Biographical Note

Virgil Johnson's career as a costume designer has spanned four decades. From his first professional designs for summer stock theaters on the East Coast, to his most recent designs for the Chicago Shakespeare Theatre, Johnson has designed over one hundred productions.

Johnson graduated in 1961 from Boston University, having earned his BFA in Design and Art History under the training of Raymond Sovey and Horace Armistead, house designer for the Metropolitan Opera. His education prepared him for staff work at the City Center Opera in New York, the Washington Opera Society, and the Turnau Opera of Woodstock, New York.

By 1967, Johnson had relocated to Chicago and completed an M.A. in Theatre at Northwestern University. In the same year, he joined the staff of the Goodman School of Drama (now the Theatre School at DePaul University), where he later served as resident costume designer of the Goodman Theatre from 1969 to 1978. Johnson joined Northwestern University's Theatre Department in 1985 as a tenured Professor of Costume Design, and served as Department Chair from 2002 to 2004.

In addition to teaching, Johnson has continued his own professional design work on productions at many Chicago theaters, including the Court, Victory Gardens, Body Politic, Steppenwolf, Northlight, and Apollo Theatres, the Ravinia Festival and the Lyric Opera. He has also designed for theaters outside the Chicago area, two of which are represented in this collection (Missouri Repertory Theatre in Kansas City and the Guthrie Theater in Minneapolis).

Johnson's designs have won considerable recognition, including: Joseph Jefferson Awards for his work on The Government Inspector (Goodman Theatre, 1985), A Little Night Music (Goodman Theatre, 1994), and Henry IV, Parts 1 & 2 (Chicago Shakespeare Repertory, 1998); and the Michael Merritt Award for Excellence in Collaboration and Design in 2001.

In addition to theatrical design, Johnson's interests extend to historic costume. He was guest curator of costume collections at the Evanston Historical Society (1978-1990) and designed five costume exhibitions at the Chicago Historical Society.

Scope and Content

The Virgil Johnson collection contains costume drawings, photographs, and accompanying materials, covering the years 1969-1997. The drawings represent Johnson's work at several Chicago area theaters, as well as the Missouri Repertory Theatre (now the Kansas City Repertory Theatre) and the Guthrie Theater in Minneapolis. Of the 28 plays in the collection, 19 were produced at the Goodman Theatre, where Johnson was resident costume designer from 1969-1978.

The materials in the Virgil Johnson Collection have been arranged into three series: Costume Drawings, Accompanying Materials and Photographs. The collection is arranged alphabetically by theatre, then chronologically by production.

The Costume Drawings series contains 638 drawings, working drawings, fabric swatches, costume plots, and promotional materials for productions from 1969 to 1997. Most of the drawings are watercolor and/or gouache on watercolor paper. Because they vary in size, the drawings have been arranged into small (a), medium (b), and large (c) boxes. One production (Goodman Theatre, 1985: The Government Inspector) contains drawings of a smaller, fourth size (d). Also included in this series are oversize materials, which while separated physically from the manuscript material, are noted with their respective productions and also listed at the end of the Box and Folder Inventory.

The Accompanying Materials series consists of programs, production notes, and actor measurement sheets. This series is arranged alphabetically by theatre, then chronologically by production.

The Photographs series contains promotional photos, photos of actors and casts, and several images of Virgil Johnson. This series is arranged alphabetically by theatre, then chronologically by production.

Additional material on these productions may be found in the Chicago Theater Collection archives for Body Politic, Goodman, Northlight, Steppenwolf and St. Nicholas Theatres. Programs for productions at other theatres may be found in the Miscellaneous Theatres Program Collection.

Provenance

These materials were donated to the Special Collections and Preservation Division by Virgil Johnson in 1988.

Access

The Virgil Johnson Collection is available to the public for research in the Special Collections and Preservation Division Reading Room on the 9th floor of the Chicago Public Library's Harold Washington Library Center, 400 South State Street, Chicago, Illinois, 60605. The collection does not circulate, although photocopy services are available depending upon the condition of the original materials. First time patrons to Special Collections must present photo identification and complete a Reader Registration Form. Telephone inquiries on this collection and other Special Collections holdings can be directed to (312) 747-4875.

Copyright associated with all materials is retained by the author.

Costume Drawings

Apollo Theatre

1981

Tintypes by Mary Kyte, with Mel Marvin and Gary Pearle. Directed by Gary Pearle
and Wayne Bryan, settings by David Emmons, lighting by Gary Heitz, scenery
constructed by Chicago Scenic Studios, productions stage manager Patrick
Fitzpatrick, musical arrangements by Mel Marvin, musical direction by Les Stahl,
vocal arrangements by John McKinney and Mel Marvin, musical staging by Mary
Kyte.

Drawings: 9, dated 1983, gouache on brown Canson-like paper, 22" x 16"

Box 1b	Folder 1	Charlie (with bags) - with fabric swatch
	2	Charlie (with cigar) - with fabric swatch
	3	Goldman, Emma
	4	Goldman, Emma - with fabric swatch
	5	Held, Anna - with fabric swatch
	6	Roo, Teddy
	7	Roo, Teddy - with fabric swatch
	8	Susannah
	9	Susannah - with fabric swatch

Working drawings: 15, colored pencil on mottled translucent vellum paper, 22" x 16"

Box 1b	Folder 10	Charlie (with bags)  Charlie (with cigar)
	11	Goldman, Emma - with fabric swatch
	12	Goldman, Emma  Held, Anna (with cape)  Held, Anna (with fan)  Held, Anna (with purple ribbons)  Held, Anna (with white dress)
	13	Held, Anna - with fabric swatch
	14	Roo, Teddy  Susannah (standing)  Susannah (walking)
	15	Susannah - with fabric swatch
	16	Untitled 1 (female character - double sheet)  Untitled 2 (male character)

    SEE ALSO: Accompanying Materials: Apollo Theatre, 1981, Tintypes
    SEE ALSO: Photographs: Apollo Theatre, 1981, Tintypes

Arlington Park Theatre

1974

Dance on a Country Grave by Kelly Hamilton. Based on a novel by Thomas
Hardy. Directed by Patrick Henry, managing director David Lonn, scenic design
Joseph Nieminski, lighting design Daniel Adams, musical direction Michael
Alterman, orchestration Eddie Sauter, choreography Jay Norman.

Drawings: 4, graphite and gouache on Canson heavyweight paper, 17 ½" x 23"

Box 2b	Folder 1	Ladies' chorus  Men's chorus
	2	Principals (Thomasin, Wildeve, Eustacia)  Thomasin and Mother

Body Politic Theatre

1981

Petrified Forest, by Robert E. Sherwood. September 1981. Directed by James
O'Reilly, managing director Sharon Phillips, set design by Tony Norrenbrock,
lighting design by Rita Pietraszek, sound design Larry Hart.

Drawings: 15, watercolor, watercolor pencil and ink on yellow paper with inclusions,
18" x 12"

Box 1a	Folder 1	Chisholm, Mr.  Hertzlinger, Bose  Principals (Thomasin, Wildeve, Eustacia)  Thomasin and Mother  Jackie  Joseph  Legionnaires (2)
	2	Mantee, Duke  Maple, Gabby  Maple, Gramps  Maple, Jason  Paula
	3	Pyles  Ruby  Squier, Alan  Telegraph Lineman (arms folded)  Telegraph Lineman (smoking cigarette)

Working Drawings: 9, colored pencil on tracing paper, 18" x 12"

Box 1a	Folder 4	Chisholm, Mrs.  [Hertzlinger,] Boze  Joseph  Linemen (2)  Mantee, Duke
	5	Maple, Gabby  Maple, Gramps  Paula  Ruby

    SEE ALSO: Accompanying Materials: Body Politic Theatre, 1981, Petrified
       Forest
    SEE ALSO: VJC oversize folder 1: Body Politic Theatre, 1981, Petrified Forest,
       Matted drawing of set design by Tony Norrenbrock

Court Theatre

1997

Philadelphia Story by Philip Barry. March 7-May 4, 1997. Artistic director
Charles Newell, managing director Sandra Karuschak, scenic designer Todd
Rosenthal, lighting designer Shannon McKinney, production stage manager
Maggie O'Donnell.

Drawings: 8, charcoal, watercolor, gouache, pastel and pencil on light orange Canson
Mi-Teintes, 12 ¾" x 19 1/2"

		Butler - SEE Maid and butler, Acts I, II, III
Box 2b	Folder 3	Imrie, Liz, Acts I-III - with fabric swatch and magazine    sample
	4	Imrie, Liz, Act II (brown dress) - with fabric swatch and    magazine sample
	5	Imrie, Liz, Act II (pastel dress) - with magazine sample
	6	Lord, Dinah, Act I - with fabric swatch and magazine    sample
	7	Lord, Dinah, Act II - with fabric swatch and magazine    sample
	8	Lord, Margaret, Act I - with fabric swatch and magazine    sample
	9	Lord, Tracy, Act I - with fabric swatch and magazine    sample
	10	Maid and butler, Acts I, II, III

SEE ALSO: Accompanying Materials: Court Theatre, 1997, Philadelphia Story

Goodman Theatre

1969

You Can't Take It with You by George S. Kaufman and Moss Hart. Opened on
December 1, 1969. Directed by Edward Payson Call, set design by Marc Cohen,
lighting design by G.E. Naselius, scenery painted by Robert Moody.

Drawings: 16, ink and acrylic on tracing film with rub-on lettering, 14" x 10 1/8"

Box 1a	Folder 6	Alice, Act I-1; Act II  Alice, Act I-2  Alice and Tony, Act III (with jacket)  Alice and Tony, Act III (with sweater)
	7	Ed, Acts I-1 & II; Acts I-2 & III  Essie, Act I-1, 2  G-Men (3), Act II  Grandpa, Acts II & III; Acts I-1, 2
	8	Henderson, Wilbur, Act I-1, and Penny, Act III  Kirby, Mr., Act III  Kirby, Mrs., Act II  Kirby, Mr. and Mrs., and Tony Kirby, Act II
	9	Olga, Grand Duchess, Act III  Penny, Act I-1; Act I-2  Penny, Act III, SEE Henderson, Wilbur, Act I-1 and Penny,    Act III  Rheba, Acts I-II & III; Act II  Tony - SEE Alice and Tony, Act III  Wellington, Gay, Act II

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1969, You Can't
       Take It with You

1970

A Doctor in Spite of Himself by Moliere. Adapted by Aurand Harris. March 28-
May 24, 1970. Directed by Bella Atkin, set design by Norbert Fencl, lighting
design by Joseph Pohnan. Original music by John Hogan, Henry Moran, and James
Pobiega.

Drawings: 18, gouache, Letraset, pencil and marker on construction paper, 12" x 9"

Box 1a	Folder 10	Albert  Geronte  Henriette  Jacqueline
	11	Leandre  Leandre as apothecary  Louise  Lucas
	12	Lucinde  Martine  Marguerite
	13	Nicole  Prologue as Batman  Robert
	14	Sganarelle  Sganarelle as a doctor  Suzanne  Valere

    SEE ALSO: Accompanying Material: A Doctor in Spite of Himself

Heartbreak House by George Bernard Shaw. May 25-June 28, 1970. Directed by
Douglas Seale, scene design by Marc Cohen, lighting design by Jerrold Gorrell,
scenic artist Robert Moody.

Drawings: 2, watercolor, gouache, Letraset, marker and graphite on Mingei paper,
17" x 13"

Box 1a

Folder 15

Dunn, Ellie, Acts II, III  Utterword, Lady, Acts II, III

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1970, Heartbreak
      House
    SEE ALSO: Photographs: Goodman Theatre, 1970, Heartbreak House

1971

Poor Bitos by Jean Anouilh. Translated by Lucienne Hill. April 12-May 16, 1971.
Directed by Douglas Campbell, scenic design by Marc Cohen, lighting design by
Wayne Tignor, hair design by Susan and James Chiaro.

Swatches: 3 loose fabric swatches, glued together

Box 1c

Folder 1

Swatches

Drawings: 8, graphite, gouache, pastel or colored pencil and marker on Ingres (multiple
colors)

Note: Each actor in this production plays dual characters. Some of the drawings
represent the costume modifications for the dual characters. In addition, most
drawings feature the costumes for more than one actor. The following list of dual
characters is transcribed from the program:

Maxime - St. Juste
Philippe - Jesuit Father
[Charles - Revolution]
Julien - Danton
Lila - Marie Antoinette
Amanda - Madame Tallien
Vulturne - Mirabeau
Brassac - Tallien
Deschamps - Camille Desmoulins
Victoire - Lucille Desmoulins
Bitos - Robespierre
[Joseph - Revolution]
Delanoue - Merda
Robespierre as a child [no drawing]

Box 1c		Amanda - SEE Tallien, Brassac, Amanda, and Amanda    (with cape)
	Folder 2	Bitos, Jesuit Father, Act I, and Philippe - with fabric swatch  Brassac - SEE Tallien, Brassac, Amanda, and Amanda    (with cape)
	3	Charles, Act I, Charles as Revolution, Act II-1, Joseph as    Revolution, Act II-1, and Joseph, Act I - with fabric    swatch  Danton - SEE Deschamps, Camille Desmoulins, Danton,    and Julien
	4	Deschamps, Camille Desmoulins, Danton, and Julien - with    fabric swatch  Desmoulins, Camille - SEE Deschamps, Camille  Desmoulins, Danton, and Julien
	5	Desmoulins, Mme and Victoire - with fabric swatch  Jesuit Father - SEE Bitos, Jesuit Father (Act I), and Philippe  Joseph - SEE Charles, Act 1, Charles as Revolution, Act II-    1, Joseph as Revolution, Act II-1, and Joseph, Act I  Julien - SEE Deschamps, Camille Desmoulins, Danton, and    Julien
	6	Lila/Marie Antoinette - with fabric swatch  Marie Antoinette - SEE Lila/Marie Antoinette  Maxime - SEE St. Juste, Maxime, and Merda  Merda - SEE St. Juste, Maxime, and Merda  Mirabeau - SEE Vulturne and Count Mirabeau, Act II-1  Philippe - SEE Bitos, Jesuit Father, Act I, and Philippe
	7	St. Juste, Maxime, and Merda - with fabric swatch
	8	Tallien, Brassac, Amanda, and Amanda (with cape) - with    fabric swatch  Victoire - SEE Desmoulins, Mme and Victoire
	9	Vulturne and Count Mirabeau, Act II-1

    SEE ALSO: Accompanying Materials, Goodman Theatre, 1971, Poor Bitos

1971

Assassination, 1865 by Stuart Vaughan. October 28-November 28, 1971.
Directed by Stuart Vaughan, producing director John Reich, managing director Ken
Myers, scenic design by Sandro LaFerla, lighting and special effects by Bengt
Nygren.

Drawings: 2, gesso and oil on Crescent illustration board, 14 7/8" x 20"

Box 2b	Folder 11	Harris, T.M., General; Gen. August Kuntz; Gen. David    Hunter; Gen. Foster; Gen. Lew Wallace
	12	(2) Soldiers; Gen. Joseph Holt; Col. H.L. Burnett; John A.    Bingham

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1971, Assassination,
       1865

1972

Royal Family by George S. Kaufman and Edna Ferber. January 20-February 27,
1972. Directed by Douglas Seale, scene design by James Maronek, lighting design
by Jerrold Gorrell, scenic artist Robert Moody, producing director John Reich,
managing director Ken Myers.

Drawings: 3, acrylic or oil with silverleaf on Crescent board, 15" x 10 1/8"

Box 1a	Folder 16	Dean, Kitty, Act II
	17	Gwen, Act I
	18	Gwen, Act III

    SEE ALSO: Accompanying Material: Royal Family

1973

        Twentieth Century by Ben Hecht and Charles MacArthur, with Bruce Millholland.
February 16-17 and February 18-March 25, 1973. Directed by William Woodman,
executive director Kenneth Myers, scenic and lighting design Clarke Dunham.

Drawings: 12, ink and acrylic or oil on colored Crescent board, 20" x 16"

Box 3b	Folder 1	(2) Beards
	2	Clark, Matthew and Max Jacobs
	3	Conductor (New York Central) and Train Secretary
	4	Flannagan and (Pullman) Porter
	5	Garland, Lily, Act II
	6	Garland, Lily, Act III (evening gown)
	7	Garland, Lily, Act III (robe)  Gateman - SEE Waiter, 2 Redcaps, and Gateman
	8	Highland, Anita  Jacobs, Max - SEE Clark, Matthew and Jacobs, Max
	9	Jaffe, Oscar, Acts II & III
	10	Johnson, Dr.  Porter - SEE Flannagan and (Pullman) Porter  Redcaps - SEE Waiter; 2 Redcaps; Gateman
	11	Smith, George  Train Secretary - SEE Conductor (New York Central) and    Train Secretary
	12	Waiter, 2 Redcaps, and Gateman

   SEE ALSO: Accompanying Materials, Goodman Theatre, 1973, Twentieth
      Century

1974

Henry IV, by William Shakespeare. Three-act adaptation by Richard Matthews.
March 29-May 5, 1974. Directed by William Woodman, managing director John
Economos, set and lighting design by Peter Wexler, percussion effects by Nick
Venden, associate director Joseph Leon, fights staged by Michael Tezla.

Drawings: 14, graphite, gouache, acrylic and marker on dusty speckled pink
Gainsborough paper, 19" x 24 ¾"

		Davy - SEE Francis, Acts I-II, Davy, Acts II-III &    Messenger, Act II
Box 1c	Folder 10	Earl of Northumberland, Acts I, I-2 & III-1 & Owen  Glendower, Act II-3 - with fabric swatch
	11	Earl of Warwick, Acts I, II & III - with fabric swatch
	12	Earl of Westmoreland, Acts I, II & III - with fabric swatch
	13	Earl of Worchester, Acts I & II - with fabric swatch
	14	Francis, Acts I-II, Davy, Acts II-III & Messenger, Act II -    with fabric swatch  Glendower, Owen - SEE Earl of Northumberland, Acts I, I-2    & III-1 & Owen Glendower, Act II-3
	15	King Henry IV, Acts I, II & III - with fabric swatch  Messenger - SEE Francis, Acts I-II, Davy, Acts II-III &    Messenger, Act II  Messenger [Carrier] - SEE Servant to Percy, Act I-4, Wart,    Act II-IV & Messenger [Carrier], Act II
	16	Mortimer, Edmund, Acts I & II-3 & Justice Silence, Acts II-    4; III-5&6 - with fabric swatch  Northumberland, Lady - SEE Whore [Tavern Wench], Act I,    Nun [Sister of Mercy] & Lady Northumberland, Act III-1
	17	Percy, Harry [Henry], Acts I-2-4; II-3; II-5-7 & 8
	18	Percy, Lady, Acts I-4 & II-3 - with fabric swatch
	19	Prince Hal, Acts I-3, 5; II-1, 2, 6, 8; III - with fabric swatch
	20	Prince John, Acts I, II & III - with fabric swatch
	21	Quickly, Mistress, Act I & Doll Tearsheet, Acts I-II-III -    with fabric swatch
	22	Servant to Percy, Act I-4, Wart, Act II-4 & Messenger    [Carrier], Act II  Silence, Justice - SEE Mortimer, Edmund, Acts I & II-3 &    Justice Silence, Acts II-4; III-5 & 6  Tearsheet, Doll - SEE Quickly, Mistress, Act I & Doll    Tearsheet, Acts I-II-III  Wart - SEE Servant to Percy, Act I-4, Wart, Act II-4 &    Messenger [Carrier], Act II
	23	Whore [Tavern Wench], Act I, Nun [Sister of Mercy] &    Lady Northumberland, Act III-1 - with fabric swatch

Working drawings: 1, graphite, gouache and acrylic on dusty speckled pink
Gainsborough paper, 17 ¾" x 22"

Box 1c

Folder 24

Untitled (8 characters)

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1974, Henry IV

1974

Cherry Orchard by Anton Chekhov. October 4-November 10, 1974. Translated by
Tyrone Guthrie and Leonid Kipnis. Artistic director William Woodman, managing
director John Economos, directed by Brian Murray, scenery by David Mitchell,
lighting by Patricia Collins.

Drawings: 26, gouache and pencil on heavy laid watercolor paper in rose, green, and
cream, 20" x 13 ¼"

Box 3b	Folder 13	Anya, Act I - with fabric swatch
	14	Anya, Act II - with fabric swatch
	15	Anya, Act III - with fabric swatch
	16	Anya, Act IV - with fabric swatch
	17	Dunyasha, Act I - with fabric swatch  Dunyasha, Act II - SEE Yasha, Act II and Dunyasha, Act II
	18	Dunyasha, Act III  Firs, Acts III & IV
Box 4b	Folder 1	Ivanovna, Charlotta, Acts I & IV - with fabric swatch
	2	Ivanovna, Charlotta, Act II - with fabric swatch
	3	Ivanovna, Charlotta, Act III - with fabric swatch
	4	Lopahin, Acts III & IV - with fabric swatch
	5	Passerby, Act II
	6	Ranevskaya, Madame, Act I - with fabric swatch
	7	Ranevskaya, Madame, Act II - with fabric swatch
	8	Ranevskaya, Madame, Act III - with fabric swatch
	9	Ranevskaya, Madame, Act IV - with fabric swatch
	10	Simeonoff-Pishchik, Acts I-II & IV
	11	Trofimov, Acts I, II, III, & IV - with fabric swatch
	12	Untitled (variation on Charlotta Ivanovna, Act III)
	13	Varya, Act I - with fabric swatch
	14	Varya, Act II - with fabric swatch
	15	Varya, Act III & IV - with fabric swatch
	16	Yasha, Acts I & IV  Yasha, Act II and Dunyasha, Act II  Yasha and Yepihodov, Act III  Yepihodov, Act II  Yepihodov, Act III - SEE Yasha and Yepihodov, Act III

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1974, Cherry Orchard

1976

Devil's Disciple by George Bernard Shaw. May 13-June 13, 1976. Directed by
William Woodman.

Drawings: 11, graphite, colored pencil and watercolor on rose-flecked peach Ingres
paper, 19" x 24 ¼"

		Anderson, Judith - SEE Anderson, Reverend, Acts I-II &    Judith Anderson, Acts II-III
Box 2c	Folder 1	Anderson, Reverend, Acts I-II & Judith Anderson, Acts II-III  Brudenell, Mr. - SEE (2) Privates & Mr. Brudenell, Act III  Burgoyne, General - SEE Swindon, Major & General    Burgoyne, Act III  Dudgeon, Christy - SEE Dudgeon, Mrs., Act I, Essie, &    Christy  Dudgeon, Acts I, II & III  Dudgeon, Dick, Acts I, II & III  Dudgeon, Mrs., Act I, Essie, & Christy Dudgeon, Acts I, II &    III  Dudgeon, Mrs. - SEE ALSO Hawkins, Lawyer & Mrs.  Dudgeon, Act I  Dudgeon, Mrs. Titus - SEE Dudgeon, Uncle William, Mrs.    William, Titus & Mrs. Titus Dudgeon, Act I  Dudgeon, Titus - SEE Dudgeon, Uncle William, Mrs. William,    Titus & Mrs. Titus Dudgeon, Act I  Dudgeon, Mrs. William - SEE Dudgeon, Uncle William, Mrs.    William, Titus & Mrs. Titus Dudgeon, Act I  Dudgeon, Uncle William, Mrs. William, Titus & Mrs. Titus  Dudgeon, Act I  Essie - SEE Dudgeon, Mrs., Act I, Essie, & Christy Dudgeon,    Acts I, II & III
	2	Executioner, Private & Townsfolk (1 man, 1 woman), Act III  Hawkins, Lawyer & Mrs. Dudgeon, Act I  Private - SEE Executioner, Private & Townsfolk (1 man, 1    woman), Act III  (2) Privates & Sergeant, Acts II-III  (2) Privates & Mr. Brudenell, Act III  Sergeant - SEE (2) Privates & Sergeant, Acts II-III
	3	Swindon, Major & General Burgoyne, Act III  Townsfolk - SEE Executioner, Private & Townsfolk (1 man,    1 woman), Act III  Townspeople, Act III  Untitled (3 male characters, 1 female)

Broadside: 1, signed "M.E. 1976," 16 ¾" x 11 ¾"

Box 2c

Folder 4

Broadside: promotional poster

1976

        Long Day's Journey into Night by Eugene O'Neill. November 12-December 19,
1976, Directed by George Keathley, artistic director William Woodman, managing
director John Economos, settings by Joseph Nieminski, lighting by F. Mitchell
Dana, production stage manager Joseph Drummond.

Drawings: 9, ink, gouache and acrylic (?) on green recycled paper (maybe Canson or
Strathmore), mounted on Crescent board

Box 4b	Folder 17	Cathleen
	18	Edmund
	19	Jamie (with bow tie)
	20	Jamie (with vest)
Box 5b	Folder 1	Mother (with bedclothes)
	2	Mother (with lavender dress)
	3	Mother (with shawl)
	4	Tyrone (with hat)
	5	Tyrone (with pocketwatch)

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1976,
       Long Day's Journey into Night

1977

Don Juan by Moliere. Translated by Christopher Hampton. May 6-June 12, 1977.
Artistic director William Woodman, managing director John Economos, set design
by Joseph Nieminski, lighting by Gilbert V. Hemsley, Jr., production stage
manager Joseph Drummond, fights staged by Michael Tezla.

Drawings: 17, color ink and gouache on watercolor paper, 15" x 11"

Box 1a	Folder 19	Beggar  Carlos, Don  Dimanche, M.
	20	Elvira, Donna  Guzman  Juan, Don
	21	Juan, Don (in white robe)  Louis, Don  Mathurine
	22	Sganarelle  Squire  Untitled 1 (Male character with boots and sword)
	23	Untitled 2 (Male character with brown cape and dagger)  Untitled 3 (Male character with dagger and cloak)  Untitled 4 (Male character with keys and pitcher, reading    note)
	24	Untitled 5 (Male character in suit of armor)  Untitled 6 (Statues of woman and skeleton with    hourglasses)

Illustration: 1, watercolor and colored pencil on watercolor paper, mounted on board,
14" x 11"

Box 1a

Folder 25

Don Pedro

    SEE ALSO: Additional Material: Goodman Theatre, 1977, Don Juan

1977

The Seagull by Anton Chekhov. A new version by Jean-Claude van Itallie.
November 11-December 18, 1977. Directed by Gregory Mosher, scenery by
Joseph Nieminski, lighting by Pat Collins, production stage manager Joseph
Drummond, artistic director William Woodman, managing director Janet Wade.

Drawings: 25, graphite, watercolor and gouache on tan Canson-type paper, 16" x 11"

Box 5b	Folder 6	Arkadina, Act II  Arkadina, Act III  Arkadina, Act IV ("bright dress")  Arkadina, Act IV ("traveling ensemble")
	7	Dorn, Dr, Acts I-IV  Dorn, Dr, Act II  Masha, Acts I-II-III  Medvedenko, Acts I-II-III-IV
	8	Nina, Act I (green dress)  Nina, Act I (white gown)  Nina, Acts II-III  Nina, Act IV
	9	Paulina, Acts I-IV  Paulina, Acts II-III  Shamrayev, Acts I-II-III  Shamrayev, Act IV
	10	Sorin, Acts I-II  Sorin, Act IV  Treplev, Act I  Treplev, Acts II-III
	11	Treplev, Act IV  Trigorin, Acts I-II  Trigorin, Act III  Trigorin, Act IV  Yakov, Acts I-III-IV

Character Study (Arkadina): 5, graphite, watercolor, and gouache on gold Canson-type
paper, 16 ¼" x 21 1/8"

Box 5b	Folder 12	Arkadina, Act I  Arkadina, Act II  Arkadina, Act III
	13	Arkadina, Act IV (cape)  Arkadina, Act IV (light dress)

Illustration: 1, watercolor and gouache on board, with tracing vellum, 14" x 11"

Box 5b

Folder 14

Arkadina, Act I

 SEE ALSO: Accompanying Materials: Goodman Theatre, 1977, The Seagull

1978

Much Ado About Nothing, by William Shakespeare. February 10-March 19,
1978. Directed by William Woodman, managing director Janet Wade, scenery by Herbert Senn and Helen Pond, lighting by Stephen Ross, dances by Ruth Page, incidental music and songs by Alaric Jans, production stage manager
Joseph Drummond.

Drawings: 12, watercolor, gouache, pencil, colored pencil, ink and some acrylic on
Canson Montgolfier paper, 19 5/8" x 25 1/2"

Box 2c	Folder 5	Beatrice, Acts I & II - with fabric swatch
	6	Benedict [sic], Acts I & II - with fabric swatch
	7	Borachio & Conrade, Acts I & II - with fabric swatch
	8	Claudio, Acts I & II  Conrade - SEE Borachio & Conrade, Acts I & II  Friar Francis - SEE Sexton & Friar [Francis], Act II
	9	Hero, Acts I & II - with fabric swatch
	10	John, Don, Acts I & II - with fabric swatch
	11	Margaret, Acts I & II - with fabric swatch
	12	Messenger, Act I  Musicians - SEE Servants [& Musicians], Acts I & II
	13	Servants [& Musicians], Acts I & II - with fabric swatch
	14	Sexton & Friar [Francis], Act II
	15	Ursula, Acts I & II - with fabric swatch
	16	Watch[men], Act II - with fabric swatch

    SEE ALSO: Accompanying Materials, Goodman Theatre, 1978, Much Ado
       About Nothing
    SEE ALSO: Photographs: Goodman Theatre, 1978, Much Ado About Nothing

1981

Plenty by David Hare. February 27-April 5, 1981. Directed by Gregory Mosher,
managing director Roche Schulfer, scenery by Marjorie Kellogg, lighting by
Jennifer Tipton, production stage manager Chuck Henry, sound design by
Michael Schweppe, music by Nick Bicât.

Drawings: 33, watercolor, watercolor pencils, pencil (graphite) and ink on Western,
mottled white paper, 16" x 12 ½"

Box 2a	Folder 1	Alice, Act I-1, 10  Alice, Act I-4  Alice, Act I-6
	2	Alice, Act I-7 - with fabric swatch
	3	Alice, Act I-8 - with fabric swatch
	4	Begley, John, Act I-9
	5	Brock, Raymond, Act I-3, 4 - with fabric swatch
	6	Brock, Raymond, Act I-7  Brock, Raymond, Act I-8
	7	Charleson, Sir Andrew, Act I-9 - with fabric swatch
	8	Darwin, Leonard, Act I-3 - with fabric swatch
	9	Darwin, Leonard, Act I-7  French Farmer, Act I-12  Frenchman, Act I-2  Frey, Dorcas, Act I-8
	10	Lazar, Act I-2  Lazar, Act I-11  Louise, Act I-6  Mick, Act I-5, 6
	11	Susan, Act I-1, 10 - with fabric swatch
	12	Susan, Act I-1, 10  Susan, Act I-2  Susan, Act I-3
	13	Susan, Act I-3 - with fabric swatch
	14	Susan, Act I-5 - with fabric swatch
	15	Susan, Act I-6 - with fabric swatch
	16	Susan, Act I-7
	17	Susan, Act I-7 - with fabric swatch
	18	Susan, Act I-8 - with fabric swatch
	19	Susan, Act I-9 - with fabric swatch
	20	Susan, Act I-11
	21	Susan, Act I-12 - with fabric swatch
	22	Wong, Mr. and Mrs., Act I-7 - with fabric swatch

Working Drawings: 18, pastel and ink on onionskin paper, 16" x 12 ½"

Box 2a	Folder 23	Alice, Act I-1, 10  Alice, Act I-4  Alice, Act I-6  Alice, Act I-7  Alice, Act I-8
	24	Brock, Raymond, Act I-3, 4  Brock, Raymond, Act I-7  Brock, Raymond, Act I-8  Susan, Act I-1, 10  Susan, Act I-2
	25	Susan, Act I-3  Susan, Act I-5  Susan, Act I-6  Susan, Act I-7
	26	Susan, Act I-8  Susan, Act I-9  Susan, Act I-11  Susan, Act I-12

    SEE ALSO: Accompanying Material: Goodman Theatre, 1981, Plenty
    SEE ALSO: Photographs: Goodman Theatre, 1981, Plenty

1985

The Government Inspector by Nikolai Gogol. Translated by Milton Ehre and
Fuma Gottschalk. October 4-November 10, 1985. Producer Roche Schulfer,
        Directed by Frank Galati, sets by Michael Merritt, lighting by Kevin Rigdon,
sound by Robert Neuhaus, stage managers Malcolm Ewen and Joseph
Drummond.

Fabric swatches: 1 bundle, fixed together with safety pin

Box 6b

Folder 1

Fabric swatches (5)

Drawings: 39, gouache, colored pencils, graphite and watercolor on translucent vellum
tracing paper, 18 ¾" x 12 ½"

Box 6b	Folder 2	Anna, Act I-a  Anna, Act I-b  Anna, Act III  Anna, Act IV  Anna, Act V
	3	Avdotya, Acts I-II-III  Bobchinsky, Acts I-V  Director of Charities, Acts I-III  Director of Charities, Acts IV-V
	4	Dobchinsky, Acts I-V  Gypsy, Acts II-III  Heubner, Dr., Act I  Judge, Acts I-III  Judge, Act IV
	5	Khlestakov (with butterfly), Acts II-III-IV  Khlestakov (with pockets turned), Acts II-III-IV  Korobkin and Wife, Act V  Locksmith's Wife, Act IV
	6	Marya, Act I-a  Marya, Act I-b  Marya, Act III  Marya, Acts IV-V  Marya, Act V
	7	Mayor, Act I  Mayor, Acts I-II-III  Mayor, Acts IV-V  Mishka, Acts I-III-IV
	8	Osip, Act II  Osip, Act III-IV  Passerby, Act IV  Policemen 1 & 2, Acts I-III-IV
	9	Postmaster, Acts I-V  Shopkeepers 1 & 3  Shopkeepers 2 & 4  Superintendent of Schools, Acts I-III
	10	Superintendent of Schools, Acts IV-V  Superintendent of Schools' Wife, Act V  Ukhovyortov, Acts I-V  Waiter, Acts II-III

Photocopies: 22, photocopies of costume drawings with fabric swatches

Box 1d	Folder 1	Anna, Act I-a - with fabric swatch
	2	Anna, Acts I-b - with fabric swatch
	3	Anna, Act III - with fabric swatch
	4	Anna, Act IV - with fabric swatch
	5	Anna, Act V - with fabric swatch
	6	Avdotya, Acts I-II-III
	7	Bobchinsky, Acts I-V - with fabric swatch
	8	Dobchinsky, Acts I-V - with fabric swatch
	9	Gypsy, Acts II-III  Khlestakov, Acts II-III-IV
	10	Khlestakov (with butterfly), Acts II-III-IV - with    fabric swatch
	11	Khlestakov (with top hat), Acts II-III-IV - with    fabric swatch
	12	Korobkin and Wife, Act V - with fabric swatch
	13	Locksmith's Wife, Acts IV - with fabric swatch
	14	Marya, Act I-a - with fabric swatch
	15	Marya, Act I-b - with fabric swatch
	16	Marya, Act III - with fabric swatch
	17	Marya, Act IV-V- with fabric swatch
	18	Marya, Act V
	19	Mayor, Act I - with fabric swatch
	20	Mayor, Acts I-II-III - with fabric swatch
	21	Mayor, Acts IV-V - with fabric swatch
	22	Superintendent of Schools' Wife, Act V - with    fabric swatch

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1985, The
       Government Inspector
    SEE ALSO: Photographs: Goodman Theatre, 1985, The Government
   Inspector

1990

Winter's Tale by William Shakespeare. January 12-February 17, 1990. Directed
by Frank Galati, artistic director Robert Falls, producing director Roche Schulfer,
set design by John Conklin, lighting design by Jennifer Tipton, sound design by
Rob Milburn, choreography by Peter Amster, original music composed by Rob
Milburn, Willy Schwarz and Miriam Sturm, dramaturg Tom Creamer, production
stage manager Lois Griffing, stage manager Jill Larmett.

Drawings: 40, pencil, gouache and colored pencil on light tan Canson-like watercolor
paper, 19" x 12 ¾"

Box 3c	Folder 1	Amelia & Flower girls, Act I-1, 2, 3  Antigonus with Lords, Acts II-3 & III-2  Antigonus and Mariner, Act III-3  Antigonus as Time, Act IV-1
	2	Autolycus, Act IV-3, 4  Autolycus, Act V-2  Archidamus - SEE Polixenes, Archidamus & Camillo, Acts    I-1, 2 & II-1and Polixenes, Camillo & Archidamus, Acts    IV-1, 2 & V-1, 3  Camillo - SEE Polixenes, Archidamus & Camillo, Acts I-1,    2 & II-1, Polixenes & Camillo, Act IV-4 and Polixenes,    Camillo & Archidamus, Acts IV-1, 2 & V-1, 3  Cleomenes - SEE Leontes, Dion & Cleomenes, Act V-3  Cleomenes & Dion, Act III-1, 2  Clown - SEE Shepherd, Old & Clown, Act III-3 and    Shepherd, Old & Clown, Act IV-3, 4  Courtiers, Acts I-2 & II-1 (blue)
	3	Courtiers, Acts I-2 & II-1 (green)  Courtiers, Acts I-2 & II-1 (peach)  Courtiers, Acts I-2 & II-1 (red)  Courtiers, Acts I-2 & II-1 (yellow)  Desdemona - SEE Mamillius & [Desdemona], Act I-1, 2, 3    Dion - SEE Cleomenes & Dion, Act III-1, 2 and Leontes,    Dion & Cleomenes, Act V-3
	4	Dorcas & Shepherd, Act IV-4  Emilia & Lady in waiting, Acts II-2, 3 & III-2  Emilia & (2) Lords, Act V-1, 2, 3  Farmer, Old & Wife, Act IV-4  Florizel - SEE Perdita & Florizel, Act V-1, 3  Flower girls - SEE Amelia & Flower girls, Act I-1, 2, 3
	5	Gaoler [Jailer] & Guards, Acts II-2, 3 & III-1, 2  Girl - SEE Shepherd, Young & Girl, Act IV-4  Guards - SEE Gaoler [Jailer] & Guards, Acts II-2, 3 &    III-1, 2  Hermione, Act III-2  Hermione, Act III-3  Hermione, Act V-3  Lady in waiting - SEE Emilia & Lady in waiting, Acts II-2,    3 & III-2
	6	Leontes, Acts II-3 & III-2, 3  Leontes, Dion & Cleomenes, Act V-3  Lords - SEE Antigonus with Lords, Acts II-3 & III-2 and    Emilia & (2) Lords, Act V-1, 2, 3  Mamillius & [Desdemona], Act I-1, 2, 3  Mamillius & Nurse, Act II-1  Mariner - SEE Antigonus and Mariner, Act III-3
	7	Mopsa & Shepherd, Act IV-4  Musicians [Servants], Act IV-4  Nurse - SEE Mamillius & Nurse, Act II-1  Paulina, Act II-2, 3 & III-2  Paulina, Act V-1, 3
	8	Perdita & Florizel, Act V-1, 3  Polixenes, Archidamus & Camillo, Acts I-1, 2 & II-1  Polixenes & Camillo, Act IV-4  Polixenes, Camillo & Archidamus, Acts IV-1, 2 & V-1, 3
	9	Satyr dance, Act IV-4  Servants - SEE Musicians [Servants], Act IV-4  Servants to the Kings, Acts II-3, III-2 & IV-2  Shepherd - SEE Dorcas & Shepherd, Act IV-4 and Mopsa    & Shepherd, Act IV-4  Shepherd, Old & Clown, Act III-3  Shepherd, Old & Clown, Act IV-3, 4
	10	Shepherd, Young & Girl, Act IV-4  Time - SEE Antigonus as Time, Act IV-1  Trial crowd, Act III-2 (2 men, 1 woman)  Trial crowd, Act III-2 (2 women and bishop)  Unrelated characters (Othello & Iago), Act I-1, 2, 3

Working drawings: 1, graphite and colored pencil

Box 3c

Folder 11

Florizel and Perdita, Act IV - with fabric swatch

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1990, Winter's Tale

1991

The Visit by Friedrich Duerrenmatt. Adapted by Maurice Valency. April 26-June
2, 1991. Directed by David Petrarca, artistic director Robert Falls, producing
director Roche Schulfer, set design by Paul Steinberg, lighting design by James
F. Ingalls, sound design by Rob Milburn, original music composed by Rob Milburn
and Larry Schanker, musical direction by Larry Schanker, dramaturg Tom
Creamer, production stage manager Lois Griffing, stage manager Jill Larmett.

Drawings: 36, charcoal/pencil, watercolor, gouache and metallic ink (tempera or
       gouache) on watercolor (maybe blotter) paper, 19 5/8" x 15"

Box 4c	Folder 1	Athlete, Acts I-II-III  Bobby, Acts I-II-III  Butcher, Acts I-II-III
	2	Doctor, Acts I-II-III  [Karl] Schill's son, Acts I-II  [Karl] Schill's son, Act III
	3	Koby & Loby, Acts I-II  Laborer, Acts I-II-III  Loby - SEE Koby & Loby, Acts I-II  Max - SEE Mike & Max, Acts I-II-III  Mayor, Acts I-II
	4	Mayor, Acts II-III  Mayor's wife, Acts I-II-III  Mayor's wife, Act II
	5	Mike & Max, Acts I-II-III  [Ottilie] Schill's daughter, Act I  [Ottilie] Schill's daughter, Act II
	6	[Ottilie] Schill's daughter, Act III  Pastor, Acts I-II-III  Pedro, Act I
	7	Pedro, Act II  Policeman, Acts I-II-III  Schill, Anton, Acts I-II-III
	8	Schill, Anton, Act II  Schill, Mrs.  Schill, Mrs., Acts I-II
	9	School teacher, Act I  Sign painter, Act I  Sign painter, Acts II-III
	10	Station master, Acts I-II-III  Street youth, Acts I-II-III  Townswoman [no. 1], Acts I-II-III
	11	Townswoman [no. 2], Acts I-II-III  Zachanassian, Claire, Act I (blouse)  Zachanassian, Claire, Act I (jacket)
	12	Zachanassian, Claire, Acts I-III  Zachanassian, Claire, Act II  Zachanassian, Claire, Act III

Costume plots: 3, pencil and black ink on diazotype paper, 20 ¼" x 24", and 1
       photocopy with highlighter

Box 4c	Folder 13	Act I  Act II  Act III
	14	Acts I, II & III (1 chart)

    SEE ALSO: Photographs: Goodman Theatre, 1991, The Visit

1994

A Little Night Music by Steven Sondheim. Based on a book by Hugh Wheeler.
Directed by Michael Maggio, artistic director Robert Falls, executive director
Roche Schulfer, set design by John Lee Beatty, lighting design by Michael S.
Philippi, sound design by Richard Woodbury, choreography by Danny Herman,
musical direction by Bradley Vieth, dramaturg Steve Scott, production stage
manager Joseph Drummond, stage manager Barbara Burton.

Drawings: 38, gouache, watercolor, some pencil and colored pencil on handmade
watercolor-weight paper with inclusions, 19 7/8" x 12 ¾"

Box 5c	Folder 1	Anderson [sic], Mrs.
	2	Armfeldt, Desiree, Prologue  Armfeldt, Desiree, Act I (lace dress)
	3	Armfeldt, Desiree, Act I (negligee) - with fabric swatch
	4	Armfeldt, Desiree, Act I ("Wonderful Life") - with fabric    swatch  Armfeldt, Desiree (negligee)
	5	Armfeldt, Desiree, Acts I-II (ball gown)  Armfeldt, Desiree (negligee)  Armfeldt, Desiree, ("Wonderful Life")
	6	Armfeldt, Fredrika, Act I - with fabric swatch
	7	Armfeldt, Fredrika, Act II - with fabric swatch
	8	Armfeldt, Madame, Act I - with fabric swatch
	9	Armfeldt, Madame, Acts I-II  Armfeldt, Madame, Act II
	10	Egerman, Anne, Act I (evening dress) - with fabric    swatch
	11	Egerman, Anne, Act I (wrapper over nightgown) - with    fabric swatch
	12	Egerman, Anne, Act I (finale)
	13	Egerman, Anne, Act II (dance dress) - with fabric swatch
	14	Egerman, Anne, Act II (white linen) - with fabric swatch
	15	Egerman, Fredrik, Act I - with fabric swatch
Box 6c	Folder 1	Egerman, Fredrik, Acts I-II
	2	Egerman, Fredrik, Act II - with fabric swatch
	3	Egerman, Henrik, Acts I-II - with fabric swatch
	4	Egerman, Henrik, Act II - with fabric swatch  Erlanson, Mr. - SEE Segstrom, Mrs. & Mr. Erlanson
	5	Frid, Act II (livery)  Frid, [Act II] ("Miller's Son")  Lindquist, Mr. - SEE Nordstrom, Mrs. & Mr. Lindquist  Malcolm, Carl-Magnus, Count, Act I (tails)
	6	Malcolm, Carl-Magnus, Count, Act I (uniform) - with fabric    swatch
	7	Malcolm, Carl-Magnus, Count, Act II - with fabric swatch
	8	Malcolm, Charlotte, Countess, Act I (boudoir robe) - with    fabric swatch
	9	Malcolm, Charlotte, Countess, Act I (visiting dress)  Malcolm, Charlotte, Countess, Act I (finale)  Malcolm, Charlotte, Countess, Act II (opening number)
	10	Malcolm, Charlotte, Countess, Act II (dinner dress)  Nordstrom, Mrs. & [Mr. Lindquist], Acts I-II    Petra, Act I
	11	Petra, [Act II] ("Miller's Son")  Petra, Act II (opening number)  Segstrom, Mrs. & [Mr. Erlanson], Acts I-II

Working Drawings: Colored pencil on ClearPrint tracing paper, 17" x 20"

Box 6c	Folder 12	Anderson [sic], Mrs. - with fabric swatch
	13	Armfeldt, Desiree, Prologue  Armfeldt, Desiree, Act I (negligee)  Armfeldt, Desiree, Act I (theatre scene)  Armfeldt, Desiree, Act I ("Wonderful Life")  Armfeldt, Desiree, Acts I & II  Armfeldt, Desiree, Act II  Armfeldt, Desiree and 2 Actresses, Act I
	14	Armfeldt, Mme, Act I - with fabric swatch
	15	Armfeldt, Mme, Act II - with fabric swatch
Box 7c	Folder 1	Bertrand, Act I  Bertrand, Acts I-II  Bertrand - SEE ALSO Frid & Bertrand, Act II  Egerman, Anne, Act I (at home)  Egerman, Anne, Act I (theatre)
	2	Egerman, Anne, Act I Finale - with fabric swatch
	3	Egerman, Anne, Act II (dinner)  Egerman, Anne, Act II (garden)  Egerman, Frederick [sic], Act I  Egerman, Frederick [sic], Act II  Egerman, Henrik, Act I  Egerman, Henrik, Act II
	4	Erlanson, Mr. & Mrs. Segstrom - with fabric swatch
	5	Frid, Act II  Frid & Bertrand, Act II  Lindquist, Mr. - SEE Nordstrom, Mrs. & Mr. Lindquist
	6	Malcolm, Carl-Magnus, Count - with fabric swatch
	7	Malcolm, Charlotte, Countess, Prologue - with fabric    swatch
	8	Malcolm, Charlotte, Countess, Act I (at home) - with    fabric swatch
	9	Malcolm, Charlotte, Countess, Act I (visits the Egerman    house) - with fabric swatch
	10	Malcolm, Charlotte, Countess, Act I Finale - with fabric    swatch
	11	Malcolm, Charlotte, Countess, Act II (dinner)
	12	Malcolm, Charlotte, Countess, Act II (motoring costume) -    with fabric swatch
	13	Malla
	14	Nordstrom, Mrs. & Mr. Lindquist - with fabric swatch
	15	Osa  Petra, Acts I & II  Petra, Act II  Segstrom, Mrs. - SEE Erlanson, Mr. & Mrs. Segstrom

Costume plots: 2 photocopies, 14" x 16"

Box 7c	Folder 16	Costume plot, Act I  Costume plot, Act II  Poster: 1, 21 ½" x 15 ½"
	17	Promotional poster

    SEE ALSO: Accompanying Materials: Goodman Theatre, 1994,
       A Little Night Music

Northlight Theatre

1988

Nothing Sacred by George F. Walker (inspired by Turgenev's Fathers and Sons).
Opened on December 14, 1988. Directed by David Petrarca, lighting design by
Robert Christen, scenic design by Michael Phillipi, composer and sound design by
Richard Woodburg, production stage manager Anthony Berg.

Swatches:

Box 3a

Folder 1

Fabric Swatch  Floor and Portal, wood colors

Drawings: 19, watercolor and colored pencil on cream Stonehenge-type paper, 15" x 11"

Box 3a	Folder 2	Anna, Act I-3 - with fabric swatch
	3	Anna, Act II-9 - with fabric swatch
	4	Arkady, Prologue, Act I-1, 2, 3, 4 - with fabric swatch
	5	Arkady, Act II-5, 6
	6	Arkady, Act II-9 - with fabric swatch
	7	Bailiff, Prologue, Act I-1, 2; Act II-5, 7, 9
	8	Bazarov, Prologue, Act I-1, 2, 3, 4 - with fabric swatch
	9	Bazarov, Act II-5, 6, 8, 9 - with fabric swatch
	10	Fenichka, Act I-1; II-9 - with fabric swatch
	11	Fenichka, Act I-2, 5, 6 - with fabric swatch
	12	Grégor, Prologue, Act I-4  Grégor, Act II-5, 6, 7  Nicolai, Act I-2; Act II-6, 7
	13	Nicolai, Act I-1, II-5, 9 - with fabric swatch
	14	Pavel, Act I-1 - with fabric swatch
	15	Pavel, Act II-5 - with fabric swatch
	16	Pavel, Act II-5  Pavel, Act II-9  Pyotr [sic], Act I-2, Act II-6, 7

Working Drawings: 24, colored pencil and some ink on tracing paper, 13 7/8" x 10 7/8"

Box 3a	Folder 17	Anna, Act I-3  Anna, Act II-6  Anna, Act II-9  Arkady, Prologue; Act I-1, 2, 3, 4  Arkady, Act II-5, 6  Arkady, Act II-9  Bailiff, Prologue; Act I-1, 2; Act II-5, 7, 9  Bazarov, Prologue; Act I-1, 2, 3, 4
	18	Bazarov, Act II-5, 6, 8, 9  Fenichka, Act I-1; Act II-9  Fenichka, Act I-2; Act II-5, 6  Grégor, Prologue; Act I-4  Grégor, Act II-5, 6, 7  Grégor, Act II-8, 9  Nicolai, Act I-1; Act II-5, 9  Nicolai, Act I-2; Act II-6, 7
	19	Pavel, Act II-5  Pavel, Act II-8  Pavel, Act II-9  Pyotr [sic], Act I-1; Act II-5, 8, 9  Pyotr [sic], Act I-2; Act II-6, 7  Sergei, Act I-3; Act II-5, 6, 7, 9  Sitnikov, Victor, Act I-3  Sitnikov, Victor, Act II-6, 9

    SEE ALSO: Accompanying Materials: Northlight Theatre, 1988, Nothing
       Sacred
    SEE ALSO: VJC oversize folder 2: Promotional poster, Goodman Theatre, 1993,
       Cry the Beloved Country

Steppenwolf Theatre Company

1996

The Libertine by Stephen Jeffreys. February 14-March 31, 1996. Directed
by Terry Johnson, sets by Derek McLane, sound design by Richard Woodbury,
fight direction by Robin McFarquhar, lighting by Kevin Rigdon, choreography
by Béa Rasid.

Swatches: 2 index cards with samples; 1 fabric swatch sheet

Box 4a	Folder 1	Barry bodice and skirt; Rochester overcoat
	2	"Vogue Fabrics, Inc."

Drawings: 11, gouache, pencil, colored pencil and watercolor on tan handmade
watercolor paper, 17 5/8" x 12"

Box 4a	Folder 3	Alcock
	4	Barry, Elizabeth - with fabric swatch
	5	Charles II, King  Downs, Billy  Earl of Dorset
	6	Etheridge, George  Harris  Luscomb, Mrs.
	7	Rochester, Lady  Rochester, Lord  Will, Mrs.

Rehearsal Drawings: 3 photocopies with fabric swatches attached, 8 ½" x 11"

Box 4a	Folder 3	The Country Wife - with fabric swatch
	4	Elizabeth Barry Rehearsal Clothes - with fabric swatch    (brown plaid)
	5	Elizabeth Barry Rehearsal Clothes - with fabric swatch    (teal & rose)

    SEE ALSO: Accompanying Materials: Steppenwolf Theatre, 1996, The
       Libertine
    SEE ALSO: Photographs: Steppenwolf Theatre, 1996, The Libertine

St. Nicholas Theatre Company

1981

Anna Christie by Eugene O'Neill. 1981.

Swatches: 2 sets of fabric swatches stapled to 8 ½" x 11" paper.

Box 4a	Folder 11	Anna, Act I
	12	Anna, Act II

Drawings: 18, graphite, watercolor and gouache on mauve Canson-like paper,
15 7/8" x 11"

Box 4a	Folder 13	Anna, Act I  Anna, Act II
	14	Anna, Act II - with fabric swatch
	15	Anna, Act III  Burke, Matt, Act II  Burke, Matt, Act III-IV  Chris, Act I  Chris, Act II
	16	Chris, Act II, IV  Johnny the Priest, Act I  Johnson, Act II  Larry, Act I  Longshoreman, Act I
	17	Mailman, Act I  Owen, Marthy, Act I  Seaman #1, Act II  Seaman #2, Act II  Seaman #3, Act II

Out-of-State Theaters

Guthrie Theater
Minneapolis, MN

1980

Desire Under the Elms by Eugene O'Neill. August 19 (Preview), August 23
-October 3, 1980. Directed by George Keathley, scenic designer James
Guenther, lighting designer John McLain, sound designer Bruce Margolis,
violin by Jackie Lutz, music by Dick Whitbeck, dances by John Command,
assistant director Ron Lee, stage manager Michael Facius, assistant stage
manager Jann Iaco.

Swatches: 1 fabric swatch and 1 set design color sample painted on board

Box 6b

Folder 11

Fabric swatch  Set design colors

Drawings: 23, graphite, colored pencil, watercolor and gouache on Canson Montval
watercolor paper (green-gray speckled), 19 5/8" x 12 ¾"

Box 3a	Folder 12	Abbie, Act I-4  Boy, Act III-1, 2  Cabot, Eben, Act I  Cabot, Eben, Act III
	13	Cabot, Ephraim, Act I-4; Act III-1, 2  Cabot, Ephraim, Act II-1, 2, 4; Act III-4  Cabot, Peter, Act I  Cabot, Simeon, Act I
	14	Dancer #1, Act III-1, 2  Dancer #2, Act III-1, 2  Dancer #3, Act III-1, 2  Dancer #4, Act III-1, 2
	15	Dancer #5, Act III-1, 2  Dancer #6, Act III-1, 2  Dancer #7, Act III-1, 2  Dancer #8, Act III-1, 2
	16	(Old) Farmer, Act III-1, 2  Farmer's Wife, Act III-1, 2  Fiddler, Act III-1, 2  Girl, Act III-1, 2
	17	Sheriff, Act III-1, 2, 4  Sheriff's Wife, Act III-1, 2  Stout Man, Act III-1, 2

    SEE ALSO: Accompanying Materials: Guthrie Theater, 1980, Desire Under
       the Elms

Missouri Repertory Theatre
Now known as Kansas City Repertory Theatre

1985

Othello by William Shakespeare. 1985.

Drawings: 32, watercolor, ink, gouache, pencil and black marker on tan textured paper,
16" x 11"

Box 5a	Folder 1	Bianca, Act II- 1, 2, 4 - with fabric swatch
	2	Brabantio, Act I- 1, 2, 3 - with fabric swatch and paint    chips
	3	Cassio, Act I-2, 6; Act II-1, 2, 4, 5 - with fabric swatch    and paint chips
	4	Cassio, Act I-4, 5 - with fabric swatch and paint chips
	5	Clown, Act I-4 - with fabric swatch and paint chips
	6	Cypriot gentlemen, Act I-4, 5; Act II-1  Cypriot musicians, Act I-5, 6; Act II-1  Cypriot women and musicians, Act I-4; Act II-1
	7	Desdemona, Act I-3 - with fabric swatch and paint chips
	8	Desdemona, Act I-3, 4, 5 - with fabric swatch
	9	Desdemona, Act I-4 - with fabric swatch
	10	Desdemona, Act I-5 - with fabric swatch and paint chips
	11	Desdemona, Act I-6; Act II-1, 2, 3 - with fabric swatch
	12	Desdemona, Act II-3, 5 - with fabric swatch and paint    chips
	13	Emilia, Act I-4 - with fabric swatch and paint chips
	14	Emilia, Act I-4, 6; Act II-1, 2, 3, 4, 5 (sketch on reverse)    - with fabric swatch and paint chips
	15	Gratiano, Act I-3; Act II-4, 5 - with fabric swatch and    paint chips
	16	Iago, Act I-1, 2, 3, 6; Act II-1, 2, 4 - with fabric swatch    and paint chips
	17	Iago, Act I-4, 5 - with fabric swatch and paint chips
	18	Lodovico, Act I-3; Act II-1, 3, 4, 5 - with fabric swatch    and paint chips
	19	Montano, Act I-4, 5; Act II-5 - with fabric swatch and    paint chips
	20	(2) Officers to Cassio, Act I-2, 3; Act II-5 - with fabric    swatch and paint chips
	21	Othello, Act I-2, 3 - with fabric swatch and paint chips
	22	Othello, Act I-4, 5 (sketch on reverse) - with fabric swatch    and paint chips
	23	Othello, Act I-4, 5; Act II-1, 2, 3, 4 - with fabric swatch    and paint chips
	24	Othello, Act II-5 - with fabric swatch and paint chips
	25	Rodrigo, Act I-1, 2, 3 - with fabric swatch and paint chips
	26	Rodrigo, Act I-4, 5; Act II-2, 4 - with fabric swatch and    paint chips
	27	(2) Senators, Act I-3 - with fabric swatch and paint chips
	28	(5) Servants to Brabantio/Othello, Act I-1, 2, 3, 4; Act II    - with fabric swatch and paint chips
	29	(2) Soldiers to Othello, Act I-2, 3, 4, 5 - with fabric    swatch and paint chips
	30	(2) Venetian gentlemen, Act I-2, 3 - with paint chips

Photographs

Box 1

Apollo Theatre

1981

Tintypes by Mary Kyte. 1 photo

Folder 1

Promotional photograph of cast, 8" x 10", black & white.  Original envelope: from Molly Landgraf, Assistant Director  of Development at Goodman Theatre, to Cindy Bandle,  Press

Goodman Theatre

1970

Heartbreak House by George Bernard Shaw. 2 photos.

	Folder 2	Ann Casson and hair designer James Chiaro on opening  night, 8" x 10", black & white
	3	Fionnuala Flanagan and hair designer James Chiaro on  opening night, 8" x 10", black & white

1978

Much Ado About Nothing by William Shakespeare. 1 photo.

Folder 4

Herbert Senn, Stephen Ross, William Woodman, Helen  Pond, and Virgil Johnson on the stage of Much Ado About  Nothing, 8" x 10", color

1981

Plenty by David Hare. 1 photo.

Folder 5

Ellen Ryba and Virgil Johnson, 8" x 10", black & white

1985

The Government Inspector by Nikolai Gogol. 6 photos.

	Folder 6	Entire cast and staff, 8" x 10", black & white
	7	Virgil Johnson and Henriette Swearingen, 8" x 10", black  & white
	8	Virgil Johnson and Jack Wallace, 8" x 10", black & white
	9	The Mayor (production photo), 8" x 10", black & white
	10	The Mayor and his Wife (production photo), 8" x 10",  black & white
	11	Michael Merritt (set designer), Todd Schmidt (assistant  director), and Frank Galati (director), 8" x 10",  black & white

1991

The Visit by Friedrich Duerrenmatt. 3 photos

	Folder 12	Set model, Polaroid, black & white
	13	Virgil Johnson, backstage, 8" x 10", black & white
	14	Virgil Johnson, full length, 8" x 10", black & white

Steppenwolf Theatre Company

1996

The Libertine by Stephen Jeffreys. 7 photos.

	Folder 15	Costume photograph, Carole Gutierrez, Polaroid
	16	Costume photograph, Mariann Mayberry, Polaroid
	17	Costume photograph, Lisa Nicholls, Polaroid
	18	Costume photograph, Martha Plimpton, Polaroid
	19	Costume photograph, Missi Pyle, Polaroid
	20	Costume photograph, mask, 4" x 6"
	21	Costume photograph, mask, 4" x 6"

Accompanying Materials

Box 1

Apollo Theatre

1981

Tintypes by Mary Kyte.

Folder 1

Program

Arlington Park Theatre

1974

Dance on a Country Grave by Kelly Hamilton.

Folder 2

Program

Body Politic Theatre

1981

Petrified Forest by Robert E. Sherwood.

Folder 3

Program

Court Theatre

1997

Philadelphia Story by Philip Barry.

Folder 4

Program

Goodman Theatre

1969

You Can't Take It with You by George S. Kaufman and Moss Hart.

Folder 5

Program

1970

A Doctor in Spite of Himself by Moliere.

	Folder 6	Program
	Folder 7	Review, "Mod Moliere for Children," by Shirley Lowry, n.d.

Heartbreak House by George Bernard Shaw.

Folder 8

Program

1971

Poor Bitos by Jean Anouilh.

Folder 9

Program

Assassination, 1865 by Stuart Vaughan.

Folder 10

Program

1972

Royal Family by George S. Kaufman and Edna Ferber.

Folder 11

Program

1973

Twentieth Century by Ben Hecht and Charles MacArthur with Bruce Millholland.

Folder 12

Program

1974

Henry IV by William Shakespeare.

Folder 13

Program

Cherry Orchard by Anton Chekhov.

Folder 14

Program

1976

Long Day's Journey into Night by Eugene O'Neill.

Folder 15

Program

1977

Don Juan by Moliere.

	Folder 16	Program
	Folder 17	Correspondence, n.d.

The Seagull by Anton Chekhov.

Folder 18

Program

1978

Much Ado About Nothing by William Shakespeare.

Folder 19

Program

1981

Plenty by David Hare.

Folder 20

Program

1985

The Government Inspector by Nikolai Gogol.

	Folder 21	Program
	22	Costume plots
	23	Notes on fabric supply stores

1990

The Winter's Tale by William Shakespeare.

Folder 24

Program

1994

A Little Night Music by Stephen Sondheim.

	Folder 25	Program
	26	Set design notes

Northlight Theatre

1988

Nothing Sacred by George F. Walker.

	Folder 27	Program
	28	Actor costume measurement sheets
	29	Production notes
	30	Production schedule

Steppenwolf Theatre Company

1996

The Libertine by Stephen Jeffreys.

	Folder 31	Program
	32	Actor costume measurement sheets and resumes
	33	Correspondence

Out-of-State Theaters

Guthrie Theater
Minneapolis, MN

1980

Desire Under the Elms by Eugene O'Neill.

Folder 34

Program