| tagnumber |
taglabel |
tagindicator1 |
tagindicator2 |
tagdata |
| 0 |
Leader |
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01704pam a2200361 a 4500 |
| 1 |
Control # |
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2011029910^ |
| 3 |
Control # Id |
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DLC^ |
| 5 |
Date |
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20120118141812.7^ |
| 8 |
Fixed Data |
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110804s2012 nyu b 001 0 eng ^ |
| 10 |
LC Card |
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^a 2011029910^ |
| 20 |
ISBN |
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^a9780446563130 (hbk.)^ |
| 20 |
ISBN |
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^a0446563137 (hbk.)^ |
| 40 |
Cat. Source |
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^aDLC^cDLC^dTnLvILS^ |
| 43 |
Geog. Area |
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^an-us---^ |
| 50 |
LC Call |
0 |
0 |
^aPS153.G38^bB73 2012^ |
| 82 |
Dewey Class |
0 |
0 |
^a810.9/9206640904^223^ |
| 100 |
ME:Pers Name |
1 |
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^aBram, Christopher.^ |
| 245 |
Title |
1 |
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^aEminent outlaws :^bthe gay writers who changed America /^cChristopher Bram.^ |
| 250 |
Edition |
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^a1st ed.^ |
| 260 |
Imprint |
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^aNew York :^bTwelve,^c2012.^ |
| 300 |
Phys Descrpt |
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^axi, 371 p. ;^c24 cm.^ |
| 504 |
Note:Bibliog |
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^aIncludes bibliographical references (p. 351-354) and index.^ |
| 505 |
Note:Content |
0 |
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^apt. 1. Into the fifties. Innocence ; The kindness of strangers ; Howl ; Soul kiss ; Going Hollywood -- pt. 2. The sixties. The great homosexual theater scare ; The medium is the messsage ; Love and sex and A single man ; The whole world is watching ; Riots -- pt. 3. The seventies. Old and young ; Love song ; Annus mirabilis ; White noise -- pt. 4. The eighties. Illness and metaphor ; Dead poets society ; Tale of two or three cities ; Laughter in the dark -- pt. 5. The nineties and after. Angels ; Rising tide ; High tide -- Epilogue: Rewriting America.^ |
| 650 |
Subj:Topical |
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^aGays' writings, American^xHistory and criticism.^ |
| 650 |
Subj:Topical |
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0 |
^aAuthors, American^y20th century.^ |
| 650 |
Subj:Topical |
|
0 |
^aGay authors^zUnited States.^ |
| 650 |
Subj:Topical |
|
0 |
^aGay authors^zUnited States.^ |
| 898 |
Tag 898 |
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^aEnglish qEnglish^ |
| 898 |
Tag 898 |
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^aAdult qadult^ |
| 898 |
Tag 898 |
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^aBook qbook^ |
| 898 |
Tag 898 |
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^aNonfiction qnonfiction^ |
| 910 |
Tag 910 |
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^aCARL0008595818^ |
| 998 |
Tag 998 |
|
4 |
^aLDR77.0 20120120093010 INGM ^bLDR77.0 20120120093010 INGM^ |