This finding aid is split into two parts. Part 1 covers 1925-1986. Part 2 includes 1986-2000 and Photographs.
1986-1987 Season, Mainstage
| Box 58 | Folder 1 | General promotional material |
| Oversize Box 2 | Onstage, Volumes I-V | |
| Supp. Box 33 | Folder 1 | Casting statistics |
| Supp. Box 33 | Folder 2 | Miscellaneous show contracts |
| Supp. Box 33 | Folder 3 | Summer season auditions (open) |
| Box 58 | Folder 2 | Galileo by Bertolt Brecht, translated by Adrian Hall and James Schevill. September 26-November 1, 1986. Directed by Robert Falls, music by Louis Rosen, sets by George Tsypin, costumes by Jessica Hahn, lighting by James F. Ingalls, ...starring Brian Dennehy, with Frank Galati, Ernest Perry, Jr. and James O' Reilly – Programs |
| Box 58 | Folder 3 | Galileo – Reviews and clippings |
| Box 58 | Folder 3a | Galileo – Promotional material |
| Box 58 | Folder 4 | Galileo – Teacher’s guide |
| Box 58 | Folder 5 | Galileo – Script |
| Box 58 | Folder 6 | Galileo – Script |
| Box 58 | Folder 7 | Galileo – Script, labeled "first draft - to be typed", and dated 5/16/86 |
| Photo Box 112 | Folders 1-5 | Galileo – 5 photographs |
| Supp. Box 33 | Folder 4 | Galileo – Casting |
| Supp. Box 33 | Folder 5 | Galileo – Post-show discussion notes |
| Supp. Box 33 | Folder 6 | Galileo – Rights and permissions |
| Supp. Box 33 | Folder 7 | Galileo – Show contracts |
| Supp. Box 33 | Folder 8 | Galileo – Subscriber newsletter |
| Box 58 | Folder 8 | A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens. November 25-December 31, 1985. Directed by Sandra Grand, music by Larry Schanker, sets by Joseph Nieminski, costumes by Christa Scholtz, lighting by Robert Christen, choreography by Beatrix Porter, ...with Ernest Perry, Jr. and Jim True – Programs |
| Box 58 | Folder 9 | A Christmas Carol – Script, labeled "A" |
| Box 58 | Folder 10 | A Christmas Carol – Script, labeled "B", revised 11/4/86 |
| Box 58 | Folder 11 | A Christmas Carol – Script, labeled "C", revised 12/31/86 |
| Box 58 | Folder 12 | A Christmas Carol – Script, revised and updated 12/31/86 |
| Photo Box 112 | Folder 6 | A Christmas Carol – 1 photograph |
| Supp. Box 33 | Folder 9 | A Christmas Carol – Casting |
| Supp. Box 33 | Folder 10 | A Christmas Carol – Prompt script; labeled “Production Master Script” (1 of 2) |
| Supp. Box 33 | Folder 11 | A Christmas Carol – Prompt script; labeled “Production Master Script” (2 of 2) |
| Box 58a | Folder 1 | Ghost on Fire by Michael Weller. January 9-February 14, 1987. Directed by Les Waters, sets designed Loren Sherman, costumes by Martin Pakledinaz, lighting designed by Stephen Strawbridge – Programs and reviews |
| Box 58a | Folder 1a | Ghost on Fire – Newsletter |
| Box 58a | Folder 2 | Ghost on Fire – Teacher’s guide |
| Photo Box 112 | Folder 7 | Ghost on Fire – 1 photograph |
| Supp. Box 33 | Folder 12 | Ghost on Fire – Casting |
| Supp. Box 33 | Folder 13 | Ghost on Fire – Casting |
| Supp. Box 33 | Folder 14 | Ghost on Fire – Mainstage |
| Supp. Box 33 | Folder 15 | Ghost on Fire – Script; unmarked Xerox |
| Box 58a | Folder 3 | She Always Said, Pablo, words by Gertrude Stein, conceived by Frank Galati. February 27-April 4, 1987. Directed by Frank Galati, production designed by John Paoletti, Geoffrey Bushor and Mary Griswold, choreography by Steven Ivcich and Peter Amster, music by Virgil Thomson and Igor Stravinsky – Programs and promotional material |
| Box 58a | Folder 4 | She Always Said, Pablo – Script |
| Photo Box 112 | Folder 8 | She Always Said, Pablo – 1 photograph |
| Supp. Box 34 | Folder 1 | She Always Said, Pablo – Casting |
| Supp. Box 34 | Folder 2 | She Always Said, Pablo – Contact sheets |
| Supp. Box 34 | Folder 3 | She Always Said, Pablo – Director correspondence |
| Supp. Box 34 | Folder 4 | She Always Said, Pablo – Research |
| Supp. Box 34 | Folder 5 | She Always Said, Pablo – Reviews and clippings |
| Supp. Box 34 | Folder 6 | She Always Said, Pablo – Script; Xerox with score, labeled “Final Version”, and dated 4/4/87 |
| Supp. Box 34 | Folder 7 | She Always Said, Pablo – Show contracts |
| Supp. Box 34 | Folder 8 | She Always Said, Pablo – Subscriber newsletter |
| Box 58a | Folder 5 | The Tempest by William Shakespeare. April 17-May 29, 1987. Directed by Robert Falls, sets designed by Adrianne Lobel, costumes designed by Jessica Hahn, lights by James F. Ingalls and John Boesche, music by Louis Rosen, ...with James O'Reilly, Del Close and Ivory Ocean – Programs and promotional material |
| Photo Box 112 | Folder 9 | The Tempest – 1 photograph |
| Supp. Box 34 | Folder 9 | The Tempest – Casting |
| Supp. Box 34 | Folder 10 | The Tempest – Casting |
| Supp. Box 34 | Folder 11 | The Tempest – Contact sheet |
| Supp. Box 34 | Folder 12 | The Tempest – Reviews and clippings |
| Supp. Box 34 | Folder 13 | The Tempest – Show contracts |
| Supp. Box 34 | Folder 14 | The Tempest – Teacher's guide |
| Box 58a | Folder 6 | Sunday in the Park with George by James Lapine, music and lyrics by Stephen Sondheim. June 15-September 6, 1987. Directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Nan Cibula, lights by Robert Christen and John Boesche, choreography by Michael Sokoloff – Program and promotional material |
| Box 58a | Folder 7 | Sunday in the Park with George – Stage manager's daily reports |
| Box 58a | Folder 8 | Sunday in the Park with George – Script and libretto |
| Box 58a | Folder 9 | Sunday in the Park with George – Score |
| Photo Box 112 | Folder 10 | Sunday in the Park with George – 1 photograph |
| Supp. Box 34 | Folder 15 | Sunday in the Park with George – Casting |
| Supp. Box 34 | Folder 16 | Sunday in the Park with George – Casting |
| Supp. Box 34 | Folder 17 | Sunday in the Park with George – Casting |
| Supp. Box 34 | Folder 18 | Sunday in the Park with George – Research |
| Supp. Box 34 | Folder 19 | Sunday in the Park with George – Show contracts |
| Supp. Box 34 | Folder 20 | Sunday in the Park with George – Subscriber newsletter |
| Supp. Box 35 | Folder 1 | Sunday in the Park with George – Prompt script: Act I |
| Supp. Box 35 | Folder 2 | Sunday in the Park with George – Prompt script: Act II |
| Supp. Box 35 | Folder 3 | Sunday in the Park with George – Prompt script, with light cues |
| Oversize Folder 54 | Sunday in the Park with George – Poster |
1986-1987 Season, Studio
| Box 58a | Folder 10 | ZOO1, by Friends of the Zoo. Directed by Rob Riley, music and lyrics by Mark Nutter, sets by John Paoletti and Mary Griswold, choreography by Peter Amster, costumes by Karol Kent and Friends of the Zoo – Programs |
| Box 58a | Folder 11 | My Werewolf by John Schneider. A Theatre X production, [1986-1987]. Directed by David Schweizer, music by Wes Savick, sets by James Matson, costumes by Sam Fleming, lighting by Margaret Nelson – Programs |
1986-1987 Season, Merrill Lynch Dance Series
| Box 58a | Folder 12 | General promotional material |
| Supp. Box 35 | Folder 4 | Publicity |
| Supp. Box 35 | Folder 5 | Rehearsal notice, promotional material |
| Supp. Box 35 | Folder 6 | Box office |
| Oversize Folder 54 | Poster | |
| Box 58a | Folder 13 | Hubbard Street Dance Theatre. November 5-16, 1986. Lou Conte, artistic director – Programs |
| Supp. Box 35 | Folder 7 | Hubbard Street Dance Theatre – General company information |
| Supp. Box 35 | Folder 8 | Hubbard Street Dance Theatre – Press and publicity |
| Supp. Box 35 | Folder 9 | Hubbard Street Dance Theatre – Box office |
| Box 58a | Folder 14 | Ohio Ballet. February 17-21, 1987. Heinz Poll, artistic director – Programs |
| Supp. Box 35 | Folder 10 | Ohio Ballet – General company information |
| Supp. Box 35 | Folder 11 | Ohio Ballet – Press and publicity |
| Supp. Box 35 | Folder 12 | Ohio Ballet – Box office |
| Box 58a | Folder 15 | Garth Fagan's Bucket Dance Theatre. April 7011, 1987. Garth Fagan, artistic director – Programs |
| Supp. Box 35 | Folder 13 | Garth Fagan's Bucket Dance Theatre – General company information |
| Supp. Box 35 | Folder 14 | Garth Fagan's Bucket Dance Theatre – Press and publicity |
1986-1987 Season, Other
| Supp. Box 35 | Folder 15 | Letters from the Yellow Chair by Graham MacTavish and Nick Pace. February 10-13, 1987 – Planning and promotional material |
1987-1988 Season, Mainstage
| Box 59 | Folder 1 | General promotional material (Mainstage) |
| Box 59 | Folder 2 | General promotional material (Studio) |
| Supp. Box 35 | Folder 16 | Casting statistics |
| Supp. Box 35 | Folder 17 | Summer season auditions |
| Oversize Box 2 | Onstage, Volume II (#1-5) | |
| Box 59 | Folder 3 | Red Noses by Peter Barnes. American Premiere, September 25-October 31, 1987. Directed by Jeff Steitzer, sets designed by Scott Weldin, costumes by Laura Crow, lighting by Robert Paulsen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Jim Corti – Programs |
| Box 59 | Folder 4 | Red Noses – Promotional material and reviews |
| Box 59 | Folder 5 | Red Noses – Script, Xerox of published script (Faber and Faber edition) |
| Supp. Box 35 | Folder 18 | Red Noses – Casting |
| Supp. Box 35 | Folder 19 | Red Noses – Casting |
| Supp. Box 35 | Folder 20 | Red Noses – Subscriber newsletter |
| Box 59 | Folder 6 | A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens. November 21-December 30, 1987. Directed by Michael Maggio, sets designed by Joseph Nieminski, costumes by Christa Scholtz, lights by Robert Christen, music by Larry Schanker, sound by Robert Neuhaus, choreography by Beatrix Rashid – Programs |
| Box 59 | Folder 7 | A Christmas Carol – Promotional material |
| Supp. Box 36 | Folder 1 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 36 | Folder 2 | A Christmas Carol – Prompt script (2 of 2); with Stage Manager’s daily reports |
| Box 59 | Folder 8 | Passion Play by Peter Nichols. January 8-February 13, 1988. Directed by Frank Galati, sets by John Conklin, costumes by Jessica Hahn, lights by Kevin Rigdon, sound by Rob Milburn – Programs |
| Box 59 | Folder 9 | Passion Play – Promotional material |
| Supp. Box 36 | Folder 3 | Passion Play – Casting |
| Supp. Box 36 | Folder 4 | Passion Play – Clippings and reviews from other productions |
| Supp. Box 36 | Folder 5 | Passion Play – Stage manager's daily reports |
| Box 59 | Folder 10 | Landscape of the Body by John Guare. February 26-April 2, 1988. Directed by Robert Falls, sets by George Tsypin, costumes designed by Dunja Ramicova, lighting by Jennifer Tipton, sound design by Rob Milburn, ...with Gary Cole – Programs and promotional material |
| Supp. Box 36 | Folder 6 | Landscape of the Body – Casting |
| Supp. Box 36 | Folder 7 | Landscape of the Body – Stage manager's reports |
| Landscape of the Body -- With Barbara E. Robertson, Gary Cole, Peggy Roeder, Ray Bradford, Anthony Rapp, Jason Moser, Amy Elizabeth Geis, Delfina Robles, Tom Towles and Chelcie Ross. Video recording (approx. 120 minutes, color), 1988 March 20 [See: Chicago Theater Videotape Collection #1.14] | ||
| Box 59 | Folder 11 | A Flea in Her Ear by Georges Feydeau, adapted by Frank Galati. April 25-May 21, 1988. Directed by Michael Maggio, sets designed by John Lee Beatty, costumes by Lindsay Davis, lighting by Robert Christen, sound by Rob Milburn, choreography by David Wooley – Programs |
| Box 59 | Folder 12 | A Flea in Her Ear – Promotional material |
| Supp. Box 36 | Folder 8 | A Flea in Her Ear – Casting |
| Supp. Box 36 | Folder 9 | A Flea in Her Ear – Script; published, marked “Desk Copy—Do Not Remove” |
| Box 59 | Folder 13 | Pal Joey by John O'Hara, music by Richard Rogers, lyrics by Florenz Hart. June 3-July 24, 1988. Directed by Robert Falls, choreography by Ann Reinking and Chet Walker, sets by Thomas Lynch, costumes designed by Marty Pakledinaz, ...with Kevin Anderson, Ivory Ocean and Del Close – Programs and promotional material |
| Box 59 | Folder 13a | Pal Joey – Script |
| Box 59 | Folder 14 | Pal Joey – Research for OnStage |
| Supp. Box 36 | Folder 10 | Pal Joey – Auditions and casting |
| Supp. Box 36 | Folder 11 | Pal Joey – Prop and running show lists |
| Supp. Box 36 | Folder 12 | Pal Joey – Sound, light and electrical cues |
| Supp. Box 36 | Folder 13 | Pal Joey – Stage manager's daily reports |
| Oversize Box 1 | Pal Joey – Poster |
1987-1988 Season, Studio
| Box 59 | Folder 15 | Bigtime by Keith Reddin. A Remains Theatre production, November 4-December 20, 1987. Directed by Larry Sloan, sets and lights by Kevin Rigdon, costumes by Laura Cunningham, sound design by Rob Milburn – Programs |
| Box 59 | Folder 16 | Bigtime – Promotional material |
| Box 59 | Folder 17 | The Redthroats, written and performed by David Cale. February 2-7, 1988. Production management, lighting adaptation and execution by Sandra Hamilton, lighting design by Carol McDowell – Programs |
| Box 59 | Folder 18 | The Redthroats – Promotional material |
| Photo Box 112 | Folder 11 | The Redthroats – 1 photograph |
| Box 59 | Folder 19 | Avner the Eccentric, performed by Avner Eisenberg. February 16-28, 1988 – Promotional material |
| Box 59 | Folder 20 | Stuff as Dreams are Made On, performed and adapted by Fred Curchack. March 9-20, 1988 – Promotional material |
| Box 59 | Folder 21 | Bad Moon by Rick Cleveland. An American Blues Theatre production, June 29-[?], 1988. Directed by William Payne, sets by James Dardenne, lights by Mary Badger, costumes by Erin Quigley, music by James Schneider – Program |
1988-1989 Season, Mainstage
| Box 60 | Folder 1 | General promotional material (Mainstage) |
| Box 60 | Folder 2 | General promotional material (Studio) |
| Oversize Box 2 | On Stage, Volume III, (#1-5) | |
| Supp. Box | Folder 1 | Auditions |
| Supp. Box | Folder 2 | Casting |
| Supp. Box | Folder 3 | Casting statistics |
| Box 60 | Folder 3 | Romeo and Juliet by William Shakespeare. October 3-November 5, 1988. Directed by Michael Maggio, sets by Michael Merritt, costumes by Nan Cibula, lights by Jennifer Tipton, sound by Rob Milburn, music by Larry Schanker, choreography by Beatrix Rashid, fight choreography by Steve Pickering, ...with Phoebe Cates – Program |
| Box 60 | Folder 4 | Romeo and Juliet – Reviews |
| Box 60 | Folder 5 | Romeo and Juliet – Promotional material |
| Box 60 | Folder 5a | Romeo and Juliet – Jeff Award nomination |
| Oversize Folder 55 | Romeo and Juliet – Poster | |
| Supp. Box 37 | Folder 4 | Romeo and Juliet – Casting |
| Supp. Box 37 | Folder 5 | Romeo and Juliet – Score (original) |
| Supp. Box 37 | Folder 6 | Romeo and Juliet – Score (copy) |
| Supp. Box 37 | Folder 7 | Romeo and Juliet – Score (orchestra parts, original) |
| Supp. Box 37 | Folder 8 | Romeo and Juliet – Stage manager's daily reports |
| Supp. Box 37 | Folder 9 | Romeo and Juliet – Stage manager's rehearsal reports |
| Romeo and Juliet -- With Larry Brandenburg, Corinne Lyon, Michael Cerveris, David Studwell, Maurice Chasse, Tom Benic, Ed Luther, William J. Norris, Kristine Thatcher, Phoebe Cates, Peggy Roeder, Louis DiCrescenzo, Henry Godinez, Bob O’Donnell, D. V. DeVincentis, Gerit Quealy, Tom Kenney, Tom Zanarini, John Reeger, Steve Pickering, Larry Ruso, Mike Nussbaum, Ernest Perry Jr., Gary Brichetto, Amanda Armato, Dominic Armato, Toni Fleming, Maria Michaels, Kathy Scambiatterra, Stuart Joel Rosenberg and Willy Schwarz. Video recording (approx. 150 minutes, color), 1988 September. [See: Chicago Theater Videotape Collection #1.20] | ||
| Box 60 | Folder 6 | A Christmas Carol, adapted by Larry Sloan from the novel by Charles Dickens. November 18-December 28, 1988. Sets designed by Joseph Nieminski, costumes by Julie Jackson, lighting by Robert Christen, sound by Robert Neuhaus, choreography by Beatrix Rashid, music by Larry Schanker – Program |
| Supp. Box 37 | Folder 10 | A Christmas Carol – Casting |
| Supp. Box 37 | Folder 11 | A Christmas Carol – Stage manager's daily reports |
| Supp. Box 37 | Folder 12 | A Christmas Carol – Stage manager’s rehearsal reports |
| Supp. Box 37 | Folder 13 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 37 | Folder 14 | A Christmas Carol – Prompt script (2 of 2) |
| Box 60 | Folder 7 | The Piano Lesson by August Wilson. January 6-February 18, 1989. Directed by Lloyd Richards, sets by David Cosier, Jr., costumes designed by Constanza Romero, lighting by Christopher Akerlind, sound design by J. Scott Servheen, music by Dwight Andrews – Programs |
| Box 60 | Folder 8 | The Piano Lesson – Reviews |
| Photo Box 112 | Folder 12 | The Piano Lesson – 1 photograph |
| Supp. Box 38 | Folder 1 | The Piano Lesson – Casting |
| Supp. Box 38 | Folder 2 | The Piano Lesson – Stage manager's daily reports |
| Supp. Box 38 | Folder 3 | The Piano Lesson – Stage manager's rehearsal reports |
| Supp. Box 38 | Folder 4 | The Piano Lesson – Prompt script: Act I |
| Supp. Box 38 | Folder 5 | The Piano Lesson – Prompt Script: Act II |
| Supp. Box 38 | Folder 6 | The Piano Lesson – Running times, reports, cues, props, lights, etc. |
| Supp. Box 38 | Folder 7 | The Piano Lesson – Script; marked “Rewrite, December 1988” |
| The Piano Lesson -- With Paul Butler, Charles S. Dutton, Rocky Carroll, S. Epatha Merkerson, Tressa Jenee Thomas, Tommy Hollis, Danny Robinson-Clark and Tonya Pinkins. Video recording (approx. 150 minutes, color), 1989 March 22 [See: Chicago Theater Videotape Collection #1.46] | ||
| Box 60 | Folder 9 | The Rover by Aphra Behn, adapted by John Barton. February 24-April 1, 1989. Directed by Kyle Donnelly, sets by John Lee Beatty, costumes by Lyndsay Davis, lighting by Judy Rasmuson, sound by Rob Milburn, music by Rob Milburn and Larry Schanker, combat and masque staging by Michael Sokoloff – Programs |
| Box 60 | Folder 10 | The Rover – Reviews |
| Supp. Box 38 | Folder 8 | The Rover – Casting |
| Supp. Box 38 | Folder 9 | The Rover – Stage manager's rehearsal reports |
| Supp. Box 38 | Folder 10 | The Rover – Stage manager's daily reports |
| The Rover -- With Ellen Jane Smith, Kate Goehring, Lisa Zane, Ramiro Carrillo, Ray Chapman, Irma P. Hall, Henry Godinez, Sean Grennan, Ross Lehman, Jack Wetherall, Bellary Darden, Steve Pickering, Marianne Tatum, Peggy Roeder, Edward Wilkerson, Randy Colborn, Peter Rybolt, Timothy Grimm, Kevin McCoy, LaVonda Elam, Brian Grandison, Alison D. Halstead, Earl McCombs, Carmen Roman, Jackie Samuel, Edward Torres and Jensen Wheeler. Video recording (approx. 150 minutes, color), 1989 March. Comments: tape includes fight rehearsal and production [See: Chicago Theater Videotape Collection #1.45] | ||
| Box 60 | Folder 11 | The Speed of Darkness by Steve Tesich. April 14-May 20, 1989. Directed by Robert Falls, sets by Thomas Lynch, costumes designed by Nan Cibula, lighting designed by Michael Phillipi, sound and music by Rob Milburn – Programs |
| Box 60 | Folder 12 | The Speed of Darkness – Reviews |
| Supp. Box 38 | Folder 11 | The Speed of Darkness – Casting |
| Supp. Box 38 | Folder 12 | The Speed of Darkness – Stage manager's rehearsal reports |
| Supp. Box 38 | Folder 13 | The Speed of Darkness – Stage manager's daily reports |
| The Speed of Darkness -- With Bill Raymond, Lee Guthrie, Brigitte Bako, Stephen Lang and Andy Hirsch. Video recording (approx. 120 minutes, color), 1989 May [See: Chicago Theater Videotape Collection #1.48] | ||
| Box 60 | Folder 13 | A Funny Thing Happened on the Way to the Forum, book by Burt Shevelove and Larry Gelbart, music and lyrics by Stephen Sondheim. June 2-August 8, 1989. Directed by Frank Galati, choreography and musical staging by Chet Walker, sets and costumes designed by Mary Griswold and John Paoletti, lights by Jeffrey Bushor, sound by Rob Milburn, musical direction by Janet Alcock – Programs |
| Box 60 | Folder 14 | A Funny Thing Happened on the Way to the Forum – Promotional material |
| Box 60 | Folder 15 | A Funny Thing Happened on the Way to the Forum – Reviews |
| Box 60 | Folder 15a | A Funny Thing Happened on the Way to the Forum – Jeff Award nomination |
| Photo Box 112 | Folder 13 | A Funny Thing Happened on the Way to the Forum – 1 photograph |
| Supp. Box 39 | Folder 1 | A Funny Thing Happened on the Way to the Forum – Casting |
| Supp. Box 39 | Folder 2 | A Funny Thing Happened on the Way to the Forum – Casting |
| Supp. Box 39 | Folder 3 | A Funny Thing Happened on the Way to the Forum – Stage manager's rehearsal reports |
| Supp. Box 39 | Folder 4 | A Funny Thing Happened on the Way to the Forum – Stage manager's daily reports |
1988-1989 Season, Studio
| Box 60 | Folder 16 | Lloyd's Prayer by Kevin Kling. A Remains Theatre production, September 19-October 23, 1988. Directed by David Petrarca, scenery by Tamara Turchetta, costumes by Frances Maggio, sound by Richard Woodbury, lighting by Robert Christen – Programs |
| Box 60 | Folder 17 | Lloyd's Prayer – Promotional material |
| Box 60 | Folder 18 | Smooch Music, words by David Cale, music by Roy Nathanson. March 7-26, 1989. Original lighting design by Carol McDowell, production management and lights by Sabrina Hamilton – Programs |
| Box 60 | Folder 19 | Mill Fire by Sally Nemeth. World Premiere, April 3-May 14, 1989. Directed by David Petrarca, sets by Linda Buchanan, costumes by Laura Cunningham, lighting by Robert Christen, sound by Rob Milburn – Programs, promotional material, reviews and clippings |
| Photo Box 112 | Folder 14 | Mill Fire – 1 photograph |
| Supp. Box 39 | Folder 6 | Mill Fire – Casting |
1988-1989 Season, Special Events
| Box 60 | Folder 20 | Chamber Music Chicago, Polka from the Fringe. March 27, 1989 – Program |
| Box 60 | Folder 21 | Chamber Music Chicago, Kronos Quartet and Philip Glass. May 15, 1989 – Program |
1988-1989 Season, Other
| Supp. Box 39 | Folder 5 | Les Liaisons Dangereuses. [1988-1989] – Casting |
1989-1990 Season, Mainstage
| Box 61 | Folder 1 | Press releases, promotional material and clippings |
| Box 61 | Folder 2 | The Misanthrope by Moliere, in a new version by Neil Bartlett, and further adapted by Robert Falls. Presented with the La Jolla Playhouse, September 29-November 4, 1989. Directed By Robert Falls, set design by George Tsypin, costume design by Susan Hilferty, lighting by James F. Ingalls, and sound design by Rob Milburn – Programs, promotional material |
| Box 61 | Folder 3 | The Misanthrope – Reviews and clippings |
| Box 61 | Folder 4 | The Misanthrope – Unmarked script (numbered 39), tentative version dated 5/22/89 |
| Box 61 | Folder 5 | The Misanthrope – Stage Manager's Daily Reports |
| Box 61 | Folder 6 | The Misanthrope – Teacher Guide |
| Photo Box 112 | Folder 15 | The Misanthrope – 1 photograph |
| Supp. Box 39 | Folder 7 | The Misanthrope – Stage manager's rehearsal reports |
| Supp. Box 39 | Folder 8 | The Misanthrope – Stage manager's daily reports |
| Box 61 | Folder 7 | A Christmas Carol by Charles Dickens, adapted by Tom Creamer. November 17-December 30, 1989. Directed by Steve Scott, set design by Joseph Nieminski, costumes by Julie Jackson, lighting design by Robert Christen, sound by Rob Milburn, original music and traditional carols arranged by Larry Schanker, choreography by Beatrix Rashid – Programs, promotional material |
| Box 61 | Folder 8 | A Christmas Carol – Reviews and clippings |
| Box 61 | Folder 9 | A Christmas Carol – Stage Manager's Rehearsal Reports |
| Box 61 | Folder 10 | A Christmas Carol – Stage Manager's Daily Reports |
| Photo Box 112 | Folders 16-17 | A Christmas Carol – 1 photograph |
| Supp. Box 39 | Folder 9 | A Christmas Carol – Prompt script |
| Supp. Box 39 | Folder 10 | A Christmas Carol – Prompt script material such as contact sheets, rehearsal and tech schedules, information on child actors, etc. |
| Supp. Box 39 | Folder 11 | A Christmas Carol – Stage manager’s rehearsal and daily reports |
| Box 61 | Folder 11 | The Winter's Tale by William Shakespeare. January 12-February 17, 1990. Directed by Frank Galati, set design by John Conklin, costumes by Virgil Johnson, lighting by Jennifer Tipton, sound design by Rob Milburn, original music composed by Rob Milburn, Willy Schwarz and Miriam Sturm – Program, promotional material |
| Box 61 | Folder 12 | The Winter's Tale – Reviews and clippings |
| Box 61 | Folder 13 | The Winter's Tale – Script, dated Winter 1989; with notes in pencil |
| Box 61 | Folder 14 | The Winter's Tale – Teacher Guide |
| Photo Box 112 | Folder 18 | The Winter’s Tale – 1 photograph |
| Supp. Box 39 | Folder 12 | The Winter's Tale – Script, dated Winter 1989 |
| Supp. Box 39 | Folder 13 | The Winter's Tale – Published script |
| Box 61 | Folder 15 | 'Tis Pity She's a Whore by John Ford. March 2-April 7, 1990. Directed by JoAnne Akalatis, set design by John Conklin, costume design by Gabriel Berry, lighting by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O'Slynne, fight direction by David Leong, and original music composed by Jan A. Kaczmarek – Program, promotional material |
| Box 61 | Folder 16 | 'Tis Pity She's a Whore – Rehearsal schedules |
| Box 61 | Folder 17 | 'Tis Pity She's a Whore – Reviews and clippings |
| Box 61 | Folder 18 | 'Tis Pity She's a Whore – Unmarked reading script, dated Winter 1990 |
| Box 61 | Folder 19 | 'Tis Pity She's a Whore – Stage Manager's Rehearsal Reports |
| Box 61 | Folder 20 | 'Tis Pity She's a Whore – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 19 | ‘Tis Pity She’s a Whore – 1 photograph |
| Supp. Box 39 | Folder 14 | 'Tis Pity She's a Whore – Published script |
| Box 62 | Folder 1 | Uncle Vanya, by Anton Chekhov, adapted by David Mamet from an English translation by Vlada Chernomirdik. April 20-May 26, 1990. Directed by Michael Maggio, sets by Linda Buchanan, costume design by Nan Cibula, lighting by James F. Ingalls, sound design by Rob Milburn, with John Mahoney – Press releases, programs, promotional material |
| Box 62 | Folder 2 | Uncle Vanya – Rehearsal schedules |
| Box 62 | Folder 3 | Uncle Vanya – Reviews and clippings |
| Box 62 | Folder 4 | Uncle Vanya – Unmarked script, dated 1988 |
| Box 62 | Folder 5 | Uncle Vanya – Stage Manager's Rehearsal Reports |
| Box 62 | Folder 6 | Uncle Vanya – Stage Manager's Daily Reports |
| Box 62 | Folder 7 | Uncle Vanya – Teacher Guide |
| Photo Box 112 | Folder 20 | Uncle Vanya – 1 photograph |
| Supp. Box 39 | Folder 15 | Uncle Vanya – Published script |
| Supp. Box 39 | Folder 16 | Uncle Vanya – Script; marked "new version" and adapted by Pam Gems |
| Box 62 | Folder 8 | The Gospel at Colonus by Lee Breuer and Bob Telson, composer. June 8-August 12, 1990. Directed by Lee Breuer, musical direction by Bob Telson, production and set design by Alison Yerxa, costume design by Ghretta Hynd, lighting design by Robert Christen, sound design by Rob Milburn – Program, promotional material |
| Box 62 | Folder 9 | The Gospel at Colonus – Reviews and clippings |
| Box 62 | Folder 10 | The Gospel at Colonus – Stage Manager's Rehearsal Reports and schedules |
| Box 62 | Folder 11 | The Gospel at Colonus – Stage Manager's Daily Reports |
| Box 62 | Folder 12 | The Gospel at Colonus – Study Guide |
| Photo Box 112 | Folder 21 | The Gospel at Colonus – 1 photograph |
1989-1990 Season, Studio
| Box 62 | Folder 13 | The Meeting by Jeff Stetson. November 21-December 24, 1989. Directed by Chuck Smith, sets and lights designed by Tim Oien, costumes designed by Glen Billings, sound design by Corbiere T. Boynes – Program, promotional material |
| Box 62 | Folder 14 | The Meeting – Reviews and clippings |
| Box 62 | Folder 15 | The Meeting – Study Guide |
| Photo Box 112 | Folder 22 | The Meeting – 1 photograph |
| Box 62 | Folder 16 | Marvin's Room by Scott McPherson. World Premiere, February 9-March 11, 1990. Directed by David Petrarca, set design by Linda Buchanan, costumes by Claudia Boddy, lighting design by Robert Christen, sound design and original music composed by Rob Milburn – Programs, promotional material |
| Box 62 | Folder 17 | Marvin's Room – Reviews and clippings |
| Photo Box 112 | Folder 23 | Marvin’s Room – 1 photograph |
| Box 62 | Folder 18 | Elliot Loves by Jules Feiffer. World Premiere, April 13-May 13, 1990. Directed by Mike Nichols, sets by Tony Walton, costume design by Ann Roth, lighting design by Paul Gallo, sound by Rob Milburn – Programs, promotional material |
| Box 62 | Folder 19 | Elliot Loves – Reviews and clippings |
| Box 62 | Folder 20 | Elliot Loves – Unmarked script, numbered 12, dated 10/29/87 |
| Photo Box 112 | Folder 24 | Elliot Loves – 1 photograph |
1989-1990 Season, JAM/Goodman New Music Series
| Box 62 | Folder 21 | Kronos Quartet. January 20, 1990, at the Park West – Reviews and clippings |
| Box 62 | Folder 22 | Laurie Anderson Empty Places. March 6, 1990, at the Chicago Theatre – Clipping |
| Box 62 | Folder 23 | Le Mystere des Voix Bulgares (The Bulgarian State Radio and Television Vocal Choir). April 13, 1990, at the Park West. Dora Hristova, conductor – Program |
1989-1990 Season, Special Events
| Box 62 | Folder 24 | Nature is Leaving Us, a video opera by Miroslaw Rogala. October 13-22, 1989, in the Studio Theatre – Program, promotional material |
| Box 62 | Folder 25 | Mandy Patinkin in Concert: Dress Casual. May [?]-June 3, 1990, in the Studio Theatre – Program, reviews and clippings |
1989-1990 Season, Other
| Box 62 | Folder 26 | She Always Said, Pablo, conceived and directed by Frank Galati. At the Kennedy Center for the Performing Arts, Eisenhower Theater, June 28-July 22, 1990. Production design by John Paoletti, Mary Griswold and Geoffrey Bushor, sound design by Robert Neuhaus, choreography by Peter Amster, musical direction and arrangements by Edward Zelnis – Press release |
| Box 62 | Folder 27 | She Always Said, Pablo – Rehearsal schedules |
| Box 62 | Folder 28 | She Always Said, Pablo – Stage Manager's Rehearsal Reports |
| Box 62 | Folder 29 | She Always Said, Pablo – Stage Manager's Daily Reports |
1990-1991 Season, Mainstage
| Box 63 | Folder 1 | Press releases, promotional material |
| Box 63 | Folder 2 | The Iceman Cometh by Eugene O'Neill. September 24-November 4, 1990. Directed by Robert Falls, sets designed by John Conklin, costumes by Merrily Murray-Walsh, lighting designed by James F. Ingalls, sound designed by Rob Milburn, ...featuring Brian Dennehy, Jim True and Denis O'Hare – Press release |
| Box 63 | Folder 3 | The Iceman Cometh – Programs |
| Box 63 | Folder 4 | The Iceman Cometh – Reviews and clippings |
| Box 63 | Folder 5 | The Iceman Cometh – Unmarked script (Hope Davis), labeled "Bob's Cuts Version #1", dated July 16, 1990 |
| Box 63 | Folder 6 | The Iceman Cometh – Stage Manager's Daily Reports |
| Box 63 | Folder 7 | The Iceman Cometh – Teacher Guide |
| Box 63 | Folder 7a | The Iceman Cometh – Research |
| Photo Box 112 | Folder 25 | The Iceman Cometh – 1 photograph |
| Supp. Box 40 | Folder 1 | The Iceman Cometh – Script; pre-rehearsal typescript, undated |
| Supp. Box 40 | Folder 2 | The Iceman Cometh – Published script |
| Supp. Box 40 | Folder 3 | The Iceman Cometh – Rehearsal schedules |
| Supp. Box 40 | Folder 4 | The Iceman Cometh – Stage manager's rehearsal reports |
| Box 63 | Folder 8 | A Christmas Carol, by Charles Dickens, adapted by Tom Creamer. November 16-December 30, 1990. Directed by Steve Scott, sets by Joseph Nieminski, costume design by Julie Jackson, lighting by Rob Milburn, sound design by David Naughton, choreography by Beatrix Rashid, original music and traditional carols composed and arranged by Larry Schanker – Programs, promotional material |
| Box 63 | Folder 9 | A Christmas Carol – Reviews and clippings |
| Box 63 | Folder 10 | A Christmas Carol – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 26 | A Christmas Carol – 1 photograph |
| Supp. Box 40 | Folder 5 | A Christmas Carol – Rehearsal and tech. schedules |
| Supp. Box 40 | Folder 6 | A Christmas Carol – Stage manager's rehearsal reports |
| Supp. Box 40 | Folder 7 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 40 | Folder 8 | A Christmas Carol – Prompt script (2 of 2) |
| Box 63 | Folder 11 | Joe Turner's Come and Gone by August Wilson. January 11-February 23, 1991. Directed by Jonathan Wilson, set design by Michael S. Philippi, costume design by Claudia Boddy, lighting by Robert Christen, sound design by Rob Milburn, original music and traditional arrangements by Rob Milburn and Elihoenai – Programs, promotional material |
| Box 63 | Folder 12 | Joe Turner's Come and Gone – Rehearsal schedules |
| Box 63 | Folder 13 | Joe Turner's Come and Gone – Reviews and clippings |
| Box 63 | Folder 14 | Joe Turner's Come and Gone – Unmarked published script, labeled #14 |
| Box 63 | Folder 15 | Joe Turner's Come and Gone – Stage Manager's Daily Reports |
| Box 63 | Folder 16 | Joe Turner's Come and Gone – Teacher Guide |
| Photo Box 112 | Folders 27-28 | Joe Turner’s Come and Gone – 2 photographs |
| Supp. Box 40 | Folder 9 | Joe Turner's Come and Gone – Script, Ó1984 |
| Supp. Box 40 | Folder 10 | Joe Turner's Come and Gone – Stage manager's rehearsal reports |
| Box 63 | Folder 17 | A Midsummer Night's Dream by William Shakespeare. March 8-April 13, 1991. Directed by Michael Maggio and co-directed by Steve Scott, sets by John Conklin, costumes by Susan Hilferty, lighting design by Pat Collins, sound design by Richard Woodbury, choreography by Timothy O'Slynne, with Joan Cusack – Programs, press release |
| Box 63 | Folder 18 | A Midsummer Night's Dream – Reviews and clippings |
| Box 63 | Folder 19 | A Midsummer Night's Dream – Unmarked script, undated |
| Box 63 | Folder 20 | A Midsummer Night's Dream – Stage Manager's Daily Reports |
| Box 63 | Folder 21 | A Midsummer Night's Dream – Teacher's Guide |
| Photo Box 112 | Folder 29 | A Midsummer Night’s Dream – 1 photograph |
| Supp. Box 40 | Folder 11 | A Midsummer Night's Dream – Rehearsal and tech. schedule |
| Supp. Box 40 | Folder 12 | A Midsummer Night's Dream – Stage manager's rehearsal reports |
| Box 64 | Folder 1 | The Visit by Frederich Duerrenmatt, adaptation by Maurice Valency. April 26-June 2, 1991. Directed by David Petrarca, set design by Paul Steinberg, costume design by Virgil Johnson, lighting design by James F. Ingalls, sound design by Rob Milburn, original music composed by Rob Milburn and Larry Schanker, musical direction by Larry Schanker – Programs, press releases |
| Box 64 | Folder 2 | The Visit – Rehearsal schedules |
| Box 64 | Folder 3 | The Visit – Reviews and clippings |
| Box 64 | Folder 4 | The Visit – Script, with some blocking and notes marked in pencil, dated Sprint 1991 |
| Box 64 | Folder 5 | The Visit – Stage Manager's Rehearsal Reports |
| Box 64 | Folder 6 | The Visit – Stage Manager's Daily Reports |
| Box 64 | Folder 7 | The Visit – Teacher Guide |
| Supp. Box 40 | Folder 13 | The Visit – Script; dated February 22, 1990 |
| Supp. Box 40 | Folder 14 | The Visit – Script; dated Spring 1991 |
| Box 64 | Folder 8 | Book of the Night, by Louis Rosen and Thom Bishop. World Premiere, June 14-August 11, 1991. Directed by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Michael S. Philippi, costume design by Gabriel Berry, lighting by James F. Ingalls, sound by Rob Milburn, instrumental and vocal arrangements by Louis Rosen, musical direction by Mark Mitchell, orchestrations by Bruce Coughlin – Program, promotional materials |
| Box 64 | Folder 9 | Book of the Night – Rehearsal schedules |
| Box 64 | Folder 10 | Book of the Night – Reviews and clippings |
| Box 64 | Folder 11 | Book of the Night – Unmarked script, labeled "3rd draft", dated May 1991 |
| Box 64 | Folder 12 | Book of the Night – Stage Manager's Rehearsal Reports |
| Box 64 | Folder 13 | Book of the Night – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 30 | Book of the Night – 1 photograph |
| Supp. Box 40 | Folder 15 | Book of the Night – Script; labeled “Working Third Draft, December 1990” |
| Supp. Box 40 | Folder 16 | Book of the Night – Script; labeled “Second Draft, December 1989” |
| Supp. Box 40 | Folder 17 | Book of the Night – Script; labeled “as workshopped at the Goodman Theatre, November 1989” |
1990-1991 Season, Studio
| Box 64 | Folder 14 | Monster in a Box and Terrors of Pleasure, written and performed by Spaulding Gray. September 4-9, 1990. Monster in a Box directed by Renee Shafransky – Programs, promotional material |
| Box 64 | Folder 15 | Monster in a Box and Terrors of Pleasure – Reviews and clippings |
| Photo Box 112 | Folder 31 | Monster in a Box – 1 photograph |
| Box 64 | Folder 16 | From the Mississippi Delta by Dr. Endesha Ida Mae Holland. October 12-November 25, 1990. Directed by Jonathan Wilson, sets by Michael S. Philippi, costume design by Jeffrey Kelly, lighting by Chris Phillips, sound design by Robert Schoellhorn – Programs, promotional material |
| Box 64 | Folder 17 | From the Mississippi Delta – Reviews and clippings |
| Box 64 | Folder 18 | From the Mississippi Delta – Script, unmarked but for a small number of notes, dated 1987 |
| Box 64 | Folder 19 | From the Mississippi Delta – Study Guide |
| Photo Box 32 | Folder 32 | From the Mississippi Delta – 1 photograph |
| Box 64 | Folder 20 | Deep in a Dream of You, written by David Cale, music by Roy Nathanson. World Premiere, January 25-February 24, 1991. Directed by David Petrarca, production design by Linda Buchanan, sound design by Rob Milburn – Programs, promotional material |
| Box 64 | Folder 21 | Deep in a Dream of You – Reviews and clippings |
| Box 64 | Folder 22 | Deep in a Dream of You – Unmarked script, dated 2/4/91 |
| Photo Box 112 | Folders 33-35 | Deep in a Dream of You – 3 photographs |
| Supp. Box 41 | Folder 1 | Deep in a Dream of You – Script; marked “running order as of January 8, 1991” |
| Supp. Box 41 | Folder 2 | Deep in a Dream of You – Script: marked “running order as of December 30, 1990” |
| Supp. Box 41 | Folder 3 | Deep in a Dream of You – Script, undated |
| Supp. Box 41 | Folder 4 | Deep in a Dream of You – Script (selections from...) |
1990-1991 Season, Special Events
| Box 64 | Folder 23 | Thom Bishop in Concert. Studio Theatre, September 28 and 29, 1990 – Promotional material |
| Box 64 | Folder 24 | Spalding Gray, Monster in a Box. A benefit performance for the Goodman Theatre Discovery Board, June 8, 1991. Directed by Renee Shafransky – Program |
1991-1992 Season
| Box 65 | Folder 1 | Press releases, promotional material |
| Box 65 | Folder 2 | General reviews and clippings |
| Box 65 | Folder 3 | Miss Evers' Boys by David Feldshuh. September 13-October 27, 1991. Directed by Kenny Leon (artistic director, Alliance Theatre, Atlanta), set design by Michael Olich, costumes by Susan E. Mickey, lighting by Robert D. Peterson, choreography by Darlene Blackburn, and sound designer, composer and musical director, Dwight Andrews – Artists and Issues Forum |
| Box 65 | Folder 4 | Miss Evers' Boys – Programs, promotional material |
| Box 65 | Folder 5 | Miss Evers' Boys – Reviews and clippings |
| Box 65 | Folder 6 | Miss Evers' Boys – Unmarked script, dated 1989 |
| Box 65 | Folder 7 | Miss Evers' Boys – Teacher Guide |
| Photo Box 112 | Folder 36 | Miss Evers’ Boys – 1 photograph |
| Supp. Box 41 | Folder 5 | Miss Evers' Boys – Published script |
| Box 65 | Folder 8 | A Christmas Carol by Charles Dickens, adapted by Tom Creamer. November 25-December 31, 1991. Directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Beatrix Rashid – Press release, promotional material |
| Box 65 | Folder 9 | A Christmas Carol – Programs and review |
| Photo Box 112 | Folder 37 | A Christmas Carol – 1 photograph |
| Supp. Box 41 | Folder 6 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 41 | Folder 7 | A Christmas Carol – Prompt script (2 of 2) |
| Box 65 | Folder 10 | Twelfth Night by William Shakespeare. January 10-February 22, 1992. Directed by Neil Bartlett, music composed and directed by Nicholas Bloomfield, movement directed by Leah Hausman, set and costume design by Richard Hudson, lighting design by Scott Zielinski, sound design by Rob Milburn – Artists and Issues Forum |
| Box 65 | Folder 11 | Twelfth Night – Programs, promotional material |
| Box 65 | Folder 12 | Twelfth Night – Reviews and clippings |
| Box 65 | Folder 13 | Twelfth Night – Script, marked with a small number of blocking instructions in pencil, dated Winter 1991-1992 |
| Box 65 | Folder 14 | Twelfth Night – Teacher's Guide |
| Photo Box 112 | Folder 38 | Twelfth Night – 1 photograph |
| Box 65 | Folder 15 | On the Open Road by Steve Tesich. World Premiere, March 6-April 11, 1992. Directed by Robert Falls, sets by George Tsypin, costumes by Gabriel Berry, lighting design by Michael Philippi, sound design by Rob Milburn, projections by John Boesche – Artists and Issues Forum |
| Box 65 | Folder 16 | On the Open Road – Programs, promotional material |
| Box 65 | Folder 17 | On the Open Road – Reviews and clippings |
| Box 65 | Folder 18 | On the Open Road – Unmarked [original] script, labeled "Master copy and Tesich's typed rewrite" |
| Box 65 | Folder 19 | On the Open Road – Stage Manager's Daily Reports |
| Box 65 | Folder 20 | On the Open Road – Teacher Guide |
| Photo Box 112 | Folder 39 | On the Open Road – 1 photograph |
| Supp. Box 41 | Folder 8 | On the Open Road – Rehearsal schedules |
| Supp. Box 41 | Folder 9 | On the Open Road – Script; dated January 1992 |
| Supp. Box 41 | Folder 10 | On the Open Road – Script; dated September 1991, with faxed rewrites dated February 1991 |
| Supp. Box 41 | Folder 11 | On the Open Road – Script; titled “On the Road Again,” dated September 1989 |
| Supp. Box 41 | Folder 12 | On the Open Road – Script; dated February 1992 |
| Supp. Box 41 | Folder 13 | On the Open Road – Stage manager's rehearsal reports |
| Box 66 | Folder 1 | The Good Person of Setzuan by Bertolt Brecht, English translation by Sheldon Patinkin, with Tom Creamer. April 24 - May 30, 1992. Directed by Frank Galati, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Rob Milburn, choreography by Peter Amster, original music and musical direction by Claudia Schmidt – Artists and Issues Forum |
| Box 66 | Folder 2 | The Good Person of Setzuan – Programs, promotional material |
| Box 66 | Folder 3 | The Good Person of Setzuan – Reviews and clippings |
| Box 66 | Folder 4 | The Good Person of Setzuan – Unmarked script, with notes and comments in pencil, dated "Rehearsal Draft, 3/24/92" |
| Box 66 | Folder 5 | The Good Person of Setzuan – Teacher Guide |
| Photo Box 112 | Folder 40 | The Good Person of Setzuan – 1 photograph |
| Supp. Box 41 | Folder 14 | The Good Person of Setzuan – Script; labeled “Pre-rehearsal Draft, March 6, 1992” |
| Supp. Box 41 | Folder 15 | The Good Person of Setzuan – Script, Ó 1988; labeled “Rough Cut Draft” |
| Supp. Box 41 | Folder 16 | The Good Person of Setzuan – Script (See: folder 31) |
| Box 66 | Folder 6 | Riverview: A Melodrama with Music, by John Logan. World Premiere, June 12-August 9, 1992. Staged by Robert Falls, choreography by Marcia Milgrom Dodge, sets by Thomas Lynch, costume design by Nan Cibula, lighting by Michael S. Philippi, sound by Richard Woodbury, vocal and dance arrangements by Larry Schanker, musical direction by Helen Gregory, orchestrations by David Siegel, musical supervision and original music by Larry Schanker – Artists and Issues Forum |
| Box 66 | Folder 7 | Riverview: A Melodrama with Music – Programs, promotional material |
| Box 66 | Folder 8 | Riverview: A Melodrama with Music – Reviews and clippings |
| Box 66 | Folder 9 | Riverview: A Melodrama with Music – Unmarked script, dated "Rehearsal Draft, May 12, 1992" |
| Photo Box 112 | Folder 41 | Riverview: A Melodrama with Music – 1 photograph |
| Supp. Box 42 | Folder 1 | Riverview: A Melodrama with Music – Script; dated February 1992 |
| Supp. Box 42 | Folder 2 | Riverview: A Melodrama with Music – Script; dated November 1991 |
| Supp. Box 42 | Folder 3 | Riverview: A Melodrama with Music – Script; dated June 1990 |
| Supp. Box 42 | Folder 4 | Riverview: A Melodrama with Music – Script; titled “As Yet Untitled Riverview Park Play,” dated February 1990 |
| Supp. Box 42 | Folder 5 | Riverview: A Melodrama with Music – Script; dated October 1991 |
| Oversize Folder 55a | Riverview: A Melodrama with Music -- Poster, circa 1992 |
1991-1992 Season, Studio
| Box 66 | Folder 10 | Commencement Exercises by Steve Tesich. World Premiere, November 11-December 1, 1991. Directed by Robert Falls – Press releases |
| Box 66 | Folder 11 | Commencement Exercises – Unmarked script, dated November 1990 |
| Box 66 | Folder 12 | Spic-O-Rama: A Dysfunctional Comedy, written and performed by John Leguziamo. In association with Latino Chicago, January 16-26, 1992 (extended January 28-March 15, 1992 at the Briar Street Theatre). Developed and directed by Peter Askin, lighting design by Ken Bowen – Programs, promotional material |
| Box 66 | Folder 13 | Spic-O-Rama – Reviews and clippings |
| Box 66 | Folder 14 | Down the Shore by Tom Donaghy. World Premiere, February 7-March 8, 1992. Directed by David Petrarca, set and costume design by Linda Buchanan, lighting design by Robert Christen, sound design by Rob Milburn – Press release, promotional material |
| Box 66 | Folder 15 | Down the Shore – Programs and review |
| Box 66 | Folder 16 | Down the Shore – Unmarked script, labeled "in rehearsal rewrite with revisions", dated January 1992 |
| Photo Box 112 | Folder 42 | Down the Shore – 1 photograph |
| Supp. Box 42 | Folder 6 | Down the Shore – Script; dated July 1990, with notes from dress [rehearsal] |
| Box 66 | Folder 17 | Home and Away, written and performed by Kevin Kling. March 18-[?], 1992. Directed by Steven Dietz, lighting design by Robert Christen – Program and reviews |
| Photo Box 112 | Folder 43 | Home and Away – 1 photograph |
| Box 66 | Folder 18 | Spunk: Three Tales by Zora Neal Hurston, adapted for the stage by George C. Wolfe, music by Chic Street Man. Chicago Premiere, April 3-June 7, 1992. Directed and choreographed by Donald Douglass, set design by Amy Smith, costumes by Birgit Rattenborg Wise, lighting design by Ken Bowen, mask and puppet design by Barbara Pollitt, sound by David Naunton – Programs, promotional material |
| Box 66 | Folder 19 | Spunk – Reviews and clippings |
| Box 66 | Folder 20 | Spunk – Stage Manager's Daily Reports |
| Box 66 | Folder 21 | Spunk – Study guide |
| Photo Box 112 | Folder 44 | Spunk – 1 photograph |
| Supp. Box 42 | Folder 7 | Spunk – Rehearsal schedules |
| Supp. Box 42 | Folder 8 | Spunk – Stage manager's reports |
1992-1993 Season, Mainstage
| Box 67 | Folder 1 | Press releases, promotional material |
| Box 67 | Folder 2 | The Skin of Our Teeth by Thornton Wilder. September 25-October 31, 1992. Directed by David Petrarca, sets by Michael Yeargan, costume design by Catherine Zuber, lighting by Christopher Akerland, sound design by Rob Milburn – Programs, promotional material |
| Box 67 | Folder 3 | The Skin of Our Teeth – Rehearsal schedules |
| Box 67 | Folder 4 | The Skin of Our Teeth – Reviews and clippings |
| Box 67 | Folder 5 | The Skin of Our Teeth – Unmarked script, labeled #2, dated "Rough Rehearsal Copy Summer 1992" |
| Box 67 | Folder 6 | The Skin of Our Teeth – Stage Manager's Daily Reports |
| Box 67 | Folder 7 | The Skin of Our Teeth – Teacher Guide |
| Photo Box 112 | Folder 45 | The Skin of Our Teeth – 1 photograph |
| Supp. Box 42 | Folder 9 | The Skin of Our Teeth – Script; labeled “Rough Rehearsal Copy,” dated Summer 1992 |
| Supp. Box 42 | Folder 10 | The Skin of Our Teeth – Published script (no title page) |
| Supp. Box 42 | Folder 11 | The Skin of Our Teeth – Published script |
| Supp. Box 42 | Folder 12 | The Skin of Our Teeth – Script; labeled “Rehearsal Version,” dated Fall 1990 |
| Supp. Box 42 | Folder 13 | The Skin of Our Teeth – Stage manager's rehearsal reports |
| Box 67 | Folder 8 | A Christmas Carol by Charles Dickens, adapted by Tom Creamer. November 13, 1992-January 3, 1993. Directed by Steve Scott, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid – Programs, promotional material |
| Box 67 | Folder 9 | A Christmas Carol – Rehearsal schedules |
| Box 67 | Folder 10 | A Christmas Carol – Reviews and clippings |
| Box 67 | Folder 11 | A Christmas Carol – Stage Manager's Rehearsal Reports |
| Box 67 | Folder 12 | A Christmas Carol – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 46 | A Christmas Carol – 1 photograph |
| Supp. Box 43 | Folder 1 | A Christmas Carol – Prompt script (1 of 2) |
| Supp. Box 43 | Folder 2 | A Christmas Carol – Prompt script (2 of 2) |
| Supp. Box 43 | Folder 3 | A Christmas Carol – Prompt script (copy 2) |
| Box 67 | Folder 13 | Two Trains Running by August Wilson. Chicago Premiere, January 15-February 27, 1993 (extended March 4-14, 1993 at the New Regal Theater). Directed by Lloyd Richards, sets by Tony Fanning, costumes by Chrisi Karvonides-Dushenko, lighting design by Geoff Korf, sound design by Rob Milburn, with Roscoe Lee Brown – Artists and Issues Forum |
| Box 67 | Folder 14 | Two Trains Running – Press releases, programs, promotional material |
| Box 67 | Folder 15 | Two Trains Running – Program, promotional material from New Regal production |
| Box 67 | Folder 16 | Two Trains Running – Rehearsal schedules |
| Box 67 | Folder 17 | Two Trains Running – Review |
| Box 67 | Folder 18 | Two Trains Running – Unmarked script, labeled "Rehearsal Text", dated December 1992 |
| Box 67 | Folder 19 | Two Trains Running – Stage Manager's Daily Reports |
| Box 67 | Folder 20 | Two Trains Running – Teacher Guide |
| Photo Box 112 | Folder 47 | Two Trains Running – 1 photograph |
| Supp. Box 43 | Folder 4 | Two Trains Running – Script; labeled “Rehearsal Text,” dated December 1992 |
| Supp. Box 43 | Folder 5 | Two Trains Running – Script; dated “As of 2/18/92” (Kennedy Center Performance) |
| Supp. Box 43 | Folder 6 | Two Trains Running – Script; labeled “Revised as of 11/26/91,” with letter from Emily Kretchmer, assistant to August Wilson |
| Supp. Box 43 | Folder 7 | Two Trains Running – Script, for the Huntington Theatre production, undated |
| Supp. Box 43 | Folder 8 | Two Trains Running – Script; labeled “Revised, September 1990” |
| Supp. Box 43 | Folder 9 | Two Trains Running – Script; Ó 1990, with correspondence |
| Supp. Box 44 | Folder 1 | Two Trains Running – Published script |
| Supp. Box 44 | Folder 2 | Two Trains Running – Script; with manuscript revisions, undated |
| Supp. Box 44 | Folder 3 | Two Trains Running – Script, undated |
| Supp. Box 44 | Folder 4 | Two Trains Running – Stage manager's rehearsal reports |
| Box 68 | Folder 1 | Marvin's Room by Scott McPherson. March 22-April 18, 1993. Directed by David Petrarca, sets by Linda Buchanan, costume design by Claudia Boddy, lights by Robert Christen, musical composition and sound design by Rob Milburn – Press releases, promotional material |
| Box 68 | Folder 2 | Marvin's Room – Programs and review |
| Box 68 | Folder 3 | Marvin's Room – Stage Manager's Daily Reports |
| Box 68 | Folder 4 | Marvin's Room – Unmarked script, labeled "Rehearsal Script", dated 1993 |
| Box 68 | Folder 5 | Marvin's Room – Teacher Guide |
| Photo Box 112 | Folder 48 | Marvin’s Room – 1 photograph |
| Supp. Box 44 | Folder 5 | Marvin's Room – Rehearsal schedules |
| Supp. Box 44 | Folder 6 | Marvin's Room – Stage manager's rehearsal reports |
| Box 68 | Folder 6 | Black Snow, adapted by Keith Reddin from the novel by Mikhail Bulgakov. World Premiere, April 30-June 5, 1993. Staged by Michael Maggio, set design by Linda Buchanan, costume design by Martin Pakledinaz, lighting design by James F. Ingalls, sound design by Rob Milburn, music composed by Rob Milburn, Miriam Sturm and Michael Bodeen – Program, promotional material |
| Box 68 | Folder 7 | Black Snow – Reviews and clippings |
| Box 68 | Folder 8 | Black Snow – Unmarked script, labeled "Reading Copy Only", dated 11/91 (updated following workshop 3/15/92) |
| Box 68 | Folder 9 | Black Snow – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 49 | Black Snow – 1 photograph |
| Supp. Box 44 | Folder 7 | Black Snow – Rehearsal schedules |
| Supp. Box 44 | Folder 8 | Black Snow – Stage manager's rehearsal reports |
| Supp. Box 44 | Folder 9 | Black Snow – Script; dated 11/91 |
| Box 68 | Folder 10 | Cry, The Beloved Country, based on the novel by Alan Paton, with music by Kurt Weill, lyrics by Maxwell Anderson. June 18-August 8, 1993. Adapted and directed by Frank Galati, sets designed by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound by Rob Milburn, musical direction by Edward Zelnis – Press release, promotional material |
| Box 68 | Folder 11 | Cry, The Beloved Country – Programs and review |
| Box 68 | Folder 12 | Cry, The Beloved Country – Unmarked screenplay (by Ronald Harwood), dated Second Draft June 1993 |
| Photo Box 112 | Folder 50 | Cry, The Beloved Country – 1 photograph |
| Supp. Box 44 | Folder 10 | Cry, The Beloved Country – Script; titled “Lost in the Stars” (crossed out), labeled “Working Draft” (with Tom Creamer’s proposed ending), and dated May 1993 |
| Supp. Box 44 | Folder 11 | Cry, The Beloved Country – Script; labeled “Frank Galati’s first draft,” dated January 1993 |
| Supp. Box 44 | Folder 12 | Cry, The Beloved Country – Script; titled “Lost in the Stars,” and labeled “First Draft,” dated January 1993 |
| Supp. Box 44 | Folder 13 | Cry, The Beloved Country – Script; unmarked |
| Supp. Box 44 | Folder 14 | Cry, The Beloved Country – Script; titled “Lost in the Stars: A Musical Tragedy” by Maxwell Anderson and Kurt Weill, based on Alan Paton with additional material by Alan Anderson and Burgess Meredith, dated June 1989 |
| Supp. Box 44 | Folder 15 | Cry, The Beloved Country – Published script; titled “Lost in the Stars” |
| Supp. Box 44 | Folder 16 | Cry, The Beloved Country – Published script; titled “Lost in the Stars” |
| Supp. Box 44 | Folder 17 | Cry, The Beloved Country – Script; labeled “Rehearsal Text,” dated May 1993 (adapted by Frank Galati) |
1992-1993 Season, Studio
| Box 68 | Folder 13 | Reno Once Removed, conceived, written and performed by Reno. September 9-27, 1992. Developed with and directed by Evan Yionoulis, original music by Evan Yionoulis, lighting by Dan Kotlowitz – Program, promotional material |
| Box 68 | Folder 14 | Reno Once Removed – Reviews and clippings |
| Box 68 | Folder 15 | Wings, music by Jeffrey Lunden, book and lyrics by Arthur Perlman, based on a play by Arthur Kopit. World Premiere, October 16-December 13, 1992. Directed by Michael Maggio, set design by Linda Buchanan, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Richard Woodbury, musical direction by Brad Veith – Program, press releases |
| Box 68 | Folder 16 | Wings – Reviews and clippings |
| Box 68 | Folder 17 | Wings – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 51 | Wings – 1 photograph |
| Supp. Box 45 | Folder 1 | Wings – Published script |
| Supp. Box 45 | Folder 2 | Wings – Stage manager's rehearsal reports |
| Box 68 | Folder 18 | Puddin N' Pete by Cheryl L. West. World Premiere, February 5-March 7, 1993. Directed by Gilbert Wadadazaf McCauley, sets by Clay Snider, costume design by Yslan Hicks, lighting by Robert Shook, sound by Richard Woodbury – Program, promotional material, review |
| Box 68 | Folder 19 | Puddin N' Pete – Unmarked script, dated 1991; with correspondence on line cuts and changes, and production concept |
| Box 68 | Folder 20 | Puddin N' Pete – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 52 | Puddin N’ Pete – 1 photograph |
| Supp. Box 45 | Folder 3 | Puddin N' Pete – Script; labeled “Revised January 1992” |
| Supp. Box 45 | Folder 4 | Puddin N' Pete – Stage manager's rehearsal reports |
| Box 68 | Folder 21 | The Baltimore Waltz by Paula Vogel. April 2-May 2, 1993. Directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by Rita Pietraszek, sound design by Michael Bodeen, original music composed by Michael Bodeen, William Schwarz and Miriam Sturm – Programs, promotional material, reviews |
| Box 68 | Folder 22 | The Baltimore Waltz – Unmarked script, labeled "Rehearsal Script", dated Spring 1993 |
| Box 68 | Folder 23 | The Baltimore Waltz – Stage Manager's Daily Reports |
| Photo Box 112 | Folder 53 | The Baltimore Waltz – 1 photograph |
| Supp. Box 45 | Folder 5 | The Baltimore Waltz – Script; labeled “First Draft,” undated |
| Supp. Box 45 | Folder 6 | The Baltimore Waltz – Script, undated |
| Supp. Box 45 | Folder 7 | The Baltimore Waltz – Stage manager's rehearsal reports |
| Box 68 | Folder 24 | The Pain of Macho, written and performed by Rick Najera. July 6-18, 1993. Directed by John Bowab, lighting design by T.J. Gerckens, sound by David Naunton – Program, promotional material, reviews |
| Box 68 | Folder 25 | The Pain of Macho – Unmarked script, undated |
1993-1994 Season, Mainstage
| Box 69 | Folder 1 | Press releases and promotional material |
| Box 69 | Folder 2 | Dancing at Lughnasa by Brian Friel. September 27-October 31, 1993. Directed by Kyle Donnelly, set design by Linda Buchanan, costumes by Paul Tazewell, lighting design by Rita Pietraszek, sound by Rob Milburn, Jim Corti, choreographer – Programs and reviews |
| Box 69 | Folder 3 | Dancing at Lughnasa – Rehearsal schedules |
| Box 69 | Folder 4 | Dancing at Lughnasa – Unmarked script, labeled "Rehearsal Script Master Copy" |
| Box 69 | Folder 5 | Dancing at Lughnasa – Stage Manager's Rehearsal Reports |
| Box 69 | Folder 6 | Dancing at Lughnasa – Stage Manager's Daily Reports |
| Supp. Box 45 | Folder 8 | Dancing at Lughnasa – Published script; labeled “Tom Creamer/12” |
| Supp. Box 45 | Folder 9 | Dancing at Lughnasa – Published script |
| Box 69 | Folder 7 | A Christmas Carol by Charles Dickens, adapted by Tom Creamer. November 11, 1993-January 2, 1994. Directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid – Press release, review |
| Box 69 | Folder 8 | A Christmas Carol – Rehearsal schedules |
| Box 69 | Folder 9 | A Christmas Carol – Stage Manager's Rehearsal Reports |
| Box 69 | Folder 10 | A Christmas Carol – Stage Manager's Daily Reports |
| Supp. Box 45 | Folder 10 | A Christmas Carol – Score, marked “Rufus, ACC Music” |
| Supp. Box 45 | Folder 11 | A Christmas Carol – Script; with back-up computer music sequence cues |
| Supp. Box 45 | Folder 12 | A Christmas Carol – “Production prompt script with all notes, etc.” |
| Supp. Box 45 | Folder 13 | A Christmas Carol – “Production prompt script with all notes, etc.” |
| Supp. Box 45 | Folder 14 | A Christmas Carol – Script, with blocking and sound cues |
| Box 69 | Folder 11 | Richard II by William Shakespeare. January 14-February 19, 1994. Directed by David Petrarca, sets by Russell Metheny, costume design by Virgil C. Johnson, lighting design by James F. Ingalls, sound by Rob Milburn, music composed by Miriam Sturm and Rob Milburn,...featuring Mike Nussbaum and Martha Lavey – Programs, promotional material, reviews and clippings |
| Box 69 | Folder 12 | Richard II – Rehearsal schedules |
| Box 69 | Folder 13 | Richard II – Unmarked script, labeled "Original Script", dated Winter 1994 |
| Box 69 | Folder 14 | Richard II – Stage Manager's Rehearsal Reports |
| Box 69 | Folder 15 | Richard II – Stage Manager's Daily Reports |
| Supp. Box 46 | Folder 1 | Richard II – Script; dated Winter 1994 |
| Supp. Box 46 | Folder 2 | Richard II – Script (same as above) |
| Supp. Box 46 | Folder 3 | Richard II – Script; dated December 1993 |
| Supp. Box 46 | Folder 4 | Richard II – Published script |
| Box 70 | Folder 1 | The Night of the Iguana by Tennessee Williams. March 4-April 10, 1994. Directed by Robert Falls, set design by Loy Arcenas, costumes by Susan Hilferty, lighting by James F. Ingalls, sound design by Richard Woodbury,... featuring William L. Petersen and Cherry Jones – Programs, promotional material, reviews and clippings |
| Box 70 | Folder 2 | The Night of the Iguana – Rehearsal notes and rewrites |
| Box 70 | Folder 3 | The Night of the Iguana – Rehearsal schedules |
| Box 70 | Folder 4 | The Night of the Iguana – Script, marked with Xeroxed blocking and cues, and labeled "Production Version 1/15/62" |
| Box 70 | Folder 5 | The Night of the Iguana – Stage Manager's Rehearsal Reports |
| Box 70 | Folder 6 | The Night of the Iguana – Stage Manager's Daily Reports |
| Supp. Box 46 | Folder 5 | The Night of the Iguana – Script; dated March 1994 |
| Supp. Box 46 | Folder 6 | The Night of the Iguana – Script; dated February 1994 |
| Supp. Box 46 | Folder 7 | The Night of the Iguana – Script; marked “Comparison of New Directions text and Dramatists Play Service text” |
| Supp. Box 46 | Folder 8 | The Night of the Iguana – Script; marked “Comparison of New Directions text and Dramatists Play Service text,” with blocking |
| Supp. Box 46 | Folder 9 | The Night of the Iguana – Published script; labeled “Max Baker/Gerry Michael” |
| Supp. Box 46 | Folder 10 | The Night of the Iguana – Published script |
| Supp. Box 46 | Folder 11 | The Night of the Iguana – Published script |
| Supp. Box 46 | Folder 12 | The Night of the Iguana – Script; with some manuscript notes |
| Box 70 | Folder 7 | I Am a Man by OyamO. April 22—June 4, 1994. Directed by Marion McClinton, set design by Scott Bradley, costume design by Caryn Neman, lighting by Pat Dignan, sound design by Michael Bodeen and Rob Milburn, music composed by Olu Dara – Programs, promotional material, reviews and clippings |
| Box 70 | Folder 8 | I Am a Man – Rehearsal schedules |
| Box 70 | Folder 9 | I Am a Man – Script, marked with a number of blocking notes, and labeled "Rehearsal Text", dated March 1994 |
| Box 70 | Folder 10 | I Am a Man – Stage Manager's Rehearsal Reports |
| Box 70 | Folder 11 | I Am a Man – Stage Manager's Daily Reports |
| Supp. Box 47 | Folder 1 | I Am a Man – Script; marked “Mike H.” |
| Supp. Box 47 | Folder 2 | I Am a Man – Script; titled “Powa ta da peepas,” by Charles F. – OyamO) Gordon, Ó 1993 |
| Box 71 | Folder 1 | A Little Night Music by Steven Sondheim and Hugh Wheeler. June 17-August 21, 1994. Directed by Michael Maggio, sets by John Lee Beatty, costumes by Virgil C. Johnson, lighting by Michael S. Philippi, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith – Programs, promotional material, reviews and clippings |
| Box 71 | Folder 2 | A Little Night Music – Rehearsal schedules |
| Box 71 | Folder 3 | A Little Night Music – Unmarked script and score (1 of 3) |
| Box 71 | Folder 4 | A Little Night Music – Unmarked script and score (2 of 3) |
| Box 71 | Folder 5 | A Little Night Music – Unmarked script and score (3 of 3) |
| Box 71 | Folder 6 | A Little Night Music – Stage Manager's Rehearsal Reports |
| Box 71 | Folder 7 | A Little Night Music – Stage Manager's Daily Reports |
| Supp. Box 47 | Folder 3 | A Little Night Music – Published script; with manuscript notes |
1993-1994 Season, Studio
| Box 71 | Folder 8 | The Notebooks of Leonardo da Vinci, adapted by Mary Zimmerman. October 29-December 19, 1993. Directed by Mary Zimmerman, sets by Scott Bradley, costume design by Allison Reeds, lighting by T.J. Gerckens, sound by Michael Bodeen, music composed by Miriam Sturm and Michael Bodeen – Programs, promotional material, reviews and clippings |
| Box 71 | Folder 9 | The Notebooks of Leonardo da Vinci – Unmarked script, undated |
| Box 71 | Folder 10 | The Notebooks of Leonardo da Vinci – Stage Manager's Rehearsal Reports |
| Box 71 | Folder 11 | The Notebooks of Leonardo da Vinci – Stage Manager's Daily Reports |
| Supp. Box 47 | Folder 5 | The Notebooks of Leonardo da Vinci – Unmarked script, undated |
| Box 71 | Folder 12 | Brutality of Fact by Keith Reddin. World Premiere, February 11-March 13, 1994. Directed by Michael Maggio, set design by Linda Buchanan, lighting design by Robert Christen |
| Box 71 | Folder 13 | Brutality of Fact – Reviews and clippings |
| Box 71 | Folder 14 | Brutality of Fact – Unmarked script, labeled "2nd typed draft", revised 8/93 |
| Box 71 | Folder 15 | Brutality of Fact – Rehearsal schedules |
| Box 71 | Folder 16 | Brutality of Fact – Stage Manager's Rehearsal Reports |
| Box 71 | Folder 17 | Brutality of Fact – Stage Manager's Daily Reports |
| Supp. Box 47 | Folder 6 | Brutality of Fact – Script; labeled “Friday Reading Draft,” March 23, 1993 |
| Box 72 | Folder 1 | The Ties that Bind: two plays by Regina Taylor. April 8-May 8, 1994. Watermelon Rinds and Inside the Belly of the Beast, directed by Shirley Jo Finney, sets designed by John Culbert, lights by Robert Christen, costumes by Allison Reeds, sound by Michael Bodeen, choreography by Darlene Blackburn – Press releases, reviews |
| Box 72 | Folder 2 | The Ties that Bind – Rehearsal schedules |
| Box 72 | Folder 3 | The Ties that Bind – Unmarked script: In the Belly of the Beast, labeled "Max", undated |
| Box 72 | Folder 4 | The Ties that Bind – Unmarked script: In the Belly of the Beast, undated |
| Box 72 | Folder 5 | The Ties that Bind – Unmarked script: Mudtracks, labeled "N-2", undated |
| Box 72 | Folder 6 | The Ties that Bind – Unmarked script: Watermelon Rinds, labeled "L-5", dated March 2, 1993 |
| Box 72 | Folder 7 | The Ties that Bind – Stage Manager's Rehearsal Reports |
| Box 72 | Folder 8 | The Ties that Bind – Stage Manager's Daily Reports |
1993-1994 Season, Solo Series
| Box 72 | Folder 9 | Gray's Anatomy, written and performed by Spalding Gray. September 7-12, 1993. Directed by Renee Shafransky – Press releases, reviews and clippings |
| Box 72 | Folder 10 | Somebody Else's House, written and performed by David Cale. World Premiere, September [?]- October 10, 1993. Directed by David Petrarca, set designed by Michael S. Philippi – Reviews and clippings |
| Box 72 | Folder 11 | Somebody Else's House – Unmarked script, dated 10/1/92 |
| Box 72 | Folder 11a | Somebody Else’s House – Script, Fall 1993 |
| Photo Box 112 | Folders 54-58 | Somebody Else's House – 5 photographs |
| Supp. Box 47 | Folder 4 | Somebody Else's House – Script; marked “As Produced,” September 23, 1993 |
| Box 72 | Folder 12 | The State I'm In: A Travelogue, written and performed by Paula Killen. World Premiere, January 25-30, 1994. Directed by Curt Columbus, sets designed by Santina Reid, costumes by Allison Reeds, lighting by Dave Gipson, and sound by John Coulter – Press release, reviews and clippings |
| Box 72 | Folder 13 | The State I'm In: A Travelogue – Unmarked script, dated 12/1/93 |
1993-1994 Season, Other
| Box 72 | Folder 14 | Dante's View, from workshops conducted by the New Music Theatre Ensemble of Minneapolis. August [?], 1994. Directed by Karen Miller and Ben Krywocz, musical direction by Thomas Linker, lighting by Barry Browning – Review |
1994-1995 Season, Mainstage
| Box 72 | Folder 15 | Press releases, promotional material |
| Box 72 | Folder 16 | The Merchant of Venice by William Shakespeare. September 30-November 5, 1994. Directed by Peter Sellars, costume design by Dunya Ramicova, lighting by James F. Ingalls, sound design by Bruce Odland – Program, promotional material, reviews and clippings |
| Box 72 | Folder 17 | A Christmas Carol by Charles Dickens, adapted by Tom Creamer. November 11-December 30, 1994. Directed by Chuck Smith, sets by Joseph Nieminski, lighting design by Robert Christen, sound by Rob Milburn and David Naunton, original music and traditional carols composed and arranged by Larry Schanker, choreography by Bea Rashid, associate musical director William Schwarz – Press release, review |
| Supp. Box 47 | Folder 7 | A Christmas Carol – Script; labeled “PSM 1994, Xmas Carol Calling Script” |
| Supp. Box 47 | Folder 8 | A Christmas Carol – “Production script” |
| Supp. Box 47 | Folder 9 | A Christmas Carol – “Production script” |
| Supp. Box 47 | Folder 10 | A Christmas Carol – Script; labeled “SM 1994 Christmas Carol Calling and Rehearsal Script” |
| Supp. Box 47 | Folder 11 | A Christmas Carol – Script; labeled “SM 1994 Christmas Carol Calling and Rehearsal Script” |
| Box 72 | Folder 18 | Seven Guitars by August Wilson. World Premiere, January 13-February 18, 1995. Directed by Walter Dallas, sets by Scott Bradley, costume design by Constanza Romero, lighting by Christopher Akerlind, sound by Tom Clark, musical direction by Dwight Andrews – Program, press release, reviews |
| Box 72 | Folder 19 | Seven Guitars – Script (Act I), labeled "Master Script" and marked with few line changes and corrections (with diskette), undated |
| Box 72 | Folder 20 | Seven Guitars – Script (Act II), labeled "Master Script" and marked with few line changes and corrections, undated |
| Supp. Box 48 | Folder 1 | Seven Guitars – Script; dated January 1995, revised January 9, 1995 |
| Supp. Box 48 | Folder 2 | Seven Guitars – Script; dated January 1995, revised January 6, 1995 |
| Supp. Box 48 | Folder 3 | Seven Guitars – Script; marked “Original Rehearsal Draft,” dated “Revised Draft December 12, 1994” |
| Supp. Box 48 | Folder 4 | Seven Guitars – Script; marked “Original: Tom Creamer,” dated “revised July 10, 1994” |
| Supp. Box 48 | Folder 5 | Seven Guitars – Script; marked “Draft July 10, 1994, Kathy Murphy” |
| Supp. Box 48 | Folder 6 | Seven Guitars – Script; National Playwright’s Conference, © 1994 |
| Box 72 | Folder 21 | Three Sisters by Anton Chekhov, new English translation by Richard Nelson. March 10-April 15, 1995. Directed by Robert Falls, set and costume design by Santo Loquasto, lighting design by James F. Ingalls, sound by Richard Woodbury, musical direction and arrangements by Larry Schanker – Programs |
| Box 72 | Folder 22 | Three Sisters – Reviews |
| Box 72 | Folder 23 | Three Sisters – Unmarked script, revised 1994 |
| Box 73 | Folder 1 | Journey to the West, adapted by Mary Zimmerman based on the translation of Anthony C. Yu of Hsi Yu Chi. April 28-June 3, 1995. Directed by Mary Zimmerman, set design by Scott Bradley, costumes by Allison Reeds, lighting design by T.J. Gerckens, sound design by Michael Bodeen, original music composed by William Schwarz, Miriam Sturm and Michael Bodeen – Program, press release, reviews and clippings |
| Box 73 | Folder 2 | Journey to the West – Unmarked script, labeled "Stage Management Master", dated Spring 1995 |
| Box 73 | Folder 3 | Another Midsummer Night, music by Jeffrey Lunden, book and lyrics by Arthur Perlman. June 16-July 22, 1995. Directed by Michael Maggio, sets by Linda Buchanan, costumes design by Catherine Zuber, lighting by Robert Christen, sound by Richard Woodbury, choreography by Danny Herman, musical direction by Bradley Veith, orchestrations by Bruce Coughlin – Program, promotional material, review |
| Box 73 | Folder 4 | Another Midsummer Night – Unmarked script, labeled "Technical Rehearsal Draft", revised 6/22/95 |
| Box 73 | Folder 5 | Another Midsummer Night – Unmarked script, labeled "Technical Rehearsal Draft", revised 6/12/95 |
| Supp. Box 48 | Folder 7 | Another Midsummer Night – Score: Act I, dated November 1994 |
| Supp. Box 48 | Folder 8 | Another Midsummer Night – Score: Act II, dated November 1994 |
| Supp. Box 48 | Folder 9 | Another Midsummer Night – Score: Act I, undated |
| Supp. Box 48 | Folder 10 | Another Midsummer Night – Score: Act II, undated |
| Supp. Box 49 | Folder 1 | Another Midsummer Night – Script; dated March 1, 1995 |
| Supp. Box 49 | Folder 2 | Another Midsummer Night – Script; dated March 1995 |
| Supp. Box 49 | Folder 3 | Another Midsummer Night – Script; dated November 1994 |
| Supp. Box 49 | Folder 4 | Another Midsummer Night – Script; titled “Midsummer Project,” and dated November 1993 |
1994-1995 Season, Studio
| Box 73 | Folder 6 | Sin by Wendy MacLeod. World Premiere, October 21-November 27, 1994. Directed by David Petrarca, set design by Scott Bradley, costumes by Allison Reeds, lighting design by Robert Christen, sound by Rob Milburn,...with Amy Morton – Press releases, reviews and clippings |
| Box 73 | Folder 7 | Sin – Unmarked script, dated October 31, 1994 |
| Supp. Box 49 | Folder 5 | Sin – Script; dated October 11, 1994 |
| Supp. Box 49 | Folder 6 | Sin – Script; dated September 1994 |
| Supp. Box 49 | Folder 7 | Sin – Script; dated August 1994 |
| Supp. Box 49 | Folder 8 | Sin – Script; marked “Amy Morton,” and dated May 1994 |
| Supp. Box 49 | Folder 9 | Sin – Script; with manuscript revisions, undated |
| Box 73 | Folder 8 | Gertrude Stein: Each One As She May, adapted by Frank Galati. February 3-March 5, 1995. Directed by Frank Galati, music composed by Reginald Robinson and Miriam Sturm, set design by Mary Griswold, costumes by Birgit Rattenborg Wise, lighting design by Robert Christen, sound by Rob Milburn, music arranged and directed by Rob Milburn and Miriam Sturm – Programs, press release |
| Box 73 | Folder 9 | Gertrude Stein: Each One As She May – Unmarked script, revision 1/21/95 |
| Supp. Box 50 | Folder 1 | Gertrude Stein: Each One As She May – Script; marked “Revision, January 18, 1995” and titled “Each One As She May: The Story of Melanctha” |
| Supp. Box 50 | Folder 2 | Gertrude Stein: Each One As She May – Script; marked “Copy, January 11, 1995” and titled as above |
| Supp. Box 50 | Folder 3 | Gertrude Stein: Each One As She May – Script; marked “Copy January 5, 1995” and titled as above |
| Supp. Box 50 | Folder 4 | Gertrude Stein: Each One As She May – Script; marked “Master Copy, January 5, 1995” and titled as above |
| Supp. Box 50 | Folder 5 | Gertrude Stein: Each One As She May – Script, undated, titled as above |
| Supp. Box 50 | Folder 6 | Gertrude Stein: Each One As She May – Script, undated, titled as above |
| Box 73 | Folder 10 | Vivisections from the Blown Mind by Alonzo D. Lamont, Jr. April 7-May 7, 1995. Directed by Chuck Smith, set design by James Dardenne, costumes by Michael Alan Stein, lighting design by Todd Hensley, and sound by Corbiere T. Boynes and Rob Milburn – Press release |
| Supp. Box 50 | Folder 7 | Vivisections from the Blown Mind – Published script |
1994-1995 Season, JAM/Goodman New Music Series
| Box 73 | Folder 11 | Some People, written and performed by Danny Hoch. June 13-24, 1995 at the Organic Theater. Directed by Jo Bonney – Press release, reviews |
1994-1995 Season, Special Events
| Box 73 | Folder 12 | Skinny White Boy in the Heart of Darkness, written and performed by Rick Cleveland. May 24, 1995 – Review |
1995-1996 Season, Mainstage
| Box 74 | Folder 1 | Press releases |
| Box 74 | Folder 2 | All's Well That Ends Well by William Shakespeare. October 2-November 4, 1995. Directed by Mary Zimmerman, sets designed by Riccardo Hernandez, costumes by Nan Cibula Jenkins, lighting by T.J. Gerckens, sound by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm – Press release, reviews and clippings |
| Box 74 | Folder 3 | All's Well That Ends Well – Unmarked script, labeled "Rehearsal Text", dated August 1995 |
| Box 74 | Folder 4 | All's Well That Ends Well – Unmarked synoptic script |
| Supp. Box 50 | Folder 8 | All's Well That Ends Well – Script; copy of folio |
| Supp. Box 50 | Folder 9 | All's Well That Ends Well – Script; with manuscript notes |
| Box 74 | Folder 5 | A Christmas Carol by Charles Dickens and adapted by Tom Creamer. November 20-December 30, 1995 – Press releases, review |
| Box 74 | Folder 6 | A Christmas Carol – Script, marked with a few blocking instructions in pencil, labeled "Rehearsal draft, 1995" |
| Supp. Box 50 | Folder 10 | A Christmas Carol – “Calling script/Rehearsal script” |
| Supp. Box 50 | Folder 11 | A Christmas Carol – “Calling script/Rehearsal script” |
| Box 74 | Folder 7 | Black Star Line by Charles Smith. January 22-February 17, 1996. Directed by Paul Tazewell, set design by Joseph Tazewell, costume design by Kay Kurta Silva, lighting by T.J. Gerckens, sound design and music composed by Fabian Obispo – Press release, program |
| Box 74 | Folder 8 | Black Star Line – Unmarked script, dated January 5, 1996 |
| Supp. Box 51 | Folder 1 | Black Star Line – Script; dated September 10, 1995 |
| Supp. Box 51 | Folder 2 | Black Star Line – Script; marked “Draft (old) Gary Houston (J. Edgar Hoover, Gordon Phillips)” and dated September 12, 1994 |
| Supp. Box 51 | Folder 3 | Black Star Line – Script; dated August 21, 1994 |
| Supp. Box 51 | Folder 4 | Black Star Line – Script; dated August 10, 1994 |
| Supp. Box 51 | Folder 5 | Black Star Line – Script; dated May 1993 |
| Supp. Box 51 | Folder 6 | Black Star Line – Script; dated January 1993 |
| Supp. Box 51 | Folder 7 | Black Star Line – Script; marked “First Draft, November 1991” |
| Box 74 | Folder 9 | Arcadia by Tom Stoppard. March 11-April 14, 1996. Directed by Michael Maggio, sets designed by Linda Buchanan, costumes by Nan Cibula-Jenkins, lighting by Robert Christen, sound by Richard Woodbury, with musical composition by Jeffrey Lunden – Press release |
| Box 74 | Folder 10 | Arcadia – Reviews and clippings |
| Box 74 | Folder 11 | Arcadia – Unmarked synoptic script, dated Fall 1995 |
| Supp. Box 51 | Folder 8 | Arcadia – Published script |
| Box 74 | Folder 12 | A Touch of the Poet by Eugene O'Neill. April 26-June 8, 1996. Directed by Robert Falls, set design by Derek McLane, costume design by Birgit Rattenborg Wise, lighting design by Kenneth Posner, ...with Brian Dennehy – Press releases |
| Box 74 | Folder 13 | A Touch of the Poet – Program |
| Box 74 | Folder 14 | A Touch of the Poet – Reviews and clippings |
| Box 74 | Folder 15 | A Touch of the Poet – Unmarked published script, undated |
| Box 75 | Folder 1 | The House of Martin Guerre by Leslie Arden and Anna Cascio. July 1-August 4, 1996. Directed by David Petrarca, sets by Robert Brill, costumes designed by Susan Hilferty, lighting designed by James F. Ingalls, sound by Rob Milburn, musical direction by Jeffrey Klitz, choreography by David Marques, orchestrations by Bruce Coughlin – Press release, review |
| Box 75 | Folder 2 | The House of Martin Guerre – Unmarked script, labeled "Master Copy", marked "Rehearsal Draft", and dated 5/21/96 |
| Box 75 | Folder 3 | The House of Martin Guerre – Original score, dated 5/15/96 |
| Supp. Box 52 | Folder 1 | The House of Martin Guerre – Script; marked “Original,” and dated July 17, 1996 |
| Supp. Box 52 | Folder 2 | The House of Martin Guerre – Script, dated May 1996 |
| Supp. Box 52 | Folder 3 | The House of Martin Guerre – Script; marked “Old Version,” with note to Tom Creamer |
| Supp. Box 52 | Folder 4 | The House of Martin Guerre – Script; marked “Post-Workshop Draft,” and dated November 1995 |
| Supp. Box 52 | Folder 5 | The House of Martin Guerre – Script; marked “Pre-Workshop Draft,” and dated November 1995 |
| Supp. Box 52 | Folder 6 | The House of Martin Guerre – Script, Act I; marked “New Act as of October 23, 1995 |
| Supp. Box 52 | Folder 7 | The House of Martin Guerre – Script; with correspondence from Marty Bell, Live Entertainment of Canada, Inc. |
| Supp. Box 52 | Folder 8 | The House of Martin Guerre – Script, © 1994 |
1995-1996 Season, Studio
| Box 75 | Folder 4 | Cloud Tectonics by Jose Rivera. Co-produced with Teatro Vista, September 18-October 8, 1995. Directed by Henry Godinez, sets by Robert C. Martin, costumes by Sharon Sachs, lighting design by Robert Shook, sound by Robert Neuhaus – Press release, reviews |
| Box 75 | Folder 5 | Escape from Paradise by Regina Taylor. October 30-November 19, 1995. Directed by Shirley Jo Finney, sets by Scott Cooper, lighting by Robert Christen, sound by Michael Bodeen, projections by Royd Climenhaga – Press release, review |
| Box 75 | Folder 6 | Escape from Paradise – Unmarked script, labeled "Goodman Rehearsal Script", revised 9/26/95 |
| Box 75 | Folder 7 | Escape from Paradise – Script, marked with notes and blocking, with director's notes, dated Summer 1995 |
| Supp. Box 52 | Folder 9 | Escape from Paradise – Script; marked “Goodman Rehearsal Script,” revised September 19, 1995 |
| Supp. Box 52 | Folder 10 | Escape from Paradise – Script; marked “Goodman Rehearsal Script,” revised October 13, 1995, with manuscript notes |
| Supp. Box 52 | Folder 11 | Escape from Paradise – Script, dated December 30, 1993 |
| Supp. Box 52 | Folder 12 | Escape from Paradise – Script; marked “Goodman Rehearsal Script,” revised October 5, 1995, with manuscript notes and typed director’s notes |
| Box 75 | Folder 8 | Unjustifiable Acts by Aaron Overson. February 12-March 3, 1996. Directed by Harry J. Lennix, sets design by Robert C. Martin, costumes by Laura Cunningham, lighting by Diane Ferry Williams, sound by Rob Milburn – Press release |
| Box 75 | Folder 9 | Unjustifiable Acts – Unmarked script, undated |
| Box 75 | Folder 10 | A Pirate’s Lullaby by Jessica Litwik. April 8-28, 1996. Directed by Susan V. Booth, set designed by John Culbert, costumes by Linda Roethke, lighting by Michael S. Philippi, sound by Rob Milburn – Press release |
| Box 75 | Folder 11 | A Pirate’s Lullaby – Unmarked script, dated "Final Copy 3/96" |
| Supp. Box 52 | Folder 13 | A Pirate’s Lullaby – Script; marked “Goodman Rehearsal Draft,” March 4, 1996 |
| Supp. Box 52 | Folder 14 | A Pirate’s Lullaby – Script, dated January 15, 1996 |
| Supp. Box 52 | Folder 15 | A Pirate’s Lullaby – Script, undated |
1996-1997 Season, Mainstage
| Box 76 | Folder 1 | Press releases, promotional material |
| Box 76 | Folder 2 | Faust, music and lyrics by Randy Newman, book by Randy Newman and David Mamet. September 30-November 2, 1996. Directed by Michael Greif, sets by Tom Lynch, costumes by Mark Wendland, lighting by Chris Akerlind, sound by Steve Canyon Kennedy, projections by Jan Hartley, choreography by Lynn Taylor-Corbett – Press releases, reviews |
| Box 76 | Folder 3 | Faust – Unmarked script, labeled "Goodman Rehearsal Draft", revised 9/25/96 |
| Supp. Box 53 | Folder 1 | Faust – Script; marked “Goodman Rehearsal Draft,” revised September 11, 1996 |
| Supp. Box 53 | Folder 2 | Faust – Script; marked “Goodman Rehearsal Draft,” revised August 1996 |
| Supp. Box 53 | Folder 3 | Faust – Script; marked “Goodman Rehearsal Draft,” revised August 1996 |
| Supp. Box 53 | Folder 4 | Faust – Script: Act I from the LaJolla Playhouse production; dated July 2, 1996 and revised July 1996 |
| Supp. Box 53 | Folder 5 | Faust – Script: Act I from the LaJolla Playhouse production; dated August 3, 1995 and revised August 3, 1995 |
| Supp. Box 53 | Folder 6 | Faust – Script: Act II from the LaJolla Playhouse production; dated July 2, 1996 and revised June 1996 |
| Supp. Box 53 | Folder 7 | Faust – Script: Act II from the LaJolla Playhouse production; dated August 3, 1995 and revised August 3, 1995 |
| Box 76 | Folder 4 | A Christmas Carol by Charles Dickens, adapted by Tom Creamer. 19th Annual production, November 18-December 30, 1996. Directed by Henry Godinez, set design by Joseph Nieminski, lighting by Robert Christen, sound design by Rob Milburn and David Naunton, musical direction and composition by Larry Schanker – Press release, review |
| Box 76 | Folder 5 | The Young Man from Atlanta by Horton Foote. January 27-March 1, 1997. Directed by Robert Falls, set design by Thomas Lynch, costumes by David C. Woolard, lighting by James F. Ingalls, and sound design and musical composition by Richard Woodbury, ...starring Shirley Knight and Rip Torn – Press releases |
| Box 76 | Folder 6 | The Young Man from Atlanta – Reviews and clippings |
| Box 76 | Folder 7 | The Young Man from Atlanta – Unmarked script, labeled "Rehearsal Text", dated December 26, 1996 |
| Supp. Box 53 | Folder 8 | The Young Man from Atlanta – Script, dated October 30, 1996 |
| Supp. Box 53 | Folder 9 | The Young Man from Atlanta – Script, marked “October 30, 1996 Draft” |
| Supp. Box 53 | Folder 10 | The Young Man from Atlanta – Script, marked “Goodman Draft, June 28, 1996” |
| Supp. Box 53 | Folder 11 | The Young Man from Atlanta – Script, dated [June 1996?] |
| Box 76 | Folder 8 | Light Up the Sky by Moss Hart. March 24-April 19, 1997. Directed by David Petrarca, sets by Michael Yeargan, costumes by Jess Goldstein, lighting by Duanne Schuler, sound design by Rob Milburn – Program, press release |
| Box 76 | Folder 9 | Light Up the Sky – Unmarked published script, undated |
| Box 76 | Folder 10 | All the Rage by Keith Reddin. May 12-June 7, 1997. Directed by Michael Maggio, sets by Linda Buchanan, costumes by Nan Cibula-Jenkins, lights by Pat Collins, sound design and original music by Michael Bodeen and Rob Milburn – Program, press release |
| Box 76 | Folder 11 | All the Rage – Review |
| Box 76 | Folder 12 | Ma Rainey’s Black Bottom by August Wilson. June 30-July 27, 1997. Directed by Chuck Smith. Sets by Scott Bradley, costumes by Paul Tazewell, lighting by Robert Christen, sound by Rob Milburn, musical direction by Kimo Williams – Program, press releases |
1996-1997 Season, Studio
| Box 76 | Folder 13 | Seeking the Genesis by Kia Corthron. October 28-November 17, 1996. Directed by Walter Dallas, set design by Robert C. Martin, costumes by Karin Kopischke, lighting by Kathy Perkins, and sound by Rob Milburn – Press release, review |
| Box 76 | Folder 14 | Transformations, conceived by Regina Taylor. February 7-March 9, 1997. A collection of one-act plays: Prophecy by Peter Handke and directed by Marianne Kim; The Owl Answers by Adrienne Kennedy and directed by Susan V. Booth; Dr. Kheal by Maria Irene Fornes and directed by Regina Taylor; Red Cross by Sam Shepard and directed by Henry Godinez; and The One by Oliver Pitcher and directed by Cheryl Lynn Bruce. Set design by Todd Rosenthal, costume design by Loren Coco Mayer, lighting design by Joseph Appelt, sound design and original music composed by Joe Cerqua – Programs, reviews and clippings |
| Box 76 | Folder 15 | Transformations – Unmarked script, undated |
| Box 76 | Folder 16 | Transformations – Unmarked script, with director’s notes |
| Box 76 | Folder 17 | Transformations – Individual published scripts (Prophecy, The Corner, Dr. Kheal, The Owl Answers, Red Cross, The One) |
| Box 76 | Folder 18 | Freak, written and performed by John Leguziamo. In workshop, March 12-30, 1997 – Press release |
| Box 76 | Folder 19 | Mirror of the Invisible World, adapted by Mary Zimmerman from the Persian epic, Haft Paykar. April 21-May 11, 1997. Set design by Dan Ostling, costumes by Mara Blumenfeld, lighting by John Culbert, sound by Michael Bodeen – Press release |
| Box 76 | Folder 20 | Mirror of the Invisible World – Unmarked script, labeled "Draft", dated 4/5/97 |
| Box 76 | Folder 21 | Mirror of the Invisible World – Script: “Opening 1” |
| Box 76 | Folder 22 | Mirror of the Invisible World – Script: “Opening 1”, with line changes |
1996-1997 Season, Special
| Box 76 | Folder 23 | It’s a Slippery Slope, written and performed by Spalding Gray. September 3-8, 1996 on the Mainstage – Press release |
1997-1998 Season, Mainstage
| Box 77 | Folder 1 | Press release and promotional material |
| Box 77 | Folder 2 | On Stage newsletters |
| Box 77 | Folder 3 | News clippings |
| Box 77 | Folder 4 | As You Like It by William Shakespeare. September 29-October 25, 1997. Directed by Michael Maggio, set design by John Culbert, costume design by Virgil Johnson, lighting design by Kevin Rigdon, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm – Cast and staff |
| Box 77 | Folder 5 | As You Like It – Press release |
| Box 77 | Folder 6 | As You Like It – Program |
| Box 77 | Folder 7 | As You Like It – Reviews and news clippings |
| Box 77 | Folder 8 | As You Like It – Costume sketches |
| Photo Box 113 | Folders 1-3 | As You Like It – 3 photographs |
| Box 77 | Folder 9 | The House of Martin Guerre by Leslie Arden and Anne Theresa Cascio. September 25-October 25, 1997. Directed by David Petrarca in Toronto – News clippings |
| Box 77 | Folder 10 | A Christmas Carol by Charles Dickens and adapted by Tom Creamer. November 8-December 30, 1997. Directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker – Cast and staff |
| Box 77 | Folder 11 | A Christmas Carol – Press release |
| Box 77 | Folder 12 | A Christmas Carol – Program |
| Box 77 | Folder 13 | A Christmas Carol – Reviews and news clippings |
| Box 77 | Folder 14 | A Christmas Carol – Proclamation by Mayor Richard M. Daley |
| Photo Box 113 | Folders 4-6 | A Christmas Carol – 3 photographs |
| Box 77 | Folder 15 | The Old Religion by David Mamet. November 10, 1997 – Reviews and news clippings |
| Box 77 | Folder 16 | Griller by Eric Bogosian. January 19-February 21, 1998. Directed by Robert Falls, set design by Derek McLane, costume design by Mara Blumenfeld, lighting design by Kenneth Posner, and sound design by Richard Woodbury – Cast and staff |
| Box 77 | Folder 17 | Griller – Press release |
| Box 77 | Folder 18 | Griller – Program |
| Box 77 | Folder 19 | Griller – Reviews and news clippings |
| Box 77 | Folder 20 | Griller – Artwork |
| Photo Box 113 | Folders 7-10 | Griller – 4 photographs |
| Box 77 | Folder 21 | The Old Settler by John Henry Redwood. March 16-April 18, 1998 – Press release |
| Box 78 | Folder 1 | Blues for an Alabama Sky by Pearl Cleage. March 16-April 18, 1998. Directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, and sound design by Rob Milburn – Cast and staff |
| Box 78 | Folder 2 | Blues for an Alabama Sky – Press Release |
| Box 78 | Folder 3 | Blues for an Alabama Sky – Program |
| Box 78 | Folder 4 | Blues for an Alabama Sky – Reviews and news clippings |
| Box 78 | Folder 5 | Blues for an Alabama Sky – Artwork |
| Photo Box 113 | Folders 16-17 | Blues for an Alabama Sky – 2 photographs |
| Box 78 | Folder 6 | Dinah Was by Oliver Goldstick. April 1998. Directed by David Petrarca at the WPA Theater in New York – News clippings |
| Box 78 | Folder 7 | Design for Living by Noel Coward. May 11-June 6, 1998. Directed by David Petrarca, set design by Michael Yeargan, costume design by Jane Greenwood, lighting design by Duane Schuler, sound design and original music by Rob Milburn and Michael Bodeen – Cast and staff |
| Box 78 | Folder 8 | Design for Living – Press release |
| Box 78 | Folder 9 | Design for Living – Program |
| Box 78 | Folder 10 | Design for Living – Reviews and news clippings |
| Photo Box 113 | Folders 18-19 | Design for Living – 2 photographs |
| Box 78 | Folder 11 | Play On! conceived by Sheldon Epps, based on the book by Cheryl L. West, with the songs of Duke Ellington. June 19-August 16, 1998. Directed by Sheldon Epps, choreography by Mercedes Ellington, set design by James Leonard Joy, costume design by Marianna Elliott, lighting design by Michael Gilliam, sound design by Rob Milburn, and music direction by J. Leonard Oxley – Cast and staff |
| Box 78 | Folder 12 | Play On! – Press Release |
| Box 78 | Folder 13 | Play On! – Program |
| Box 78 | Folder 14 | Play On! – Reviews and news clippings |
| Photo Box 113 | Folders 20-22 | Play On! – 3 photographs |
1997-1998 Season, Studio
| Box 78 | Folder 15 | Lillian by David Cale. October 27-November 16, 1997. Directed by Joe Mantello – Cast and staff |
| Box 78 | Folder 16 | Lillian – Press release |
| Box 78 | Folder 17 | Lillian – Reviews and news clippings |
| Box 78 | Folder 18 | Lillian – Notes |
| Box 78 | Folder 19 | Lillian – Research |
| Photo Box 113 | Folders 23-28 | Lillian – 6 photographs |
| Box 78 | Folder 20 | The Notebooks of Leonardo Da Vinci adapted by Mary Zimmerman. December 15, 1997- January 25, 1998. Directed by Mary Zimmerman, set design by Scott Bradley, costume design by Allison Reeds, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Miriam Sturm – Cast and staff |
| Box 78 | Folder 21 | The Notebooks of Leonardo Da Vinci – Press release |
| Box 78 | Folder 22 | The Notebooks of Leonardo Da Vinci – Program |
| Box 78 | Folder 23 | The Notebooks of Leonardo Da Vinci – Reviews and news clippings |
| Box 78 | Folder 24 | The Notebooks of Leonardo Da Vinci – Research |
| Photo Box 113 | Folders 29-30 | The Notebooks of Leonardo Da Vinci – 2 photographs |
| Box 79 | Folder 1 | Let Me Live by Oyamo. April 20-May 10, 1998. Directed by Ron OJ Parson, set design by Lori Fong, costume design by Christine Pascual, lighting design by Kathy A. Perkins, and sound design by Matt Kozlowki – Press release |
| Box 79 | Folder 2 | Let Me Live – Program |
| Box 79 | Folder 3 | Let Me Live – Reviews and news clippings |
| Photo Box 113 | Folders 31-32 | Let Me Live – 2 photographs |
| Box 79 | Folder 4 | On the Road: The Search for American Character by Anna Devere Smith. Scheduled to be performed in 1997 but was cancelled – Press release |
1998-1999 Season, Mainstage
| Box 79 | Folder 5 | Press Releases, promotional material |
| Box 79 | Folder 6 | On Stage |
| Box 79 | Folder 7 | News clippings |
| Box 79 | Folder 8 | House Arrest: First Edition by Anna Deavere Smith. Fall 1998 – Press release |
| Box 79 | Folder 9 | House Arrest: First Edition – News clippings |
| Box 79 | Folder 10 | Death of a Salesman by Arthur Miller. September 18-November 7, 1998. Directed by Robert Falls, set design by Mark Wendland, costume design by Birgit Rattenborg Wise, lighting design by Michael Philippi, and sound design and music composed by Richard Woodbury – Press release |
| Box 79 | Folder 11 | Death of a Salesman – Program |
| Box 79 | Folder 12 | Death of a Salesman – Reviews and news clippings |
| Box 79 | Folder 13 | Death of a Salesman – Research |
| Box 79 | Folder 14 | A Christmas Carol by Charles Dickens and adapted by Tom Creamer. November 22-December 29, 1998. Directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Rob Milburn and David Naunton, musical composition and traditional carols by Larry Schanker – Cast and staff |
| Box 79 | Folder 15 | A Christmas Carol – Press release |
| Box 79 | Folder 16 | A Christmas Carol – Program |
| Box 79 | Folder 17 | A Christmas Carol – Reviews and clippings |
| Box 79 | Folder 18 | A Christmas Carol – Promotional material |
| Photo Box 114 | Folders 1-2 | A Christmas Carol – 2 photographs |
| Box 79 | Folder 19 | Waiting for Godot by Samuel Beckett. January 18-February 20, 1999. Directed by Michael Maggio, set design by Riccardo Hernandez, costume design by Nan Cibula-Jenkins, and lighting design by Donald Holder – Cast and staff |
| Box 79 | Folder 20 | Waiting for Godot – Press release |
| Box 79 | Folder 21 | Waiting for Godot – Program |
| Box 79 | Folder 22 | Waiting for Godot – Reviews and news clippings |
| Box 79 | Folder 23 | Waiting for Godot – Promotional material |
| Box 79 | Folder 24 | Waiting for Godot – Research |
| Photo Box 114 | Folders 3-6 | Waiting for Godot – 4 photographs |
| Box 80 | Folder 1 | Oo-Bla-Dee by Regina Taylor. March 15-April 17, 1999. Directed by Regina Taylor and Susan V. Booth, set design by Donald Eastman, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Coleridge-Taylor Perkinson – Cast and staff |
| Box 80 | Folder 2 | Oo-Bla-Dee – Press release |
| Box 80 | Folder 3 | Oo-Bla-Dee – Program |
| Box 80 | Folder 4 | Oo-Bla-Dee – Reviews and news clippings |
| Box 80 | Folder 5 | Oo-Bla-Dee – Promotional material |
| Box 80 | Folder 6 | Oo-Bla-Dee – Award |
| Box 80 | Folder 7 | Oo-Bla-Dee – Research |
| Box 80 | Folder 8 | Floyd Collins by Adam Guettel and Tina Landau. May 3-June 5, 1999. Directed by Tina Landau, scenic design by James Schuette, costume design by Melina Root, lighting design by Scott Zielinski, sound design by Dan Moses Schreier, musical direction by Ted Sperling and Rob Berman – Cast and staff |
| Box 80 | Folder 9 | Floyd Collins – Press release |
| Box 80 | Folder 10 | Floyd Collins – Program |
| Box 80 | Folder 11 | Floyd Collins – Reviews and news clippings |
| Box 80 | Folder 12 | Floyd Collins – Promotional material |
| Box 80 | Folder 13 | Floyd Collins – Research |
| Photo Box 114 | Folders 7-10 | Floyd Collins – 4 photographs |
| Box 80 | Folder 14 | Jitney by August Wilson. June 28-August 1, 1999. Directed by Marion McClinton, set design by David Gallo, costume design by Susan E. Mickey, lighting design by Donald Holder, sound design by Rob Milburn – Cast and staff |
| Box 80 | Folder 15 | Jitney – Press release |
| Box 80 | Folder 16 | Jitney – Program |
| Box 80 | Folder 17 | Jitney – Reviews and news clippings |
| Box 80 | Folder 18 | Jitney – Y Arts Award |
| Box 80 | Folder 19 | Jitney – Research |
| Photo Box 114 | Folders 11-13 | Jitney – 3 photographs |
1998-1999 Season, Studio
| Box 80 | Folder 20 | Jacob Marley’s Christmas Carol by Tim Mula. December 4-27, 1998 – Cast and staff |
| Box 80 | Folder 21 | Jacob Marley’s Christmas Carol – Press release |
| Box 80 | Folder 22 | Jacob Marley’s Christmas Carol – Reviews and news clippings |
| Box 80 | Folder 23 | Jacob Marley’s Christmas Carol – Promotional material |
| Photo Box 114 | Folders 14-15 | Jacob Marley’s Christmas Carol – – 2 photographs |
| Box 80 | Folder 24 | Straight As A Line by Luis Alfaro. September 22-October 11, 1998. Directed by Henry Godinez, set and production design by John Boesche, costume design by Nan Zabriskie, lighting design by David Gipson, sound design by Robert Neuhaus, and musical composition by KAMYS – Press release |
| Box 80 | Folder 25 | Straight As A Line – Program |
| Box 80 | Folder 26 | Straight As A Line – Reviews and news clippings |
| Photo Box 114 | Folders 16-17 | Straight As A Line – 2 photographs |
| Box 80 | Folder 27 | “Shall We Go? Yes, Let’s Go.” Three Plays by Samuel Beckett by Samuel Beckett. January 29-February 7, 1999. Directed by Samuel Beckett, Rick Cluchey, and Michael Maggio, lighting design by B. Emil Boulos – Cast and staff |
| Box 80 | Folder 28 | “Shall We Go? Yes, Let’s Go.” Three Plays by Samuel Beckett – Press release |
| Box 80 | Folder 29 | “Shall We Go? Yes, Let’s Go.” Three Plays by Samuel Beckett – Program |
| Box 80 | Folder 30 | “Shall We Go? Yes, Let’s Go.” Three Plays by Samuel Beckett – Reviews and news clippings |
| Box 80 | Folder 31 | “Shall We Go? Yes, Let’s Go.” Three Plays by Samuel Beckett – Promotional material |
| Photo Box 114 | Folders 18-20 | “Shall We Go? Yes, Let’s Go.” Three Plays by Samuel Beckett – 3 photographs |
| Box 80 | Folder 32 | Red by Chay Yew. January-February 7, 1999. Directed by David Petrarca. Performed at the Long Warf Theater, New Haven, Connecticut – News clippings |
| Box 80 | Folder 33 | Spinning into Butter by Rebecca Gilman. May 16-June 27, 1999. Directed by Lee Waters – Press release |
| Box 80 | Folder 34 | Spinning into Butter – Reviews and news clippings |
| Box 80 | Folder 35 | Spinning into Butter – Promotional material |
| Box 80 | Folder 36 | Spinning into Butter – Award |
| Photo Box 114 | Folders 21-22 | Spinning into Butter – 2 photographs |
1998-1999 Season, Theatre Arts Series
| Box 81 | Folder 1 | Press Releases |
| Box 81 | Folder 2 | An Evening with Frank Rich by Frank Rich. February 1, 1999 – Press release |
| Box 81 | Folder 3 | An Evening with Frank Rich – Program |
| Box 81 | Folder 4 | An Evening with Frank Rich – Reviews and news clippings |
| Photo Box 114 | Folder 23 | An Evening with Frank Rich – 1 photograph |
1999-2000 Season, Mainstage
| Box 81 | Folder 5 | Press release and promotional material |
| Box 81 | Folder 6 | On Stage |
| Box 81 | Folder 7 | News clippings |
| Box 81 | Folder 8 | Morning, Noon and Night by Spaulding Gray. September 7-12, 1999 – Press release |
| Box 81 | Folder 9 | Morning, Noon and Night – Program |
| Box 81 | Folder 10 | Morning, Noon and Night – Research |
| Photo Box 115 | Folder 1 | Morning, Noon and Night – 1 photograph |
| Box 81 | Folder 11 | The Odyssey by Homer. September 27-November 6, 1999. Directed by Mary Zimmerman, set design by Daniel Ostling, costume design by Mara Blumenfield, lighting design by T. J. Gerckens, sound design by Michael Bodeen, musical composition by Michael Bodeen and Willie Schwarz – Cast and staff |
| Box 81 | Folder 12 | The Odyssey – Press release |
| Box 81 | Folder 13 | The Odyssey – Program |
| Box 81 | Folder 14 | The Odyssey – Reviews and news clippings |
| Box 81 | Folder 15 | The Odyssey – Promotional materials |
| Box 81 | Folder 16 | The Odyssey – Correspondence |
| Photo Box 115 | Folder 2 | The Odyssey – 1 photograph |
| Box 81 | Folder 17 | A Christmas Carol by Charles Dickens and adapted by Tom Creamer. November 21, 1999-January 2, 2000. Directed by Henry Godinez, set design by Joseph Nieminski, lighting design by Robert Christen, sound design by Ray Nardelli, musical composition and traditional carols by John Kamys – Press release |
| Box 81 | Folder 18 | A Christmas Carol – Program |
| Box 81 | Folder 19 | A Christmas Carol – Reviews and news clippings |
| Box 81 | Folder 20 | A Christmas Carol – Publicity |
| Photo Box 115 | Folders 3-6 | A Christmas Carol – 4 photographs |
| Box 81 | Folder 21 | Moon for the Misbegotten by Eugene O’Neill. January 24-February 19, 2000. Directed by Daniel Sullivan, set design by Eugene Lee, costume design by Jane Greenwood, lighting design by Pat Collins, original music composed and sound design by Richard Woodbury – Cast and staff |
| Box 81 | Folder 22 | Moon for the Misbegotten – Press release |
| Box 81 | Folder 23 | Moon for the Misbegotten – Program |
| Box 81 | Folder 24 | Moon for the Misbegotten – Reviews and news clippings |
| Box 81 | Folder 25 | Moon for the Misbegotten – Publicity |
| Box 81 | Folder 26 | Moon for the Misbegotten – Research |
| Photo Box 115 | Folders 7-9 | Moon for the Misbegotten – 3 photographs |
| Box 81 | Folder 27 | Boy Gets Girl by Rebecca Gilman. March 13-April 8, 2000. Directed by Michael Maggio, set design by Michael Philippi, costume design by Nan Cibula-Jenkins, lighting design by John Culbert, sound design and original music composed by Rob Milburn and Michael Bodeen – Cast and staff |
| Box 81 | Folder 28 | Boy Gets Girl – Press release |
| Box 81 | Folder 29 | Boy Gets Girl – Program |
| Box 81 | Folder 30 | Boy Gets Girl – Reviews and news clippings |
| Box 81 | Folder 31 | Boy Gets Girl – Publicity |
| Box 81 | Folder 32 | Boy Gets Girl – Prince Prize |
| Photo Box 115 | Folders 11-13 | Boy Gets Girl – 3 photographs |
| Box 82 | Folder 1 | A Raisin in the Sun by Lorraine Hansberry. May 1-June 3, 2000. Directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Kathy A. Perkins, sound design by Rob Milburn – Press release |
| Box 82 | Folder 2 | A Raisin in the Sun – Program |
| Box 82 | Folder 3 | A Raisin in the Sun – Reviews and news clippings |
| Box 82 | Folder 4 | A Raisin in the Sun – Publicity |
| Photo Box 115 | Folders 14-16 | A Raisin in the Sun – 3 photographs |
| Box 82 | Folder 5 | Zoot Suit by Luis Valdez. June 16-July 30, 2000. Directed by Henry Godinez, set design by Christopher Acebo, costume design by Nan Zabriskie, lighting design by Michael Philippi, sound design by Michael Bodeen, original music composed by Daniel Valdez, songs composed by Lalo Guerrero – Cast and staff |
| Box 82 | Folder 6 | Zoot Suit – Press release |
| Box 82 | Folder 7 | Zoot Suit – Program |
| Box 82 | Folder 8 | Zoot Suit – Reviews and news clippings |
| Box 82 | Folder 9 | Zoot Suit – Ticket sales |
| Photo Box 115 | Folders 17-18 | Zoot Suit – 2 photographs |
| Zoot Suit – SEPARATION: Promotional button |
1999-2000 Season, Studio
| Box 82 | Folder 10 | Jacob Marley’s Christmas Carol by Tim Mula. December 1-19, 1999. Directed by Steve Scott, set and lighting design by John Culbert, sound design by Robert Neuhaus, original musical composition by Larry Schanker – Cast list |
| Box 82 | Folder 11 | Jacob Marley’s Christmas Carol – Press release |
| Box 82 | Folder 12 | Jacob Marley’s Christmas Carol – Program |
| Box 82 | Folder 13 | Jacob Marley’s Christmas Carol – Reviews and news clippings |
| Box 82 | Folder 14 | Jacob Marley’s Christmas Carol – Publicity |
| Photo Box 115 | Folders 19-20 | Jacob Marley’s Christmas Carol – 2 photographs |
| Box 82 | Folder 15 | Millennium Mambo: A Collection of Short Works conceived by Regina Taylor. February 14-March 5, 2000. Directed by Henry Godinez, set design by Linda Buchanan, costume design by Brenda Rousseau, lighting design by Robert Christen, sound design and original music composed by Joe Cerqua – Cast and staff |
| Box 82 | Folder 16 | Millennium Mambo – Press release |
| Box 82 | Folder 17 | Millennium Mambo – Program |
| Box 82 | Folder 18 | Millennium Mambo – Reviews and news clippings |
| Box 82 | Folder 19 | Millennium Mambo – Publicity |
| Photo Box 115 | Folders 21-23 | Millennium Mambo – 3 photographs |
| Box 82 | Folder 20 | Schoolgirl Figure by Wendy MacLeod. March 31-April 30, 2000. Directed by David Petrarca, set design by Todd Rosenthal, costume design by Linda Roethke, lighting design by Robert Christen, sound design by Ray Nardelli – Cast and staff |
| Box 82 | Folder 21 | Schoolgirl Figure – Press release |
| Box 82 | Folder 22 | Schoolgirl Figure – Program |
| Box 82 | Folder 23 | Schoolgirl Figure – Reviews and news clippings |
| Box 82 | Folder 24 | Schoolgirl Figure – Publicity |
| Photo Box 115 | Folders 24-32 | Schoolgirl Figure – – 9 photographs |
2000-2001 Season, Mainstage
| Box 82 | Folder 25 | General season-Inaugural Festivities. November 4-December 11, 2000 – Press releases |
| Box 82 | Folder 26 | King Hedley II by August Wilson. November 30, 2000-January 13, 2001. Directed by Marion Isaac McClinton, set design by David Gallo, costume design by Toni-Leslie James, lighting design by Donald Holder, sound design by Rob Milburn, waltz choreographed by Diane McIntyre – Press release |
| Box 82 | Folder 27 | King Hedley II – Program |
| Box 82 | Folder 28 | The Amen Corner by James Baldwin. March 23-April 28, 2001. Directed by Chuck Smith, set design by Felix E. Cochren, costume design by Birgit Rattenborg Wise, lighting design by Robert Christen, sound design by Rob Milburn and Michael Bodeen, original music composed by William Kilgore – Press release |
| Box 82 | Folder 29 | The Amen Corner – Program |
| Box 82 | Folder 30 | The Seagull by Anton Chekhov, adapted by Regina Taylor. April 27-May 27, 2001 – Press release |
Photographs, Series I: Productions
1925-1926 Season
| Photo Box 1 | Folder 1-8 | The Fountain | 8 photographs |
| Photo Box 1 | Folder 9-14 | The Forest | 6 photographs |
| Photo Box 1 | Folder 15-20 | An Heir at Large | 6 photographs |
| Photo Box 1 | Folder 21-32 | Everyman | 12 photographs |
| Photo Box 1 | Folder 33-34 | The Man of Destiny | 2 photographs |
| Photo Box 1 | Folder 35-38 | Don Juan | 4 photographs |
| Photo Box 2 | Folder 1-2 | The Dark Lady of the Sonnets | 2 photographs |
| Photo Box 2 | Folder 3-34 | A Midsummer Night’s Dream | 32 photographs |
| Photo Box 2 | Folder 35-37 | The Golden Apple | 3 photographs |
| Photo Box 2 | Folder 38-39 | The Captive Princess | 2 photographs |
| Photo Box 2 | Folder 40-44 | Greek Festival of Hellenic Arts | 5 photographs |
1926-1927 Season
| Photo Box 2 | Folder 45-50 | The Game of Love and Death | 6 photographs |
| Photo Box 2 | Folder 51-53 | Fashion, or Life in New York | 3 photographs |
| Photo Box 3 | Folder 1-19 | Juno and the Paycock | 19 photographs |
| Photo Box 3 | Folder 20 | Penelope | 1 photograph |
| Photo Box 3 | Folder 21-36 | Twelfth Night | 16 photographs |
| Photo Box 3 | Folder 37-49 | The Pigeon | 13 photographs |
| Photo Box 4 | Folder 1-8 | Robin Hood | 8 photographs |
| Photo Box 4 | Folder 9-11 | Six Cherry Tarts | 3 photographs |
1927-1928 Season
| Photo Box 4 | Folder 12-13 | The Tower of Nesle | 2 photographs |
| Photo Box 4 | Folder 14 | Outbreak | 1 photograph |
| Photo Box 4 | Folder 15-24 | The Vikings at Hegeland | 10 photographs |
| Photo Box 4 | Folder 25-27 | The Little Clay Cart | 3 photographs |
| Photo Box 4 | Folder 28-29 | The Mask of the Red Death | 2 photographs |
| Photo Box 4 | Folder 30-38 | She Stoops to Conquer | 9 photographs |
| Photo Box 4 | Folder 39-42 | The Topaz Amulet | 4 photographs |
| Photo Box 4 | Folder 43-47 | Evil Doers of Good | 5 photographs |
| Photo Box 4 | Folder 48-53 | The Nursery Maid of Heaven | 6 photographs |
| Photo Box 4 | Folder 54-56 | The Teller of Tales | 3 photographs |
1928-1929 Season
| Photo Box 5 | Folder 1-7 | The Inspector General | 7 photographs |
| Photo Box 5 | Folder 8-15 | Dear Brutus | 8 photographs |
| Photo Box 5 | Folder 16-18 | Six Characters in Search of an Author | 3 photographs |
| Photo Box 5 | Folder 19-26 | When We Dead Awaken | 8 photographs |
| Photo Box 5 | Folder 27 | The Critic | 1 photograph |
| Photo Box 5 | Folder 28-29 | The Trojan Women | 2 photographs |
| Photo Box 5 | Folder 30-35 | Hans Brinker, or The Silver Skates | 6 photographs |
1929-1930 Season
| Photo Box 5 | Folder 36-42 | The Makropoulus Secret | 7 photographs |
| Photo Box 5 | Folder 43 | Tour du Monde, or Around the World in 80 Days | 1 photograph |
1930-1931 Season
| Photo Box 5 | Folder 44 | Master Skylark | 1 photograph |
| Photo Box 5 | Folder 45-46 | Rebecca of Sunnybrook Farm | 2 photographs |
| Photo Box 5 | Folder 47-48 | Tidings Brought to Mary | 2 photographs |
| Photo Box 5 | Folder 49 | The Good Hope | 1 photograph |
| Photo Box 5 | Folder 50 | Lady Windermere’s Fan | 1 photograph |
| Photo Box 5 | Folder 51 | Treasure Island | 1 photograph |
| Photo Box 5 | Folder 52-55 | A Kiss for Cinderella | 4 photographs |
1932-1933 Season
| Photo Box 5 | Folder 56-59 | The Cassilis Engagement | 4 photographs |
| Photo Box 5 | Folder 60-63 | Pillars of Society | 4 photographs |
| Photo Box 5 | Folder 64 | The Nightingale | 1 photograph |
| Photo Box 5 | Folder 65-68 | The Three Sisters | 4 photographs |
| Photo Box 6 | Folder 1-3 | Pygmalion | 3 photographs |
| Photo Box 6 | Folder 4-6 | Leonardo Da Vinci | 3 photographs |
| Photo Box 6 | Folder 7-8 | Paris Bound | 2 photographs |
| Photo Box 6 | Folder 9-12 | Tom Sawyer | 4 photographs |
| Photo Box 6 | Folder 13-16 | Snow White and the Seven Dwarfs | 4 photographs |
1933-1934 Season
| Photo Box 6 | Folder 17 | Macbeth | 1 photograph |
| Photo Box 6 | Folder 18 | Anathema | 1 photograph |
| Photo Box 6 | Folder 19-22 | The Great Catherine | 4 photographs |
| Photo Box 6 | Folder 23-25 | The Royal Family | 3 photographs |
| Photo Box 6 | Folder 26-29 | The Master Builder | 4 photographs |
| Photo Box 6 | Folder 30-31 | The Pied Piper of Hamelin | 2 photographs |
| Photo Box 6 | Folder 32-33 | Mr. Dooley Jr. | 2 photographs |
| Photo Box 6 | Folder 34-36 | The Arkansas Bear | 3 photographs |
| Photo Box 6 | Folder 37-40 | Rumpelstiltskin | 4 photographs |
1934-1935 Season
| Photo Box 6 | Folder 41-43 | The Second Man | 3 photographs |
| Photo Box 6 | Folder 44-47 | For Services Rendered | 4 photographs |
| Photo Box 6 | Folder 48 | Twelfth Night | 1 photograph |
| Photo Box 6 | Folder 49-51 | The First Mrs. Fraser | 3 photographs |
| Photo Box 6 | Folder 52 | The Living Corpse | 1 photograph |
| Photo Box 6 | Folder 53-57 | Let Us Be Gay | 5 photographs |
| Photo Box 6 | Folder 58-59 | Kingdom of God | 2 photographs |
| Photo Box 6 | Folder 60-69 | Craig’s Wife | 10 photographs |
| Photo Box 6 | Folder 70-71 | Aladdin and his Wonderful Lamp | 2 photographs |
| Photo Box 6 | Folder 72-74 | Jolly Robin Hood | 3 photographs |
| Photo Box 6 | Folder 75-85 | Sleeping Beauty | 11 photographs (negatives) |
| Photo Box 6 | Folder 86-88 | Huckleberry Finn | 3 photographs |
1935-1936 Season
| Photo Box 6 | Folder 89-90 | Mr. Pim Passes By | 2 photographs (negatives) |
| Photo Box 6 | Folder 91-92 | The Father | 2 photographs (negatives) |
| Photo Box 6 | Folder 93-96 | The Animal Kingdom | 4 photographs (negatives) |
| Photo Box 7 | Folder 1-3 | The Chief Thing | 3 photographs (negatives) |
| Photo Box 7 | Folder 4-6 | The Distaff Side | 3 photographs (negatives) |
| Photo Box 7 | Folder 7-12 | Another Language | 6 photographs |
| Photo Box 7 | Folder 13-16 | Jack and the Beanstalk | 4 photographs (negatives) |
| Photo Box 7 | Folder 17 | Heidi | 1 photograph (negative) |
| Photo Box 7 | Folder 18-20 | Rip Van Winkle | 3 photographs |
1936-1937 Season
| Photo Box 7 | Folder 21-22 | The Show Off | 2 photographs (negatives) |
| Photo Box 7 | Folder 23 | The Lower Depths | 1 photograph |
| Photo Box 7 | Folder 24 | The Cradle Song | 1 photograph |
| Photo Box 7 | Folder 25 | Hotel Universe | 1 photograph |
| Photo Box 7 | Folder 26-27 | Penrod | 2 photographs |
| Photo Box 7 | Folder 28 | Little Black Sambo | 1 photograph |
| Photo Box 7 | Folder 29-31 | The Prince and the Pauper | 3 photographs |
1937-1938 Season
| Photo Box 7 | Folder 32-34 | Accent on Youth | 3 photographs |
| Photo Box 7 | Folder 35-56 | The Adding Machine | 22 photographs |
| Photo Box 7 | Folder 57-59 | The Joyous Season | 3 photographs |
| Photo Box 7 | Folder 60-64 | Our American Cousin | 5 photographs (negatives) |
| Photo Box 7 | Folder 65-77 | King Lear | 13 photographs |
| Photo Box 8 | Folder 1-7 | Electra | 7 photographs |
| Photo Box 8 | Folder 8-9 | You Never Can Tell | 2 photographs |
| Photo Box 8 | Folder 10-11 | Storm Over Patsy | 2 photographs |
| Photo Box 8 | Folder 12 | Radio Rescue | 1 photograph |
| Photo Box 8 | Folder 13-14 | Hans Brinker, or The Silver Skates | 2 photographs |
| Photo Box 8 | Folder 15-18 | Peter, Peter, Pumpkin Eater | 4 photographs |
| Photo Box 8 | Folder 19-21 | Indian Captive | 3 photographs |
1938-1939 Season
| Photo Box 8 | Folder 22-46 | Street Scene | 25 photographs (negatives) |
| Photo Box 8 | Folder 47-59 | Bees on the Boat Deck | 13 photographs (negatives) |
| Photo Box 9 | Folder 1-5 | The Circle | 5 photographs |
| Photo Box 9 | Folder 6-17 | Much Ado About Nothing | 12 photographs |
| Photo Box 9 | Folder 18-19 | Anna Christie | 2 photographs |
| Photo Box 9 | Folder 20-26 | Elizabeth, The Queen | 7 photographs |
| Photo Box 9 | Folder 27-41 | The First Lady | 15 photographs (negatives) |
| Photo Box 10 | Folder 1-13 | Tom Sawyer | 13 photographs |
| Photo Box 10 | Folder 14-19 | Rumpelstiltskin | 6 photographs |
| Photo Box 10 | Folder 20-22 | Alice In Wonderland | 3 photographs |
| Photo Box 10 | Folder 23-40 | Why Not? | 18 photographs (negatives) |
| Photo Box 10 | Folder 41-42 | Katherine Dunham, Haitian Dance | 2 photographs |
1939-1940 Season
| Photo Box 11 | Folder 1-10 | Holiday | 10 photographs |
| Photo Box 11 | Folder 11-17 | Family Portrait | 7 photographs (negatives) |
| Photo Box 11 | Folder 18-31 | George and Margaret | 14 photographs |
| Photo Box 11 | Folder 32-55 | The Merry Wives of Windsor | 24 photographs (negatives) |
| Photo Box 12 | Folder 1-20 | He Who Gets Slapped | 20 photographs |
| Photo Box 12 | Folder 21-32 | Laburnum Grove | 12 photographs |
| Photo Box 12 | Folder 33-45 | Goodbye Again | 13 photographs |
| Photo Box 12 | Folder 46-55 | Daniel Boone | 10 photographs |
| Photo Box 12 | Folder 56-65 | Cinderella | 10 photographs |
| Photo Box 12 | Folder 66-75 | Little Women | 10 photographs |
| Photo Box 13 | Folder 1-13 | Robinson Crusoe | 13 photographs |
| Photo Box 13 | Folder 14 | Agnes de Mille and her Dance Ensemble | 1 photograph |
1940-1941 Season
| Photo Box 13 | Folder 15-27 | This Fine Pretty World | 13 photographs |
| Photo Box 13 | Folder 28-32 | Time and the Conways | 5 photographs |
| Photo Box 13 | Folder 33-43 | Ice Bound | 11 photographs |
| Photo Box 13 | Folder 44-53 | Night Must Fall | 10 photographs |
| Photo Box 13 | Folder 54-65 | The Admirable Crichton | 12 photographs |
| Photo Box 14 | Folder 1-14 | The Swan | 14 photographs |
| Photo Box 14 | Folder 15-25 | The Silver Cord | 11 photographs |
| Photo Box 14 | Folder 26-46 | The Three Sisters | 21 photographs |
| Photo Box 14 | Folder 47-53 | The Youngest | 7 photographs |
| Photo Box 15 | Folder 1-8 | Aladdin and His Wonderful Lamp | 8 photographs (negatives) |
| Photo Box 15 | Folder 9-11 | Abe Lincoln – New Salem Days | 3 photographs |
| Photo Box 15 | Folder 12-19 | Sleeping Beauty | 8 photographs (negatives) |
| Photo Box 15 | Folder 20-23 | Graff Ballet | 4 photographs |
1941-1942 Season
| Photo Box 15 | Folder 24-34 | Fresh Fields | 11 photographs (negatives) |
| Photo Box 15 | Folder 35-42 | Outward Bound | 8 photographs (negatives) |
| Photo Box 16 | Folder 1-11 | Hay Fever | 11 photographs |
| Photo Box 16 | Folder 12-16 | Yes, My Darling Daughter | 5 photographs |
| Photo Box 16 | Folder 17-23 | Right You Are | 7 photographs |
| Photo Box 16 | Folder 24-32 | In A Garden | 9 photographs |
| Photo Box 16 | Folder 33-39 | The Romantic Young Lady | 7 photographs |
| Photo Box 16 | Folder 40-54 | Romeo and Juliet | 15 photographs |
| Photo Box 17 | Folder 1-10 | The Farmer’s Wife | 10 photographs |
| Photo Box 17 | Folder 11-15 | Hansel and Gretel | 5 photographs |
| Photo Box 17 | Folder 16-26 | Huckleberry Finn | 11 photographs |
| Photo Box 17 | Folder 27-37 | The Squire’s Bride | 11 photographs |
1942-1943 Season
| Photo Box 17 | Folder 38-42 | George Washington Slept Here | 5 photographs |
| Photo Box 17 | Folder 43-48 | The Black Eye | 6 photographs (negatives) |
| Photo Box 17 | Folder 49-54 | The Late Christopher Bean | 6 photographs |
| Photo Box 18 | Folder 1-4 | There’s Always Juliet | 4 photographs |
| Photo Box 18 | Folder 4-10 | The Importance of Being Earnest | 6 photographs |
| Photo Box 18 | Folder 11-17 | Old Acquaintance | 7 photographs |
| Photo Box 18 | Folder 18-23 | The Shining Hour | 6 photographs |
| Photo Box 18 | Folder 24-33 | The Dover Road | 10 photographs |
| Photo Box 18 | Folder 34-40 | Letters to Lucerne | 7 photographs |
| Photo Box 18 | Folder 41-46 | Alice’s New Wonderland | 6 photographs |
| Photo Box 18 | Folder 47-51 | The Magic Horn | 5 photographs (negatives) |
| Photo Box 19 | Folder 1-5 | Little Black Sambo | 5 photographs |
1943-1944 Season
| Photo Box 19 | Folder 5-12 | The Elves and the Shoemaker | 7 photographs |
| Photo Box 19 | Folder 13-19 | Three-Cornered Men | 7 photographs |
| Photo Box 19 | Folder 20-24 | The Little Foxes | 5 photographs (negatives) |
| Photo Box 19 | Folder 25-29 | The Tidings Brought To Mary | 5 photographs |
| Photo Box 19 | Folder 30-34 | The Whitehead Boy | 5 photographs |
| Photo Box 19 | Folder 35-40 | Mr. Pim Passes By | 6 photographs |
| Photo Box 19 | Folder 41-43 | King Lear | 3 photographs |
| Photo Box 19 | Folder 44-48 | What a Life | 5 photographs |
| Photo Box 19 | Folder 49-53 | Beauty and the Beast | 5 photographs (negatives) |
| Photo Box 19 | Folder 54 | Radio Rescue | 1 photograph |
| Photo Box 19 | Folder 55-59 | The Snow Maiden | 5 photographs (negatives) |
| Photo Box 19 | Folder 60-62 | Jack and the Beanstalk | 3 photographs |
1944-1945 Season
| Photo Box 19 | Folder 63 | Accent on Youth | 1 photograph (negative) |
| Photo Box 19 | Folder 64-68 | The Sea Gull | 5 photographs (negatives) |
| Photo Box 19 | Folder 69-72 | You Can’t Take it With You | 4 photographs (negatives) |
| Photo Box 19 | Folder 73-76 | Craig’s Wife | 4 photographs |
| Photo Box 19 | Folder 77-78 | Wappin’ Wharf | 2 photographs |
| Photo Box 19 | Folder 79-85 | Hedda Gabler | 7 photographs |
| Photo Box 19 | Folder 86-87 | Hiawatha | 2 photographs |
| Photo Box 19 | Folder 88-89 | The Emperor’s New Clothes | 2 photographs |
| Photo Box 19 | Folder 90 | King Midas and the Golden Touch | 1 photograph |
| Photo Box 19 | Folder 91-97 | Pedro and the Fighting Cocks | 7 photographs (negatives) |
1945-1946 Season
| Photo Box 20 | Folder 1-4 | The Philadelphia Story | 4 photographs |
| Photo Box 20 | Folder 5 | The Skin of Our Teeth | 1 photograph |
| Photo Box 20 | Folder 6-7 | Blithe Spirit | 2 photographs |
| Photo Box 20 | Folder 8-16 | Heartbreak House | 9 photographs (negatives) |
| Photo Box 20 | Folder 17-24 | The Taming of the Shrew | 8 photographs |
| Photo Box 20 | Folder 25-29 | Claudia | 5 photographs |
| Photo Box 20 | Folder 30-33 | John Ferguson | 4 photographs |
| Photo Box 20 | Folder 34-36 | Rumpelstiltskin | 3 photographs |
| Photo Box 20 | Folder 37-38 | Paul Bunyan’s First Christmas | 2 photographs |
| Photo Box 20 | Folder 39-41 | Tom Sawyer | 3 photographs (negatives) |
| Photo Box 20 | Folder 42-44 | Little Lee Bobo | 3 photographs |
1946-1947 Season
| Photo Box 21 | Folder 1-7 | The Male Animal | 7 photographs |
| Photo Box 21 | Folder 8-11 | Saint Joan | 4 photographs |
| Photo Box 21 | Folder 12-20 | French Without Tears | 9 photographs |
| Photo Box 21 | Folder 21 | Othello | 1 photograph |
| Photo Box 21 | Folder 22-30 | End of Summer | 9 photographs |
| Photo Box 21 | Folder 31-34 | The Royal Family | 4 photographs |
| Photo Box 21 | Folder 35-36 | The Twelve Dancing Princesses | 2 photographs |
| Photo Box 21 | Folder 37-38 | Red Riding Hood | 2 photographs (negatives) |
| Photo Box 21 | Folder 39-44 | The Prince and the Pauper | 6 photographs |
1947-1948 Season
| Photo Box 22 | Folder 1-6 | Dear Ruth | 6 photographs |
| Photo Box 22 | Folder 7-16 | Shadow and Substance | 10 photographs |
| Photo Box 22 | Folder 17-25 | The Show-Off | 9 photographs |
| Photo Box 22 | Folder 26-32 | Macbeth | 7 photographs |
| Photo Box 22 | Folder 33-41 | The Man Who Came To Dinner | 9 photographs |
| Photo Box 22 | Folder 42-49 | The Wild Duck | 8 photographs |
| Photo Box 22 | Folder 50-57 | The Chief Thing | 8 photographs |
| Photo Box 23 | Folder 1-10 | The Enchanted April | 10 photographs (negatives) |
| Photo Box 23 | Folder 11-17 | The Return of Rip Van Winkle | 7 photographs |
| Photo Box 23 | Folder 18-21 | The Squire’s Bride | 4 photographs |
| Photo Box 23 | Folder 22-35 | Flibbertygibbet | 14 photographs |
1948-1949 Season
| Photo Box 23 | Folder 36-40 | Arsenic and Old Lace | 5 photographs |
| Photo Box 23 | Folder 41-46 | Major Barbara | 6 photographs (negatives) |
| Photo Box 23 | Folder 47-60 | The Circle | 14 photographs |
| Photo Box 23 | Folder 61-70 | Henry IV, Part I | 10 photographs |
| Photo Box 23 | Folder 71-75 | A Sound of Hunting | 5 photographs |
| Photo Box 23 | Folder 76-85 | George and Margaret | 10 photographs |
| Photo Box 24 | Folder 1-15 | The Return to Earth | 15 photographs |
| Photo Box 24 | Folder 16-18 | Alice in Wonderland | 3 photographs |
| Photo Box 24 | Folder 19-22 | Hans Brinker or the Silver Skates | 4 photographs |
| Photo Box 24 | Folder 23-30 | The Elves and the Shoemaker | 8 photographs |
1949-1950 Season
| Photo Box 24 | Folder 31-40 | The First Lady | 9 photographs (negatives) |
| Photo Box 24 | Folder 41-48 | Joan of Lorraine | 8 photographs (negatives) |
| Photo Box 24 | Folder 49-58 | Candida | 10 photographs |
| Photo Box 24 | Folder 59-62 | Dark of the Moon | 4 photographs |
| Photo Box 24 | Folder 63-74 | Hamlet | 12 photographs (negatives) |
| Photo Box 24 | Folder 75-80 | Goodbye Again | 6 photographs |
| Photo Box 24 | Folder 81-89 | All My sons | 9 photographs |
| Photo Box 24 | Folder 90-96 | Jason | 7 photographs |
| Photo Box 25 | Folder 1-3 | Three Irish One-Act Plays | 3 photographs |
| Photo Box 25 | Folder 4 | The Philadelphia Story | 1 photograph |
| Photo Box 25 | Folder 5-6 | Three One-Act Plays | 2 photographs |
| Photo Box 25 | Folder 7-8 | The Master Builder | 2 photographs |
| Photo Box 25 | Folder 9-10 | The Distaff Side | 2 photographs |
| Photo Box 25 | Folder 11-22 | Tartuffe, or The Imposter | 12 photographs |
| Photo Box 25 | Folder 23-27 | The Male Animal | 5 photographs |
| Photo Box 25 | Folder 28-34 | Three One-Act Plays | 7 photographs |
| Photo Box 25 | Folder 35-39 | Three One-Act Plays | 5 photographs |
| Photo Box 25 | Folder 40 | Another Part of the Forest | 1 photograph |
| Photo Box 25 | Folder 41-46 | Home Is Tomorrow | 6 photographs |
| Photo Box 25 | Folder 47-51 | Hotel Universe | 5 photographs |
| Photo Box 26 | Folder 1-3 | The Old Ladies | 3 photographs |
| Photo Box 26 | Folder 4-9 | Rocket to the Moon | 6 photographs |
| Photo Box 26 | Folder 10-12 | The Torch-Bearers | 3 photographs |
| Photo Box 26 | Folder 13-21 | Antigone | 9 photographs |
| Photo Box 26 | Folder 22-28 | Shadow and Substance | 7 photographs |
| Photo Box 26 | Folder 29-34 | Six Characters in Search of an Author | 6 photographs |
| Photo Box 26 | Folder 35-42 | Marco Polo and the Drum of Ahmed | 8 photographs |
| Photo Box 26 | Folder 43-52 | The Indian Captive | 10 photographs |
| Photo Box 26 | Folder 53-57 | Aladdin and his Wonderful Lamp | 5 photographs |
1950-1951 Season
| Photo Box 27 | Folder 1-9 | The Voice of the Turtle | 9 photographs (negatives) |
| Photo Box 27 | Folder 10-34 | The Moon Besieged | 25 photographs |
| Photo Box 28 | Folder 1-43 | The Moon Besieged, Rehearsal | 43 photographs |
| Photo Box 28 | Folder 44-59 | Dear Brutus | 16 photographs |
| Photo Box 29 | Folder 1-13 | Street Scene | 13 photographs |
| Photo Box 29 | Folder 14-23 | Twelfth Night | 10 photographs (negatives) |
| Photo Box 29 | Folder 24-33 | The House of Bernarda Alba | 10 photographs |
| Photo Box 29 | Folder 34-44 | Goodbye, My Fancy | 11 photographs |
| Photo Box 29 | Folder 45-50 | Miscellaneous Rehearsal Photographs | 6 photographs |
| Photo Box 29 | Folder 51-57 | Blithe Spirit | 7 photographs |
| Photo Box 30 | Folder 1-7 | Golden Boy | 7 photographs |
| Photo Box 30 | Folder 8-15 | Three One-Acts | 8 photographs |
| Photo Box 30 | Folder 16-21 | Our Town | 6 photographs |
| Photo Box 30 | Folder 22-29 | Thunder Rock | 8 photographs |
| Photo Box 30 | Folder 30-36 | Biography | 7 photographs |
| Photo Box 30 | Folder 37-38 | I Have Been Here Before | 2 photographs |
| Photo Box 30 | Folder 39-46 | Of Mice and Men | 8 photographs |
| Photo Box 30 | Folder 47-53 | Venus Observed | 7 photographs |
| Photo Box 31 | Folder 1-7 | Oedipus Rex | 7 photographs |
| Photo Box 31 | Folder 8-11 | Watch on the Rhine | 4 photographs |
| Photo Box 31 | Folder 12 | Rain | 1 photograph |
| Photo Box 31 | Folder 13-17 | The Infernal Machine | 5 photographs |
| Photo Box 31 | Folder 18-20 | Rebecca | 3 photographs |
| Photo Box 31 | Folder 21-22 | He Who Gets Slapped | 2 photographs |
| Photo Box 31 | Folder 23-33 | Jack and the Beanstalk | 11 photographs (negatives) |
| Photo Box 31 | Folder 34-40 | Robinson Crusoe | 7 photographs (negatives) |
| Photo Box 31 | Folder 41-52 | Snow White and the Seven Dwarfs | 12 photographs |
| Photo Box 32 | Folder 1-7 | Abe Lincoln: New Salem Days | 7 photographs |
1951-1952 Season
| Photo Box 32 | Folder 8-17 | Hay Fever | 10 photographs |
| Photo Box 32 | Folder 18-28 | The Corn is Green | 11 photographs |
| Photo Box 32 | Folder 29-37 | The Master Builder | 9 photographs |
| Photo Box 32 | Folder 38-43 | Two Blind Mice | 6 photographs |
| Photo Box 32 | Folder 44-57 | Romeo and Juliet | 14 photographs |
| Photo Box 32 | Folder 58-62 | You Never Can Tell | 5 photographs |
| Photo Box 32 | Folder 63-67 | Electra | 5 photographs (negatives) |
| Photo Box 33 | Folder 1-3 | Born Yesterday | 3 photographs (negatives) |
| Photo Box 33 | Folder 4-7 | The Father | 4 photographs |
| Photo Box 33 | Folder 8-13 | When We Are Married | 6 photographs |
| Photo Box 33 | Folder 14-18 | Craig’s Wife | 5 photographs |
| Photo Box 33 | Folder 19-22 | A Bill of One-Acts | 4 photographs |
| Photo Box 33 | Folder 23-33 | Three One-Acts | 11 photographs |
| Photo Box 33 | Folder 34-36 | Ghosts | 3 photographs |
| Photo Box 33 | Folder 37-40 | Phaedra | 4 photographs |
| Photo Box 33 | Folder 41-48 | Death of a Salesman | 8 photographs (negatives) |
| Photo Box 33 | Folder 49-51 | The Little Foxes | 3 photographs |
| Photo Box 33 | Folder 52-54 | The Lower Depths | 3 photographs |
| Photo Box 33 | Folder 55-61 | Hedda Gabler | 7 photographs |
| Photo Box 33 | Folder 62-64 | Murder in the Cathedral | 3 photographs |
| Photo Box 33 | Folder 65-67 | The Innocents | 3 photographs |
| Photo Box 33 | Folder 68-69 | Deep are the Roots | 2 photographs |
| Photo Box 34 | Folder 1-5 | Rama and the Tigers | 5 photographs |
| Photo Box 34 | Folder 6-10 | Hansel and Gretel | 5 photographs |
| Photo Box 34 | Folder 11-17 | Lincoln’s Secret Messenger | 7 photographs |
| Photo Box 34 | Folder 18-23 | Puss In Boots | 6 photographs |
1952-1953 Season
| Photo Box 34 | Folder 24-32 | The Royal Family | 9 photographs (negatives) |
| Photo Box 34 | Folder 33-42 | Mary of Scotland | 10 photographs (negatives) |
| Photo Box 34 | Folder 43-48 | When We Are Married | 6 photographs |
| Photo Box 34 | Folder 49-59 | Desire Under the Elms | 11 photographs |
| Photo Box 34 | Folder 60-68 | Merry Wives of Windsor | 9 photographs |
| Photo Box 34 | Folder 69-76 | Bell, Book and Candle | 8 photographs |
| Photo Box 34 | Folder 77-81 | Blood Wedding | 5 photographs |
| Photo Box 35 | Folder 1-6 | The Second Man | 6 photographs |
| Photo Box 35 | Folder 7-11 | Nine Till Six | 5 photographs |
| Photo Box 35 | Folder 12-17 | All My Sons | 6 photographs |
| Photo Box 35 | Folder 18-22 | East Lynne | 5 photographs |
| Photo Box 35 | Folder 23-28 | Tomorrow the World | 6 photographs |
| Photo Box 35 | Folder 29-34 | Liliom | 6 photographs |
| Photo Box 35 | Folder 35-40 | Mr. Gillie | 6 photographs |
| Photo Box 35 | Folder 41-48 | Candle-Light | 8 photographs |
| Photo Box 35 | Folder 49-56 | The Miser | 8 photographs |
| Photo Box 35 | Folder 57-68 | Letters to Lucerne | 12 photographs |
| Photo Box 35 | Folder 69-74 | The Circle | 6 photographs |
| Photo Box 36 | Folder 1-5 | The Misanthrope | 5 photographs |
| Photo Box 36 | Folder 6-11 | The Shining Hour | 6 photographs |
| Photo Box 36 | Folder 12-14 | Three One-Acts | 3 photographs |
| Photo Box 36 | Folder 15-28 | Rumpelstiltskin | 14 photographs |
| Photo Box 36 | Folder 29-31 | Greensleeves’ Magic | 3 photographs |
| Photo Box 36 | Folder 32-41 | Huckleberry Finn | 10 photographs |
| Photo Box 36 | Folder 42-49 | The Emperor’s New Clothes | 8 photographs |
1953-1954 Season
| Photo Box 36 | Folder 50-55 | John Loves Mary | 6 photographs |
| Photo Box 36 | Folder 56-63 | Death of a Salesman | 8 photographs |
| Photo Box 36 | Folder 64-68 | The Philadelphia Story | 5 photographs |
| Photo Box 36 | Folder 69-77 | Anna Christie | 9 photographs |
| Photo Box 36 | Folder 78-83 | Richard III | 6 photographs |
| Photo Box 36 | Folder 84-88 | The Lady’s Not For Burning | 5 photographs |
| Photo Box 36 | Folder 89-90 | Our American Cousin | 2 photographs |
| Photo Box 36 | Folder 91-97 | Harvey | 7 photographs |
| Photo Box 36 | Folder 98-102 | The House of Bernarda Alba | 5 photographs |
| Photo Box 37 | Folder 1-3 | The Farmer’s Wife | 3 photographs |
| Photo Box 37 | Folder 4-7 | Cry Havoc | 4 photographs |
| Photo Box 37 | Folder 8-9 | Medea | 2 photographs |
| Photo Box 37 | Folder 10 | A Bill of Divorcement | 1 photograph |
| Photo Box 37 | Folder 11-12 | Shadow of Substance | 2 photographs |
| Photo Box 37 | Folder 13-14 | The Importance of Being Earnest | 2 photographs |
| Photo Box 37 | Folder 15-19 | The Whiteheaded Boy | 5 photographs |
| Photo Box 37 | Folder 20-25 | The Cradle Song | 6 photographs |
| Photo Box 37 | Folder 26-27 | Awake and Sing | 2 photographs |
| Photo Box 37 | Folder 28-36 | Cinderella | 9 photographs |
| Photo Box 37 | Folder 37-44 | Flibbertygibbet | 8 photographs |
| Photo Box 37 | Folder 45-54 | Peter, Peter, Pumpkin Eater | 10 photographs |
| Photo Box 37 | Folder 55-60 | Rip Van Winkle | 6 photographs |
1954-1955 Season
| Photo Box 37 | Folder 61-63 | Yes, My Darling Daughter | 3 photographs |
| Photo Box 37 | Folder 64-67 | Thunder Rock | 4 photographs |
| Photo Box 37 | Folder 68-74 | Fresh Fields | 7 photographs |
| Photo Box 38 | Folder 1 | The Crucible | 1 photograph |
| Photo Box 38 | Folder 2-5 | As You Like It | 4 photographs |
| Photo Box 38 | Folder 6-11 | Right You Are! | 6 photographs |
| Photo Box 38 | Folder 12-19 | Mourning Becomes Electra: The Hunted | 8 photographs |
| Photo Box 38 | Folder 20-25 | Lady Windermere’s Fan | 6 photographs |
| Photo Box 38 | Folder 26-27 | Claudia | 2 photographs |
| Photo Box 38 | Folder 28-29 | The Late Christopher Bean | 2 photographs |
| Photo Box 38 | Folder 30-31 | Time and the Conways | 2 photographs |
| Photo Box 38 | Folder 32-34 | For Services Rendered | 3 photographs |
| Photo Box 38 | Folder 35-37 | The Little Foxes | 3 photographs |
| Photo Box 38 | Folder 38 | The Show-Off | 1 photograph |
| Photo Box 38 | Folder 39-40 | Summer and Smoke | 2 photographs |
| Photo Box 38 | Folder 41-42 | The Male Animal | 2 photographs |
| Photo Box 38 | Folder 43-44 | The Happy Breed | 2 photographs |
| Photo Box 38 | Folder 45-50 | Heidi | 6 photographs |
| Photo Box 38 | Folder 51-55 | The Beauty and the Beast | 5 photographs |
| Photo Box 38 | Folder 56-59 | The Magic Horn | 4 photographs |
| Photo Box 38 | Folder 60-66 | Tom Sawyer | 7 photographs |
1955-1956 Season
| Photo Box 38 | Folder 67-73 | Sabrina Fair | 7 photographs |
| Photo Box 38 | Folder 74-77 | Too True to be Good | 4 photographs |
| Photo Box 38 | Folder 78-83 | The Rainmaker | 6 photographs |
| Photo Box 38 | Folder 84-92 | Redemption | 9 photographs |
| Photo Box 38 | Folder 93-99 | My Three Angels | 7 photographs |
| Photo Box 39 | Folder 1-5 | King Lear | 5 photographs |
| Photo Box 39 | Folder 6-10 | Ring Around the Moon | 5 photographs |
| Photo Box 39 | Folder 11-18 | Idiot’s Delight | 8 photographs |
| Photo Box 39 | Folder 19-22 | The Velvet Glove | 4 photographs |
| Photo Box 39 | Folder 23-24 | The Time of the Cuckoo | 2 photographs |
| Photo Box 39 | Folder 25 | The Hungers | 1 photograph |
| Photo Box 39 | Folder 26 | Hello From Bertha | 1 photograph |
| Photo Box 39 | Folder 27-29 | Queens of France | 3 photographs |
| Photo Box 39 | Folder 30-31 | Guest in the House | 2 photographs |
| Photo Box 39 | Folder 32-35 | Antigone | 4 photographs |
| Photo Box 39 | Folder 36-39 | The Grass Harp | 4 photographs |
| Photo Box 39 | Folder 40 | The Corn is Green | 1 photograph |
| Photo Box 39 | Folder 41-43 | The Taming of the Shrew | 3 photographs |
| Photo Box 39 | Folder 44-45 | The Madwoman of Chaillot | 2 photographs |
| Photo Box 39 | Folder 46-47 | John Ferguson | 2 photographs |
| Photo Box 39 | Folder 48-54 | The Prince and the Pauper | 7 photographs |
| Photo Box 39 | Folder 55 | The Three Bears | 1 photograph (negative) |
| Photo Box 39 | Folder 56-59 | The King of the Golden River | 4 photographs |
| Photo Box 39 | Folder 60-63 | Davey Crockett and his Coonskin Cap | 4 photographs |
1956-1957 Season
| Photo Box 40 | Folder 1-8 | The Cherry Orchard | 8 photographs |
| Photo Box 40 | Folder 9-14 | The Last Trump | 6 photographs |
| Photo Box 40 | Folder 15 | Liliom | 1 photograph |
| Photo Box 40 | Folder 16-19 | Bus Stop | 4 photographs (negatives) |
| Photo Box 40 | Folder 20-21 | Another Part of the Forest | 2 photographs |
| Photo Box 40 | Folder 22-26 | Othello | 5 photographs |
| Photo Box 40 | Folder 27-31 | The Importance of Being Earnest | 5 photographs (negatives) |
| Photo Box 40 | Folder 32-35 | Reclining Figure | 4 photographs |
| Photo Box 40 | Folder 36-37 | The Autumn Garden | 2 photographs |
| Photo Box 40 | Folder 38-39 | Trojan Women | 2 photographs |
| Photo Box 40 | Folder 40-42 | They Knew What They Wanted | 3 photographs |
| Photo Box 40 | Folder 43-46 | The Skin Of Our Teeth | 4 photographs |
| Photo Box 40 | Folder 47-50 | Three One-Acts | 4 photographs |
| Photo Box 40 | Folder 51-53 | Blithe Spirit | 3 photographs |
| Photo Box 40 | Folder 54-55 | Electra | 2 photographs |
| Photo Box 40 | Folder 56-58 | Treasure Island | 3 photographs |
| Photo Box 40 | Folder 59-63 | The Snow Queen and the Goblin | 5 photographs |
| Photo Box 40 | Folder 64-66 | Robin Hood | 3 photographs |
| Photo Box 40 | Folder 67-74 | Sleeping Beauty, or Sing Ho For A Prince | 8 photographs |
1957-1958 Season
| Photo Box 40 | Folder 75-86 | Ah Wilderness! | 12 photographs |
| Photo Box 40 | Folder 87-94 | The Salzburg Everyman | 8 photographs (negative) |
| Photo Box 41 | Folder 1-17 | Tiger at the Gates | 17 photographs |
| Photo Box 41 | Folder 18-36 | The Man of Destiny/The Great Catherine | 19 photographs |
| Photo Box 41 | Folder 37-44 | Camino Real | 8 photographs |
| Photo Box 41 | Folder 45-70 | The Dream | 26 photographs |
| Photo Box 42 | Folder 1-2 | Light Up The Sky | 2 photographs |
| Photo Box 42 | Folder 3-4 | See the Jaguar | 2 photographs |
| Photo Box 42 | Folder 5-8 | Wingless Victory | 4 photographs |
| Photo Box 42 | Folder 9-17 | The Bloody Tenet | 9 photographs |
| Photo Box 42 | Folder 18-21 | Yerma | 4 photographs |
| Photo Box 42 | Folder 22-24 | The Time of Your Life | 3 photographs |
| Photo Box 42 | Folder 25 | Alice in Wonderland | 1 photograph |
| Photo Box 42 | Folder 26-32 | Nobody’s Boy | 7 photographs (negatives) |
| Photo Box 42 | Folder 33-36 | Rapunzel and the Witch | 4 photographs |
1958-1959 Season
| Photo Box 42 | Folder 37-43 | Billy Budd | 7 photographs |
| Photo Box 42 | Folder 44-63 | Lady Precious Stream | 20 photographs |
| Photo Box 42 | Folder 64-75 | The Young and the Fair | 12 photographs |
| Photo Box 42 | Folder 76-82 | Purple Dust | 7 photographs |
| Photo Box 43 | Folder 1-13 | The Trial | 13 photographs (negatives) |
| Photo Box 43 | Folder 14-18 | The Imaginary Invalid | 5 photographs |
| Photo Box 43 | Folder 19-21 | Three One-Acts | 3 photographs |
| Photo Box 43 | Folder 22-25 | An Inspector Calls | 4 photographs |
| Photo Box 43 | Folder 26 | Our Town | 1 photograph |
| Photo Box 43 | Folder 27-32 | Aladdin And His Wonderful Lamp | 6 photographs |
| Photo Box 43 | Folder 33-34 | King Midas and the Golden Touch | 2 photographs |
| Photo Box 43 | Folder 35-37 | Huckleberry Finn | 3 photographs |
| Photo Box 43 | Folder 38-41 | The Emperor’s New Clothes | 4 photographs |
1959-1960 Season
| Photo Box 43 | Folder 42-49 | The Merchant of Venice | 8 photographs |
| Photo Box 43 | Folder 50-55 | The Cave Dwellers | 6 photographs (negatives) |
| Photo Box 43 | Folder 56-63 | Hippolytus | 8 photographs |
| Photo Box 44 | Folder 1-44 | Enrico IV | 44 photographs (negatives) |
| Photo Box 44 | Folder 45-56 | The Good Woman of Setzuan | 12 photographs |
| Photo Box 45 | Folder 1-6 | The Inspector General | 6 photographs |
| Photo Box 45 | Folder 7-8 | Rashomon | 2 photographs |
| Photo Box 45 | Folder 9-12 | Jack and the Beanstalk | 4 photographs (negatives) |
| Photo Box 45 | Folder 13-15 | Hansel and Gretel | 3 photographs (negatives) |
| Photo Box 45 | Folder 16-22 | Young Ben Franklin | 7 photographs (negatives) |
| Photo Box 45 | Folder 23-55 | Rumpelstiltskin | 33 photographs (negatives) |
1960-1961 Season
| Photo Box 46 | Folder 1-9 | The Taming of the Shrew | 9 photographs |
| Photo Box 46 | Folder 10-20 | Venus Observed | 11 photographs (negatives) |
| Photo Box 46 | Folder 21-33 | The Royal Gambit | 13 photographs (negatives) |
| Photo Box 46 | Folder 34-41 | Under Milkwood | 8 photographs |
| Photo Box 46 | Folder 42-51 | Uncle Vanga | 10 photographs |
| Photo Box 46 | Folder 52-53 | On Borrowed Time | 2 photographs |
| Photo Box 46 | Folder 54-56 | Clerambard | 3 photographs |
| Photo Box 46 | Folder 57 | Look Homeward Angel | 1 photograph |
| Photo Box 46 | Folder 58-59 | Woyzeck | 2 photographs |
| Photo Box 46 | Folder 60-66 | Hannele | 7 photographs |
| Photo Box 46 | Folder 67-68 | Major Barbara | 2 photographs |
| Photo Box 46 | Folder 69-70 | Twelfth Night | 2 photographs |
| Photo Box 47 | Folder 1-2 | All God’s Chillun Got Wings | 2 photographs |
| Photo Box 47 | Folder 3-8 | Red Riding Hood | 6 photographs (negatives) |
| Photo Box 47 | Folder 9-21 | Cinderella | 13 photographs |
| Photo Box 47 | Folder 22-40 | The Wizard of Oz | 19 photographs (negatives) |
| Photo Box 47 | Folder 41-50 | Mark Twain Tonight | 10 photographs |
1961-1962 Season
| Photo Box 48 | Folder 1-14 | Faust | 14 photographs |
| Photo Box 48 | Folder 15-18 | The Lark | 4 photographs |
| Photo Box 48 | Folder 19-26 | My Heart’s in the Highlands and The American Dream [Studs Terkel] | 8 photographs |
| Photo Box 48 | Folder 27-36 | Hedda Gabler | 10 photographs |
| Photo Box 48 | Folder 37-40 | As You Like It | 4 photographs |
| Photo Box 48 | Folder 41-48 | The Caucasian Chalk Circle | 8 photographs (negatives) |
| Photo Box 48 | Folder 49-52 | The Bald Soprano and the Lesson | 4 photographs |
| Photo Box 48 | Folder 53-55 | Dinny and the Witches | 3 photographs |
| Photo Box 48 | Folder 56-57 | The Birthday Party | 2 photographs |
| Photo Box 48 | Folder 58-59 | The Queen and the Rebels | 2 photographs |
| Photo Box 49 | Folder 1-2 | The Match Maker | 2 photographs |
| Photo Box 49 | Folder 3-4 | The Grass Harp | 2 photographs |
| Photo Box 49 | Folder 5-12 | Pinocchio | 8 photographs (negatives) |
| Photo Box 49 | Folder 13-23 | Snow White and the Seven Dwarfs | 11 photographs (negatives) |
| Photo Box 49 | Folder 24-35 | The Adventures of Tom Sawyer | 12 photographs |
| Photo Box 49 | Folder 36-38 | Beauty and the Beast | 3 photographs |
1962-1963 Season
| Photo Box 49 | Folder 39-58 | Becket or the Honor of God | 20 photographs |
| Photo Box 50 | Folder 1-7 | Comedy of Errors | 7 photographs |
| Photo Box 50 | Folder 8-26 | A Passage to India | 19 photographs (negatives) |
| Photo Box 50 | Folder 27-38 | Christopher C. and The Lesson | 12 photographs |
| Photo Box 50 | Folder 39-48 | Tobias and the Angel | 10 photographs |
| Photo Box 50 | Folder 49-65 | The Rivals | 17 photographs |
| Photo Box 50 | Folder 66-67 | Playboy of the Western World | 2 photographs |
| Photo Box 50 | Folder 68-69 | Gallows Humor | 2 photographs |
| Photo Box 51 | Folder 1-3 | Puntila and His Hired Man | 3 photographs |
| Photo Box 51 | Folder 4-5 | Between Two Thieves | 2 photographs |
| Photo Box 51 | Folder 6-7 | The Prodigal | 2 photographs |
| Photo Box 51 | Folder 8-9 | Picnic | 2 photographs |
| Photo Box 51 | Folder 10-11 | Arms and the Man | 2 photographs |
| Photo Box 51 | Folder 12-13 | Death of a Salesman | 2 photographs |
| Photo Box 51 | Folder 14-15 | The Chinese Wall | 2 photographs |
| Photo Box 51 | Folder 16-18 | The Glass Menagerie | 3 photographs |
| Photo Box 51 | Folder 19-21 | Gigi | 3 photographs |
| Photo Box 51 | Folder 22-29 | The Blue Bird | 8 photographs |
| Photo Box 51 | Folder 30-33 | Ali Baba and the Forty Thieves | 4 photographs |
| Photo Box 51 | Folder 34-40 | Sleeping Beauty | 7 photographs (negatives) |
| Photo Box 51 | Folder 41-51 | Pied Piper of Hamelin | 11 photographs |
| Photo Box 51 | Folder 52-67 | The Millionairess | 16 photographs |
1963-1964 Season
| Photo Box 52 | Folder 1-11 | Three Sisters | 11 photographs |
| Photo Box 52 | Folder 12-15 | The Glass Menagerie | 4 photographs |
| Photo Box 52 | Folder 16-26 | The Hollow Crown | 11 photographs |
| Photo Box 52 | Folder 27-33 | A Far Country | 7 photographs (negatives) |
| Photo Box 52 | Folder 34-40 | King Lear | 7 photographs (negatives) |
| Photo Box 52 | Folder 41-53 | Mother Courage | 13 photographs |
| Photo Box 53 | Folder 1-2 | him [sic] | 2 photographs |
| Photo Box 53 | Folder 3-10 | The Boyfriend | 8 photographs |
| Photo Box 53 | Folder 11-13 | The Visit | 3 photographs |
| Photo Box 53 | Folder 14-15 | Rip Van Winkle | 2 photographs |
| Photo Box 53 | Folder 16 | Machinal | 1 photograph |
| Photo Box 53 | Folder 17-18 | I’m Talking About Jerusalem | 2 photographs |
| Photo Box 53 | Folder 19-20 | The Infernal Machine | 2 photographs |
| Photo Box 53 | Folder 21-35 | Alice in Wonderland | 15 photographs (negatives) |
| Photo Box 53 | Folder 36-41 | Hans Brinker and the Silver Skates | 6 photographs |
| Photo Box 53 | Folder 42-47 | Treasure Island | 6 photographs |
| Photo Box 53 | Folder 48-52 | Puss in Boots | 5 photographs |
1964-1965 Season
| Photo Box 54 | Folder 1-3 | The Mad Woman of Chaillot | 3 photographs (negatives) |
| Photo Box 54 | Folder 4-20 | Macbeth | 17 photographs (negatives) |
| Photo Box 54 | Folder 21-40 | The Ballad of the Sad Café | 20 photographs |
| Photo Box 54 | Folder 41-47 | Rashomon | 7 photographs (negatives) |
| Photo Box 54 | Folder 48-60 | The Barretts of Wimpole Street | 13 photographs |
| Photo Box 55 | Folder 1-16 | Anna Karenina | 16 photographs |
| Photo Box 55 | Folder 17-18 | Bedlam Galore For Two or More and Jack or The Submission | 2 photographs |
| Photo Box 55 | Folder 19-20 | To Damascus | 2 photographs |
| Photo Box 55 | Folder 21-22 | He Who Gets Slapped | 2 photographs |
| Photo Box 55 | Folder 23-24 | U.S.A. | 2 photographs |
| Photo Box 55 | Folder 25-27 | The Jewish Wife; The Elephant Café; The Exception and the Rule; The Informer | 3 photographs |
| Photo Box 55 | Folder 28 | The Heiress | 1 photograph |
| Photo Box 55 | Folder 29-30 | The Sport of My Own Mad Mother | 2 photographs |
| Photo Box 55 | Folder 31-36 | Winnie The Pooh | 6 photographs |
| Photo Box 55 | Folder 37-48 | The Snow Queen and The Goblin | 12 photographs (negatives) |
| Photo Box 55 | Folder 49-53 | Aladdin and His Wonderful Lamp | 5 photographs |
| Photo Box 56 | Folder 1-11 | The Frog Princess and the Witch | 11 photographs |
| Photo Box 56 | Folder 12-20 | Dickens | 9 photographs |
| Photo Box 56 | Folder 21-36 | Comedie Francaise | 16 photographs |
1965-1966 Season
| Photo Box 57 | Folder 1-15 | The Cocktail Party | 15 photographs |
| Photo Box 57 | Folder 16-21 | The Winter’s Tale | 6 photographs |
| Photo Box 57 | Folder 22-27 | The Pedestrian In The Air | 6 photographs |
| Photo Box 57 | Folder 28-36 | Dylan | 9 photographs |
| Photo Box 57 | Folder 37-48 | The Skin of Our Teeth | 12 photographs (negatives) |
| Photo Box 58 | Folder 1-25 | Galileo | 25 photographs (negatives) |
| Photo Box 58 | Folder 26-28 | Alcestis | 3 photographs |
| Photo Box 58 | Folder 29-30 | The House of Bernarda Alba | 2 photographs |
| Photo Box 58 | Folder 31-32 | The Crucible | 2 photographs |
| Photo Box 58 | Folder 33-34 | Spoon River Anthropology | 2 photographs |
| Photo Box 58 | Folder 35-47 | The Wind in the Willows | 13 photographs |
| Photo Box 58 | Folder 48-51 | Rapunzel and the Witch | 4 photographs |
| Photo Box 59 | Folder 1-9 | Peter Pan | 9 photographs (negatives) |
| Photo Box 59 | Folder 10-14 | Hansel and Gretel | 5 photographs |
| Photo Box 59 | Folder 15-16 | The Misanthrope | 2 photographs |
1966-1967 Season
| Photo Box 59 | Folder 17-34 | The Persecution and Assassination… | 18 photographs (negatives) |
| Photo Box 59 | Folder 35-37 | Tartuffe | 3 photographs |
| Photo Box 59 | Folder 38-52 | The Eccentricities of a Nightingale | 15 photographs |
| Photo Box 59 | Folder 53 | The Eccentricities of a Nightingale (rehearsal) | 1 photograph |
| Photo Box 60 | Folder 1-22 | Much Ado About Nothing | 22 photographs |
| Photo Box 60 | Folder 23-33 | A Dream Play | 11 photographs |
| Photo Box 60 | Folder 34-52 | Oh! What a Lovely War | 19 photographs (negatives) |
| Photo Box 60 | Folder 53-57 | Auto-Du-Fe: The Long Story Cut Short | 5 photographs |
| Photo Box 60 | Folder 58-59 | The Chalk Garden | 2 photographs |
| Photo Box 60 | Folder 60-61 | And So to Bed | 2 photographs |
| Photo Box 61 | Folder 1-17 | The Puppet Prince | 17 photographs |
| Photo Box 61 | Folder 18-25 | Androcles & The Lion | 8 photographs |
| Photo Box 61 | Folder 26-39 | Jack and the Beanstalk | 14 photographs |
| Photo Box 61 | Folder 40-42 | The Unwicked Witch | 3 photographs |
1967-1968 Season
| Photo Box 61 | Folder 43-53 | The Miser | 11 photographs (negatives) |
| Photo Box 61 | Folder 54-58 | The Balcony | 5 photographs (negatives) |
| Photo Box 62 | Folder 1-25 | Caesar and Cleopatra | 25 photographs (negatives) |
| Photo Box 62 | Folder 26-40 | Othello | 15 photographs (negatives) |
| Photo Box 62 | Folder 41-54 | A Man’s a Man | 14 photographs |
| Photo Box 62 | Folder 55-73 | A Flea in Her Ear | 19 photographs (negatives) |
| Photo Box 63 | Folder 1-10 | All the Way Home | 20 photographs |
| Photo Box 63 | Folder 11-19 | The Sea Gull | 9 photographs |
| Photo Box 63 | Folder 20-29 | Trudi and the Minstrel | 10 photographs |
| Photo Box 63 | Folder 30-42 | The Hare and the Tortoise | 13 photographs (negatives) |
| Photo Box 63 | Folder 43-60 | A Midsummer Night’s Dream | 18 photographs |
| Photo Box 63 | Folder 61-66 | The Magic Isle | 6 photographs |
| Photo Box 63 | Folder 67-68 | Der Junge Goethe | 2 photographs |
| Photo Box 64 | Folder 1-2 | Reynard the Fox | 2 photographs |
1968-1969 Season
| Photo Box 64 | Folder 3-16 | The Salzburg Great Theater of the World | 14 photographs (negatives) |
| Photo Box 64 | Folder 17-24 | The Death and Life of Sneaky Fitch | 8 photographs |
| Photo Box 64 | Folder 25-51 | Red Roses for Me | 27 photographs (negatives) |
| Photo Box 64 | Folder 52-59 | Measure for Measure | 8 photographs |
| Photo Box 65 | Folder 1-9 | Tom Paine | 9 photographs (negatives) |
| Photo Box 65 | Folder 10-26 | The Recruiting Officer | 17 photographs (negatives) |
| Photo Box 65 | Folder 27 | The Great Git-Away | 1 photograph |
| Photo Box 65 | Folder 28 | Eh? | 1 photograph |
| Photo Box 65 | Folder 29-31 | After the Fall | 3 photographs |
| Photo Box 65 | Folder 32-38 | Tanuki, the Mischievous Raccoon | 7 photographs |
| Photo Box 65 | Folder 39-61 | Man in the Moon, or Trip to the Moon | 23 photographs |
| Photo Box 65 | Folder 62-66 | Don Quixote de la Mancha | 5 photographs |
| Photo Box 65 | Folder 67-69 | The Canterville Ghost | 3 photographs (negatives) |
1969-1970 Season
| Photo Box 66 | Folder 1-19 | Soldiers | 19 photographs |
| Photo Box 66 | Folder 20-41 | You Can’t Take it With You | 22 photographs |
| Photo Box 67 | Folder 1-71 | The Tempest | 71 photographs (negatives) |
| Photo Box 68 | Folder 1-80 | The Basement | 80 photographs (negatives) |
| Photo Box 69 | Folder 1-20 | The Basement, cont. | 20 photographs (negatives) |
| Photo Box 69 | Folder 21-81 | The Man in the Glass Booth | 61 photographs (negatives) |
| Photo Box 70 | Folder 1-74 | Heartbreak House | 74 photographs (negatives) |
| Photo Box 71 | Folder 1 | The Marowitz Hamlet | 1 photograph |
| Photo Box 71 | Folder 2-3 | Times Square | 2 photographs |
| Photo Box 71 | Folder 4-7 | A Cry of Players | 4 photographs |
| Photo Box 71 | Folder 8-13 | Rumpelstiltskin | 6 photographs |
| Photo Box 71 | Folder 14-35 | Robin Hood | 22 photographs |
| Photo Box 71 | Folder 40-43 | The Panda and the Spy | 4 photographs |
| Photo Box 71 | Folder 44-48 | Miscellaneous Studio Productions | 5 photographs |
1970-1971 Season
| Photo Box 72 | Folder 1-83 | The Three Penny Opera | 83 photographs (negatives) |
| Photo Box 73 | Folder 1-47 | The Night Thoreau Spent in Jail | 47 photographs (negatives) |
| Photo Box 74 | Folder 1-53 | Twelfth Night | 53 photographs (negatives) |
| Photo Box 75 | Folder 1-42 | Marching Song | 42 photographs (negatives) |
| Photo Box 76 | Folder 1-50 | Poor Bitos | 50 photographs (negatives) |
| Photo Box 77 | Folder 1-82 | Lady Audley’s Secret | 82 photographs (negatives) |
| Photo Box 78 | Folder 1-2 | The Amorous Flea | 2 photographs (negatives) |
| Photo Box 78 | Folder 3-12 | The Trial | 10 photographs (negatives) |
| Photo Box 78 | Folder 13-26 | The Scent of Flowers | 14 photographs (negatives) |
| Photo Box 78 | Folder 27-38 | All That Fall and Play | 12 photographs (negatives) |
| Photo Box 78 | Folder 39-47 | The Memorandum | 9 photographs (negatives) |
| Photo Box 78 | Folder 48-63 | The Cherry Orchard | 16 photographs (negatives) |
| Photo Box 79 | Folder 1-10 | Narrow Road to the Deep North | 10 photographs (negatives) |
| Photo Box 79 | Folder 11-18 | The Laundry | 8 photographs (negatives) |
| Photo Box 79 | Folder 19-40 | Sacramento Fifty Miles | 22 photographs (negatives) |
| Photo Box 79 | Folder 41-60 | Ali Baba and the Magic Cave | 20 photographs (negatives) |
| Photo Box 80 | Folder 1-29 | The Threepenny Christmas | 29 photographs (negatives) |
| Photo Box 80 | Folder 30-54 | Alice in Wonderland | 25 photographs (negatives) |
| Photo Box 80 | Folder 55-90 | Aesop’s Falables | 36 photographs (negatives) |
| Photo Box 81 | Folder 1-84 | The Thwarting of Baron Bolligrew | 84 photographs (negatives) |
| Photo Box 82 | Folder 1-28 | The Misadventures of Sherlock Holmes | 28 photographs (negatives) |
| Photo Box 82 | Folder 29-57 | The Hide and Seek Odyssey of Madeline… | 29 photographs (negatives) |
1971-1972 Season
| Photo Box 82 | Folder 58-65 | A Place Without Doors | 8 photographs |
| Photo Box 83 | Folder 1-50 | Assassination 1865 | 50 photographs (negatives) |
| Photo Box 84 | Folder 1-33 | The Importance of Being Earnest | 33 photographs (negatives) |
| Photo Box 84 | Folder 34-78 | The Royal Family | 45 photographs (negatives) |
| Photo Box 85 | Folder 1-68 | The Ruling Class | 68 photographs (negatives) |
| Photo Box 86 | Folder 1-61 | The Boys From Syracuse | 61 photographs (negatives) |
| Photo Box 87 | Folder 1-54 | The Boys From Syracuse, cont. | 54 photographs (negatives) |
| Photo Box 88 | Folder 1-15 | A Macbeth | 15 photographs (negatives) |
| Photo Box 88 | Folder 16-24 | Baal | 9 photographs (negatives) |
| Photo Box 88 | Folder 25-26 | Jamie and the Nine 300 | 2 photographs |
| Photo Box 88 | Folder 27-46 | The Pied Piper of Hamelin | 20 photographs (negatives) |
| Photo Box 88 | Folder 47-76 | The Snow Queen | 26 photographs (negatives) |
| Photo Box 89 | Folder 1-21 | The Magic Isle | 21 photographs (negatives) |
| Photo Box 89 | Folder 22-23 | Starman Jones | 12 photographs (negatives) |
| Photo Box 89 | Folder 34-52 | The 13 Clocks | 19 photographs (negatives) |
| Photo Box 89 | Folder 53-62 | Little Theatre of the Deaf | 10 photographs |
1972-1973 Season
| Photo Box 90 | Folder 1-61 | Old Times | 61 photographs (negatives) |
| Photo Box 91 | Folder 1-77 | Scenes From American Life | 77 photographs (negatives) |
| Photo Box 92 | Folder 1-64 | In the Matter of J. Robert Oppenheimer | 64 photographs (negatives) |
| Photo Box 93 | Folder 1-87 | Twentieth Century | 87 photographs (negatives) |
| Photo Box 94 | Folder 1-54 | The Lady’s Not for Burning | 54 photographs (negatives) |
| Photo Box 95 | Folder 1-96 | Pal Joey | 96 photographs (negatives) |
| Photo Box 96 | Folder 1-2 | The Taming of the Shrew | 2 photographs |
| Photo Box 96 | Folder 3-20 | Sleeping Beauty, or the Great Rose Tattoo | 18 photographs |
| Photo Box 96 | Folder 21-22 | It Certainly Isn’t Baked Beans | 2 photographs |
| Photo Box 96 | Folder 23 | Little Red Riding Hood | 1 photograph |
| Photo Box 96 | Folder 24 | The Three Musketeers | 1 photograph |
| Photo Box 96 | Folder 25-36 | The Comical Tragedy, of the Tragical… | 12 photographs |
| Photo Box 96 | Folder 37-61 | You’re a Good Man Charlie Brown | 25 photographs (negatives) |
| Photo Box 96 | Folder 62-84 | Speed Gets The Poppies | 23 photographs (negatives) |
| Photo Box 97 | Folder 1-2 | Gilgamesh | 2 photographs |
| Photo Box 97 | Folder 3-10 | National Theatre of the Deaf | 8 photographs |
| Photo Box 97 | Folder 11-17 | Lamp at Midnight | 7 photographs |
1973-1974 Season
| Photo Box 97 | Folder 18-72 | Freedom of the City | 55 photographs (negatives) |
| Photo Box 98 | Folder 1-52 | A Doll’s House | 52 photographs (negatives) |
| Photo Box 98 | Folder 53-84 | The Tooth of the Crime | 32 photographs (negatives) |
| Photo Box 99 | Folder 1-32 | The Tooth of the Crime, cont. | 32 photographs |
| Photo Box 99 | Folder 33-80 | To Be Young, Gifted and Black | 48 photographs (negatives) |
| Photo Box 100 | Folder 1-49 | Henry IV | 49 photographs (negatives) |
| Photo Box 100 | Folder 50-80 | Guys and Dolls | 31 photographs |
| Photo Box 100 | Folder 81 | Right You Are If You Think You Are | 1 photograph |
| Photo Box 100 | Folder 82-89 | The Wind in the Willows | 8 photograph |
| Photo Box 100 | Folder 80-100 | The Emperor’s New Clothes | 11 photographs (negatives) |
| Photo Box 100 | Folder 101-102 | The Lion Who Wouldn’t | 2 photographs |
1974-1975 Season
| Photo Box 101 | Folder 1-45 | The Cherry Orchard | 45 photographs (negatives) |
| Photo Box 101 | Folder 46-94 | The Sea | 49 photographs |
| Photo Box 101 | Folder 95 | ‘Tis a Pity She’s a Whore | 1 photograph |
| Photo Box 102 | Folder 1-46 | The Philanthropist | 46 photographs (negatives) |
| Photo Box 102 | Folder 47-94 | The Resistible Rise of Arturo | 48 photographs (negatives) |
| Photo Box 103 | Folder 1-28 | Chemin De Fer | 28 photographs |
| Photo Box 103 | Folder 29-32 | Winnebago | 4 photographs |
| Photo Box 103 | Folder 33-36 | Three Women | 4 photographs |
| Photo Box 103 | Folder 37-39 | The Prince, the Wolf and the Firebird | 3 photographs |
| Photo Box 103 | Folder 40-48 | Rags to Riches | 9 photographs |
| Photo Box 103 | Folder 49-51 | Pete’s Bad Boy | 3 photographs |
| Photo Box 103 | Folder 52-56 | The Great Cross-Country Race | 5 photographs |
| Photo Box 103 | Folder 57-65 | The Fabulous Fable Factory | 9 photographs |
| Photo Box 103 | Folder 66-86 | Summer Festival | 21 photographs |
| Photo Box 103 | Folder 87 | Summer Festival (slides) |
1975-1976 Season
| Photo Box 104 | Folder 1-2 | Our Town | 2 photographs |
| Photo Box 104 | Folder 3 | Benito Cerino | 1 photograph |
| Photo Box 104 | Folder 4-5 | Mourning Becomes Electra | 2 photograph |
| Photo Box 104 | Folder 6 | The Last Meeting of the Knights… | 1 photograph (negatives) |
| Photo Box 104 | Folder 7 | Our Father’s Failing | 1 photograph |
| Photo Box 104 | Folder 8-9 | The Devil’s Disciple | 2 photographs |
| Photo Box 104 | Folder 10-11 | Chicago, The Local Stigmatic | 2 photographs |
| Photo Box 104 | Folder 12-13 | Dandelion Wine | 2 photographs |
| Photo Box 104 | Folder 14-15 | Statues and the Bridge at Belharbour | 2 photographs |
1976-1977 Season
| Photo Box 104 | Folder 16 | Design for Living | 1 photograph |
| Photo Box 104 | Folder 17 | Long Day’s Journey Into Night | 1 photograph |
| Photo Box 104 | Folder 18 | Richard III | 1 photograph |
| Photo Box 104 | Folder 19-21 | Don Juan | 3 photographs |
| Photo Box 104 | Folder 22-24 | Sizwe Banzi is Dead | 3 photographs |
| Photo Box 104 | Folder 25 | The Sport of My Mad Mother | 1 photograph |
| Photo Box 104 | Folder 26 | A Life in the Theatre | 1 photograph |
| Photo Box 104 | Folder 27 | Kaspar | 1 photograph |
1977-1978 Season
| Photo Box 104 | Folder 28-32 | Saint Joan | 5 photographs |
| Photo Box 104 | Folder 33-39 | The Sea Gull | 7 photographs |
| Photo Box 104 | Folder 40-49 | Working | 10 photographs |
| Photo Box 104 | Folder 50-52 | Much Ado About Nothing | 3 photographs |
| Photo Box 104 | Folder 53-57 | The Night of the Iguana | 5 photographs |
| Photo Box 104 | Folder 58-63 | Otherwise Engaged | 6 photographs |
| Photo Box 104 | Folder 64-67 | Hail Screwdyke! | 4 photographs |
| Photo Box 104 | Folder 68 | Annulla Allen, the Autobiography… | 1 photograph |
| Photo Box 104 | Folder 69-70 | Battering Ram | 2 photographs |
| Photo Box 104 | Folder 71-72 | Sizwe Banzi is Dead | 2 photographs |
| Photo Box 104 | Folder 73-74 | Prague Spring | 2 photographs |
1978-1979 Season
| Photo Box 105 | Folder 1-2 | Native Son | 2 photographs |
| Photo Box 105 | Folder 3 | A Christmas Carol | 1 photograph |
| Photo Box 105 | Folder 4-9 | Two-Part Inventions | 6 photographs |
| Photo Box 105 | Folder 10-15 | Bosoms and Neglect | 6 photographs |
| Photo Box 105 | Folder 16-19 | Holiday | 4 photographs |
| Photo Box 105 | Folder 20-23 | The Lone Canoe | 4 photographs |
| Photo Box 105 | Folder 24 | Emigres | 1 photograph |
| Photo Box 105 | Folder 25 | Curse of the Starving Class | 1 photograph |
| Photo Box 105 | Folder 26-29 | Scenes and Revelations | 4 photographs |
| Photo Box 105 | Folder 30 | The Island | 1 photograph |
| Photo Box 105 | Folder 31-35 | Olatunji & Friends | 2 photographs |
1979-1980 Season
| Photo Box 106 | Folder 1-5 | Death and the King’s Horseman | 5 photographs |
| Photo Box 106 | Folder 6-9 | A Christmas Carol | 4 photographs |
| Photo Box 106 | Folder 10-12 | An Enemy of the People | 3 photographs |
| Photo Box 106 | Folder 13-15 | Bal | 3 photographs |
| Photo Box 106 | Folder 16-17 | Talley’s Folly | 2 photographs |
| Photo Box 106 | Folder 18-19 | Cyrano de Bergerac | 2 photographs |
| Photo Box 106 | Folder 20-23 | Kukla and Ollie Live! | 4 photographs |
| Photo Box 106 | Folder 24-26 | Krapp’s Late Tape | 3 photographs |
| Photo Box 106 | Folder 27-31 | The Flying Karamazov Brothers | 5 photographs |
| Photo Box 106 | Folder 32-37 | A Life in the Theatre | 6 photographs |
| Photo Box 106 | Folder 38-40 | Growing Up | 3 photographs |
| Photo Box 106 | Folder 41-44 | Season’s Reasons | 4 photographs |
1980-1981 Season
| Photo Box 107 | Folder 1-2 | The Suicide | 2 photographs |
| Photo Box 107 | Folder 3-6 | A Christmas Carol | 4 photographs |
| Photo Box 107 | Folder 7-9 | Betrayal | 3 photographs |
| Photo Box 107 | Folder 10-11 | Plenty | 2 photographs |
| Photo Box 107 | Folder 12-15 | Play Mas | 4 photographs |
| Photo Box 107 | Folder 16-18 | Dwarfman Master of a Million Shapes | 3 photographs |
| Photo Box 107 | Folder 19-25 | Krapp’s Last Tape and Endgame | 7 photographs |
| Photo Box 107 | Folder 26-27 | Tennessee Laughs | 2 photographs |
| Photo Box 107 | Folder 28-30 | A House Not Meant to Stand | 3 photographs |
| Photo Box 107 | Folder 31-32 | Avner the Eccentric | 2 photographs |
| Photo Box 107 | Folder 33-39 | An Evening With Stanley Elkin | 7 photographs |
| Photo Box 107 | Folder 40-41 | The Flying Karamazov Brothers | 2 photographs |
1981-1982 Season
| Photo Box 107 | Folder 42-43 | The Front Page | 2 photographs |
| Photo Box 107 | Folder 44-48 | A Christmas Carol | 5 photographs |
| Photo Box 107 | Folder 49-51 | Panto | 3 photographs |
| Photo Box 107 | Folder 52-55 | Lakeboat | 4 photographs |
| Photo Box 107 | Folder 56-61 | A House Not Meant to Stand | 6 photographs |
| Photo Box 108 | Folder 1-7 | Sgnarelle | 7 photographs |
| Photo Box 108 | Folder 8-10 | Miss Margarida’s Way | 3 photographs |
| Photo Box 108 | Folder 11 | Charlotte | 1 photograph |
| Photo Box 108 | Folder 12-13 | Gertrude Stein, Gertrude Stein… | 2 photographs |
| Photo Box 108 | Folder 14 | The Woolgatherer | 1 photograph |
| Photo Box 108 | Folder 15-16 | Edmond | 2 photographs |
| Photo Box 108 | Folder 17-19 | Welcome to Our Living Room | 3 photographs |
| Photo Box 108 | Folder 20-22 | Hubbard Street Dance Company | 3 photographs |
1982-1983 Season
| Photo Box 108 | Folder 23-26 | Miss Margarida’s Way | 4 photographs |
| Photo Box 108 | Folder 27-31 | Welcome to Our Living Room | 5 photographs |
| Photo Box 108 | Folder 32-35 | The Man Who Had Three Arms | 4 photographs |
| Photo Box 108 | Folder 36-38 | A Christmas Carol | 3 photographs |
| Photo Box 108 | Folder 39-43 | The Comedy of Errors | 6 photographs |
| Photo Box 108 | Folder 44-46 | The Dining Room | 3 photographs |
| Photo Box 108 | Folder 47-49 | Red River | 3 photographs |
| Photo Box 108 | Folder 50-51 | A Soldier’s Play | 2 photographs (negatives) |
| Photo Box 108 | Folder 52 | Beckett Project | 1 photograph |
| Photo Box 108 | Folder 53-54 | Spaulding Grey, 7 Monologues | 2 photographs |
| Photo Box 108 | Folder 55-61 | Three New Plays | 7 photographs |
| Photo Box 108 | Folder 62-64 | Jungle Coupe | 3 photographs |
| Photo Box 108 | Folder 65-67 | Gardenia | 3 photographs |
| Photo Box 108 | Folder 68-69 | Chicago Writers in Performance | 2 photographs |
| Photo Box 108 | Folder 70 | Bill Robinson Tribute | 1 photograph |
1983-1984 Season
| Photo Box 109 | Folder 1-4 | A Raisin in the Sun | 4 photographs (negatives) |
| Photo Box 109 | Folder 5-6 | A Christmas Carol | 2 photographs |
| Photo Box 109 | Folder 7-11 | Candida | 5 photographs |
| Photo Box 109 | Folder 12-17 | Hey, Stay Awhile | 6 photographs |
| Photo Box 109 | Folder 18-20 | The Time of Your Life | 3 photographs |
| Photo Box 109 | Folder 21-23 | The Road | 3 photographs |
| Photo Box 109 | Folder 24-30 | The Three Moscowteers | 7 photographs |
| Photo Box 109 | Folder 31-33 | Glengarry Glen Ross | 3 photographs |
| Photo Box 109 | Folder 34 | Hurlyburly | 1 photograph |
| Photo Box 109 | Folder 35-38 | Hubbard Street Dance Company | 4 photographs |
| Photo Box 110 | Folder 1-2 | Pilobus Dance Theatre | 2 photographs |
| Photo Box 110 | Folder 3-5 | Lar Lubovitch Dance Theatre | 3 photographs |
| Photo Box 110 | Folder 6-8 | The Comedy of Errors (Olympic Arts Fest.) | 3 photographs |
| Photo Box 110 | Folder 9-13 | Bread and Puppet Theater | 5 photographs |
1984-1985 Season
| Photo Box 110 | Folder 14 | Candide | 1 photograph |
| Photo Box 110 | Folder 15-24 | A Christmas Carol | 10 photographs |
| Photo Box 110 | Folder 25-26 | The Adventures of Huckleberry Finn | 2 photographs |
| Photo Box 110 | Folder 27-29 | Ceremonies in Dark Old Men | 3 photographs |
| Photo Box 110 | Folder 30-31 | The Water Engine | 2 photographs |
| Photo Box 110 | Folder 32-36 | Six Characters in Search of an Author | 5 photographs |
| Photo Box 111 | Folder 1-3 | The Cherry Orchard | 3 photographs |
| Photo Box 111 | Folder 4-9 | The Shawl | 6 photographs |
| Photo Box 111 | Folder 10-14 | Swimming to Cambodia | 5 photographs |
| Photo Box 111 | Folder 15-16 | Laura Dean and Dancers | 2 photographs |
| Photo Box 111 | Folder 17-19 | Hubbard Street Dance Company | 3 photographs |
| Photo Box 111 | Folder 20-21 | Feld Ballet | 2 photographs |
| Photo Box 111 | Folder 22-24 | Merce Cunningham Dance Company | 3 photographs |
1985-1986 Season
| Photo Box 111 | Folder 25 | The Government Inspector | 1 photograph |
| Photo Box 111 | Folder 26 | A Christmas Carol | 1 photograph |
| Photo Box 111 | Folder 27 | Fences | 1 photograph |
| Photo Box 111 | Folder 28-32 | Happy Days | 5 photographs |
| Photo Box 111 | Folder 33-34 | Orchards | 2 photographs |
| Photo Box 111 | Folder 35 | Changing Times Company | 1 photograph |
| Photo Box 111 | Folder 36-41 | King Lear and Twelfth Night | 6 photographs |
| Photo Box 111 | Folder 42 | A Dopey Fairytale | 1 photograph |
1986-1987 Season
| Photo Box 112 | Folder 1-5 | Galileo | 5 photographs |
| Photo Box 112 | Folder 6 | A Christmas Carol | 1 photograph |
| Photo Box 112 | Folder 7 | Ghost on Fire | 1 photograph |
| Photo Box 112 | Folder 8 | She Always Said Pablo | 1 photograph |
| Photo Box 112 | Folder 9 | The Tempest | 1 photograph |
| Photo Box 112 | Folder 10 | Sunday in the Park with George | 1 photograph |
1987-1988 Season
| Photo Box 112 | Folder 11 | Red Threats | 1 photograph |
1988-1989 Season
| Photo Box 112 | Folder 12 | The Piano Lesson | 1 photograph |
| Photo Box 112 | Folder 13 | A Funny Thing Happened on the Way to… | 1 photograph |
| Photo Box 112 | Folder 14 | Mill Fire | 1 photograph |
1989-1990 Season
| Photo Box 112 | Folder 15 | The Misanthrope | 1 photograph |
| Photo Box 112 | Folder 16-17 | A Christmas Carol | 2 photographs |
| Photo Box 112 | Folder 18 | The Winter’s Tale | 1 photograph |
| Photo Box 112 | Folder 19 | ‘Tis a Pity She’s a Whore | 1 photograph |
| Photo Box 112 | Folder 20 | Uncle Vanya | 1 photograph |
| Photo Box 112 | Folder 21 | The Gospel at Colonus | 1 photograph |
| Photo Box 112 | Folder 22 | The Meeting | 1 photograph |
| Photo Box 112 | Folder 23 | Marvin’s Room | 1 photograph |
| Photo Box 112 | Folder 24 | Elliott Loves | 1 photograph |
1990-1991 Season
| Photo Box 112 | Folder 25 | The Iceman Cometh | 1 photograph |
| Photo Box 112 | Folder 26 | A Christmas Carol | 1 photograph |
| Photo Box 112 | Folder 27-28 | Joe Turner’s Come and Gone | 2 photographs |
| Photo Box 112 | Folder 29 | A Midsummer Night’s Dream | 1 photograph |
| Photo Box 112 | Folder 30 | Book of the Night | 1 photograph |
| Photo Box 112 | Folder 31 | Monster in a Box | 1 photograph |
| Photo Box 112 | Folder 32 | From the Mississippi Delta | 1 photograph |
| Photo Box 112 | Folder 33-35 | Deep in a Dream of You | 3 photographs |
1991-1992 Season
| Photo Box 112 | Folder 36 | Miss Evers’ Boys | 1 photograph |
| Photo Box 112 | Folder 37 | A Christmas Carol | 1 photograph |
| Photo Box 112 | Folder 38 | Twelfth Night | 1 photograph |
| Photo Box 112 | Folder 39 | On the Open Road | 1 photograph |
| Photo Box 112 | Folder 40 | The Good Woman of Setzuan | 1 photograph |
| Photo Box 112 | Folder 41 | Riverview | 1 photograph |
| Photo Box 112 | Folder 42 | Down the Shore | 1 photograph |
| Photo Box 112 | Folder 43 | Home and Away | 1 photograph |
| Photo Box 112 | Folder 44 | Spunk | 1 photograph |
1992-1993 Season
| Photo Box 112 | Folder 45 | The Skin of Our Teeth | 1 photograph |
| Photo Box 112 | Folder 46 | A Christmas Carol | 1 photograph |
| Photo Box 112 | Folder 47 | Two Trains Running | 1 photograph |
| Photo Box 112 | Folder 48 | Marvin’s Room | 1 photograph |
| Photo Box 112 | Folder 49 | Black Snow | 1 photograph |
| Photo Box 112 | Folder 50 | Cry, the Beloved Country | 1 photograph |
| Photo Box 112 | Folder 51 | Wings | 1 photograph |
| Photo Box 112 | Folder 52 | Puddin’ and Pete | 1 photograph |
| Photo Box 112 | Folder 53 | The Baltimore Waltz | 1 photograph |
| Photo Box 112 | Folder 54-58 | Somebody Else’s House | 5 photographs |
1997-1998 Season
| Photo Box 113 | Folder 1-3 | As You Like It | 3 photographs |
| Photo Box 113 | Folder 4-6 | A Christmas Carol | 3 photographs |
| Photo Box 113 | Folder 7-10 | Griller | 4 photographs |
| Photo Box 113 | Folder 11-15 | Eric Bogosian’s Plays | 5 photographs |
| Photo Box 113 | Folder 16-17 | Blues for an Alabama Sky | 2 photographs |
| Photo Box 113 | Folder 18-19 | Design for Living | 2 photographs |
| Photo Box 113 | Folder 20-22 | Play On! | 3 photographs |
| Photo Box 113 | Folder 23-28 | Lillian | 6 photographs |
| Photo Box 113 | Folder 29-30 | The Notebooks of Leonardo Da Vinci | 2 photographs |
| Photo Box 113 | Folder 31-32 | Let Me Live | 2 photographs |
| Photo Box 113 | Folder 33 | Photo of audience, 1 July 1998 | 1 photograph |
1998-1999 Season
| Photo Box 114 | Folder 1-2 | A Christmas Carol | 2 photographs |
| Photo Box 114 | Folder 3-6 | Waiting for Godot | 4 photographs |
| Photo Box 114 | Folder 7-10 | Floyd Collins | 4 photographs |
| Photo Box 114 | Folder 11-13 | Jitney | 3 photographs |
| Photo Box 114 | Folder 14-15 | Jacob Marley’s Christmas Carol | 2 photographs |
| Photo Box 114 | Folder 16-17 | Straight as a Line | 2 photographs |
| Photo Box 114 | Folder 18-20 | Shall We Go? Yes, Let’s Go! | 3 photographs |
| Photo Box 114 | Folder 21-22 | Spinning Into Butter | 2 photographs |
| Photo Box 114 | Folder 23 | An Evening with Frank Rich | 1 photograph |
1999-2000 Season
| Photo Box 115 | Folder 1 | Morning, Noon and Night | 1 photograph |
| Photo Box 115 | Folder 2 | The Odyssey | 1 photograph |
| Photo Box 115 | Folder 3-6 | A Christmas Carol | 4 photographs |
| Photo Box 115 | Folder 7-9 | Moonlight for the Misbegotten | 3 photographs |
| Photo Box 115 | Folder 10 | Gabriel Byrne – Speaker at DePaul | 1 photograph |
| Photo Box 115 | Folder 11-13 | Boy Gets Girl | 3 photographs |
| Photo Box 115 | Folder 14-16 | A Raisin in the Sun | 3 photographs |
| Photo Box 115 | Folder 17-18 | Zoot Suit | 2 photographs |
| Photo Box 115 | Folder 19-20 | Jacob Marley’s Christmas Carol | 2 photographs |
| Photo Box 115 | Folder 21-23 | Millennium Mambo | 3 photographs |
| Photo Box 115 | Folder 24-32 | Schoolgirl Figure | 9 photographs |
Photographs, Series II: Non-Production Photographs
Kenneth Sawyer Goodman Memorial Theatre – Exterior / Interior
| Photo Box 1 | Folder 1-6 | Exterior | 6 photographs |
| Photo Box 1 | Folder 7-12 | Interior (Lobby) | 6 photographs (negative) |
| Photo Box 1 | Folder 13-18 | Interior (Stage and Backstage) | 6 photographs |
Unidentified Photographs
| Photo Box 1a | Folder 1-2 | Unidentified, undated (children with Santa) | 2 photographs |
| Photo Box 1a | Folder 3 | Unidentified, undated (autograph signing) | 1 photograph |
| Photo Box 1a | Folder 4 | Unidentified, undated (production scene) | 1 photograph |
| Photo Box 1a | Folder 5-19 | Unidentified, undated (photos by J. Maronek) | 15 photographs |
Folders in Boxes 2-5 are arranged alphabetically, rather than by folder number. For assistance, please speak to the archivist.
Staff
| Photo Box 2 | Bettin, Val | 1 photograph |
| Photo Box 2 | Mahtesian, John | 1 photograph |
| Photo Box 2 | Mamet, David and Gregory Mosher | 1 photograph |
| Photo Box 2 | Nieminski, Joe (set designer) | 1 photograph |
| Photo Box 2 | Schulfer, Roche (general manager) | 1 photograph |
| Photo Box 2 | Scott, Steve | 1 photograph |
| Photo Box 2 | Wade, Janet (managing director) | 1 photograph |
| Photo Box 2 | Woodman, William (artistic director) | 2 photographs |
Male Personalities
| Photo Box 3 | Binns, Edward | 2 photographs |
| Photo Box 3 | Copeland, Maurice | 3 photographs |
| Photo Box 3 | Coward, Noel | 1 photograph |
| Photo Box 3 | Daley, Richard J. | 2 photographs |
| Photo Box 3 | Davis, Donald | 1 photograph |
| Photo Box 3 | Davis, Fitzroy | 1 photograph |
| Photo Box 3 | Eliot, T. S. | 1 photograph |
| Photo Box 3 | Falk, Peter | 2 photographs |
| Photo Box 3 | Footlik, Jay | 1 photograph |
| Photo Box 3 | Goodman, Lieut. Kenneth Sawyer | 1 photograph |
| Photo Box 3 | Helmore, Tom | 1 photograph |
| Photo Box 3 | Houseman, John | 1 photograph |
| Photo Box 3 | Hurst, David | 4 photographs |
| Photo Box 3 | Koutsoukos, Thom | 2 photographs |
| Photo Box 3 | Lanin, Jay | 1 photograph |
| Photo Box 3 | Lomax, Terry | 3 photographs |
| Photo Box 3 | Mamet, David | 1 photograph |
| Photo Box 3 | Maronek, James | 1 photograph |
| Photo Box 3 | Meredith, Burgess | 1 photograph |
| Photo Box 3 | Mosher, Gregory | 2 photographs |
| Photo Box 4 | O’Neill, Eugene | 1 photograph |
| Photo Box 4 | Perkins, Anthony | 2 photographs |
| Photo Box 4 | Plummer, Christopher | 1 photograph |
| Photo Box 4 | Ponazecki, Joe | 1 photograph |
| Photo Box 4 | Preston, J. A. | 1 photograph |
| Photo Box 4 | Rabe, David | 1 photograph |
| Photo Box 4 | Rain, Douglas | 1 photograph |
| Photo Box 4 | Ray, James | 1 photograph |
| Photo Box 4 | Reich, John | 5 photographs |
| Photo Box 4 | Richardson, Lee | 1 photograph |
| Photo Box 4 | Schreiber, Avery | 1 photograph |
| Photo Box 4 | Seale, Douglas | 2 photographs |
| Photo Box 4 | Smithers, William | 1 photograph |
| Photo Box 4 | Stevens, Thomas Wood | 2 photographs |
| Photo Box 4 | Wanamaker, Sam | 3 photographs |
| Photo Box 4 | Warming, Richard | 1 photograph |
| Photo Box 4 | Whitehead, Paxton | 1 photograph |
| Photo Box 4 | Williams, Emlyn | 2 photographs |
| Photo Box 4 | Windom, William | 2 photographs |
| Photo Box 4 | Woods, David | 1 photograph |
| Photo Box 4 | Unidentified | 6 photographs |
Female Personalities
| Photo Box 5 | Casson, Ann | 1 photograph |
| Photo Box 5 | Flanagan, Fionnuala | 1 photograph |
| Photo Box 5 | Forbes, Brenda | 2 photographs |
| Photo Box 5 | Ford, Ruth | 1 photograph |
| Photo Box 5 | Gam, Rita | 1 photograph |
| Photo Box 5 | Jessel, Patricia | 3 photographs |
| Photo Box 5 | Kay, Geraldine | 4 photographs |
| Photo Box 5 | Lawrence, Delphi | 1 photograph |
| Photo Box 5 | Leontovich, Eugenie | 1 photograph |
| Photo Box 5 | Pantages, Esther | 1 photograph |
| Photo Box 5 | Redgrave, Lynn | 1 photograph |
| Photo Box 5 | Scott, Pippa | 2 photographs |
| Photo Box 5 | Stetson, Maxine | 1 photograph |
| Photo Box 5 | Sutton, Dolores | 1 photograph |
| Photo Box 5 | Taylor, Rebecca | 1 photograph |
| Photo Box 5 | Wells, Mary Jane | 1 photograph |
This finding aid is split into two parts. Please see Part 1 for additional information on the Goodman Theatre Archive, Production History Files.
