latrimore, Ephraim and the Winged Bear directed by Rilla Bergman, sets by Jack Million, lighting by Lou Nesslar, 1958 December 15-18
• Three One-Act Plays: The Romantics by Mike Kactschman and directed by Ginger Flick; Pigeons by Lawrence Osgood and directed by Martin Brenzell and Ginger Anne by Deric Washburn and directed by Al Fenske, 1966 December 1-2
• Three New Plays: The Disappearance of the Jews by David Mamet and directed by Gregory Mosher, starring Joe Mantegna; Hot Line by Elaine May and directed by Art Wolff, starring Elaine May, Peter Falk and Del Close; and Gorilla by Shel Silverstein and directed by Art Wolff, starring Ron Silver, scenery and costumes designed by Franne Lee, lights by Rita Pietraczek, 1983 June 2-26
• Through a Glass Darkly by Gene Trayler, directed by Susan Rae, 1964 March 2-3
• A Thurber Carnival by James Thurber, directed by Michael Thompson, 1963 April 1-2
• The Ticklish Acrobat by Robert Hivner, directed by June Pyskacek, [1959-1960]
• The Ties that Bind, two plays by Regina Taylor: Watermelon Rinds and Inside the Belly of the Beast, directed by Shirley Jo Finney, sets designed by John Culbert, lights by Robert Christen, costumes by Allison Reeds, sound by Michael Bodeen, choreography by Darlene Blackburn, 1994 April 8-May 8
• The Time of Your Life by William Saroyan, [1957-1958?]
• The Time of Your Life by William Saroyan, directed by Joseph Slowik, sets designed by Nels Anderson, costumes by Julie Jackson, lights by Karl Kachvor, 1979 May 17-27
• Times Square, by Leonard Melfi and directed by Grace Dacanay; and Chicago by Sam Shepard and directed by Alice Cohen, sets and lights by Frank Bradley, costumes by Al Tucci, with Guy Giarrizzo, 1969 October 27-30
• To Damascus by August Strindberg, directed by Bella Itkin, sets designed by Thomas Dorwart, lighting by Margaret Danielson, 1964 November 18-21
• Tobacco Road by Jack Kirkland, from the novel by Erskine Caldwell, directed by Libby Appel, sets by Joe Hennessy, costumes by Bobbie Hodges, lights by Robert Frederick, sound design by Tom McCurdy, 1976 February 5-15
• A Touch of the Poet by Eugene O'Neill, directed by Linda Hardy, sets by Jeffrey Masters, costumes by Niki Rudisill, lighting by James Wischmeyer, 1973 January 9-January 21
• Transformations, conceived by Regina Taylor, collection of one-act plays: Prophecy by Peter Handke and directed by Marianne Kim; The Owl Answers by Adrienne Kennedy and directed by Susan V. Booth; Kheal by Maria Irene Fornes and directed by Regina Taylor; Red Cross by Sam Shepard and directed by Henry Godinez; and The One by Oliver Pitcher and directed by Cheryl Lynn Bruce. Set design by Todd Rosenthal, costume design by Loren Coco Mayer, lighting design by Joseph Appelt, sound design and original music composed by Joe Cerqua, 1997 February 7-March 9
• The Trial, a dramatization of Franz Kafka's novel by Andre Gide and Jean-Louis Barrault, directed by Mohammed Mohyaldeen, sets by Frank Bradley, costumes by Ferruccio Garavaglia, lights by Paul Thompson, 1970 October 2-14
• Twelfth Night by William Shakespeare, directed by Melvin Bernhardt, sets and costumes by Thomas Barnes, lights by John Kohlman, 1961 May 15-18
• Unjustifiable Acts by Aaron Overson, directed by Harry J. Lennix, sets design by Robert C. Martin, costumes by Laura Cunningham, lighting by Diane Ferry Williams, sound by Rob Milburn, 1996 February 12-March 3
• S.A. by John Dos Passos and Paul Shyre, an Evening School production directed by Joseph Sax, sets and lights by Joseph Pettit, 1965 March 15-18
• Viet Rock by Megan Terry, a Sub-Studio production directed by Thomas Racina, with Joe Mantegna, [1968 April 25]
• The Visit by Frederick Durrenmatt, adapted by Maurice Valency, directed by Bella Itkin, sets designed by John Van Eyck, costumes by Hedi Riemann, 1964 January 5-8
• Vivisections from the Blown Mind by Alonzo D. Lamont, Jr., directed by Chuck Smith, set design by James Dardenne, costumes by Michael Alan Stein, lighting design by Todd Hensley, and sound by Corbiere T. Boynes and Rob Milburn, 1995 April 7-May 7
• My Werewolf by John Schneider, Theatre X production, directed by David Schweizer, music by Wes Savick, sets by James Matson, costumes by Sam Fleming, lighting by Margaret Nelson, [1986-1987]
• When You Comin' Back Red Ryder? by Mark Medoff, directed by Anthony Petitto, scenic design by Robert Platte, costumes by Lise Griggs, lights by Eric Strand, 1976 April 1-11
• Who's Happy Now by Oliver Hailey, directed by Joseph Slowik, sets by Calvin Churchman, costume designs by Martha Ferrara, lights by Marsha Hardy, 1972 November 28-December 10
• The Wild Duck by Henrik Ibsen, directed by Jack Jones, scene design by William Schmiel, costumes by Kathleen Hollcraft, lights by James Highland, 1972 October 31-November 12
• Wingless Victory, [1957-1958?]
• Wings, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, based on a play by Arthur Kopit, World Premiere, directed by Michael Maggio, set design by Linda Buchanan, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Richard Woodbury, musical direction by Brad Veith, 1992 October 16-December 13
• The Women by Clare Booth Luce, directed by Fred Wroblewski, sets designed by Warren Scott, lights by Lymon Dunning, costumes by Bupha Chuvisavaphongh, 1968 February 19-24
• The World of Sholom Aleichem, directed by William Pullinsi, [1963-1964]
• The Woolgatherer by William Mastrosimone, directed by Sandra Grand, sets and costumes by Philip Eickhoff, lights by Kevin Rigdon, with Jack Wallace, 1982 April 8-May 2
• Woyzeck by Georg Buechner, a Workshop production directed by Joseph Slowik, sets and lights by Thomas Barnes, costumes by James Swank, choreography by Charles Harris, music by Lawrence Kulig and Don Murray, 1961 January 16-19
• Yerma by Federico Garcia Lorca, directed by Joseph Slowik, sets and lights by Jack Million, costumes by Tony Eikenbarry, [1958]
• Yerma by Federico Garcia Lorca, directed by William Pappas, 1964 April 13-14
• ZOO1, by Friends of the Zoo. Directed by Rob Riley, music and lyrics by Mark Nutter, sets by John Paoletti and Mary Griswold, choreography by Peter Amster, costumes by Karol Kent and Friends of the Zoo, [1986-1987]

Stage 2 productions include:

• American Buffalo by David Mamet, directed by Gregory Mosher, sets by Michael Merritt, lights by Robert Christen, 1975 October 23-November 9
• Annulla Allen, the Autobiography of a Survivor by Emily Mann and Annulla Allen, 1978 March 16-April 2
• Battering Ram by David Freeman, directed by Gregory Mosher, costumes by Christa Scholtz, lighting by Robert Shook, sets by Maher Ahmad with W.H. Macy, 1978 April 9-23
• Chicago, by Sam Shepard and directed by Dennis Zacek and The Local Stigmatic, by Heathcote Williams and directed by Gary Houston, sets and lights by Paul K. Basten (lights for Chicago by Robert Christen), costumes by Marsha Kowal, [1976]
• Curse of the Starving Class by Sam Shepard, Midwest Premiere, directed by Robert Falls, sets by Michael Merritt, music by Leo Kotke, lights by Robert Christen, costumes by Marsha Kowal with John Malkovich, Glenne Headley and Jack Wallace, 1979 January 7-28
• Dandelion Wine, adapted for the stage by Peter John Bailey from the Ray Bradbury novel, directed by William Woodman, sets by Michael Merritt, costumes by Maggie Bodwell, music by David Rice, lights by Robert Christen, 1976 March 18-April 4
• Emigres by Slawomir Mrozek, sets by Maher Ahmad, costumes by Jane Morgan Henry, lighting design by Robert Christen, sound by Henry Miller, 1978 October 24-November 5
• George Jean Nathan in Review, conceived by Stanley Eden based on the writings of George Jean Nathan, directed by Stanley Eden, sets designed by Michael Merritt, costumes by Marsha Kowal, lights by Robert Christen, sound by Gary Rotta, 1977 April 21-May 8
• Hail Scrawdyke, or Little Malcolm and His Struggle Against the Eunuchs by David Halliwell, directed by Michael Maggio, sets by Michael Merritt, costumes by Julie Jackson, lighting by Robert Christen, 1978 January 10-29
• The Island by Athol Fugard, John Kani and Winston Nishona, touring, 1979 March
• Kaspar by Peter Handke, translated by Michael Roloff, directed by Gary Houston, sets by Maher Ahmad, costume design by Michelle Demichelis, lighting design by Robert Christen, sound design by Gary Rotta, 1977 March 3-20
• A Life in the Theatre by David Mamet, World Premiere, directed by Gregory Mosher, sets by Michael Merritt, costumes by Marsha Kowal, lighting by Robert Christen, music by Stuart Klawans with Mike Nussbaum and Joe Mantegna, 1977 February 3-20
• Once and For All by Robert Gordon, directed by Patrick O'Gara, 1975 February 28-March 17
• Prague Spring by Lee Kalcheim, directed by Dennis Zacek, sets by Maher Ahmad, costumes by Marsha Kowal, lights by Robert Christen, 1978 May 23-June 11
• Scenes and Revelations by Elan Garonzik, directed by Betsy Carpenter, sets by James Guenther, costumes by Jessica Hahn, lighting by Robert Christen, music by Tom Bishop, 1979 March 18-April 8
• Sizwe Banzi is Dead by Athol Fugard, John Kani, and Winston Ntshona, Chicago Premiere, directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Michelle Demichelis, lights by Lionel Smith with Meshach Taylor, 1976 November 3
• Sizwe Banzi is Dead by John Kani, directed by Gregory Mosher, lights and sets designed by Robert Christen, costumes designed by Michelle Demichelis with Meshach Taylor, 1978 March 14-19
• The Son by Gert Hoffman, translated by Jon Swan, directed by Gregory Mosher, sets by Beverly Sobieski, costumes by Maggie Bodwell, lights by Robert Christen, 1975 January 3-12
• The Sport of My Mad Mother by Ann Jellicoe, directed by Dennis Zacek, sets by Dean Taucher, costumes by Marsha Kowal, lights by Robert Christen with Judith Ivey, 1976 December 1-19
• Statues and The Bridge at Belharbour by Janet Neipris, World Professional Premiere, directed by Gregory Mosher, sets by Brian Laczko, costume design by Marsha Kowal, lights by Robert Christen, with Judith Ivey, 1976 April 22-May 9
• Tennessee Laughs - Three One Act Plays by Tennessee Williams: A Perfect Analysis Given by a Parrot, The Frosted Glass Coffin and Some Problems for the Moose Lodge, directed by Gary Tucker, sets by Joseph Nieminski, costumes by Ellen Ryba, lights by Robert Christen, 1980 November 8-23
• Three Plays of the Yuan Dynasty, translated by Liu Jung-en, directed by June Pyskacek, music by Gerald Holbrook, set designs by Rick Paul and Uta Olson, lights by Robert Christen, 1975 December 4-21
• Three Women by Cecil O'Neal, Cynthia Baker Johnson, Roberta Maguire and Sandy Lipton, directed by Cecil O'Neal, lights by Robert Shook, [1975]
• Winnebago by Frank Galati, directed by Frank Galati, sets and costumes by Paul Appel, lights by Craig Miller, music and sound by Nick Jensen, choreography by Peter Amster, 1974 November 1-11

New Theatre Company productions include:

• Baby with the Bathwater by Christopher Durang, Remains Theatre production, directed by D.W. Moffatt, sets and lights designed by Michael Phillipi, costumes by Marsha Kowal, with Amy Morton, [1984-1985]
• The Cherry Orchard by Anton Chekhov, adapted by David Mamet, directed by Gregory Mosher, sets designed by Michael Merritt, costumes by Nan Cibula, lights by Kevin Rigdon, with Lindsay Crouse, W.H. Macy, and Mike Nussbaum, 1985 March
• The Spanish Prisoner and The Shawl by David Mamet, Briar Street Theatre, directed by Gregory Mosher, sets designed by Michael Merritt, costumes designed by Nan Cibula, lights by Kevin Rigdon, with Mike Nussbaum, Lindsay Crouse, and Gary Cole, 1985 April 19-May 19
• Swimming to Cambodia, Part I and II, by Spaulding Gray, Briar Street Theatre, Jean Nathan, 1985 June 18-30
• Two Radio Plays on WNUR: Goldberg Street and Cross Patch by David Mamet, with member of the New Theatre Company, promotional materials, reviews and news clippings, 1985 March

Children’s Theatre productions include:

• The 13 Clocks by Elaine Berman, adapted from the book The Thirteen Clocks by James Thurber, directed by Reggie Schwander, costumes by Dunja Ramicova, sets designed by William Schmiel, lighting by Kenneth Peters, original music by Reggie Schwander, 1972 April 1-May 20
• The Adventures of Pinocchio by Carlo Collodi, conceived and directed by Terry Zehr, fight choreography by Bruce Rogers Wright, scene design by Bob Platte, costumes by Mary Lou Holmes, lights by Christine Decyk, 1976 December 4-1977 January 23
• The Adventures of Tom Sawyer, dramatized by Charlotte Chorpenning from the book by Mark Twain, directed by Bella Itkin, sets designed by James Maronek, costumes by Peri Grenell, lights by G.E. Naselius, 1962 February 10-April 1
• Aesop's Falables by Ed Graczyk, music and lyrics by John Hogan, Henry Moran, Marty Conine, and Ed Graczyk. Directed by Kelly Danford, choreography and musical numbers staged by Jerry Earl Tullos, costumes by Sandra Tignor, sets by Frank Bradley, lights by G.E. Naselius, [1971]
• Aladdin and His Wonderful Lamp by James Norris, directed by Bella Itkin, costumes by Walter Blind, sets by Tony Eikenbarry, dances arranged by Frances Allis, 1958 October 18-December 13
• Aladdin and His Wonderful Lamp by James Norris, directed by Joseph Sax, sets by John Retseck, costumes by Uta Olson, lights by Jerrold Gorrell, 1965 February 6-April 17
• Aladdin and His Wonderful Lamp by James Norris, music and lyrics by Errol Pearlman, directed by Bella Itkin, choreography by Dawn Mora, fight sequence by Bruce Rogers Wright, scenic design by Thomas Beall, costume design by Bobbie Hodges, lighting design by G.E. Naselius, 1976 October 16-November 28
• Ali Baba and the Forty Thieves by Wadeeha Atiyeh, directed by Patrick Henry, sets by Amy Frank, costumes by David Rudish, lighting by Burton Rissman, choreography by Frances Allis, 1962 December 22-1963 January 27
• Ali Baba and the Magic Cave by William Glennon, directed by Bella Itkin, costume design by Sandra Tignor, sets by Marc Cohen, lights by Franklin Warner, 1970 November 21-December 13, 1971 January 9-24
• Alice in Wonderland, dramatized by Charlotte Chorpenning, directed by Louise Dale Spoor, sets by Paul Leonard, costumes by Bill Hargate, dances arranged by Frances Allis, with Avery Schreiber, 1957 October 19-December 15
• Alice in Wonderland by Lewis Carroll, adapted by Charlotte Chorpenning, directed by Joseph Slowik, sets by J. van Eyck, costumes by Uta Olson, lights by G.E. Naselius, choreography by Frances Allis, 1963 October 12-December 15
• Alice in Wonderland by Thom Racina, based on the book by Lewis Carroll, directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Joseph Nieminski, lights by J. Sally, original music and lyrics by Thom Racina, 1971 January 3-March 21
• Androcles and the Lion by Aurand Harris, directed by Paul Sills, sets designed by Thomas Dorwart, costumes by Marianne Powell, lights by Frank Kaufman, music adapted from the original score of Glenn Mack, 1966 December 17-1967 March 12
• Androcles and the Lion, adapted by Aurand Harris, directed and choreographed by Estelle Spector, scenic designs by Bob Platte, costumes by Lise Griggs, lights by Rochard Young, sound by Christine Decyk, 1977 March 19-May 15
• Appleseed by Ed Graczyk, music and lyrics by Errol Pearlman, directed by Bella Itkin, choreography by Estelle Spector, scenic design by Gregory Buch, costumes by Susan Lopez, lights by Steve Burgess and G.E. Naselius, 1974 January 26-March 17
• Beauty and the Beast by Nora MacAlvay, directed by Bella Itkin, sets by Eugene Lee, costumes by Peri Grinell, lighting by G.E. Naselius, 1962 April 7-May 27
• Beauty and the Beast by Jesse Beers, directed by Joe Guastaferro, sets by Nels Anderson, costumes by Richard Parks, sound design by Roger Weissmann, lights by Daniel Lesh, 1977 October 22-December 22
• The Blue Bird by Maurice Maeterlinck, directed by Bella Itkin, sets by James Harrington, costumes by Caley Summers, lighting by G.E. Naselius, choreography by Frances Allis, 1962 October 13-December 16
• The Canterville Ghost, dramatized by Darwin Reid Payne, from a short story by Oscar Wilde, directed by Kelly Danford, sets by Joseph Nieminski, costumes by Virgil Johnson, lighting by G.E. Naselius, Act II ballet choreographed by Joseph Kuzniar, with Joe Mantegna, 1969 July 8- August 16
• Cinderella, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by James Maronek, costumes by Tony Eikenbarry, lights by G.E. Naselius, choreography by Frances Allis, 1960 December 10-1961 February 4
• Cinderella, dramatized by Phyllis Ward, directed by Estelle Spector, music by Hans Wurman, sets by Brad Loman, lights by Daniel Lesh, costumes by Hollis Levy, 1978 March 25-May 7
• The Comical Tragedy, or The Tragical Comedy of Punch and Judy by Aurand Harris, directed by Ned Schmidtke, choreography by Estelle Spector, scene design by Jeffrey Masters, costumes by Julie Nagel, lights by Phillip Evola, music by David Beaird, 1973 March 25-May 26
• Coyote and His Brothers, adapted from Anna Moore Shaw's Tales of the Pima Indians, directed by Eleanor Logan, sets designed by Eric Fielding, costumes by Julie Jackson, lights by Curtis Jacobson, 1976 January 31-March 14
• The Dancing Donkey, by Erik Vos and directed by Bella Itkin (with Carrie Snodgrass), and The Unwicked Witch, by Madge Miller and directed by Robert Leonard, scene design by Marc Cohen, costume design by D. Hudson Sheffield, lights by G.E. Naselius, music by John Towey, 1967 July 5-September 3
• A Doctor in Spite of Himself, adapted by Aurand Harris from Moliere, directed by Bella Itkin, set designed by Norman Fencl, costumes by Virgil Johnson, lights by Joseph Pohnan, music by John Hogan, Henry Moran and James Pobiega, 1970 March 28-May 24
• Don Quixote de la Mancha, [1969]
• The Emperor's New Clothes, adapted by Charlotte Chorpenning, directed by Bella Itkin, costumes by Tony Christopher, sets designed by James Harrington, lighting by G.E. Naselius, choreography by Frances Allis, music arranged by Dorothy Konkowski, 1959 March 21-May 24
• The Emperor's New Clothes, by Hans Christian Anderson, adapted by Allan Loernsen, directed by Nick Schmidtke, sets designed by David Emmons, costumes by Julie Nagel, lighting by James Highland, 1973 December 8-1974 January 20
• The Fabulous Fable Factory by Joseph Robinette and Thomas Tierney, directed by Bella Itkin, musical direction by Errol Pearlman, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Sandi Kabins, lights by Rebecca Binks, 1975 June 30-August 9
• The Frog Princess and the Witch by Margery Evernden, directed by Bella Itkin, set designed by John Retseck, costumes by Kurt Wilhelm, lights by Neil Jampolis, choreography by Francis Allis, with Linda Hunt, 1965 April 24-May 29
• The Great Cross-Country Race, or The Hare and the Tortoise, adapted by Alan Broadhurst, directed by David Avcollie, sets by Eric Fielding, costumes by Phyllis Hojnacki, lights by Terry Jenkins, sound design by Daniel Aberson, 1975 March 22-May 18
• Hans Brinker and the Silver Skates by Bruce Millan, directed by James Bertholf, sets by Bruce Koenig, costumes by Heidimarie Rosendahl, lights by G.E. Naselius, choreography by Susan Rae, 1963 December 21-1964 January 26
• Hansel and Gretel by Lillian and Robert Masters, directed by Dorothy Konrad, sets by James Harrington, lighting by Tom Reissig, costumes by Jay Korbin, choreography by Frances Allis, 1959 December 19-1960 January 31
• The Hare and the Tortoise, or The Great Cross Country Race by Alan Broadhurst, directed by Bella Itkin, sets by Warren Sodt, costumes by Virgil Johnson, lights by Edgar Swift, choreography by Thomas Jaremba, 1968 December 16, 1967-March 10
• Hansel and Gretel by William Glennon, directed by William Bennett Steinhauer, sets designed by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, with Carrie Snodgrass, 1966 June 28-August 20
• The Hide and Seek Odyssey of Madeline Gimple by Frank Gagliano, [1970-1971]
• How the First Letter Was Written by Auran Harris, from Rudyard Kipling's Just So Stories, [1970-1971]
• Huckleberry Finn by Mark Twain, adapted by Frank M. Whiting and Connie Rickert, directed by Melvin Bernhardt, costumes by Uta Olson, sets by Jack Million, lighting by G.E. Naselius, with Avery Schreiber, 1959 February 7-March 15
• It Certainly Isn't Baked Beans! a dramatic anthology of children's literature, [1972-1973]
• Jack and the Beanstalk by Charlotte Chorpenning, directed by Bella Itkin, sets by Tony Eikenbarry, lighting by Chuck Wolfram, costumes by James Harrington, choreography by Frances Allis, 1959 October 17-December 12
• Jack and the Beanstalk, dramatized by Charlotte Chorpenning, directed by Bella Itkin, set design by Tom Clark, costumes by James Larsen, lights by Carmen Picarello, choreography by Frances Allis, 1967 March 18-May 28
• Just So Stories, dramatized by Aurand Harris, directed by Joseph Slowik, sets and costumes designed by Thomas Beall, lighting by G.E. Naselius, [1976-1977]
• King Midas and the Golden Touch by Charlotte Chorpenning, directed by Dorothy Konrad, choreography by Francis Allis, settings by Walter Blind, costumes by Tony Christopher, lights by G.E. Naselius, 1958 December 20-1959 February 1
• The Lion Who Wouldn't, book and lyrics by Gifford Wingate, music by David Coleman, directed by Kelly Danford, sets by Brad Loman, costumes by Gay Crusius, lights by James Highland and William Fox, choreography by Gisli Bjorgvinsson, Bobbie Kingsly, and Frank Ventura, 1974 March 23-May 19
• Little Red Riding Hood by Yevgeny Schwartz, directed by Libby Appel, music composed by Philip Kusie, choreography by Beth Caldwell, sets designed by Vincent Faust, costumes by Julie Nagel, lights by James Highland, animal puppets by David Emmons, 1972 November 19-December 17; 1973 January 13-January 21
• The Magic Isle by Wesley Van Tassel, with music and lyrics by Mark Ollington, adapted from original commedia materials created by Russell Graves, directed by Bella Itkin, sets by Marc Cohen, costumes by D. Hudson Sheffield, lighting by G.E. Naselius, music by Thom Racina, 1968 July 3-August 24
• The Magic Isle by Wesley Van Tassel, music and lyrics by Mark Ollington, directed by Kelly Danford, costumes by Sandra Tignor, sets by Joseph Nieminski, lights by John M. Hickey, with Bruce Boxleitner, 1971 December 26-1972 January 2
• The Man in the Moon, or A Trip to the Moon by Alan Cullen, directed by Kelly Danford, sets by Alan Traynor, costumes by Albert Tucci, lights by Lyman Dunning, choreography by Thomas Jaremba, music by Kelly Danford, with Guy Giarrizzo and Joseph Mantegna, 1968 December 2-1969 March 9
• The Marvelous Misadventures of Sherlock Holmes by Thom Racina, directed by Thom Racina, costumes by Ferruccio Garavaglia, sets by Alice Finkel, lights by Jerrold Gorrell, Robert Moody as scenic artist, choreography by Mark Ganzel, original music and lyrics by Thom Racina, with Bruce Boxleitner, 1971 July 6-August 14
• A Midsummer Night's Dream by William Shakespeare, adapted for children by Bella Itkin, directed by Bella Itkin, sets and projections designed by Gary Gorman, costumes by designed by Mary Stine, lights by Lawrence Dean, choreography by Thomas Jaremba, original music and lyrics by Thom Racina, 1968 March 16-May 26
• Nobody's Boy by Isabel Burger and Constance DeBear, from the story Sans Famille by Hector Malot, directed by Bella Itkin, dances arranged by Frances Allis, costumes by Paul Leonard, sets by Robert Hamlin, 1958 February 8-April 5
• The O'Neill Center's Little Theatre of the Deaf presents: Handy, Better Letters, The Giving Tree, and Your Game. The Giving Tree by Shel Silverstein, all other works created by the Company, directed by Larry Arrick, J. Ranelli, Mary Beth Miller, and the Company, costumes by Fred Voelpel, sets by David Hays, 1971 December 13-23
• Pal Joey by John O'Hara, directed by Melvin Bernhardt, choreography by Joyce Trisler, costumes and sets by Alicia Finkel, lights by G.E. Naselius, musical direction by Daryl Wagner, co-choreographed by Betsey Haug, with Nancy Marchand, 1973 May 13-June 17
• The Panda and the Spy by Mary Virginia Heinlein, directed by Kelly Danford, sets by James Maronek, costumes by Daniel Pugh, lights by G.E. Naselius, Robert Moody as scenic artist, 1970 July 7-August 8
• Peck's Bad Boy by Aurand Harris, suggested by stories from Peck's Bad Boy, by George W. Peck, directed by Kelly Danford, scenic design by Brad Loman, costumes by Richard Donnelly, lights by Neal Yablong, 1975 January 25-March 16
• Peter Pan by James M. Barrie, directed by Bella Itkin, set designs by Reid Carlson, costumes by James Larsen, lighting by John Woolley, starring Linda Hunt, with Carrie Snodgrass, 1966 March 12-May 29
• The Pied Piper of Hamelin, written by Melvin Bernhardt, and based on improvisations by the cast from Robert Browning's poem, directed by Melvin Bernhardt, sets by Amy-Susan Frank, lights by William Dreasler, costumes by Heidimarie Rosendahl, choreography by Frances Allis, music by Gerry Grossman, 1963 April 13-May 26
• The Pied Piper of Hamelin by William Glennon, directed by Kelly Danford, costume design by Sandra Tignor, scenic design by Jim Reed, lights by Jim Hegwood, choreography by Jerry Tullos, 1971 October 10-November 21
• Pinocchio by George T. Latshaw, from the story by Carlo Collodi, directed by Melvin Bernhardt, sets by James Harrington, costumes by Caley Summers, lights by G.E. Naselius, 1961 October 14-December 10
• The Popcorn Man, book and lyrics by Dodi Robb and Pat Patterson, music by Pat Patterson, directed by Bella Itkin, choreography and musical coordination by Estelle Spector, additional music and lyrics by Errol Pearlman, sets and costumes by David Emmons, lights by Daniel Aberson and G.E. Naselius, 1974 June 24-August 3
• The Prince, the Wolf and the Firebird by Jackson Lacey, directed by Bella Itkin, costumes by Susan Gayford, sets by Brad Loman, lights by William Fox, sound design by Steven Burgess, choreography by Estelle Spector, stage combat by Diane Parker, 1974 October 19-December 1
• The Puppet Prince, or Nicolo and Nicollette by Alan Cullen, directed by Bella Itkin, sets by Thomas Dorwart, costumes by Karen Cahill, lighting by Robert Cortright, choreography by Frances Allis, 1966 October 8-December 11
• Puss in Boots, dramatized by Rowena Bennett, directed by Bella Itkin, sets designed by John Van Eyck, costumes by Uta Olson, lighting by Alfred Jutzi, choreography by Frances Allis, 1964 March 28-May 24
• Rags to Riches by Aurand Harris (suggested by two stories written by Horatio Alger, directed by Eleanor Logan, scenic designs by Eric Fielding, costumes by Nancy Grabowski, lights by Steven Burgess, sound by William C. Fox, choreography by Diane Parker, 1974 December 7-1974 January 19
• Rapunzel and the Witch by Jack A. Melanos, directed by Bella Itkin, dances arranged by Frances Allis, sets by John Braden, costumes by Robert Hamlin, with Avery Schreiber, 1958 April 12-June 1
• Rapunzel and the Witch by Jack Melanos, directed by Charles Likar, Jr., sets by George Pettit, costume design by Kurt Wilhelm, lights by Tom Bartlett, 1965 December 18-1966 March 6
• Red Riding Hood, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by James Harrington, costumes by Patrick Henry, lights by G.E. Naselius, choreography by Frances Allis, 1960 October 15-December 3
• The Red Shoes by Hans Christian Anderson, dramatized by Hans Joseph Schmidt, directed by Joseph Slowik, sets designed by Kert Lundell, costumes by Hilton Brown, choreography by Frances Allis, 1957 December 21-1958 February 2
• Reynard the Fox by Arthur Fauquez, directed by Bella Itkin, sets by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, 1966 June 27-August 20
• Robin Hood by James Norris, directed by Kelly Danford, sets designed by Oseloka Osadebe, costumes by Madeline Grigg, lights by Herbert Schmoll, fight scenes staged by Michael Galson, with Guy Giarrizzo and Bruce Boxleitner, 1970 January 3-March 22
• Rumpelstiltskin, dramatized by Charlotte Chorpenning, directed by Bella Itkin, sets by Miriam Rajk, costumes by Tony Eikenbarry, lighting by G.E. Naselius, music by Bob Michaels, choreography by Frances Allis, 1960 March 19-May 22
• Rumpelstiltskin by Wesley Van Tassel, directed by Bella Itkin, musical direction by Kelly Danford, sets by Oseloka Osadebe, costumes by Al Tucci, lights by John Nathan, choreography by Thomas Jaremba, with Bruce Boxleitner, 1969 October 11-December 21
• Sacramento Fifty Miles by Eleanor and Ray Harder, directed by Jack Jones, sets designed by Frank Bradley, costumes by Nancy Ash, lights by Wayne Tignor, music preparation by Kelly Danford, 1970 September 19-November 15
• Sleeping Beauty, or Sing Ho for a Prince!, adapted by Leo Grenzeback from the story by the Brothers Grimm, directed by Bella Itkin, music by Haakon Bergh, sets by Bruce Koenig, costumes by Heidemarie Rosendahl, lights by Jack Hickey, choreography by Frances Allis, 1963 February 2-April 7
• Sleeping Beauty, or The Great Rose Taboo, books and lyrics by Barbara Fried, music by Norman Sachs, directed and choreographed by Kelly Danford, set designs by David Emmons, costumes by Martha Ferrara, lights by Paul Gregory, 1972 October 1-November 12
• The Snow Queen and the Goblin, dramatized by Martha Bennett King, from the Hans Christian Anderson fairy tale, directed by Bella Itkin, set designs by Neil Jampolis, costumes by Margaret Danielson, lights by G.E. Naselius, choreography by Frances Allis, with Linda Hunt, 1964 December 19-1965 January 31
• The Snow Queen by Surgio Magito and Rudolf Weil, based on the story by Hans Christian Anderson, directed by Bella Itkin, costumes by Dunja Ramicova, sets designed by Beverly Sobieski, lighting by Robert Shook, choreography by Thomas Jaremba, original music by Phillip Kusie, Charles Fleischer, John McFayden, and Allan Almeida, 1971 November 27-December 12, 1972 January 8-February 6
• Snow White and the Seven Dwarfs by Marian Johnson, from the story by the Brothers Grimm, directed by Patrick Henry, costumes by Peri Grenell, sets designed by Patrick Henry, lighting by Louis Nesslar, music by Richard Manners, 1961 December 16-1962 February 4
• Speed Gets the Poppies by Lila Levant, music and lyrics by Lila Levant and Lorenzo Fuller, [1972-1973]
• Starman Jones by Douglas Lieberman, based on the novel by Robert Heinlein, World Premiere, directed by Douglas Lieberman, costumes by Pepper Ross, scenic design by Michael O'Kane, lighting by Paul Thompson, 1972 February 12-March 26
• Tanuki, the Mischievous Raccoon by Clive Rickabaugh. World Premiere, directed by Bella Itkin, sets by Joseph Nieminski, costumes by Bupha Chuvisavaphong, lights by Gerald Thamm, choreography by Shiro Katagiri, with Guy Giarrizzo, and Joe Mantegna, 1968 September 21-December 15
• Tarradiddle Tales, or The Wise and Foolish Tales by Flora Atkin, directed by Kelly Danford, choreographed by Estelle Spector, sets by David Emmons, costumes by Julie Nagel, lights by G.E. Naselius, 1973 June 24-August 4
• The Three Musketeers by Brian Way, based on the novel by Alexandre Dumas, directed by John Medici, choreography by Estelle Spector, scene design by William Schmiel, costumes by Pepper Ross, lights by Marsha Hardy, fencing muster by Marvin Nelson, Steve Fletcher as fencing coach, music by Philip Kusie, 1973 January 28-March 18
• A Threepenny Christmas, or the Legend of Nick the Saint by Stephen Lehner, music by Kenneth Wannberg, World Premiere, directed by Kelly Danford, scenic design by Joseph Nieminski, costumes by Nancy Ash, lights by G.E. Naselius, James Engelhardt as script consultant, choreography by Kathleen Rostrom and Kelly Danford, 1970 December 19-1971 January 3
• The Thwarting of Baron Bolligrew by Robert Bolt, directed by Joseph Slowik, costumes by Sandra Tignor, sets by Bennett Averyl, with Bruce Boxleitner, 1971 May 29-June 27
• The Thwarting of Baron Bolligrew by Robert Bolt, [1971-1972]
• Tom Sawyer, adapted from Mark Twain's The Adventures of Tom Sawyer, book and lyrics by Sarah Marie Schlesinger, musical score by Michael Dansicker, directed by Dan Schmidtke, choreography by Diana Parker, scenic design by Eric Fielding, costumes by Sandi Kabins, lights by Dale Kovarik, 1975 October 18-November 30
• Treasure Island by Dorothy Drew, directed by Bella Itkin, sets by Ford Larsen, costumes by Patricia Taxman, lights by Erwin Schroeter, choreography by Frances Allis, 1964 February 1-March 22
• Trudi and the Minstrel by Allen Cullen, directed by Joseph Slowik, set designed by George Pettit, costumes by James Larsen, lights by G.E. Naselius, choreography by Thomas Jaremba, original music by Carey Gold and Roderick Horn, 1967 October 7-December 10
• The Unwicked Witch by Madge Miller, directed by Stuart Hawk, scenic design by Joe Hennessey, costumes by Irene Behrenfeld, lighting by Eric Strand, sound design by Richard Young, 1977 January 29-March 13
• The Wind in the Willows by Joseph Baldwin, adapted from the book by Kenneth Grahame, directed by Joseph Slowik, sets designs by Richard Kent Wilcox, costumes by D. Hudson Sheffield, lights by G.E. Naselius, with Carrie Snodgrass, 1965 October 9-December 12
• The Wind in the Willows adapted by Joseph Baldwin, based on the book by Kenneth Grahame, directed by Joseph Slowik, scenic design by Nancy Long, costumes by Niki Rudisill, lights by Phillip Evola, make-up by James Campbell, music by Kenneth Slowik, 1973 October 20-December 2
• Winnie the Pooh by A.A. Milne and Kristin Sergel, music by Allan J. Friedman, directed by Bella Itkin, sets designed by Richard Kent Wilcox, costumes by Margaret Danielson, lights by G.E. Naselius, with Linda Hunt and Carrie Snodgrass, 1964 October 10-December 13
• Winterthing by Joan Aiken, directed by Gordon Kupperstein, 1978 January 21-March 19
• The Wizard of Oz, dramatized by Adele Thane from the story by L. Frank Baum, directed by Bella Itkin, sets by James Harrington, costumes by Uta Olson, lighting by Lou Nesslar, choreography by Frances Allis, 1961 March 18-May 29
• The Wizard of Oz, adapted from the story by Frank Baum by Adele Thane, music and lyrics by Brian Alan Lasser, directed by Dean Button, lights by Marc Warshell, sound by Curtis Jacobsen, scenic design by Gary Cartwright, costumes by Kaye Nottbusch, choreography by Dawn Mora, 1975 December 6-1976 January 25
• Yankee Doodle by Aurand Harris, music by Mort Stine, directed by Russell Chesson, choreography by Estelle Spector, scenic design by Dean Taucher, costumes by Judy Mackowsky, lights by G.E. Naselius, 1976 March 20-May 16
• Young Ben Franklin by Faye Parker, directed by Joseph Slowik, sets and lights by Jack Million, costumes by Miriam Rajk, 1960 February 6-March 13
• You're a Good Man Charlie Brown by Charles M. Schultz, music and lyrics by Clark Gesner, directed by Kelly Danford, sets designed by Joseph Nieminski, lighting designed by G.E. Naselius, choreography by Mark Ganzal and Maryann Kohler, [1973]

Arrangement

Series 2 is arranged into 45 subseries chronologically by season:

• Subseries A: 1957-1958 Season, 1957-1958, 1969
• Subseries B: 1958-1959 Season, 1935, 1958-1959
• Subseries C: 1959-1960 Season, 1959-1960
• Subseries D: 1960-1961 Season, 1959-1960
• Subseries E: 1961-1962 Season, 1961-1962
• Subseries F: 1962-1963 Season, 1962-1963
• Subseries G: 1963-1964 Season, 1963-1964
• Subseries H: 1964-1965 Season, 1964-1965
• Subseries I: 1965-1966 Season, 1965-1966
• Subseries J: 1966-1967 Season, 1966-1967
• Subseries K: 1967-1968 Season, 1962-1968
• Subseries L: 1968-1969 Season, 1953-1969
• Subseries M: 1969-1970 Season, 1969-1970
• Subseries N: 1970-1971 Season, 1969-1971
• Subseries O: 1971-1972 Season, 1971-1972
• Subseries P: 1972-1973 Season, 1972-1973
• Subseries Q: 1973-1974 Season, 1973-1974, undated
• Subseries R: 1974-1975 Season, 1974-1975, undated
• Subseries S: 1975-1976 Season, 1975-1976
• Subseries T: 1976-1977 Season, 1972-1977
• Subseries U: 1977-1978 Season, 1977-1978
• Subseries V: 1978-1979 Season, 1978-1979, undated
• Subseries W: 1979-1980 Season, 1979-1980, undated
• Subseries X: 1980-1981 Season, 1978-1981
• Subseries Y: 1981-1982 Season, 1928-1982
• Subseries Z: 1982-1983 Season, 1951-1983, undated
• Subseries AA: 1983-1984 Season, 1964-1984, undated
• Subseries BB: 1984-1985 Season, 1974-1985, undated
• Subseries CC: 1985-1986 Season, 1956-1986, undated
• Subseries DD: 1986-1987 Season, 1986-1987
• Subseries EE: 1987-1988 Season, 1985-1988
• Subseries FF: 1988-1989 Season, 1988-1989, undated
• Subseries GG: 1989-1990 Season, 1987-1990, undated
• Subseries HH: 1990-1991 Season, 1987-1991, undated
• Subseries II: 1991-1992 Season, 1989-1992
• Subseries JJ: 1992-1993 Season, 1950, 1984-1993
• Subseries KK: 1993-1994 Season, 1961-1994, undated
• Subseries LL: 1994-1995 Season, 1994-1995, undated
• Subseries MM: 1995-1996 Season, 1993-1996, undated
• Subseries NN: 1996-1997 Season, 1996-1997, undated
• Subseries OO: 1997-1998 Season, 1997-1998
• Subseries PP: 1998-1999 Season, 1998-1999
• Subseries QQ: 1999-2000 Season, 1999-2000
• Subseries RR: 2000-2001 Season, 2000-2001
• Subseries SS: Unidentified and Undated, undated

Subseries A: 1957-1958 Season, 1957-1958, 1969

Arrangement

Subseries A is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries B: 1958-1959 Season, 1935, 1958-1959

Arrangement

Subseries B is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries C: 1959-1960 Season, 1959-1960

Arrangement

Subseries C is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries D: 1960-1961 Season, 1960-1961

Arrangement

Subseries D is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries E: 1961-1962 Season, 1961-1962

Arrangement

Subseries E is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries F: 1962-1963 Season, 1962-1963

Arrangement

Subseries F is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries G: 1963-1964 Season, 1963-1964

Arrangement

Subseries G is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries H: 1964-1965 Season, 1964-1965

Arrangement

Subseries H is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries I: 1965-1966 Season, 1965-1966

Arrangement

Subseries I is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries J: 1966-1967 Season, 1966-1967

Arrangement

Subseries J is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries K: 1967-1968 Season, 1962-1968

Arrangement

Subseries K is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries L: 1968-1969 Season, 1953-1969

Arrangement

Subseries L is arranged chronologically beginning with mainstage productions followed by studio and children’s productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries M: 1969-1970 Season, 1969-1970

Arrangement

Subseries M is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries N: 1970-1971 Season, 1969-1971

Arrangement

Subseries N is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries O: 1971-1972 Season, 1971-1972

Arrangement

Subseries O is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries P: 1972-1973 Season, 1972-1973

Arrangement

Subseries P is arranged chronologically beginning with mainstage productions followed by studio, children’s and Museum of Science and Industry’s Science Playhouse productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries Q: 1973-1974 Season, 1973-1974, undated

Arrangement

Subseries Q is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries R: 1974-1975 Season, 1974-1975, undated

Arrangement

Subseries R is arranged chronologically beginning with mainstage productions followed by studio, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries S: 1975-1976 Season, 1975-1976

Arrangement

Subseries S is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries T: 1976-1977 Season, 1972-1977

Arrangement

Subseries T is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries U: 1977-1978 Season, 1977-1978

Arrangement

Subseries U is arranged chronologically beginning with mainstage productions followed by studio, Stage 2, children’s and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries V: 1978-1979 Season, 1978-1979, undated

Arrangement

Subseries V is arranged chronologically beginning with mainstage productions followed by studio and Stage 2 productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries W: 1979-1980 Season, 1978-1980, undated

Arrangement

Subseries W is arranged chronologically beginning with mainstage productions followed by studio and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries X: 1980-1981 Season, 1978-1981

Arrangement

Subseries X is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries Y: 1981-1982 Season, 1928-1982

Arrangement

Subseries Y is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries Z: 1982-1983 Season, 1951-1983, undated

Arrangement

Subseries Z is arranged chronologically beginning with mainstage productions followed by studio, Writers in Performance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries AA: 1983-1984 Season, 1964-1984, undated

Arrangement

Subseries AA is arranged chronologically beginning with mainstage productions followed by studio, special and Merrill Lynch Dance productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries BB: 1984-1985 Season, 1974-1985, undated

Arrangement

Subseries BB is arranged chronologically beginning with mainstage productions followed by New Theatre Company, Merrill Lynch Dance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries CC, 1985-1986 Season, 1956-1986, undated

Arrangement

Subseries CC is arranged chronologically beginning with mainstage productions followed by studio, Merrill Lynch Dance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries DD: 1986-1987 Season, 1986-1987

Arrangement

Subseries DD is arranged chronologically beginning with mainstage productions followed by studio, Merrill Lynch Dance and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries EE: 1987-1988 Season, 1985-1988

Arrangement

Subseries EE is arranged chronologically beginning with mainstage productions followed by studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries FF: 1988-1989 Season, 1988-1989, undated

Arrangement

Subseries FF is arranged chronologically beginning with mainstage productions followed by studio and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries GG: 1989-1990 Season, 1987-1990, undated

Arrangement

Subseries GG is arranged chronologically beginning with mainstage productions followed by studio, New Music Series and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries HH: 1990-1991 Season, 1987-1991, undated

Arrangement

Subseries HH is arranged chronologically beginning with mainstage productions followed by studio and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries II: 1991-1992 Season, 1989-1992

Arrangement

Subseries II is arranged chronologically beginning with mainstage productions followed by studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries JJ: 1992-1993 Season, 1950, 1984-1993, undated

Arrangement

Subseries JJ is arranged chronologically beginning with mainstage productions followed by studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries KK: 1993-1994 Season, 1961-1994, undated

Arrangement

Subseries KK is arranged chronologically beginning with mainstage productions followed by studio, solo and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries LL: 1994-1995 Season, 1994-1995, undated

Arrangement

Subseries LL is arranged chronologically beginning with mainstage productions followed by studio, New Music Series and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries MM: 1995-1996 Season, 1993-1996, undated

Arrangement

Subseries MM is arranged chronologically beginning with mainstage productions followed by studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries NN: 1996-1997 Season, 1996-1997, undated

Arrangement

Subseries NN is arranged chronologically beginning with mainstage productions followed by studio and special productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries OO: 1997-1998 Season, 1997-1998

Arrangement

Subseries OO is arranged chronologically beginning with mainstage productions followed by studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries PP: 1998-1999 Season, 1998-1999

Arrangement

Subseries PP is arranged chronologically beginning with mainstage productions followed by studio and Theatre Arts Series. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries QQ: 1999-2000 Season, 1999-2000

Arrangement

Subseries QQ is arranged chronologically beginning with mainstage productions followed by studio productions. The number of images by format with the same description is indicated in parentheses. Only persons named on the back of photographs are included in the description.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries RR: 2000-2001 Season, 2000-2001

Arrangement

Subseries RR is arranged chronologically.

Series 2: Goodman Theatre Productions, 1928-2001, undated

Subseries SS: Unidentified and Undated, undated

Arrangement

Subseries SS is arranged alphabetically.