Chicago Film Archive of Performance (C-FAP)

Abstract

Collection includes recordings of live performances and associated programs filmed by the Chicago Film Archive of Performance (C-FAP).

Biographical/Historical

In 2014, Chicago Public Library partnered with the Chicago Film Archive of Performance (C-FAP) and agreed to serve as the official repository for recordings made by the organization. C-FAP records live theater performances in Chicago.

Scope and Contents

The C-FAP Collection includes recordings of live theater performances, and their associated programs and playbills, in Chicago. Per C-FAP, “productions are chosen for their cultural, historical, aesthetic and educational value. Premieres, unique events, community interest and contributions of particular value by performers, directors and/or designers are given special consideration in selecting productions to archive.”

Productions include:

• American Hero by Bess Wohl, First Floor Theater, directed by Cody Estle, scenic design by Jeffrey D. Kmiec, lighting design by Aaron Lorenz, original music and sound design by Eric Backus, costume design by Sarah Jo White, fight choreography by Sam Hubbard, dramaturgy by Stephen Johnson, with Chris Daley, Brian McKnight, Annie Richard and Saraí Rodriguez, 2017 May 8-June3
• Animals Out of Paper by Rajiv Joseph, Shattered Globe Theatre, directed by Devon de Mayo, sets by Grant Sabin, costumes by Sarah Jo White, lights by Brian Patrick Healy, sound by Stephen Gawrit, with Cortney McKenna, Joseph Wiens and Awate Serequeberhan, 2016 January 31
• At Mister Kelly’s by Jason Paul Smith, Gary Gimmestad, Rob Dorn and Daniel Mozurkewich, Three Cat Productions, directed by Jason Paul Smith, music direction by Roy A. Freeman, sets and lights by Pat Henderson, costumes by Jason Paul Smith, with Haley Bensen [Benson], Christie Coran, Jake Degler, Alisha Fabbi, Siobhan McKissic and Daniel Mozurkewich, 2016 June 3
• At the Table by Michael Perlman, Broken Nose Theatre, directed by Spenser Davis, stage management by Rose Hamill. Dramaturgy by David Weiss, technical direction by Mike Sanow, lighting design by William Allen, costume design by Taylor Horst, props design by Devon Green, with Echaka Agba, Benjamin Brownson, Jennifer Cheung, Evan Linder, Elise Spoerlein, Adam Soule, Johnard Washington and David Weiss, 2017 March
• Bloodshot by Douglas Post, Greenhouse Theater Center, directed by Patrick Sandford, scenic design by Agnes Dewurst, lighting design by David W. Kidd, original music by Simon Slater, sound design by Rob Jones, stage management by Lynne M. Harris, with Simon Slater, 2016 August 10-September 10
• Blues From an Alabama Sky by Pearl Cleage, Court Theatre, directed by Ron O.J. Parson, scenic design by Linda Buchanon, costume design by Rachel Healy, lighting design by Keith Parham, sound design by Joshua Horwath, dramaturgy by Martine Kei Green-Rogers, with Celeste M. Cooper, Al’Jaleel McGhee, James Vincent Meredith, Sean Parris, Toya Turner and Geno Walker, 2017 January 12-February 12
• Bobbie Clearly by Alex Lubischer, Steep Theare Company, directed by Josh Sobel, stage management by Lauren Lassus, scenic design by Eleanor Kahn, lighting design by Jeff Glass, costume design by Brittany Dee Bodley, sound design/original music by Thomas Dixon, props design by Jamie Karas, puppet design by Adam McAleavey, choreography by Jenna Schoppe, with McKenzie Chinn, David Fisch, Ray Gonzalez, Nick Horst, Tom Janssen, Erika Napoletano, Palona Nozicka, Miguel Nunoz, Joel Reitsma, Melissa Riemer and Carson Schroeder, 2016 November
• The Body of an American by Dan O’Brien, Stage Left Midwest premiere, directed by Jason A. Fleece, sets by Anthony Churchill, costumes by Brenda Winstead, lights by John Kohn III, sound by Stephen Gawritt [Gawrit], with Don Bender and Ryan Hallahan, 2016 June 12
• Bright Half Life by Tanya Barfield, About Face Theatre, directed by Keira Fromm, set design by William Boles, lighting design by Christine Binder, sound design by Christopher Kriz, costume design by Melissa Ng, prop design by Vivian Knouse, with Elizabeth Ledo and Patrese D. McClain, 2017 July
• By the Water by Sharyn Rothstein, Northlight Theatre, directed by Cody Estle, scenic design by Jeffrey D. Kmiec, costume design by Rachel Laritz, lighting design by J.D. Lederle, original music and sound design by Lindsay Jones, stage management by Mara Filler, with Janet Ulrich Brooks, Jordan Brown, Patrick Clear, Amanda Drinkall, Francis Guinan, Joel Reitsma and Penny Slusher, 2017 March-April
• Byhalia, Mississippi by Evan Linder, Definition Theatre Company and The New Colony, directed by Tyrone Phillips, set design by John Wilson, costumes by Kotryno Hilso, light design by Slick Jorgensen, with Jeffery Owen Freelon, Jr., Kiki Layne, Evan Linder, Liz Sharpe and Cecelia Wingate, 2016 January 24
• Circle-Machine adapted by Emma Stanton, Thom Pasculli and Nigel O’Hearn from the play Full Circle by Charles Mee, Oracle Theatre, directed by Thom Pasculli, original music by Nicholas Tonozzi, sets by James Ogden, costumes by Joan Pritchard, lights by Michael Banks, sound by Andrew Rovner, with DeChantel Kosmatka, Stephanie Shum, Kevin V. Smith, Simina Contras, Ryan David Heywood, Jeremy Trager, Martel Manning, Jamie Bragg, Pavi Proczko, Alexandria Miller, Sam Allyn and Mark Pontarelli, 2015 February 16
• Direct from Death Row, The Scottsboro Boys by Mark Stein and Harley White, Jr., Raven Theatre Company, directed by Michael Menendian, musical direction by Frederick Harris, sets by Ray Toler, costumes by Sarah Jo White, lights by Diane D. Fairchild, sound by Joe Court, with Breon Arzell, Anna Dauzvardis, Brandon Greenhouse, Tamarus Harvell, Andrew Malone, Semaj Miller, Kevin Patterson, Katrina D. Richard and Charlie Williams, 2015 October 18
• The Drowning Girls by Beth Graham, Charlie Tomlinson and Daniela Vlaskalic, Chicago premiere by Signal Ensemble Theatre, directed by Melanie Keller, sets by Buck Blue, costumes by Rachel Lambert, lights by Michael C. Smith, sound by Anthony Ingram, with Katherine Schwartz, Meghan Reardon and Anne Sheridan Smith, 2015 June 4
• End of the Rainbow by Peter Quilter, Porchlight, directed by Michael Weber, music direction by Jon Steinhagen, scenic design by Christopher Rhoten, costume design by Bill Morey, lighting design by Shelley Strasser Holland, sound design by Robert Hornbostel, properties design by Mealah Heidenreich, projection design by Ross Hoppe, stage management by Joshua Baggett, with Kyle Hatley, Angela Ingersoll, Felipe Jorge and Jon Steinhagen, 2016 December
• Faceless by Selina Fillinger, Northlight Theatre, directed by B.J. Jones, scenic design by John Culbert, costume design by Izumi Inaba, lighting design by Heather Gilbert, original music and sound design by Andre Pluess, dramaturgy by Lauren Shouse, with Mark Arenberg, Scott Bader, Claire Fathi, Alan Glenn and Susie Glenn, 2017 February
• Falling by Deanna Jent, !nterrobang Theatre Project, directed by James Yost, dramaturgy by Margaret Knapp, sound design by Morgan Lake, scenic design by Kelsy Melvin, property design by Pauline Oleksy, set design by Greg Pinsoneault, lighting design by Rob Stepek, costume design by Steph Taylor, technical director Alan Weustoff, fight choreography by Claire Yearman, with Nick Freed, Tristin Hall, Amy Johnson, Heidi Katz and Justin Tsatsa, 2017 March 16-April 16
• The Few by Samuel D. Hunter, Steep Theatre Midwest premiere, directed by Brad Akin, sets by Lauren Nigri, costumes by Emily McConnell, lights by Becca Jeffords, sound by Matthew Chapman, with Dana Black, Peter Moore, Travis Coe, Michelle Bester, Daniel Dauphin and Jerico Bleu, 2016 May 13
• The Hairy Ape by Eugene O'Neill, Oracle Productions, directed by Monty Cole, sets by Eleanor Kahn, costumes by Joan Pritchard, lights by John Kelly, sound by, with Julian Parker, Bradford Stevens, Rashaad Hall, Tony Santiago, Michael Turrentine, Breon Arzell and Rasell Holt, 2016 February 21
• Hand to God by Robert Askins, Victory Gardens Theater, directed by Gary Griffin, set design by Joe Shermoly, costume design by Janice Pytel, lighting design by Christine Binder, sound design by Christopher Kriz, dramaturgy by Isaac Gomez, properties design by Michael Dodd, puppet direction by Daniel Dempsey, puppet design by Rachel Christianson, fight choreography by David Woolley, with Nina Ganet, Curtis Edward Jackson, Eric Slater, Janelle Snow and Alex Weisman, 2016 September 16-October 23
• The Happiest Place on Earth by Philip Dawkins, Sideshow Theater Company, directed by Jonathan L. Green, scenic/prop design by Mike Mroch, lighting design by Ellie Rabinowitz, dramaturgy by Benno Nelson, sound design by Michael Huey, stage manager Darek Land, production manager Ellen Willett, performed by Philip Dawkins, 2016 September 17-October 23
• Haymarket: The Anarchist’s Songbook by Alex Higgin-Houser and David Kornfeld, Underscore Theatre Company, directed by Elizabeth Margolius, sets by Carolyn Cristofani, costumes by Mealah Heidenreich, lights by Kurtis Boetcher, sound by Tyler Merle Thompson, with Halle Bins, LaKecia Harris, Summer Hofford, David Kaplinsky, Royen Kent, Mike Mazzocca, Victoria Olivier, Khaki Pixley, Josiah Robinson, James Smart and Tyler Merle Thompson, 2016 May 30
• The House That Will Not Stand by Marcus Gardley, Victory Gardens Midwest premiere, directed by Chay Yew, sets by Yu Shibagaki, costumes by Izumi Inaba, lights by Paul Whitaker, sound by Christopher Kriz, with Linda Bright Clay, Diana Coates, Aneisa Hicks, Angela Alise, Lizan Mitchell, Penelope Walker and Jacqueline Williams, 2016 July 8
• I Am My Own Wife by Doug Wright, About Face Theatre, directed by Andrew Volkoff, set design by Brian Prather, lighting design by John Kelly, sound design by Sarah Espinoza, costume design by Bob Kuhn, prop design by Vivian Knouse, projection design by Brock Alter, stage management by Caitlin Roper, with Ninos Baba, Scott Duff, Matt Holzfeind, Delia Kropp, 2016 November 4-December 10
• The Jungle by Upton Sinclair, adapted by Matt Foss, Oracle Theatre, directed by Matt Foss, music direction by Nicholas Tonozzi, sets by Mat Foss, costumes by Joan Pritchard, lights by Jason Fassl, sound by Sam Allyn, cattle design and additional art by Jesse Mooney-Bullock, Jennifer Drinkwater and Tony Santiago, with Travis Delgado, Stephanie Polt, DeChantel Kosmatka, Andrew Rathgeber, Thomas Wynne, Kate Staiger, Rick Foresee, Zachary Baker-Salmon and Grayson Heyl, 2015 April 17
• The Kid Thing by Sarah Gubbins, Nothing Without a Company, directed by Jake Fruend, production design by Alaina Moore, with Gabriel Fries, Anna Rose Il-Epstein, Samantha Michelle Nava, Taylor Raye and Shalyn Welch, 2017 March 13-April 15
• Lady X: The Musical, books and lyrics by David Cerda, Hell in a Handbag Productions, directed by Steven Love and Tommy Bullington, music by David Cerda and Scott Lamberty, choreography by Steve Love, costume design by Kate Setzer Kamphausen, scenic design by Roger Wykes, sound design by Timothy McNulty, lighting design by Rachel Lake, wig design by Keith Ryan, makeup design by Sydney Genco, props design by Mealah Heiderenreich, dramaturgy by Cheryl Snodgrass, music direction by J.D. Caudill, with Chazie Bly, David Cerda, Laura Coleman, Sydney Genco, Adrian Hadlock, Michael Hampton, Caitlin Jackson, Ed Jones, Josh Kemper, Elizabeth Lesinski, Steve Love, Michael S. Miller and Christea Parent, 2017 April 21-June 10
• Le Switch by Philip Dawkins, About Face Theatre, directed by Stephen Brackett, sets by Joe Schermoly, costumes by David Hyman, lights by Sarah Hughey, sound by Paul Perry, with La Shawn Banks, Stephen Cone, Mitchell J. Fain, Elizabeth Ledo and Collin Quinn Rice, 2016 February 7
• Lela & Co. By Cordelia Lynn, Steep Theatre Company, directed by Robin Witt, scenic design by Joe Schermoly, lighting design by Brandon Wardell, costume design by Jessica Kuehnau Wardell, sound design by Thomas Dixon, props design by Maria DeFabo Akin, fight choreography by Christina Gorman, dramaturgy by Carina Abbaticchio, with Cruz Gonzalez-Cadel and Chris Chmelik, 2017 August
• Man of La Mancha by Dale Wasserman, The Marriot Theatre, Lincolnshire, Illinois, directed by Nick Bowling, music direction by Ryan T. Nelson, set design by Jeffrey D. Kmiec, lighting design by Jesse Klug, costume design by Nancy Missimi, sound design by Robert E. Gilmartin, properties design by Sally Weiss, with Jonathan Bulter-Duplessis, Linda Castillo, Bobby Daye, James Harms, Andrew Mueller, Matt Mueller, Richard Ruiz, Cassie Slater, Danni Smith, Craig Spindle, Brandon Springman and Nathaniel Stampley, 2016 August
• Miss Buncle’s Book based on the novel by D.E. Stevenson, adapted by Christina Calvit, Lifeline Theatre, directed by Dorothy Milne, sets by Alan Donahue, costumes by Izumi Inaba, lights by Kevin D. Gawley, sound by Anthony Ingram, with Peter Greenberg, Katharine Hildreth, Elise Kauzlaric, Kristina Loy, Martel Manning, Katie McLean Hainswroth, Tiffany Ogelsby, Sean Sinitski, Jennifer Tyler and Chris Vizurraga, Shelby Lynn Bias, Linsey Falls, Josh Mattingly and Jhenai Mootz, 2015 October 24
• Murder Ballad conceived by Julia Jordan and by Juliana Nash, Bailiwick Chicago Theater, directed by James Beaudry, musical direction by Nicholas Davio, sets by Megan Truscott, costumes by Raquel Adorno, lights by Charles Cooper, sound by Patrick Bley, with Amanda Horvath, Chris Logan, Matt W. Miles and Camille Robinson, 2015 April 25
• Naperville by Mat Smart, Theater Wit, directed by Jeremy Wechsler, scenic design by Joe Schermoly, lighting design by Alexander Ridgers, costume design by Christine Pascual, properties design by Amanda Herrmann, sound design by Ethan Deppe, with Laura T. Fisher, Andrew Jessop, Abby Poerce, Charlie Strater and Mike Tepeli, 2016 September
• Native Gardens by Karen Zacarías, Victory Gardens Theater, directed by Marti Lyons, set design by William Boles, costume design by Samantha C. Jones, lighting design by Keith Parham, sound design by Mikhail Fiksel, fight choreography by Jaq Seifert, dramaturgy by Isaac Gomez, with Janet Ulrich Brooks, Patrick Clear, Paloma Nozicka and Gabriel Ruiz, 2017 June 2-July 2
• No Wake by William Donnelly, Route 66 Theater Company, directed by Kimberly Senior, sets and lights by Brian Sidney Bembridge, costumes by Alarie Hammock, stage management by Ari Clouse with Raymond Fox, Stef Tovar and Lisa Mortensen, 2016 January 17
• Northanger Abbey based on the novel by Jane Austen, by Robert Kauzlaric and George Howe; Lifeline Theatre, directed by Elise Kauzlaric, sets by Sarah Lewis, costume design by Aly Renee Amidei, lights by Diane D. Fairchild, sound by Eric Backus, with Chris Ballou, Shelby Lynn Bias, Andres Enriquez, Javier Ferreira, Peter Greenberg, Lydia Hiller, Stephanie Stockstill, Denzel Tsopnang and Jenifer Tyler, 2016 June 23
• An Octoroon by Branden Jacobs-Jenkins, Definition Theatre Company, directed by Chuck Smith, scenic design by Andrew Boyce, costume design by Kristy Hall, lighting design by Jared Gooding, sound design by Aaron Stephenson, properties design by Jenna Meyers, dramaturgy by Jared Bellot, with Breon Arzell, Sydney Charles, Carley Cornelius, Danielle Davis, Kelson McAuliffe, Tiffany Oglesby, Tyrone Phillips, Maya Prentiss, Ariel Richardson and Christopher Sheard, 2017 July 21-August 20
• Parachute Men by Mando Alverez, Teatro Vista, directed by Ricardo Gutiérrez, scenic design by Raúl Abrego, lighting design by Richard Norwood, costume design by Uriel Gómez, sound design by Nick Gajary, fight choreography by Barbara Charlene, 2016 September 10- October 16
• Peerless by Jiehae Park, First Floor Theater, directed by Hutch Pimentel, scenic design by William Boles and Arnel Sancianco, lighting design by Claire Chrzan, sound design by Thomas Dixon, costume design by Melissa Ng, props design by Claire Stone, dramaturgy by Carol Ann Tan, stage management by Cole Von Glahn, with Aurora Adachi-Winter, Caroline Chu, W. Matt Daniels, Amanda Fink, and Jesse Massaro, 2017 February 12-March 11
• Porcelain by Chay Yew, Prologue Theatre Company, directed by Matthew Ozawa, sets by William Boles, costumes by Sarah Jo White, lights by Eric Watkins, with Scott Shimizu, Scott Olson, Graham Emmons, Colin Sphar, Cory Hardin, Alec Silver, Jericho Blue and Addison Heimann, 2015 July 10
• Posh by Laura Wade, Steep Theatre Midwest premiere, directed by Jonathan Berry, sets by Ashley Ann Woods, costumes by Stephanie Cluggish, lights by Pete Dully, sound by Matthew Chapman, with Will Kinnear, Sean Wiberg, Alex Gillmor, Eric Staves, Michael Kurowski, Christopher Borek, Dash Barber, Michael Holding, Colin Sphar, David Seeber, Matthew Garry, Ryan Hallahan, Japhet Balaban, Bryce Gangel and Kendra Thulin, 2016 February 28
• Prowess by Ike Holter, Jackalope Theatre Company world premiere, directed by Marti Lyons, sets by Courtney O’Neill, costumes by Samantha C. Jones, lights by Michael Stanfill, sound by Matt Chapman, with Julian Parker, Donovan Diaz, Sydney Charles and Andrew Goetten, 2016 June 19
• Queen by Madhuri Shekar, Victory Gardens Theater, directed by Joanie Schulz, set design by Chelsea M. Warren, costume design by Janice Pytel, lighting design by Heather Gilbert, sound design by Thomas Dixon, projection design by Aaron Quick, dramaturgy by Isaac Gomez, with Priya Mohanty, Darci Nalepa, Adam Poss and Stephen Spenser, 2017 April 14-May 14
• Really Really by Paul Downs Colaizzo, !nterrobang [Interrobang] Theatre Project, directed by James Yost, sets by Jeff Kmiec, costumes by Noel Huntzinger, lights by Claire Chrzan, sound by Christopher M. LaPorte, with Kristen Magee, Amanda Lipinski, Maurice Demus, Michael Holding, Ben Te Bockhorst, Tommy Beardmore and Sarah Gise, 2015 March 1
• Red by John Logan, Redtwist Theatre, directed by Steve Scott, sets by Eric Luchen, costumes by Allison M. Smith, lights by Zoe Mikel-Stites, sound by Karlie Blalock, with Brian Parry and Aaron Kirby, 2015 February 2
• Relativity by Mark St. Germain, Northlight Theatre, directed by B.J. Jones, scenic design by Jack Magaw, costume design by Rachel Laritz, lighting design by J.R. Lederle, original music and sound design by Andrew Hansen, with Katherine Keberlein, Mike Nussbaum and Ann Whitney, 2017 May 19-June
• Rolling by Calamity West, Jackalope Theatre Company world premiere, directed by Nate Silver, sets by Joanna Iwanicka, costumes by Hanna Wisner, lights by Cat Wilson, sound by, with Dana Black, Ann James, Abby Pierce with Pat Whalen, 2016 March 27
• Rose by Laurence Leamer, Forum Productions, directed by Steve Scott, scenic designer Kevin Hagen, lighting designer Cat Wilson, costume designer Rachel Lambert, original music and sound design by Christopher Kriz and Eric Backus, stage manager Ashley Bowman, with Linda Reiter, and Daia Harper, 2016 August 19-September 25
• Sender by Ike Holter, Red Orchid Theatre world premiere, directed by Shade Murray, sets and lights by Mike Durst, costumes by Alexia Rutherford, sound by Joseph Fosco, with Mary Williamson, Steve Haggard, McKenzie Chinn and Steven Wilson, 2016 May 20
• The Tempermentals by Jon Marans, About Face Theatre, directed by Andrew Volkoff, set design by Joe Schermoly, lighting design by Becca Jeffords, original music/sound design by Christopher Kriz, costume design by Mieka Van Der Ploeg, prop design by Lydia Hanchett, music director Aaron Benham, stage management by Sarah Luse, with Paul Fagen, Lane Anthony Flores, Kyle Hatley, Rob Lindley and Alex Weisman, 2017 February
• United Flight 232 by Laurence Gonzales, House Theatre of Chicago, adapted and directed by Vanessa Stalling, sets by John Musial, costumes by Delia Ridenour, sound by Steve Labedz, with Brenda Barrie, Echaka Agba, Alice da Cunha, Elana Elyce, Rudy Galvan, James Doherty, Johnny Arena, Kroydell Galima and Michael E. Martin, 2016 April 23
• Urinetown, music and lyrics by Mark Hollmann, book and lyric by Greg Kotis, BoHo Theatre, directed by Stephen Schellhardt, music direction by Charlotte Rivard-Hoster, choreography by Aubrey Adams, with Tommy Bullington, Ariana Burks, Scott Danielson, Nick Graffagna, Donterrio Johnson, Molly Kral, Garrett Lutz, Courtney Mack, Henry McGinniss, Sara Reinecke, Peter Robel, Jonathan Schwart, Desiree Staples and Demi Zaino, 2017 February 4-March 26
• Where Did We Sit on the Bus, written and performed by Biran Quijada, Victory Gardens Theater, directed by Chay Yew, lighting design by Diane Fairchild, projection design by Liviu Pasare, stage management by Amanda J. David, 2017 May
• The Wild Party by Michael John LaChiusa and George C. Wolfe, based on the poem by Joseph Moncure March, Bailiwick Chicago Theater, directed by Brenda Didier, musical direction by Aaron Benham, sets by Megan Truscott, costumes by Theresa Ham, lights by Brian Hoehne, choreography by Brenda Didier, sound by Patrick Bley, with Danielle Brothers, Molly Coleman, Gilbert Domally, Patrick Falcon, Desmond Gray, Jason Grimm, Christina Hall, Sharriese Hamilton, Matthew Keffer, Ryan Lanning, Steven Perkins, Khaki Pixley, Jason Richards, Danni Smith and Sasha Smith, 2014 October 25
• Winter by Julie Jensen, Rivendell Theatre Ensemble, directed by Megan Carney and Mark Ulrich, stage management and dramaturgy by Jennifer J. Thusing, scenic design by Elvia Moreno, costume design by Stephanie Cluggish, lighting design by Michael Mahlum, original music and sound design by Robert Hornbostel, properties design by Black Burke, fight choreography by Scott Cummins, with Sean Cooper, Dan Flannery, Steve Haggard, Martasia Jones and Barbara E. Robertson, 2017 January 7-February 11
• The Wolf at the End of the Block by Ike Holter, Teatro Vista, directed by Richardo Gutiérrez, production management by Jennifer Aparicio, stage management by Stephanie Hurovitz, scenic design by Milo Bue, lighting design by Diane D. Fairchild, costume design by Uriel Gómez, sound design by Erick Backus, dramaturgy by Kendra Miller, props design by Jamie Karas, with Bear Bellinger, James D. Farruggio, Sandra Márques, Ayssette Muñóz and Gabriel Ruiz, 2017 January 28-March 5
• Yasmina’s Necklace by Rohina Malik, 16thStreet Theater world premiere, directed by Ann Filmer, sets by Joanna Iwanicka, costumes by Rachel Sypniweski, lights by Cat Wilson, sound by Barry Bennett, with Susan Jamshidi, Michael Perez, Mark Ulrich, Laura Crotte, Amro Salama, Salar Ardebili and Miguel Nunez, 2016 February 13

Arrangement

The C-FAP Collection is arranged chronologically by production filming date. The recordings are also listed in the Library’s online catalog.

Subject Headings

• Chicago Film Archive of Performance
• Chicago theater recordings
• Theater -- Illinois -- Chicago -- 20th century -- Sources
• Theater -- History -- Sources
• Theater production and direction

Related Collections

Chicago Theater Collection Videotape Collection

Collection Inventory